Torchy Blane in Panama. Torchy Blane #5. (1938 film)

deaddogsdam

Torchy, Steve, and Gahagan are on the trail of a bank robber aboard an ocean liner traveling from New York to L.A. via the Panama Canal.  Lola Lane - Torchy Blane Paul Kelly - Steve McBride Tom Kennedy - Gahagan Anthony Averill - Stan Crafton Larry Williams - Bill Canby Betty Compson - Kitty Hugh O'Connell - Skinner Jimmy Conlin - Botkin (as James Conlon) Joe Cunningham - Maxie Frank Shannon - Captain McTavish Eric Stanley - Captain McDonald John Ridgely - Reynolds (as John Ridgeley) George Guhl - Desk Sergeant Graves George Regas - Gomez Jack Mower - Ship's Officer James Nolan - Ship's Officer Nelson John Harron - Aviator Art Baker - Assistant Bank Manager Edward Biby - Ship Passenger Nina Campana - Spanish Woman James Carlisle - Club Patron Loia Cheaney - Stewardess Harvey Clark - Higgins, Royal Tomcat Gino Corrado - Club Patron Margot D'Use - Cuban Girl Anna Demetrio - Fat Woman Jack A. Goodrich - Attendant Sol Gorss - First Cab Driver Eddie Graham - Bartender Al Herman - Ticket Steward Frank Jaquet - Second Leopard Mike Lally - Ship Passenger Carole Landis - Miss Leopard 1938 George Lloyd - Joe Allen Mathews - Second Cab Driver Carmelita Meek - Spanish Woman Frank Orth - First Leopard Paul Panzer - Hotel Clerk Nina Quartero - Cuban Dancer Fred Rapport - Club Patron Sam Rice - Ship Passenger Rita Rozelle - Check Girl Bert Stevens - Ship Passenger Leo White - Proprietor Tom Wilson - Brother Rayne Jack Wise - Steward  Director - William Clemens

Transcript

00:00The End

00:30The End

01:00The End

01:30The End

01:59The End

02:29The End

02:59Thanks Steve

03:00Yeah

03:02Have the coroner meet me at the Haywood National Bank right away

03:04All right boys

03:22Wait a minute

03:24Wait a minute

03:24Where are you calling?

03:26He walked directly over to the first teller's cage

03:28He pointed a gun

03:29And he ordered Martin to hand over the cash

03:31Well, poor Martin tripped the burglar alarm

03:33Bandit shot him

03:34Then he scooped the money into his satchel

03:36Back toward the door

03:37Firing as he left

03:38And he had to pick a time like this

03:41One little parade I get to march in in a whole year

03:44And some guy's gotta come along and spoil it all

03:46By holding up a bank

03:47Oh, forget it, Gathagon

03:49How much money did you get?

03:50Ninety thousand dollars

03:51All the new bills

03:52Have you got the serial numbers of those bills?

03:55Yes, they're all double M series

03:57Starting with 7-3-triple-o-1

04:00Wait a minute, you can't go in there, lady

04:11There's been a holdup and a murder, too

04:13You're wrong, boys

04:14Holdups and murders are my meat

04:15Here's the open sesame

04:16The swings wide all portals

04:17My press card

04:17Torchy Blaine to the star

04:18How much did they get

04:29And who got killed?

04:31Now, how did you get here?

04:32Never mind that

04:32Give me that story

04:33I'll give it to you, Torchy

04:34A lone bandit stuck up the bank

04:36Killed a teller

04:37And got away with ninety thousand bucks

04:39Thanks, Bill

04:39That's why I do

04:40I wouldn't hurry about calling it in, Torchy

04:46You see, the express has been on the streets

04:48With this story for ten minutes

04:49So you're playing exclusive with the express, eh, Skipper?

04:54I'm not playing anything

04:55I'm trying to solve a crime

04:56Now, will you go away and don't bother me?

04:58All right, I'll go

05:00Anybody see what kind of a car this guy was driving?

05:04I did, Chief

05:05It was an Atlas sedan

05:06All right, what's the license number?

05:10I knew there was something I was trying to do

05:12When that guy was making his getaway

05:13I was thinking at the time

05:15Go on, you never thought in your whole life

05:17Is this the cage he stuck up?

05:21No, it was this one over here, ma'am

05:23Well, I guess I've got all the dope

05:48Our only clue is the money

05:49It'll be turning up

05:50A skipper

05:51Now, listen, Torchy

05:53I told you not to bother me

05:54But I've got something

05:55Yeah, I know

05:55You've got scoop

05:56Well, you had it coming to you

05:57Well, if you won't listen, you won't listen

05:58But you'll be hearing from me, Stevie

06:00In headlines

06:01Listen, Chief

06:04If you think you can spare me

06:06I guess me and the boys

06:06We'll be getting back to the parade

06:07We'll probably have to run a foot race now

06:10To catch up with them

06:10Oh, I guess I can spare you

06:12Thanks, Chief

06:13Mr. Square Deal in person

06:32Hello, Campy

06:33Hi, Captain

06:34Sergeant said you wanted to see me

06:36Said you were fit to be tied

06:37And why shouldn't I be fit to be tied?

06:39Have you seen the latest edition of the Star?

06:43Well, well

06:50Is that all you've got to say?

06:52I thought you were through

06:53Tipping off Torchy Blaine to special angle

06:54Now, listen, Cap

06:55I'll give you my word

06:56I didn't give Torchy a thing

06:57Canberra was there

06:58And heard every word I said to him

06:59Then where'd she get the dope

07:00About this lodge pen

07:01It's been picked up

07:01In front of the telescope

07:02She got me there

07:03I never saw any lodge pen

07:05It's your own fault, Skipper

07:06I tried to tell you about the pen

07:08As soon as I found it

07:09But you were so full of

07:09Righteous indignation or something

07:10You told me to go

07:11Remember?

07:12Now, look, Torchy

07:13One of these days

07:14I'm going to toss you in the cooler

07:15For obstructing justice

07:16Where's that pen?

07:18Right here

07:19The owner's name's there, too

07:21If you'll notice

07:21T.C. Kimball, Los Angeles

07:24Oh, maybe I got something here, Torchy

07:26I'll dig up this guy, Kimball

07:27And find out how I came to drop this pen

07:29You'll have to dig pretty deep, Stevie

07:30Kimball's been dead for three years

07:31Dead?

07:32Mm-hmm

07:33So I checked with the Los Angeles delegation

07:34Kimball was the royal tomcat

07:36Of the Los Angeles lair

07:37Before he died

07:37Then how could he kill a guy?

07:40He couldn't

07:40So where does this get us?

07:42Where does

07:43Well, it doesn't get us very far, does it?

07:46No, I'll say it doesn't

07:47Gentlemen, I'm sorry

07:49And here I thought I had a clue

07:51And plastered it all over the front page

07:53Boy, wait till I smack down this story of yours

07:56Oh, Billy

07:56You wouldn't do that to a poor defenseless woman, would you?

07:59Oh, wouldn't I?

08:00Just wait till I get to a typewriter

08:01If you ask me, Miss Blaine

08:04It serves you right

08:05Maybe you'll cooperate with the other papers in the future

08:08Instead of trying to scoop them all the time

08:10Sorry I accused you of helping her, Steve

08:12Oh, that's all right, Jeff

08:14Well, news hound

08:15You got your ears pinned back, didn't you?

08:19Steve McBride

08:20Sometimes I wonder why I'm crazy enough

08:22To think of you and me

08:23In a cottage in Jersey

08:23All in the same day

08:24Why, you're so dumb

08:26That all our kids, if we had any

08:27Would probably turn out to be morons

08:29Now what are you driving at?

08:31Plenty

08:31Only I wasn't fat enough to spill everything I knew

08:33In front of the opposition

08:34Well, do you want to listen

08:36Or do I saw this murder single-handed?

08:38Shoot

08:39Okay

08:40Now let's get back to Mr. Kimball of Los Angeles

08:42He died three years ago

08:44But yet his leopard pin turns up today in New York

08:46In front of the cage of a bank teller

08:48Who was killed by a hold-up artist

08:49Add that up

08:50Who brought that pin back from Los Angeles to New York?

08:53Kimball's ghost?

08:54Touchy all right

08:55Somebody brought that pin here

08:56But who?

08:57Well, I haven't the slightest idea

08:59But I do know this

09:00Crooks follow big conventions, right?

09:02Uh-huh

09:03Okay

09:03Now just suppose that pin was stolen from Kimball

09:06Before he died three years ago

09:07And suppose the crook with the pin still in his possession

09:10Comes to the convention

09:11Hoping to pull a few jobs

09:12Like robbing hotel rooms and such

09:13Sounds like a lot of supposing

09:15But go on

09:15Well

09:16When he gets here

09:17It dawns on him

09:19That in the confusion of the leopard's parade

09:20The Hayward National Bank would be a soft touch

09:22So he pulls a job

09:24Aw, Torchy

09:25I like to listen to you

09:26But it all winds up no place

09:27Now supposing you're right

09:28We still don't know who the guy is

09:30You can find out who he is

09:31How?

09:32Well, I've supposed that all out too

09:34Now suppose you had $90,000 in hot money

09:37You'd pass it where it wasn't hot, wouldn't you?

09:39Naturally

09:39Well, that's where the leopard's convention comes in

09:42The Los Angeles delegation is going back by way of Panama

09:44Does that mean anything to you?

09:46Yeah

09:47It means they'll have a wonderful time

09:48Torchy, you've been working too hard lately

09:50You're getting so's your dream standing up

09:53Better catch up on your sleep

09:54Steve McBride

09:56Are you so dumb that you can't see

09:58That Panama was just made to order

10:00For the killer to pass out hot money?

10:01I'm just dumb enough not to fall for a story

10:03You've supposed right out of thin air

10:05Now suppose you run along

10:07And let me do some thinking

10:08With what?

10:09A penny for your thoughts right now

10:10Torchy, you're a swell girl

10:12And I'm gonna take you to lunch tomorrow

10:14If you'll just get out of here

10:15Oh, Skipper, you are sweet

10:17Maybe I was dreaming on my feet

10:20Lunch tomorrow?

10:22Uh-huh

10:23Steak

10:24All right, steak

10:26Okay, I'll see you at 12

10:28Here, you do the other side

10:30That's a fine way to leave me

10:32Yeah

10:41Send Gahagan in here right away

10:43You want me, Chief?

10:49Yeah

10:49Make a reservation for me

10:51On that boat that's leaving for Panama

10:52Tomorrow at noon

10:53You know, they're when those

10:54Los Angeles leopards are going on

10:56Panama

10:56Beautiful senoresis

10:59Rumba music

11:00Oh, listen, Chief

11:02You're gonna need me

11:04If it's got anything to do with the lodge

11:05You ain't even a leopard

11:07And I'm a royal tomcat

11:09Okay

11:10Make it for two

11:11Boy, oh boy

11:13In Panama

11:13Beautiful senoresis

11:15Make that free reservation

11:16Si, senor

11:17Oh, wait a minute

11:18You can go

11:18Don't be silly, Steve

11:19I've been hoping something would break

11:21That'd take me away from this burke

11:22For a long while

11:22This is it

11:23Hello, give me the city desk

11:25Baby, you are marvelous

11:35Not you, not you

11:51No exterior motors

11:52Cut out the palaver

11:53And show the man your ticket

11:54Oh, yeah

11:55Okay

11:57Who went to Panama with him?

12:18Who went with him?

12:19You see, those two went with him

12:21Two?

12:22Who were they?

12:23Yeah, who were they?

12:24Let's see

12:25I don't remember

12:26Gahagan

12:27Never mind, Gahagan

12:28Who was the other one?

12:29Yeah, who was the other one?

12:31It was

12:32Funny, I can't remember

12:36Well, what about that memory course you studied?

12:38Go on, use it

12:39That's it

12:40That never fails

12:41I'll run the alphabet

12:42A is for August

12:46C is for E

12:49No, it ain't no good

12:53Oh, it can't be

12:54That's who it was

12:55Can be

12:56Can be?

12:57What a dirty, double-crossing hypocrite

12:58Who, Captain McTavish?

13:00No, Cleopatra

13:01Cleopatra?

13:03Say, you're kidding me, ain't you?

13:04That dame's been dead for years

13:06But the whole idea's too preposterous

13:10Even if I didn't like you

13:11I wouldn't let you do it

13:12But you got to

13:13Don't you understand, Maxie?

13:14Steve McBride's got can be with him

13:15I gotta get on that boat

13:16You're mad

13:17You bet I'm mad

13:18And nothing's gonna pacify me

13:20Till I get that story

13:21I give you my word

13:22If you don't let me go

13:23I'll give up newspaper work

13:24I guess you mean it

13:25You sure have a lot of nerve

13:27Nerve my eye

13:28I'm so scared

13:28When I think what I'm gonna do

13:29I get goose pimples

13:30Then why do it?

13:31Cause I got ink in my blood

13:32Torchy, would you be sensible?

13:34You never jumped

13:34In a parachute in your life

13:35How do you know

13:36You can do it without practice?

13:37How are you gonna practice?

13:38You either jump or don't jump

13:39All right, all right

13:41Get me, Harris

13:42Well, let me send you

13:43In the amphibian

13:44Then if they don't pick you up

13:45You won't have to walk back

13:46But I tell you

13:47If they see an amphibian

13:47They won't pick me up

13:48Get me a common, ordinary aeroplane

13:50Well, I'm doing this

13:52Against my better judgment

13:53Hello, Harris

13:54Have a plane ready to hop off

13:55In a half hour

13:56Thanks, Maxie

13:57Yes, Torchy Blaine

13:58Is going for a boat ride

13:59Go ahead

14:24Now?

14:29Yeah

14:29That's funny

14:35A land plane

14:35Out over the ocean

14:36Yeah, right, Trayton

14:37It's awfully far

14:45You're not afraid, are you?

14:47No, but what if I miss the ship?

14:49You don't expect to hit it, do you?

14:51Well, then I'll get my clothes all wet

14:53So what?

14:54You can get dry ones down there

14:55Where?

14:56In Davy Jones' locker?

14:58Go on, jump

14:59Be sure to count ten

15:01It's a good place to be doing stunts

15:17Right in the middle of the ocean

15:19Looks like a woman

15:26Parachute jumper off port bow

15:35Reverse your engine

15:36Stand by for rescue

15:47See, Steve

16:00Oh

16:01Torchy

16:11Torchy, Torchy Blaine

16:12Who'd you think it was?

16:13Torchy Song?

16:15Boy, oh boy

16:15I ought to be on the radio

16:16Now, wouldn't you know

16:18She'd be smart enough

16:18To jump out of a plane

16:19Knowing the ship

16:20Would have to stop

16:20And pick her up

16:21Where you going, Chief?

16:23It's a tornado

16:24Gonna hit this ship

16:25In about a minute

16:25And I don't want to be around here

16:26Until the wind dies down

16:28Do you see a tornado?

16:41All the way, boys

16:42Hurry up

16:44My teeth are doing untap things

16:58I'm Nelson, Miss

17:04First officer

17:04How do you do, Mr. Nelson?

17:06I'm Torchy Blaine of the Star

17:07I hope I didn't trouble you

17:08But I just had to make your boat

17:10Then you didn't fall from the plane?

17:12No, I jumped

17:13This is very irregular, Miss

17:14I'll have to take you to the captain

17:16Well, that's fine

17:17I want to meet the captain

17:18But do you mind waiting

17:19Just a minute

17:20I see somebody I know

17:21Gahagan

17:23Hello, Torchy

17:26Well, if it isn't Miss Blaine of the Star

17:28And all wet, too

17:29Just like most of her stories

17:30The name is Canby, isn't it?

17:32You're a journalist, as I remember it

17:33Although I can't recall the name of the weekly you worked on

17:35Or is it a trade paper?

17:37Oh, I'm stopped

17:38Where's Steve?

17:39Why, he left

17:40When?

17:42Said something about a tornado

17:43Gonna hit the ship

17:44And look, there ain't a cloud in the sky

17:47What's the number of his stateroom?

17:49Stateroom?

17:50Uh, oh, the stateroom

17:51Come on, Gahagan

17:52Quit stalling, give

17:53Well, uh

17:55It's number 72

17:57But don't tell Steve

17:58I gave it to you

17:59All right, I won't

18:00Mr. Nelson

18:01This is nice new coin of the realm

18:03It's even dry

18:04Which is more than I am

18:05Couldn't you see the captain for me

18:07And tell him that you picked up

18:08A paying passenger for Panama?

18:09Why, yes, Miss

18:10I think I could

18:11Oh, that's fine

18:12And could you tell whoever's in charge

18:14Of your dress shop

18:14To lay out a few snappy models

18:15Size 14

18:16All right, Miss

18:17I'll do that

18:18Gahagan

18:19Lead me to Stevie

18:20Oh, Torchy

18:22This is murder

18:23Not quite

18:23Just a little mayhem

18:24Lead on

18:25Yeah, but we can't do this

18:26You, you, you saw it

18:27Oh, hello, Torchy

18:33How did you get here?

18:34The stork brought me

18:35Start ducking

18:36Oh, now, wait a minute

18:37I'm giving you one more chance

18:38Start ducking

18:39Oh

18:41You thought you were fast enough

18:43To run away with my hypothesis

18:44Your what?

18:45My hypothesis

18:46Hypothetically, I saw that

18:48Hayward National Bank murder

18:49And hold up

18:49And you said I was dreaming

18:50On my feet

18:51Well, from now on

18:52I'm gonna dream to myself

18:53And when I tag the killer

18:53And said in my story

18:54Your name won't even be mentioned

18:55Boy, oh boy

19:10What a beautiful language

19:11Incantadora

19:13Lindissimo

19:14Now, why don't you throw that thing away

19:16Yeah, why don't you

19:17Mumbling of yours

19:18Begin to get in my hair

19:20Oh, Chief

19:20I don't get to Panama every day

19:22And I wanna be able to get around

19:23Hey, look, Higgins

19:24If you'll throw that thing away

19:26I'll write you out

19:26A little Spanish expression

19:27That'll slay the dame

19:28Then you won't have to bother

19:29Then you won't have to bother

19:29Learning all those words

19:30Honest, would you do that for me?

19:32Sure, I will

19:32Now, anytime you want to impress a dame

19:35Just show her this

19:36You're a swell guy

19:38Oh, boy

19:41Usted tiene la cara de chiva

19:45Pretty, ain't it?

19:50Hey, Steve, look

19:51Miss America of the fourth estate

19:54Hey, looking at her now

19:55I could almost forget

19:55She's a reporter

19:56Hey, that's my girl

19:58You're talking about

19:58Huh?

19:59Oh, so it is

20:00So it is

20:00Excuse me

20:01Hiya, Torchy

20:03Gee, you look like a million

20:05Why, thank you, Mr. McBride

20:06Sit down and join us, Torchy

20:07I was just telling Steve

20:08Nobody dreamed you were a news hound

20:10And that get-up

20:10Thank you, Mr. Canby

20:12I could say the same for you

20:12In any get-up

20:13The reverse is true of you, Mr. McBride

20:16You positively reek of flat-foot

20:17Since you've been away

20:18From my refining feminine influences

20:19Well, aren't you gonna sit down?

20:22No, thank you, Mr. McBride

20:23If I sit with you

20:23I might as well wear a badge

20:24I'm working alone

20:25Come, Royal Tomcat Gahagan

20:27Let us mingle with the Lodge brothers

20:29Right

20:29Now, aren't you glad you brought me along?

20:45Say, say

20:46Ain't you the lady

20:47That made the parachute jump this afternoon?

20:49I made the jump, all right

20:50But I'll debate that lady

20:51Part with you on the shuffleboard deck at dawn

20:52Choose your own weapons

20:53I'd say you're all right

20:55I'll say she is

20:56She's my pal

20:57Boys don't want you to meet

20:58Torchy Blaine of the New York Star

21:00She just dropped in on you

21:01To cover your trip back

21:02She's a swell gal

21:03And she thinks us leopards

21:05Is the cats

21:05Boy, oh boy

21:07Am I getting clever

21:08Hey, I'm pleased to meet you, Miss Blaine

21:11My name is Skinner

21:12Royal Custodian of Tommy Hollywood

21:14He's our mascot

21:15How do you do?

21:17Say, let's keep this up

21:17We're liable to hit the jackpot

21:19I'm Brother Botkin

21:20I'm the alternate custodian

21:22How do you do, Brother Botkin?

21:24I'm all right

21:24Well, that's fine

21:25Well, what'll we do now?

21:28I'll buy a drink

21:29Come on, let's all have a drink

21:31Wait a minute

21:32You know, I'm superstitious

21:33I never have a drink with a new acquaintance

21:34Until I see the color of his money

21:36Oh, I've got plenty of money

21:37Here, old Tommy and I'll show you

21:39I got a bag full of money

21:40Spending money

21:41Oh, new money

21:43Yeah, he likes a spender, too

21:45Come on, let's have a drink

21:46Okay, let's have a drink

21:47Hey, see, does Torchy belong to the ladies' auxiliary of the leopards by any chance?

21:51Oh, there you are

21:52Can't you see what she's doing?

21:54Before tonight's over, she'll get a peek at the bankroll of every guy in this place

21:57Boys, as Royal Tomcat of the Los Angeles Leopards

22:03I propose that we make Torchy Blaine Honorary Royal Tabacat for the rest of this trip

22:08What do you say?

22:09Yeah!

22:10All right, boys, let's play the leopard song

22:14When you hear the leopard say, me now

22:21It's a leopard's way of saying

22:23Howdy-do

22:24Howdy-do

22:25Howdy-do

22:26Howdy-do

22:28Oh, there's a leopard in the eye

22:30Who ramps his tail and howls

22:32Howdy-do

22:33Howdy-do

22:34Howdy-do

22:35Howdy-do

22:37A real love of leopards

22:39Howdy-do

22:41That's why a leopard's never blue

22:44Howdy-do

22:46You want to take a leopard's mouth and wag your tail and say, me now

22:50Meow, meow, meow, meow, meow

22:52Howdy-do

22:53Howdy-do

22:54Oh, that's swell. Will you do it again?

22:57Sure!

22:58Howdy-do

22:59Howdy-do

23:00Howdy-do

23:01When you hear a leopard say, me now is a leopard

23:04Well, I don't go away

23:11We'll be right back

23:12All right

23:13Come on, Colonel

23:13See you later, Colonel

23:15Boy, oh boy, what a night

23:18Well, I guess you met everybody personally, Torchy

23:20Yes, I guess I have

23:22Oh

23:22At least I feel like I have

23:24Oh, look

23:25Look, there's one we missed

23:26Come on

23:26Come on, introduce me

23:27Sure

23:28Come on, Kitty

23:29Hiya, brother

23:33I want you to meet the honorary royal tabby cat

23:36The Los Angeles flair

23:36Torchy Blaine

23:37This is brother

23:38What is your name, brother?

23:40Crafton

23:40Stanley Crafton

23:42Howdy-do

23:42Glad to meet you, brother, Grafter

23:44Cahagan's my name

23:45Royal Tomcat, New Rochelle

23:47660

23:47This is a pleasure, brother Crafton

23:52I'm just saying to brother Cahagan

23:53That I'd had a drink with everybody here but you

23:55You aren't going to break the chain, are you?

23:57Why, certainly not

23:58What'll it be?

23:59A daiquiri

24:00A daiquiri for Miss Blaine

24:01Oh, just a minute

24:02I'm superstitious

24:03Gotta see the color of your money

24:04The color of my...

24:05Oh, sure

24:06You know, new acquaintance

24:08Here, have a look

24:09There you are

24:12All new and crisp

24:13Ooh

24:14New money has such a fascination for me

24:17You know, I like to hear it crackle

24:20Now, you take an old bill, Francis

24:21It always reminds me of a dishrag

24:23Girl, as pretty as you are

24:25Out to be reminded of a dishrag ever

24:27Go Wagerhagen

24:30I've just found a man

24:31Who knows how to talk to a woman

24:32Oh, okay, Torchy

24:33But, uh

24:34Would you excuse us for a minute?

24:37Could I talk to you alone?

24:38Sure

24:38Pardon me, but I'll be right back

24:41Certainly, Miss Blaine

24:42Listen, Torchy

24:45That guy ain't to be trusted

24:47No?

24:48No, he ain't even a leopard

24:49How do you know?

24:50Well, I give him a grip on his shook hands

24:52And he give me nothing back

24:53Absolutely nothing

24:54You're a smart man, Gahagan

24:56Now, you run along

24:57Leave crafting to me

24:58And listen

24:59Don't you tell anybody about this

25:01Not even Steve

25:01Promise?

25:02I promise

25:03On your honor as a leopard?

25:05On my honor as a leopard

25:06Swear

25:07What's the matter?

25:14Didn't your boyfriend want to leave?

25:16My boyfriend?

25:19He's not my boyfriend

25:20He just sort of appointed himself

25:23My watchdog for the trip

25:24That's all

25:25Cigarette?

25:26No, thanks

25:27Tell me more about Los Angeles, Mr. Crafty

25:30You are from Los Angeles, aren't you?

25:31Yes, that's my home

25:32Did you ever know a leopard there

25:34By the name of T.C. Kimball?

25:37Kimball?

25:38I don't believe I ever did

25:40Is he a friend of yours?

25:41Oh, no

25:42No, I never met him

25:43Some people I know

25:44Ask me to look him up

25:45That's all

25:45Well, here's the crime

25:47I wonder how long

25:50She's going to keep this up

25:51I'm sleepy

25:52Don't tell me you're going to stay up

25:54Until Torchy turns in

25:56I am if I have to sit here all night

25:58Maybe you'll have to

26:00Look

26:00I'll show you the sights

26:03Every place we stop

26:03I've made this trip many times

26:05That'll be heavenly, Mr. Crafton

26:06You can start tonight

26:08There must be a moon, don't you think?

26:09Well, if there isn't

26:10I'll speak to the captain

26:11She can't do this to me

26:13Oh, forget it, Steve

26:14Maybe she's got something

26:15It's just the trouble

26:16She has

26:17And that guy knows it

26:18Oh, I just knew there'd be a moon

26:19Do you like the moon, too, kitty cat?

26:22I knew you would

26:23You know, for a newspaper woman

26:26Who's supposed to be hard-boiled

26:27You're easily impressed

26:29Maybe it's because

26:30I'm not used to this

26:31You know, a girl does get fed up

26:32On three alarm fires

26:33Stick up some murders

26:34I can imagine

26:36Oh, here you are

26:38We've been looking all over for you

26:40Yeah, deserted us

26:41That's what you did

26:42Ran away from us loyal lepers

26:44Oh, I came up for some fresh air

26:46Oh, we got lots of fresh air

26:48At the bar

26:48In Salsa bottles

26:49Oh, here goes again

26:51Come on now

26:53The boys will get mad at you

26:55Oh, all right

26:55Here, here, you take care of Tommy

26:57Like a good little boy

26:58And I'll be right back

26:59Fine now

27:00Yeah, you take care of Tommy

27:02Your take care of Tommy

27:03Oh, see the boys are in there

27:05Yes, please

27:06Come on

27:07Oh, my God.

27:37Oh, my God.

28:07You didn't like, didn't you?

28:10You asked me to.

28:11Well, here's your little pet.

28:13I took good care of him for you.

28:14He's a cute little rascal, isn't he?

28:16Although he's kind of a nuisance to carry around.

28:19I wonder if he can swim.

28:21Oh, I'm afraid he couldn't.

28:23Good.

28:23Then I'll give him a decent burial at sea.

28:25I'm fed up with leopards.

28:26I wouldn't do that if I were you.

28:29Why, the Lodge Brothers had missed their mascot.

28:30They'd be lost without him.

28:31I'm tired of Lodge Brothers.

28:33They bore me.

28:37I missed.

28:37Poor Tommy might have fallen in the ocean and got all wet.

28:47You saved him.

28:49I don't know how relieved I am.

28:50Oh, so you're the guy that left him out on the limb, eh?

28:53Here, Mr. Blaine.

28:55You keep Tommy and keep him out of danger.

28:58Don't worry, boys.

28:59From now on, he'll never leave my side.

29:08What a day.

29:09What a day.

29:10Yeah, Hagen.

29:11Say, what is this?

29:12A disguise?

29:13What, the hat?

29:14Yeah.

29:15Say, don't you know the old saying?

29:16When you're in Havana, do as the Havanians do.

29:18Get it?

29:20Havana, Cuba, dark-eyed senorita.

29:22Never mind that dark-eyed senorita.

29:24I've got a job for you.

29:26You're going to stay all day at Sloppy Pete's watching the dough pass over the bar.

29:29Right.

29:30Duty first.

29:31That's me, Chief.

29:31Okay.

29:32I'll be right back.

29:36Hey.

29:37They allow women in this joint to run a bird dog, don't they?

29:40Oh, sure.

29:41Boy, oh, boy.

29:42I'll get a chance to try out my Spanish.

29:47Come in.

29:50Oh, it's you.

29:51Yeah.

29:52Lieutenant Steve McBride.

29:53The fellow's taken out three licenses to make you his missus and hasn't gotten around

29:56to using anything.

29:58Remember me?

30:00Hey, where'd you get that out there?

30:02Oh, just a little ensemble I picked up in the ship's dress shop.

30:04Like them?

30:05Oh, I guess they're all right.

30:06Keep them on your bedroom.

30:08They're cocktail pajamas.

30:09The very latest.

30:10You mean you'd go out in those things?

30:12I certainly would.

30:12Not with me, you wouldn't.

30:14Looks like a sign in front of a barbershop.

30:16Besides, I don't like women who run around in night shirts in the daytime.

30:19Well, if you've done a little personal detecting, Stevie Weavey, you'll notice that I haven't asked you to escort me anyplace this trip.

30:24Yeah, I've noticed that.

30:26That's what I want to talk to you about.

30:28Now, look, Torchy.

30:29This thingy-old working solo trying to spot a killer has done far enough.

30:32What's the matter, Stevie?

30:33Do you need help?

30:33No, I don't need help.

30:36I see you're throwing yourself at guys like you did last night.

30:38Skipper, darling.

30:39You're jealous.

30:40No, it ain't that.

30:41Don't do that.

30:43Now, look, Torchy.

30:44You're going to show it with me today.

30:45I don't want you out of my sight.

30:46Sorry, Skipper, but I've got a date for a pound.

30:48Oh, with that guy you were playing up to last night?

30:50Mm-hmm.

30:51Got anything on him?

30:52Still a detective, aren't you?

30:54Nope, no more than you have.

30:55He's just a loyal leopard from Los Angeles who has a fresh bundle of currency he's aching to spend.

30:59So far, none of it's been hot money.

31:00Now, if you'll get out of here, I'll take off these pajamas you hate so much and prepare for a glorious Cuban adventure.

31:04All right, I'll go.

31:06But I'll be keeping an eye on you.

31:07See you in Havana.

31:08Hasta la vista.

31:09Oh, you and Gahagan.

31:30Hey, get a load of this.

31:50Well, I've lived to see everything.

32:21Come on, I've got work to do.

32:23Well, that's that.

32:42It's not an M.M. series in the whole lot.

32:44I guess that the guy is on the boat.

32:45He's saving it all for Panama.

32:46Now, maybe Torchy really dreamed you into this trip.

32:49Hot dough has been peddled right in New York, you know.

32:50Oh, I know.

32:51But the way Torchy told it, it sounded like the McCoy.

32:53You should have searched everybody getting off the boat when we docked.

32:56How do you know he won't peddle that dough right here in Havana?

32:57Oh, not a chance.

32:59He may try to peddle a few bucks, but a big chunk of dough like that, he'd have the local cops on him in a minute.

33:03Now, his one spot is Panama, where the guy that buys it can find a market in South America.

33:08Well, anyhow, it was a nice trip, even if nothing comes of it.

33:10Now, get in touch with me on the boat if any of that hot money shows up after I'm gone.

33:14Si, senor, and you'll have to mess it up.

33:15Oh, save that si, senor stuff.

33:18I remember you when you used to drive a hike in New York.

33:20And I know why you left the States.

33:22If any of that hot money does show up, you don't let me know.

33:25I'll come down here and take you back for a nice five-year trip.

33:27Okay, si, I'll let you know.

33:29It's better.

33:32Gee, baby, but you're swell.

33:34Perdón, no comprendo.

33:37Oh, no, I forgot.

33:38I've got to talk Spanish.

33:39Uh, ¿usted me gusta mucho?

33:44Tu me gustas también.

33:48Uh, tu eres lindísima.

33:52Oh, querido.

33:54Oh, boy, oh, boy, oh, boy, oh, boy, doing all right.

33:57Wait a minute, baby.

33:58That's up in here.

34:00This is what I think of you.

34:04Oh, yo tengo caras de chiva, eh?

34:07Oh, chido.

34:10I wonder what's eaten hard.

34:22Hey, listen, don't.

34:23Listen.

34:25You know, I never did you no wrong in my whole life.

34:27Huh?

34:27What's the matter?

34:28What are you talking about?

34:28This card.

34:30The first dame I show her, doul smacks me right in the kisser.

34:33Now, what does this writing mean?

34:34Maybe the dame who smacked you didn't read it right.

34:38Yeah, maybe.

34:40Now, look, you give me the card.

34:42I'll try it out on her.

34:43Well, it seemed to work all right for me.

34:57The lady said, sí.

34:58That means yes.

34:59Well, what do you want him to say?

35:00No.

35:02I guess the girl I showed her to just didn't like me personality.

35:05I'll try it again.

35:12You go for all this, don't you?

35:14It's grand.

35:16I can't believe it's going to last until we get cleared to Los Angeles.

35:18It isn't for me.

35:21What do you mean?

35:22I have to stop over in Cologne on business.

35:25Oh, that's a shame.

35:26But I'm only stopping between boats.

35:28I'll be in Los Angeles a few days after you're there.

35:30We can see each other then, can't we?

35:32Well, yes, I love it.

35:36Swell.

35:37And after I finish the deal, we'll take Hollywood apart and see what makes it tick.

35:41He's real, too.

35:43Sure, sure, he can fight, too.

35:46A dog.

35:47Yeah, yeah, and look, look.

35:48He had counsels, too, okay?

35:50But we had him taken out.

35:52No.

35:52Yeah.

35:53Aw.

35:55What's the matter?

35:57I, uh, nothing, nothing at all.

36:02You, uh, you gave him to the lorries, no?

36:04You can have anything I got, baby.

36:06But remember, we got a date tonight.

36:07And you're going to bring your sister along.

36:09Don't forget that.

36:10Si, si, I will not forget.

36:12You will love my sister.

36:13She is more beautiful than me.

36:16Yeah?

36:16Well, then she must be a pimp.

36:18Come on, Barkin.

36:19Now, remember, we're going to see you later tonight.

36:20And in the meantime, they could get in the guinea.

36:23Hey, hey, hey.

36:23Well, that's not just a little secret.

36:25Well, Mr. Crafton, as much as I hate it, there's business to be done.

36:29I'm a hard-working gal of the press, and I've got to find the local newspaper office,

36:32and I've got a story in pilot.

36:34I won't be more than an hour for Hibstead and waiting.

36:36Promise you won't be more than an hour?

36:37I promise.

36:38I'll see you then.

36:39I want this leopard.

36:48You cannot have him.

36:49He was given to me.

36:51But for 50 bucks, you would give him to me, eh, senorita?

36:54For 50 bucks, senor, I would go to the jungle and shoot 50 real cats for you.

36:59Thanks.

37:00I thought we could do business.

37:01I had a call.

37:05431, please.

37:09531, please.

37:39531, please.

37:40531, please.

37:41531, please.

37:42531, please.

37:43531, please.

37:44631, please.

37:45631, please.

37:46631, please.

37:47631, please.

37:48631, please.

37:49631, please.

37:50731, please.

37:51731, please.

37:52731, please.

37:53731, please.

37:54731, please.

37:55731, please.

37:56731, please.

37:57831, please.

37:58831, please.

37:59831, please.

38:00831, please.

38:01831, please.

38:02831, please.

38:03831, please.

38:04831, please.

38:05831, please.

38:06831, please.

38:07831, please.

38:08Don't you find anything?

38:10Not a thing.

38:11I didn't think you would.

38:12It's silly to search this place.

38:13You could have saved yourself a lot of trouble

38:15by checking the passenger list.

38:16I got a line on everybody leaving the boat,

38:18and your boyfriend's going straight through to Los Angeles.

38:20He is?

38:21Oh, wasn't that silly of me not to check the passenger list?

38:24Yeah.

38:25You know, Torchy, someday you're going to learn

38:26to stick to writing pieces for the paper

38:28and leave detecting to us detectives.

38:30Yeah, I bet I will at that.

38:32Well, shall we go before an innocent citizen of Los Angeles

38:39barges in and starts asking embarrassing questions?

38:41You're improving.

38:58I've asked all passengers disembarking at Christabel

39:01to come here so that I might explain to them

39:04why they're being subjected to a personal search.

39:07Lieutenant McBride has reason to believe

39:10that a fugitive murderer

39:13who escaped with a large sum of money is aboard

39:16and is planning to leave ship in Panama.

39:19To make sure this criminal has no accomplice aboard,

39:23it will be necessary to search the women too.

39:26You will be subjected to as little inconvenience as possible.

39:30We land in two hours.

39:32You may proceed with the search, Lieutenant.

39:35Thanks, Captain.

39:36Stewardess, will you take these ladies into the next cabin

39:38and search them, please?

39:39Yes.

39:40Come this way, please.

39:41Oh, oh, lady.

39:43Do you read Spanish?

39:45Oh, si, senor.

39:46Usted habla espanol?

39:47Oh, si.

39:48Could you tell me what the writing is on this card?

39:51Deja me ver.

39:52Oh, tu me llamas a mi una chiva?

39:55Tu eres un alefante, mira.

39:57Miss B.

39:58Oh, que viejo que te voy a matar en un momento.

40:00Now, listen, Billy.

40:01There's something screwy about the writing on this card.

40:03Now, what is it?

40:04Oh, come on.

40:05Come on.

40:06Cut out the clowning.

40:07We've got people to search.

40:08Now, go on.

40:09Get to work.

40:10All right.

40:11You stand up there.

40:12While I'm searching,

40:13why don't you throw those pajamas in the drink

40:14and give the sharks a nightmare?

40:15But I like these pajamas.

40:16You must.

40:17You'll wear them night and day.

40:18All right.

40:19I'll start with you.

40:31Why, Mr. Crafton.

40:32I didn't expect to find you here.

40:33Hello, Miss Blaine.

40:34Sit down.

40:35Were you disappointed in finding me?

40:37Why, no.

40:38Only you said you were getting off at Kellon.

40:40My steward told me they were searching everybody getting off there

40:42for a murderer.

40:43And I'm the murderer.

40:44Oh, of course not.

40:47Only I'm surprised not to find you among those being searched.

40:50Well, I have a little surprise for you.

40:51Half an hour ago, I received a wireless message.

40:54And all my plans are changed.

40:55I'm going straight through to Los Angeles.

40:57No.

40:58Mm-hmm.

40:59Shall we drink to my good luck and the rest of the trip?

41:01Why, sure.

41:03A daiquiri, Charlie.

41:08What's all the whistling about?

41:09I believe we're entering the harbor.

41:11You mean Marillion, Panama?

41:12Almost.

41:13Well, come on.

41:14Let's watch them dock.

41:15I'd rather not, if you don't mind.

41:16I've docked her many times.

41:17Well, all right.

41:18If you don't want to go, stay here with you.

41:20Oh, please don't.

41:21The harbor's quite a sight at night.

41:22I'm sure you'll enjoy it.

41:23You go ahead.

41:24I'll wait for you.

41:25Well, all right.

41:26Well, I won't be long.

41:28Good evening, Sparks.

41:29Good evening, Miss Blaine.

41:30Any news for me?

41:31No, Mr. Canby hasn't filed that story yet.

41:33Hmm.

41:34That means Steve didn't find anything.

41:35So I gathered from the stewardess who helped conduct the search.

41:36Well, thanks anyway.

41:37Oh, here.

41:38I want to add something to the toy fund for the kiddies.

41:3950 bucks?

41:40Good evening, Sparks.

41:50Good evening, Miss Blaine.

41:51Any news for me?

41:52No, Mr. Canby hasn't filed that story yet.

41:55That means Steve didn't find anything.

41:56So I gathered from the stewardess who helped conduct the search.

41:59Well, thanks anyway.

42:01Oh, here.

42:03I want to add something to the toy fund for the kitties.

42:05Fifty bucks?

42:07But I ain't got no kitties, Miss Blaine.

42:09I ain't even married.

42:10Well, start a toy fund for the kitties you're going to have when you do get married.

42:13Don't worry about the money.

42:14My newspaper allows me a swindle sheet.

42:16Oh, thanks.

42:18Oh, by the way, Sparks,

42:20Mr. Crafton told me to ask you if there was a follow-up on that wireless he got this evening.

42:23Follow-up?

42:25Why, Mr. Crafton didn't receive any wireless, Miss Blaine.

42:27Are you sure?

42:28Positive.

42:29Thanks.

42:30Well, I'll be seeing you.

42:39Where's Mr. Crafton, Charlie?

42:44I don't know, Miss Blaine.

42:45He left here just a few minutes ago.

42:47Thanks.

42:48I don't know, Miss Blaine.

43:18Listen, Steve.

43:39Now go away.

43:40I'm busy.

43:41But you don't understand.

43:41I said go away.

43:42But you've got to listen to me, Steve.

43:44Has Crafton left the ship?

43:45No, he hasn't.

43:46Let me tell you something.

43:47Listening to you is what got me on this daffy trip in the first place.

43:50Now go away.

43:51All right.

43:52I'm gone.

43:53Now put some clothes on.

44:15Hello, Stan.

44:23Welcome to Panama.

44:25Good going, Joe.

44:29There's a New York flat foot on the boat.

44:30A new to the arranging лучше Yeah.

44:33Come.

44:51Boom.

44:53Come.

44:55Come.

44:56Come.

44:57Come.

44:57Come on.

45:27Come on.

45:57Come on.

46:11Four-year-old boys.

46:13So this is Panama.

46:16Hello, Cap.

46:18What's up?

46:19Blendy, it seems.

46:21Mr. Crafton and Miss Blaine are not aboard.

46:23What?

46:23Their staterooms were deserted this morning.

46:26Crafton's baggage is gone, too.

46:28The clothes Miss Blaine purchased on board are still in her room.

46:31The steward and stewardess reported to me.

46:34I've had the ship searched and found a rope attached to the boat deck rail.

46:40They must have lowered themselves to the dock at Christobel.

46:43Well, if Torchy's things are still in her stateroom, she's a sense to be aboard.

46:47She'd never leave clothes.

46:48Nevertheless, she has.

46:50She left me this note, too, in her stateroom.

46:53I can't understand it.

46:55I scarcely know Miss Blaine.

46:57Dear Skipper, I tried to tell you, but you brushed me off.

47:02The stuff is leaving the boat with the stuffed leopard.

47:06I'm going with it.

47:07Yeah.

47:08You're a stubborn, pig-headed fool, but I love you.

47:11If you want to get your man, come and get your woman.

47:13I'll be somewhere in Cologne.

47:14Torchy.

47:15Well, I'll be.

47:16Ah, that's just what I thought when I read it.

47:19Why should Miss Blaine call me names and tell me she loves me?

47:22Loves you?

47:23Look, Captain, this note ain't for you.

47:25It's for me.

47:26But I'm the Skipper, not you.

47:27Well, I'm the only Skipper Torchy knows, but I won't argue with you.

47:30Now, look, I've got to get off this ship right now.

47:32Hmm, I'm afraid there's no way of getting ashore till we dock at Balboa.

47:37Well, how long till we get there?

47:38Hmm, about three hours.

47:39Are you telling me I've got to stay on this tub three hours doing nothing

47:42while my Torchy's back there in Cologne chasing the killer?

47:45I won't stand for it.

47:46Nevertheless, that's just what you're going to do.

47:49You can fly back in 40 minutes if you'd like to charter a plane at Balboa.

47:55And let me remind you, Lieutenant, that my ship is no tub.

48:02What a door, what a door.

48:10Hey, Candy, just think, it holds back the whole ocean.

48:13No, only the top of it.

48:15Well, look, Hagen, there's that mule I told you was going to bring us up here.

48:18You mean that Toonerville trolley?

48:20Oh, it's not, isn't it?

48:33Oh, it's you.

48:40THE END

49:10THE END

49:40THE END

49:42THE END

49:46THE END

49:48THE END

49:50THE END

49:52THE END

49:54THE END

49:56THE END

49:58THE END

50:00THE END

50:02THE END

50:04THE END

50:06THE END

50:08THE END

50:10THE END

50:12THE END

50:14THE END

50:16THE END

50:18THE END

50:20THE END

50:22THE END

50:24THE END

50:26THE END

50:28THE END

50:30THE END

50:32THE END

50:34THE END

50:36THE END

50:38THE END

50:40THE END

50:42THE END

50:44Who is this woman?

50:45Is she of the police?

50:46No, she's just a snooping news house.

50:47Sit down.

50:49But our transaction, she knows about it?

50:51Yeah, I guess she does.

50:52However, I don't think she's gonna write the story.

50:54What are you gonna do about it?

50:55That's my worry.

50:56Let's get to the bank.

50:57You entertain her, Joe.

50:58Until we get back.

50:59Be sure that she stays here.

51:00Come on.

51:17I don't mean to be fresh, but do you know what Mr. Crafton had on his mind?

51:25Well, if he won't talk, then maybe you will.

51:27You do all the talking, dearie.

51:29You might as well while you can.

51:31Oh, I see.

51:32Talking is like the last meal a condemned man eats before he gets the chair.

51:36Listen, you.

51:37Quit gabbing about the hot seat.

51:38Oh, I'm sorry.

51:39I didn't know you were sensitive on the subject.

51:47First, we check the hotels.

51:48There can't be many of them.

51:49Then we'll prowl all the cafes.

51:51If we don't find it, we'll walk every street in town.

51:53You know, Chief, I've got a hunch fine and thought she's gonna be awfully tough.

51:59Like kicking a flea off a dog with a boxing glove or something.

52:03Cut out the cracks.

52:04This is serious.

52:06You know, you could do a favor for me if you would.

52:16What's that?

52:17I have a great desire to leave this jolly old veil of laughter and tears and dry clothes.

52:22Do you happen to have an extra dressing gown I can borrow or am I asking too much?

52:26I guess I could do that much for you.

52:28Thanks.

52:29I knew you had a kind heart.

52:34Are you sure you didn't have an American girl registered here last night?

52:37No, senor.

52:38We have no American girl here.

52:39Well, what about a guy named Crafton?

52:41Crafton?

52:42We have no Mr. Crafton here either.

52:44Well, that washes up the hotels.

52:46Oh, Chief, don't you think we ought to get one of those jacket...

52:49Those little half-pint mules to carry these bags?

52:52Is it all right if we leave our bags here till we come back?

52:55Oh, senor.

52:56Thanks.

52:57Sure.

52:58Well, now we start pounding the pavements.

52:59Well, that'll make you feel right at home, Steve.

53:01Now, look, Canby, this is no time for wisecracks.

53:03Don't get sore, Steve, after all you used to pound a beat.

53:18All right, kid, you can slip this on.

53:21Thanks.

53:23Well?

53:24Well, what?

53:25Well, you can hardly expect a lady to undress in front of a male audience, can you?

53:28I ain't moving.

53:29Go on now, Joe.

53:30Give her a break.

53:31You can wait right outside the door.

53:33Uh...

53:36All right.

53:45Listen, Chief, you know I ain't the kind of a guy that's always beefing,

53:48but my feet are killing me.

53:50Forget him.

53:51We've got to find Torchy.

53:52You can't forget him.

53:53There's too much of him.

53:54Oh, yeah.

53:55I wish you had him.

53:57Apple, senor.

53:58Fresh apple.

53:59Oh, you speak English?

54:00Si, si, senor.

54:01Poquito.

54:02Just a little bit.

54:03Well, look.

54:04Have you seen an American girl with dark hair running around in pajamas that are striped like a barber's pole?

54:09Si, si.

54:10I have seen her.

54:11Well, do you know where she is?

54:12Can you take us to her?

54:13No, I can't do that.

54:14Well, why not?

54:15She went away with the Marine on the first of the boat that went through the canal.

54:19That couldn't have been Torchy, not unless he started running around with the Marines awful young.

54:23Well, thanks, that's the same lady.

54:24You're welcome, senor.

54:25You want to buy apples?

54:27Say, I'm getting jittery.

54:28Stan's been gone too long.

54:30Not for me, he hasn't.

54:35You know, Chief, there's something romantic about this street.

54:37Makes me wish I'd learned to play the guitar.

54:41I can see myself now.

54:43Put one of them loud blankets over me shoulder, serenading some beautiful senor.

54:51Chief, look!

54:52What are you talking about?

54:53On the balcony.

54:54I don't see anybody.

54:56Them's Torchy's pants.

54:58Hey, you're right, Gahagan.

54:59There couldn't be two pair of pants as loud as that in one world.

55:02Come on.

55:07Come on.

55:18Can't we settle this thing without any violence?

55:20I can't see why I have to be the goat.

55:22I'm a hardworking American citizen.

55:24Ah, take it up with the League of Nations.

55:28You can't go! Help me!

55:32Nice going, Gahagan.

55:34Oh, Skipper.

55:36You don't know how glad I am to see you.

55:37That goes for me too, Torchy.

55:40Oh, is this the guy I'm looking for?

55:41No, Crafton's the man.

55:42He'll be back any minute.

55:43He just went down to the bank with the local fence.

55:45Gomez.

55:46Listen.

55:53Gahagan.

55:54Keep out of this, will you?

55:55You've caused me enough trouble for one day.

55:56I'll not a peep out of you.

55:58Get away from that door, you.

55:59Get over there.

56:00Come here, Crafton.

56:10Hold it.

56:12All right, Copper.

56:13Suppose you drop that gun of yours on the floor.

56:15You too, Flatfoot.

56:17Oh, me?

56:18Yes, you.

56:21Okay, McBride.

56:22You wouldn't want me to put a slug in your sweetheart's back, would you?

56:24Of course you wouldn't, Steve.

56:25Come on, Copper.

56:27Quit stalling.

56:28Yeah, quit stalling.

56:33No, you don't.

56:34Get back here.

56:35Get back here.

56:36Come on, get down here.

56:37Put them on him, Gahagan.

56:38Both of them.

56:39Nice work, Skipper.

56:40You really are the fastest thing on two feet.

56:42Thanks, Torchy.

56:43Now, where's that hot dog?

56:44Wouldn't you like to know?

56:45Sure he wouldn't.

56:46I'm just the gal that can show him.

56:47Boy, oh boy, what a story.

56:48Oh, no, you don't.

56:49Wait a minute, Billy.

56:50Before you go, there's something bothering me too.

56:51What do you mean?

56:52You sit down here.

56:53You'll find out.

56:55You understand Spanish?

56:56Sure.

56:57Why do you think I've been living in this hothouse country?

56:58I'm not inquiring about your private life.

57:00Stick out your mitts.

57:01Now, what does that mean?

57:02It certainly fits you, copper.

57:03It means you've got the face.

57:04You've got the face.

57:05You've got the face.

57:06Who do you?

57:07Who do you think?

57:08Who do you mean?

57:09You sit down here.

57:10You'll find out.

57:11You understand Spanish?

57:12Sure.

57:13Why do you think I've been living in this hothouse country?

57:14I'm not inquiring about your private life.

57:15Stick out your mitts.

57:17Now, what does that mean?

57:28It certainly fits you, copper.

57:30It means you've got the face of a nanny goat.

57:32Oh, it does, does it?

57:37Torchy, do you want to scoop this guy?

57:39I certainly do.

57:41Well, run along and file your story.

57:43I can't talk very fast, and it'll take at least an hour for me to tell this mug what I think of him.

57:47I'm a man of a very few thousand words.

57:50And don't forget the Spanish ones, too.

57:53Oh, yeah, and the Spanish ones, too.

58:00Listen, Torchy, aren't you ever going to throw those pajamas away?

58:03I am not.

58:04If I hadn't have talked that girl into hanging them out to dry, I wouldn't be here.

58:07From now on, they're going to be an heirloom.

58:09But I don't want my wife wearing an outfit like that.

58:12Oh, Skipper, are we really going to get married?

58:14I don't say we are.

58:15As soon as we get back to New York, and I get a leave of absence.

58:20Don't do that.

58:22Here.

58:25The chief and his girl went round and round.

58:29Until the doe in the leopard's tummy was found.

58:33And now, by golly, we're homeward bound.

58:35What a day!

58:36What a day!

58:37What a day!

58:39Ha, ha, ha, ha, ha.

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