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#RedDeadRedemption2 (PlayStation 4)
[RePlaythrough] Chapter 4 - Stranger Mission # 20 + Chance Encounter # 118-119
Arthur meets up with a degenerate French artist named Charles Chatenay who want to present his painting to the citizen of Saint Denis.
[RePlaythrough] Chapter 4 - Stranger Mission # 20 + Chance Encounter # 118-119
Arthur meets up with a degenerate French artist named Charles Chatenay who want to present his painting to the citizen of Saint Denis.
Category
🎮️
GamingTranscript
00:00Transcription by CastingWords
00:30CastingWords
01:00CastingWords
01:29CastingWords
01:59on an empty glass. Okay, to the Trelawney's. It's good to be home.
02:07The Trelawney's!
02:09Are you staying now, Daddy?
02:11I wish I could, my boy. I really do. But, business calls.
02:17Oh, I almost forgot. I don't suppose anybody here would be interested in, say, uh, present?
02:26Me! Me!
02:27Okay. This is for you.
02:31Wow! Thanks!
02:33And this one's for you, Cornelius.
02:36A spinning top!
02:38I got that in a town called Blackwater. And last, but not least, for you, my dear.
02:47Aw, thank you.
02:49Now, run along and play, boys. Let your mother and I read the newspapers.
02:55Hey, now.
02:56Morning.
02:57Fine morning to you.
02:58Hey there, partner.
02:59Morning, mister.
03:00Hello.
03:01Oh, hello.
03:02You all right, girl?
03:03Watch one of the deputies.
03:04Yah!
03:05Watch one of the deputies.
03:06Yah!
03:07Watch one of the deputies.
03:08Yah!
03:09Watch one of the deputies.
03:10Yah!
03:11Oh!
03:12Oh!
03:14Oh!
03:15Oh!
03:16Hey there, partner.
03:17Hey there, partner.
03:18Morning, mister.
03:19Hello.
03:20Oh!
03:21Oh, hello.
03:22You all right, girl?
03:24All right, girl, watch one of the dead men.
03:52Morning.
03:53Morning, sir.
03:54Hey, easy, girl.
04:08Hey, buy me a drink when I'm here, huh?
04:22Sure, what you want?
04:38Brandy.
04:39Two brandies, bud.
04:42It's $2 a glass.
04:43Well, better be good then.
04:45It's the best.
04:49Santé.
04:49It's quite a country you're building here, eh?
04:56Well, me personally?
04:57I don't know.
04:59What do you do?
05:00Mostly, I just shoot people.
05:02How very American of you.
05:04I love it.
05:05What do you do?
05:06Oh, mostly I...
05:08I pause, I show off, I complain.
05:11How very French.
05:12I know.
05:13I am ridiculous.
05:15I have been all over the world.
05:18I have seen sights, and I have discovered the one eternal truth, that I am a paes...
05:25Um, how do you say?
05:26All ass.
05:28Asshole?
05:29That too.
05:30That too.
05:33Well, at least you have some self-knowledge.
05:36Where were you on your journey?
05:38All the civilized world.
05:40Painting my little pictures, meeting the locals, you know.
05:43You a painter?
05:44No.
05:44I'm a whole ass.
05:46I thought we had covered this.
05:48Yeah, yeah, but you paint.
05:51Not according to Salons of Paris.
05:53No.
05:53According to them, I cannot draw, I cannot paint, and I should go away.
05:57And so I went away.
05:58You miss Paris?
05:59Mmm, that smelly, filthy place with old buildings and ghosts and shit and French people.
06:06I have that right here.
06:08I guess so.
06:09You know, uh...
06:12Arthur.
06:13Charles, you know, Arthur, don't believe in art.
06:17It's lies.
06:19Believe in women.
06:21They are the truth.
06:22Art is lies, but the vagina, that is truth.
06:27Breasts is truth.
06:29Art is for idiots.
06:30If you say so.
06:31Trust me, I've tried both.
06:33One is better.
06:35Much better.
06:35So, I, uh, must be boring you.
06:40But, here.
06:42What is it?
06:43It's just a little doodle.
06:45You know, entirely worthless, unless you want to wipe your bottom with it.
06:49But I wanted to say thank you for the drinks.
06:51Well, that's very kind, Charles.
06:54No matter.
06:56Good meeting you.
06:56Mmm.
06:57Good morning, sir.
07:20Hello.
07:21I've got bad memories in this place.
07:28It's Arthur!
07:32Good to see you back!
07:39There we go.
07:40There we go.
08:05trapped in a swamp yeah it's like hell on earth it beats freezing to death
08:17in the south in a swamp
08:21to enjoy it while you're alive that's the trick of it well I haven't mastered that fit you
08:42you have more fun than anyone do I
08:48hmm maybe I do
09:03I had your stuff unloaded thank you I put you in one of the upstairs bedrooms I
09:08thought that would be a little nicer for you I think the place is a dump but we
09:13can survive here yes it's it's great if you love alligators and mosquitoes
09:20exactly anyway it's left at the top of the stairs and head on to the end of the
09:25landing thank you good morning Arthur hey Tilly
09:36you girls actually appear to be working of course
09:52can't have been easy for you still here I guess thought you'd a high tailed it by now to be honest
10:13and go where this is all I got for now and you all ain't so bad Abigail she's as good as they come
10:23so everyone keeps telling me
10:26John good morning Arthur that scar healed pretty well in the end
10:34I'm stuck with it now
10:35that's cold-blooded huh
10:39you're a good man behind it all
10:43hey Arthur you want to talk
10:54you okay Arthur sure you don't look okay
11:11I'm fine what you been doing
11:15acting like a fool
11:18how so
11:20hurting and robbing folks I didn't need to
11:25my you have been busy
11:28well that's one way of looking at it
11:31you're a good man Arthur
11:33underneath I mean
11:36I've lost my mind Mary Beth
11:39finally happened
11:42I don't feel in control
11:46just stay calm and do what you do best
11:50it seems I'm best in mayhem
11:53sure I'm no better than Micah
11:56yes you are
11:57just do what you gotta do
12:00and stop getting into trouble
12:02we'll see
12:07doing a good job there
12:14you could help you know
12:15I'm much more suited to a supervisory role
12:18I'm watching you do that and
12:20can I give you some constructive criticism
12:23no you certainly can't
12:26keep doing it wrong man
12:28and I always beangering
12:32it's safe to hear
12:33at this point
12:37I'm so happy if you like
12:38trying to use
12:39I'll get you
12:40at this point
12:40I'm so happy
12:41and不要
12:42wait
12:43it's not
12:44and I can be
12:45watching this
12:46yet
12:46the
12:48the
14:50Hey, Arthur.
15:20Hey, Morgan.
15:22Okay, hey, I'm Morgan
15:52Thank you for your help with Miss Jackson
15:58Don't mention it, Miss Grimshaw
16:01You're a fine man, Mr. Morgan
16:03Sometimes at least
16:05Thank you
16:07I think
16:08Okay, I'll catch you later, then
16:14Okay
16:22Hi there, Arthur
16:24Pearson
16:26Hello
16:52That last stew I had was really damn good
16:56Glad to hear it
16:57We'll make a cookie of you yet
17:00Sure, Arthur
17:22Hey, Arthur, my boy
17:35You really need to start helping out around here
17:40I know, I know
17:42Hello, Arthur
17:49All right
17:51I know you saw me
18:10In town
18:11With my wife
18:13I never knew you were married
18:15It's hard, Arthur
18:18I love her
18:19But, uh, I can't stand still
18:22Can't do it
18:24Poor woman
18:25Oh, she's fine
18:28She knows who she married
18:31Did she?
18:34No, probably not
18:36Arthur, are you free?
18:57Sure, old man
18:58Ah, enough of that old man nonsense
19:00I'm in the prime of my life
19:02Oh, I'm sorry
19:03How you getting up?
19:05Bored
19:05You see that swamp, Arthur?
19:08That's God's own pantry
19:10What are we eating?
19:12Venison?
19:14Come on
19:14Let's go gather some crawfish
19:16See what else we can get
19:17Crawfish?
19:18Yeah, crawfish
19:19Finest eating there is
19:20It's not just crawfish
19:22No
19:22There's monsters out there
19:24They'll eat a feller for fun
19:26Oh, Arthur
19:27I thought you were a man
19:29No, sir
19:30When it comes to prehistoric monsters
19:33I am very much a coward
19:36Head for those trees across from us
19:41We'll take a look
19:42On the starboard side
19:44The what?
19:45My left
19:45Your right
19:46This is a boat, Arthur
19:48Okay
19:49Whatever you say
19:50Okay
19:51Go slow so I can see
19:54My eyes aren't what they used to be
19:56No, no
19:57Ground is too high here
19:58Keep following the shoreline
20:00What exactly are we looking for?
20:03We're looking for low ground
20:04And a lot of muck
20:06Pull us in over there
20:29Yeah
20:31Yeah, yeah
20:33Come on
20:34There's more than crawfish in these waters
20:38Stop your whining, please
20:40This is the place
20:41Now tell me, Arthur
20:42Have you ever birthed a cow?
20:44No
20:45Man, it's nothing like that
20:46But it's equally as gruesome
20:47If you're squeamish
20:49You're really selling this, aren't you?
21:01Now, do you see this, old?
21:02Yep
21:03Well, it's sort of like a natural trap
21:05Just want to stick your hand and watch
21:07And there
21:09There, you see?
21:12Good
21:12Seems easy enough
21:14Uh-huh
21:14Let's go find another hole
21:16So, how long were you in the Navy?
21:20Oh, years
21:21Well, it must have been a year
21:23At least
21:24Or close to that
21:25That's quite a range
21:27All water under the bridge now
21:30No pun intended
21:33Oh, look there
21:39Another crayfish hole
21:40You see it?
21:45You try this time, Arthur
21:47And remember to reach down deep
21:49And get right in there
21:50They like to dig in
21:51The little blighters
21:52They're not squeamish, are you?
21:57Now I got something
22:06Nicely done
22:09Why don't you see if there's any more down there?
22:11You know the drill now
22:21There we go
22:23What did I tell you?
22:25Haha, okay, come on
22:26Let's try another hole
22:27Won't be much of a gumbo
22:29If you don't find some more
22:30Get down
22:39Get down
22:41Talking of other creatures
22:43There
22:44Those gators?
22:46Yeah
22:46Three
22:47And they're female
22:49Must be guarding nests
22:51So
22:52Gator eggs
22:54Really valuable
22:56Even better eating
22:57I'd love cooking with them
22:59Okay
23:00Tell you what
23:03I'm gonna sneak over
23:05To the other side of them
23:06Draw their attention
23:08And then run like hell
23:09Now assuming I don't get eaten
23:12You go plunder the nests
23:14That's your plan?
23:15You're madder than I thought
23:17I thought before in Sumatra
23:19It's easy
23:20I've heard that line before
23:22Oh, ye of little faith
23:24Way to hear, Mr. Morgan
23:26Yeah
23:28Come on
23:30Come on
23:44Come on
23:46Come on
23:48Come on
23:50Come on
23:53Yah! Yah! Come on!
23:58Yah! Yah! Come on!
24:01Follow me, big dumb monsters!
24:06Fire!
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24:52All right, sir, take us back to the dock.
25:16Excellent. That's what I call teamwork.
25:18I don't think I've ever seen you move that fast.
25:21People pay a lot of money for those eggs.
25:24I'm told there's a collector in Saint-Denis who gives top dollar for them.
25:28For a millionaire, of all things.
25:30Yeah, because who doesn't want a hat with an egg on it?
25:40That was fun.
25:42I must get out more.
25:43Is that your idea of fun, is it?
25:45Yeah.
25:48Oh, thank you.
25:50Here.
25:51Have some crawfish.
25:53I'll give you some of those eggs.
25:58Hey, maybe you could hatch that.
26:00Get yourself a new friend.
26:01There's a thought.
26:02A new reptilian best buddy.
26:04To replace Mike, I suppose.
26:05Yeah.
26:06Hi, Pearson.
26:16Arthur.
26:20Need any supplies?
26:22Always.
26:23You can never have too much.
26:24All right.
26:27See what I can do.
26:28Okay.
26:29Okay.
26:29Okay.
26:29Okay.
26:29Okay.
26:30Okay.
26:30Okay.
26:30Okay.
26:31Okay.
26:31Okay.
26:31Okay.
26:32Okay.
26:32Okay.
26:32Okay.
26:33Okay.
26:33Okay.
26:33Okay.
26:34Okay.
26:34Okay.
26:34Okay.
26:35Okay.
26:35Okay.
26:35Okay.
26:36Okay.
26:36Okay.
26:36Okay.
26:36Okay.
26:37Okay.
26:37Okay.
26:37Okay.
26:38Okay.
26:38Okay.
26:38Okay.
26:38Okay.
26:39Okay.
26:39Okay.
26:39Okay.
26:40Okay.
26:40Okay.
26:40Okay.
26:41Okay.
26:41Okay.
26:41Okay.
26:42Okay.
26:42Okay.
26:43Okay.
26:43Okay.
26:44Okay.
26:44Okay.
26:44Okay.
26:45Okay.
26:45Okay.
26:46Okay.
26:47Okay.
26:48Okay.
26:48Okay.
26:48Okay.
26:49Okay.
26:49Okay.
26:50You
27:15Nice place you brought us to my brother
27:17Yes
27:19Lovely isn't it?
27:21Yeah, makes me miss freezing to death in the mountains
27:26Yeah
27:39Hey! Hey!
27:43Hey! I know you're in there!
27:47Come on out! You coward! We gonna talk about what you've done to my wife!
27:59Come on! Would you need a weapon anywhere?
28:01You're a dead man!
28:09So much for the new world! The new morality!
28:12Send a knee! It's the same old European triviality! Savitary! Puritanism!
28:24Hey! Who the devil are you?
28:27As far as you're concerned, I am the devil! Now get out of here!
28:31With this cab! I said get out of here!
28:35This is an outrage!
28:37I don't quite know why I did that!
28:42Because barbarity is boring, no?
28:44It kept me amused some years!
28:46You must go, my friend! Before the Jeanne de Marie arrive!
28:49Hey, are you gonna do right by this fellow's wife?
28:51You have done right by her! The little bird is free!
28:55Hmm...
28:56I am an artist, cowboy! I must do what I feel!
28:59Look! I have an exhibit at a gallery! You come, see what I mean!
29:03Come! See what I mean!
29:17Hey! You!
29:19Why don't you stop on by for a moment?
29:24I'm listening.
29:25I got some, uh, goods you might be interested in.
29:29Got guns? Ammunition?
29:33Explosives?
29:34If that's what you fancy.
29:36Follow me.
29:38Keep your weapons holstered.
29:40That's just how we do business.
29:45Guarantee you won't find better prices.
29:47Especially in this city.
29:54Okay.
29:56Merchandise is this way-
29:58Here we are! Come on in!
30:00Got the merchandise all laid out!
30:02Hey!
30:03We got a customer!
30:09Ah, shit!
30:10We're starting to get bored over here!
30:11This is part where you put your hands up!
30:12Woo!
30:15I knew this guy would have something!
30:17I know the perfect place to dump him!
30:18Yeah.
30:19You have to dump him!
30:22Sons of bitches, I'll kill them.
30:52Sons of bitches, I'll kill them.
31:22Sons of bitches, I'll kill them.
31:52Sons of bitches, I'll kill them.
32:22Sons of bitches, I'll kill them.
32:30There's ghosts in the swamp.
32:33Ghosts, I saw them.
32:35There's ghosts in your head, reverend.
32:38Ghosts, ghosts, I saw a ghost, a young woman.
32:42You've lost your mind.
32:45You poor bastard.
32:55You all right, River?
32:57I know what I saw.
33:00A girl.
33:01A ghost of a girl in white.
33:04Okay.
33:06All right, well, I should be getting on.
33:09I guess.
33:12Hey, Arthur.
33:24Hi, folks.
33:36Hi there, Arthur.
33:39Hello, Abigail.
33:40How are you doing?
33:46I'm good.
33:50Good to hear.
33:51Sure.
33:57You're out.
33:58Oh, hey, Arthur.
34:15What you want, Micah?
34:17Nothing.
34:18I'm just being civil, my brother.
34:21Well, hello, then.
34:22You really are a very charming man, aren't you?
34:25No.
34:26Are you okay, Reverend?
34:49I'm sober.
34:53Sure, if that's what you mean.
34:57I've been on quite a tear.
35:00Me and Marybeth have been so worried about you.
35:03You girls, you girls, you have beautiful hearts.
35:09Really, you do.
35:11I don't know about that.
35:12But we care about you.
35:13But we care about you.
35:15You seem very sad.
35:19My life took a turn for the worse when I took up with morphine and opium.
35:26I was told it would alleviate my suffering, and in many ways, they were correct.
35:35It made all my previous suffering just seem ridiculous.
35:39Now, I had real suffering, and I lost everything, my vocation, my faith, my family.
35:49And but for Dutch, and you poor people, I would have lost my life long ago.
35:55I'm sorry about that.
36:00So am I.
36:03And yet I know in a few days I'll be back at it, searching for I don't know what in that stuff.
36:13Oh, I've been such a fool.
36:21Tell her, Arthur.
36:23Tell her what a fool I've been.
36:25We're all fools, Reverend.
36:39Hey there, mister.
36:41Hey, what the hell?
36:43Hello, sir.
36:53Gentlemen.
36:55Hello there.
36:56Yes, sir?
36:57Y'all doing all right?
37:13Enjoy the show, if that's possible.
37:24What's this show, then?
37:27Mr. Charles Chatternay.
37:29Go and see for yourself, but don't blame me.
37:31The exhibition is through there, if you can call it that.
37:40I just don't like how much time you're spending with the man is all.
37:43Just wait until you see his work.
37:46It's very progressive.
37:49Well, I'm not so very sure how I feel about progression.
37:52Paintings or otherwise.
37:53Come on.
37:54You won't have seen the lack of it before.
37:57I promise.
37:58Maybe that's a good thing.
38:01Hold on.
38:01Let me compose myself.
38:02Take it easy.
38:11I'm just needling it.
38:12We missed the party.
38:20Hurry up.
38:21Hurry up.
38:51Ma'am?
39:14I think that it's Greek.
39:21Or, could be Roman.
39:28Hello, mister.
39:36That's far too modern for my tastes.
39:41Mr. Chatternay.
39:43He's just a terror.
39:45It's making me blush.
39:46I find the brush work baffling.
39:51What's he trying to represent aside from a filthy mess?
39:57It's a...
39:58You know.
40:01I'm sorry.
40:02I don't know.
40:03Well, let's just say I can't say.
40:07Not in mixed company.
40:09Look at these idiots.
40:24Excuse me, Mr. Chatternay.
40:27Couldn't you have painted some drawers on her?
40:29Madam, I paint her in her natural state.
40:33As she was and will be in paradise.
40:36They have nothing natural about that.
40:38Clothes are civilization.
40:40Repression.
40:41Death.
40:42To be naked is to be free.
40:44Innocent.
40:45Alive.
40:46Like Buddha said, you know, we are all just here to fuck.
40:50Well, that explains the decadence of those hot and tots.
40:53Hey, you got a picture of my wife here.
40:56In her...
40:57Delicates.
40:58Henry, is that your behind?
41:00Why would you be showing it to that man?
41:02That's my mama.
41:04As nude as the day she was born.
41:06Stop looking at my husband's buttocks.
41:09Stop looking at my mama.
41:10Well, maybe she shouldn't expose herself like that.
41:14This is disgusting.
41:15The nerve on ye.
41:16That's it.
41:17Come on, Mildred.
41:18This is no place for us.
41:19Come here.
41:20Son of a bitch.
41:21You filthy little man.
41:25Come on, horse.
41:26We'll leave her.
41:27Hey, I'm going after you, Frenchy.
41:29Hey.
41:30All right.
41:45I'm going after you.
41:58Over here.
42:01Don't trap.
42:03This show is well and truly over.
42:05Let's get out of here.
42:06Come on.
42:08I know a place where I can disappear for a few days.
42:10This way, this way.
42:25Come on.
42:27I think we are okay.
42:28The exhibition.
42:30What can you say?
42:31It was not boring.
42:32That, it was not.
42:38Arch test people.
42:40Push them.
42:41I thought I was a fraud.
42:42A no-talent brush washer.
42:44Now I'm not sure.
42:46We provoke emotions, no?
42:47You keep provoking emotions like that, and all your canvases left punch holes through.
42:53I told you I was a whole ass.
42:55You did.
42:57And you are.
42:58Now maybe go be an asshole somewhere else for a while.
43:04Here we are.
43:05I know a lady over here.
43:06She may let me stay for a while.
43:08Good luck.
43:10That picture I gave you, it will be worth something someday.
43:13I can feel it.
43:15Perhaps.
43:15Right now, it seems like the only thing it'll get me is kicking the balls.
43:20Oh, you are funny, you know.
43:22I hope to see you again sometime.
43:26My angel!
43:27My little bird!
43:28It's me!
43:41I got that in a town called Ragnarok.
43:44I got it on a meeting.
44:03I got the paper.
44:08I'm sorry.
44:09Okay.
44:09Hello there, mister.
44:26See, at this point you can't find many places, don't water down here whiskey.
44:41Except here, of course.
44:42Everyone's a liar at this table, that's no lie.
44:47Thank you!
44:51My friend, my friend, it is me, Charles Châtelet, the painter.
45:08Okay, what are you dressed up like that for?
45:11Oh, I am a wanted man, persecuted for my art.
45:15As bad as it is.
45:18I don't think that the art is the problem.
45:21In Paris, they say leave, go far away.
45:24We will never understand you here.
45:26I say, I go to Saint Denis.
45:28They say that is not far enough.
45:30It seems to me that they were right.
45:32But it doesn't matter.
45:33Now, I go to South Pacific.
45:35They always tell me the light there is perfect for my work.
45:39Well, so long as they weren't telling you that just to get you on the other side of the world.
45:43Perhaps.
45:44It doesn't matter.
45:45Help me get to the next ship.
45:47They are watching the parts, and I need a chaperone.
45:50Okay, come on.
45:52I'll tell you what I want, miss.
46:01Civilization.
46:02So repressive.
46:03So stifling.
46:04I can hardly breathe in this city.
46:07Yeah, I kinda know what you mean.
46:10Why I thought I would find my way in a country founded by Puritans.
46:14I'll never know.
46:18I know those men.
46:19I shut them apart.
46:21Quick, behind here.
46:27Quick, stay behind here.
46:30Stay close, my chaperone.
46:40Haha, we are away.
46:42Come now.
46:43Follow me.
46:47Those fellas.
46:48You...
46:49You...
46:50Shat on their bar?
46:52But of course.
46:53I needed to shit.
46:55Hey, come on.
46:56My fresh excrement was better than any of the drinks they served in there.
47:01Remind me to avoid that place.
47:10Back.
47:11Back.
47:12The money lenders.
47:13We go another way.
47:16We go through here.
47:21What's this?
47:22Quickly!
47:28It's nothing.
47:29I thought I knew him.
47:33Please do not do that again.
47:36Now get moving.
47:37Come on.
47:41Evening.
47:43So, wait.
47:44You ain't sold.
47:45None of your work.
47:47There is always a heavy demand for fresh mediocrity, but new kinds of radios.
47:54Not so much.
47:55New kinds of deep?
47:57The whole in the face.
47:58We go through there.
48:04Get all out of this one.
48:05Where you going, pretty lady?
48:07Anywhere you want, mon ami.
48:11Oh.
48:12Oh my goodness.
48:19This way.
48:20To the ends of the dock, sir.
48:21I was going to buy the red ones to bring out the colors in your cheeks.
48:34But then I thought the-
48:35Hush!
48:36Hey!
48:37I mean all these people!
48:38Something gayer.
48:39A purple, perhaps?
48:40We are in Saint Denis, after all.
48:43What are you looking at?
48:47Bar shitting.
48:48Money borrowing.
48:49Wife stealing.
48:51You sure got a way of ingratiating yourself with people.
48:54If the purpose of life was to be liked, it would be very boring indeed.
49:00You've developed a feeling the purpose ain't to be hated.
49:04Hate, love, they are the same.
49:07I provoke, I challenge, I amuse during that with my impropriety.
49:12A mediocre life is meaningless.
49:16A bold life, filled with art and truth, dirty truth.
49:21That is something that matters.
49:23Look at you, pretty little fiend!
49:27Hello, boys.
49:29Come on.
49:31Come on back now, baby!
49:43I hope the sailors know who they're bunking with.
49:47We have many weeks together.
49:49We will get to know each other well.
49:52Good luck to all of you.
49:54Relax.
49:55Hey, up here.
49:56She is my ship.
50:07We made it!
50:09Let's go!
50:10Oh, no, no, no, no, no, no, no, no, no!
50:14I got it!
50:15He's out here!
50:23I have a lot of friends around here!
50:29My name is the one!
50:37Not good!
50:38No, no!
50:40Keep them away from me!
50:45Keep them away from me!
50:49How many of you do we do?
50:51Huh?
50:52Oh, dear.
50:53Oh, my!
50:58Oh, my God!
51:00Charles?
51:02Come on.
51:03You better hope this ship's leaving soon.
51:05Adieu!
51:06Merci, mon ami!
51:07So long.
51:08If they don't like you in the islands, keep on going to the South Pole.
51:12Ah, yes!
51:13I hear there!
51:14The light is really fantastic!
51:17Ha! Au revoir!
51:18Oh!
51:34Oh, my God!
51:36Oh!
51:37Give it up, otherwise you're covering this ground red real quick.
51:52Get on down from there right now.
51:57Don't kill me.
52:00Don't put up a fuss now.
52:02I'll tell the newspaper man you put up a bean fight.
52:07Down, horn-slop!
52:37Down, horn-slop!
52:39Down, horn-slop!
52:41Down, horn-slop!
52:43Down, horn-slop!
52:53Good morning to you.
52:55I'll assist you in a moment.
53:04May I help you?
53:06No, sir.
53:15Come on in!
53:25Let me know if you got questions.
53:41Let me know if you got questions.
53:47Maybe.
53:48Hey, baby.
53:55Good morning.
54:03God, kill me.
54:04Kill me.
54:11Well, I certainly am glad you feel so good about it.
54:19Oh, what the hell?
54:22Don't let that happen.
54:23Is someone down there?
54:25I've got something in my mouth.
54:27I'm gonna be sick.
54:28Oh, I am so sorry.
54:30I didn't think anyone was standing there.
54:33The old crone.
54:35Oh, I'm sorry.
54:37That'll need a change of clothes.
54:39Oh, hell.
54:40You skunk.
54:48Jack kept a double door swinging until he damn near got sick the other night.
54:51Fine morning to you.
54:52How many more times I...
54:59Better out here than caged with the pigs, no?
55:03Please, look around.
55:04Much to see.
55:06Where's the fella who was here last time I came in?
55:10Oh, you probably mean my brother.
55:13Far away from here, I hope.
55:14Not sullying my good name any further.
55:17So, you don't know nothing about those fellas he had chained up in the basement?
55:23Of course not!
55:24I was out of town!
55:26Now, is there something I can help you with?
55:28I really don't want to talk about that sordid business.
55:37I'll take it.
55:38Sure.
55:39Good job.
55:41Good job.
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