Le nuove visionarie immagini di Avatar 3, in uscita il 17 dicembre: l'intervista all'Art Director

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SARÀ NEI CINEMA IL 17 DICEMBRE, il terzo capitolo della saga di James Cameron. Avatar: Fuoco e Cenere (aka Avatar 3) è ovviamente attesissimo: per le nuove avventure che seguiremo e i nuovi mondi che ci ipnotizzeranno dallo schermo (gigante, mi raccomando...). Intanto, un assaggio lo trovate in questo video, in cui il creatore dell'universo di Pandora e i suoi abitanti (di tutte le razze, e pure gli invasori), ci introduce a quello che vedremo al cinema. Lui è l'art director Dylan Cole, vero e proprio co-creatore / co-autore della saga, con James Cameron (e infatti insieme, hanno vinto il Directors Guild of America Award for Ecxellence in Production Design, per il primo film della saga).  L'artista californiano (digital-matte painting), ha firmato gli universi di Avatar, Il Signore degli anelli, Le cronache di Riddick, Alice in Wonderland, Tron: Legacy e Maleficent. Ma anche molti altri. Un vero creatore di mondi cinematografici che sono entrati nel nostro immaginario. Cambiandolo per sempre...

Transcript

00:00Dylan Cole, sei un director di arte, un director che ha creato Pandora.

00:06Pandora è il planeto di Avatar, in James Cameron's Avatar.

00:12Dopo tutti questi anni, dopo tutti questi film di Avatar,

00:16cosa significa, ancora oggi, exploringa Pandora?

00:22Well, è super excitingo di continuare a expandere Pandora,

00:27non solo culturale, ma geografiche.

00:29I mean, one thing that we try and do on Pandora is think of it as an analog for Earth.

00:34And so what that means is also the diversity of Earth.

00:36It's not like we're doing, that's what's super exciting about it.

00:41And that always keeping the relatability as a touchstone,

00:47so that, you know, the whole point is that you relate to Pandora emotionally,

00:53and that it touches a part of you.

00:55And the only way that happens is if it's at least kind of familiar.

00:57So while as a designer it's tempting to go crazy and make it super alien,

01:01you know, it's important to keep it grounded

01:05and an analog for Earth that audiences can relate to

01:08and feel passionate about.

01:11We designed Way of Water and Fire and Ash together.

01:14So in my mind, they're kind of one giant movie.

01:17And that's very helpful because you know where the story's going,

01:20you know where design's going,

01:21and knowing where the story's going so that you can adapt to it visually.

01:25So in my mind, I think it's very helpful.

01:27So in my mind, I think it's very helpful.

01:28So in my mind, I think it's very helpful.

01:29So in my mind, I think it's very helpful.

01:30So in my mind, I think it's very helpful.

01:31So in my mind, I think it's very helpful.

01:32So in my mind, I think it's very helpful.

01:33So in my mind, I think it's very helpful.

01:34So in my mind, I think it's very helpful.

01:35So in my mind, I think it's very helpful.

01:36So in my mind, I think it's very helpful.

01:37So in my mind, I think it's very helpful.

01:38So in my mind, I think it's very helpful.

01:39So in my mind, I think it's very helpful.

01:40So in my mind, I think it's very helpful.

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