00:00All right. Well, I want to get into, obviously, the whole twinsie thing and the movie and everything, but I do want to start from the beginning, get a little bit of an origin story on the both of you. I know, Regan, we did a hot and dirty interview at AVN before COVID a while ago. So, Shay, I'm going to actually ask you this question first. How did you get started in the adult industry?
00:21I was feature dancing in Canada, and I was at Whiskey A Go Go in Toronto, and they had house features there. I had a pretty elaborate show. I did Fire and all these, you know, yeah. It was a big show back when I think you were allowed to do that. You probably aren't now.
00:39And they had big U.S. porn stars that would come in every week, and they had a few house features there as well. And Diana Loran came in, and she was the huge U.S. porn star. And I had one of the rooms upstairs that, it was funny, because she was so amazing. She had the feature dressing room, and I walked in, and I'm like, oh, I'm a feature. And I'm like, is this my room? She's like, I think this is my room. And she was so nice about it. And I'm like, okay.
01:09Aw. But we became friends. She always, to this day, is like, there's just something about you, and I knew we needed to be friends. So we became really good friends, and she sort of said, hey, if you're ever in the U.S., come down here and shoot. And she had just started doing Vivid Interactive, which was the very beginning of moving from VHS over to DVD.
01:29And she had a directing deal for them. And I kind of went, okay, yeah, great. And I was working on all of my immigration from Toronto, because I'm originally from Vancouver, BC. And Ottawa's right there, so I was close by doing everything.
01:43And then Gentile came through, and she was feature dancing, and I was house featuring there again. And Diana was signing that week, and she came in to see Gentile. And that's when we really connected that week. And I had all my immigration sorted out maybe like three or four weeks after that, and crossed the border and drove to L.A., and she took me to Jim South, and that was that.
02:09Wow. God, you just like brought up so many names that I know that I haven't heard in a while.
02:15Yeah, yeah. Well, I actually knew your mom quite well through Lee Garland. He was my best friend.
02:22Oh, my gosh.
02:23And I dropped him off at your mom's studio many a time.
02:26Wow, yeah. He was an amazing makeup artist.
02:28He was, yeah.
02:29We worked with him a lot.
02:30Yeah, he was my best friend.
02:31Oh, I'm so sorry.
02:33So tell me about your first professional shoot that you did.
02:37Who was the first person you got booked with?
02:40Well, I mean, my first professional shoot was doing interactive.
02:44It was Diana's first movie, and I think she won an award for that because it was the first time they'd ever done any interactive stuff.
02:51And it was kind of a shit show because no one knew what they were doing.
02:55Right.
02:55There was like multiple angles, and it was so new.
02:57Right.
02:58So that was probably my first professional shoot.
03:01But I did do a couple – I really hate being asked this question because I have to give the title away, and I'm really not proud of that.
03:11But it was The Great Canadian Stripper Search.
03:15It was Jim Gunn, who's actually still around.
03:17He directed for Devil's Films at the time, and he used to go up to Toronto and just shoot Canadian strippers.
03:26So I never really sought it out.
03:28Like, it always found me.
03:29And then there was another guy up there that's like, I'm shooting amateur porn.
03:32And I'm like, okay.
03:33And I did something called Northern Sights.
03:36Yeah.
03:38And those were my first two.
03:39And then I came down, and then I did the Vivid Interactive for Diana.
03:43How was the Vivid shoot compared to the other ones?
03:47Was it unexpected in terms of, like, how big of a production it was?
03:53It was long.
03:54It was – because no one knew how to really shoot that stuff yet.
03:58It was a really long production.
04:00Mm-hmm.
04:00Yeah.
04:01It was – and the equipment – the tech wasn't there yet, you know?
04:04Yeah.
04:05Yeah.
04:05So did you come off of that set thinking, like, fuck this shit?
04:09Or were you kind of like, all right, that was a bit much, but I want to explore this further?
04:15That's a hard question to answer because I love Diana so much, and we're such good friends.
04:19It was a long day, but it was fun.
04:21Mm-hmm.
04:22And I have one of my favorite stories, which was There's Ants on My Pussy.
04:26Do you remember the – or, well, you weren't telling – the – God, what was that?
04:30Tuxford?
04:31It was up in the canyon in Latini – it was the Tuxford house.
04:34Okay.
04:34So there was this little – there was this swing out there, just like, we know all the houses.
04:38She got her call sheet for tomorrow.
04:39I'm like, oh, she's like, and see now.
04:40I'm like, oh, the Bosque house.
04:42Oh, is that Slippery Floor house?
04:45Yes.
04:46I call it the cold house.
04:48Everyone has to take their socks off – their shoes off and Slippery Floor?
04:51Yeah.
04:51Yes.
04:52Slippery Floor.
04:52And there's always, like, lube.
04:54Yes.
04:54And it's slippery?
04:55Yes.
04:55Yes.
04:55We call it Slippery Floor house.
04:57Yeah.
04:58So this was the Tuxford house, and I was out back on this porch swing, and it was a long day,
05:03and we were holding everything, and they had to get multiple angles to try to figure out
05:06how to make it interactive.
05:08Yeah.
05:09And when we were holding something, and I'm like, there's an answer in my pussy.
05:14And she's like, what?
05:15And I'm like, there's an answer in my pussy.
05:18So I had, like, a parade, and I wasn't saying anything because it was such a long day,
05:22and I didn't know you couldn't, like, complain.
05:24I was trying to, like – it was vivid, and it was, like, their first thing.
05:27It was a big deal.
05:28Yeah.
05:28And they're, like, parading at me, and then they crossed my vagina over there, and I'm
05:33like, there – and she goes, what?
05:34And I'm like, there's an answer in my pussy!
05:36And I got up, and so to the – still, if you met Diana, she'd be like, there's an answer
05:39in your pussy.
05:41You're just like – I can just imagine, you know, with, like, the dramatic music, and
05:45you're just slowly watching them, like, come up your leg, and you're like, don't – don't
05:49go there.
05:49Don't go there.
05:50Yeah, they did.
05:51Yeah, their hands were my pussy.
05:53You can see that.
05:53It went right for the honeypots.
05:55That's what they do.
05:55That's why you can't leave, like, sweets out in your kitchen during ant season.
06:01Yeah, so I completely ruined that shot, and it was one of those ones where it's, like,
06:05okay, now it's going to be three hours because you didn't hold your purpose, and I was like,
06:09bruh.
06:10Yeah, but nobody wants to interact with ant pussy.
06:14No, it would have been really gross.
06:15You know?
06:15That's a whole other fetish.
06:17Yeah.
06:17I mean, someone's into that, but not vivid.
06:19Yeah.
06:19Not vivid.
06:20Yeah.
06:20So, Reagan, let's hear your story.
06:23I know we've heard it before.
06:25If you want to give us a shortened –
06:27You know, you said something yesterday I thought was really interesting that it always
06:32kind of just found you.
06:33I mean, I don't know if I've ever mentioned, but I was also a stripper when I was probably
06:3720 years old as well, so it kind of always found me.
06:40It was always around, but, yeah, I went into camming, and just because the mortgage market,
06:48the housing market had crashed, and I went into camming, and then Forbidden Fruit Films
06:54found me with Jodi West.
06:56I did a bunch of stuff in Arizona, and then – I'm kind of boring – and then Kieran called.
07:02Ah, Kieran called.
07:03And then when –
07:04That's the call that you need.
07:05Oh, that's so funny.
07:06Right, and then I knew that after I'd done six scenes with Forbidden Fruit Films, so
07:11my first mainstream, I guess, film was with Michael Vegas and Damon Dice, and then the
07:16very next day I was with Kieran, and I remember I had extensions in my hair.
07:19And this would be for browsers?
07:21For browsers, yeah.
07:22So, for people who don't know, because sometimes I have to be careful we fall into, like,
07:25industry speak, and we forget that there are people –
07:27Oh, sorry.
07:27No, no, no, it's okay.
07:28That's my job, to inform.
07:30Um, Kieran Lee is a very popular, like, one of the main, longest-standing directors for
07:36browsers, and he scouts a lot of new talent.
07:39So, when we say Kieran founder, that's what we mean.
07:43And I remember doing those first two scenes, and I had extensions that were taped in my hair
07:47or something, and by the end of those two days, my extensions were, like, down to here.
07:53They had all pulled out, and I was just a mess, and I loved it, and I thought, I need more
07:58of this.
07:59Really?
08:00That's crazy.
08:01That's a good story.
08:01You're starting to know, boring.
08:03It's an amazing story.
08:05Now, you say, like, obviously, you weren't thinking, like, I need more of my hair looking
08:10like shit, but, like, the sex must have been something explosive.
08:14Right.
08:14I had never experienced anything like that, and it was a very long day, not knowing what
08:18I was doing with two men at one time, and it was very hot, and we were at that house
08:24where the photographers were, and they sold way out there, the three houses.
08:28Yes, no, I know what you're talking about.
08:31The two gay guys.
08:33Yes.
08:34Yes.
08:34They had, like, the, yes, little compound.
08:36Yes, yes.
08:37Yeah, yeah, yeah.
08:38And I just thought, I like this.
08:40I'm shy, and I don't know what I'm doing, but let's do this again.
08:45Yeah, and those are all really great performers to start off with.
08:48I was really lucky.
08:49And even, even Karen said, I've got you some really good guys.
08:51You're going to be taken care of.
08:52You're going to know exactly what you're in for.
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