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00:00Let's talk about Kaamelott.
00:02How to put it, where to begin?
00:04I really liked the first one, to put things into context a little bit.
00:07I thought it was okay, but nothing special.
00:09Actually, in keeping with the series, it's cool.
00:13The first Kaamelott.
00:14My problem with the first Kaamelott was precisely that,
00:18He was too much in line with the series, in the way he was presented on screen.
00:23That is to say, I didn't feel like I was watching a movie, like the first Kaamelott.
00:27The costumes are superb.
00:29I'm really talking about the first two here.
00:31The costumes are superb, the photo is very beautiful, the music is great.
00:34The music was composed by Astier.
00:36Is the second part better than the first?
00:39Let's just say that, in terms of how I felt, I still preferred the second one.
00:43But despite everything, it still retains, in my opinion, the flaws of the first one, namely that it's a huge Kaamelott episode.
00:50And it's not actually a movie.
00:53That's the problem.
00:53At many points because, in fact, I really like the series.
00:55I like the series, so from there, in fact, in keeping with what the series is about,
01:01You're having a good time because you like the characters, you know them, and all that.
01:05But apart from that, let's just say that from a purely cinematic point of view, it's missing a lot of things.
01:13In fact, a lot of things are missing because the film, as a result, is very messy.
01:18There are far too many characters in the film.
01:19There is a main quest and a huge number of side quests.
01:24So we end up with an edit that is over-edited.
01:27Indeed, Alexandre Astier is a very good dialogue writer.
01:31Alexandre Astier is a very good actor.
01:33Alexandre Astier makes very beautiful music.
01:36But Alexandre Astier doesn't know how to edit a film and doesn't know how to direct a film, in my opinion.
01:40There are many things that are wrong on that front.
01:44And as I said about the first one when I talked about it three years ago when it came out,
01:48He would have been better off delegating the execution to someone whose job it is.
01:54For example, I don't know, Kaamelott volume 2, you do the scenarios by Astier, you do the music by Astier if you want.
02:02But the real one, you entrust it, I don't know, to Alain Chabat, you entrust it to Zanavisu, I have no idea.
02:06to established directors who have proven themselves and who know how to properly manage what cinema is.
02:12I do think he has the George Lucas syndrome, that's what I was saying yesterday to the person I went to see the film with.
02:18There's the George Lucas syndrome, where, in fact, George Lucas focused on the Star Wars prequel trilogy,
02:24No one dares to say anything to him because he reigns as absolute master over the universe.
02:29So in fact, when he approves something, nobody is going to tell him what you just approved.
02:34This is rubbish, there's a problem, we need to do something else because everyone is afraid to say anything to George Lucas.
02:39And I think that here, we are on the same principle.
02:41In other words, I think everyone is afraid to tell Astier, there are things missing.
02:47The only one who dared to say something to Astier was the actor who plays Perceval, I think it's Franck Piccio.
02:53And so, who isn't in the film?
02:56Because he dared to say, sorry, but I don't recognize myself in the film.
03:03And Astier could therefore have thought, well, since he is, after all, a historical figure,
03:08Perceval, whether in Arthurian legend, since he is supposed to be the one who finds the Grail in Arthurian legend,
03:13But above all in the series, he is a historical figure that people adore, perhaps even as much as King Arthur, maybe even more.
03:19He should have said to himself, well, we're going to rewrite your character, try to create something different, take a step back from his work.
03:29I think Alexandre Astier has an ego that is perhaps a little too big for him to say, I'm going to question things.
03:35And it's not necessarily a criticism, it's not pejorative to have ego, to say to yourself, it's my work, I do what I want with it.
03:40But then, we have to consider the consequences and ask ourselves, well, maybe...
03:46Personally, I think it's always good to take a step back and look at what we do, and to get feedback.
03:50You shouldn't take all opinions at face value, because sometimes they're a bit...
03:53So, we still have to stay true to ourselves and do something we enjoy.
03:59But sometimes you have to know when to say, well, actually, maybe I'll do it this way.
04:03And Franck Pitiot's departure should have been a wake-up call.
04:08To think, well maybe actually, I'll avoid making him look like an idiot for two hours, and maybe I'll flesh out the character.
04:15Maybe he didn't want the character to take up too much space, I don't know, anyway.
04:17And the film deserves its success, right?
04:19There are things that people won't necessarily appreciate, others they will appreciate, but at least there are...
04:23Let's say there's ambition, in a way... well, visually, artistically, there's something there.
04:27But, for me, the main problem is that there are too many characters.
04:33As a result, Astier gets lost in all his characters.
04:36Not all of the characters are interesting.
04:38Indeed, the whole small group of young people in Iceland, there, well, in the...
04:41In glaciers, all that, well...
04:45Besides, I think they're Astier's children, so...
04:47You think to yourself, well, he put them there because they're his kids, or at least it's kind of...
04:51You're not very interested in them.
04:52There are some quests that are not well implemented.
04:55There are editing effects, therefore, that shift from one quest to another.
04:58But without necessarily understanding how to link one group of characters with another.
05:04For example, Infinity War, Avengers: Infinity War, had precisely this strength of knowing how to structure its film,
05:11despite the fact that there were several groups in the film.
05:14And in fact, the idea behind Infinity War was precisely that it was going to...
05:17to pose a question and an expectation between each arc and that he would stop it at that moment to move on to the next arc.
05:25So it was like a roller coaster, actually, where the arcs stopped at the highest point to move on to the next one.
05:31And that kept the viewer interested and allowed the film to handle a huge number of characters.
05:37So that was the strength of Infinity War.
05:38So, this film, which could have started from that example, did not.
05:43And indeed, we end up with a ton of characters who are thrown in here and there without much coherence in the editing.
05:50And in the end, we effectively end up with a film that has no beginning and a film that has no end, basically.
05:55We're in the middle of a film, and that gave me even more of a feeling that I was facing something...
06:01which is more the appeal of a series than a film.
06:04For me, when I go to the cinema, I want a complete story, actually.
06:08Well, obviously, at least the film doesn't lie to you.
06:11Part two, departure.
06:12I mean, from that point on, you know you're not going to get a complete thing.
06:14The problem is that, in fact, there are too many characters.
06:15That's not the way...
06:17In fact, because there are too many characters,
06:19So, they are... how to put it...
06:23In keeping with the film's style, they are poorly developed.
06:26in the sense that, in fact, we either don't see them enough or we see them too much.
06:29It's poorly measured, that's all.
06:30And the fact that there are too many characters makes it complicated to manage during editing.
06:33So, naturally...
06:35Special mention to Lancelot who once again becomes credible and unsettling.
06:38Yeah, indeed, Lancelot, I preferred him a thousand times over in this film.
06:40the character, as in the first one.
06:42And Caradoc, who is in a new and enjoyable story to follow,
06:44is less dense with water.
06:46The same.
06:47No, no, but there are some bows that are worth it.
06:48But actually, it should have been...
06:50For me, for example, you're going to go and remove the youth arc
06:53which are played by Astier's children,
06:55And you will develop Lancelot, you will develop Caradoc,
06:57You will develop the historical figures,
06:59and ultimately, with those historical figures,
07:01You're going to surround them with new characters.
07:03But for me, there are bows, in fact, that are...
07:05which are far too long,
07:07which are far too developed for characters, in fact.
07:10which are not interesting at the moment, in fact,
07:12and that we don't know,
07:13and that we don't necessarily want to know at that moment,
07:15Because we're at the end of a story, you know.
07:17In other words, if you look closely,
07:19We are at the end of six seasons,
07:23And now he's introducing characters, you know.
07:25He develops the characters and introduces them to us now, at the end, you know.
07:28So, it's a bit complicated.
07:29The end of the film is the same, actually.
07:31There are two...
07:32So, as a result, I won't talk about it.
07:33I'm going to remain vague so as not to spoil it for you.
07:36but there are two scenes,
07:37There are two crucial moments at the end of the film,
07:41And in the middle of all that, we're going to throw in a scene.
07:42of a character arc that will last ten seconds,
07:47And it's really weird, actually, that it happened there, at that moment.
07:49That has no place there, at that moment.
07:50And actually, you have this thing here, in fact,
07:51where it's already a mess, because there are 3000 characters,
07:54but in addition, the editing,
07:55You incorporate them in a completely random way, actually.
07:59And it doesn't really make sense, you know.
08:01And so, you end up in a film that's a bit of a mess.
08:04In any case, that's the feeling I had when I left the room.
08:05I thought to myself, it's a bit of a mess, you know.
08:08And that's kind of the problem.
08:08Regarding whether or not it's a repeat of the series,
08:13I'm almost tempted to say that the film is something new.
08:15And yet, we already knew it.
08:17It's a bit like mom making grandma's recipe again.
08:19Yes, no, but indeed.
08:20But that's not even what I'm complaining about.
08:21It's not about replicating the conventions of the series.
08:24It's about adopting the visual and narrative codes of a series.
08:27That's the problem.
08:27This is like being at the movies.
08:28When we go to the cinema, we come to see a story.
08:30And so, we don't come to see a giant episode of a series...
08:35Right now, for me,
08:37KV1 and KV2, that's Kaamelott season 7, basically.
08:41It's not like the Kaamelott movies, you know.
08:43This is Kaamelott season 7.
08:44So, let's say, when I rewatched the first Kaamelott at home,
08:48I was less bothered, the film bothered me less.
08:49because I was at home in front of my TV,
08:50And so, I was watching a TV movie, basically.
08:53It's unfortunate to say this, but it's the truth.
08:55At least he's improved on CGI.
08:57So, he pretends he doesn't listen to people.
08:58but the CGI of 1 and the CGI of 2,
09:01It's like night and day, for once.
09:02in terms of quality.
09:04This is one of my concerns regarding the film.
09:06even though I haven't seen the edit yet
09:08which is shaping up to be chaotic.
09:09Yes, yes, indeed, that's the problem.
09:11Afterwards, you'll still, I think...
09:13If you like the universe, I think you'll laugh.
09:14because there are some very funny characters,
09:16actresses and actors who are very, very funny.
09:19There are some pretty cool moments too,
09:21Nevertheless, despite everything.
09:23But, indeed,
09:24You make your film in two parts.
09:26Don't introduce all your characters at once like that.
09:28in a funnel where they are all trapped,
09:31where nobody can really get out of it.
09:34So, in fact, there are no characters
09:35which really stands out from the rest, actually.
09:37Not even King Arthur, not even...
09:39Everyone is completely caught up in this story
09:42and everyone is pretty much at the same level.
09:45So, we end up with 20 main characters
09:47And it's kind of weird, you know.
09:49Indeed, the fight in the first one is catastrophic.
09:52This time, we have sword fight choreographers,
09:54There are plenty of them in France.
09:56There are plenty of them in Europe and the United States.
09:59It would have been good if the two of them had practiced a little bit with swordsmanship.
10:01and take the...
10:02In those cases, you at least use voice actors.
10:04In addition, it was filmed somewhat in the dim light.
10:05Hire some stunt doubles and have a real sword fight.
10:07A little...
10:08So, you're at the movies, basically.
10:09And I think that's a shame, actually.
10:11that, precisely,
10:13Arthur is unable to turn his characters into icons.
10:15In fact, he can't even manage to become an icon of himself, I think.
10:18I know there's a scene in the first installment
10:20where he will retrieve the sword he planted in the series.
10:23So, that means people have been waiting for years.
10:24So Arthur gets Excalibur back, then.
10:28And when the scene arrives,
10:29I thought to myself, there's going to be something, some kind of staging.
10:31which makes it going to be an epic moment.
10:34This is going to be a moment we've all been waiting for.
10:36So he will be galvanized by the staging.
10:38through music.
10:39But then, not at all, no.
10:40I mean, he's getting the thing back
10:42And nobody cares.
10:43It's very, very poorly handled.
10:45There is no iconization of the character.
10:47Then again, maybe it was intentional.
10:48to bring out, precisely, that slightly grumpy side,
10:50Arthur being a loser, I don't know.
10:52But then you think to yourself,
10:54OK, all that for this, then.
10:55I don't know, it seems like he doesn't like his character, you know.
10:58It's the same in part 2.
10:59I mean, in fact,
11:00The end of the first one brings you King Arthur.
11:03Literally, the end of the film,
11:04The last shot is Arthur standing with his wife
11:06who sets off on a quest
11:08where you have Sting saying, basically,
11:11Finally, the character played by Sting
11:12So, when do we start the quest for the Holy Grail?
11:14So, that's over too.
11:16That is to say, in the second one, Sting is no longer there.
11:18So, the character.
11:19The quest for the Holy Grail, well,
11:21King Arthur is no longer in charge of it.
11:24Anyway, he'll take care of it later.
11:27And most importantly, he's actually going back into grumpy mode.
11:30Whereas at the end of the first one, he is in mode,
11:32We think, well, that's fine.
11:33He understood his destiny, he knows who he is.
11:34And we're starting with Arthur on the 1st
11:37who is still in depression mode.
11:39You think to yourself, well, after a while,
11:41Okay, we get it.
11:42Try taking your character somewhere else.
11:43that in that thing, a bit grumpy.
11:46That's good for the comedic effect.
11:47but as for the character himself,
11:49I think it kind of ruins the whole thing, you know.
11:50Galienne's team is very, very funny too.
11:52Yeah, yeah, actually, the trio isn't bad.
11:54But because we have excellent actors,
11:56So naturally, it's simple.
11:59But, and this is something I find to be the case
12:01one of the least disturbing arcs in the film,
12:04because it's one of the most interesting arcs, in my opinion.
12:07But, yeah, actually, the trio is pretty good
12:10with the comedian from Marseille, I can't remember his name,
12:14stand-up comedy and Clovis Corniak, as a result.
12:18That's my main concern.
12:21The thing is, the film didn't get off to a good start.
12:24and it didn't end well.
12:27And so, there's a slightly unfinished feel to it at the beginning and the end.
12:29Which means that, I know that Billy Wilder said something,
12:32He said, you have to know how to start and end your film well.
12:35And what's in the middle, if it's good, well, all the better.
12:39But the idea is to say, in fact, what is important in a film,
12:41This is the beginning and the end.
12:43And I have the feeling that the film, well, starts in a rather strange way.
12:48and ends in the middle of something.
12:50Finally, he was there, well no, that's not it, actually.
12:52That is to say, the last impression you have of your film,
12:54That's the most important thing.
12:55The viewers will leave the film.
12:56The last impression he'll have is the end.
12:58The ending needs to be impactful.
13:00And in that respect, for example, The Lord of the Rings,
13:01because people love to compare The Lord of the Rings to Kaamelott,
13:03Although it's not comparable at all, we can still talk about it.
13:06The Lord of the Rings is a story told in three films.
13:08So it's a complete story in three films.
13:10And yet, the film started very well.
13:13That is to say, each time, he starts with...
13:15It could be a flashback, it could be a fight,
13:18It could be the story that happened before.
13:21Always watch the beginning, the introduction of the first three films
13:24From Lord of the Rings, we have something that happens that is extremely impactful.
13:27And look at the end of the three films, something else happens there too.
13:30We have an iconization of the characters.
13:32We get a teaser for what comes next without necessarily stopping the scene in the middle.
13:37We have films that stand on their own.
13:38I can watch the first Lord of the Rings.
13:40Well, obviously I'm going to continue because I love it.
13:42But I mean, in terms of films that stand
13:44and which is self-sufficient, the first Lord of the Rings,
13:47You could say, well yeah, he's holding up, you know.
13:50And unfortunately, that's not something he manages to do with Kaamelott.
13:52whereas it's supposed to be like that.
13:53You're supposed to say, well, I can start on the 2nd,
13:55And history, in fact, it can stand on its own, you know.
14:01And that's kind of the problem, he's really going to think about his films.
14:03Like the end of his series, basically.
14:05And that's what bothers me.
14:06In those cases, you don't show the films in cinemas.
14:08if your idea is to finish your series
14:10and, in fact, to make 2-hour episodes, you know.
14:12When you see Kill Bill Volume 1 and Kill Bill Volume 2,
14:15They are two completely different films.
14:17Whether in terms of image, in terms of sound,
14:21in terms of staging,
14:22We have a film that is extremely bloody.
14:24who is extremely sharp in the first one,
14:26and we have a calmer film
14:27which refers a little more to the western genre in the second one.
14:31So he made a film in two parts, Tarantino.
14:32but he decided, nevertheless, to separate these two films
14:35with a different aesthetic.
14:37And that's what's important.
14:38In fact, for me, when you make a film in theaters,
14:40The first thing you need to tell yourself,
14:42If you make a film saga,
14:44The first thing you need to tell yourself is
14:45Each film must be self-contained.
14:48Each film needs to have its own story
14:50which advances the main storyline,
14:54but who stands nonetheless
14:55and that people are not frustrated either
14:57as he left the room saying
14:58"Damn, I suddenly found myself in front of a giant scene from the movie."
15:03Because, in that case, it means that the film,
15:05The second part, it'll be finished in a year, right?
15:08So, in other words, in fact, here,
15:09I paid 15 bucks for a ticket
15:11to see half a movie.
15:12And that annoys me.
15:13So, in the end, I would have preferred to see a 4-hour movie, you know?
15:16at the limit.
15:17Especially since the thing is coming out in a year, you know.
15:19If it were to come out in 3 months, that would be one thing.
15:21But in this case, you have to wait a year.
15:22to see the rest of something
15:23which stopped.
15:25And this whole business about... really gets on my nerves.
15:27Actually, shows like Stranger Things annoy me.
15:29who will be making 2-hour episodes
15:33And it annoys me that these films are going to go and do
15:34giant TV series episodes
15:38who will actually be showing it in cinemas.
15:39In other words, everything is getting mixed up.
15:41And that annoys me.
15:41A series is a series.
15:42A film is a finished film.
15:43The film isn't bad.
15:44I'm not saying the film is bad.
15:46But there is this aspect, really,
15:49This transition bothers me, that's all.
15:50Seriously, it's a transitional film.
15:52in the purest tradition
15:53What exactly is a transition?
15:55And that's a bit of a shame.
15:56Because there is no bow
15:57which is completed in this film.
15:58There are none...
16:00no conclusion
16:03whether
16:04in development
16:05of any character.
16:08So, in fact, literally,
16:09You're really in the lead...
16:10I'll go watch part 2
16:11because in fact,
16:12I'm not having a bad time
16:12in front of the film.
16:13That's what we need to tell ourselves.
16:15It's because I'm not having a bad time.
16:16in the film.
16:17The film seemed to me
16:18good in many ways
16:20because I'm telling you, actually,
16:22The actors are good.
16:23The actors perform well.
16:24The dialogues are super interesting.
16:26In this case,
16:27Astier, on the dialogues,
16:28It's really excellent.
16:29That's really his area of expertise.
16:31He plays very well.
16:31Everyone is playing very well
16:32apart from 2-3 actors
16:34which I find a bit borderline.
16:35Notably,
16:36Astier's children
16:36that I find
16:37a little out of sync
16:39along with the rest.
16:40But afterwards,
16:41these kids,
16:42He puts them in the spotlight.
16:43I would have done the same in his place.
16:44In this instance,
16:46We're not going to say anything about that.
16:48But I didn't pass
16:49a bad moment inside
16:50And I want to see what happens next.
16:51see suddenly
16:52what is going to happen.
16:53But it annoys me,
16:53Actually, it frustrates me.
16:55I don't know
16:55if I go to the cinema
16:56see the rest, for example.
16:57Maybe I'll wait
16:58that it be broadcast on television
16:59or that I buy the Blu-ray,
17:00I don't know.
17:01or whether it's on VOD.
17:02But I don't know
17:03if I go to the cinema
17:04see more.
17:05Maybe I'll go to the cinema,
17:07I'll go see Kaamelott again at the cinema
17:08For the finale, then.
17:11Which will probably be
17:12Kaamelott Part 3,
17:15Volume 2.
17:16First, the principle of volumes
17:17It annoys me enormously at the cinema.
17:20Brief.
17:21It's the same here.
17:22He sold his Kaamelott trilogy
17:24for years
17:24And then in the end,
17:25He's giving us part 1.
17:25Part 2.
17:26It's a bit like cheating, really.
17:28No, absolutely not.
17:29I don't know
17:30if there will be 2 parts
17:31for the third film as well,
17:32It really is,
17:33In this instance,
17:33That's really just speculation.
17:35But in my mind,
17:36if it has 2 parts
17:37for the second film,
17:40given all the arcs
17:41will logically
17:41to conclude in the 3rd film,
17:43I don't see it
17:43make a single film
17:442 hours
17:45to conclude all the arcs.
17:46Or,
17:46It's going to be even more chaotic.
17:47the thing.
17:49So, in my opinion,
17:50logically speaking,
17:52the 3rd film
17:53is in 2 parts.
17:54I think,
17:55These are just assumptions.
17:56There is nothing but official information.
17:57In this instance,
17:57That's my opinion.
17:59I think that, in my opinion,
18:00The third film will be in two parts.
18:01If you are not affiliated
18:02to the world of Kaamelott,
18:03if you don't like it
18:04more than that
18:05Or if you've never seen the series,
18:06whatever you do, don't
18:07See Kaamelott Part 2,
18:08because you are going to be
18:09Completely lost already.
18:10Because what...
18:11Me, as...
18:12I wouldn't say that I am...
18:13I'm not a Kaamelott fan.
18:14I like Kaamelott.
18:15That makes me laugh.
18:15I think it's nice.
18:16I do not consider myself
18:17like a Kaamelott fan,
18:18I discovered Kaamelott quite late,
18:20I thought it was nice.
18:21but I'm not a Kaamelott fan.
18:22But what kept me going
18:23while watching the film,
18:24that's really the fact
18:25that the characters,
18:26I know them.
18:26They are endearing
18:27And I want to see them evolve,
18:28In fact.
18:29So in fact,
18:29if you don't watch
18:30the Kaamelott series,
18:31You shouldn't go see the film.
18:32whereas, precisely,
18:33Astier,
18:33You had sold the films,
18:34I know that for the promotion of the 1st,
18:36he had said
18:36No need to watch the series,
18:37But that's nonsense.
18:38That was to increase the entrance fee.
18:39That's nonsense.
18:40You have to see the series
18:40to watch Kaamelott.
18:41If you don't see the series
18:42and that you're going to see the Kaamelott films,
18:44you're going to say
18:45But what is this thing?
18:46You won't understand anything about it.
18:49Ultimately,
18:49Even if you understand the story,
18:50you're going to say
18:50But these characters,
18:51I don't know them
18:52or, at the very least,
18:52either they are very stupid,
18:53either they are very unpleasant
18:54because I don't know them by heart.
18:56So there you have it.
18:57It should be noted that Frank Pitiot,
18:59as a result,
18:59who plays Perceval,
19:00did not go to the film
19:03because he didn't like the script,
19:05but he confessed
19:06in a recent interview
19:07that basically,
19:08Astier does not read
19:09his scripts to his actors.
19:12In my opinion,
19:12That makes no sense.
19:14And this is what gives the justification
19:15not to let read
19:16his screenplays to his actors,
19:17It's that he doesn't want to
19:18that its actors learn
19:19the texts too memorized
19:22because afterwards,
19:22they will recite them in their own way
19:23and not the way he wants.
19:25Except that, in fact,
19:26By saying that,
19:26It's an admission of failure.
19:28as a director
19:28because, as a director,
19:30logically,
19:30you are supposed to bring out
19:32what you want from an actor
19:33without difficulty.
19:34That's the difference
19:35between a good director
19:36and a bad director.
19:37A director,
19:37He is a conductor.
19:39he is supposed to make understand
19:40to his actresses
19:40and its actors
19:41What he wants.
19:42And when his excuse,
19:43That's because I don't give out my screenplays.
19:44because I don't want to
19:44that my actresses
19:45and actors
19:45learn the texts too early
19:48because afterwards,
19:48They will recite them differently.
19:50that's why,
19:50He doesn't know how to steer
19:51his actors
19:51and that, consequently,
19:52it's not good
19:53in that exercise.
19:54So in fact,
19:55He also half-admits it.
19:56And so, there,
19:57You have Franck Pithiau
19:58who plays Perceval,
19:59who is not in that film,
20:00who had to beg
20:01on the verge of begging
20:03to get the script for part 2
20:04because in the first one,
20:05In fact,
20:05he said
20:06that he was playing my character
20:07without knowing the history.
20:08I didn't understand.
20:09what I was doing.
20:11And so,
20:11It's true that for an actor,
20:12It's very complicated.
20:13SO,
20:13What does that mean?
20:14Why not share his scripts?
20:15So really,
20:16It's an admission of failure.
20:17as a director,
20:18either it's an admission of failure
20:19as a screenwriter
20:19because, as a result,
20:20maybe he thought
20:22The script isn't great.
20:23and if I have them read it,
20:23Maybe they'll leave.
20:24I don't know.
20:25But in any case,
20:27In my opinion,
20:28That doesn't make any sense.
20:29By not letting them read the script,
20:30That doesn't make sense.
20:31After that, indeed.
20:31maybe Franck Pithiau
20:33will return in the 3rd,
20:34He said he was
20:34to return to the 3rd,
20:35In fact,
20:36I don't think there is
20:36animosity on his part,
20:37In fact,
20:38it's just that
20:38I have the impression
20:40that there is a side
20:40a bit sectarian with Astier,
20:42gender,
20:42you can't say no
20:43to Alexandre Astier.
20:52I don't want to play
20:52in the movies
20:52because I don't like it,
20:53What.
20:54But he said,
20:55Effectively,
20:55he said
20:55if the 3rd film,
20:58they call me
20:58and that I like the script,
21:00I will go.
21:01And that makes sense, right?
21:02Actually,
21:03There is no story
21:04personal reasons behind this
21:05In fact.
21:05Perhaps Astier
21:06took it personally,
21:07and we can feel it
21:07in interviews
21:08that he's upset,
21:08anyway.
21:09He said it himself.
21:10He said,
21:11Me,
21:11if only one person
21:12is convinced
21:13of what I do,
21:13We won!
21:14I'll keep going, whatever.
21:15But,
21:22you have the right
21:22to screw you up.
21:23Everyone
21:23can fail.
21:24That's the principle
21:24of creation.
21:25The creation,
21:26to create something,
21:27That's a mistake.
21:28When you create something,
21:29you always end up
21:29by planting you
21:30at one time or another
21:30because it's complicated
21:31to create,
21:32because it's tiring
21:33mentally,
21:34because it's tiring
21:34physically,
21:36because you have to put
21:37from you,
21:37because it is necessary...
21:38So.
21:38It's complicated.
21:42I know that,
21:42There,
21:42I made a short film
21:44two years ago,
21:45A Western.
21:46I'm going to put it on
21:47on YouTube in December.
21:49That's something...
21:49I'm scared to do it.
21:50I'm scared to do it
21:51because,
21:52for the first time,
21:53I'm going to be exposed to people.
21:54And I know there are people
21:55who won't like it.
21:56Whereas I,
21:57I put my whole soul into it.
21:58all my energy.
21:59It took me ages.
22:00It was complicated to write,
22:01to bring everyone together,
22:03to direct the actors
22:04on set,
22:06to manage everything,
22:06the technique,
22:07because, as a result,
22:08I had to do
22:08four jobs at the same time
22:09because it was
22:09a little bit of volunteering.
22:11And I know that people
22:12will see it as a thing
22:13and will say to each other
22:14"No, but okay,
22:14"It wasn't all that great, man."
22:15And they won't see
22:16what lies behind it.
22:16But that makes sense.
22:18Because that's the principle,
22:19In fact.
22:20People don't need
22:21of having made a film
22:22to review a film.
22:23That's nonsense.
22:24But when you create something,
22:25you put a little bit of yourself into it
22:26and so,
22:26It's complicated
22:27to seek advice
22:30which go against
22:31from what you wrote.
22:32I did it.
22:32on my script
22:33short film.
22:34I swallowed my pride.
22:36I took a step back
22:36when I was told
22:37"No, don't do that."
22:38There are things
22:39that I didn't listen to
22:39and others where I thought
22:40"Yes, perhaps that's true,"
22:41In hindsight,
22:42"It's better if I do it this way."
22:43But you have to know how to accept it.
22:45It's complicated, you know.
22:46"What did you think of it?"
22:47"From his tirade in the film?"
22:48Personally,
22:49I like it very much
22:50the various speeches in the series,
22:52as much as I had the impression
22:52that he was listening to himself.
22:54SO,
22:55It's true that
22:57That's strange.
22:59But indeed,
22:59in that monologue,
23:03I had more of an impression
23:04to hear Astier
23:05what King Arthur said
23:06in the way he played
23:07All of that.
23:09But despite everything,
23:09I didn't think it was bad.
23:11I thought it was well done.
23:12After,
23:13We can review the dialogues,
23:13All of that.
23:14But that, once again,
23:14It's very subjective.
23:16But it has the merit of being there.
23:18I think so.
23:18That's interesting.
23:19And indeed,
23:19for once,
23:20That's what I was saying earlier.
23:21we have a character
23:22who is more grumpy.
23:24Here, we have a character
23:24which will bring a little hope.
23:27And that's what we expect
23:27of that character.
23:28That's because they're taking the lead.
23:30in quotation marks.
23:31And then he does it.
23:32So, I can't criticize that.
23:33This time, he does it.
23:34Then, the way he does it,
23:35That's another debate.
23:36But at least,
23:37He's going to get Hot Sauce
23:38about his character
23:39that the tall guy field
23:39in pajamas
23:40who doesn't want to be king.
23:41Yes, that's it.
23:42Then that leads, indeed,
23:43this leads to the fact
23:44that he raises his hand,
23:45the stepfather,
23:46All of that.
23:46It adds a comedic element.
23:48So, it's presented quite well.
23:49I think that scene
23:50at the round table,
23:52globally,
23:52everything that happened
23:53around the round table,
23:54I thought it was pretty cool.
23:55I thought it was well done.
23:56That was all cool.
23:57But yeah, so,
24:00There are some good things in the film.
24:01As I said,
24:01I repeat,
24:02The film isn't bad.
24:05But, here's the thing,
24:06the principle of transition in cinema
24:08It bothers me a little, you know.
24:09Especially when the next film
24:11It comes out a year later, what.
24:14At least,
24:15Release it six months later.
24:16It's not there.
24:16I mean, it's a flop.
24:17Volumes 1 and 2,
24:18They came out six months apart, you know.
24:20So, okay.
24:21Perhaps, with hindsight,
24:22when everything is out
24:23and that people
24:24will rewatch the series
24:25and the films that followed,
24:27there will be consistency
24:28which makes it relevant.
24:29that will be interesting
24:29to rewatch the films.
24:31And like everyone else
24:32will be at home
24:33to see them
24:33and that's exactly what it will do
24:34a continuation with the series,
24:35That will go down much better.
24:37But again,
24:38Perhaps I'm a purist,
24:39thingamajig, whatever you want,
24:40but when I go to the cinema,
24:41I'm going to see a movie, damn it.
24:42I don't want to see
24:42A giant episode, indeed.
24:43It's annoying me.
24:44Once again,
24:44this scene,
24:45the only problem,
24:45That's the editing.
24:46As I said,
24:46the assembly,
24:47the act of making Astier,
24:50Finally, the act of doing
24:50The round table was in disarray.
24:52Astier who said to his wife
24:56and Astier who is in front
24:57the round table
24:57and Astier arrives
24:58in front of everyone
24:59and where everyone is silent,
25:01In my opinion,
25:01That doesn't make sense.
25:02It should have been done.
25:03We should have started
25:04by Astier who said to his wife
25:05that he will go to the round table.
25:07The round table was in disarray.
25:08You're not showing Astier
25:09in front of the round table,
25:10you make it arrive directly
25:11the character
25:11where everyone is silent
25:12and there,
25:12There is an iconic aspect to it.
25:13of the character
25:14which suddenly emerges
25:16And it's presented much better, you know.
25:17You should have arrived
25:18in silence,
25:19you make a circular plan
25:20where you start with the feet,
25:21you climb up around him
25:22like that
25:23And then you have a plan
25:23then a deer
25:24about people
25:25who remain silent,
25:26who see him
25:26and you know it's him
25:27who is coming.
25:28Really,
25:28he can't turn into an icon
25:29his character, basically.
25:31It's crazy, you know.
25:32Or I get the impression
25:32He doesn't want to turn it into an icon, that's all.
25:33That's very strange
25:34like something.
25:36Yet,
25:36He has dreams of cinema.
25:37He's talking about a hit.
25:38He's talking about that kind of thing.
25:39He saw Star Wars.
25:40He knows how to bring it,
25:41exactly.
25:42That's very strange.
25:43He's having trouble in that area.
25:44That's a bit of a shame.
25:45Listen,
25:45Thank you for being here tonight.
25:46for GTA London
25:48and so,
25:50Kaamelott review
25:52second part,
25:54Part 2.
25:55We continue to talk about it
25:55from Kaamelott
25:56on social media
25:57if you want
25:58send me messages,
25:59All of that.
25:59And above all,
26:00we continue to talk about it
26:01Sunday
26:02from 5pm
26:03for movie news
26:04of the week.
26:05We'll come back
26:06on the best information
26:07and the most interesting
26:09of the week
26:09in terms of cinema
26:10and series.
26:12And so,
26:12I will obviously come back
26:13about Kaamelott
26:13because we will inevitably
26:14I ask myself the question.
26:15And then,
26:15I'll go a little further
26:16in the spoiler
26:17since by Sunday,
26:18I tell myself that people
26:19will have more or less
26:20watched the film.
26:21SO,
26:21I could do a little more
26:22detail the story
26:23but here,
26:23it was history
26:23to really give
26:24My initial thoughts.
26:26SO,
26:27There.
26:28Thank you
26:28for having been there.
26:31Thank you for having
26:31The cat was a little bit animated.
26:32It was really cool.
26:33Thank you Robin.
26:34Thank you LeVos,
26:34Thank you everyone.
26:36And listen,
26:36See you on Sunday
26:38from 5pm
26:39to talk about movies and TV series.
26:41And listen,
26:41I wish you
26:41Have a good evening.
26:42good night
26:42See you Sunday.
26:44Ciao!
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