Skip to playerSkip to main content
Watch TV
  • 13 minutes ago

Category

📺
TV
Transcript
00:00You
00:30I don't know.
01:00I don't know.
01:30I don't know.
02:00I don't know.
02:29I don't know.
02:59I don't know.
03:29I don't know.
03:30I don't know.
03:31I don't know.
03:32I don't know.
03:33I don't know.
03:34I don't know.
03:35I don't know.
03:36I don't know.
03:37I don't know.
03:38I don't know.
03:39I don't know.
03:40I don't know.
03:41I don't know.
03:42I don't know.
03:43I don't know.
03:44I don't know.
03:45I don't know.
03:46I don't know.
03:47I don't know.
03:48I don't know.
03:49I don't know.
03:50I don't know.
03:51I don't know.
03:52I don't know.
03:53I don't know.
03:54I don't know.
03:55I don't know.
03:56I don't know.
03:57I don't know.
03:58I don't know.
03:59I don't know.
04:00I don't know.
04:01If you want that's okay.
04:02Go on then, pretty boy.
04:11Thought you were a mad bastard.
04:14Slash.
04:14Slash.
04:16Blash.
04:16Blash.
04:18Blash.
04:19Blash.
04:20Oh, you're a fucking mad man.
04:25Alma.
04:26What you are.
04:27Come on, come on.
04:31Man down!
04:34You alright?
04:40Oh!
04:42Calm down, Jones.
04:46Did you see what that soldier just did?
04:48No.
04:49Did you lie or call the bar ex?
04:50I can't no one.
04:51Call the bar ex now, Mummy do it if she was here.
04:53Daddy knew better head than a mouth shut bar open.
04:58Four lagers.
05:04Nice view.
05:09Old man.
05:11She's pretending she can't hear me.
05:13Perhaps because you're humiliating her.
05:17Come on, mate. She's having a laugh.
05:22Humour is most effective when it's mutual.
05:27Take him home, lads.
05:32I'm back to the barracks with you.
05:41Hey, come on.
05:43Let's go.
05:45Alright, alright.
05:46Come on, mate. Let's go.
05:47Sorry.
05:52Sorry.
05:56Stand for another one, lads.
06:07Could you throw another in there for me, please?
06:08Yeah.
06:11Would you like one yourself?
06:13I'm teaching in the morning.
06:15Thank you, though.
06:16Alan Merlin's put the pair of yes on this, in my opinion.
06:38And MacDiely's been pigeonholed since Clock of Orange.
06:41I couldn't finish that book, never mind the film.
06:42The film's beautiful.
06:43Even the violence is exquisite.
06:44He wrote that book after his wife had been attacked by soldiers.
06:46He turned his suffering into art.
06:47I'd rather art without the suffering.
06:48Share his wife out, too.
06:49Can you have one without the other?
06:50God, what are you an artist?
06:51No.
06:52But they do say that old barristers are frustrated actors.
06:54I don't know.
06:55I don't know.
06:56I don't know.
06:57I don't know.
06:58I don't know.
06:59I don't know.
07:00I don't know.
07:01Even the violence is exquisite.
07:02Even the violence is exquisite.
07:04He wrote that book after his wife had been attacked by soldiers.
07:07He turned his suffering into art.
07:10I'd rather art without the suffering.
07:12Share his wife out, too.
07:13Can you have one without the other?
07:14God, what are you an artist?
07:16No.
07:17But they do say that old barristers are frustrated actors.
07:21Oh.
07:46Get out of here.
07:47Hold me.
07:48Jesus Christ, man.
07:49What is this thing for the hell I want him to see?
08:04Yeah.
08:05Don't waste the bullet on me.
08:07I'm gonna come in one day and find you from dear Chris.
08:11Do you wish?
08:13Alright, come on.
08:14Come on.
08:16Oh, were you as busy?
08:18Yeah.
08:20The usual.
08:22Maybe some soldiers.
08:24Scum.
08:26You missed a career as a fire safety officer.
08:30And a man.
08:32Michael.
08:34In his forties. Dark.
08:36Awfully, awfully.
08:38I'm Michael Agnew.
08:40There is a blast from the past.
08:44Past prod.
08:46Lives in one of them big houses up on the hill.
08:48You know him?
08:50He used to come into the bar a fair bit years ago.
08:54Your daddy liked him.
08:56He was a good crack.
08:58Kept his politics at home back then.
09:04Christ.
09:06I hope he doesn't bring trouble in on Eamon.
09:08What do you mean?
09:10He sets his proddy lot by defending some of our lads.
09:14It was gorgeous back then.
09:20He's throwing the knickers off you.
09:24Yeah.
09:26When you hear the wives say sorry, story.
09:28Sorry, huh?
09:30Fond of the drink.
09:36Fond of the drink-ish.
09:38God bless her.
09:40Right.
09:42Let's get you to bed.
09:44Yeah.
09:46One, two, three.
09:48Up we go.
09:50There we are.
09:52Down here.
09:54Slowly.
09:56And finally, Breed Quinn.
10:02Okay.
10:03How about a wee story before assembly?
10:04What about news, miss?
10:06Okay.
10:08Quick news.
10:09Who's first?
10:10There was a bomb in Belfast.
10:12There was a bomb in Belfast.
10:14He says that every day.
10:15Well, today he's right.
10:17It wasn't in Belfast.
10:18It was an incendiary device.
10:20It's headed for the British Army.
10:21Plotted near the border by the INLA.
10:23Looks below the prematurely.
10:25Can't have voice.
10:26What's the INLA, miss?
10:28Irish National Liberation, aren't I?
10:30Sean, you could be all mastermind.
10:32Chosen subject, acronyms of the troubles.
10:34There was a thing about streaking.
10:36There was?
10:38You're blushing this.
10:40I just wondered thinking of them streakers in the nude.
10:47Excuse me.
10:49Everything in hand, miss Lavery?
10:52Sit down!
10:59What age are you?
11:01Eight.
11:03I'll tell you a story about an eight-year-old.
11:08And you better be listening most of all, David McKeown.
11:11Living in that Protestant estate.
11:13Surrounded by them.
11:18The wee Catholic girl
11:20went out on a message for her mommy.
11:24A gang of Protestant men
11:26pulled her into an entry.
11:29Right, that's the bail assembly, everyone. Let's go.
11:32Come on, Zoe. Let's go.
11:36Come on, Zoe. Let's go.
12:02Come on.
12:04Bye.
12:05Come on, Moses.
12:07Come on.
12:08compromising a catchy passage to me in the description.
12:11Let's go.
12:12Go to the bus on Edgar Cayman.
12:14COMMENT
12:26You are just, at a ext irgendwann...
12:27THE END
12:34Come on, Mummy.
12:35Off to bed.
12:36Let's go.
12:39Mummy.
12:46For fuck's sake, Mummy.
12:57I can't just leave her here on the floor in the estate.
13:15Who's that?
13:16You mean she's getting worse?
13:17I have to go. There's a few in. The scum are acting up again.
13:20All right, who's there?
13:21The Usia and Megha, your hero from the estate.
13:27I love you.
13:57I'm sorry.
14:23Jamie.
14:24You okay?
14:26Okay. Let's get you inside.
14:30You're soaked in the skin.
14:32Davy McGeone, where's your coat?
14:35I forgot it.
14:36Go get something for me.
14:39And tell your Protestant mother we Catholics look after our children.
14:44Mixed marriages are an abomination.
14:56A wats kettle.
15:01Does actually boil.
15:03How's your morning go?
15:05Father Slattery was in with another horrific story.
15:08I get the guitar out when I see him coming.
15:11Drowns him out.
15:12Not even he deserves that.
15:16Do you remember Louise?
15:19Top P3 last term before they fired him.
15:22She was working in a shoe shop in Wolverhampton.
15:26Did the fella go with her?
15:28Of course not.
15:29He's still here with his wife.
15:31All forgiven.
15:32What sort of shriveled soul would write to the bishop about somebody else's love life?
15:37You know what this place is like.
15:41Do you want to come to a party on Saturday night in Belfast?
15:45My housemate's moving out.
15:48Right, go on, Gerry.
15:49It's better than watching the generation game with my mummy.
15:55Jamie.
15:56Do you remember me, Joan?
16:06It's a good thing in the corner for strangers you are.
16:08You, Paul, people better watch yourself.
16:13Turn in here.
16:16We're down the back.
16:17Like cornered rats, our Tommy says.
16:22Is it convenient for the love?
16:23Yes, sir, Tommy.
16:24Should I suffer?
16:26Should I suffer?
16:27Should I tell you, man?
16:27Shut up, you orange boxers.
16:29What's the kind of problem, man?
16:31There's mummy and Mandy.
16:38What did I tell you about a coat?
16:41My head's like a sofa.
16:44I better go on.
16:45I'm going to be late.
16:45Thanks for bringing him home.
16:48Come on.
16:49In for you, please.
16:50Come on.
16:50And you, Tommy, please.
16:52I want to see you.
16:53Oh, my God.
16:54Oh, my God.
16:54Oh, my God.
16:55Oh, my God.
16:55Oh, my God.
16:56Oh, my God.
16:57Oh, my God.
16:58Fuck off, I'm a tear, guys.
17:06Hey, yeah.
17:07Hi.
17:09Oh, Jesus.
17:11What?
17:17I'm Gina.
17:19Hi, Olivia.
17:19I'm Jerry.
17:20Where are you from, Jerry?
17:22OK, we actually don't have time for Who's Your Granny?
17:25Because we're doing Belfast now, so...
17:26Excuse me.
17:27If your mummy wants to meet, the man is taking you off.
17:29Well, all you want to know is, is he Catholic and is he single?
17:32And he is, and he is, so let's go.
17:35I'll call in next time, Mrs. Lover.
17:37Better you knock on my door than me knock at your window.
17:45I'm sorry about her.
17:47Stunned.
17:50You needn't have picked me up, Jerry.
17:52Could have got the train.
17:54I don't mind.
17:55Besides, you would have missed this.
18:17Yeah!
18:17Where are you going?
18:35A party.
18:36I want an address.
18:38Why, do you want to come?
18:42I think we've got a comedian here.
18:43No, but we're going to St. Paul's, Terrace.
18:48Step out.
19:00To the wall.
19:02You've the wall paint on, sweetheart.
19:04Going to a party?
19:06Spread your legs.
19:06What?
19:08Your boyfriend on a promise?
19:10No.
19:11You're teasing him, then.
19:13Go on.
19:15You're a prick tease.
19:16Hello.
19:23Hello?
19:36Hello?
19:37Well, what's a crack?
19:38Say to you.
19:41Cheeky fucker.
19:42Jo.
19:42Hi.
19:43This is Coosley, from school, who told you about this.
19:46Nice to meet you.
19:47What happened?
19:48Er...
19:49Checkpoint.
19:50The bastards.
19:51You wouldn't have any soldiers over your way, I suppose.
19:54Sure there works, I suppose.
19:55Doesn't she feed and water them?
19:57Her people have a pub.
19:59There's hardly a pub left up, are we?
20:00Just no one's been blown up.
20:02Yet.
20:03They'll not bother with yours.
20:05Actually, my brother stands behind the bar every night,
20:09afraid to open his mouth in case he offends somebody
20:11was a pro loyalist hit list.
20:15But he did load me up with some out of eight cider, so...
20:18Nothing we can't endure.
20:20Like Jerry's guitar plan.
20:22Yes!
20:24Absolutely done you then.
20:26I thought you liked it.
20:27It's just not wrong.
20:31Back through the glen I rode again
20:37My heart with grief was sore
20:42For I parted with those bad men
20:47I'm going to the bathroom.
20:48Whom I'll never see no more
20:54But to and fro
20:57Where my dreams let go
21:00I find me alive
21:02I pray for you
21:05Whom!
21:06Whom!
21:07Whom!
21:08Whom!
21:09Whom!
21:10Whom!
21:11Whom!
21:12Whom!
21:13Whom!
21:14Whom!
21:15Whom!
21:16Whom!
21:17Whom!
21:18Whom!
21:19Whom!
21:20Whom!
21:21Whom!
21:22Whom!
21:23Whom!
21:24Whom!
21:25Whom!
21:26Whom!
21:27Whom!
21:28Whom!
21:29Whom!
21:30Whom!
21:31Whom!
21:32Whom!
21:33Whom!
21:34Whom!
21:35Whom!
21:36Whom!
21:37Whom!
21:38Whom!
21:39Hope you had a good night.
21:41Had a great night.
21:43It's nice to get out.
21:47Sorry!
21:48Sorry!
21:49No!
21:50No!
21:51No!
21:52No!
21:53Just...
21:55No!
21:56Jerry!
21:59Sorry!
22:00Erm...
22:02Er...
22:08Is this what I was done there?
22:14Maybe we could still go out.
22:17Well...
22:19I'd be happy with that.
22:21Me too.
22:23I need a life.
22:24Jesus, I can't promise you a life, Kushler.
22:27It's the odd opening.
22:31I'll take it.
22:32I'll take it.
22:33Ha, ha, ha!
22:36I'll take it.
22:38I'll take it.
22:40I'll take it.
22:42I'll take it.
22:43Oh, my God.
22:45Oh, my God.
22:47Oh, my God.
22:49Oh, my God.
22:51Oh, my God.
22:53Oh, my God.
22:55Oh, my God.
22:57Oh, my God.
22:59Oh, my God.
23:01Oh, my God.
23:03Did you just have a nice night?
23:05I don't know what you mean, sir.
23:07Grant.
23:09Jerry's a good sport.
23:11Oh, my God.
23:13Your man was in the paper tonight.
23:17In his frock and wig.
23:19Hey.
23:21Mike Lagney.
23:25Banging on about police brutality again.
23:31He'll not do himself any favors saying things like that out loud.
23:35He's breathing him.
23:37Brave or reckless.
23:39I know what I could lose my shot.
23:42Any anger?
23:43Hi, Eamon.
23:44It's me.
23:45You can put me down for some shifts.
23:47What?
23:48How many, like?
23:49I'd say three for now.
23:51That'd be great.
23:52I need you tomorrow, Nate.
23:53Why the sudden urge to help?
23:55Because if I stay my mummy, I might actually kill her.
23:59Thanks, Kushla.
24:01Nighty, Nate.
24:02Night.
24:03I have called this emergency assembly because the father of one of our pupils is in hospital.
24:23The best thing we can do now is say a wee prayer.
24:32David McGowan's father was left for dead by a loyalist gang last night.
24:37Mr. McGowan was a good Catholic man who made the mistake of marrying the enemy.
24:41But even though Mr. McGowan brought this on himself, these loyalist murder gangs are hungry for all Catholic blood.
24:50Your daddies could be next.
24:52Can we sing a wee song?
24:54Yeah!
24:55Come on!
24:56Dying in bullets and bombs.
25:03Sacking up long after all.
25:08Where will this bloody fight end, if we don't learn to make amends?
25:17Take away the hate and the violence
25:20Bring love into our heart
25:25Take away the hate and the violence
25:29Let's finally give peace a head start
25:33Great, enough. Here.
25:36Pirens, they well through the night
25:39Fingers on lips.
25:42Good man.
25:43Erin, will you wait at the door for me, please?
25:45Okay.
25:47Lovely.
25:49Better play, Gerry Harkin.
25:51You're the only one with the balls to stand up to that lunatic.
25:54Thank you for your expert clapping.
25:56Erin, do you think I should go around the McLearns?
25:59Give them a wee while out, too.
26:02Oh, here.
26:03What about Norway trip to Belfast on Friday?
26:06The theatre?
26:06Promise not to lob the gob this time.
26:09Theatre?
26:10Aye, go on.
26:12Aren't we awfully awfully?
26:14I'm sorry.
26:17There you are.
26:32Um, Penny, Jim, this is Kushler.
26:37Hello.
26:38Hello.
26:38Hello.
26:40Right, shall I get us a drink?
26:41Oh, that'd be great.
26:42Oh, thank you.
26:42Here's the one.
26:44My friend's actually giving me one.
26:52So how do you two know each other?
26:53Well, I know everybody.
26:56Hi.
26:56Jerry, this is Michael Agnew and his friend, Penny.
27:00Jerry.
27:01What's about this?
27:02Hello.
27:04Well, I hope you enjoy the show.
27:06We're surprised to see you here, Michael.
27:09Hi, Victor.
27:10I thought you'd got on their ground.
27:12Why?
27:13Fox Special Branch.
27:14I've got one extra.
27:30Are you enjoying the playing?
27:34Sad?
27:34Hmm.
27:35I, um, I like the way you calls it, the, the town, Ballybeg.
27:40Small town.
27:42Do you speak Irish?
27:43Yeah, from Schooling Teacher Trina.
27:47And you've got an Irish name.
27:49I made up one for a song.
27:52A Hushle Mw Cree.
27:53Pulse of My Heart.
27:56That's beautiful.
27:59A Hushle Mw Cree.
28:05My friends and I are trying to learn Irish.
28:08We made the pen in gym to ask when we come to teach us sometime.
28:13Oh, I see.
28:17Jerry.
28:17Hey.
28:18Sorry.
28:20Bye.
28:25Drink that, Aisle.
28:26It's a nice set, isn't it?
28:28Yeah, really good. The actor playing SP is breaking my heart.
28:32Yeah.
28:37Why would Special Bunch be interested in Mike Lagg now?
28:40They think he's a traitor. Defending young R.A. lads and banging on about police brutality.
28:45And does he defend them?
28:46No. Just some of our young stone throwers. Tries to talk him out of joining.
28:51Gets him to recognise the courts, which makes him a willing agent of the evil system, so...
28:56There, I hate him. And the peelers hate him. And even his own proddy lot hate him, poor fucker.
29:01He'll come in in this place.
29:03Nah, he's alright. But I'd not take a drink off him.
29:21Ah, look who he is. How are you?
29:24Oh, thank you.
29:32Jamie tells me you're doing English for your eye levels.
29:36What texts are you reading?
29:38Passiest India. And a bit of English.
29:41Have you read Jude the Obscure?
29:44It's good.
29:45Oh, it's the best. I didn't pick up another book for months after.
29:51Can't get to the library till Daddy's home.
29:54That can only my copy.
29:58What's your Daddy doing?
29:59He's got a fractured skull. Both legs broken.
30:09Crap rib. Collapsed lung. Upsured spleen.
30:13Those proddy bastards.
30:14Slate his hands and wrists with a nail hammer into a plank.
30:17Look, why don't you take my number and you can give me a call if you need anything.
30:24Alright.
30:25Er, what's the number?
30:26Er, 42876.
30:27That's his sweet poem book.
30:28Come over.
30:29Oh, Mrs Lavery.
30:30Hi, dear.
30:32Daddy was beat up for love and me mummy.
30:34Hey.
30:35He's still in hospital.
30:53Terrible carry-on.
30:55Stop in the hole.
31:02I've got a wee song from Mrs. McGill.
31:06Mommy!
31:07Hi, Betty.
31:12I brought you a wee pie.
31:17Sorry, Betty.
31:20You're right, fellas.
31:21Where are we?
31:25Oh, you've got to hang those outside.
31:28The neighbours keep cutting down our washing line.
31:31They throw dog shit over the fence.
31:33Oh, Jesus.
31:34Throw me dog shit.
31:35Right.
31:39A half hour should do it.
31:43Right.
31:44You had a good hour.
31:45You want to stay?
31:47No.
31:49But thanks, Betty.
31:51Well, thanks to you.
31:55Go back inside, Tommy.
32:06I said it.
32:07They've come to taunt us.
32:08I know, love.
32:10Let me handle it.
32:10Oi, Lady Mac.
32:11Well, mine's your family.
32:12Good night. Dinner, too.
32:14Dog's dinner.
32:14Take yourselves off.
32:15It's free country.
32:17No.
32:18You can fucking let us get to you.
32:19Go on.
32:20Don't touch me.
32:21Talk away off.
32:21Burn your own door.
32:22Go on.
32:22Get off, Walter.
32:23Mommy.
32:23I know.
32:24Jesus Christ, madam.
32:25We're doing something up here.
32:26I know.
32:27As far as the ones around here are concerned, she's worse than a Catholic for a married one.
32:30They were saying that the hairdressers, even our own family, don't talk to her.
32:34He's all deaf.
32:35Bye.
32:38Headlines on Monday evening at 7 o'clock.
32:41The body of the man was fined off the shore road.
32:45Come to the Irish language, mate.
32:47Help you exoticize the natives.
32:48It's in Belfast, so I could pick you up at 7 o'clock on Monday.
32:56I'm away with Jerry.
32:58I thought he was going to call in.
33:05Stay safe and good night.
33:07Fidel's running a UDA meeting up there.
33:19It's a pity of clutches with your Irish night.
33:21Sorry, sir.
33:51There's a bit of an incident up ahead.
33:53I'm going to have to ask you to turn back this.
33:54Fulcher.
34:12Fulcher.
34:14It's impressive.
34:15Thank you very much.
34:17How are you?
34:18Come on in.
34:19I'm grand.
34:20Hang your coat up there.
34:24Kushler, you're in for a treat.
34:25Penny has made her a world-famous moussaka.
34:29Penny.
34:30Kushler was just admiring your Donegal painting.
34:33Oh, gosh.
34:34It's the only painting of mine I actually like.
34:36I'm mugging about the sculpture now.
34:41Michael, here.
34:42Help yourself.
34:42No, that's the way.
34:44Yes, please.
34:44You're very welcome, Kushler.
34:47It all looks lovely.
34:49Oh, thank you.
34:50Yeah, I hope you're hungry.
34:53And thanks for coming for this Irishness.
34:57Jane.
34:59You're pretty good.
34:59Mwah.
35:01Good to see you.
35:02No, no, no.
35:02Put out those curtains there.
35:04Okay.
35:04Get stuck in there.
35:06Those are for you.
35:07Kushler, go on ahead.
35:08You are good, sir.
35:09No.
35:11I don't know what you've seen.
35:13You don't like it.
35:15I just didn't expect it to be fishy.
35:20Well, it is fish.
35:24Michael tells me you're a native speaker.
35:28I did it for my air levels.
35:30Oh.
35:30Can I help with anything?
35:38Yes.
35:38Would you grab the moussaka out of the oven there, please?
35:40Thank you, sweetheart.
35:42Did you hear Campbell College won the cup?
35:44Aye, yeah.
35:44I bumbled that fella.
35:46The captain.
35:48At the Ross when we won it.
35:49Trevor.
35:50Trevor.
35:50Trevor.
35:51Yeah.
35:52Claire, I see him about sometimes.
35:54Time has not been kind.
35:56Victor, don't be so mean.
35:58Nice.
35:58We should see this guy.
36:01Aye, you've burnt yourself.
36:02Oh, come here.
36:03Thanks a minute.
36:07Oh, poor Kushler.
36:12Oh, here.
36:15Is that all right?
36:18That looks marvelous.
36:19There we go.
36:20Whatever way you want to deny it, Victor, you know police brutality creates terrorists out
36:24of Borgent fellas who are throwing stones for kicks.
36:27Aye, so you keep telling us.
36:28You have not said a word against IRA brutality.
36:33They're kneecapping the very same young flag you're defending.
36:35I'm not endorsing the IRA people.
36:37Harry, how much garlic did you put in this?
36:39You can never have enough garlic, Jim.
36:41Isn't that right?
36:42Jane, would you like some more moussaka?
36:45Why not?
36:46Chrysler?
36:46No, thank you.
36:47Do you not like it?
36:49Sláinte.
36:57Right.
37:00Shall we do this?
37:04Um, if you just talk amongst yourselves, I'll just see where you're at.
37:08All right, Michael, please don't.
37:11Absolutely not.
37:13Now, how about you tell us the Irish for no?
37:17Ni ha.
37:19That doesn't quite mean no.
37:21Well, I can do.
37:23It means it isn't.
37:27It's a tad slippery, don't you think?
37:31What do you mean, slippery?
37:34Evasive.
37:36Non-committal.
37:38Someone offers you a drink.
37:40How do you say no?
37:42Near way.
37:43That sounds like a proclamation.
37:45Oh, Victor.
37:49Well, why don't we start with some simple phrases about how we're feeling.
37:55Like, ta my laan.
37:58I'm full.
37:59Yes.
38:00Agus, ta Victor cantalach.
38:05I'm Victor's cranky.
38:06Oh, well.
38:11Fair.
38:12Three points.
38:13Yeah, she's not wrong.
38:14Well, meet.
38:18I'm a jerk for Aga.
38:19I'm a jerk.
38:20Aga.
38:21I'm a jerk for Aga.
38:23I'm a jerk for Aga.
38:23Aga.
38:24I'm a jerk.
38:25I'm a jerk.
38:26I'm a jerk.
38:26I'm a jerk.
38:27Master?
38:28Yeah.
38:29How do you say that?
38:32Jar-har.
38:33I'm a jerk for Aga.
38:34I'm a jerk for Aga.
38:34Jar-har.
38:35Jar-har.
38:35Who?
38:36Jar-har.
38:38If you just want to pull in under there.
38:41Why?
38:41What are you planning to do?
38:43Not get tired and feathered.
38:48Fair enough.
38:48So will you come to each other again?
38:59Yeah.
38:59So will you come to each other again?
39:01I'm a jerk for Aga.
39:02I'm a jerk for Aga.
39:03I'm a jerk for Aga.
39:04I'm a jerk for Aga.
39:04I'm a jerk for Aga.
39:05I'm a jerk for Aga.
39:06I'm a jerk for Aga.
39:06I'm a jerk for Aga.
39:07I'm a jerk for Aga.
39:07I'm a jerk for Aga.
39:08I'm a jerk for Aga.
39:08I'm a jerk for Aga.
39:09I'm a jerk for Aga.
39:09I'm a jerk for Aga.
39:10I'm a jerk for Aga.
39:10I'm a jerk for Aga.
39:11I'm a jerk for Aga.
39:11I'm a jerk for Aga.
39:12I'm a jerk for Aga.
39:12I'm a jerk for Aga.
39:13I'm a jerk for Aga.
39:13I'm a jerk for Aga.
39:44My circumstances are complicated.
39:56I won't always be able to get away.
40:01They sometimes will.
40:05Yeah.
40:09Okay.
40:14Okay, everybody, easy on the corridors, please.
40:30Slowly.
40:31Daddy came home last night.
40:47Do you want to come see him?
40:53Look, Divya, I don't think he's going to want to see me.
40:56I think it's best if you just leave her for family.
41:02But I told him I'll bite you.
41:08Go on, then.
41:12Mommy.
41:13Hi, God.
41:14Morning.
41:17Oh, thanks for coming.
41:19Mind that there.
41:21That's a sack of one they've left us today.
41:28Daddy.
41:32This is my teacher.
41:36Miss Lavery's been good to us.
41:40Come round here.
41:41Morning.
42:00Bye.
42:00Bye.
42:03Bye.
42:04Bye.
42:05Bye.
42:07Bye.
42:09Bye.
42:10Bye.
42:10I don't know.
42:40I don't know.
42:42Is there a problem?
42:45Is there a problem?
42:49Now you don't want the shifts?
42:51I'm sorry Eamon.
42:53I just didn't realise how much extra school work I'd have with the Communions and stuff.
42:57So you won't do any at all?
42:59No, none. Not for a while.
43:10He's dead as he works sweeping roads near his home on the Lower Old Road.
43:14It's the fourth fatality in the city in two days.
43:17Earlier, Gillard took place in a written charge of...
43:27Trading eggs on the black market.
43:29Put the clasp in some for Easter.
43:31Oh, just as well.
43:32You wouldn't get much past me.
43:34No.
43:35No.
43:36No.
43:37No.
43:38No.
43:39No.
43:40No.
43:41Hello?
43:42It's Michael.
43:43Have not seen you in the pub all week?
43:46No.
43:47How did you get my number?
43:49Um, the phone book?
43:50I'll be passing yours in two minutes.
43:51I...
43:52I can pick you up.
43:53That's not a good idea for a million different reasons.
44:08I've had a way worse.
44:10Seriously?
44:12It's daft and it's dangerous.
44:15Seriously?
44:17It's daft and it's dangerous.
44:20I'll take you somewhere no one will see us.
44:23Please.
44:26Just, just to talk.
44:45I just sobbed the whole way home.
45:04All she was going dead was marry a Protestant.
45:09No, it's not about what you do here. It's about what you are.
45:12To them, he's a traitor.
45:16To me, he's a brave old man, think.
45:20I just hate the way this place makes one thing or the other.
45:24Well, that's the way we must make ourselves.
45:28It's easier said than done.
45:32I come from a long line of Catholics that have survived by keeping their heads down and their mouths shut.
45:38Having a big opinion like yours.
45:40It's a luxury I don't have.
45:44No.
45:46No, that's not true. It's not.
45:49What, so I should just say what I want?
45:54Being with who I want, even if it means that I lose my job or I put Eamon in danger or people throw dogshade at my mummy's washing line?
46:02Yes, absolutely.
46:05Even if people call you selfish or stupid or a Judas bastard.
46:11We must find the bravery to choose freedom over fear.
46:20It's taken up for you as a political act of defiance.
46:29No, it's rich.
46:32I get to be brave and you get your bit on the side.
46:36Look, you don't agree with me because I'm married or I'm old.
46:39Or I'm old, I'll kiss her.
46:41And if that's one thing that I accept, but we cannot let the old bigots and the boys of guns tell us how they live.
46:58We just can't.
46:59Otherwise, nothing wrong with it she is.
47:08It wins.
47:22I'll best go back.
47:25I'm going to be prepared for court tomorrow.
47:32You're not the only one with an important workload.
47:36I have to hot boil 30 eggs.
47:40Without cracking them.
47:54Yeah.
48:08Put these with the eggs.
48:14You know, they say it's unlucky at the gift course.
48:17Both of the giver and receiver.
48:20I am more than happy to take my chances with the Yokosla.
48:22I am more than happy to take my chances with the Yokosla.
48:50Hello, it's me.
48:54I feel bad.
48:55Put me down for some shifts.
48:57You're like a yo-yo.
48:58How many?
48:59Four.
49:00Four?
49:02Jesus, you do feel bad.
49:03I need you tomorrow.
49:05Okay.
49:06See you then.
49:07Michael?
49:08No, it's Tommy.
49:09You said I could call.
49:11Yeah, of course.
49:12Erm, how are you?
49:14Alright.
49:15Mummy says she must give you a dish back from the pack.
49:16It's no rush.
49:17Erm, how's your daddy?
49:19Can't wait for his own arse.
49:20Yeah.
49:21It's a hard time for you as all.
49:22It's desperate.
49:23Aye.
49:24And it won't change if I don't do something.
49:25It's not something stupid, Tommy.
49:26Do you know what?
49:27You're right.
49:28I'm just a stupid son.
49:29I'm just a stupid son.
49:30You're right.
49:31I'm just a stupid son.
49:32You're right.
49:33I'm just a stupid son.
49:34I'm just a stupid son.
49:35You're right.
49:36You're right.
49:37I'm just a stupid son.
49:38You're right.
49:39You're right.
49:40You're right.
49:41You're right.
49:42You're right.
49:43You're right.
49:44You're right.
49:45You're right.
49:46You're right.
49:47You're right.
49:48You're right.
49:49You're right.
49:50You're right.
49:51You're right.
49:52You're right.
49:53You're right.
49:54You're right.
49:55You're right.
49:56You're right.
49:57You're right.
49:58You're right.
49:59You're right.
50:00You're right.
50:01You're right.
50:02You're right.
50:03You're right.
50:04You're right.
50:05The identity of the IRA gunman shot magistrate and former barrister Martin McBurney last
50:30September two on the foot of Yemen witnesses took to the stand yesterday
50:46Jameson please
51:00Thank you
51:10I have a flat in Belfast I use when I'm in court
51:12Good for you
51:14It's good for us
51:18What it means to be seen
51:30Come tonight
51:32How do you feel about this kind of situation of speculation?
51:36How can we get it
51:40A cold water
51:46He could hold myantry
51:58Knights are safe
52:00Yes!
52:14My phone is not made to me.
52:16All right...
52:18It's not made to me.
52:20I'm not made to go home.
52:22I have to leave.
52:24I'm not made to go home.
52:26I'm not made to go home with it!
52:28That your soul is for a flying to the best day
52:33It's yourself?
52:38It's me.
52:42You want a nightclub?
52:44No.
52:58What do I do?
53:22I'm in the pill for my skin.
53:24Mammal for skin.
53:28I'm in the pill for my skin.
53:58Mammal for skin.
54:07Mammal for skin.
54:12Mammal for or million faces.
54:15Where have you been all night?
54:27I had car trouble, so I stayed with Jerry.
54:28Oh, car trouble?
54:31You and Jerry must think I'm some fiend.
54:34Are you sniffing me?
54:36You get a reputation.
54:37Oh, my God.
54:38Lose your job or worse?
54:41Have a wee baby.
54:42Look, with a ring jumped on your finger.
54:47You wouldn't be carrying on like this if your daddy were still alive.
54:54You'd be running off me, sweet.
55:07I'll take her somewhere no one will see us.
55:11Come tonight.
55:12I'm off the skin.
55:15I'm off the skin.
55:15I'm off the skin.
55:16I'm off the skin.
55:17I'm off the skin.
55:19I'm off the skin.
Be the first to comment
Add your comment