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Short filmTranscript
00:00Music
00:04Music
00:10Music
00:14Music
00:20Music
00:24Music
00:28Music
00:32Music
00:34Music
00:42It isn't the way that you look
00:46And it isn't the way that you talk
00:50It isn't the things
00:54That you say or do
00:56me want your soul. It has nothing to do with the why, or the music that's flooding my mind.
01:07But never before have I been so sure, you're the someone I dreamed I would find. It's the
01:19way you make me feel the moment I'm close to you. It's a feeling so ugly, so hard to believe it's true.
01:38Fuck up, Dusty.
01:49You're right, Fidel, you're all right, Mindy? Who's that?
01:59The crack is all good. How's the form? Good. Are you trying to rub their prodding holes, is it?
02:04The younger generation are now taking part in stone-throwing. Can't put units back all
02:09across the so-called peace wall... There's no wall high enough.
02:12No fancy me. Don't take him, Fidel.
02:15Nothing be to eat, he's a leif boy.
02:18Where's the dishcloth?
02:24Any bit of an opinion on streaking?
02:26Barry's had a beard trimmed.
02:28He makes his forehead look weak.
02:30There isn't mama too much time on his heart, sir.
02:32That's good. Different from him, yeah?
02:34Stay to that.
02:36I think it's ridiculous, and the first baby's car too cold.
02:39Might he be up for a bit of that, personally?
02:41What about you, Minty?
02:43Buff up your big belly and have it shining like a full moon.
02:46It'd be a celestial wonder, two moons, front and back.
02:58It's run a good wee word, Michael.
03:00Yeah, ma'am.
03:01How are you?
03:03The whole fire's too hot for you.
03:06Due to a spark.
03:08What can I get you?
03:10All right, Jameson, please.
03:11Take a seat by the fire and bring it over.
03:13I'm comfortable here, far.
03:27Go on then, pretty boy.
03:28I thought you were a mad bastard.
03:29Blast, blast, blast, blast, blast, blast, blast, blast, blast.
03:34Ah!
03:35You're so busted.
03:39Oh, you're a fucking mate.
03:40All right, mate.
03:43What the hell?
03:44Put it in your legs.
03:47Man down!
03:50You all right?
03:52Hey!
03:53Oh!
03:57Calm down, Jones.
04:02Did you see what that soldier just did?
04:03No.
04:04Yeah, did you lie or call the bar ex?
04:05I can't, no one.
04:06Call the bar ex now.
04:07Mummy do it if she was here.
04:08Daddy knew about her head than her mouth shut bar open.
04:14Four lagers.
04:19Nice view.
04:24Old man.
04:25She's pretending she can't hear me.
04:27Perhaps because you're humiliating her.
04:31Come on, mate.
04:32She's having a laugh.
04:36Humour is most effective when it's mutual.
04:43Take him home, lads.
04:45I'm back to the barracks with you.
04:53Hey.
04:54Come on.
04:55Let's go.
04:57All right, all right.
04:58Come on, mate.
04:59Let's go.
05:04Sorry.
05:08Stand for another one, lads.
05:18Could you throw another in there for me, please?
05:22Would you like one yourself?
05:24I'm teaching in the morning.
05:26Thank you, though.
05:27Alan Merlin's put to poor use on this, in my opinion.
05:33Alan McDowell, he's been pigeonholed since Clockwork Orange.
05:36I couldn't finish that book.
05:37Never mind the film.
05:38The film's beautiful.
05:39Even the violence is exquisite.
05:43He wrote that book after his wife had been attacked by soldiers.
05:59Even the violence is exquisite.
06:04He wrote that book after his wife had been attacked by soldiers.
06:09He turned his suffering into art.
06:14I'd rather art without the suffering.
06:17Shares wife would too.
06:18Can you have one without the other?
06:20God, what are you an artist?
06:24No.
06:25But they do say that old Barrist is a frustrated actress.
06:29Oh.
06:55Oh, Jesus Christ, what's the matter?
06:56What is the thing for the hell I wanted to see?
06:57Sure.
06:58Don't waste a bullet on me.
06:59I'm going to come in one day and find you in front of your crest.
07:00Do you wish?
07:01Right, come on.
07:02Were you as busy?
07:03Yeah.
07:04The usual.
07:05I need some soldiers.
07:06Let's go.
07:07You missed a career as a fire safety officer.
07:08Oh, no.
07:09You missed a career as a fire safety officer.
07:10No.
07:11No.
07:12No.
07:13No.
07:14No.
07:15No.
07:16No.
07:17No.
07:18No.
07:19No.
07:20No.
07:21No.
07:22No.
07:23No.
07:24No.
07:25No.
07:26No.
07:27No.
07:28No.
07:29No.
07:30No.
07:31No.
07:32It's a fire safety officer.
07:34Kinda man.
07:35Hmmmm?
07:37Michael.
07:38Yeah?
07:39He's 40s dark.
07:40Awfully, awfully.
07:42I'm Michael Agnew.
07:44There is a blast from the past.
07:48Past Proud lives in one of them big houses up on the Hill.
07:53You know him?
07:54yeah.
07:55He used to come in at the bar a fair but years ago.
07:57Your daddy liked him.
07:58He was a good crack.
08:01Kept his politics at home back then.
08:07Christ, I hope he doesn't bring trouble in on Neiman.
08:10What do you mean?
08:11He upsets his proddy lot by defending some of our lads.
08:18It was gorgeous back then.
08:22He turned the knickers off you?
08:26Yeah.
08:27I hear the wives' sorry story.
08:31Sorry her.
08:32Fond of the drink.
08:37Fond of the drink is she?
08:39God bless her.
08:41Right.
08:42Let's get you to bed.
08:44Yeah.
08:46One, two, three.
08:48Up we go.
08:52Then you.
08:54Slowly.
08:56And finally Breed Quinn.
08:59Okay.
09:00How about a wee story before assembly?
09:05What about news miss?
09:07Okay.
09:08Quick news.
09:09Who's first?
09:10There was a bomb in Belfast.
09:13He says that every day.
09:14I read it.
09:14Well, today he's right.
09:16It wasn't in Belfast.
09:17I was in on sand or a device in the head for the British army.
09:20Plopped it near the border by the INLA.
09:22Brooks blew the prematurely, killing two boys.
09:24What's the INLA?
09:26What's the INLA, Miss?
09:28Irish National Liberation, aren't I?
09:30Sean, you could be all mastermind.
09:32Chosen subject, acronyms of the troubles.
09:34There was a thing about streaking.
09:36There was?
09:37You're blushing this.
09:39She's standard thinking of them streakers in the nude.
09:46Excuse me.
09:48Everything in hand, Miss Lavery?
09:51Sit down!
09:57What age are you?
09:59Eight.
10:01I'll tell you a story about an eight-year-old.
10:05And you better be listening most of all, Davey McKeown.
10:08Even in that Protestant estate.
10:10Surrounded by them.
10:15The wee Catholic girl
10:17went out on a message for her mommy.
10:20A gang of Protestant men
10:22pulled her into an entry.
10:25Right, that's the bail assembly, everyone.
10:27Let's go.
10:28Mum?
10:29There, she can't wait up.
10:30Take a bite.
10:30No, no, no.
10:31Bye, Keith.
10:32Come on, Zoe.
10:32Let's go.
10:41Ain't it good?
10:42Ain't it right?
10:44That you are with me
10:46Here tonight
10:48The music playing
10:50Our bodies swaying in time
10:55Rock me gently
10:57Take it easy
11:01Don't you know
11:02That I have never been loved like this before
11:09Baby, baby
11:10Rock me gently
11:11Rock me gently
11:12Rock me slowly
11:13Take me easy
11:14That you know
11:15That I have never been loved like this before
11:17Baby, baby
11:18Rock me gently
11:20Come on, Mummy. Off to bed. Let's go.
11:32Mummy.
11:38For fuck's sake, Mummy.
11:50I can't just leave her here on the floor on the estate.
12:06Who's that?
12:07You mean she's getting worse?
12:08I have to go. There's a few in. The scum are acting up again.
12:11Right, who's there?
12:12The usual. And Becca, your hero from the estate.
12:20Just a second.
12:23I can't take care of now.
12:29What's the other thing?
12:34I've found it.
12:40I've found it.
12:42I've found it.
12:44The future will be at this place.
12:48TV?
13:04TV?
13:09TV?
13:11You okay?
13:14I'll get you inside.
13:17You're soaked in the skin.
13:19Davie McKeown, where's your coat?
13:21I forgot it.
13:23Go get that one for me.
13:25And tell your Protestant mother we Catholics look after our children.
13:30Mixed marriages are an abomination.
13:44A wad's kettle.
13:47Does, actually, boy.
13:49How's your morning going?
13:50Father Slattery was in with another horrific story.
13:53I get the guitar out when I see him coming.
13:56Drowns him out.
13:57Not even he deserves that.
14:01Do you remember Louise?
14:03Top P3 last time before they fired him.
14:07She's just working in a shoe shop in Wolverhampton, mate.
14:10Did the fella go with her?
14:12Of course not.
14:13He's still here with his wife.
14:15All forgiven.
14:15What sort of shriveled soul would write to the bishop about somebody else's love life?
14:21You know what this place is like.
14:25Do you want to come to a party on Saturday night in Belfast?
14:28My housemate's moving out.
14:31Go on, Gerry.
14:32It's better than watching the generation game with my mummy.
14:38Jamie.
14:39Do you want to come to the club of strangers you are?
14:50You, Paul, people better watch yourself.
14:54Turn in here.
14:58We're down the back.
14:59Like cornered rats, our Tommy says.
15:01Do you want to come?
15:02Are you going to come to the club?
15:03Is that going to be you for the club?
15:05Yes, there, Tommy.
15:05Shall I stop her?
15:06Shall I stop her?
15:07Should I stop her?
15:08Are you going to kiss him?
15:08Eat shit up, you're going to box.
15:10What kind of problem, man?
15:12There's Mummy and Mandy.
15:20What did I tell you about a coat?
15:22My head's like a self.
15:24I better go on. I'm going to be late.
15:26Thanks for bringing him home.
15:38Fuck off, Acta!
15:41Heya.
15:46Hi.
15:49Oh, Jesus.
15:50What?
15:56I'm Gina.
15:57Hi, how are you? I'm Gerry.
15:59And where are you from, Gerry?
16:01OK, we actually don't have time for Who's Your Granny?
16:04Because we're doing Belfast night.
16:05Excuse me, if your mammy wants to meet the man,
16:07it's taking you off.
16:08All you want to know is, is he Catholic and is he single?
16:10And he is, and he is, so let's go.
16:12I'll call in next time, Mrs. Lover.
16:15Better you knock on my door than me knock at your window.
16:22I'm sorry about her.
16:24Stunned her.
16:25You didn't have picked me up, Gerry.
16:27I could have got off the train.
16:28I don't mind.
16:29Besides, you would have missed this.
16:31I don't mind.
16:32I don't mind.
16:33Besides, you would have missed this.
16:34I don't mind.
16:35I'm sorry.
16:36I'm sorry.
16:37I can't believe it's coming.
16:38I don't mind.
16:39I don't mind.
16:40I don't mind.
16:41Yeah.
16:44Yeah.
16:46Yeah!
17:09Where are you going?
17:10I'm Paulie.
17:11I want an address.
17:13What, hey, do you want to come?
17:16I think we've got a comedian here.
17:19We're going to St Paul's, Terrace.
17:22Step out.
17:34To the wall.
17:36You have the wall paint on, sweetheart.
17:38Going to a party?
17:39Cut your legs.
17:41Your boyfriend on a promise?
17:43No.
17:44You're teasing him there.
17:46Go on.
17:47You're a prick tease.
17:50Hello.
17:51Well, what's a crack?
17:52Size of you?
17:53Cheeky talker.
17:54Joe, hi.
17:55This is Cushley from school.
17:56I told you about it.
17:57Nice to meet you.
17:58What happened?
17:59Jack went.
18:00The bastards.
18:01You wouldn't have any soldiers over your way, I suppose.
18:02Sure they work, I suppose.
18:03Doesn't she feed and water them?
18:04Her people have a pub.
18:05Hardly a pub left up, are we?
18:06Hardly a pub left up, are we?
18:07Just the ones haven't been blown up.
18:08Yet.
18:09They're not bothered with yours.
18:10Actually, my brother stands behind the bar every night.
18:12Fred, you open his door.
18:13It's a crack.
18:14It's a crack.
18:15It's a crack.
18:16Size of you.
18:17Cheeky talker.
18:18Joe, hi.
18:19This is Cushley from school.
18:20I told you about it.
18:21Nice to meet you.
18:22What happened?
18:23Jack went.
18:24The bastards.
18:25You wouldn't have any soldiers over your way, I suppose.
18:27Sure they work, I suppose.
18:28Doesn't she feed and water them?
18:29Her people have a pub.
18:30Hardly a pub left up, are we?
18:31Just the ones haven't been blown up.
18:32Yet.
18:33They're not bothered with yours.
18:35Actually, my brother stands behind the bar every night.
18:39Fred, you open his mouth in case he offends somebody,
18:41and he has a blow-lawless hit list.
18:45But he did load me up with some out of the cider, so...
18:48Nothing we can't endure.
18:50Like Jerry's guitar playing.
18:51Yes!
18:52Absolutely done you, though.
18:54I thought you liked it.
18:56Which is not wrong, eh?
18:58Back through the glen I rode again.
19:06My heart with grief was sore.
19:11For I parted with those...
19:15I'm going to the bathroom.
19:17...whom I'll never see no more.
19:22But to and fro...
19:25If my dreams let go...
19:28I might kneel, I pray for you.
19:34More!
19:37Hahahaha!
19:39Ffff!
19:40Tough!
19:41Tough!
19:43Tough!
19:44Tough!
19:45Tough!
19:46Tough!
19:47Tough!
19:49Tough!
19:50Tough!
19:51Tough!
19:52Hope you had a good night.
20:07Had a great night.
20:09It's nice to get out.
20:13Sorry, sorry, no, I...
20:15Fuck. Um...
20:16I thought you know...
20:17No, no.
20:18Just...
20:21No, Jerry.
20:24Sorry, um...
20:27Um...
20:32Is this what I was done now?
20:39Maybe we could still go out.
20:42Well...
20:44I'd be happy with that.
20:46Me too.
20:47I need a life.
20:48Jesus, I can't promise you a life, Cushler.
20:50Just the odd opening.
20:52I'll take it.
20:56I'll take it.
20:57I'll take it.
20:58I'll take it.
20:59I'll take it.
21:00I'll take it.
21:01I'll take it.
21:02I'll take it.
21:03I'll take it.
21:04I'll take it.
21:05I'll take it.
21:06I'll take it.
21:07I'll take it.
21:08I'll take it.
21:09I'll take it.
21:10I'll take it.
21:11I'll take it.
21:12I'll take it.
21:13I'll take it.
21:14I'll take it.
21:15I'll take it.
21:16I'll take it.
21:17I'll take it.
21:18I'll take it.
21:19I'll take it.
21:21I'll take it.
21:23Did you just have a nice night?
21:26I don't know what you mean, sir.
21:28Grant.
21:30Jerry's a good sport.
21:35Your mam was in the paper tonight.
21:38In this rock and wig.
21:40Who?
21:42Mike Lagnew.
21:46Banging on about police brutality again.
21:49He'll not do himself any favours saying things like that, act loud.
21:56Is it brave of him?
21:57Brave?
21:58Or reckless?
21:59He should know to give us my son.
22:02Any anger?
22:03Hi, Eamon.
22:04It's me.
22:05You can put me down for some shifts.
22:07What?
22:08How many, like?
22:09Say three for now.
22:11I'd be grieved, I need you tomorrow night.
22:13Why the son nurse to help?
22:15Because if I stay my mummy, I might actually kill her.
22:19Thanks, Kirshla. Nighty-night.
22:21Night.
22:22Night.
22:34I have called this emergency assembly
22:37because the father of one of our pupils is in hospital.
22:41The best thing we can do now is say a wee prayer.
22:50Davy McGowan's father was left for dead by a loyalist gang last night.
22:55Mr. McGowan was a good Catholic man who made the mistake of marrying the enemy.
22:59But even though Mr. McGowan brought this on himself, these loyalist murder gangs are hungry for all Catholic blood.
23:08Your daddy's could be next.
23:09Can we sing a wee song?
23:10Yeah.
23:11Come on.
23:12Come on.
23:13Yeah.
23:15imagined
23:17some bombs
23:20staking up long after.
23:23Where Will this bloody fight end
23:28if we don't learn to make amends
23:29If we don't learn to make amends
23:33Take away the hate and the violence
23:37Bring love into our heart
23:41Take away the hate and the violence
23:45Let's finally give peace a head start
23:48Great. Enough. Here.
23:51Firens, they well through the night
23:54Fingers on lips.
23:57Good man.
23:58Erin, will you wait at the door for me, please?
24:00Okay.
24:03Lovely.
24:04Fair play, Gerry Harkin.
24:05You're the only one with the balls to stand up to that lunatic.
24:08Thank you for your expert clapping.
24:10Erin, do you think I should go around them gowns?
24:13Give them a wee while out, too.
24:15Oh, here.
24:16What about Norway trip to Belfast on Friday?
24:19The theatre?
24:20Promise not to lob the gob this time.
24:22Theatre?
24:23I go on.
24:25Aren't we awfully awfully?
24:27I'm sorry.
24:28There you are.
24:42There you are.
24:45Um...
24:46Penny?
24:47Jim?
24:48This is Kushler.
24:49Hello.
24:50Hello.
24:51Right, shall I get us a drink?
24:53I'll have a drink.
24:55My friends actually give me one.
24:57So how do you two know each other?
25:04Well, I know everybody.
25:06Hi.
25:07Jerry.
25:08This is Michael Agnew and his friend, Penny.
25:10Jerry.
25:11How's about this?
25:12Hello.
25:13Well, I hope you enjoy the show.
25:16What?
25:17I'm surprised to see you here, Michael.
25:19Hi, Victor.
25:20I thought you got on their ground.
25:22Why?
25:23Fox Fistel Branch?
25:24I've got one extra.
25:35Are you enjoying the playing?
25:39Saad?
25:40Mm.
25:41I, um...
25:42I like the way he calls it.
25:43The town.
25:44Ballybeg.
25:45Small town.
25:46Do you speak Irish?
25:47Yeah.
25:48I'm schooling teacher, Trina.
25:49And you've got an Irish name.
25:50I made up one for a song.
25:51Hushlum O'Cree.
25:52Pulse In My Heart.
25:53That's beautiful.
25:54Hushlum O'Cree.
25:55My friends and I are trying to learn Irish.
25:58We made a penny in gym, so I'm going to come to teach us some time.
26:03I'm schooling teacher, Trina.
26:04And you've got an Irish name?
26:05You've got an Irish name.
26:06I made up one for a song.
26:07Hushlum O'Cree.
26:08Hushlum O'Cree.
26:10Hushlum O'Cree.
26:11Hushlum O'Cree.
26:12Hushlum O'Cree.
26:13Hushlum O'Cree.
26:15Hushlum O'Cree.
26:16We made the penny in gym to ask when we come to teach us some time.
26:24Jerry. Hi.
26:25Sorry. Bye.
26:31Drink that as I am.
26:34It's nice that, isn't it? Yeah.
26:36Really good.
26:37The actor playing the SP is breaking my heart.
26:39Yeah.
26:40Why would Special Brunch be interested in Mike Legg now?
26:46They think he's a traitor.
26:48Defending young R.A. lad and banging on about police brutality.
26:51And does he defend him?
26:52No.
26:53Just some of our young stone-froars.
26:55Tries to talk about it, Johnny.
26:57Gets him to recognise the courts,
26:59which makes him a willing agent of the evil system,
27:01so...
27:02But I hate him.
27:03And the peelers hate him.
27:04And even his own proddy lad hate him.
27:05Poor fucker.
27:07He's not winning this place.
27:08He's all right.
27:10But I'd not take a drink off him.
27:26Look who he is.
27:27How are you?
27:28Good people.
27:37Jamie tells me you're doing English for your eye levels.
27:40What texts are you reading?
27:43Pass you to India.
27:44And the will on it.
27:46Have you read Jude the Obscure?
27:48It's good.
27:49It's the best.
27:50I didn't pick up another book for months after.
27:55Can't get to the library till Daddy's one.
27:56I can loan you my copy.
28:01What's your Daddy doing?
28:08He's got a fractured skull.
28:10Both legs broken.
28:12Cracked rib.
28:13Collapsed lung.
28:14Uptured spleen.
28:16Those proddy bastards
28:17slice his hands and wrists
28:18with a knee arm and into a plank.
28:20Why don't you take my number and you can give me a call if you need anything.
28:27All right.
28:29What's the number?
28:3142876.
28:36That's his wee poem book.
28:38Come over.
28:40No, Mrs Lavery.
28:42Hi, dear.
28:44Daddy was beat up for loving me, Mummy.
28:46Hey.
28:48He's still in hospital.
28:50Aye.
28:52I heard.
28:54Terrible carry-on.
28:59Stop in, home.
29:01I've got a wee song for Mrs McKeown.
29:05Mummy!
29:06Mrs Lavery's here!
29:09Hi, Betty.
29:11I brought you a wee pie.
29:12Toby pie.
29:16Sorry, Betty.
29:19All right, fellas?
29:20Why were we?
29:24Oh, you've got to hang those outside.
29:27The neighbours keep cutting down our washing line.
29:29They throw dogshade over the fence.
29:31Oh, Jesus.
29:33Right.
29:37A half hour should do it.
29:39Right.
29:41You better get on.
29:43You want to stay?
29:45No.
29:46But thanks, Betty.
29:48Well, thanks to you.
30:01Go back inside, Tommy.
30:03Pathetic.
30:04They've come to taunt us.
30:05Oh, love.
30:06Let me handle it.
30:07Aye, Lady Mac.
30:08Go mount your friend.
30:10Take yourselves off.
30:11It's free country.
30:13Now.
30:15Go on.
30:16Don't touch me.
30:17Talk a way off.
30:18Burn your own door.
30:19Go on.
30:20I know.
30:21Jesus Christ, madam.
30:22Do you want something up here?
30:23I know.
30:24As far as the ones around here are concerned,
30:25she's worse than a Catholic from everyone.
30:26They were saying that the hairdressers,
30:27even our own family don't talk to her.
30:28Come to the Irish language, Lynn.
30:29Help you exoticize the natives.
30:30It's in Belfast.
30:31I could pick you up at 7 on Monday.
30:32I'm away with Jerry.
30:33I thought he was going to call in.
30:34Stay safe.
30:35And good night.
31:04Adele's one in a UDA meeting up there.
31:10Just pity it clashes with your Irish night.
31:14Sorry, sir, there's a bit of an incident up ahead.
31:44I'm going to have to ask you to turn back to the scene.
32:03Volsha.
32:05It's impressive.
32:06Thank you very much.
32:07How are you?
32:08Come on in.
32:09I'm Grant.
32:11Hang your coat up there.
32:14Kushler, you're in for a treat.
32:15Penny has made her world-famous moussaka.
32:19Penny.
32:20Kushler was just admiring your Donegal painting.
32:22Oh, gosh.
32:23It's the only painting of mine I actually like.
32:26I'm mucking about the sculpture now.
32:29Hey.
32:30Michael, here.
32:31Help yourself.
32:32You're very welcome, Kushler.
32:36It all looks lovely.
32:37Oh, thank you.
32:38Yeah, I hope you're hungry.
32:40And thanks for coming for this Irish list.
32:44Jane.
32:45Hey.
32:46Hey.
32:47Hey.
32:49Good to see you.
32:50I like those things there.
32:52OK.
32:53Get stuck in there.
32:54Those are for you.
32:55Kushler, go ahead.
32:56You are good, sir.
32:57Oh, thank you.
32:58Mmm.
32:59I don't know what you've seen.
33:00Oh, you don't like it?
33:02I just didn't expect it to be fishy.
33:05Oh.
33:06Well, it is fish.
33:09Michael tells me you're a native speaker.
33:14I did it for my air levels.
33:16Oh.
33:21Can I help with anything?
33:23Yes.
33:24Would you grab the moussaka out of the oven there, please?
33:26Thank you, sweetheart.
33:27Did you hear Campbell College won the cup?
33:29Aye, yeah.
33:30I bundled that fella.
33:32The captain.
33:33Are there also when we won?
33:35Trevor.
33:36Trevor.
33:37Yeah.
33:38I see him about sometimes.
33:39Time has not been kind.
33:41Vector, don't be so mean.
33:43Nice.
33:44We should see this guy.
33:46Ah, you've burnt yourself.
33:47Oh, come here.
33:48Six o'clock.
33:52Oh, poor Kushler.
33:57Oh, here.
33:58There we go.
33:59Whatever way you want to deny it, Victor.
34:01You know police brutality creates terrorists out of Borgia and fellas who are throwing stones
34:05for kicks.
34:06I saw you keep telling us.
34:07How so long the can't you go, sir?
34:08You've not said a word against IRA brutality.
34:09They're kneecapping the very same outfit as you're defending.
34:10I'm not endorsing the IRA, Victor.
34:11How much garlic did you fit in this?
34:12We can never have enough garlic, Jane.
34:13Isn't that right?
34:14Jane, would you like some more moussaka?
34:15Why not?
34:16Chrisler?
34:17No, thank you.
34:18Would you not like it?
34:19Sláinte?
34:20Right.
34:21Shall we do this?
34:22Um, if you just talk amongst yourselves, I'll just see where you're at.
34:23All right, Michael.
34:24Flames is direct.
34:25Absolutely not.
34:26No, we need to go as a little bit.
34:27Go ahead, Michael.
34:28Please start.
34:29Absolutely not.
34:30No, no, no.
34:31It's not right.
34:32Jane, would you like someone a second?
34:33Why not?
34:34Krista?
34:35No, thank you.
34:37Do you not like it?
34:39Sláinte.
34:42Right, shall we do this?
34:45Um, if you just talk amongst yourselves, I'll just see where you're at.
34:51All right, Michael, going straight.
34:53Absolutely not.
34:55How about you tell us the Irish for no?
34:59Ni ha.
35:01That doesn't quite mean no.
35:03Well, I can do.
35:05It means it isn't.
35:08It's a tad slippery, don't you think?
35:12What do you mean, slippery?
35:14Evasive.
35:16Non-committal.
35:19Someone offers you a drink.
35:21How do you say no?
35:22Neroi.
35:23That sounds like a proclamation.
35:25Oh, Victor.
35:29Well, why don't we start with some simple phrases about how we're feeling?
35:34No.
35:35Ah, like...
35:36It's me.
35:37I'm full.
35:38Yes.
35:40And...
35:41It's Victor Cantolach.
35:44I'm Victor's cranky.
35:46Oh, well...
35:49Fair.
35:51Three points.
35:52Yeah, she's not wrong.
35:53Well, meet.
35:54You look like he's not going.
35:55Oh, Tell me that's all.
35:56I'm different.
35:57Yeah, I'm different.
35:58I'm different now.
35:59I'm different now.
36:00I'm different now.
36:01I'm different.
36:03I'm different now.
36:04But...
36:06I'm different now.
36:07And...
36:08I'm different now.
36:09I'm different now.
36:10How do you say that?
36:11Jarhar!
36:12Who?
36:13Jarhar.
36:14Jarhar.
36:15If you just want to pull in under there.
36:18Why? What are you planning to do?
36:20Not get torn and feathered.
36:24Fair enough.
36:34So will you come and teach us again?
36:45Amen.
37:15My circumstances are complicated.
37:30I will always be able to get away.
37:35Are you sometimes up?
37:39Yeah.
37:43Okay.
37:45Okay, everybody, easy.
38:01On the corridors, please.
38:03Slowly.
38:04Daddy came home last night.
38:19Do you want to come see him?
38:25Look, Divya, I don't think he's going to want to see me.
38:27I think it's best if you just leave her for family.
38:33But I told him I'll bite you.
38:39Go on in.
38:43Mommy.
38:44Hi, guys.
38:44Morning.
38:47Oh, thanks for coming.
38:49Mind that there.
38:51That's the second one they've left us today.
38:59Daddy.
39:02This is my teacher.
39:05Miss Lavery's been good to us.
39:10Come round here.
39:10Yeah.
39:11No, no.
39:30I don't know if we just got on the side list.
39:32This smooth chair did amazing parents and parents.
39:34That, of course, they were least 21 hours before the court.
39:36Josh has Boston Lavery Alley…
39:37Around here.
39:38Yeah, I'm on합니다.
39:38Don't worry.
39:39Go get over there.
39:39I don't know.
40:09What's your problem?
40:15Now you don't want the shifts?
40:17I'm sorry Eamon.
40:19I just didn't realise how much extra school work I'd have with the Communions and stuff.
40:22So you won't do any at all?
40:24No, none. Not for a while.
40:39It's a fourth fatality in the city in two days.
40:42Earlier, the funeral took place to sit in the church.
40:51Trading eggs on the black market.
40:53The class paints them for Easter.
40:55Oh, just as well. You wouldn't get much past me.
40:57The gunpowder in the IRA of the Falls Road in West...
41:03...has gone to the woman who risked her own weight...
41:07...and has angry his laugh...
41:09...and the center's on...
41:11...to try to charge...
41:13...and no healing for anyone...
41:15...and then...
41:17It's Michael.
41:19Have no tea in the pub all week?
41:21No.
41:23How did you get my number?
41:25The phone book.
41:27I'll be passing yours in two minutes.
41:29I...
41:30...I could pick you up.
41:32That's not a good idea for...
41:33...a million different reasons.
41:35I've had way worse.
41:36Seriously?
41:38It's daft and it's dangerous.
41:40I'll take us somewhere no one will see us.
41:43Please.
41:46Just...
41:47Just to talk.
42:08I just sobbed.
42:22The whole way home.
42:24All she really killed dead was marry a Protestant.
42:28No, it's not about what you do here.
42:30It's about what you are.
42:32To the home he's a traitor.
42:36To me he's a brave romantic.
42:39I just hate the way his place makes one thing or the other.
42:43Well that's the way we must make ourselves.
42:46It's easier said than done.
42:50I come from a long line of Catholics...
42:53...that have survived by keeping their heads down and their mouths shut.
42:56Having a big opinion like yours.
42:59It's a luxury I don't have.
43:02No.
43:03No, that's...
43:05That's not true.
43:06It's not.
43:07What, so I should just...
43:09...say what I want?
43:11Be with who I want, even if it means...
43:13...that I lose my job or...
43:15...or I put Eamon in danger or people throw dogshade at my mummy's washing line?
43:19Yes.
43:20Absolutely.
43:21Even if people call you selfish...
43:24...or...
43:25...or stupid...
43:26...or a Judas bastard.
43:32We must find the bravery...
43:34...to choose freedom over fear.
43:36It's taking up for you as a...
43:41...political act of defiance.
43:44No, it's rich.
43:47I get to be brave...
43:49...and you get your bit to decide.
43:51Look, you don't agree with me because I'm married to Warren Mose.
43:54Warren Mose will kiss her.
43:56And if that's one thing...
43:59...that...
44:01...that I accept...
44:03...but we cannot let the old bigots...
44:07...and...
44:08...the boys are gone...
44:10...tell us how they live.
44:12We just can't.
44:17Otherwise nothing will have been shared.
44:19It wins.
44:36I'd best go back.
44:39I'm going to be prepared for court tomorrow.
44:44You're not the only one with an important workload.
44:46I have to hard boil 30 eggs.
44:52Without cracking them.
45:05What are you at?
45:16Put these with the eggs.
45:24You know, they say it's unlucky at the gift course.
45:27Both of the giver and receiver.
45:30I am more than happy to take my chances with you, Kushner.
45:46...
46:01Hello, it's me.
46:02Uh, feel bad.
46:03Put me down for some shifts.
46:05You're like a yo-yo. How many?
46:07Four.
46:08Four?
46:09Jesus, you do feel bad.
46:11I need you tomorrow.
46:13Okay.
46:14See you then.
46:22Michael?
46:24No, it's...
46:25Tommy.
46:26You said I could call.
46:29Yeah, of course.
46:30Erm, how are you?
46:32Alright.
46:33Mummy says she must give you a dish back from the pack.
46:35From the pack.
46:36It's no rush.
46:37Erm, how's your daddy?
46:39I might buzz on ours.
46:41Yeah.
46:42It's a hard time for you's all.
46:43It's...
46:45desperate.
46:46Aye.
46:47And it won't change if I don't do something.
46:49It's not something stupid, Tommy.
46:52Do you know what?
46:54You're right.
46:55I'm just a stupid something kid.
46:56It's not what it meant to me.
47:05You hate to mind that fella.
47:07He's at a very bad age.
47:09No.
47:10That's what they've been doing.
47:11So I'm just a half a while.
47:12The I, uh...
47:13...the IRA gunman shot a magistrate on former barrister,
47:37This is took to the stand yesterday.
47:39You must make money.
47:49Jameson, please.
48:07I have a flat in Belfast I use when I'm in court.
48:16Good for you.
48:19It's good for us.
48:22That remains to be seen.
48:32Come tonight.
48:33How long do you get me?
48:35I'll never drink you.
48:36I'll never leave.
48:39You won't come after me?
48:39It's really good.
48:40I'll never take care of you anymore.
48:42I have never tried to die yet.
48:43I can't say I'm not fast enough.
48:44I can't even drink it.
48:45I can't believe it.
48:46But you don't do anything wrong.
48:47You want to eat me alone?
48:48So, you don't try to eat me alone?
48:49I'mè‚¥othy.
48:50You don't do anything wrong.
48:51So I'm hungry.
48:52You want to eat me alone?
48:53You don't do anything wrong.
48:54I'm hungry.
48:55You don't do anything wrong?
48:56I'm hungry.
48:56I'm hungry.
48:57I'm hungry.
48:58I'm hungry.
48:59I'm hungry.
49:00so
49:30It's yourself?
49:36It's me.
49:40You want a nightclub?
49:42No.
50:00Oh, oh, oh, oh.
50:03Just like way back in the day and the road.
50:06Yeah, I remember when they were broke.
50:10Yeah, you know.
50:16What do I do?
50:17I'm in the pill for my skin.
50:19I'm in the pill for my skin.
50:20I'm in the pill for my skin.
50:22I'm in the pill for my skin.
50:23I'm in the pill for my skin.
50:25Oh, my God.
50:30I'm in the pill for my skin.
50:33I'm in the pill for my skin.
50:35It's me.
50:36I'm in the pill for my skin.
50:37I'm in the pill for my skin.
50:40When that folk horn blew.
50:45You know I will be coming home.
50:51Yeah, and when that folk horn whistle blow.
50:56I gotta hear it.
50:57I don't have the fear in an hour
51:02I rocked my gypsy's own
51:05Just like way back in the day in the morning
51:09Where have you been all night?
51:19I had car trouble, so I stayed with Jerry.
51:21Oh, car trouble?
51:23You and Jerry must think I'm some fern.
51:26Are you sniffing me?
51:28You get a reputation!
51:29Oh my god!
51:30Lose your job!
51:31Or worse!
51:33Have a wee baby!
51:35With a ring jumped on your finger!
51:39You wouldn't be carrying on like this if your daddy were still alive!
51:45You'd be running off me, Chris!
51:47I'll take us somewhere no one will see us.
52:01Come tonight.
52:04I'm off the skin.
52:06I'm on the shirt.
52:16You're in there.
52:16I'm far back on
52:18when I could get your face slow.
52:19I'm on the back of everything too.
52:20I'm so mad when i get Wild Nuit though
52:22I'm looking for одного day before it even shows up,
52:24as if you were in the indirect when I could find aï¿½ï¿½ê³ only in shaman,
52:26a person trying to guide me stuff out
52:28And if you're not out of anywhere between them and other people
52:30I'm Aaron will come back.
52:31I'm going to go now.
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