- 4 hours ago
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🎥
Short filmTranscript
00:00You know, non-militant Catholics are being radicalised by police brutality.
00:16What's the sound of his own voice?
00:17This makes them vulnerable to recruitment of the IRA.
00:19He looks tired.
00:20At this rate, the RUC and the IRA might as well be working together.
00:26Has he forgotten that judge's IRA shot last year?
00:28Yeah, I won't let the bully boys on either side tell me what I've done.
00:31Beggin' for a bullet, all right?
00:33I choose freedom of affair.
00:34I'm going to the loo.
00:58I'll be watching over you when your spirit slips away.
01:09Take care.
01:11Take care.
01:14Take care.
01:14Bye-bye.
01:49It was a poor election for his unionist party of Northern Ireland, which took only five seats.
02:00Unionist opposition to Faulkner's support for power sharing.
02:03I've undertaken the election, believing that they are supporting policy.
02:08He should take up Goff.
02:11What?
02:12Brian Faulkner.
02:15He should just give up.
02:17Michael Agnew, the lawyer representing Conor Kelly, Michael McAlevey and Patrick Coyle, spoke out today about police brutality.
02:25Young, non-militant Catholics are being radicalized by police brutality.
02:28There's another one who needs a hobby.
02:32At this rate, the RUC and the IRA might as well be working together.
02:36That's a very inflammatory statement.
02:37Yeah, I won't let the bully boys on either side tell me what I can and can't say.
02:41I choose freedom over fear.
02:42There's got a good out of here in fairness to him.
02:46I'm going to go to bed.
02:47No.
02:48No.
03:03Kirsten.
03:04Ah, thank you for coming.
03:06No, thanks for having me.
03:07No, Michael.
03:09Is he not here?
03:10No.
03:11Oh.
03:12Here, she'll grab a wee drink and I'll see you inside, yeah?
03:14I'll see you inside.
03:28Kushner, thank you so much for coming.
03:33Your dress is lovely.
03:35Thank you, Penny.
03:36I love your work.
03:37Is there no sign of Michael?
03:39No, but he did say that these are your favourites.
03:42He brought you to view, Lee.
03:45Aye, in Switzer's.
03:46In the look of it.
03:46Nah, speak of the devil.
03:48I'm sorry I missed a penny.
03:49Hard to add the office.
03:50You could say that.
03:51Come on, let's take the rest of the wine.
03:52Bloody hell, you see a legal team trying to pretend they're impartial?
03:55Have you ever thought that maybe it's you that's not impartial?
03:58But you're right, Vic.
03:59I am partial to a bit of justice.
04:01Oh, stop with the grandstanding.
04:03Would you like to be hauled off the street and have a false confession beaten out of you?
04:06Don't.
04:06And then you get tried by one old judge who thinks you're inherently wrong on all three fronts.
04:11Class, religion, haircut.
04:13You are so bloody wearying.
04:15I can understand why the IRA are telling their lads not to recognise these diplod courts.
04:21Even if it makes my life harder.
04:23You're doing a good enough job of that yourself.
04:26Wasn't enough just to defend them, no.
04:28What do you mean?
04:30Michael here wasn't getting enough attention.
04:32So he's taking a case against the RUC.
04:35Police brutality.
04:35Police brutality.
04:37Enough is never enough with you.
04:38Oh, Sue.
04:39Oh, Michael.
04:41You need to keep some friends.
04:43What does that mean?
04:44It means you might need someone watching your back.
04:48Well, I think I'm already being watched.
04:51Or surveillance might be a better word for it.
04:54Cushley, do you want to help me gather the rest of the glasses, yeah?
04:57I forget you work in a bar.
05:08Have Victor and Michael always sparred like that?
05:11Yeah, to some degree, yes.
05:13But it's getting worse.
05:17Everything always looks so clear to Michael.
05:20It'll do him no good in this town.
05:22Have you thought about the risk to yourself if people find out about you and Michael?
05:35Or if you are with Michael and if, God forbid, anything should happen.
05:45We must have the courage to choose from you.
05:47They're his words, not yours.
05:50Would your life be easier without me?
06:17Us.
06:20Easier.
06:24Safer, I suppose.
06:27I like us a lot.
06:33I should go.
06:35Are you sure?
06:37I'll let you get ahead.
06:39I have a big day tomorrow.
06:42Communion.
06:45It'll be the first time seeing the McYoungs in a while.
06:50It's easy for you.
06:54So you can...
06:56Come and go as you please, whether I'm here or not.
06:59Thanks.
07:11For making my life immeasurably better.
07:17For making my life immeasurably better.
07:20I mentioned it.
07:20I've heard people say goodbye.
07:21You need to go.
07:22Many people say goodbye.
07:23Why are you doing?
07:23Why are you doing?
07:24I'm here.
07:24I know.
07:27I need to go.
07:27I know.
07:28You can't.
07:28I know.
07:29It's just a bad name.
07:29I know.
07:30You can't.
07:32I know.
07:32I know.
07:32You can't.
07:33Stop away, one of me.
08:00God knows when I'll look this good again.
08:03Beautiful.
08:04Slavery!
08:05Don't you look dopper, JP.
08:06Thanks, miss.
08:07Should I take your wee photos?
08:08Cheese!
08:09Oh!
08:10Mummy!
08:11Mummy!
08:12Let's get a photo of all of us!
08:13Why don't you move in there, Tommy?
08:14Hey, Davy.
08:15Hey, Davy.
08:16Thank you, Mrs. Lavery.
08:17Thank you, Mrs. Lavery.
08:18Yes, thank you.
08:19Too generous.
08:20Sorry, Zoe.
08:21Sorry, Zoe, don't.
08:22Look at you, Mrs. Lavery.
08:23Look at you.
08:24Look at you.
08:25We best get on.
08:26I find you not, Daddy.
08:27Let's get your daddy out of this chaos.
08:28I'm sorry, Zoe.
08:29Look at you.
08:30We best get on.
08:31I find you not, Daddy.
08:32Let's get your daddy out of this chaos.
08:33It wasn't me that called the social.
08:34It was Bradley.
08:35Hey, Davy.
08:36Hey, Davy.
08:37Thank you, Mrs. Lavery.
08:38Thank you, Mrs. Lavery.
08:39Yes, thank you.
08:40Too generous.
08:41Sorry, Zoe, don't.
08:42Look at you.
08:43We best get on.
08:44Five point note, Daddy.
08:45Let's get your daddy out of this chaos.
08:46It wasn't me that called the social.
08:56It was Bradley.
08:57Come on, baby.
08:58How was the beginning of his time?
09:00I told Mum you want to be nice to us and then report us.
09:12Yeah.
09:14Yeah.
09:16I'm labouring now. With my cousins.
09:20Drop a couple of books, friend.
09:22Keep reading and all will not be lost.
09:25Yes, miss.
09:44Why does Jimmy have the egg in his pocket?
09:53I don't know.
09:57You've got this home.
09:59You haven't.
10:09Who's that man?
10:11That's my repealer from the school disco.
10:14My suitor.
10:19Thanks for the whisky.
10:24Gentlemen.
10:26I may need of your assistance with the crossword.
10:29Here, Mindy, help me out.
10:31Look, you can see here.
10:37Why would your disco peanut be in the pub?
10:39Well, Jerry reckons he has eyes for me.
10:42There's nothing to be jealous over.
10:44Christ, this is serious.
10:47You need to tell me if he comes in again.
10:49Could it not just be a coincidence?
10:52There are no coincidences in Belfast.
10:55I saw a car outside your flat the other night.
11:02Did he get your number plate?
11:04If he wanted it.
11:05Did he follow you home?
11:07No.
11:08Happy birthday, Jane.
11:09Thank you, Kushler.
11:10Michael, do us a favour.
11:11Grab that shirt.
11:12All right?
11:13Oh, this is Mrs. Coyle, and we could not live without her.
11:17Mrs. Coyle, this is our friend Kushler.
11:18I'll just give you a hand.
11:19We've done this before.
11:20We have a bar.
11:21Where's the other woman in my eye?
11:22Oh, hi.
11:23Kushler, this is the lady responsible for the hospital corners of the Chennai Brassers in my flat.
11:26Oh, thank you, Kushler.
11:27Thank you, Kushler.
11:28Michael, do us a favour.
11:29Grab that shirt.
11:30All right?
11:31Oh, this is Mrs. Coyle, and we could not live without her.
11:32Mrs. Coyle, this is our friend Kushler.
11:33I'll just give you a hand.
11:34We've done this before.
11:35We have a bar.
11:36Oh.
11:37Where's the other woman in my eye?
11:38Oh, hi.
11:39Kushler, this is the lady responsible for the hospital corners of the Chennai Brassers in my flat.
11:43How are you?
11:44I'm all right.
11:45He rang me.
11:46He's not working nice.
11:47I don't know what to do.
11:48I'm going to speak to him this week.
11:49How are you?
11:50Pleased to see you.
11:51I'm all right.
11:52He rang me.
11:53He's not working nice.
11:54I don't know what to do.
11:55I'm going to speak to him this week.
11:57Pleased to see you.
11:59Pleased to see you later.
12:00We're going to...
12:01Go, we're going to...
12:02Go.
12:03To go, I don't think I'll...
12:04Go.
12:05Michael.
12:06Pleased to see you.
12:07Nice, thanks.
12:08Not too bad.
12:09Good, good.
12:10Hey, look.
12:11There's Jim.
12:12Beautiful.
12:13Beautiful.
12:14Beautiful, beautiful penny.
12:16I'm sure.
12:23Marjorie.
12:24How are you?
12:25I'm Brian.
12:26How are you?
12:27Good.
12:28How are you, Marjorie?
12:29Nice to meet you.
12:30See you later.
12:31See you later.
12:53How are you two getting along?
12:56Great.
12:57We're in the communion corner, we're calling it, aren't we?
13:00Michael!
13:01What's up here?
13:02Jesus, don't tell me if party pays.
13:04Now go on, you two.
13:05Let me get back to work.
13:09Come on.
13:14I travelled with Jesus
13:20Honey, most of my life
13:23Yes, I travelled over land, the sea
13:33I'll be taking my last trip
13:38Up to heaven on high
13:41That will be the last move for me
13:52When I move to the sky
13:57Up to heaven on high
14:00What a wonderful trip
14:03What a wonderful trip
14:05That will be
14:09I am ready to go
14:14The last days of my life
14:18That will be
14:20The last move for me
14:21The last move for me
14:35You're full of surprises
14:36Why the f**k are you crying?
14:38You know your language is really deteriorated sentiently
14:43What is it?
14:45The song made me sad
14:47You're Catholic, you're high emotions
14:52Come on, let's go inside
14:55I have not got one word left in me for those people
15:02Just go home, yeah, I'll go get my jacket
15:14You're sneaking away, Mrs. Coyle
15:17I wouldn't let any of them ones look down on me
15:20I'd clean for some of them
15:22Dirt birds
15:23Now I want to stay and hear every ming and detailing
15:29Right, let's go
15:30See you later
15:32I'll phone you tomorrow
15:33Okay, thank you
15:36Come on, let's go
15:39Here, what's the crack of Mrs. Coyle?
15:42Her son's in trouble, he's being identified in that lineup
15:45What's that case?
15:47Do you think he can help?
15:49Only if he accepts the services of a lawyer
15:52The IRA man, he's on remand with it
15:54Telling him not to recognize the court
15:56Sorry
15:58It's your night off
16:00It is
16:01What would Sally Ball sound like?
16:02If she were Irish?
16:03I am not reading Irish, do you?
16:04Come on, come on
16:05Come on
16:06Come on
16:07Come on
16:08Come on
16:09No, not as Sally
16:10And not as me
16:11It's one line
16:12One line
16:13For fuck's sake
16:15What would Sally Ball sound like?
16:16If she were Irish?
16:17I am not reading Irish, do you?
16:18Come on
16:19Come on
16:20No, not as Sally
16:21And not as me
16:22It's one line
16:23One line
16:24For fuck's sake
16:25For fuck's sake
16:26You have a opinion about it?
16:27I don't blame you
16:28For fuck's sake.
16:34Do you have any idea how sexy that sign?
16:47You have a opinion about it?
16:50I don't blame you.
16:52And the alternative is shagging a woman that answers to the name Marjorie.
16:57You don't miss much, do you?
17:00That was an age ago before I knew they made women like you.
17:04Is Marjorie like you to do too?
17:06You really don't know.
17:09I really do.
17:26Julia was arrested.
17:30I don't know if I've ever been to get married now.
17:33I'm not sure if I can get married or paid to get married.
17:38You have to keep my wife in the house.
17:41If I have to do I have a house?
17:44I'm not sure if she was always able to.
17:47You're like, oh, no, no, no, no, no.
17:50I'll not be able to contact you for a while.
18:10Or be here at the flat.
18:17Incommunicado.
18:18I don't know.
18:20Must be serious.
18:29Mrs. Corley's gonna love you forever.
18:49Morning.
18:50Morning.
18:52Don't take any needless risks.
18:57Watch about, come on, please.
19:01You are a brave man.
19:06But I can wait for you.
19:07I can wait for you.
19:31Very, very careful.
19:33I'm gonna go tag on them.
19:36Best of luck, Gerry.
19:37Yeah, I'll need it.
19:42I find a wee fella for you, miss.
19:44Let me see.
19:46You know, I have a friend who has a book, and in it it says,
19:50if you can turn a bluebell inside out without tearing it,
19:56you get the one you love.
19:59Isn't that nice?
20:00Yeah.
20:02Can you take some photographs for me?
20:05Yeah.
20:06On you go.
20:08I can't.
20:09I can't.
20:10Sorry.
20:11Sorry.
20:12Sorry.
20:15Don't need anything to lie.
20:20Shaun was chasing Zoe with a used condom on a stick.
20:25That's him flirting.
20:27Charming.
20:28What, or who, has you charmed?
20:34Nobody.
20:36Tell me.
20:37No.
20:38Somebody calls you Easter Sunday.
20:46Okay.
20:48I'll tell you.
20:50But you have to swear to God not to tell a son.
20:54I swear.
20:57It's Brian Faulkner.
21:00Fuck a way off.
21:01It is?
21:03That's why I couldn't tell anyone.
21:06So you're saying I'm still in with a chance then?
21:11Fancy coming to a wedding with me?
21:13This Saturday in Belplist?
21:15Okay, go on.
21:17I hope the blue bell looks like Venus.
21:30Somebody somewhere is determined that the ceasefire which is held so precariously so far will not keep any of the conditions.
21:36This is the most horrific thing that I've ever kept getting out of Ireland.
21:46I'm sorry.
21:47Should we make on home?
21:52You'd be happy to hear he got blown up.
21:55Nobody here is happy when anyone gets blown up.
22:01Except they are, eh?
22:03You're all ungrateful animals.
22:07We should just go home and let you murder each other.
22:10I'm sorry about your friend.
22:27Jennifer's eyes will be on stocks.
22:31Well, for you, out gallivanting again.
22:36Nothing like a good wedding.
22:38Don't do that with me.
22:39What?
22:40Feel sorry for yourself?
22:42If I don't feel sorry for myself, who will?
22:44Not you.
22:46I get more sympathy from a shoe.
22:48You don't know what it's like to lose someone you love.
22:52Yeah, I do, Mummy.
22:55He was my daddy's son.
22:58At least I've got the bottle to keep me company.
23:00I'm not even giving you an audience.
23:01What does that mean?
23:03It means that I'm going to stay in Jerry's tonight because I can't be bothered to come home and find you bleeding out in the bath.
23:09I've got nothing to look forward to!
23:12Nothing!
23:18If you do your nails, instead of getting plastered tonight, I'll take you for a fancy lunch in the hotel tomorrow, okay?
23:48I'll take you for a fancy lunch.
23:53I don't know how they booked a firebump last week.
23:58Poor fuckers.
24:01Jackie!
24:03I'm very proud of our Kathleen.
24:06She's been a busy, happy wee thing since the day she was born.
24:11You better look after her.
24:13Or you'll be getting the visits.
24:19You look like you might cry.
24:21Are you thinking about your upcoming nutshells with Brian Faulkner?
24:25He'd never settle for a leisure centre.
24:28I reckon he'd settle for anything at the moment.
24:48I'll read the telegrams first.
24:50This one's from the audience.
24:51I'm sorry.
24:52I'm sorry.
24:58I'm sorry.
25:02I'm sorry.
25:04I'm sorry.
25:05I'm sorry.
25:06I'm sorry.
25:10I'm sorry.
25:11I'm sorry.
25:13All right, all right.
25:17I'll read the telegrams first.
25:19This one's from Dan.
25:20It came through the window, wrapped around a brick.
25:21When God created a woman for me
25:37It must have been a beautiful woman
25:41He made the sunshine right out of your eyes
25:56That's Martin Gallagher
25:58You know exactly who he is
26:00I taught his wee lad Lou, can teach your training
26:02He asked if he could send a couple of boys around to smash Sherry trifles into the wall of my garage
26:07Jesus, Sherry, what did you say?
26:09He says I haven't got a garage
26:11He asked after you
26:13He says he knew I wasn't your boyfriend
26:15How the fuck would the IRA know that?
26:17Look, I'm gonna get a taxi
26:20No, I'll take you
26:21I'm done dancing
26:22Can you drop me somewhere?
26:24Within reason
26:29My imagination's running overtime, Louvery
26:34Thanks
26:35Fucking Martin Gallagher's sticking his neb in
26:37It's Neb in
26:39And now we're here in enemy territory
26:40Is Brian's loveliest?
26:42We live here
26:44There are things we cannot do
26:45Intriguing what kind of things can do
26:47This kind of secrecy always blows up
26:49The wrong people are asking after you
26:51Forget about getting your heart broken
26:52You're risking much more than it
26:57I'll see you Monday, Jerry
26:59Yeah, I bloody hope so
27:01Yeah, I bloody hope so
27:29Round 2
27:30I'll stay
27:31I'll stay
27:32All the gale is raging
27:38And my ships without a sail
27:39All the gale is raging
27:41And my ships without a sail
27:45All the gale is raging
27:50My ship's without a sail
27:56If someone don't save me
28:05I won't be left to tell the tale
28:20Thank you, you're part of
28:32Morning
28:38Big night out, was it?
28:42Just started a wedding in Belfast
28:44Stayed with a friend
28:46Lucky friend
28:48Do I know him?
28:50Might have been a girl
28:52Was it?
28:56Everything all right, Cushley?
29:00Ah, Sergeant Reid
29:02Yeah, all good here
29:04It was you I was coming to see, actually
29:06I'm gonna take my mummy for lunch
29:14Blabbering
29:16The table for ten
29:18There must be a mistake
29:24Sorry, yes
29:26There's a lavery table for two also
29:28Follow me
29:30I didn't expect to see yous here
29:40Obviously
29:42It's, uh, Maureen's mummy's birthday
29:46Will you just come and join us?
29:48You're all right
29:50You're all right, thanks
29:52Happy Birthday
29:54Dear Eileen
29:56Happy Birthday
29:58To you
30:00What?
30:02Keep going
30:06Should we go?
30:08Oh, how are you, Michael?
30:18We met at the anchor
30:20Our family bar
30:22Hello, Mrs. Lavery
30:24How are you?
30:26Call me Jane
30:28Uh, this is my wife, Joanna
30:30Oh, this is my daughter, Cushley
30:32How pleased to meet you, Cushley
30:34This is our son, Dermot
30:36Dermot Sailens Cushley
30:38Hello
30:40Hello
30:42I need to introduce you to Michael
30:44Um, we really better be going on, but, um, enjoy your lunch
31:14What does Michael and Joanna think of us?
31:16Sitting at separate tables
31:18Hi
31:26That's a good idea
31:28Please
31:30No harm to you, but I'm fine, Dad
31:34You don't get to wake up?
31:44Oh
31:50And now, ladies and gentlemen
31:52We move on to the ever-popular swimwear round
31:56We have a chance to now charge to consider a force
32:00We have number five
32:10Get that coastline can't move
32:12We'll save it
32:14To save her
32:16To save her
32:27To save her
32:29To save her
32:40To save her
32:42So, let's go.
33:12Miss?
33:14What?
33:16What would she say?
33:18I don't know.
33:20Miss?
33:22Miss?
33:24What?
33:26Miss?
33:28Miss?
33:30Miss?
33:32Miss?
33:34Miss?
33:36Miss?
33:38Miss?
33:40Miss?
33:41Miss?
33:42I said, can we write to Jimmy Savile?
33:46What in God's name would you be written down for?
33:50Jimmy, fix it. It's a new program on TV.
33:53I heard he makes children's wishes come true.
33:56Fine.
33:57Might be good practice.
33:59Okay.
34:05Okay, you start with your address in the right-hand corner.
34:09Doesn't that mean they'll know where you live?
34:12That's not always a bad thing.
34:16Dear Jimmy, I hope you're keeping well.
34:20Things are fine here.
34:22The school holidays begin next week,
34:24and I will be off work for two months.
34:27I had intended to spend the summer
34:28slinking round Michael Agnew's flat,
34:31making myself irresistible to him
34:33so he'd leave his wife.
34:36Only his wife is a lady,
34:38and they appear to be happily married,
34:40and he is a lying, cheating, philandering fucker.
34:45Wishes are for children and fools.
34:48Yours sincerely,
34:49Cushla Lavery,
34:50age 24 and three quarters.
34:52Trouble in paradise?
35:05Prick off, Gerry.
35:07You need to be safe from yourself.
35:12Come to France,
35:13with me and my friends for the summer.
35:15We can lead on some bar word.
35:16Cushla,
35:19let me in.
35:22Doesn't matter.
35:25It's over.
35:34Was he married?
35:35Was he a problem?
35:41Like,
35:42since we're asking questions,
35:45what were you doing out by the lock
35:46in the middle of the night?
35:48Wasn't me.
35:49Yeah, it was Gerry.
35:51I noticed all.
35:54Is this anything to do with Martin Keller?
35:55Yeah.
36:02Look, Gerry,
36:03are you in trouble?
36:07No disrespect, Cushla.
36:09But who the fuck are you
36:10to be demanding answers from me?
36:24Just leave it off the hook, mummy.
36:26Excuse me.
36:27I might have someone calling.
36:29I assume it's Gerry you don't want to talk to.
36:33Well, if you ask me,
36:36he was never good enough for you.
36:41Here.
36:42Steak always helps.
36:46Your daddy and I used to have a steak
36:47every Monday night
36:48when we first married.
36:50Just to spite the week ahead.
36:52Yeah, well,
36:56I'm home every evening now.
36:59Giving up the pub shifts,
37:00so
37:00that's very Ignite the tradition.
37:03will you just talk to the way of Puk?
37:26PHONE RINGS
37:27PHONE RINGS
37:39What happened at the hotel
37:40was appalling.
37:42Yeah.
37:44Because I thought that you were going missing
37:46to save Mrs. Coulson.
37:48I know.
37:50I'm sorry.
37:52I knew you thought it was work-related.
37:57I never thought about her much.
38:02And
38:02when I did,
38:06I pictured somebody else.
38:10Like a wizened wee hag
38:11or
38:12some old owl
38:14that needed a root stem.
38:15You're a fucking god.
38:24And you're always
38:25vying on about bravery.
38:29Did she help my fucking hand,
38:32Michael?
38:34She's not well, Cushlin.
38:38She seems perfect to me.
38:41Sometimes she's well enough
38:43to do things.
38:45Dermot had just finished
38:47his A-levels
38:47and so we
38:48we all went out for lunch.
38:51But
38:51she has long-term
38:56clinical depression
38:56and she's been in hospital
38:58the last few months
38:59getting electric shock treatment.
39:02Is that why you could see
39:04so much of me?
39:06She came home
39:07the day after I last saw you.
39:11It's a bloody mess.
39:15I want to be with you.
39:20But I can't leave Joanna.
39:23Why not?
39:28I'm the one that will take the brunt of it.
39:32You'll
39:32keep
39:34your job,
39:36your friends,
39:36your life.
39:37I can't leave
39:40because I ruined her life.
39:44How?
39:46Joanna was studying law
39:47in Dublin
39:48when I got her pregnant.
39:54And
39:54after the birth
39:57she was never right.
40:01Never.
40:02and she just got worse
40:04and worse.
40:08She can't live on her own
40:09and I cannot
40:10ask Dermot
40:11to give up his life for her
40:12because he would.
40:16Do you sleep with her?
40:18No.
40:20We share her bed
40:20but there hasn't been sex
40:23for years.
40:25Have you had many affairs?
40:27Three.
40:27Including me.
40:29This is not an affair.
40:31This is different.
40:33How?
40:35Because I love you.
40:39I love you, Koshle.
40:41And whatever happens
40:42I will never
40:45ever lie to you again.
40:47I promise.
40:50I didn't expect
40:51to fall in love.
40:54And I do not
40:55expect you
40:56to give up
40:57your life for me.
41:01You'd make
41:02a wonderful
41:03wonderful wife
41:06and mother
41:07but I can't
41:08give you any of that.
41:10Do you want
41:23to stop seeing me?
41:30No.
41:37God help me
41:38I don't
41:38there is so much
41:45that we can do.
41:49There's the sim.
41:52Oh, it's beautiful.
41:54There's this cottage
41:55in Donegal
41:56and we can go there
41:59at the end
41:59of the summer.
42:03And we'll see
42:04God in the skies.
42:05Yes.
42:08We can take
42:11trips away
42:12long weekends
42:13go to Amsterdam
42:16and Barcelona.
42:21This is going to end
42:23really badly, isn't it?
42:29It doesn't have to.
42:30It doesn't have to be
42:45good.
42:46Excuse me.
42:46There's our guard.
42:48Hello, hello, hello.
42:50Eamon, what can I do
42:51for you?
42:51What needs to be done?
42:52Just throw out a few
42:53pints
42:53and take me company.
42:55You're actually
42:56doing an impression
42:56of Mike Yorwood
42:57doing an impression
42:58of Frank Spencer.
43:00I'm missing my daughters
43:01growing up
43:01because of these ages.
43:02I love it.
43:04If you laugh,
43:05sometimes it's
43:06like it used to be.
43:07Here,
43:08finish this film.
43:11Look at the way he shakes.
43:12No, he...
43:13He has to me.
43:14He does it, you know.
43:14All right, lads.
43:15Photograph time.
43:16Come on.
43:16That's it.
43:17Put them together.
43:18All right, Michael.
43:20Hey, man.
43:20Get in.
43:22Get in.
43:22Get in.
43:23Get in.
43:24Get in.
43:25Get in.
43:25Get in.
43:26Get in.
43:26Get in.
43:27Get in.
43:27Get in.
43:28Come on.
43:28Come on.
43:29Come on, Jermay.
43:29Let's go.
43:30Come on.
43:30Come on.
43:36Can you not stay away
43:37from me?
43:38It appears so.
43:40Come to the flat on Thursday.
43:42I'm ready to bring more
43:43of your things.
43:45I will, if I survive
43:47sports day.
43:47I love you.
43:52You better, Agnew.
43:55So we're all right, Dan?
43:57We're doomed.
44:00Apart from that, we're grand.
44:04Mommy!
44:08Mommy!
44:09I won, Mommy!
44:10I won!
44:12I won!
44:13I won!
44:13Well done, darling!
44:14I put my head down and I ran
44:17like the clapper, did you?
44:18You outran them all, Daddy?
44:20I did, I did.
44:20I wish you could have seen them.
44:23I'll put the kettle on.
44:26Yeah?
44:28Eh?
44:29Go on, tell Daddy.
44:30Daddy!
44:31Daddy!
44:31Daddy, look!
44:34Look, Daddy.
44:35Stevie played an absolute blinder.
44:39He's a good lad.
44:41I pity we can't say the same
44:42about the other one.
44:43Tommy.
44:45Tommy?
44:45Aye, he moved out weeks ago.
44:46We hardly see him.
44:48What we do, he's swaggering about
44:50with a few bob in his pocket.
44:51Thanking the big fella.
44:54Look, maybe it's just a face.
44:56I hope so.
44:59Show us your wee trophy.
45:13Well, mate, I'm staying over at Jerry's tonight.
45:18I'm staying over at Jerry's tonight.
45:19Th omega commands to bear the foot.
45:26I'm staying over, Gerry.
45:27Shakespeare, he ran over at Jerry's.
45:28Watch him.
45:30The anchor?
45:30Where's Mummy?
45:31She's bloody here, coming about the place.
45:34Come and get her.
45:35Give me any plans!
45:37The anchor?
45:41Where's mummy?
45:41She's bloody here, falling about to place.
45:43Come and get her.
45:44Okay, I mean I have plans.
45:45Now, crucially.
45:59What's going on?
46:01Oh, bluff.
46:03What's wrong with her?
46:05Hi.
46:06Are you not here?
46:06Here was.
46:09Make a lock name a shot there this morning.
46:36I'm out.
46:41I'm out.
46:42I'm out.
46:44I'm out.
46:49Amen.
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