- 2 months ago
Experience Beyond Tomorrow (1940), a touching story of kindness, hope, and the spirit of Christmas. This timeless classic follows three businessmen who, even after tragedy, continue to guide the living from beyond. A beautiful tale that reminds us of love, faith, and second chances.
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Short filmTranscript
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00:04:25heathens who worked on christmas eve that's right by joe i forgot they were gummy often
00:04:31ripe is coming here yes and i was lucky to get them too they're fascinating people they're
00:04:35world traveled they'll give you all the latest news about india chad so come on we'd better be
00:04:41getting dressed joseph see that the living room gets cleared up and mix the tom and cherries yes
00:04:48mr
00:05:11it's a lot of childish nonsense
00:05:18and creme demand don't forget brandy for major chadwick yes excellency joseph remember the last
00:05:29christmas in saint petersburg just before the war yes excellent here joseph
00:05:35the order of stanislav for me
00:05:45you were a great friend to follow me to america joseph it was no longer my russia without you
00:05:55joseph when i had jewels and lands and palaces i was often weary and discontent when everything was
00:06:14taken away except my life i learned that the way to be really happy is to serve others to be needed
00:06:24so don't be sorry for me or for what was lost come the guests will be here and nothing
00:06:34will be ready madame tanya hear me sir brian will you please fix my tie you know i'm all thumbs when
00:06:41it comes to tying a proper bow and the table oh it's magnificent thank you sure it is magic how you do it
00:07:01yes it really seemed like christmas in those days
00:07:10what we should have george is a troop of grandchildren
00:07:14yeah blowing horns and beating drums all over the place not for me
00:07:19oh well here's a merry christmas to you anyhow merry christmas merry christmas
00:07:23good evening chadwick christos was crazy that's for easter oh christmas oh so it is
00:07:30well a merry christmas to you there you're looking very festive madame tanya thank you major chadwick
00:07:36and here is your present such a big present whatever can it be
00:07:55i should have to sit down well we thought it would surprise you but we didn't think it'd knock
00:08:00it out george get a dormitory for the coats come now you must try it on and see how it looks
00:08:11it's beautiful but it will keep me no warmer than your kindness has all these years
00:08:21it's
00:08:25zdarovia and don't tell me that doesn't mean your health it does vasha zdarovia and merry christmas
00:08:36and don't you try to duck out and have a tray in your room you're sitting at the table i'll be there
00:08:43and now i must be looking after things the guests are very distinguished and as the hostess i must see
00:08:49that everything is perfect
00:09:11hey telegram sir
00:09:20oh what's wrong now the van ripers they can't come oh
00:09:26well that's odd at the last moment can't be helped illness in the family
00:09:31illness in the family you shouldn't have let them know i'd be here
00:09:37don't be ridiculous george you had nothing to do with it didn't i oh i can hear them george vale
00:09:46meltdown isn't he the fellow was mixed up in the shreve case acquitted lack of evidence oh for pity's
00:09:53sake george don't be so sensitive that's all past and forgotten sure it is and don't flatter yourself
00:10:00that anybody remembers
00:10:03to tell you the truth i'm relieved that the van ripers are not coming
00:10:07he's telling the same jokes he told 20 years ago and she dyes her hair i think it's a shrimp pink now
00:10:14i don't know why i asked them to come at all at all
00:10:20the trouble with us is we're in a rut too much work no play
00:10:29we don't take time to see our old friends yes not so many of our old friends left michael
00:10:37but then we ought to make new ones what we ought to do is what we ought to do is oh come on have a drink
00:10:53confusion to our critics and to us a merry christmas merry christmas
00:11:06uh
00:11:16there must be some lonely souls out in that crowd you're a sentimentalist
00:11:23huh i have an idea chat get out your cards gentlemen what are you up to now
00:11:29these are some of the gift wallets that were left over with ten dollars in each of them
00:11:33put your cards in them gentlemen we'll throw them out of the window and maybe they'll bring back
00:11:37somebody to have dinner with us what strangers out of the street oh there are no strangers on christmas
00:11:42eve besides it's better than sitting around and hooting at each other like three old owls in a band
00:11:48not one of them comes back i'll take you up on that dinner appears for all of us and the loser pays
00:11:55you heard chad it's a bet that's all right i can't lose how long do we wait win or lose we dine at seven
00:12:02st anthony send us back an honest soul
00:12:14with an appetite
00:12:22mine goes first
00:12:23it's gone
00:12:31your turn chad
00:12:36i can't see without my glasses all right you're next george come on come on there you go
00:12:41well i doubt if you'll find anybody worth feeding but if it gets unbearable george and i can pop
00:12:51around to the club for a rubber of bridge don't worry nobody will come back with him
00:12:57you're a man of very little faith george come away from the window before you break the charm
00:13:12well finders keepers any money in it ten dollar bill george vale melton engraved by uh tiffany
00:13:22he'll never miss the money here you are robin merry christmas thank you madam you have a heart of
00:13:27gold with other people's money i tell you england's territorial expansion has quite a different
00:13:34significance no matter how thin you slice it a grab is a grab grab oh that's a specious term
00:13:41england carried civilization into the wilderness what was australia before she redeemed it from the
00:13:46aborigines she made it a thriving territory a ranking continent for her own special benefit
00:13:52of course for the benefit of the whole world for the benefit of australia itself
00:13:59the proof is there isn't an acre of the empire that isn't proud to fly the british flag
00:14:03and furthermore let me down oh will you stop that noise noise is it what do you two think you're
00:14:15making the next thing you'll be digging trenches in the rung yes but i'm bound to refute his
00:14:20unenlightened bias bias my foot he always takes the other side of the argument to get your goat
00:14:26what well it looks like you pay for the dinner o'brien maybe i do
00:14:39and then again maybe i don't
00:14:40oh good evening to you good evening sir somebody here lose a wallet yes yes come in come in which
00:14:54one did you i mean my name is o'brien that's the name all right there's ten dollars in it ten dollars
00:15:00it is here you are sir well merry christmas wait wait stay and have a bit of cheer with us well i'll come
00:15:09on come along uh what is your name lad uh james houston sir houston is mighty nice of you what is
00:15:17nice of you sir i mean to bring back my wallet come along come along mr melton mr chadwick this
00:15:24is mr houston good evening proud to know you sir mr houston brought back my wallet and now he's going
00:15:29to have a drink with us what do you have lad oh whatever you're having sir i'm having tom and jerry
00:15:35myself how about you chad oh just a spot and you george no thanks i gotta watch out for my back
00:15:43it really feels like christmas eve in here a mighty nice bar oh everyone another log let me do that sir
00:15:54nothing like an open fire we always have them down home
00:15:58hey uh you're from the west texas sir i'm from oklahoma myself oklahoma well i declare howdy neighbor
00:16:12that's a small world isn't it here sit down thank you sir tad thank you michael merry christmas
00:16:19merry christmas been up here long it was since september i came up with a rodeo to madison square
00:16:27garden thought i'd stay around and look the town over stayed a little too long i guess
00:16:34now i'm working for a steak to get back to texas
00:16:38were you going someplace dinner perhaps no no sir no place in particular just walking around
00:16:44i've never been away from home on christmas before well so long as you're not going anywhere
00:16:50why not have dinner with us well now that's right kind of you sir but i don't well after all michael
00:16:56it's no inducement for a young fellow to dine with three old fogies like us you know well now if
00:17:03if you put it that way i i can't very well refuse major chadwick this young lady says she found your
00:17:11wallet oh yes of course of course good evening oh good evening are you mr chadwick yes oh
00:17:25i believe it's customary to describe lost articles oh yes that's right of course of course
00:17:30uh well it was a sort of a wallet a square wallet with my card inside any money of course
00:17:45oh yes ten dollars here you are oh yes yes thank you thank you very much you're very welcome
00:17:53merry christmas merry christmas wait a minute wait a minute don't go come over to the fire it's
00:17:57cold outside get a tom and jerry for the young lady george it'll warm you up oh you didn't what's
00:18:03your name jean lawrence my name is james houston ma'am how do you do mr houston yes mr houston
00:18:11put those two places back i believe mr o'brien will have guests for dinner after all yes excellent
00:18:20the last time i had a tom and jerry was back home in new hampshire new hampshire then you're not
00:18:24spending christmas eve with your family no i was just going out to the movies why don't you stay
00:18:30and have dinner with us oh well thank you very much but i could why not have you had dinner no but i
00:18:36had a late lunch and dinner yourself that settles it come along we'll not take no for an answer come
00:18:43along now it's all planned it's a little game we're playing i'll tell you all about it you see there were
00:18:50three of us here and we made a bet and uh one of us lost
00:19:05the poor christian men be sure rank or wealth possessing ye who would now bless the poor shall
00:19:26yourselves be blessed hey boy you can sing hey fellas come up we want some music up here
00:19:38i dream of genie with the light brown hair born like a vapor on the summer air
00:19:58i see her tripping where the bright streams play happy as the daisies that dance on her way
00:20:16many were the wild notes her merry voice would pull many were the blithe birds
00:20:28birds that warbled them o'er i dream of genie with the light brown hair floating like a vapor
00:20:54fall on the soft summer
00:21:08my boy you have a grand voice he's a real singer oh it's nothing so much i i used to sing a bit down
00:21:15on the range come on let's all sing that's a good idea joseph alfonso and catherine come here we're
00:21:22all going to sing sure come on uh how about jingle bells jingle bells oh
00:21:27jingle bells
00:21:29jingle bells
00:21:31jingle bells
00:21:33jingle bells
00:21:37jingle all the way
00:21:39oh
00:21:41oh
00:21:43oh
00:21:57oh
00:21:59oh
00:22:01oh
00:22:13oh
00:22:15oh
00:22:17oh
00:22:31oh
00:22:33oh
00:22:35oh
00:22:37oh
00:22:39oh
00:22:41oh
00:22:53oh
00:22:55oh
00:22:57oh
00:22:59oh
00:23:01oh
00:23:03oh
00:23:05oh
00:23:19oh
00:23:21oh
00:23:23oh
00:23:25oh
00:23:27oh
00:23:29oh
00:23:31oh
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00:23:37oh
00:23:43oh
00:23:45oh
00:23:47oh
00:23:49oh
00:23:51oh
00:23:53oh
00:23:55Well here we are. I can hardly believe it's all been real.
00:24:07Neither can I. Maybe we're dreaming.
00:24:14You know, I wouldn't be a bit surprised to see Santa Claus.
00:24:18Reindeers and all sliding right down the sky any minute.
00:24:21Would you?
00:24:25His name's Gallagher. He's Officer Johnson's horse.
00:24:33He loves sugar.
00:24:35Well, I declare that's really something.
00:24:38One ever expected to find a girl in New York carried sugar around for a horse.
00:24:42Good evening, Miss Lawrence.
00:24:43Oh, good evening, Officer Johnson. This is Mr. Houston.
00:24:46Oh, so I am.
00:24:47He's just admiring your horse.
00:24:48Yeah, I raise him myself down in Texas.
00:24:50Oh, you do, huh?
00:24:51Sure is a pretty coat.
00:24:53What do you feed him, rolled oats?
00:24:54Yep.
00:24:55Yeah, sure is.
00:24:56You know, I haven't been on a horse for three months.
00:24:59I used to live on one, practically.
00:25:01Uh, I sure would like to ride him.
00:25:04Oh, I'm sorry, son.
00:25:06If the sergeant ever caught me letting anybody ride my horse, I'd be found in a beaten flat bush.
00:25:11Yeah, sure, I understand.
00:25:13Well, it's mighty fine seeing him, anyway.
00:25:16He sure is pretty.
00:25:18Very, very, very good.
00:25:19Shh, shh, shh.
00:25:20It is all clear.
00:25:21All clear?
00:25:22All clear?
00:25:23Hey!
00:25:25The sergeant's coming.
00:25:27Hey, the sergeant's coming.
00:25:32It's all clear.
00:25:34All clear.
00:25:44Hey, the sergeant's coming.
00:25:47Good evening, sergeant.
00:26:02Evening.
00:26:04Anything wrong?
00:26:05Oh, nothing at all.
00:26:06Oh, it's a lovely evening, isn't it?
00:26:08Huh?
00:26:09I mean, after the snow.
00:26:10I love the snow, don't you?
00:26:11It makes everything seem more like Christmas, doesn't it?
00:26:13I was...
00:26:14Yeah, well, good evening.
00:26:15Sergeant, would you mind awfully if I ask you a few questions?
00:26:18All right.
00:26:19What is it?
00:26:20Have you ever been to Texas?
00:26:22I have never been south of the battery.
00:26:24Oh, that's too bad.
00:26:25You ought to travel, you know.
00:26:26It's really quite broadening.
00:26:27Yes, well, I'm broad enough now.
00:26:29Sergeant, do you like children?
00:26:32Well, I bet I had.
00:26:33I've got six of my own.
00:26:35Oh, you don't say.
00:26:36You know, I've got 20.
00:26:37What?
00:26:38That isn't the clinic.
00:26:39I work there.
00:26:40Oh.
00:26:43Well, good night, sergeant.
00:26:44Nice to meet you.
00:26:46Phew!
00:26:47It was that close.
00:26:50Hello, Texas.
00:26:52How'd you like the ride?
00:26:53Oh, I liked it.
00:26:57Fine.
00:26:59And as for you, Johnson.
00:27:01Yes, sir.
00:27:04Merry Christmas.
00:27:06Well, Merry Christmas to you, sergeant.
00:27:08Merry Christmas.
00:27:11Merry Christmas.
00:27:12Merry Christmas.
00:27:16What else do you do besides feeding sugar to a horse?
00:27:18Oh.
00:27:19I'm sort of a kindergarten teacher.
00:27:21I keep the children busy and amused while they're calm the lesson.
00:27:23You know it helps them get well quicker.
00:27:25Do I have to get sick to join your class?
00:27:27I afraid you're much too young for that.
00:27:30I hate to let you go.
00:27:33I'll see you tomorrow at three.
00:27:37Good night.
00:27:39Good night.
00:27:42Oh, Jimmy!
00:27:43Your coat!
00:27:47Thanks very much for letting you worry.
00:27:48It'll happen anyway.
00:27:49You're sure welcome.
00:27:54Good night, Texas.
00:27:55Good night, teacher.
00:28:00Oh!
00:28:01Oh, here!
00:28:02Oh!
00:28:03Yes!
00:28:04Come here!
00:28:06Come here, Marcella!
00:28:07Come here!
00:28:08Come here, Farmer!
00:28:09Come here, Farmer!
00:28:11Hope you have a guest.
00:28:12Come here, Farmer!
00:28:13Come here, Farmer!
00:28:14Come here, Farmer!
00:28:15Come here!
00:28:16Good night, Farmer!
00:28:17And now, Farmer!
00:28:19I'll take a hard time.
00:28:20Woo-hoo!
00:28:21I'll take a hard time for her.
00:28:22Yeah, Farmer!
00:28:23How are your children, Mrs. Brown?
00:28:34They're just fine, but the little one has the measles, and the big one has the mumps.
00:28:38Oh, I'm sorry to hear that.
00:28:39That's a pity, isn't it?
00:28:41Yes, it is.
00:28:42Do you take sugar?
00:28:43Yes, please.
00:28:44Merry Christmas!
00:28:45Merry Christmas, everybody!
00:28:47Merry Christmas, everybody!
00:28:48Merry Christmas, everybody!
00:28:48Merry Christmas, big cheese cream at the face himself!
00:28:51Come on, and join the tribe!
00:28:54Hello!
00:28:55Hello, and who might you be?
00:28:57I'm half, and I'm four, and Irish.
00:28:59Well, I'm Michael, and I'm 64, and I'm Irish, too.
00:29:02And Irish, too.
00:29:03Who's an Irish, too?
00:29:04I am.
00:29:07And then the elephant said, through his big, long nose,
00:29:14I want to be the king.
00:29:21One, two, one.
00:29:39Two, three!
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00:32:57I wish they were taking the fate.
00:33:14Oh, don't you worry.
00:33:16They'll be all right.
00:33:27Come on, Gallagher.
00:33:44Tea or coffee?
00:33:45Coffee.
00:33:47Dogs?
00:33:50Cats?
00:33:53Sugar and cream?
00:33:56Brussels sprouts?
00:33:58Mm-hmm.
00:33:58Oh, that's bad.
00:34:00But it's the only one you've missed so far.
00:34:02Everything else we like alike.
00:34:07You know, I had a hunch it was something to keep me here in New York.
00:34:10And you're it.
00:34:12Do you have somebody back in Texas?
00:34:15Oh, sure.
00:34:16Do you like her?
00:34:18Oh, crazy about her.
00:34:19Oh.
00:34:21You must tell me more about her.
00:34:23What's she like?
00:34:24Well, she's pretty.
00:34:27That, uh, about your coloring.
00:34:30Brown eyes.
00:34:31I suppose she's crazy about you, too.
00:34:33Oh, yeah.
00:34:34Every night when I come home, she runs clear to the gate to meet me.
00:34:37Well, what's she going to say about me?
00:34:40Well, I don't know.
00:34:42She'll probably say, uh...
00:34:44You and your old horses.
00:34:50Yeah.
00:34:50How many fellas you got on the street?
00:34:52Oh, not many.
00:34:54Who?
00:34:56Just Mr. Chadwick, Mr. Belton, Mr. O'Brien.
00:34:59And you.
00:35:02As soon as I'll get a decent job, we can get married.
00:35:06Jimmy!
00:35:07You just proposed to me.
00:35:08What?
00:35:08I did.
00:35:11Well, it's...
00:35:11It's all right, isn't it?
00:35:14Darling.
00:35:19Paper, mister?
00:35:21Not just now, Sonny.
00:35:23Extra, extra, extra, paint off, paint off, paint off, paint off, paint off, paint off, paint off.
00:35:28I'm still pretty worried about those Brussels sprouts.
00:35:30Oh, Lily.
00:35:32Is that a for spinach?
00:35:34Okay.
00:35:35Come on, I gotta tell somebody.
00:35:37I'll find you, be back.
00:35:39Let's go.
00:35:51We had hope until an hour ago.
00:35:53I knew I would never see them again.
00:36:10Somehow, I knew.
00:36:23Cheers.
00:36:39Cheers.
00:36:49Cheers.
00:36:51Susan, did you hear?
00:36:56What, Excellency?
00:37:21Keep the tobacco jar filled, Joseph.
00:37:35And bring the hot tuggies as you usually do.
00:37:47I know you are here.
00:37:51I cannot see you, or touch you.
00:37:57But I know you've come home.
00:37:59She didn't see us.
00:38:23I remember now.
00:38:28We were flying.
00:38:31There was a storm.
00:38:34A mountaintop.
00:38:36We crashed.
00:38:38Yes.
00:38:39Everything went black for a moment.
00:38:41But then we were here.
00:38:48I seem to feel all right.
00:38:50How are you, Chad?
00:38:52Splendid.
00:38:53Light as air.
00:38:54My glasses.
00:38:58They're gone.
00:39:01I don't seem to need them.
00:39:07So this is it.
00:39:09Sure, it's no more than walking from one room into the other.
00:39:12How's your back?
00:39:17Oh, look at him.
00:39:20And my feet don't hurt.
00:39:22And I can see right through you, George.
00:39:25You always could.
00:39:26And now do you believe in the immortal spirit of man?
00:39:32It's just the hammer of being here that brought us back for a while.
00:39:36For a while.
00:39:38And then what?
00:39:39You're not afraid, Chad.
00:39:41No.
00:39:42Only curious as to what comes next.
00:39:45We'll find that out when the time comes.
00:39:47Oh, are we still in partnership?
00:39:51Looks like we're out of business.
00:39:53Yes, and good riddance, too.
00:39:58Oh, Jim, don't be ridiculous.
00:40:00You can't have three best men.
00:40:02Who says I can?
00:40:03Why can't I have three best...
00:40:04Joseph?
00:40:05Joseph, do you see why I can't have three best men if...
00:40:09What's the matter, Joseph?
00:40:11You have not heard.
00:40:17It can't be, Jim.
00:40:39It can't be.
00:40:40It can't be.
00:40:47Evening, ma'am.
00:40:51Madam Daniel!
00:40:58They loved you both.
00:41:01Very much.
00:41:04You were good to her.
00:41:07We were friends.
00:41:11They brought us together.
00:41:13We came to tell them.
00:41:22Oh, Jim.
00:41:26Jamie.
00:41:29Ah, poor kids.
00:41:31They've come to tell us their good news.
00:41:33Strange seeing it from this side.
00:41:36There's no pain for us.
00:41:38Except our grief.
00:41:40Everything seems faint and far away.
00:41:45Except loving people.
00:41:49Madam Tanya.
00:41:52Madam Tanya.
00:41:53Madam Tanya.
00:41:54In the library.
00:42:11In the library.
00:42:16Oh, Jim.
00:42:17Oh, Jim.
00:42:18Oh, Jim.
00:42:18Oh, Jim.
00:42:19Oh, Jim.
00:42:19Oh, Jim.
00:42:19Oh, Jim.
00:42:19Oh, Jim.
00:42:20Oh, Jim.
00:42:21Oh, Jim.
00:42:21Oh, Jim.
00:42:21Oh, Jim.
00:42:21Oh, Jim.
00:42:22Oh, Jim.
00:42:22Oh, Jim.
00:42:22Oh, Jim.
00:42:23Oh, Jim.
00:42:23Oh, Jim.
00:42:24Yes, sir.
00:42:54What's going on?
00:42:59I left them a couple of bonds. Enough to get married on.
00:43:03You shouldn't have done it. Money's bad for kids.
00:43:08Don't forget, you still owe us a dinner from the last time you were wrong.
00:43:14Dear Jimmy and Jean, accept this gift for the happy day.
00:43:19I can see their eyes is not far off.
00:43:23You have a blessing.
00:43:35Just like him to do this for a couple of strangers.
00:43:41You are not strangers.
00:43:44You feel the very lonely place in his heart.
00:43:50But won't you need these?
00:43:53No, Jimmy, I think. I am well provided for.
00:43:59Is there anything I can do?
00:44:05Perhaps, Jimmy, you would come and live here for a while.
00:44:11So, Joseph and I would have someone to look after.
00:44:17Oh, I'd be glad to, ma'am.
00:44:21Go now. You have a blood to talk over.
00:44:25I could swear I see them up there.
00:44:37I could swear I see them up there.
00:44:49So could I.
00:44:51I beg your pardon, are you related to the men who lived here?
00:44:57They were our friends.
00:44:59Could you give me some idea what they were like?
00:45:01The report is that they were eccentric old hermits.
00:45:03That's not true.
00:45:04I should say not. They were swell.
00:45:06Well, I'm on the daily press.
00:45:08My paper wants human interest.
00:45:10Won't you come along and talk it over?
00:45:17This is station WRC National Network, New York City.
00:45:20You've just heard your radio reporter giving you the latest news flash from the WRC Tower.
00:45:24The time is 15 minutes after 10 minutes.
00:45:27Want me?
00:45:28Here's a story for our next week's personalities on the news program.
00:45:31I'll get those kids.
00:45:33Every Wednesday evening at 7.30 p.m.
00:45:36Which brings to the air people who have a...
00:45:49I think he should, Madame Tanya, don't you?
00:45:52Jim, they might give you a chance to sing.
00:45:55And all you need is a chance.
00:45:58That's right, Jimmy.
00:45:59Opportunities don't come every day.
00:46:02What about Jean?
00:46:03It says in the telegram they want her, too.
00:46:05Oh, I couldn't.
00:46:06I'd be too scared.
00:46:07Go ahead and see what they say.
00:46:09Darling, if they let you sing, I know you'll be a hit.
00:46:12You'll be famous.
00:46:13We'll be rich.
00:46:14You'll be able to buy that big ranch with a million horses.
00:46:17Madame Tanya can come stay with us.
00:46:19Yeah, we can all live happily ever after.
00:46:21I still say he'd be better off back in Texas on the ranch where he belongs.
00:46:25Well, I agree with Michael.
00:46:27The boy's got talent.
00:46:29Why shouldn't he do something with his voice?
00:46:31Sure, and why not?
00:46:33What's wrong with him being a singer?
00:46:35The world needs music just as much as it does buildings and bridges.
00:46:38Well, all right, have it your way.
00:46:40And I'm not in favor of it.
00:46:44Uh, my name's James Houston.
00:46:46I received this telegram from Mr. Barrett.
00:46:48I'll tell him you're here.
00:46:51Mr. Barrett, Mr. Houston's here.
00:47:01Mr. Houston, you may go right in.
00:47:03Uh, thank you very much.
00:47:05Oh!
00:47:06Oh, I'm...
00:47:09Oh, aren't you going to pick it up?
00:47:11I sure hope I didn't do any damage, Miss Terry.
00:47:17Oh, that's all right.
00:47:20Where have I seen you before?
00:47:22Oh, probably in the paper.
00:47:25Mm-hmm.
00:47:29Well, Texas, are you going to sing on the air?
00:47:32Oh, I hope so.
00:47:33Well, let me know when you go on.
00:47:35I'd like to hear you.
00:47:37My telephone number's on there.
00:47:39Good luck.
00:47:42Why, thank you, ma'am.
00:47:55Where can I phone?
00:47:59Right here.
00:48:00Use this one.
00:48:07Oh, Jimmy, really?
00:48:08Yeah, they're going to put me on the broadcast tonight.
00:48:11Yeah, I'm going to sing.
00:48:13Oh, darling, I know you'll be good.
00:48:15Would you call Madame Tanya and tell her?
00:48:17I've got to go practice.
00:48:19I mean, rehearse.
00:48:22Yeah, I'll come by and pick you up after it's over,
00:48:24and we'll go celebrate.
00:48:26Goodbye, honey.
00:48:28I'll be singing to you.
00:48:30Goodbye and good luck, darling.
00:48:34Churchill!
00:48:37He's going to sing!
00:48:39Sing?
00:48:41No, not him.
00:48:42I mean Jimmy.
00:48:43He's singing tonight at 7.30.
00:48:45WRC.
00:48:46I've got to tell all the nurses.
00:48:49Is my wife here?
00:48:51I know she's over nine years old.
00:48:53This is a children's hospital.
00:48:58Hello, Mom.
00:48:59Mom, I...
00:49:00Yeah.
00:49:02Mom.
00:49:03What I called you about is a surprise.
00:49:06Yeah, I want you to tune in on WRC at 7.30 New York time tonight.
00:49:13Yeah, I...
00:49:14What?
00:49:15What?
00:49:16Oh, no, Mom.
00:49:17I...
00:49:18I don't need them.
00:49:20No, but Mom, it's not cold enough for them.
00:49:25But, Mom, people don't wear them in New York.
00:49:29Yeah.
00:49:30Now, don't forget, Mom.
00:49:317.30 tonight.
00:49:34Yeah.
00:49:36Goodbye, Mom.
00:49:44Uh, do you mind?
00:49:45No, it's quite all right.
00:49:51Miss Terry's apartment.
00:49:52Who's calling?
00:49:54No, she isn't in right now.
00:49:56I don't know when she'll be back.
00:49:57I'll tell her you call, Mr. Houston.
00:50:01Hello.
00:50:02Uh, hello, Miss Terry.
00:50:04This is Jimmy Houston.
00:50:06Yeah, I...
00:50:07I met you at the radio station, you remember?
00:50:10Yeah, well, I'm calling you like you said,
00:50:12because I'm going to be on the air tonight at 7.30.
00:50:15You are?
00:50:16Yeah, singing.
00:50:17Oh, you must be swell, because Barrett's tough.
00:50:20Sure, I'll be listening in.
00:50:22Thanks for letting me know.
00:50:24Goodbye, Mr. Houston.
00:50:27Sounds pretty good.
00:50:41Pretty good.
00:50:42It's a hit.
00:50:44We can go into a fast rehearsal just as soon as Tony Marshall returns from Florida.
00:50:47Oh, poor old Tony.
00:50:49He'll be making his entrances in a wheelchair pretty soon.
00:50:52Don't worry, he's had his face lifted.
00:50:54Besides, he still brings them in.
00:50:57What about some dinner?
00:50:58Oh, it's quarter to eight.
00:50:59Quarter to eight?
00:51:01Wait a minute.
00:51:02There's something I want to hear if I haven't missed it.
00:51:04Good night.
00:51:05So, why should we run?
00:51:06Let's get drenched in moonbeams.
00:51:07The blossoms of romance need showers to start.
00:51:09Don't shelter your heart.
00:51:13Let's get drenched in moonbeams
00:51:18The blossoms of romance
00:51:21Need showers to start
00:51:26Don't shelter your heart
00:51:29It's raining dreams
00:51:33I heard the thunder crash
00:51:37The moment we kissed
00:51:41And now that we've kissed
00:51:44It's raining dreams
00:51:48I saw the lightning flash
00:51:52And light up the skies
00:51:56Or was it your eyes
00:52:00It's raining dreams
00:52:03We're caught in a moon shower
00:52:07With no place to run
00:52:11So why should we run
00:52:14Let's get drenched in moonbeams
00:52:19The blossoms of romance
00:52:22Need showers to start
00:52:26Don't shelter your heart
00:52:30It's raining dreams
00:52:35That is worse than heading off a stampede
00:52:50How was it?
00:52:52All right
00:52:52Here they come
00:52:56Hello?
00:52:59Oh, yes, Miss Terry
00:53:00Yes
00:53:02Easier
00:53:03You're doing fine
00:53:06Hello?
00:53:10Oh, thank you
00:53:12Well, it's nice of you to say so
00:53:15Oh, I mean it
00:53:16Really
00:53:16Well, just a minute
00:53:18My producer, Phil Hubert
00:53:19Wants to talk to you
00:53:20Hello, Mr. Houston
00:53:23Yes, this is Phil Hubert
00:53:25Well, you're very good
00:53:28Thank you very much
00:53:30Well, I'd be glad to, sir
00:53:34Yes, I have the address
00:53:36I'll be up there directly
00:53:37Goodbye
00:53:39Well, we can't go very far wrong
00:53:42With a voice like that
00:53:43Let's see
00:53:44We could build him up on the radio
00:53:45And then I'd get Kelly busy
00:53:46On the publicity
00:53:47And if he looks like you say he does
00:53:50I think maybe we've got something
00:53:52I think we've got something
00:53:55Jimmy
00:54:00Darling
00:54:01You're marvelous
00:54:03Oh, thanks, honey
00:54:03But you don't know the half of it
00:54:05I'm on my way now
00:54:06To see a fellow about my singing
00:54:07Yeah, I just came by to tell you
00:54:09I can't stay
00:54:09I've got to go right away
00:54:10Goodbye
00:54:11I'll phone you later
00:54:13Goodbye
00:54:13I'll be waiting
00:54:15Well, hello
00:54:21Evening, ma'am
00:54:22This is Mr. Hubert, Mr. Houston
00:54:24Proud to meet you, sir
00:54:25Hello
00:54:25Congratulations
00:54:26You stopped the show
00:54:27Oh, no, ma'am
00:54:28I reckon it was fixing to stop anyway
00:54:30I came on at the end
00:54:32Well, how did you like the applause?
00:54:34Oh, fine, sir
00:54:35I figured half of it was good manners
00:54:38And the rest was on the station payroll
00:54:40It's a crime to spoil modesty like that
00:54:43Boy, you are a natural
00:54:44Miss Terry and I are going over the book of our new show
00:54:47Our old leading man is beginning to creak a little
00:54:50We thought perhaps you might fit in with our plans
00:54:52Well, I declare you
00:54:54You mean on the stage, sir?
00:54:56Yes
00:54:57Oh, no, I don't think that I...
00:54:59Oh, come on
00:54:59Have a drink
00:55:00Have something to eat
00:55:01Let's get better acquainted
00:55:02I feel lucky tonight
00:55:04To success
00:55:05Hello?
00:55:17Oh, I'm sorry
00:55:20Dr. Brown is on day, Duke
00:55:21Sweet Louisiana lady
00:55:45Joseph, I'm a success
00:55:53I'm going to sing in a show
00:55:54Lovely music
00:55:55Yes, sir
00:56:01You better go to bed
00:56:03It's after three
00:56:04I'm all right, Joseph
00:56:05I'm all right
00:56:05Good night, Joseph
00:56:14Good night
00:56:14Good night
00:56:15Oh, well, why not?
00:56:23Who wouldn't celebrate?
00:56:25He's getting his chance
00:56:27Yeah
00:56:28Chance to get mixed up with a lot of cheap people
00:56:31He'll turn his head and make a fool of him
00:56:33He'll drink too much
00:56:35And he'll laugh too much
00:56:36He'll lose his way
00:56:38There are two sides to it, George
00:56:40The way I see it
00:56:42He'll give people a lot of pleasure
00:56:43Ah, he's a good lad
00:56:46And he's in love with the fine girl
00:56:49She'll keep him steady
00:56:50To be born innocent is natural
00:56:52But to die pure of heart
00:56:55That's a gift
00:56:56Well, stick to your faith, Michael
00:57:00You may need it before you're through
00:57:02Ah, you're always looking at the black side of things
00:57:26I'm going to keep you
00:57:29He'll find out
00:57:31Yes
00:57:33Yes
00:57:33Yes
00:57:35Yes
00:57:35Yes
00:57:36Yes
00:57:37I'm going to keep you
00:57:40No way
00:57:41We're coming
00:57:44Here
00:57:46No way
00:57:49But
00:57:50Now
00:57:51You can't
00:57:52No way
00:57:53George, no matter what you did, if you're sorry for it, no power of darkness can touch you.
00:58:05If you'll only say you're sorry, George.
00:58:10But I did need a doing.
00:58:13I have no remorse.
00:58:15I never did have.
00:58:17I'd be a hypocrite to say I'm sorry now.
00:58:23I don't know.
00:58:53I don't know.
00:58:55I don't know.
00:58:57I don't know.
00:58:59I don't know.
00:59:01I don't know.
00:59:03I don't know.
00:59:05I don't know.
00:59:07I don't know.
00:59:09I don't know.
00:59:11I don't know.
00:59:13I don't know.
00:59:15I don't know.
00:59:17I don't know.
00:59:19I don't know.
00:59:21I don't know.
00:59:23I don't know.
00:59:25I don't know.
00:59:27I don't know.
00:59:33I don't know.
00:59:50Come in.
00:59:51Oh, my God.
01:00:21I haven't been so many, many nice things in my life.
01:00:30My parents were divorced.
01:00:32I was on the stage when I was 14.
01:00:35Then a bad marriage.
01:00:38A tough struggle.
01:00:43Success and applause isn't everything, Jimmy.
01:00:49Sit down, Jimmy.
01:00:51Sometimes I get homesick, too, for someone of my own.
01:00:59Someone who really loves me, the way a woman wants to be loved.
01:01:08Oh, she's the smooth one.
01:01:10Smooth as silk, that one is.
01:01:13Every move.
01:01:15Every word is figured.
01:01:18I want someone who really loves me the way a woman wants to be loved.
01:01:23Oh.
01:01:23Oh, and him taking it hook, line, and sinker.
01:01:28Oh, I've made an awful mess of it.
01:01:31You've got to help me, Chad.
01:01:33You've got to help me bring the boy back.
01:01:37Chad.
01:01:39I heard something.
01:01:42Sure you heard something.
01:01:43I've been talking to you right now.
01:01:44It's the old bugle call.
01:01:52The last first.
01:01:58It's for me, Michael.
01:02:00Dad.
01:02:02Dad.
01:02:05David.
01:02:07Dad.
01:02:09David.
01:02:11David.
01:02:14This is my boy, Michael.
01:02:17My boy, David.
01:02:21I thought I'd never see you again.
01:02:23We all think that.
01:02:25I've come for you, Dad.
01:02:27Where now?
01:02:28What's it like?
01:02:29What do you want it to be like?
01:02:34I remember the old army post at Simla.
01:02:38Without the reins, of course.
01:02:42Ah, we were happy there.
01:02:45Great country.
01:02:51Splendid regiment.
01:02:53Good horses.
01:02:56Good sport.
01:02:58Keen men.
01:02:59Then that's it.
01:03:02Every man gets his dream.
01:03:06Let's go.
01:03:07Mother's waiting.
01:03:11Molly.
01:03:17Good luck, Michael.
01:03:19Goodbye, Alan.
01:03:21No, no.
01:03:21Not goodbye, old fellow.
01:03:24We'll be seeing you.
01:03:27Won't we, David?
01:03:29That's right, Dad.
01:03:31Good luck, Michael.
01:03:34Good luck.
01:03:34VIOLIN PLAYS
01:04:04Oh, don't cry, Jeannie.
01:04:25Don't cry, Colleen.
01:04:27That does no good.
01:04:29Get your Irish up.
01:04:31You're prettier than she is, and sweeter too, and younger.
01:04:39Are you going to sit back and let her run off?
01:04:46Not if you're the girl I think you are.
01:04:48Oh, sure, and if he's worth loving at all, at all he's worth fighting for.
01:04:56Now go to him, and when he sees you, his heart will remember.
01:05:04Put on your pretty things and go to him.
01:05:07Go now, Jeannie, girl.
01:05:09And good luck.
01:05:15Good luck.
01:05:22Sometimes I get homesick for the prairie.
01:05:26Stars and quiet.
01:05:29Sound of a dog barking way off in the distance.
01:05:32Say, do you like horses?
01:05:36My father used to practically live at the tracks.
01:05:39I went with him a lot.
01:05:41Before I was ten, I knew every racehorse in the country by his first name.
01:05:45No fooling.
01:05:48Say, you know, you're a pretty wonderful girl.
01:05:51Am I?
01:05:56I'm just a hick.
01:05:58I don't know why you've been so nice to me.
01:06:01I think a lot of you.
01:06:03You know that, don't you?
01:06:09Don't answer.
01:06:10Colleen.
01:06:12My ex-husband, drunk as usual.
01:06:14Colleen.
01:06:17Hold me in.
01:06:18No, you'd better go out the back way.
01:06:20But I can't sneak out and leave.
01:06:22We don't want a row.
01:06:23Unpleasant things have a way of getting into the papers.
01:06:25Think of the show.
01:06:26But I can't leave you here with me.
01:06:27I can handle him better alone.
01:06:29Please.
01:06:33You're sure you'll be all right?
01:06:36Oh, Jimmy.
01:06:38Let's go away for a few days to the country.
01:06:41I need a rest, and you do too, before we start rehearsal.
01:06:45Well, what about Mr. Hubert?
01:06:47Oh, I'll talk to him and make all the arrangements.
01:06:50You go home and pack a bag, and I'll telephone you when I'm ready to leave.
01:06:57Open the door!
01:07:09I thought so.
01:07:10You're Houston, aren't you?
01:07:18That's right.
01:07:21You don't look like you've been sneaking out of back doors very long.
01:07:27She doesn't want to see you.
01:07:28Get going.
01:07:36Okay.
01:07:38You'll find out.
01:07:39Hello, Jimmy.
01:07:56Hello, Jeannie.
01:07:59I was worried about you.
01:08:00I just wanted to make sure you were all right.
01:08:03Oh, I'm fine.
01:08:06I've been awful busy.
01:08:08I wanted to talk to you, but it seems like I haven't had a minute.
01:08:13You're looking mighty fine, Jeannie.
01:08:27You're looking well, too.
01:08:29I'm sorry about not seeing you, Jeannie.
01:08:32I understand.
01:08:33Oh, Jimmy, I'm so glad about your success.
01:08:39It's just what I wanted for you.
01:08:42Thanks.
01:08:49Everything happened so suddenly, Jeannie.
01:08:52Maybe later on, when things quiet down, I sort of get my breath again.
01:09:11I guess I'd better go now.
01:09:13Goodbye, Jim.
01:09:14Good luck.
01:09:15Jimmy, if things ever go wrong for you, or people don't treat you right, or you get sick
01:09:24or something, don't forget my friend.
01:09:27Let me know if you need me, won't you?
01:09:28You fool, go after her.
01:09:48Don't let her get away, Jimmy.
01:09:58Hello.
01:10:05Oh, hello.
01:10:07I talked to Hubert.
01:10:08Everything's all set.
01:10:09We can stay until Tuesday.
01:10:10Isn't that wonderful?
01:10:11It gives us three days.
01:10:13I'll pick you up in about 20 minutes.
01:10:14Will you be ready?
01:10:15You bet I will.
01:10:18Goodbye.
01:10:18Goodbye.
01:10:28If there's anything important, you can reach me at the Pinewood Inn.
01:10:47But I mean important.
01:10:51If you don't stop annoying me, I'll have you put away where you belong.
01:10:55Arlene, I've been trying to see you to tell you I've got a chance of a comeback.
01:10:59Miller's got a show.
01:11:01He's going to give me the lead if I can get on my feet again.
01:11:04And, well, I can't do it alone.
01:11:07Miller's going to give you a lead?
01:11:09Yes.
01:11:09What are you trying to do?
01:11:10Kid me?
01:11:11Look at you.
01:11:13I knew you wouldn't care.
01:11:16I know there's someone else now.
01:11:20There's always been someone else.
01:11:24But no one loves you the way I do.
01:11:29Arlene.
01:11:32Arlene!
01:11:32Take your hands off me.
01:11:33Well, Arlene, please.
01:11:42Madam Tanya, I'm worried about Jimmy.
01:11:46It's not right for him to go away with that Terry woman.
01:11:49No good will come of it.
01:11:50Nothing but trouble.
01:11:51Do everything you can to stop him.
01:11:57There he is now.
01:12:14I'm Arlene Terry.
01:12:15Is Mr. Houston ready?
01:12:16I shall see.
01:12:26So long, Madam Tanya.
01:12:28Jimmy.
01:12:28Please don't go.
01:12:31Well, what's the matter?
01:12:32You look worried.
01:12:33I am.
01:12:34That girl.
01:12:35Those stories in the paper.
01:12:37Oh, that's nothing but publicity.
01:12:39It don't mean anything.
01:12:40Jimmy.
01:12:41A man can't spoil his life for a woman.
01:12:43I know our friends wouldn't like you to go away with that girl.
01:12:48Well, she's fine.
01:12:50She gave me a part in her show.
01:12:52And we both want to get away to the country for a few days before rehearsals begin.
01:12:57Jimmy.
01:12:58Mr. Melton lost everything.
01:13:00Home.
01:13:01Family.
01:13:02Reputation.
01:13:03Over such a woman.
01:13:05Oh, now you're making it sound much more serious than it really is.
01:13:08Now, don't you worry.
01:13:10I'll be all right.
01:13:11I'll be back by Tuesday.
01:13:12Goodbye.
01:13:29What was that?
01:13:31Just the luggage.
01:13:33What's the matter?
01:13:33You seem nervous.
01:13:35I do.
01:13:36Say, do you believe in hunches?
01:13:39Sometimes.
01:13:40Why?
01:13:40I got a funny feeling we're going in the wrong direction.
01:13:44On the trail, when I feel like that, I usually turn back.
01:13:48Oh, I can see you were cut out for the stage, Jimmy.
01:13:51Superstitions and everything.
01:13:52Do they have superstitions on the stage, too?
01:13:54Heavens, yes.
01:13:55Hundreds of them.
01:13:57Madam Tanya's the one that has hunches, and she's not usually wrong.
01:14:01Is she the disagreeable old lady who answers the door?
01:14:04Well, she's not disagreeable.
01:14:06She's just been through a lot.
01:14:08You know, I don't think I should have run off and left her the way I did.
01:14:12Oh, nonsense, Jimmy.
01:14:13You shouldn't be living in that musty old house with a couple of musty old servants.
01:14:17You should have an apartment of your own where you can do as you please.
01:14:20I'll find you one.
01:14:22Well, that wind too much for you?
01:14:28Snuggle down.
01:14:29Oh, you're so nice, Jimmy.
01:14:31Maybe you won't think that after you know me better.
01:14:34Why not?
01:14:34Oh, I've got a lot of old-fashioned backwoods ideas.
01:14:38Oh, we'll soon get rid of those.
01:14:40We'll have a lovely time in Pinewood.
01:14:42We'll walk and ride horseback and roast chestnuts by the fire.
01:14:47No crowds, no autograph hounds.
01:14:49There aren't many people up here this time of year.
01:14:52I'll have you all to myself.
01:15:00How part of Pinewood Inn?
01:15:02About five miles.
01:15:03Where can I get a drink?
01:15:05Right around the corner.
01:15:06Fill it up.
01:15:06I'll be right by you.
01:15:08Yes.
01:15:31Feeling any better?
01:15:32A little.
01:15:34I don't know what's wrong with me tonight.
01:15:36I've been sort of strange.
01:15:38Oh, come on.
01:15:39Cheer up.
01:15:40We're on a holiday.
01:15:43Your dinner is ready to serve, Miss Tatt.
01:15:45Good.
01:15:48Food is what you need, and plenty of it.
01:15:50Michael.
01:16:20It's time, Michael.
01:16:21It's time, Michael.
01:16:29Right now?
01:16:29Yes, now.
01:16:33I can't go now.
01:16:34I can't go now.
01:16:36You're called only once.
01:16:42But I can't leave Jimmy.
01:16:44He needs me.
01:16:47There's trouble coming.
01:16:49I got him into this.
01:16:52I must get him out.
01:16:53It means you will linger in the shadows of Earth for all time.
01:17:01I can't go now.
01:17:05I can't.
01:17:09So be it, Michael.
01:17:11It gives me great pleasure to announce, ladies and gentlemen,
01:17:39that we have with us this evening
01:17:41two very distinguished Broadway personalities,
01:17:44Miss Arlene Terry and Mr. James Houston.
01:17:52You're not going to take a bow.
01:17:55Go on.
01:17:55It'll be good for the show.
01:17:57If we try hard enough,
01:18:03we may get Mr. Houston to give us a song.
01:18:05Oh, Jimmy.
01:18:31Jimmy.
01:18:32Jimmy.
01:18:35You're a doctor.
01:18:36An ambulance.
01:18:36Quick.
01:18:40Sponge.
01:18:44Quit the heart.
01:18:45Let's try and suit you.
01:18:46One chance in a thousand.
01:18:49Take his blood pressure, nurse.
01:18:51Doesn't matter.
01:19:16In a cent in your head.
01:19:16Look.
01:19:16You're down.
01:19:17Jimmy, Mr. O'Brien, oh, Jimmy, why didn't you listen?
01:19:25I tried to warn you.
01:19:28Jeannie.
01:19:35Jeannie.
01:19:47She shouldn't cry like that for me.
01:20:00She loves her, Jeannie.
01:20:04Whatever happened to me anyway?
01:20:08You were too young and thoughtless.
01:20:12And success came too sudden.
01:20:14And that woman, she...
01:20:17She's gone.
01:20:20She had no soul at home to go home with.
01:20:30Jeannie.
01:20:33I'm sorry.
01:20:38If I could only tell her.
01:20:42We make mistakes sometimes that can never be remedied.
01:20:47It's myself, I'm blaming Jimmy.
01:20:50Not you.
01:20:51Michael.
01:20:52Michael.
01:20:53Michael O'Brien.
01:20:55Michael.
01:20:56Michael.
01:20:57Michael O'Brien.
01:20:59You've come back.
01:21:00Your mother would give us no peace until we came back for you.
01:21:05If it isn't asking too much, could you be doing me a favor before we go?
01:21:08If it isn't asking too much, could you be doing me a favor before we go, could you give the boy another chance?
01:21:13He's a good lad.
01:21:14He's a good lad.
01:21:15And he's learned his lesson.
01:21:16Give him a chance to live.
01:21:18Give him a chance to live.
01:21:19So be it.
01:21:20Let him go back.
01:21:21Let him go back.
01:21:22Come along, O'Brien.
01:21:23O'Brien.
01:21:24O'Brien.
01:21:25You're the stubbornest soul we have.
01:21:26O'Brien.
01:21:27You're the stubbornest soul we have loved.
01:21:28O'Brien.
01:21:29If it isn't asking too much, could you be doing me a favor before we go?
01:21:32Could you give the boy another chance?
01:21:35He's a good lad.
01:21:38And he's learned his lesson.
01:21:41Give him a chance to live.
01:21:44So be it.
01:21:46Let him go back.
01:21:48Come along, O'Brien.
01:21:51John O'Brien, you're the stubbornest soul we ever loved.
01:22:21Michael.
01:22:29It's George.
01:22:32George, I'm glad to see you.
01:22:36What happened? How did you get here?
01:22:40I've come a long way out of darkness.
01:22:43Darkness is a terrible thing, Michael.
01:22:46I thought of you and Chad and your faith and loyalty and friendship.
01:22:52And then the bitterness began melting out of my heart.
01:22:57And I saw a light.
01:23:00And I followed it.
01:23:02And it brought me here.
01:23:05Sometimes we have to go to the darkness alone before we can see the light.
01:23:11There's no rejoicing in heaven over one sinner at prepiddle.
01:23:18Mom.
01:23:20Mom.
01:23:21Mom.
01:23:22Mom.
01:23:23Mom.
01:23:24Mom.
01:23:25Mom.
01:23:26Mom.
01:23:27Mom.
01:23:28Mom.
01:23:29Mom.
01:23:30It's my mother.
01:23:32Mom.
01:23:33Mom.
01:23:34Mom.
01:23:35Mom.
01:23:36Mom.
01:23:37Mom.
01:23:38Mom.
01:23:39Mom.
01:23:40Mom.
01:23:41Mom.
01:23:42Mom.
01:23:43Mom.
01:23:44Mom.
01:23:45Mom.
01:23:46Mom.
01:23:47Mom.
01:23:48Mom.
01:23:49Mom.
01:23:50Mom.
01:23:51Mom.
01:23:52Mom.
01:23:53Mom.
01:23:54Mom.
01:23:55Mom.
01:23:56Mom.
01:23:57Mom.
01:23:58Mom.
01:23:59Mom.
01:24:00Mom.
01:24:01Mom.
01:24:02Mom.
01:24:03Mom.
01:24:04Mom.
01:24:05Mom.
01:24:06Mom.
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