Writer/Director Yeon Sang-ho and Actor Kwon Hae-hyo talk to Fest Track about tone, perspective and performance in regards to the World Premiere of their dramatic film: "The Ugly" playing the Special Presentations section of the 2025 Toronto International Film Festival in Toronto, Ontario [Canada].
00:28I'm here in Toronto, Ontario for the Toronto International Film Festival.
00:58I'm here in Toronto, Ontario.
01:03I think there is a lot of different situations, and I think there is a lot of different situations, and I think it's the best way to get the message that I want to give it to me, and I think it's the best way to get it.
01:20If you're looking for a person, what's the beautiful thing?
01:24No, it's a problem. It's a problem, it's a problem.
01:28It's a problem.
01:31Yes, it's a person who's a bad person.
01:34Is there a police officer?
01:35I've been talking to him for a long time.
01:38She's my mother.
01:40The movie is about perspective and perception.
01:42How we perceive our perspective in life.
01:46For specifically your character and for the younger version.
01:52Could you talk about perspective and perception in this kind of movie?
01:57I can't believe that.
02:01I've been looking for a young person for a long time,
02:05but I've been watching this.
02:08I've been watching this story.
02:11I've been watching this world and I've been watching people for a long time.
02:16And so I've been watching them.
02:18I've been watching them, but we've been watching them more.
02:24But the film has been in the real world.
02:27But the film is the real life of the real world.
02:36It's not worth watching the irony of my life.
02:42I can't remember what I can do.
02:48I can't believe I am a human in the dream.
02:54This woman is our mother.
02:55If you know what to know,
02:56he was 40 years ago
02:58and he was buried in the sand.
03:01There's a chance to be killed.
03:05There's nothing like that.
03:06There's nothing.
03:09It's not good.
03:10It's not good.
03:12I'm not looking for him.
03:14He's a person who is
03:17at the end of the world
03:20It's a very strange thing that I think is a strange thing.
03:24It's a strange thing, a strong energy,
03:30and a dark side to a lot of the world.
03:35It's a strange thing to think about it.
03:37So that the mind of the mind of the mind is
03:41that he's looking at the face of the face of the face of the face of the face.
03:45But now that he's not able to see it,
03:50It's rather that he can imagine it and imagine it, and imagine it.
03:58The entire audience of the movie has been watching this movie
04:02and the whole world of the world of the world of Kim Yo-Han,
04:07I can understand it perfectly.
04:11I can understand it.
04:13It's my heart.
04:15for you as an actor though when you have to play that the quietness and the rage you know
04:44could you talk about modulating energy and how he helped you as a director get to that point
04:51but in fact, when we were recording the scene, I thought I would have thought about a plan to do something I would have thought about
05:01and I didn't have a plan to explain the plan to the director to the director
05:07So, the script in the script should be able to give you the story
05:16and the scenes are a bit of explanation
05:20It's a very different way to the scene.
05:27We have a long take on the scene and we have a long take on the scene.
05:35I'm not sure how to do it, but I'm not sure how to do it.
05:42I'm sure I can explain it.
05:47I don't know the results of the result.
05:52Anyway, the way I was able to get the director of the scene,
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