- 4 months ago
First broadcast 31st March 2003.
Sahlah is engaged to a young Pakistani man in an arranged marriage, but he ends up murdered as she is bearing the child of a local white man.
Matthew Wait - Gerry Devitt
Sharon Small - DS Barbara Havers
Anjalee Patel - Hadiyyah
Tanveer Ghani - Azhar Taymullah
Anjali Jay - Sahlah Malik
Saeed Jaffrey - Akram Malik
Sophie Walker - TV Reporter
T.J. Ramini - Muneer Malik (as Tarek Ramini)
Emily Joyce - Emily Barlow
Demelza Randall - Rachel Winfield
Amita Dhiri - Yumna Malik
Terence Hillyer - Basil Treves
Nathaniel Parker - DI Thomas Lynley
Joe Shaw - Theo Shaw
Ronnie McCann - Trevor Ruddock
Noah Huntley - Cliff Hegarty
Quill Roberts - Fahad Qamar
Thorston Manderlay - Klaus Reuchlein
James Howard - Male Nurse
Sahlah is engaged to a young Pakistani man in an arranged marriage, but he ends up murdered as she is bearing the child of a local white man.
Matthew Wait - Gerry Devitt
Sharon Small - DS Barbara Havers
Anjalee Patel - Hadiyyah
Tanveer Ghani - Azhar Taymullah
Anjali Jay - Sahlah Malik
Saeed Jaffrey - Akram Malik
Sophie Walker - TV Reporter
T.J. Ramini - Muneer Malik (as Tarek Ramini)
Emily Joyce - Emily Barlow
Demelza Randall - Rachel Winfield
Amita Dhiri - Yumna Malik
Terence Hillyer - Basil Treves
Nathaniel Parker - DI Thomas Lynley
Joe Shaw - Theo Shaw
Ronnie McCann - Trevor Ruddock
Noah Huntley - Cliff Hegarty
Quill Roberts - Fahad Qamar
Thorston Manderlay - Klaus Reuchlein
James Howard - Male Nurse
Category
📺
TVTranscript
00:00:00Rusty!
00:00:02Here you go!
00:00:04Rusty!
00:00:17Oh, no, not that way. Rusty!
00:00:22Rusty!
00:00:30Rusty!
00:00:38Oh, yeah.
00:00:40Oh, yeah.
00:01:00Oh, yeah.
00:01:03Oh, yeah.
00:01:05Oh, yeah.
00:01:07Oh, yeah.
00:01:09Oh, yeah.
00:01:11Good boy.
00:01:12Good boy.
00:01:29Barbara?
00:01:30Hang on.
00:01:32Whoa!
00:01:33Barbara, they're going to Essex to the seaside at Balford. I've come to say goodbye.
00:01:44Oh, all right. Well, um, goodbye then.
00:01:47Goodbye.
00:01:52What's the score?
00:01:53Well, um, it's 22 yesterday and 14 today so far.
00:02:01My turn.
00:02:02OK.
00:02:03Watch.
00:02:09Whoa!
00:02:11Adia.
00:02:13That's Daddy. He said two minutes.
00:02:15Hi.
00:02:16Daddy, come and see this. Barbara can flick them for miles.
00:02:29Time to go, Adia. Let Sergeant Havers get on.
00:02:32No, no, it's just OK. I wasn't...
00:02:34It's Barbara.
00:02:36They've got a fairground at Balford. They've got dodgems.
00:02:40Daddy, can't you come on holiday with us?
00:02:42I don't think Sergeant Havers would, er...
00:02:45It's not a holiday.
00:02:47Oh, er...
00:02:49Oh, I thought, um...
00:02:50Right.
00:02:51Come along, sweetheart.
00:02:53Hurry up. In the car.
00:02:55Yeah.
00:02:58Private stuff. Family problems.
00:03:07Um...
00:03:13We hand out and seabirds flock to grab the spawn.
00:03:18Huge quantities of fish and offal are thrown overboard by a fishing vessel.
00:03:22Police are treating the death as suspicious.
00:03:25The body of Haytham Qureshi was found yesterday
00:03:27on an isolated beach near Balford the Nez in Essex.
00:03:31Mr Qureshi was due to marry Shela Malik,
00:03:33the daughter of a prominent local businessman, next week.
00:03:36The death comes at a sensitive time for the local Pakistani community,
00:03:39still in turmoil over the controversial case of a racist murder last year.
00:03:43I'm standing here, outside the police station, in Balford the Nez, where the strength of feeling is plain to see.
00:03:52There's enough evidence to handle that's happened!
00:03:53Detective Chief Inspector Barlow, how would you answer?
00:03:56Can I just make it very clear?
00:03:57We want guarantees from the police this time!
00:03:58My investigation was conducted with all the integrity and...
00:04:01So what about Haytham Qureshi, eh? What about Haytham Qureshi?
00:04:04All of my team worked...
00:04:07You're gonna do a cover-up job on his murder as well, are you?
00:04:10Okay, Mr Malik. You want guarantees? I'll give you guarantees.
00:04:13Oh, DCI Barlow.
00:04:23Barbara Havers?
00:04:25Hello.
00:04:26Em?
00:04:28It is me, yeah.
00:04:31Yeah, yeah, I just saw it.
00:04:34No, no, no, you're excellent, yeah.
00:04:36I do realise I've really...
00:04:37Yeah, um, look, Em, I've, um, I've got some time off, and, um, well, I've just been thinking, and, well, it's been years since I've been to the seaside.
00:04:54She's in her room.
00:04:56Shella! It's me!
00:04:58My boys are asleep up there.
00:05:00I'm sorry.
00:05:06Hi.
00:05:14Why can't Yuma look after her own babies?
00:05:20I don't understand.
00:05:22But why are you so...
00:05:25It's not as if you were in love with Haytham, you hardly knew him.
00:05:32Shella, he didn't...
00:05:34I mean, before he died, did, did Haytham say anything about me?
00:05:40You?
00:05:42No, why?
00:05:43Oh, nothing.
00:05:45Nothing.
00:05:46Kitchens.
00:05:47But we've got to decide by Friday.
00:05:49I'm signing a contract Friday, and then the flat's ours.
00:05:53I can't.
00:05:55You can.
00:05:56Haytham's dead.
00:05:57You're free now.
00:05:59You can have the bedroom with the sea view if you want.
00:06:01Okay, so your dad will kick up a fuss, but he'll get over it.
00:06:09Are you crying?
00:06:12Rich.
00:06:15What have I done?
00:06:16What have I done?
00:06:29Lucky escape, huh?
00:06:31You must have prayed every day for a way out.
00:06:34Work it in well.
00:06:39Work it in well.
00:06:45The thing I don't understand, it's not just a sweet guy like Haytham.
00:06:49Who in their right mind would want to kill him?
00:06:51No, no interview.
00:06:52Speak to the press office.
00:06:54Right, what have we got in the way of intelligence on Mania Malik?
00:06:58Oh, onto it.
00:06:59And what's happening with the prince from the car?
00:07:00Anyone onto it?
00:07:02Yeah, I'll get him right now.
00:07:03Bob, excellent, you've made it.
00:07:05What's this?
00:07:06Yes, right, two of them, thanks.
00:07:07Guys, this is Barbara Havers, old mate of mine from way back.
00:07:10Hello.
00:07:11When was the last time, for heaven's sake?
00:07:12North London?
00:07:13No, Manchester.
00:07:14The investigative interviewing calls.
00:07:15Manchester?
00:07:16Two stroppy sergeants.
00:07:17Oh, look at you now.
00:07:18Fast track of what?
00:07:19What?
00:07:20The investigative interviewing calls.
00:07:22Manchester?
00:07:23Two stroppy sergeants.
00:07:25Oh, look at you now.
00:07:27Fast track of what?
00:07:50Hmm, say it.
00:07:56Your sister-in-law can take it.
00:07:59Munir, explain to your wife.
00:08:04Yumna?
00:08:10You look tired, sweetheart.
00:08:13Munir, your sister's tired.
00:08:19I'll go.
00:08:22If it's the police again, show them into the front room.
00:08:30Who's the guy who found the body?
00:08:32Jerry DeVitt, local builder, doing up the victim's house.
00:08:35How long had he been dead?
00:08:37Hang on.
00:08:38Anything on him?
00:08:39Sixty quid and some condoms, here we go.
00:08:41Time of death, approximately 10pm.
00:08:44What was he doing on the beach at that time of night?
00:08:46Meeting someone?
00:08:47Sex.
00:08:48Local prostitute, maybe?
00:08:49Possibly a boat.
00:08:50Could be drugs.
00:08:51Yeah.
00:08:53Okay, here's an idea.
00:08:55Why don't I hijack you?
00:08:57Pardon?
00:08:58A, I'm seriously short-staffed.
00:08:59And B, I'm just thinking, you know, an impartial outsider from the Met.
00:09:03That'll keep the troublemakers happy.
00:09:06What, you want me?
00:09:07Listen, if you're up for it, I'll swing it somehow.
00:09:10Who's your boss now?
00:09:11Uh, Dianne Lindy.
00:09:12Isn't he?
00:09:13Um, he's in Mexico.
00:09:14He's, uh...
00:09:15He's just got married.
00:09:16No, no, no.
00:09:17You're super.
00:09:18Webberley, is it?
00:09:19Yeah.
00:09:20That would be just...
00:09:21Hey, don't get too excited.
00:09:22In one of my rasha moments, I told that arrogant poser I keep him informed.
00:09:24What arrogant?
00:09:25I'm here, Malik.
00:09:26Oh, good-looking one.
00:09:27You think he's good-looking?
00:09:28You can get on just fine, then.
00:09:29So does he.
00:09:30Hello.
00:09:31Because I'm gonna dump all the community liais on stuff on you.
00:09:34Hello.
00:09:35Superintendent Webberley, please.
00:09:36It's blatant sex discrimination.
00:09:37You do know that.
00:09:38You should have been made up to DI ages ago.
00:09:39No, I'm still waiting to be put through.
00:09:41Webberley, haven't you?
00:09:42Malcolm, hi.
00:09:43How are you?
00:09:44Emily Barlow here.
00:09:45Listen, I want to ask you an enormous personal favour.
00:09:48I don't want anyone, and especially others, to interfere with the police investigation.
00:09:56Dad.
00:09:57Sir, you are not welcome in my house.
00:10:00Munir said that you need help.
00:10:02Please leave.
00:10:03Uncle, I do voluntary work with the Pakistani Aid Association.
00:10:06The cops can't afford to lose face twice, Dad.
00:10:09Look, they'll twist the evidence.
00:10:11They'll try and pin Haytham's death on the community.
00:10:13Rubbish!
00:10:16What are you saying?
00:10:17Uh, nowhere.
00:10:19Try the Hamford.
00:10:20It's where Haytham Qureshi was staying while his house was being renovated.
00:10:23Listen, I'd, uh, ask you to join us, but, um...
00:10:28Half a brain eats like a pig, but surprisingly adequate in bed.
00:10:31He'll do.
00:10:32Until I get bored.
00:10:39You don't know what you're dealing with.
00:10:40There's a political agenda here.
00:10:42And what are you now?
00:10:43The saviour of your people?
00:10:45At least I know who I am.
00:10:47I don't try to be more English than the English.
00:10:49You accuse me?
00:10:50You accuse me?
00:10:51Leave it, Moni.
00:10:52You know where we started, Athar?
00:10:54Your aunt and me?
00:10:55In a rented shed in Lewisham.
00:10:56Two stoves and a sink.
00:10:57And now we have the business, the house, the boat, and Malik sources are to be found in every supermarket in Britain.
00:11:04But times change.
00:11:05And Haytham was our future.
00:11:06A first-class business brain.
00:11:07And a fine man.
00:11:08That's what we have lost.
00:11:09Our future.
00:11:10That's what we have lost.
00:11:11Our future.
00:11:12That's what we have lost.
00:11:13Our future.
00:11:15Thank you, Mr.
00:11:18Sir.
00:11:19Thank you, I'll be here.
00:11:20So, I've won a house.
00:11:21John, thank you.
00:11:23And then you can have your heart.
00:11:25Thank you, Professor.
00:11:27Thank you, Professor.
00:11:28Thank you, Professor, Professor.
00:11:31Did he have many visitors?
00:11:50None at all.
00:11:51Very quiet man.
00:11:53He was the production manager for Malick Sauces, so I guess he was out all day.
00:11:58And, er, most evenings.
00:12:02Out where?
00:12:03I, er, never intrude on guests' privacy.
00:12:08What time did he go out the night he was killed?
00:12:11About ten.
00:12:13Ten, that's late.
00:12:15He often went out after dinner.
00:12:17Hamburg?
00:12:18I know.
00:12:20Wait a minute, I forgot.
00:12:21He did have a visitor.
00:12:23A woman.
00:12:25Well, I assume it was a woman.
00:12:28Could have been anything under that, um, you know, what do they call them, black head-to-foot.
00:12:34When was this?
00:12:36Oh, some time ago.
00:12:38Two weeks at least.
00:12:40It was very late.
00:12:43She, er...
00:12:44Did she give a name?
00:12:46Oh.
00:12:47Mr. Kaurashi whisked her straight up to his room.
00:12:50F. Khamar.
00:12:52Does that no mean anything to you?
00:12:56Er, Rackon designer jewellery.
00:12:58Oh, yes.
00:12:59Get what, this receipt's made out to, er, Shella Malick.
00:13:02His fiancée.
00:13:04Oh.
00:13:05An arranged marriage.
00:13:06Peculiar way of doing things.
00:13:08Not half as peculiar as the whole dating nightmare.
00:13:12Oh, but the, er, chase is half the fun, Miss Hamas.
00:13:15Here is Klaus Bräuchlein.
00:13:26There are no news after the tone.
00:13:32Klaus Bräuchlein.
00:13:35Klaus Bräuchlein.
00:13:39Klaus Bräuchlein.
00:14:09Klaus Bräuchlein.
00:14:10Klaus Bräuchlein.
00:14:39Miss Haber, sir. Good morning. This is your morning call.
00:14:50Oh, thank you.
00:14:56Daddy! Daddy! Watch me! What's this?
00:15:09Barbara!
00:15:11Hi.
00:15:13Daddy, look who I found.
00:15:15Hi.
00:15:17Azar, this isn't how it looks. I didn't know that...
00:15:21No, what happened was I got a phone call yesterday after you left from Essex Police.
00:15:27The, uh, Haytham Karachi case.
00:15:29Barbara, there's a swing. Come and see the swing.
00:15:31Show Sergeant Haver's later. Come on, off you go.
00:15:36So, we're here on the same business?
00:15:38Are we?
00:15:39Haytham was engaged to my cousin.
00:15:41Shaila Mellick is your cousin.
00:15:43Have you had breakfast yet?
00:15:45Um, please.
00:15:48Miss Haytham, good morning.
00:15:51Deuces and, uh, cereal on the sideboard.
00:15:55Help yourself.
00:15:57Oh, uh, Mr. Treves, um, could you possibly get a record of all the phone calls
00:16:03that Mr. Karachi made from his room in the week before he died?
00:16:06Leave it with me, Miss Haytham.
00:16:07Save us.
00:16:13So we find ourselves on opposing sides?
00:16:20He's going senile anyway.
00:16:22Haytham.
00:16:23Haytham.
00:16:25Haytham.
00:16:26Haytham.
00:16:27He's still going on about bloody Haytham.
00:16:31You're twice the man that Haytham was.
00:16:34You're so clever, Moni.
00:16:38I just want a little respect.
00:16:39He should respect you.
00:16:40I'm his son.
00:16:41And the father of his grandsons.
00:16:42We're the future.
00:16:43Who cares?
00:16:44I don't want his two bit Tandoori Empire anyway.
00:16:45Say to the baby.
00:16:46Your sister will do it.
00:16:47They're your boys.
00:16:48She likes doing it.
00:16:49There she goes.
00:16:50Little Miss Butter wouldn't melt.
00:16:51Hey, maybe we'll get that house in Castle Street now.
00:16:52You really think I want to live in the same town as my pig-headed father?
00:16:53Where then?
00:16:54You?
00:16:55I don't think I want to live in the same town as my pig-headed father.
00:16:56Where then?
00:16:57You?
00:16:58No.
00:16:59No.
00:17:00No.
00:17:01No.
00:17:02No.
00:17:03No.
00:17:04No.
00:17:05No.
00:17:06No.
00:17:07No.
00:17:08No.
00:17:09No.
00:17:10No.
00:17:11No.
00:17:12No.
00:17:13No.
00:17:14No.
00:17:15No.
00:17:16No.
00:17:17No.
00:17:18No.
00:17:19No.
00:17:20No.
00:17:21No.
00:17:22No.
00:17:23That's what I'm worthwhile.
00:17:25No.
00:17:27No.
00:17:36No, no.
00:17:37No.
00:17:38No, no.
00:17:39No.
00:17:40No, I'm alone.
00:17:41No.
00:17:43No, no.
00:17:44Oh, no, no.
00:17:45Oh, no.
00:17:46No, no.
00:17:47No, no.
00:17:48No, no, no.
00:17:49No, no, no, no.
00:17:51insult to my family. And he'd... he'd bring shame on his own.
00:18:01Have you given the baby his bottle?
00:18:03Yes.
00:18:05What's the matter?
00:18:07Nothing.
00:18:12But... what if he'd fallen in love with someone else?
00:18:16It wouldn't make any difference. He was going to marry Shayla.
00:18:19OK, but what if the person he'd fallen in love with? I mean, suppose he got pregnant.
00:18:24Then obviously she'd be an English girl, so...
00:18:27Excuse me. What are you saying about English girls?
00:18:31All I'm saying is that any girl that he got pregnant would be English.
00:18:49Oh!
00:18:52So everything was fine? The wedding was going ahead, OK?
00:18:55Oh, yes. As far as I know.
00:18:59Morning.
00:19:03You're in Mexico.
00:19:05Does it look like I'm in Mexico?
00:19:07What?
00:19:08Excuse my butting in.
00:19:10Oh, um, sorry. This is...
00:19:13Azar Temmula. How do you do?
00:19:15Thomas Lemmy. I'm her boss.
00:19:19What are you doing here?
00:19:22Family crisis. Ellen's sister? Penny?
00:19:24Is she OK?
00:19:25Depends what you mean by OK. Her husband's just walked out on her.
00:19:28Not again.
00:19:29Left her and the kids with a pile of debts and a sniveling little email.
00:19:33Poor Penn drank a couple of bottles of wine and forgot how many sleeping tablets she'd taken,
00:19:37so we cut it short and flew home.
00:19:40Hang on. What are you doing here, then?
00:19:44Oh.
00:19:46Yes, here, look.
00:19:48This may not be quite what you'd planned,
00:19:50and I apologise if you feel that I'm surplus to requirements.
00:19:54But I got a telephone call last night from our beloved leader.
00:19:57Oh.
00:19:59I get it.
00:20:00Get down there and make sure she doesn't screw up.
00:20:02Well, thank you.
00:20:05Thank you so much.
00:20:07I'll keep her low profile.
00:20:09Sure.
00:20:24But what if you're wrong?
00:20:29He wrote a cheque to someone called F. Kamar for £400.
00:20:33So what?
00:20:34I write cheques all the time.
00:20:35Well, he could have been paying someone off for blackmail or abortion.
00:20:41You're not listening, Barbara.
00:20:42It still wouldn't make any difference.
00:20:44It's a contract between families.
00:20:45What do you know about it?
00:20:47How do you think the Lindys got themselves an olden?
00:20:49Money, land, influence, you name it. We married it.
00:20:52Exactly.
00:20:53Well, thank you, Azar. We've got to go.
00:20:58Well, you coming?
00:21:09No sign of a fight?
00:21:12There wouldn't be, would there?
00:21:13Tides washed everything away.
00:21:15Funny, that.
00:21:17So you could possibly have drowned.
00:21:19Good morning.
00:21:22Hey, hi. This is D.R. Lindy.
00:21:24Yeah, I guessed. How do you do?
00:21:25D.C.I. Emily Barlow.
00:21:26Good to meet you.
00:21:27And good to finally put a face to the name.
00:21:28I was reading about you recently, Rising Stars, etc.
00:21:31The face of modern policing.
00:21:33Oh, for politics.
00:21:35Right. Pathology reports.
00:21:37We know how he died. Broken neck.
00:21:40Plus he sustained a fractured skull, multiple contusions, etc.
00:21:43The interesting thing, though, there's a mark on his right shin
00:21:47consistent with bruising from a taut wire.
00:21:49Like a chip wire, you mean?
00:21:50Yes, that's what they think.
00:21:51So, a killer, or killers, knew that Hayton was going to park up the top there
00:21:56and then walk on down the steps.
00:21:58Check if Pulsar found an e-wire.
00:22:00Let's see if you can find something at the bank who'll help us to trace that chip.
00:22:03But, um, what were you saying?
00:22:05He crashed, what, 50 foot down a cliff and then, what, dragged himself
00:22:09with a broken neck and a smashed skull in there to die?
00:22:15Good point.
00:22:17So how did he go there?
00:22:19Good morning.
00:22:28Dear Lindley, dear.
00:22:34Uh, this receipt, I made out to Shella Malik.
00:22:38She bought a bracelet.
00:22:40Right, and your name?
00:22:42Rachel Winfield.
00:22:44Right, eh, what kind of a bracelet?
00:22:45Like that one.
00:22:47Miss Malik makes her own jewellery?
00:22:48Yeah, but just beads and crystals.
00:22:50She don't do silver work.
00:22:52Um, it says here, uh, till the end of time.
00:22:56Oh, is that an inscription?
00:22:57Mm.
00:22:58See, what I don't understand, right, is, um...
00:23:01What, could I see your receipt for a minute, please?
00:23:02Thanks.
00:23:03Yeah, see, this is the white copy which you give the customer, yeah?
00:23:16And, uh, this is the blue copy, the carbon copy which you keep here in the shop.
00:23:20So, how does the blue copy, your copy, land up in Haytham Koresh's wallet?
00:23:25Never mind.
00:23:26I'll ask Miss Malik.
00:23:27Right.
00:23:28Be gentle.
00:23:29My daughter has taken Haytham's death very badly.
00:23:32Uh, it was an arranged marriage.
00:23:34Arranged marriage, yes.
00:23:35But not a forced marriage.
00:23:36So, no pressure on her to choose the one that she knew you favoured?
00:23:44None whatsoever.
00:23:45A marriage is more than a private agreement.
00:23:49Arranged marriage, yes, but not a forced marriage.
00:23:53So no pressure on her to choose the one that she knew you favoured?
00:23:58None whatsoever.
00:24:00A marriage is more than a private agreement.
00:24:03I needed a son-in-law who could take over from me when I retired.
00:24:08What about your son, Mr. Manik?
00:24:11Munir is a fine marketing manager,
00:24:14but he, er, my son has his problems.
00:24:18What kind of problems?
00:24:20He had a troubled childhood.
00:24:23We took him to see people, but...
00:24:30So if your son-in-law took over,
00:24:32at least the business would stay in the family.
00:24:35What else could I do?
00:24:42Shall we be?
00:24:44Detective Inspector Lindley?
00:24:47And Detective Sergeant Hayworths.
00:24:52Just one question, Miss Manik.
00:24:55You bought a bracelet at Rackham Designer Jewelry.
00:25:00We found the receipt in Haytham's wallet.
00:25:02You can't have done, I've got it.
00:25:04No, that's what's confusing us, no.
00:25:06It wasn't your receipt, it was the shop's copy.
00:25:08Um, why would your fiancé have it?
00:25:13Was the bracelet for you?
00:25:16No.
00:25:17It was a gift for Haytham.
00:25:19An engagement gift.
00:25:22Um, do you have an F. Kamar working here?
00:25:26Do we?
00:25:27Do you know if anyone has any grudges towards Haytham?
00:25:31An employee?
00:25:32I wouldn't have thought so, no.
00:25:35Trevor Ruddock?
00:25:37He, uh, had to be sacked.
00:25:39Haytham caught him stealing.
00:25:41But he bent over backwards to see that Trevor got another job.
00:25:45My friend Theo Shaw fixed him up.
00:25:50Uh, what happened to it?
00:25:53Pardon?
00:25:54Had the bracelet.
00:25:55Well, Haytham wasn't wearing it and, well, he wasn't in his room.
00:25:59Oh, um, I didn't get the chance to give it to him and, um, when he...
00:26:05I, I couldn't.
00:26:07I threw it away.
00:26:11Uh, where?
00:26:12Off the end of the pier.
00:26:14When?
00:26:16Yesterday.
00:26:19Uh, Abujan, I think the stationary rep's just come.
00:26:22May I, uh...
00:26:24Sergeant, have you finished with my daughter?
00:26:27Um, yes, thanks.
00:26:28Huh?
00:26:29Yeah.
00:26:34The police have...
00:26:35Yeah, I came to warn you.
00:26:36Too late.
00:26:41What are you playing at?
00:26:42Why did you give Haytham that receipt?
00:26:44Because I wanted him to know.
00:26:46Would you please stop meddling in things you don't understand?
00:26:49I do understand.
00:26:50You haven't a clue, Rage?
00:26:51I'm pregnant!
00:26:52What?
00:26:53What am I going to do?
00:26:54I thought I was going to be married next week.
00:26:55And you were going to pass it off as Haytham?
00:26:56No, I never.
00:26:57Well, to the rest of the family, yes.
00:26:58But not to him.
00:26:59He knew.
00:27:00I told him.
00:27:01And he was so kind.
00:27:02He said that we all have things in our lives that...
00:27:07Rach, you've got to help me.
00:27:08I don't know where to go.
00:27:09Please.
00:27:10You've got to help me.
00:27:11I don't know where to go.
00:27:12Please.
00:27:13You've...
00:27:14You've got to help me fix up an abortion.
00:27:16A baby!
00:27:17That'll be the day.
00:27:18I'm joking.
00:27:19He'll probably be an holiday or something, isn't he?
00:27:39Excuse me.
00:27:41How are you?
00:27:42Vault 25 andJ Jeff skeptical.
00:27:45Excuse me.
00:27:46Hello.
00:27:47Hey.
00:27:48Hi.
00:27:49Were you working here yesterday?
00:27:50Yeah.
00:27:51Did you see a girl on the pier?
00:27:53Hundreds.
00:27:54No.
00:27:55A Pakistani girl with a scarf and everything.
00:27:57She threw something into the water.
00:27:59Anybody see a Paki girl took something in the water yesterday?
00:28:02What?
00:28:03No.
00:28:04No.
00:28:05OK.
00:28:06Oh, Theo Shaw's office.
00:28:07Where would be...
00:28:08It's back that way.
00:28:09You've passed it.
00:28:10You go for it.
00:28:11All right.
00:28:12Cheers.
00:28:15Trevor Roddick.
00:28:16Hmm.
00:28:17I gave him some evening shifts on the fun fair.
00:28:20Nice bracelet.
00:28:22That's unusual.
00:28:25Could I, uh, just, uh...
00:28:28Sure.
00:28:39Yeah, that is so unusual.
00:28:42Till the end of time.
00:28:45Hmm.
00:28:46Present?
00:28:47Sort of.
00:28:48So I take that you know the Malick's pretty well.
00:28:51Mr. Malick and I are members of the same business associations.
00:28:54And, uh, Mr. Ruddock.
00:28:55Where we'll find him right now.
00:28:56You can usually find him fishing at the end of the pier.
00:28:57So Shaila gave Theo the bracelet.
00:28:58It's West Side Story.
00:28:59It's West Side Story.
00:29:00Shaila Malick, Theo Shaw, secret lovers.
00:29:01Driven apart by conflicting cultures.
00:29:02And Theo Shaw, jealous as hell, kills Haytham.
00:29:03Bollywood, Haythamers.
00:29:04What?
00:29:05Have you come up with something better then?
00:29:06It's, uh...
00:29:07That girl in the shop.
00:29:08No, Rachel Winfield.
00:29:09Well, she obviously gave Haytham the receipt.
00:29:10The question is why.
00:29:11Well, maybe she wanted Haytham to know that Shaila was in love with someone else.
00:29:16Yes, but why?
00:29:17Well, maybe.
00:29:18Maybe.
00:29:19Maybe.
00:29:20Maybe.
00:29:21Maybe.
00:29:22Maybe.
00:29:23Now, what is that thing called that Asian women wear to cover themselves up?
00:29:24Er, a chattel.
00:29:25Yeah, well, maybe Rachel was a woman in a chattel.
00:29:26Haytham's late-night visitor.
00:29:27What?
00:29:28What?
00:29:29What?
00:29:30What?
00:29:31What?
00:29:32What?
00:29:33What?
00:29:34What?
00:29:35What?
00:29:36What?
00:29:37What?
00:29:38What?
00:29:39What's that thing called that Asian women wear to cover themselves up?
00:29:42Er, a chattel.
00:29:43Yeah, well, maybe Rachel was a woman in a chattel.
00:29:46Haytham's late-night visitor.
00:29:48Trevor Ruddock?
00:29:49Yeah?
00:29:50Mr. Ruddock, before you came here to work for Theo Shaw, I believe you were caught stealing
00:29:55from Alex's sources.
00:29:56Who were you?
00:29:57The police.
00:29:58Oh, fuck.
00:29:59Stealing what?
00:30:00Nothing.
00:30:01Just a couple of crates of Jalfrezy.
00:30:02So, Mr. Kaurashi, can you tell me?
00:30:03What?
00:30:04What?
00:30:05What?
00:30:06What?
00:30:07What?
00:30:08What?
00:30:09What?
00:30:10What?
00:30:11What?
00:30:12What?
00:30:13What?
00:30:14What?
00:30:15What?
00:30:16What?
00:30:17What?
00:30:18What?
00:30:19How did he caught you smuggling stuff out of the factory?
00:30:20No.
00:30:21He caught me selling it.
00:30:23I've got a storm of facts to market.
00:30:25I stood there Saturday morning.
00:30:26You know, a couple of jars of corn for a quid.
00:30:29And blow me.
00:30:30There he was.
00:30:31Caught red-handed on your bosses.
00:30:33What a shocking stroke of bad luck.
00:30:35Heh.
00:30:36It's nothing to do with luck, mate.
00:30:37He just came out of the gents.
00:30:39You don't getting that gents for a P.
00:30:41Well, not unless you're all felled up by a queue of mints and puffs.
00:30:44Right.
00:30:45Well, that's the last thing.
00:30:49Jerry DeVitt.
00:30:50Who's Jerry DeVitt?
00:30:51He is. He's the guy who found the body.
00:30:56Wait a minute.
00:30:57And he was working for Haytham, doing up his new house.
00:31:07Um, we're closed.
00:31:10The sign is a clue.
00:31:12Well, um...
00:31:13Detective Sergeant Havers, and this is D.R. Lindley.
00:31:17Mrs. DeVitt, I'm sorry, I didn't, uh...
00:31:20What was he done this time?
00:31:21Well, I had no idea it was you when we spoke before.
00:31:25And you are?
00:31:26Cliff.
00:31:28Hegarty, his other half.
00:31:30Uh, you were working on Haytham Koresh's new house, yeah?
00:31:3324-7.
00:31:34Yeah, it was a rush job.
00:31:36Haytham pulled the wedding forward.
00:31:38Mr. Malik said, could I do the extra hours to try and get it finished?
00:31:42Have Mr. Malik seen you?
00:31:43Yeah.
00:31:44He bought the place for them.
00:31:46Did he ever make a move on you?
00:31:48Who?
00:31:49Haytham Koresh.
00:31:51You knew he was gay?
00:31:53Haytham?
00:31:55Never.
00:31:56Oh, you upset him now.
00:31:58He thinks he can always tell.
00:32:00Did you know he was gay?
00:32:02Well, how would I know?
00:32:03I've never met the man.
00:32:05Um, have either of you ever come across someone called F. Kamar?
00:32:08On the gay scene, maybe?
00:32:09No, we don't do the gay scene anymore.
00:32:12Do we?
00:32:14Do we?
00:32:22Theo.
00:32:23You've got to get rid of the bracelet before the police see it.
00:32:26They've seen it.
00:32:27Oh, my God.
00:32:29No, no, wait.
00:32:30It's still okay.
00:32:30They won't know it's that bracelet unless they've seen the inscription.
00:32:33They didn't see it, did they?
00:32:36Oh, this is terrible.
00:32:38Well, now they'll know Shella bought it, Theo.
00:32:40How will they know?
00:32:41And they'll think you got jealous and killed Haytham.
00:32:44How do the police know?
00:32:45Theo, speak to Shella.
00:32:47You've got to make her see sense.
00:32:49She's talking about an abortion now.
00:32:52You can't let her kill your baby.
00:33:02It cost you at least half a million in London, hasn't it?
00:33:04See this floor?
00:33:10It's hard like mine.
00:33:13Tell you what, if I was Monia,
00:33:16oh, I'd be phoing in the mouth.
00:33:17I mean, business, this place.
00:33:21Does Emily know there's a phone here?
00:33:22As if there's a remote as possible to that she'd miss anything.
00:33:26You get someone to check on it.
00:33:27We need a list of all the calls.
00:33:30We've got to know who Haytham's rung from that phone.
00:33:32Names and addresses.
00:33:34You better get to your liaison, mate.
00:34:04Who's got one hell of a motive?
00:34:24Who?
00:34:26Monia.
00:34:27This Haytham guy comes along,
00:34:32nicks his place in the family pecking order,
00:34:34gets the house, gets control of the business,
00:34:36and to cap it all,
00:34:37turns out this paragon of manhood's a fully paid-up shirtlifter.
00:34:41It's a massive insult.
00:34:42Family honour and stuff.
00:34:43Men like Melio take that kind of thing very seriously.
00:34:48Check where he was the night of the murder.
00:34:49OK.
00:34:51Oh, did anyone warn you?
00:34:53About what?
00:34:54He's insisting on some kind of community do-gooder sitting in on the meeting.
00:34:57The person you are calling is unavailable.
00:35:07Please leave a message after the show.
00:35:10Shayla.
00:35:11Pick up.
00:35:12I'm sick of leaving messages.
00:35:21You know what?
00:35:22I thought there was no way you could hurt me any more.
00:35:27But you can.
00:35:31You can.
00:35:34So what's happening then?
00:35:35Fill me in.
00:35:36Uh, can I just check something first?
00:35:40Right, the night Haytham was murdered,
00:35:43can you tell me where you were?
00:35:46Where I was?
00:35:50What is this, an interrogation?
00:35:51Oh, Mr Malik, please.
00:35:53I'm here to ask the questions,
00:35:54not let the flame in third degree.
00:35:56You're asking me for an alibi.
00:35:58Now, forget it.
00:36:00Forget it.
00:36:01No.
00:36:01I'm not talking to you.
00:36:03Who are you anyway?
00:36:04I'm sorry.
00:36:05Don't get me someone else.
00:36:06No, please, just sit down.
00:36:08Get me someone else.
00:36:16It's a farce, mate.
00:36:18She's accusing me.
00:36:19Hey.
00:36:20It's OK.
00:36:21You know, she did.
00:36:27That racist cow you worked for.
00:36:29She buried the evidence.
00:36:31Everyone knows those white guys, did it?
00:36:33You're accusing my cousin of...
00:36:36What?
00:36:37Well, I just asked him where...
00:36:39She's trying to pin it on me.
00:36:40She wants my alibi.
00:36:42So?
00:36:43Have you got something to hide?
00:36:45Well, I'll tell her.
00:36:48Where were you?
00:36:52I was having dinner with a friend.
00:36:55Where?
00:36:56The Nazib in Harwich.
00:36:58Which friend?
00:37:00Well, he's back in Hamburg now, anyway.
00:37:02Monique.
00:37:05She needs to know his name.
00:37:09It's Klaus.
00:37:11Klaus Royklein.
00:37:12And the table was booked in the name of Malik, yeah?
00:37:18Still his answer phone.
00:37:19Yeah, that's all I got.
00:37:21OK.
00:37:22Yep.
00:37:23Thanks.
00:37:24Well, I started eating about eight and left just before midnight.
00:37:29Monia and a white guy with a foreign accent.
00:37:31And how much do you think Monia would pay the manager to tell us that?
00:37:35What?
00:37:35You think he...
00:37:35You really don't like him, do you?
00:37:41I'm just saying she doesn't bother to hide it, that's all.
00:37:44Maybe she just knows him better than you do.
00:37:47Miss Hayworth, good evening.
00:37:49Good evening, sir.
00:37:51The list of phone calls you wanted?
00:37:54Oh, sure.
00:37:55Will you both be taking dinner this evening?
00:37:58I can recommend the sea bass.
00:38:01Hello, dear.
00:38:12Good evening.
00:38:14Good morning.
00:38:18Do you speak English?
00:38:21I'm sorry.
00:38:25Hi.
00:38:26Have a good evening.
00:38:27Hi, lovely.
00:38:31I'm just sitting out and doing it.
00:38:34Good night, Inspector.
00:38:35All right. See you in the morning.
00:38:44You haven't told me about the wedding yet.
00:38:46Hi.
00:38:49Mexico.
00:38:52A little white church on top of a cliff overlooking the Pacific.
00:38:56So what does it feel like, being married?
00:38:59Feeling different.
00:39:01Totally different.
00:39:02And exactly the same.
00:39:04Well, that's helpful.
00:39:06Well, except better.
00:39:08How's your brother?
00:39:11He's getting there.
00:39:13And your mum?
00:39:14Coping.
00:39:18You look great.
00:39:20I mean, it's probably the tan, but...
00:39:23You look really good.
00:39:25Marriage obviously suits you.
00:39:27Everyone should do it.
00:39:30Seems an interesting guy, your friend, as are.
00:39:33But how do you two...
00:39:34Er, he's a neighbour.
00:39:37Right.
00:39:39And are you...
00:39:40No, he's just a neighbour.
00:39:42I'll see you tomorrow.
00:39:44Sleep well.
00:39:44Shia-la.
00:39:53Shia-la.
00:40:01Shia-la.
00:40:03Um...
00:40:10Barbara?
00:40:15I need your help.
00:40:21He's in the garden, isn't he?
00:40:22Get out of my room, won't you?
00:40:23You...
00:40:24You let him kiss you again.
00:40:27No.
00:40:31You let him touch you.
00:40:33No, Monir, I never...
00:40:34You're a whore, Shia-la.
00:40:40I should have killed you.
00:40:43I wish you had.
00:40:45I should have killed you.
00:41:10And who was it?
00:41:21A mufti.
00:41:22A what?
00:41:23A kind of Islamic lawyer.
00:41:26And why did Haytham want to speak to him?
00:41:28To get his opinion.
00:41:29And what?
00:41:31It was confidential.
00:41:33But he did say that Haytham was deeply troubled.
00:41:37What's that?
00:41:38Um, what line does Islam take with homosexuality?
00:41:44It's forbidden.
00:41:45Absolutely.
00:41:49Are you telling me that Haytham was gay?
00:41:52Um, well, he was seen cottaging.
00:42:05Oh, well, thank you.
00:42:08Oh, I was just, um...
00:42:12Don't have a call to Karachi.
00:42:13Yes.
00:42:14Um, good night.
00:42:16Good night.
00:42:16Good night.
00:42:21Take that leer off your face.
00:42:23It isn't how it looks.
00:42:24Haytham says, Haytham loses his footing in the dark and Tom's over the edge of the cliff.
00:42:37But it didn't look like an accident because the body is in the pillbox and the car's been done over.
00:42:43So why does the killer mess up his chance of getting away with a perfect murder?
00:42:49He didn't.
00:42:50Exactly, which means someone else did.
00:42:52Presumably the person Haytham was due to meet.
00:42:54His gay lover.
00:42:56Who was there waiting for him.
00:42:58Who saw what happened.
00:43:00But couldn't or daren't come forward.
00:43:02So, he moved the body and stripped the car so that we would know it was murder.
00:43:09What's a mufty?
00:43:10No, the point is, Em, if the boyfriend saw Haytham killed, then, well, then he could be in danger.
00:43:16Don't buy it.
00:43:17No, but I think, I think the three of them were in it together.
00:43:23Muneer, Reuchlein, and Haytham.
00:43:27In what together?
00:43:28Drugs, prostitution, we'll pin down the details later.
00:43:31I think Haytham got greedy, double-crossed as the other two.
00:43:35Now, we already know Muneer hates Haytham's guts, so he arranges a meet, kills his brother-in-law-to-be,
00:43:43and rips the car apart to get rid of any evidence.
00:43:48Right.
00:43:49Okay, you guys, let's start inquiries with Vice, Drug Squad, trial up with NCS.
00:43:54I'm on to Vice.
00:43:55Emily, Muneer is not the only one with a motive.
00:43:58There's Shilamalik and Theo Shaw.
00:44:00Are you running this investigation?
00:44:01No, they both had a reason to want Kaurashi dead.
00:44:03Barbara.
00:44:04Look, we still haven't identified F. Kumar yet.
00:44:07Well, and there's Rachel Winfield, I mean, she knows a lot more than she's telling us.
00:44:10I need to talk to her again.
00:44:11You'll be wasting your time.
00:44:12Look, you can't just dismiss them all because you have some kind of hang-up with Muneer Malik.
00:44:31I was both trying to forget you said that.
00:44:33Push her back, mate.
00:45:00Mr. Ruddock.
00:45:08Tell me, you obviously get about a bit.
00:45:10Doesn't the name F. Kumar mean anything to you?
00:45:12No.
00:45:13Try Balford.
00:45:14That's where all the Packies live.
00:45:15This is Faxton.
00:45:16Yeah.
00:45:16Try Balford.
00:45:21Morning.
00:45:21This bloke you're looking for, F. Kumar, is he one of them benders?
00:45:28Mate, the only Packie I've ever seen round here is my boss.
00:45:34Yeah.
00:45:36Yeah, I've got the trace on the calls from Hotham's new house.
00:45:39Um, yeah, there were two from a B&B.
00:45:42Look, I've got the address here.
00:45:43Hi, I'm looking for Mr. F. Kumar.
00:46:02Mr. Kumar!
00:46:04Mr. Kumar!
00:46:05Mr. Kumar!
00:46:06Mr. Kumar!
00:46:07Mr. Kumar!
00:46:08Mr. Kumar!
00:46:09Stop!
00:46:10One more time, Rachel.
00:46:11Why were you so keen to stop Hotham and Chella marrying?
00:46:13Mr. Kumar!
00:46:16Mr. Kumar!
00:46:20Stop!
00:46:21One more time, Rachel.
00:46:22Why were you so keen to stop Hotham and Chella marrying?
00:46:29OK.
00:46:30Let's try again down the station.
00:46:34Mr. Kumar!
00:46:36Mr. Kumar!
00:46:41Mr. Kumar!
00:46:42Mr. Kumar!
00:46:43Mr. Kumar!
00:46:44Mr. Kumar!
00:46:45Mr. Kumar!
00:46:46Mr. Kumar!
00:46:47Mr. Kumar!
00:46:48Mr. Kumar!
00:46:49Mr. Kumar!
00:46:50Mr. Kumar!
00:46:51Mr. Kumar!
00:46:52Mr. Kumar!
00:46:53Mr. Kumar!
00:46:54Mr. Kumar!
00:46:55Mr. Kumar!
00:46:56Mr. Kumar!
00:46:57Mr. Kumar!
00:46:58Mr. Kumar!
00:46:59Mr. Kumar!
00:47:00Mr. Kumar!
00:47:01Mr. Kumar!
00:47:02Mr. Kumar!
00:47:03Mr. Kumar!
00:47:04Mr. Kumar!
00:47:05Mr. Kumar!
00:47:06Mr. Kumar!
00:47:07Mr. Kumar!
00:47:08Mr. Kumar!
00:47:09Mr. Kumar!
00:47:10Mr. Kumar!
00:47:11Oh, come on, come on!
00:47:23Come on, mister, come on!
00:47:24Please!
00:47:25Stop!
00:47:36Okay, you all right?
00:47:38Come on.
00:47:39Don't go in the place, mister.
00:47:41Come on!
00:47:42Okay, Richard, here's what I think.
00:47:45Shella is your best mate.
00:47:48And it hurts you when she falls in love with Theo Shaw, so...
00:47:52So you act as a go-between,
00:47:55because at least that way she still needs you.
00:47:58But when she becomes Mrs Haytham Karashi,
00:48:02well, then she's lost to you forever, am I right?
00:48:04Shella makes jewellery, doesn't she?
00:48:10Does she use wire?
00:48:13Are you protecting her, Rachel?
00:48:16Hi, this is Rachel. Can't get to the phone right now. Leave a message.
00:48:22Rach, why aren't you answering? Where are you?
00:48:28Have you, um, fixed it up yet?
00:48:31They used to meet in secret places, and I'd help them.
00:48:37But Shella said it was hopeless, that they could never marry.
00:48:41Well, Mr Malick's a lovely man, but he's very strict.
00:48:46And her brother Maneer would kill her.
00:48:48So she broke it off.
00:48:50What is it you're not telling me, Rachael?
00:48:57I think it's my fault.
00:49:00What is it?
00:49:03I gave Haytham that receipt,
00:49:05and I think he was so angry about it,
00:49:08he went after Theo,
00:49:10and I think Theo killed him.
00:49:17We've got Kamala.
00:49:19Why did Haytham Qureshi pay you £400?
00:49:32No, no, no.
00:49:34I need an interpreter in here now.
00:49:38Where's the interpreter?
00:49:40Excuse me. Sorry.
00:49:42Uh, Mr Malick and Professor Azarte Muller are here.
00:49:44They want to speak to Mr Kamala.
00:49:46No, not now.
00:49:47Professor Azarte Muller speaks Urdu.
00:49:48Absolutely not.
00:49:49He's biased.
00:49:50He could tell us anything.
00:49:51No, I've got an interpreter coming from London.
00:49:52Well, no.
00:49:53Sorry, there's a problem there.
00:49:54They can't contact him.
00:49:55They're looking for someone else, but, um...
00:49:57God's sake.
00:49:59Professor Azarte Muller,
00:50:00Professor Azarte Muller,
00:50:01we need someone who can speak Urdu.
00:50:03Would you be prepared to interpret for Mr Kamala?
00:50:05Yeah.
00:50:06All right, so let's go.
00:50:07Which way?
00:50:08Sorry, Miss Malick.
00:50:09No, this is a formal police interview.
00:50:10So he gets to see Mr Kamala and I don't?
00:50:12That's not good enough.
00:50:13Now listen, I was giving promises from the police.
00:50:14It's okay, Muni.
00:50:15You wait here.
00:50:16I'll deal with it.
00:50:32He says he never heard of Haytham Qureshi.
00:50:38No.
00:50:39No Haytham Qureshi.
00:50:40Tell him we've got the check stub.
00:50:43It proves nothing.
00:50:45There's a million FKMAs in the world.
00:50:48So, why did he run away?
00:50:50He thought D.I. Linley was immigration.
00:50:52He panicked because his papers had been stolen.
00:50:55No problem.
00:50:58We can get duplicates.
00:51:01Get him a doctor, get him a meal,
00:51:03have his room at the B&B searched.
00:51:06Forget drugs, forget prostitution.
00:51:08It's illegal immigrants.
00:51:09I mean, there's an alibi.
00:51:10Whatever it takes, break it.
00:51:11Let the Winfield girl go.
00:51:13I haven't finished her with her yet.
00:51:15For heaven's sake, stop wasting everyone's time.
00:51:17Send her home.
00:51:22Go on then, what did she say?
00:51:24She seemed to think you were rather confrontational.
00:51:26Confrontational?
00:51:27And uncooperative.
00:51:28But I was not confrontational.
00:51:30I was extremely...
00:51:32Do you know, her problem is that she can't see further than Mania.
00:51:35Are you sure you're reading this right?
00:51:37What other way is there?
00:51:38It could be an attitude thing.
00:51:40What?
00:51:41Are you saying this is my fault?
00:51:44No.
00:51:45No.
00:51:46You're saying try taking a step back.
00:51:47And think.
00:51:49You did used to have quite a reputation at the men.
00:51:51For what?
00:51:52For being...
00:51:53Come on, for being what?
00:51:56For being difficult to work with.
00:51:57Oh.
00:51:58I'm difficult to work with.
00:51:59Do you know?
00:52:00I don't remember being trampled in the Stampede Department of You.
00:52:11Barbara!
00:52:12My uncle that I didn't even know I had is here.
00:52:14Daddy and Uncle Mania used to play together when they were young.
00:52:17Angie's going to take me out on a boat.
00:52:19Uncle Mania, this is my friend Barbara.
00:52:22Well, I had no idea that you were this intimate with the police.
00:52:30Daddy, can Barbara come to the pier with us tonight?
00:52:34I'm sure Daddy would love to take Barbara to the pier tonight.
00:52:40See, you've been lying to me.
00:52:41Come on, Moni, it's not like that.
00:52:46Oh, look.
00:52:47We're embarrassing Barbara.
00:52:49Why don't we take this outside?
00:52:51Why don't we take this outside?
00:53:06Look at him.
00:53:07He's so sweet.
00:53:08He's beautiful.
00:53:10Daddy, look!
00:53:13Hairball!
00:53:19So, er, what did you tell your cousin about us?
00:53:25The truth?
00:53:26Um, not that there isn't us.
00:53:28I told him that, er, you're a neighbour,
00:53:30that Essex Police asked you your help
00:53:32and that you had no idea that I was involved.
00:53:36Azar?
00:53:39How come Hadjid didn't know that she had an uncle down here?
00:53:42That's, er, it's, erm, it's a bit hard to explain.
00:53:43Come on, David!
00:53:44Go!
00:53:45Go!
00:53:46Come on!
00:53:47Go on!
00:53:48Go on!
00:53:49Yeah,ра!
00:53:51Go on!
00:53:52Go on!
00:53:53Go on!
00:53:54Go on!
00:53:55Go on!
00:53:57Go on!
00:53:58Go on!
00:54:00Go on!
00:54:01Go on!
00:54:02Go on!
00:54:03Go on, you stinky cackie!
00:54:04That's enough!
00:54:05Police!
00:54:06Go on, leave her alone!
00:54:07Get out of here!
00:54:08Get out of it!
00:54:10Oi, racist car! Leave her on, you police bitch!
00:54:13It's okay, don't worry. She ain't done nothing to you.
00:54:15Back off! Come on, get out of it! Get out!
00:54:19Oi! Give me an outlet! Chill off! Go on, chill off!
00:54:25You okay? Yeah? I'll be back.
00:54:28Are you okay? Yeah, yeah, I'm fine.
00:54:40I don't need rescuing.
00:54:43Great thank you, Speech.
00:54:46You've got some nice cream on the side of your nose.
00:54:58What are you doing?
00:55:13You took the key.
00:55:19You take your English horse to that house?
00:55:21They mean nothing to me.
00:55:22That should have been our house!
00:55:24You know they mean nothing to me.
00:55:27Tell me I'm the only one you love.
00:55:30You are the only one I love.
00:55:34Why do you do it, Murnia?
00:55:38I don't know.
00:55:44They disgust me.
00:55:51It'll be all right, baby.
00:55:54You think I'm difficult to work with?
00:55:56No.
00:55:57No.
00:55:59No, I just...
00:56:00I just think you've got so used to working with me.
00:56:03It's tough adapting to someone else's style.
00:56:08Okay, you're having a bit of a problem with Emily at the moment.
00:56:12But the fact is, she is damn good.
00:56:14I shouldn't get wet.
00:56:17Hello.
00:56:20A fisherman.
00:56:22A fishing line.
00:56:23Do you think that's strong enough for a tripwire?
00:56:25A missing gay lover?
00:56:27That's a thought.
00:56:29Here comes the one my money's on.
00:56:32Mr Hegarty.
00:56:34Good morning.
00:56:36It's curious how every time I come to Thaxton, there you are.
00:56:40Slipping out of the gents.
00:56:44You told me you'd never met Haytham.
00:56:48Of course you had.
00:56:50Right here.
00:56:52That's why you picked him up, isn't it?
00:56:55So why did you lie to me?
00:56:57I wasn't lying.
00:56:59Not to you.
00:57:01You said...
00:57:02I was lying to Jerry.
00:57:05He doesn't know I...
00:57:08Look, I'm with the guy for life, okay?
00:57:12It's just all so bloody safe.
00:57:13I missed the buzz.
00:57:18If I told you that we had your fingerprints all over Haytham's car, what would you say?
00:57:25I'd say you're lying.
00:57:27I've never been fingerprinted.
00:57:29I'll tell you what.
00:57:35Let's live really dangerously.
00:57:38Why don't you come down to the police station with me?
00:57:41Get fingerprinted, right now.
00:57:43See if they match.
00:57:48He's so cool.
00:57:51I bet he's straight, isn't he?
00:57:54What a waste.
00:57:55I'll tell you what.
00:57:58I'll do you a deal.
00:58:00Okay?
00:58:10Where have you been?
00:58:11I've done it.
00:58:12Where do I go?
00:58:13When?
00:58:14No.
00:58:15No, no.
00:58:16I mean, I've signed the contract.
00:58:17For the flat.
00:58:18It's ours.
00:58:19We'll bring up the baby together.
00:58:23It was always after dark and we always arrived separately.
00:58:27Haytham had come by car and I walked around the headland.
00:58:32We had to be so careful.
00:58:33He was terrified that Malik would find out he was gay.
00:58:37Some arranged marriage, eh?
00:58:39Hey, no, don't get this wrong.
00:58:41Sheila knew he was gay and he knew she was pregnant.
00:58:45Sheila's pregnant?
00:58:47No, believe me, that marriage was the answer to both their prayers.
00:58:51I don't care if she's not seeing anyone.
00:58:53She's seeing me.
00:58:55What the hell are you doing to me?
00:58:59You won't let me near you.
00:59:00You don't pick up my messages.
00:59:02And then Rachel.
00:59:07Why didn't you tell me?
00:59:15I didn't know how to.
00:59:19It's been killing me.
00:59:22You and Haytham.
00:59:25You let him sleep with you, but not me.
00:59:28Not me.
00:59:32I'm just the guy who loves you so much.
00:59:36It's driving me crazy.
00:59:43It was pitch dark.
00:59:45But I heard his car arrive.
00:59:47And then I saw him at the top of the steps.
00:59:49And then it all happened so suddenly, the scream, the thump.
00:59:55Haytham wasn't the only person you saw there, was he?
00:59:57No.
00:59:59There was someone else there.
01:00:01I mean, I couldn't see them clearly, just a black shape at the top of the cliff.
01:00:05Crouching over.
01:00:06What?
01:00:07Untying the wire?
01:00:09Oh, so it was a trip wire, was it?
01:00:11I just saw the falls.
01:00:12I assumed he must have been pushed.
01:00:14Well, so then you moved the body and ripped the car apart, yeah?
01:00:19Look, he'd just been killed, for God's sake, in cold blood.
01:00:23Yeah, I wanted you lot to know about it.
01:00:25But hey, the deal still stands.
01:00:27You try getting a statement out of me and I'll deny everything.
01:00:30Who else knew that Haytham was gay?
01:00:32Of no one, I hope.
01:00:36We both had too much to lose.
01:00:39I mean, there was this one near miss, but...
01:00:43Near miss with whom?
01:00:45Oh, this gay bar in Harwich.
01:00:48I thought it'd be safe as houses, but...
01:00:50Blow me, there's my near.
01:00:54A gay bar?
01:00:56Driving past.
01:00:57Three in the morning.
01:00:58And he saw you?
01:00:59Well, he might have done.
01:01:00Especially since Haytham suddenly went off his head and insisted I follow him.
01:01:05Why?
01:01:07Search me.
01:01:09So anyway, we drove for miles until we ended up in...
01:01:13Thaxton Industrial Estate.
01:01:15That's where we lost it.
01:01:18Funny old time to be selling sources.
01:01:22I had to finish it.
01:01:26Oh Theo, we'd belong nowhere and...
01:01:28Then...
01:01:29Then we'd land up hating each other.
01:01:34And you're wrong.
01:01:37Haytham and I, uh...
01:01:41We never...
01:01:45This isn't Haytham's baby.
01:01:47You remember...
01:01:57That night...
01:01:59He, uh...
01:02:01When he...
01:02:04Caught us...
01:02:06In the garden, kissing...
01:02:09That night...
01:02:10That night he dragged me back to the house.
01:02:13That night he dragged me back to the house.
01:02:20Theo, he was so angry I thought he'd kill me.
01:02:23He said I was spoiled goods now.
01:02:28Worse than...
01:02:29Worse than...
01:02:31Worse than...
01:02:32Those girls who throw themselves at him.
01:02:35Yes.
01:02:36Oh my God.
01:02:42And when he...
01:02:44Cried...
01:02:48He hung on to me and he cried.
01:02:49So Haytham was my last hope.
01:03:04You told him it was Meniere's baby.
01:03:08I had to.
01:03:09And he was willing to bring the child up as his.
01:03:15He had reasons why he...
01:03:21Yes.
01:03:30What are you going to do now?
01:03:33I don't know.
01:03:34I don't know.
01:03:38Oh.
01:03:40Theo?
01:03:42Mr. Malik.
01:03:43There you are.
01:03:45Dad.
01:03:46I'm off.
01:03:47But, Munir, we've got a sales meeting.
01:03:49It's business.
01:03:50It won't take long.
01:03:52Ya Allah.
01:03:53What am I going to do?
01:03:55He breaks my heart.
01:03:57Oh.
01:03:59Oh.
01:04:01Thank God, my...
01:04:03Darling Shaila.
01:04:05At least I have you.
01:04:07Mr. Malik.
01:04:09The reason I came...
01:04:11There's, um...
01:04:13A jewellery exhibition in Colchester next week.
01:04:17I was wondering if you would let me...
01:04:20Take Shaila over to see it.
01:04:33On the work front, it is unusually quiet.
01:04:38A close colleague...
01:04:40That'll be me...
01:04:42Causes you to rethink...
01:04:43Doug.
01:04:44Have I ever spoken?
01:04:52Let's go!
01:04:56Thanks, domestic travelled...
01:04:57Let's go!
01:04:59Ok, slow down.
01:05:00Let's have a look.
01:05:04In the lastwang lähes that goes awash...
01:05:06Yi' видели right now...
01:05:08We, huh, say he is surprised...
01:05:09Let's drive past him.
01:05:23Here he comes.
01:05:39Excuse me.
01:05:59Sorry to bother you.
01:06:01Muneer Malik?
01:06:03He has just been here.
01:06:05You missed him by seconds.
01:06:07Police.
01:06:09Are you a business acquaintance of Mr. Malik's?
01:06:11No, no.
01:06:13He just bought a rug from me last week.
01:06:15He was here to pay off the balance.
01:06:17You import rugs?
01:06:19Rugs, carpets, furniture.
01:06:27We are waiting for you.
01:06:29Oh, bloody.
01:06:31Excuse me, please. That toilet's blocked.
01:06:33Yeah, we need to get it fixed.
01:06:35And, er, your name is...?
01:06:37His name is Reuchlein.
01:06:39Am I right?
01:06:45Klaus Reuchlein.
01:06:49One overused loo.
01:06:51Piles of filthy mattresses.
01:06:53Yeah, illegal immigrants.
01:06:55Probably smuggling from Hamburg to Harwich.
01:06:57Get in one of these sealed containers, I bet.
01:06:59Eastern Imports.
01:07:01Well, obviously, Muneer is in it up to his eyes.
01:07:05Oh, God, this is just gonna make Emily's day.
01:07:09All it proves is that Muneer's smuggling immigrants into the country.
01:07:13It doesn't prove he killed Haytham.
01:07:15It will.
01:07:17Bring him in.
01:07:19You know, you're just gonna pin this murder on him anyway, aren't you?
01:07:23And just twist the facts to prove it.
01:07:25What is your problem with Muneer?
01:07:27You know, anyone would think that you in here...
01:07:29Toilets now.
01:07:43What?
01:07:44Now.
01:07:45What have you had?
01:07:46Nothing.
01:07:47I'm listening.
01:07:48People talking?
01:07:49No, nobody's said anything.
01:07:51He's a dangerous, arrogant bastard.
01:07:53But if you seriously think I'd twist the facts to nail him, then you'd better walk straight out that door and not come back.
01:07:58Okay.
01:07:59I'm sorry.
01:08:00Okay.
01:08:01The reason I know what I know about him...
01:08:05You breathe one word of this to Edward...
01:08:07He's a dangerous, arrogant bastard...
01:08:09He served him in.
01:08:11He's a dangerous, arrogant bastard, but if you seriously think I'd twist the facts to nail him, then you'd better walk straight out that door and not come back.
01:08:14Okay.
01:08:17I'm sorry.
01:08:20Okay.
01:08:23The reason I know what I know about him...
01:08:27You breathe one word of this to anyone, ever, and your career is over. Is that clear?
01:08:36It won't be long.
01:08:45It was nothing.
01:08:47A couple of dates.
01:08:49I fancied him.
01:08:51But it was nothing.
01:08:52Dinner, a couple of dates, that's all.
01:08:55So what happened?
01:08:58He was using me.
01:09:00This obsessive thing about that dead Asian boy last year.
01:09:04Yeah.
01:09:06He thinks you buried evidence.
01:09:09No one cons their way into my bed to try and get some kind of confession out of me.
01:09:14I did not suppress evidence.
01:09:17This might be so stupid.
01:09:24And then things got nasty.
01:09:27Seriously nasty.
01:09:33I was alone with him in a hotel room, Havers, under circumstances I could not exactly advertise.
01:09:42No one does that to me.
01:09:43So, let's see if we can at least make this illegal immigrants thing stick, huh?
01:09:55Bring him in.
01:09:56Well, if I could just have five minutes with Mr. Camartha, but...
01:10:00I said no.
01:10:04Yeah, but if he is one of the illegals at Mania and Reuchlin...
01:10:07There's no point.
01:10:08He doesn't even speak English.
01:10:09Well, actually, I think he...
01:10:11Anyway, you're too late.
01:10:12That smug Noel from London's already collected him.
01:10:14What smug?
01:10:15Well, Professor T. Muller.
01:10:16I'll look after you now.
01:10:22Thanks for your help.
01:10:25Let me give you a lift after you'll be able to.
01:10:29Don't look so worried.
01:10:30You've not done anything wrong, okay?
01:10:33Just hold this.
01:10:37What does she want us to do?
01:10:38Should we pick him up?
01:10:39Oh, hang on.
01:10:43Drive.
01:10:43He wanted a better life, so he went to world transit tours in Karachi...
01:11:04...to ask about immigration, but obviously they said no chance.
01:11:08A couple of days later, he's approached by one of the counterclerks.
01:11:11The Karachi contact?
01:11:12You said that he could arrange to get him into England for a fee.
01:11:19No, no.
01:11:20He is lie.
01:11:21Fee only cover travel, not papers.
01:11:24Pay more for papers.
01:11:26So they were unloaded from the lorries and dumped in a warehouse...
01:11:29...and forced to work in farms and sweatshops.
01:11:32All time hungry.
01:11:34I work till hands bleed.
01:11:35So, I run away.
01:11:37I walk and walk.
01:11:40And then, car stop.
01:11:42Kind man, give me lift.
01:11:44Help me.
01:11:45This was Haytham?
01:11:46Haytham.
01:11:47He give me money.
01:11:49He find place to live.
01:11:50And he promised he find men do this bad thing and stop them.
01:11:55Can you describe any of these men?
01:11:58One slim, light hair and beard.
01:12:03One Pakistani.
01:12:05He's a terrible man.
01:12:07Take all our wages to pay for resident papers.
01:12:09But, no one ever get papers.
01:12:16What's wrong?
01:12:17It's not just smuggling illegals.
01:12:20It's slave labour.
01:12:27I'll go on for that right now.
01:12:28So, where is he?
01:12:30Who?
01:12:31Mounir Malik, where is he?
01:12:33Did I, or did I not, tell you to bring him in?
01:12:36Yeah.
01:12:36My car, now!
01:12:39If we've lost him, Haytham, it's because you have a serious problem with authority.
01:12:58Hey, no, hang on, hang on a minute.
01:12:59She's just given you the first piece of solid evidence you've got against Mounir.
01:13:02I gave her an order.
01:13:03She disobeyed it.
01:13:04End of story.
01:13:06Okay.
01:13:07Okay, so let's think.
01:13:09The police know about the warehouse.
01:13:11They know you were there.
01:13:13So, where did Reichland call you from?
01:13:15Hamburg.
01:13:16He's been trying to get me all day.
01:13:17So, why couldn't he?
01:13:18Where were you?
01:13:22So, which one was it this time?
01:13:25Some girl.
01:13:26I don't know.
01:13:27What am I going to do?
01:13:29What am I going to do?
01:13:30You take your father's boat, you cross to Hamburg, you lie low.
01:13:36Give me a week to sort things out, I'll join you.
01:13:39What will you tell Dad?
01:13:40Don't worry about that.
01:13:42All hell's going to break loose in this house.
01:13:44I just have to drop one word in your father's ear.
01:13:47He won't even notice we're gone.
01:13:48Oh, what word?
01:13:49What are you talking about?
01:13:50It wasn't just kisses in the garden, Mounir.
01:13:52Your stupid little sister can't hide it much longer.
01:13:55Hide what?
01:13:56Wake up, Mounir.
01:13:58She's pregnant.
01:14:14Mounir Malik.
01:14:16You've just missed him.
01:14:17And you are?
01:14:18His wife.
01:14:19Where's he gone?
01:14:21Back to work.
01:14:22Where was your husband on the night that Heathen Crusher was murdered, Mrs Malik?
01:14:25Where was Mounir?
01:14:27Um, he was here with me and the babies.
01:14:45Uncle Mounir!
01:14:46Come with me.
01:14:47Come on.
01:14:49Which one's yours?
01:14:51I've obviously forgot to tell the loyal little wife you've already organised an alibi.
01:14:55Calling all Bravo units.
01:14:59Can I guide it?
01:15:00Can I steer?
01:15:02Why don't we call your daddy and tell him where you are?
01:15:06Barbara!
01:15:10Barbara!
01:15:11He's got her.
01:15:13Yeah, it's Barbara.
01:15:14He rang her in his head.
01:15:15Who's got a Hedja?
01:15:16Mounir.
01:15:16Who the hell is Hedja?
01:15:17Oh, my God, I wish I'd never have left her alone.
01:15:19He said if the police tried to stop him, and then I couldn't hear properly that there was
01:15:23some kind of an engine.
01:15:24What kind of an engine?
01:15:25Was it a car, a boat, what?
01:15:26Yes.
01:15:26Where would you go if you were him?
01:15:27I don't know.
01:15:28Um, Humbert's car's been sighted at the marina.
01:15:32Havis!
01:15:32I'll get her back as I am.
01:15:59I suppose he's heading for Brab!
01:16:02No, Humbert's his best friend.
01:16:04He's got contacts there.
01:16:08What's that?
01:16:08Where?
01:16:12Yeah, that's him.
01:16:22Shut your engine down, Mounir!
01:16:32Don't get too close to him.
01:16:40What are you doing?
01:16:42What the hell are you doing?
01:16:43Hedja!
01:16:44Hedja!
01:16:46Here, come on, let me.
01:16:47Get off!
01:16:50What are you trying to kill us?
01:16:52You're doing it!
01:16:52There's a bike!
01:16:59Come here!
01:17:01Stop it!
01:17:02Hold it!
01:17:02Shut up!
01:17:03What the hell?
01:17:05Back off!
01:17:06Get off!
01:17:07Don't touch me!
01:17:08What better?
01:17:09Back off!
01:17:10I'm burying!
01:17:10Get off!
01:17:11I swear, I'm burying!
01:17:13I know I'm just going on.
01:17:14I'm going down!
01:17:15Be serious, Emily!
01:17:16Oh, my God.
01:17:19No!
01:17:21No!
01:17:26Stop my boat, Emily!
01:17:27You're sick, Monique!
01:17:28Stop!
01:17:29Can you hear me?
01:17:42Heck yeah!
01:17:43Heck yeah!
01:17:46Keep out of this, Hamers!
01:18:12Emily!
01:18:13Come back!
01:18:15Emily!
01:18:16Turn back!
01:19:16Stop!
01:19:18Stop!
01:19:20Stop!
01:19:22Stop!
01:19:23Stop!
01:19:24Stop!
01:19:25Hans!
01:19:26Oh, God.
01:19:28Oh.
01:19:29Oh.
01:19:46Sir, I'll take her.
01:20:08Here we go, love.
01:20:16It's just one into my office.
01:20:21Push your way onto this case.
01:20:24But I thought you said...
01:20:27No, it was a lie.
01:20:30I came here because of you.
01:20:33Because I...
01:20:34Because of me?
01:20:37Hello, you Finnish tables.
01:20:41You're hardly going to come out of this smelling of roses.
01:20:44Professor Azar?
01:20:45I made a tough decision.
01:20:47She shot a senior officer.
01:20:49Because you left her no choice.
01:20:52Her child was drowning.
01:20:53That is not a tough decision.
01:20:55That is murder.
01:20:56Can we just concentrate on the matter in hand?
01:21:00Malik's alibi.
01:21:02Apparently.
01:21:04Well, anyway, it checks out.
01:21:05Guy at another table and his wife.
01:21:07They both saw him arrive.
01:21:07They both saw him leaving.
01:21:09Then he can't have killed Haytham.
01:21:11Which means...
01:21:11Do you say, Abala?
01:21:12The consultant will see you now.
01:21:13No, no, no.
01:21:15You stay here.
01:21:17You're off this case.
01:21:18Both of you.
01:21:25Of course I'm sure.
01:21:27So, for the last time, on the night that Haytham Koresha was murdered, your husband was here in this house?
01:21:35With me and the boys.
01:21:36In that case, Mrs. Malik, I'll be blunt.
01:21:41You're lying.
01:21:43I'm not lying.
01:21:44He was here.
01:21:44He was having dinner with friends at a restaurant in Harwich.
01:21:48We have witnesses.
01:21:52Which means either you told us that he was here with you because you thought he needed an alibi, or, in fact, you did.
01:21:58I got the days muddled, you're right.
01:22:04Oh.
01:22:07What kind of wire did you use, Mrs. Malik?
01:22:09Was it your sister-in-law's jewellery wire?
01:22:13You.
01:22:16It was always Haytham, wasn't it?
01:22:19From the moment he and Shayla got engaged.
01:22:23Do you not know how much you hurt Mounir?
01:22:26So it was you at the hotel?
01:22:29I went to tell him she was in love with someone else.
01:22:32I thought that would get rid of him.
01:22:33Yeah, but it didn't.
01:22:35He told me to get my own house in order before I worried about his.
01:22:39Meaning he'd found out what Mounir and Roy Klan were up to.
01:22:42All Mounir wanted from you was respect.
01:22:46Every time he tried to be a man,
01:22:50you undermined him.
01:22:51Do not mention his name again.
01:22:53You see?
01:22:55Did you know your husband was trafficking in illegal immigrants?
01:23:02Not until Haytham told me.
01:23:04And what?
01:23:05He warned you that unless Mounir stopped it,
01:23:06he'd take his evidence to the police?
01:23:08That was our future.
01:23:10Why should we stop?
01:23:11Small matter of the people you cheated and exploited.
01:23:14They got their chance to come to England.
01:23:16That's what they wanted.
01:23:18And we were making money.
01:23:19We needed that money to buy our own house,
01:23:23to build our own business,
01:23:25have our own lives.
01:23:27So Mounir could be himself.
01:23:29And he wouldn't get so angry.
01:23:33And he wouldn't need these women.
01:23:36So Haytham had to go.
01:23:38It was easy.
01:23:40I followed him.
01:23:42When you were in your beds,
01:23:45and Mounir was out with one of his blondes,
01:23:47I followed him.
01:23:51Haytham met that man,
01:23:53his lover,
01:23:54down on the beach.
01:23:56Same routine every night.
01:23:59It was obvious what to do.
01:24:03Stretch the wire across the steps,
01:24:05and wait.
01:24:08And if Cliff Hegarty hadn't got there earlier for once,
01:24:09you'd have got away with it.
01:24:10Take a closer look at your precious daughter.
01:24:17She's the one that shamed you,
01:24:19not Mounir.
01:24:22You're right, Miss Malick.
01:24:24I know about the baby.
01:24:27Arrangements have been made.
01:24:29You can't change your mind, you know.
01:24:32If you'd rather I told your father.
01:24:34That I'm pregnant by my own brother.
01:24:38No.
01:24:38Please, spare him that.
01:24:46I know how much this is going to cost you.
01:24:49I'm sorry.
01:25:01She's all you have now, isn't she?
01:25:15I've made such a mess of my life, Barbara.
01:25:21Me too.
01:25:22How is she?
01:25:43We're keeping her in for observation.
01:25:56She's fine.
01:25:58It was our staying with her.
01:26:03Emily?
01:26:05She's still in theatre.
01:26:06She's got a third-degree burn.
01:26:10She needs a skin graft.
01:26:12Avis, I should have believed you.
01:26:16I am so sorry.
01:26:17I should have...
01:26:18There's no excuses, sir.
01:26:21I shot at her.
01:26:23You'll know I'll do everything I can.
01:26:34But, er...
01:26:35Nothing changes the fact, sir.
01:26:40I shot at her.
01:26:41End of career.
01:26:42You saved our lives out there.
01:26:48It was an amazing thing you did.
01:26:50You know, I wanted to kill her.
01:27:08Yeah, I was so proud of working with her.
01:27:13She was everything I ever wanted to be.
01:27:20Sometimes people let you down.
01:27:24No.
01:27:26You haven't.
01:27:29Ever.
01:27:29I don't know.
01:27:30I don't know.
01:27:31I don't know.
01:27:31I don't know.
01:27:32I don't know.
01:27:32I don't know.
01:27:33I don't know.
01:27:33I don't know.
01:27:34I don't know.
01:27:35I don't know.
01:27:35I don't know.
01:27:36I don't know.
01:27:36I don't know.
01:27:37I don't know.
01:27:37I don't know.
01:27:38I don't know.
01:27:38I don't know.
01:27:39I don't know.
01:27:39I don't know.
01:27:40I don't know.
01:27:41I don't know.
01:27:42I don't know.
01:27:43I don't know.
01:27:44I don't know.
01:27:45I don't know.
01:27:46I don't know.
01:27:47I don't know.
01:27:48I don't know.
01:27:49I don't know.
01:27:50I don't know.
01:27:51I don't know.
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