- 6 months ago
Step into the world of Chasing Shadows – A Timeless Journey, a classic story filled with mystery, drama, and unforgettable moments. This vintage film brings the essence of old cinema with a tale that explores ambition, choices, and the echoes of the past. A hidden gem for fans of retro storytelling and timeless movies.
Restored and shared for classic movie lovers around the world.
Restored and shared for classic movie lovers around the world.
Category
🎥
Short filmTranscript
00:00The
00:30cold spring 18 miles
00:38durango 4
00:40well I reckon 4 miles is better
00:45alright sonny
01:00you recognize him
01:08no I've never seen him before
01:12well we'll look him over
01:30howdy stranger you're heading for durango
01:38yeah it looks to me like a pretty good place to
01:41water my horse
01:42get some hay for him and some feed for the inner man
01:45durango ain't the worst place in the world
01:47well I won't say it's the best
01:49well your gentleman's recommendation is good enough for me
01:53we'd like to keep you company
01:55that is if you don't mind
01:57I know I'd be glad to have you side me in
02:00you know I've been riding alone so long
02:02I find myself talking to my horse
02:27is this the best hotel you got in town
02:38one of them
02:39I've seen better
02:40and I've seen worse
02:42you're sort of pessimistic huh brother
02:44huh
02:46I mean you don't seem to feel the best experience this morning
02:49well
02:50I felt better
02:51and I felt worse
02:52I see
02:53sort of neutral huh
02:55this way
02:56the reception room's in there
03:08I'll notify the proprietor you're here and looking for accommodations
03:12well I didn't know that durango would be that much interested in my arrival
03:17durango ain't
03:19but some of the people are
03:21I see
03:21just go right on in and make yourself at home
03:25you'll be well taken care of
03:27thanks
03:29now you stay here
03:44I'll go get Kelvin
03:46well
03:57well it's the right nice little reception room
03:59what do you want?
04:19nothing
04:19only I thought you might be interested in knowing
04:22that we got a fellow that answers the description of that Umbra you've been making inquiries about
04:26wherever you got him
04:27open the lockup
04:29all right we'll take a look at him
04:33I'll come
04:35okay
04:36how much game is up?
04:40I'll let you know
04:41that way
04:42I'll let you know
04:43how much game is up?
04:47I'll let you know
04:52how much game is up?
04:55I'll let you know
04:57It's him.
05:23It's him.
05:25It's him, all right.
05:26But who's him?
05:28Cheyenne.
05:30Cheyenne after all these years.
05:43Wait.
05:44You can't kill him here.
05:51All right.
05:54I can't kill him here.
05:58And maybe, before I get him, he'll get me.
06:07That's the gamble.
06:08That's my business.
06:12Gambling.
06:16All right.
06:18Turn him loose.
06:20When I get out of here.
06:21Say, gents.
06:22There seems to be some sort of a mystery here.
06:23If one of you gents had told me what it's all about, I'd be much obliterated.
06:25I'd be much obliterated.
06:26I'm not going to get out of here.
06:27I'm not going to get out of here.
06:28I'm not going to get out of here.
06:29Say, gents.
06:30There seems to be some sort of a mystery here.
06:35Say, gents, there seems to be some sort of a mystery here.
06:50If one of you gents had told me what it's all about, I'd be much obliged.
06:54Oh, we was looking for somebody else, that's all.
06:57I see.
06:59And I take it you don't want me.
07:01Nah, shucks.
07:03We was looking for another fellow all the time.
07:06Sure, you look like him, but you ain't him.
07:09Mistaken identity, huh?
07:13Well, suppose when you fellas opened that door, I'd have come out of shooting and killed one of you fellas.
07:19And then said I'd made a mistake.
07:23Oh, of course, I can see that neither one of you fellas had anything to do with my being here.
07:30So let's forget it.
07:32You couldn't tell me a good place to eat, could you?
07:34Yeah, the Durango's across the street.
07:37It's a good place for a game, a little shot of red eye.
07:39Well, I'll tell you fellas.
07:41I'm pretty well caught up on my dragon.
07:44But, uh, if you leave me to that grub pile, I'll sure follow you.
07:49I can see Durango's gonna be some hospitable place.
07:53Now ain't that nice?
07:56We aim to be hospitable.
07:57Say, say, that reminds me.
08:10Of what?
08:10Well, the day I put the notch in this here gun, I'll tell you how it was it was that.
08:18Fellow named Cherokee Jones.
08:21Maybe you heard of him.
08:24Well, one day he started going for me with one of these here things.
08:27But he plumb missed me with both barrels.
08:32Must have been drinking or something.
08:34So I went that day and put the notch in this here gun.
08:38You know, not to be boasting or anything, but...
08:41Just remember old Cherokee, bud.
08:52Something tells me we shouldn't have brung him in.
08:56Well, it was your idea.
08:57If anything happens to me, I'm gonna blame you.
09:11The townfolks of Durango can certainly thank their lucky stars that use the courage of your convictions, uh, Mr. Anson.
09:27Caden, it's my business to print the truth.
09:30And from what I've seen in Durango, the truth's been covered long enough.
09:34If my paper can make this a law-abiding place for decent citizens to live in, well, then I guess I've been repaid.
09:55Anson, I warned you that you and your paper are not welcome in Durango.
10:00I've heard that before, Mr. Kelton, but it seems to me it's up to the citizens of Durango, not you as an individual, to say whether my paper and me are welcome or not.
10:07I'm the one who decides that, Anson.
10:10You ain't welcome.
10:21If you run that press, I'll make you eat every word of it.
10:26Oh, no, it won't.
10:27You know, I've heard that printer's ink is indigestible.
10:33And I've also heard that there's a heat poisonous to some people's systems.
10:40You're a stranger, mister.
10:42Most likely you don't know it.
10:45But I run Durango.
10:49All of which leads me to believe that maybe you've run Durango too long.
10:52Go on, put your little strip up, mister.
10:57Yeah, Anson's the name.
11:00I'd like to talk to you alone.
11:04All right.
11:07You know, I've got a heap of talk I want to say to you, too.
11:11Alone.
11:12You know, before Kelton gets through with that stranger, he'll have him bored off.
11:28Or scared off.
11:30It ain't no use.
11:32I might just as well quit.
11:33How are you?
11:52Well, Kelton, you haven't changed a bit.
11:55The same old lowdown you always was.
11:59Now you know better than that.
12:00You know, if I wasn't interested in just what your game is in Durango,
12:12you and me'd have a showdown right now.
12:17Ten years ago, I run you out of Pine Flats.
12:23Then we met down in the Platte Country.
12:26And now we meet again.
12:27But this time, it's my deal with Aces Wild.
12:33How much will you take to forget
12:35you ever were in Durango?
12:39Are you trying to bribe me, Mr. Kelton?
12:45Shame on you.
12:46Well, well.
12:53If there are the same old safe.
13:02Same old safe that you had up in the Pine Flats Country,
13:06down in the Platte.
13:11Say, you know, that must be a pretty good one.
13:12It's been blown up twice.
13:18Say, you and I never did get along.
13:21Never could and never will.
13:23We don't speak the same language.
13:26Well, you understand enough of mine to get this.
13:29I'll give you just 48 hours
13:30to shake the dust of Durango out of your boots.
13:33If you're still here, I'll...
13:35You'll what?
13:36You or me?
13:41It can't be both of us in Durango.
13:47My girl, you were right.
13:50Well, there'll just be one.
14:02Fire, boys.
14:03Fire, boys.
14:06What is this?
14:15Gosh, we didn't know, but maybe something happened to you.
14:17There's going to be plenty happening,
14:19but we've got to work fast.
14:21There's nothing that's safe to make us independent.
14:24We'll crack it.
14:25And before the smoke clears,
14:27we'll be on our way.
14:30First,
14:31I'm going to get Cheyenne.
14:33Come on.
14:36Have a drink.
14:50I'm in a little trouble getting out your newspaper, mister.
14:53Nothing but difficulty.
14:55You know Kelton runs Durango,
14:57and he's sure death on me and my newspaper.
15:01Well, if Kelton's against your newspaper,
15:03I'm for it.
15:05How'd you like a partner?
15:07Where would I get a partner?
15:09I ain't got a chance to print a paper.
15:12I'll be your partner.
15:15You will?
15:16So,
15:18any price you say.
15:21Why, I'd even sell out for a $10 bill today.
15:23Well, you won't have to.
15:25I'll tell you what you do.
15:27You get this old press oiled up.
15:30I'll drop in on you later.
15:31Hey, hey, boy.
15:42Could I speak to you a minute?
15:45For sure.
15:46You see,
15:47I'm the best horse wrangler
15:50this side of the plaque.
15:53But I ain't got no horse to wrangle.
15:56All I got is a mule.
15:58So, I'll tell you what you do.
16:04You see that buckskin horse down there?
16:07Yeah.
16:07Well, you go on down there and wrangle him.
16:10I'm going here in the restaurant
16:11and get something to eat.
16:12When I come back,
16:12I'll tell you what to do.
16:13Go ahead.
16:14Yes.
16:14Come on, Al-Awushes.
16:22There he is now.
16:23Go ahead.
16:24Provoke him to a quarrel.
16:26Rile him up.
16:26Him to draw his gun.
16:28Heck,
16:29that'll be your time to get him.
16:31And the quicker we get him,
16:32the better.
16:47Uh-oh.
16:48See what I see?
16:50Carrie!
16:50Hey, hey, I'm here, Al, with you.
16:56Come on.
16:57Yeah.
16:57Come on, take it.
16:58That's it, boy.
17:00And here's one for you, too.
17:03What are you doing?
17:04Stealing them carrots?
17:06No, sir.
17:06I ain't stealing nothing.
17:08I just bar them.
17:09That's all.
17:10Well, you're going to bar some lead.
17:15Put them back there.
17:16Uh, you wouldn't regret the horse and the mule and even myself of a carrot, would you?
17:26You know what we do with thieves down here?
17:29No, sir.
17:30We hang them.
17:33By the neck?
17:35Yeah.
17:36Neck.
17:37Until you're dead.
17:39What's the matter?
17:52Oh, this lowlife has been stealing some carrots.
17:55Oh, forget it.
17:56He's working for me.
17:57I told him to buy some carrots.
17:59Hey, since when is he working for you, mister?
18:02He's been hanging around this town for days.
18:04And you just entered here a little while ago with us.
18:06Well, I wouldn't have entered here if I knew what kind of a polecat you was.
18:12Are you calling me a polecat?
18:16What's it sound like to you, mister?
18:18Why, you...
18:28Can't you take a joke, mister?
18:32Can't you see I'm laughing?
18:36I saw what happened.
18:54That Slim Bartlett, one of Kelton's cutthroat...
18:56Yeah, I know.
18:59I rode into town with him this morning.
19:02Well, I tell you, Anson, looks to me like you're going to have plenty of exciting news to publish in the newspaper.
19:08You're going to need some extra help.
19:10Snowflake.
19:11Yeah?
19:12Here's just a man for you.
19:14You can bear down on that old press of yours and bring the type and sweep up.
19:18Can't you, Snowflake?
19:19Yes, sir.
19:20Well, we're partners.
19:22He's hired.
19:25So you remember...
19:27You remember telling me about that old fellow that ran the restaurant over there that died kind of sudden?
19:33Uh-huh.
19:33I don't believe you told me his name, did you?
19:35I thought maybe I knew him.
19:38Well, Edwards has a daughter about 14 or 15.
19:42Edwards.
19:42He and I rode in the same outfit together until he got hurt with an old Brock rolling over on him.
19:52Where do you live?
19:52Here in town?
19:54Uh, down the stage line on the way to Paiute.
19:57Little, little greenhouse all covered with ivy and flowers.
20:00You can't miss it.
20:02Oh, I reckon I'll find it.
20:05I guess I'll just take me a ride out that way.
20:12Well, come on, Snowflake, and I'll show you your chores.
20:23Uh, does I leave Aloysius here, my mule?
20:27Leave him here.
20:27Leave him.
20:28Come on.
20:29You got out of that with a lot of trouble.
20:31Now, see if you can get this straight.
20:33There he is now.
20:34Go ahead and see where he goes.
20:36Well, we can do that, all right.
20:42Go ahead and see where he goes.
21:12Go ahead and see where he goes.
21:42Go ahead and see where he goes.
23:42Who's there?
23:47Why, it's me, miss.
23:49I'm an old friend of your father's.
23:51I just rode into town this morning and I heard about your trouble and thought I'd come out
23:57and see if there's anything I could do for you.
24:12You don't need to be afraid of me, miss.
24:18My name's Morgan.
24:20Harry Morgan.
24:23Cheyenne Harry, my friends call me.
24:25You see, I'm an old friend of your daddy's.
24:30He and I used to ride range together a good many years ago.
24:34Long before you were born, I reckon.
24:36Are you Cheyenne Harry, the marshal from down partway?
24:41Well, yes, ma'am.
24:41I was...
24:43marshalled down there for quite a spell.
24:47You see, I didn't hear about your dad's passing on until this morning.
24:52Now, miss, I didn't mean to come up here to worry you again.
25:00But why did it have to be my daddy?
25:04Well, that's...
25:06That's what I come up here to find out, miss.
25:09Do you know whether your dad ever had any trouble with Kelton?
25:16Or anyone else in this town?
25:18Why, yes, with Kelton.
25:19Right here in this room.
25:22What about?
25:24Well, I don't know exactly.
25:27It was over some papers, I think,
25:29that Daddy had given Kelton to keep for him in his face.
25:32They were mining papers.
25:34Daddy won the back.
25:35Why, Kelton said he'd give them to him
25:37when he gave him the money he owed him.
25:39Well, I don't think Daddy ever owed Kelton anything.
25:44Why, everybody in town here uses Kelton's safe
25:47to keep their money and papers in.
25:49It's the only safe in town.
25:51Yes, I know.
25:54You know, I'm slightly acquainted with Mr. Kelton.
25:57And I'm very well acquainted with that old safe of his, too.
26:00So, he wouldn't give your dad back his mining papers
26:08unless you paid him some money.
26:11When your dad refused,
26:13why, this happened to him, huh?
26:15It's Kelton.
26:30What'll I do?
26:31Oh, I reckon this is as good a time as any
26:33for a showdown.
26:35Let him in.
26:35I rode out to tell you how sorry I was
26:52to learn of your father's accident, Martha.
26:56You didn't by any chance come to tell her who did it.
26:58I saw your horse outside.
27:03So, I expected to see you.
27:06Now, don't you be a bit surprised
27:08if you see me around quite often
27:10that Martha's father gave you for safekeeping?
27:16Well, stranger,
27:18you take a lot on your shoulders, mister.
27:20Why, you talk as though
27:21I had something to do with worse
27:23beating up with that .45.
27:25Why, I say,
27:27the world.
27:29But you have a pretty good idea
27:31who did do it.
27:33And one more thing.
27:36Don't send any of them hard killers
27:38over to pick a choir with me.
27:40I always prefer to meet the principal.
27:44Himself.
27:47Now, look here, Martha.
27:48I'll tell you what I...
27:49Now, listen, listen.
27:50Come on.
27:51Get out.
27:53Don't put your hand on that gun.
27:55Or you won't see the sun down tonight.
28:00Now, come on.
28:01Get going.
28:02You're frightening, little little lady.
28:04Whoa, wait a minute.
28:15Whoa, wait a minute.
28:19That Jasper just went into the thin air.
28:36We're heading nowhere and getting there fast.
28:38Open the door, honey.
28:59Let's see.
29:13Huh.
29:13I'm sorry, Miss, all this had to happen
29:34just after you've been through so much trouble.
29:36I'm only sorry my Pop wasn't here to see Kelton get it.
29:39Well, I reckon it's about four hours till sundown.
29:46I think you'd better come into town with me.
29:48You'll be a lot safer there.
29:50You got a horse here?
29:51Yes, I'll get it.
29:52It won't take me long.
29:54Say, Mr. Cheyenne,
29:56ain't you kind of nervous about sundown?
29:59Oh, Lord, no.
30:02Sundown's got to come for all of us.
30:04Why worry?
30:06Get yourself, Ollie.
30:09We won't wait to clean that safe.
30:16You boys get back to the shack.
30:18Get plenty of fuels and powder
30:20and meet me back in town.
30:22Yeah, after we blast the safe,
30:23then what, Kelton?
30:25Yeah.
30:26Do we sprint right away?
30:27Or do we have to wait?
30:30I always cut you boys in equal with me,
30:33haven't I?
30:36Get going.
30:39When do we split?
30:45When do we split?
30:45Good.
30:54Okay.
30:55I don't know.
31:25I don't know.
31:55That's our friend Kelton.
31:59Yes, and he was coming from Daddy's claim.
32:02I wonder what he was doing there.
32:04I don't know.
32:05There's nothing there but a hole in the ground
32:06where Daddy said there was plenty of gold.
32:09He'd only had the money to dig it out.
32:12Well, if the gold's in the ground,
32:13it'll be safe from Kelton.
32:16He don't like to work well enough to dig it up.
32:18Look, you can see the tunnel from here.
32:23Uh-huh.
32:27Well, I'd sure like to know what he was doing in there.
32:29So would I.
32:31Well, we're going to find out.
32:33You've got everything ready?
32:44Sure.
32:45I told that fella Anson
32:46that he couldn't run a paper in Durango.
32:50And I'm going to keep my word.
32:52I want you to fix enough powder
32:54to put that paper out of business once and for all.
32:57What's the use of that?
32:59If we're going to clear out of here,
33:01why do we care what he does?
33:02You'll do as I tell you, Hercar.
33:04All right.
33:05Once you've done that,
33:07while the people are trying to figure out what happened,
33:09I want you to blast the safe.
33:11I'll be playing cards with the sheriff.
33:14Once you've got the safe planted
33:15and the fuse lit,
33:17make yourself seen in the street somewhere
33:18so you'll be in the clear too.
33:20Get me?
33:21Sure, that's easy.
33:24When do we touch the safe?
33:25As near sundown as you figure.
33:36He seems kind of worried about sundown.
33:40I would be too.
33:42I knew at sundown it was going to be me
33:44or someone else.
33:46Wouldn't you?
33:48I ain't saying I'd hanker for such a situation.
33:51Hey!
33:52These fellas want me to do anything to your horses?
33:55No, we just thought we'd leave them here in the shade,
33:57that's all.
33:58It's pretty hot over in the street.
33:59You don't mind.
34:00Oh, that's all right.
34:02You'll leave them there all day if you want to.
34:09It's a sense you won't hesitate to commit another.
34:12We've got to keep our eyes open.
34:14You bet.
34:16Both of them.
34:17Oh, Snowflake.
34:20Yeah?
34:21Take my horse, Sonny, down to the blacksmith's shop
34:23and have him tighten that front shoe.
34:25Yes, sir.
34:26And then what do I do?
34:27Well, then you come back here
34:29and do whatever Mr. Hanson tells you.
34:31Yes, sir.
34:32Are you working for him, Major?
34:33Yes, sir.
34:34I should.
34:35Oh, this looks to be as good a place as any.
34:43Go on in.
34:46I'll show you what we do with the bomb we made.
34:47Oh, now, hey, look, sir.
34:59Yes, sir.
35:01The man who I worked for
35:02said for you to look at this horse's feet.
35:05Yeah, sure, that's how I do
35:07is look at the horse's feet.
35:09Yeah, that's what I thought.
35:11Uh, when, when,
35:12if you need the shoe,
35:14you put it on him
35:15and I'll be right back, sir.
35:17All right, I'll take him.
35:20Now, all we've got to do
35:21is get high up
35:22and aim for the front of the newspaper office
35:24and let her go.
35:25And when she hits, she explodes.
35:27And when she explodes,
35:28I ain't nowhere around.
35:34Now, who's going to shoot this bomb
35:35into the newspaper office?
35:37You or me?
35:38Well, it ain't going to be me.
35:40No, I suppose I got to do it.
35:42Pick up that stuff and come on.
35:46Pete?
35:47Do you?
35:48Do they?
35:51You suppose he hurt us?
35:52Maybe.
35:53We'd better hurry anyway.
35:56All right, honey.
35:58Now what do we do, Miss Danzen?
36:00Well, just roll it forward
36:01and I'll show you how we run the test.
36:05There it is.
36:08Help me, boss!
36:09Here, here, what's the matter with you, boy?
36:11You've seen a ghost?
36:11They say they're going to blow up this place.
36:15What?
36:15Who?
36:17There's two men down there.
36:19They're both in the organ.
36:21Who's going to throw the bomb first?
36:23Come on, Angie.
36:24Let's get this press covered up.
36:25Come on, so I'll play just a hand.
36:27Martha, go in the back room.
36:29Stay there.
36:29That's 50 you owe me.
36:43Your deal.
36:44We'll settle at the end of the game.
36:48Sheriff, what time you got?
36:50About 5.30?
36:5630.
37:02Now you folks stay right here.
37:04Don't go back in that office
37:05no matter what you do.
37:07I'm going to slip around the corner
37:09and see if I can get my eye
37:10on those fellas with the bomb.
37:14All right.
37:15Light it.
37:20It worked.
37:41Now we'll fix the safe.
37:42Whoever did that
37:48didn't accomplish
37:49what they set out to do.
37:51What happened?
37:52Why, they tried to wreck the place.
37:54All they did was blow out a window.
37:56Had the press covered
37:56or they'd have ruined that.
37:58I wonder who done that.
38:00Well, that's kind of your worry,
38:02isn't it, Mr. Sheriff?
38:04By the way,
38:05what time does the sun set in Durango?
38:08Well, this time of year,
38:10about 6 o'clock.
38:11Why?
38:11Well, the reason I asked you
38:13was because about that time
38:15there's going to be
38:15another explosion.
38:17A heap more important
38:18than this one.
38:25I wonder what he meant by that.
38:27Who is he?
38:29Cheyenne Harry.
38:32He's been gunning for me
38:33for years.
38:36Gave notice today.
38:37It's his life
38:38or mine.
38:39Hmm?
38:41Well, I ain't runnin' away.
38:43I'll be here.
38:44Maybe I'll lock him up.
38:46Why do that?
38:48I'd just as soon
38:48get it over with.
38:49Are you ready?
38:59When can we go?
39:01Anytime you say.
39:03But how about the stuff in the safe?
39:05How are we going to get it out
39:06after we crack it?
39:07It's out already.
39:09Say,
39:10what are you trying to do?
39:12Double cross us?
39:14Yeah, how about it?
39:16I haven't yet, have I?
39:17No, but you might.
39:18Now get this straight.
39:20I've got enough evidence
39:21to hang a parry
39:22any time I want.
39:24Now get out of here.
39:26Wait for me downstairs.
39:27I'll light the fuse.
39:29Go on, go on.
39:30Go on, go on.
40:00Go on, go on.
40:02Go on, go on.
40:17I want a word with you, Captain.
40:40Well, go ahead.
40:42Say what you've got to say.
40:43I'm in a hurry.
40:44I'm in a hurry, too.
40:45What about the papers you've got in that safe?
40:49Along to old man Wood, moving the ownership of his claim.
40:52What?
40:53Aye, it's a combination.
40:56You want me to refresh your memory?
41:02All right.
41:04All right.
41:08Come on, I'm waiting, Keldum.
41:11I can't remember the combination.
41:15I don't know, there's somewhere.
41:20Oh, you'll win.
41:23Come on.
41:28Come on.
42:29That sounded like it came from my place, Sheriff.
42:43Yeah.
42:43Let's go and see what happened.
42:49Shire.
42:50Hilton got him all right.
42:53Yeah, he wasn't lying.
42:54He cleaned out the safe.
42:55What do you suppose he did with the stuff?
42:57Ah, there's only one place.
42:58You're aware.
42:58Thank you, sir.
43:21Hilton's office.
43:22Well, it's you.
43:42I thought he was going to take my horse.
44:01You can't take that horse.
44:02Get out of the way, Hugh.
44:03This horse long, Mr. Diane.
44:05Come on.
44:06Get on your own horse.
44:07You want Chuck to get away with everything?
44:08Joe, you're just wasting your time trying to hang this thing on me.
44:33Why, Kelton has been working this racket for years.
44:38Moves into a town where there's no bank.
44:41Gets the people to deposit their money and valuables in his safe.
44:45He cleans the safe and hightails it.
44:48You lose.
44:49Maybe you're right.
44:51Well, let's get Kelton.
44:52Don't let him get away, Sheriff.
44:53I'd appetize every man in this room.
44:55Come with me.
44:56Now you're talking.
45:21What happened, Snowflake?
45:22They shot him.
45:23They done it.
45:24Them two that you was arguing with this morning.
45:29They tried to take Sonny, but they didn't.
45:33I'm afraid he won't pull through, mister.
45:37Listen, Snowflake.
45:38Have you got any?
45:39You got any kinfolks?
45:42No, sir.
45:43Nobody.
45:45Now I wish it.
45:47That's all.
45:49Mr. Science.
45:50Will you take care of my old mule?
45:55I'm afraid that he's going to be a little hungry without me.
46:01You bet I will, Snowflake.
46:03I'll take him right along with me and Sonny.
46:06But you're going to be all right.
46:08Yes.
46:09Because I'm going to be all right.
46:18Now.
46:23Get to your horses, everyone.
46:25We're not coming back till we get Kelton and his gunmen.
46:28We're going to be all right.
46:41We're going to be all right.
46:43I don't know.
47:13I don't know.
47:43We thought maybe you were trying to give us a slip.
47:57Oh, no.
47:58You know better than that.
48:00We've got to work fast.
48:02Everything that was in that safe, the money, the papers that give the rights to this mine, and other things, are in that bag.
48:08Take one half of it.
48:10You boys can split the other between you.
48:12You're getting plumb careless, Kelton.
48:20Where's your gun?
48:26Well, in my hurry to get out of Durango, I must have lost it.
48:30Maybe you boys will let me have one of yours.
48:35Yeah, sure.
48:37Anytime.
48:38It's your last chance, Kelton.
48:40The law's right behind us.
48:41We're moving fast.
48:42Give me that bag.
48:43You wouldn't leave me like this.
48:45I've always played fair with you boys.
48:48Yeah, sure you have.
48:49But we ain't playing anymore.
48:51We're going to take what's coming to us.
48:54Well, you're dealing the game, Slim.
48:56And a man without a gun can't argue with a fellow to Scotland.
49:19We're going to take what's coming to us.
49:49So long!
49:51So long!
50:19Well, you're dealing the game.
50:30You've got to try and make three miles.
50:35igual, boys.
50:37Long, boys.
50:38You're dealing the game.
50:40You're dealing with a little more than that.
50:41THE END
51:11THE END
51:41THE END
52:11THE END
52:41THE END
52:43THE END
52:45THE END
52:49THE END
52:51THE END
52:55THE END
52:57THE END
52:59THE END
53:01THE END
53:05THE END
53:07THE END
53:09THE END
53:11THE END
53:13THE END
53:15THE END
53:17THE END
53:19THE END
53:21THE END
53:23THE END
53:25THE END
53:27THE END
53:29THE END
53:31THE END
53:33THE END
53:35THE END
53:37THE END
53:39THE END
53:41THE END
53:43THE END
53:47THE END
53:49THE END
53:51THE END
53:53THE END
53:55THE END
53:57THE END
53:59THE END
54:01THE END
54:03THE END
54:05THE END
54:07THE END
54:09THE END
54:11THE END
54:13THE END
54:15THE END
54:17THE END
54:19THE END
54:21THE END
54:23Oh, my God.
54:53Mr. Sheriff, I guess I owe you a lot.
55:05Oh, just the other way around.
55:07We're in debt to you, Cheyenne.
55:09Well, thanks.
55:11Mr. Anson, you'll take good care of Martha, huh?
55:15Sure will.
55:17And remember, my share in the old newspaper goes to her.
55:22But where are you going, Mr. Cheyenne?
55:25Well, I'll tell you, honey.
55:27I spend most of my life, you know, in Wyoming.
55:30That's up north, in the cattle country.
55:33And the ball has had a...
55:35The ball has had a hankering to see some money.
55:39So I'm riding south.
55:42Down to a place called Ghost Town.
55:47So long, honey.
55:48Bye.
55:50So long, sir.
55:51So long, Cheyenne.
55:53Oh, no.
Comments