- 3 months ago
Category
😹
FunTranscript
00:00MUSIC
00:17Nigel, tell me what you're bothering doing under there.
00:19No-one's gonna see it.
00:20Inviting a vintage motor, Ian. It's all about the details.
00:24Yes, exactly.
00:25It's like me with my bits on the stool, you know?
00:27I polish them up and in the end they look brand new.
00:29But it's an antique stool.
00:30You don't want everything looking brand new, do you?
00:33That's a very good point, Jim.
00:35You know what, I've never understood the attraction of an old banger.
00:38I mean, give me the latest model every time.
00:41That's what Cindy said, isn't it?
00:43Morning. Everything's ready at the car lot.
00:46Nigel, are you really sure you want to sell this?
00:48I mean, it is a lovely mother.
00:50Yeah.
00:51Flam of the engine.
00:53Smell of petrol. Nothing like it.
00:56I'd give anything to be able to drive off in her again, but...
01:01Well, my days on the open road are well behind me now.
01:05And the proceeds from this are gonna take me and my little missus off to India.
01:11Well, Jim, can I have a quick word?
01:19Brace yourselves.
01:21It's Walford's sexiest law-abiding citizen.
01:26He's getting his hag off today.
01:28Yeah, that's what we need.
01:29Another hooligan out on the street.
01:31Great.
01:32Everyone in jail is a second charge.
01:33Nigel!
01:34Nigel, what are you doing? Give us a...
01:36Don't worry.
01:37You can pass it out.
01:42I'd be glad when the flaming thing's sold.
01:44But I can't trust Nigel not to go off in it.
01:47I've had to hide the keys, and I have no idea where I've put the spare.
01:52Sorry. Sorry.
01:53Half of me going on.
01:55Oh, what's this?
01:57The hens are laying like Millio, so it's by way of an apology.
02:00I still feel really bad about what Nigel said to Lily.
02:03Oh, she's forgotten it already.
02:05But thank you.
02:06And thank you for tutoring her, especially when you've got all this going on.
02:10Oh, it's a pleasure.
02:11Goodbye.
02:13Is everything all right?
02:15Yeah, it's my younger brother, Cobbina.
02:17Kojo calls every Monday at 8am.
02:20Regular as clockwork, but he hasn't heard from him for a week,
02:23and he can't reach him on the phone.
02:25Well, didn't you say he'd gone away with Harry?
02:27I mean, maybe he's obviously not with Lancelot.
02:29Yeah, but I can't get in touch with Harry either.
02:31Anyways, Kojo, and he's always on time.
02:35Oh, it's much harder looking after adults than children.
02:38I mean, they make their own decisions.
02:40Like Stacey, in Brazil, living her life.
02:43No, you're right, Jean.
02:44Yeah.
02:45But the only problem is, unless I can actually speak to Kojo,
02:48how can I be sure he's safe?
02:54Right, don't be late.
02:55the Freddy's brogolar sounds like indebted.
02:57I mean, it's crazy.
02:58Okay.
02:59Alright, let's get left.
03:00Okay?
03:01Go back, man.
03:03How are you?
03:05Come back man.
03:07Well, Archie's brogol.
03:09I can see a little bit of a touch again.
03:26Come on.
03:27Oh my god.
03:32Thank you, darling.
03:33Thank you, darling.
03:34Thank you, darling.
03:35This is funny.
03:36Oi, I love this tune.
03:37You do.
03:38Lex, was there something wrong with the skin care I've got you?
03:50Brought me out in hives.
03:51Do you want some ice for that, Bo?
03:56Oh, God.
03:57Shall we come around, all right?
03:58Yeah.
03:59Trust me.
04:00Your job hunting today?
04:01Er, let's see.
04:02When I was drunk, I sent an email to my ex-employer's entire client list asking them to invest
04:08in my new firm.
04:09So, no.
04:10Nobody is going to touch me with a barge pole.
04:12Well, I will.
04:14Listen, you're a carter.
04:16If there's one thing I know about the carters, they always come back bigger, better and stronger
04:21than ever.
04:22Thanks.
04:28Sweet taste of freedom.
04:30The sun on my face.
04:31The wind.
04:32The sun on my face.
04:33The wind.
04:34In my ankle hair.
04:35Might take Jazz out later.
04:37Could you get me Pete's ID?
04:39Pretty please.
04:40Oh, yeah, of course.
04:41I'm going to ask Peter if my underage brother, who literally just got his tag off, can borrow
04:48his ID so we can go get smashed with his girlfriend.
04:49Thanks, sis.
04:50And she's not my girlfriend.
04:51It's a situationship.
04:52I don't want to know.
04:53Sit.
04:54Yep.
04:55It's from Dad.
04:56He got Louis a voucher and all.
04:57Well, never sent me a Christmas or birthday present since my voice broke, so yeah.
04:58Job on, Granddad.
04:59We can talk about it.
05:00At least Louis and Jimmy have the best uncle in the world.
05:01They need one decent male role model.
05:02Uh, what about Peter?
05:03Who?
05:04The himbo.
05:05Oh, fuck.
05:06Oh.
05:07I got my best uncle in the world.
05:09I got my best uncle in the world.
05:12Oh, that's it.
05:13Yeah.
05:14It's from Dad.
05:15He got Louis a voucher and all.
05:16Well, never sent me a Christmas or birthday present since my voice broke, so yeah.
05:18Job on, Granddad.
05:19We can talk about it.
05:20At least Louis and Jimmy have the best uncle in the world.
05:23They need one decent male role model.
05:25Uh, what about Peter?
05:27Uh, who?
05:28The himbo.
05:29Oh.
05:30What?
05:40What's happened?
05:41I just spoke to Mr Morden. He said he'd go back to school tomorrow.
05:44That's good news, isn't it, eh? You can put all that Joel stuff behind you, Neil.
05:47I should see what they're saying online about me.
05:49Mum, please, I can't go back.
05:51Tommy, it's gonna be hard.
05:52But come on, you're as tough as Jean's sausage surprise, ain't ya?
05:55Oh, don't wish Jean's cooking on him. Things are bad enough.
05:59I took a delivery in, but they need one of you two to sign it.
06:02No, I'll do it.
06:04What are you playing, T?
06:06Wrestling game.
06:08I bet I can beat ya.
06:11Alright then, you're on.
06:14The private investigator messaged she needs the rest of the deposit.
06:18But Sharon's on a holiday.
06:20Vicky's with her, so best leave it till they get back, yeah?
06:22Well, if you could lend me the money, then.
06:24Sorry I'm late!
06:26Oh!
06:27It's alright, Jean.
06:28Hey, Pat.
06:29Morning, Tommy.
06:30Oh!
06:31I saw Ian earlier.
06:32Did you know that he's taken in Ross?
06:35Clapsed on the street, apparently.
06:36Drunk as a skunk.
06:37I mean, Ross, that is, not Ian.
06:38Probably feeling guilty.
06:40Tommy!
06:41Tommy!
06:42It's a gob as wide as a Dartford tunnel.
06:45It takes one to know one.
06:49Um...
06:50Yeah, I am gonna have to take a little bit off the agreed price.
06:53Just what with the damage from earlier.
06:56It was an accident.
06:58I know.
06:59I'm sorry.
07:05Do you have the spare key as well?
07:07Uh...
07:08I can't remember the beaten.
07:10Oh.
07:19Do you need any help with those?
07:20I can't read, thank you!
07:22And...
07:23I wasn't...
07:24Gina.
07:25Cojo missed his call with Coburn out this morning.
07:28Well, that ain't like ya.
07:29No.
07:30So, I'm just gonna go down the flat.
07:31Yeah, but you ain't there, Dad.
07:32Well...
07:33I've gotta check anyway.
07:34Okay.
07:35Mr. Mate!
07:36I've been meaning to catch you, you know?
07:37Yeah.
07:38Yeah, um...
07:39I smiled to Harry last night.
07:40Him and Cojo having a dope time in Cardiff, you know?
07:41Really?
07:42Yeah, yeah, yeah, yeah.
07:43But, um...
07:44Cojo's phone broke.
07:45Uh...
07:46I...
07:47I...
07:48I smiled to Harry last night.
07:49Him and Cojo having a dope time in Cardiff, you know?
07:50Really?
07:51Yeah, yeah, yeah, yeah.
07:52But, um...
07:53Cojo's phone broke.
07:54Um...
07:55Yeah, yeah, yeah.
07:56But, um...
07:57Cojo's phone broke.
07:58Um...
07:59So...
08:00No.
08:01The man can only text or something.
08:02But, um...
08:03Don't worry.
08:04Harry's gonna take a shot.
08:05Get it fixed.
08:06But he said sorry that he missed a call with, uh, Cobb...
08:08Cobbinar.
08:09Cobbinar.
08:10Yeah, yeah, yeah.
08:11Yeah, that's the man.
08:12Yeah, but don't worry.
08:13He's gonna call back when he gets that fixed.
08:15Mm.
08:16Can you call Harry?
08:17Because you've got Cojo, you put him on, can't he?
08:20Uh, Harry's, um...
08:22He's airing me, so...
08:24Maybe...
08:25Maybe you could call him.
08:26Yeah.
08:27Thing is, I'm pretty sure they did go out last night with a couple girls.
08:44You know, Cojo wasn't really feeling it, not as bad, but...
08:47You know Harry, he probably got carried away.
08:49Yeah, I had a bit of a mad one still.
08:51I'll lie.
08:52I'll catch you later.
08:53Gina.
08:54Sorry, uh...
08:55Sorry that I upset her.
08:56Come on, come on.
08:57Come on, come on with me.
08:58Pretty spout.
08:59Listen, go after her, eh?
09:00She needs you.
09:01I'm sure Cojo will call.
09:02Yeah.
09:03But if you don't, I'll come looking.
09:05I saw Julie earlier.
09:06She told me you'd swing the car.
09:07Yeah.
09:08Morris.
09:09Morris.
09:10Morris.
09:11Morris.
09:12Morris.
09:13Morris.
09:14Morris.
09:15Morris.
09:16I saw Julie earlier.
09:17She told me you'd swing the car.
09:18Yeah.
09:19Morris Minor.
09:20Same as Mrs. C had.
09:21It wasn't a Ferrari.
09:22It could barely do 50 miles an hour going downhill, but it was mine.
09:28It's hard to give up the things you love.
09:30Didn't even get to do a last drive in her.
09:31Gosh.
09:32Do you think it would help to focus on what is coming up next?
09:49Your big trip?
09:51Dad says,
09:54Dad says cars and houses, leave them as you'd want to find them.
10:03So I was cleaning her this morning.
10:06I was even scrubbing underneath, you know, the front end with a white brush,
10:12and I got that mixed up with a buffing pad and scratched the paintbrush.
10:17They all make mistakes, Nigel.
10:19It's not a mistake, though, is it?
10:21It's me losing my marbles.
10:28Julie has her heart set on going to India.
10:32Look.
10:34One thing I have observed with Julie is that she loves you.
10:40You are her priority.
10:43You don't know what you're talking about.
10:44Well, yeah, I don't know, do I?
10:46Darling, please solve the debate.
10:47Help.
10:47It's either Voluptuous Violet or Raging Red.
10:51Curtains for my boutique hotel.
10:54Oh.
10:55Well, I've always seen you as more of a Raging Reddy lad.
10:58Told you.
11:00Oh, is that your phantom texter, then?
11:02Who?
11:04Timothy.
11:05We were in the Musical Theatre Appreciation Society at Yugi.
11:09Of course you were.
11:10Don't see it's your jazz hands.
11:11Mm-hmm.
11:12You two done.
11:14He was a massive fan of Phantom of the Opera.
11:16He went to see it 50 times.
11:18In costume.
11:19Mm-hmm.
11:20I know.
11:20Anyway, he's now an accountant or something, and his firm is one of my boss's clients, and
11:25he's got my email, and he's interested in investing, and he wants to meet up tonight.
11:30Oh, that's amazing.
11:31What time are you meeting him?
11:33Well, I don't know.
11:33I don't want to encourage him.
11:34What have you got to lose?
11:36I mean, if he does try and whisk you off to Opera de Paris, I will see him off.
11:41I'm not called Raging Red for nothing.
11:43No, Julian phoned and said he can't come in because his kid's got a temperature, right?
11:49So it means I've got a closer checkmate now.
11:51I said to him, right, because I'm a reasonable boss, right, just bring the kid in with you,
11:54okay?
11:55Stick her in the corner, give her some crayons, carton of juice, fine.
11:58Ah, that's beautiful, isn't it?
12:00You're all hot here, don't you?
12:01Yeah, I don't know what I mean.
12:05Well, listen, I'm very grateful to both of you.
12:07I mean, put the roof over me head, right, and then it'll be good.
12:10Mate, we've all been there, son.
12:12And easy.
12:13I'll appreciate you.
12:15And I promise to be out of your ear before Kathy comes home.
12:17Well, that might be a while, because she has decided to stay up north for a bit so she can
12:20spend some time with Ben.
12:21Well, don't worry about me, Mum.
12:23Stay as long as you need, all right?
12:25Same again?
12:25And, er, it's on me.
12:27No, no, no, these ones were on me, fellas.
12:29You know that saying?
12:30Never judge another man until you've walked a mile in his shoes, because...
12:33You're a mile away, and you've still got your shoes.
12:35That's the one!
12:37No?
12:39Yeah, um, Tommy, is he all right?
12:42Yeah, he's good.
12:43He's good, mate.
12:43You know, he's a tough kid.
12:44He's a good kid.
12:45He's about as tough as Candy Floss.
12:47He's terrified of walking into them school gates, because he has to face the consequences
12:52of what Joel did, while you drink yourself into oblivion.
12:55Ross, take no notice, mate.
13:01Just in a certain way of my nurse's thinking.
13:02Dad, mate, listen.
13:04Listen, all you did was try and do right by your son.
13:07Yeah, which was the same any of us would do.
13:09There's no need for you to, you know, like hideaway.
13:15Get them drinks.
13:15It says in here they used over a thousand elephants to build the Taj Mahal.
13:40It's amazing, isn't it?
13:41How do you go, Lauren?
13:45Yeah, sold a car.
13:50Okay, right, I'll check the account, make sure the money's got it.
13:53I've already started looking at flights.
13:57I can't go.
13:58Where's Kojo?
14:11You're going to ask him yourself.
14:14There's lanky excuse for a brother who's been sniffing around, getting too close.
14:19So, you're going to call Kojo, have a little chat, then you're going to tell him to call
14:29George and tell him that he's all right.
14:32Why would I do that?
14:34For some reason, you're the only one you trust.
14:38Tell you what.
14:40Play nice, and I'll give you some of these.
14:41What we got, we got, uh, sandwiches, we got crisps, chocolate, and I know you ain't
14:54eating all weekend, so I bet you must be starving, right?
14:57Food first.
14:59If George walks in here, it's all over.
15:02He know that.
15:04So food, then I'll make the call.
15:08Play nice.
15:09It's the magic word.
15:25It's the magic word, bro.
15:26Come on.
15:28Please.
15:32Thanks.
15:32Routine, familiarity, it's meant to keep me in a straight line, but, uh, I can't even
15:44rely on that anymore.
15:46Yeah, but I ain't got to be with you.
15:49I mean, we've done all right with Phil being away, haven't we?
15:52Been like old times.
15:54No, it's not like old times.
15:56When we went on holidays, it was fun, an adventure.
16:01And we can still have an adventure.
16:05I can't even carry you over the threshold of the hotel room like I always used to.
16:10Well, maybe I could carry you over the threshold instead.
16:12You taking the mick?
16:14Of course I'm not, Nigel.
16:15Don't touch me.
16:18Nigel, what?
16:18You treat me like a child.
16:21You don't respect me.
16:23I'm a grown man.
16:26Nigel, I don't...
16:27I don't treat you like a child.
16:31I don't treat you like a child.
16:31Girl trouble?
16:49Boy trouble?
16:50Well, he's gone, so there's no trouble, thanks.
16:53Why was he at?
16:56Wales.
16:57A couple of airheads, apparently.
17:00Oh, waste, man.
17:01Yeah, forget him.
17:06You think I'd kind of be used to people vanishing on me by now, wouldn't you?
17:09Oh, yeah.
17:10You said something about your mum disappearing before, right?
17:13The greatest vanishing act of all time.
17:15She is Cindy.
17:18Rose, whatever she's calling her son.
17:19Hang on, she's got two names.
17:25Yeah, you don't even know the half of it, babe.
17:27Okay.
17:34Spill.
17:36Spill.
17:40I don't know.
18:10I don't know.
18:40Tommy, when you get this message, can you call us back, mate?
18:43Honestly, we don't mind you going out.
18:44We just want to know that you're safe, yeah?
18:46And, er, I love you.
18:50Do you want me to go and look for him?
18:51No, no, we've got to trust him.
18:53He's a good kid.
18:55He's got to deal with this his own way.
18:56It's sex, Mum, aren't we?
18:58So, thank you.
18:59We need to talk about the P.I.
19:01Yeah.
19:02Oh, yeah, of course.
19:12Oh, there's nothing but trouble in that direction.
19:14I wasn't...
19:15She destroys families.
19:17That's why Stacey's not here.
19:19Jean?
19:19Stacey made a choice.
19:22She's a grown-up.
19:23Cut the cord.
19:24You forced my daughter out of her home.
19:26I miss her.
19:27But that's what happens when you love a child.
19:29Not that you would know anything about that.
19:31What's that supposed to mean?
19:32I think you know exactly what it means.
19:33You are asking for a slap!
19:34What, you two playing?
19:36Take it upstairs.
19:38Upstairs, please.
19:38I had no idea my boss was so interesting.
19:51Interesting or psycho, you could say.
19:54So, where did she go after witness protection?
19:57All right, lovely ladies.
20:00Who died in here?
20:01Uh, we was just talking, so...
20:03What were you talking about?
20:04Uh, Gina's mum.
20:05She's actually really interesting.
20:06Mm, parental trauma.
20:07You're boring.
20:09You don't have to stay.
20:10I'll come find you after my shift.
20:12This is a gay bar, Jasmine.
20:13Not community outreach for the Parenting Challenge.
20:17Yeah?
20:18But saliva's paced up.
20:20Watch and learn.
20:22Now the secret to this...
20:23Ooh!
20:25Wow.
20:37I ain't having this with family, all right?
21:03You've got to let this go, both of you, please.
21:05Just apologise.
21:06Girls, can we knock this on the head, yeah?
21:09Cos Kat don't need this.
21:10We're supposed to be supporting Tommy,
21:11and you two are each other like, I don't know what,
21:13Big Daddy and Giant A-Stacks.
21:15You're right.
21:17I'm sorry, Kat.
21:20I'm sorry.
21:22Well, I'm not sorry.
21:25Actually, I am.
21:26I'm sorry you ever came back.
21:30You know why you're so obsessed with Stacey?
21:32Cos you've got nothing else in your life.
21:37Zoe, Zoe, please, just...
21:39You want to watch that one?
21:41Mark my words.
21:43One day she'll cross the wrong person.
21:47One of these days...
21:49someone's going to teach her a lesson.
21:52Get off the road!
22:06It's...
22:06It's...
22:06It's flooded.
22:08I'm just gonna...
22:12Yes.
22:17Yes.
22:22I'm gonna put them on you.
22:38Coach.
22:44Coach.
22:45Harry.
22:46Is that you?
22:48You all right?
22:50I don't know where I am.
22:52Harry, I'm scared.
22:54No, you're all right, mate.
22:57You're gonna be fine.
22:59Listen, I need you to do something for me, okay?
23:02But it's really important, so you've got to listen carefully.
23:07Kwame's really worried about you.
23:10So, I need you to do something.
23:17Run.
23:18Run, Coach.
23:18Oh, Kwame, run!
23:21Give me the phone, give me the phone.
23:22Give me the phone, give me the phone.
23:23Give me the phone, give me the phone.
23:37Yes.
23:38Let's see that.
23:39Mmm.
23:39Mmm.
23:40No.
23:40No.
23:41No.
23:41No.
23:42Okay, all right, bear with.
23:43Okay, so what happened after France?
23:44Uh-huh.
23:45What happened after France?
23:46Oh, uh, she was coming back to Warford.
23:49Oh.
23:50All right.
23:51Oscar!
23:52Will you just stop it?
23:53What?
23:54Just having a laugh.
23:55What's wrong with you?
23:56No.
23:57What's wrong with you?
23:58I do it for no reason then, yeah?
23:59Some of them want to be alive.
24:00Fine.
24:01That's what you really think of me.
24:04Oscar.
24:05Oscar.
24:06Oscar.
24:07Oscar!
24:08Oh, no.
24:09He'll get over it.
24:10What?
24:11Oh, no, he'll get over it.
24:12What?
24:13Yeah.
24:14Yeah, that's fine.
24:15It's not even that deep.
24:16Uh, tell you what.
24:18If it stays like this, should we just close up early?
24:21Have a girls' night?
24:22Four.
24:23Oh, come on!
24:24I won't tell my mum if you don't.
24:25Yeah?
24:26Okay.
24:27Yeah.
24:28Nice.
24:29Look, he's even got the same hair as Jo.
24:34I'm sorry about what happened, all right?
24:36Jo was a loser.
24:37Is it true you hid him after he hurt Vicky?
24:39I didn't know he hurt her.
24:41And then when I found out, I told the police.
24:43Yeah, but you knew what he did to Ivani and Amy.
24:45You didn't stop him.
24:46You're just like...
24:47Oh, right.
24:48Okay.
24:49It's not worth it.
24:50Come on.
24:51Scratch Charlie.
24:55Everyone at school hates you.
24:57Maybe you shouldn't come back.
25:09Good night, son.
25:10Oh, hi.
25:11Freddie made a cape with the eggs that you gave us.
25:16Oh.
25:17Thought you might like some.
25:18Oh.
25:19Oh, it's a bit...
25:20It's a bit well done.
25:22No, you don't have to.
25:23No.
25:24No.
25:25No.
25:26No.
25:27Lovely, Jane.
25:29Sorry, I'm...
25:30I'm in a bit of a bad mood.
25:31I had a row with Zoe.
25:32Must be something in the air.
25:33Me and Nigel have just had a...
25:34a blow up.
25:35He said I'd treat him like a child.
25:36And he stormed off.
25:37You thought about phoning him?
25:38Mm.
25:39Mm.
25:40Mm.
25:41Mm.
25:42Mm.
25:43Mm.
25:44Mm.
25:45Mm.
25:46Mm.
25:47Mm.
25:48Mm.
25:49Mm.
25:50Mm.
25:51Mm.
25:52Mm.
25:53Mm.
25:54Mm.
25:55Mm.
25:56Mm.
25:57Mm.
25:58Mm.
25:59Mm.
26:00Mm.
26:01Mm.
26:02I was thinking about um...
26:04what you said to George.
26:05About...
26:06adults
26:07making their own decisions.
26:10And...
26:11maybe...
26:12Nigel's right maybe.
26:13I've been treating him like a child.
26:16Anyway, I thought I'd give him time to
26:19cool off, you know.
26:20Gives him space.
26:22Yeah.
26:23Mm.
26:24Space is good.
26:26I mean the last time Nigel went off
26:28after a row, he ended up in hospital.
26:31Yeah.
26:33Oh, he's probably in the cafe right now,
26:35wondering when he can come back and apologise.
26:38One of you needs to make the first move.
26:44Ring him. Get him back home where he belongs.
27:01What about the club at the container park?
27:05The one with the fit bounces, yeah?
27:07What are you talking about?
27:09What are you talking about?
27:11What are you talking about?
27:13What are you talking about?
27:15What are you talking about?
27:17We're talking about an upcoming house.
27:19The寸 and The nothingness of the club is resumed.
27:23The property is a square no more than any sking,
27:25the property is a square.
27:28No one sees a square.
27:30The property is a square.
27:32The property is a square.
27:34It's a square.
27:36The property is a square.
27:38The property is a square.
27:40The property is a square.
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