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RDR 2: C4 # 32 - Duchesses and Other Animals (Act 3)
Tracking 291
Follow
20 hours ago
#reddeadredemption2
#RedDeadRedemption2 (PlayStation 4)
[RePlaythrough] Chapter 4 - Stranger Mission # 22.3 + Chance Encounter # 125-129
The Contessa Di Bellagio has commissioned Wasp to find materials for displaying cabinet of curios.
Category
🎮️
Gaming
Transcript
Display full video transcript
00:00
Transcription by CastingWords
00:30
CastingWords
01:00
CastingWords
01:29
CastingWords
01:49
CastingWords
01:51
What are you trying to do?
02:02
Morning, dude.
02:03
Would you just let me be?
02:05
You're one of the fellas from the riverboat, ain't you?
02:08
Kill all those people.
02:09
And for what?
02:10
A few dollars?
02:13
Sorry, mister.
02:15
I think you got me mixed up with someone.
02:17
Now, now.
02:19
I'll never forget a face.
02:21
Never.
02:22
Enjoy spending your blood money.
02:26
Whatever you heard, it wasn't me.
02:29
Be honest.
02:31
Darn it.
02:32
Behind you, ma'am.
02:46
Behind you, ma'am.
03:00
Good morning, sir.
03:05
Morning, dude.
03:08
Hey, mister.
03:10
Bonjour, monsieur.
03:15
Ma'am.
03:16
Bonjour.
03:17
Bonjour.
03:17
Bonjour.
03:25
Thank God you came, Tacitus.
03:32
I was panicking.
03:33
I cannot believe the pressure this woman puts me under.
03:36
Which woman?
03:37
The Baroness, of course.
03:38
She writes the most dreadful missives from Baden-Baden.
03:43
Still, now, I will finish her creation.
03:46
Oh, my lord.
03:48
And after that, it's never-ending.
03:51
Well, if you keep paying, I can keep looking.
03:53
I don't like to impose.
03:55
No, keep paying me, and it's not an imposition.
03:58
Well, then, here's the money for the orchids for that ghastly Baroness.
04:04
And next, I think we'll work on this.
04:08
It's a, uh, displayer cabinet of curios for the Contessa de Bellagio's new Palazzo on Lake Garda.
04:15
She's asked me to summer with her there next year, but, well, I find the whole thing a little gaudy.
04:21
Italy is just so overrun with Americans just now, don't you find?
04:26
Yeah, it's a real problem.
04:28
And it's the worst kind of Americans.
04:30
Finance years, New Yorkers, they're such vulgarians.
04:35
And, uh, what do you need?
04:37
The silly old thing has a penchant for lizards.
04:39
So, I'm making her a series of centerpieces focused on alligator eggs and orchids.
04:46
It's about duality.
04:49
Well, I'm all about duality.
04:51
Oh, well, here, and remember, Tacitus, take your time and bring me nothing.
04:58
Nothing but the best.
05:01
I'll try.
05:09
So, you...
05:25
Morning.
05:29
Hello.
05:30
Come on.
05:38
What are you doing there?
05:50
Oh, you've got to drop it.
05:54
Yep.
05:55
Let's go.
06:25
Let's go.
06:55
Let's go.
07:25
Let's go.
07:55
Let's go.
08:25
Let's go.
08:55
Let's go.
09:25
Let's go.
09:55
Let's go.
10:25
Let's go.
10:55
Let's go.
11:25
Let's go.
11:55
Let's go.
12:25
Hey there, mister.
12:27
Let's go.
12:29
Let's go.
12:59
Let's go.
13:29
Let's go.
13:59
You're all right, girl.
14:29
Let's go.
14:59
Let's go.
15:29
Come on, girl.
15:31
Come on, girl.
15:35
Come on, girl.
15:37
Come on, girl.
15:39
Yeah.
15:49
Easy, man.
15:51
Easy now.
15:52
Easy now.
15:53
Yep.
15:54
Yep.
15:55
Yep.
16:03
Yep.
16:05
Yep.
16:07
Yep.
16:17
Yep.
16:18
Yep.
16:19
Yep.
16:20
Yep.
16:24
Go.
16:25
Go.
16:27
Yep.
16:29
Yep.
16:31
Yep.
16:33
Whoa!
16:37
Hey, mister!
16:38
Nice and easy.
16:40
Easy.
16:46
Yep.
16:55
Whoa!
16:56
Easy, easy.
16:58
Whoa!
17:03
Easy.
17:06
Whoa!
17:07
Look at that.
17:10
Whoa!
17:11
Whoa!
17:13
Whoa!
17:15
Hey!
17:17
Okay, man, girl.
17:43
Yeah, yeah, easy, easy, easy, easy, you're okay.
18:13
Oh, now, now, there's a girl, now, now, yeah.
18:25
Easy, whoa.
18:35
Easy, whoa.
18:45
Easy, easy, easy, easy, easy.
18:57
Easy, easy, easy, easy.
19:09
Easy, easy, easy, easy.
19:21
Easy, easy, easy.
19:33
Easy, easy, easy.
19:51
Easy, easy, easy.
20:07
Easy, easy, easy.
20:19
Easy, easy.
20:23
Easy, easy, easy.
20:35
Easy, easy.
20:39
Easy, easy.
20:53
Easy, easy.
20:55
Easy, easy.
20:57
Easy, easy.
21:01
Easy, easy.
21:13
Easy, easy.
21:17
Easy, easy.
21:19
Easy, easy.
21:23
Easy, easy.
21:39
Easy, easy.
21:41
Easy, easy.
21:43
Easy, easy.
21:45
Let's go, girl.
22:09
Let's go.
22:13
Two up now.
22:15
Two up now.
22:45
Two up now.
23:15
Two up now.
23:45
Two up now.
24:15
Two up now.
24:17
Two up now.
24:19
Two up now.
24:21
Two up now.
24:25
Two up now.
24:27
Two up now.
24:29
Two up now.
24:31
Two up now.
24:39
Two up now.
24:41
Two up now.
24:51
Two up now.
24:55
Two up now.
24:57
Two up now.
24:59
Two up now.
25:01
Three up now.
25:03
Two up now.
25:05
Easy.
25:30
Yep.
25:35
END
25:43
END
25:46
END
25:49
END
25:50
END
25:55
END
25:59
I don't know.
26:29
Easy!
26:59
Easy!
27:01
Easy!
27:03
Easy!
27:05
Easy!
27:07
Easy!
27:09
Easy!
27:11
Give it all!
27:19
Ah!
27:29
It looks like a small mess.
27:33
I'm taking a really quick window of a toad.
27:57
Come here, Arthur.
28:27
Okay, I'll see you later.
28:57
I ain't holding my breath.
28:59
No, I wouldn't.
29:01
So, instead of that, how about you and me go and redistribute some property?
29:08
Redistribute?
29:10
Yep.
29:11
From the Bowles-Overland Stagecoach Company into our pockets.
29:18
And you'll fight this time?
29:19
I always fight!
29:20
No, you always talk.
29:22
But with coaches, guns are more significant than works.
29:27
Oh, I'm fine with both, friend.
29:30
Yeah.
29:31
Come on, then.
29:33
You think we need an extra gun?
29:36
Probably a good idea.
29:38
Bill, come on!
29:39
What are we doing?
29:41
Coach, stick up.
29:43
Well, excellent.
29:43
I'm in.
29:45
I can't, Bill.
29:47
This is a death sentence.
29:49
There's a good spot where we can hit it as it comes over the river into the swamps north of here.
29:54
You got an actual plan this time?
29:58
I got three sticks of dynamite.
30:00
I got two pistols.
30:01
I got you and Bill.
30:02
That count as a plan?
30:04
Not really.
30:06
Well, let's go.
30:08
I'm joking.
30:09
Okay, girl.
30:12
So, who told you about this?
30:15
Please tell me it wasn't an O'Driscoll this time.
30:18
Nope.
30:19
A man on the inside that bowls Overland.
30:22
You can keep your funny little station friend in Rhodes.
30:25
I go right to the source.
30:27
Why did he tip you off?
30:29
Charm, Bill.
30:30
Not something you can learn, I regret to inform you.
30:34
Very true.
30:35
You're proof of that.
30:37
Amusing.
30:38
Charm.
30:39
And a little money.
30:41
Right.
30:43
Which I recovered the next day when he met with a tragic boating accident.
30:48
See, I don't like leaving trails unlike the rest of you.
30:53
What do you mean by that?
30:55
We keep leading trouble right to us.
30:59
We're carrying too much dead weight.
31:01
We need to be leaner so we can move faster, quieter.
31:06
I prefer a tight crew.
31:07
Just five or six strong gunmen.
31:10
Well, nobody's stopping you.
31:13
There's a whole world out there.
31:16
Go find the strong men you want and leave.
31:18
Hey, I like you boys.
31:22
And with the price on our heads, we are wedded in this chaos, for better or for worse at this point.
31:30
It would be a coward's move to bail on Dutch now.
31:34
Well, not like John did.
31:36
Heard about him disappearing on you fellas.
31:39
For a year, wasn't it?
31:42
Something like that.
31:43
I don't trust him.
31:45
I've been talking to Dutch.
31:47
Feels to me like he's turned.
31:50
Let's cut across here.
31:52
It'll be quicker.
31:53
Challenging every move Dutch makes.
31:56
I know you have your doubts about him too, Morgan.
31:58
I've got no doubts about John.
32:02
I've known him for 15 years.
32:05
Well, if we really are gonna escape somewhere like me and Dutch have been talking about,
32:10
we're gonna need to cut some loose.
32:13
From what Dutch says, the coffers are looking pretty good again.
32:16
We could almost leave now, if we chop half the dead wood.
32:21
We ain't doing that.
32:23
I mean, why the hell do we need a gaggle of girls who won't even fuck you if you put a gun to their head?
32:28
I'm sure you've tried.
32:30
Is it too much to ask, considering they get a piece of every damn dollar I bring in?
32:37
Everyone does their share.
32:40
I don't see you lifting a finger around camp.
32:43
Huh.
32:43
Swanson does his share.
32:46
Molly, come on.
32:48
Well, that's different.
32:50
Okay, here we are.
32:54
I'll get the explosives planted.
32:56
Coach should be coming through any minute now.
33:11
I'll set them in the road.
33:13
Over here, so we can blow it as it comes over the bridge.
33:16
Got some good cover over here.
33:18
You hide behind this tree to my left, Morgan.
33:21
Williamson, you take the other side.
33:31
Try to stay out of sight.
33:33
We don't want to spook them.
33:35
Here they come.
33:59
You're going to shoot the charges, Morgan?
34:02
About time you did something.
34:04
I'm going to kill you, son.
34:09
I'm going to kill you, son.
34:26
I'm asking for you, monster.
34:27
They're asking for you, bastard.
34:36
We're asking for you, bastard.
34:41
Come on.
34:42
Come on.
34:50
Why me because I got the lead on this and William sends a half-wit I'm joking bill
35:20
how much we get cowpoke enough here thank you kindly thank you maybe I had you
35:31
wrong Arthur maybe you can win as well as fight or maybe you was lucky now we'll
35:36
see I guess how lucky any of us is exactly all right better get out of here
35:41
split up I reckon
35:50
what the hell all right hello Arthur
36:20
I could use some assistance gatherers for my studies what are you after I need to
36:46
collect a big batch of this current here you'll find the fruits hanging from
36:50
bushes it doesn't thrive near water so I wouldn't waste your time looking there
37:02
let's have a good look at this hmm yeah this is perfect
37:10
this will make a fine meal for my horse if I don't keep it all for myself when I
37:19
drink a tonic from these currents it's like the clouds fall away I can focus on
37:24
anything you have earned something for all your help this time
37:30
it's taken me years to develop with innumerable benefits to your senses and
37:41
spirit save it for a special occasion now if you don't mind I'll be getting back to
37:46
my studies I look forward to our next meeting traveler I can see why you do
37:51
this all the bestie thanks Arthur and you
38:21
this all the bestie thanks Arthur and you
38:24
know
38:28
you
38:30
you
38:31
you
38:34
you
38:36
you
38:38
you
38:40
you
38:42
you
38:44
you
38:46
you
38:48
you
39:13
you
39:15
you
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