- 2 months ago
In a lighthearted college comedy filled with disguises, rivalry, and romance, a group of mischievous students turns an ordinary campus into a whirlwind of laughter. When one daring student goes undercover in a women’s college for a wild prank, chaos and charm collide in this timeless classic of mistaken identities, music, and fun.
Category
🎥
Short filmTranscript
00:00The
03:04Hey, Tiger, you're out of step.
03:12Hey, Tiger, you're out of step.
03:25Hey, Tiger, you're out of step.
03:29Hey, Tiger.
03:31Hey, Tiger, you're out of step.
03:41Hey, Tiger, you're out of step.
03:43Hey, Tiger, you're out of step.
03:45Hey, Tiger, you're out of step.
03:49I'm a chap with a chip on my shoulder
03:56When anyone looks at you
03:59How my muscles swell in the throes of jealousy
04:03I may not be six feet two
04:07Having Samson's hair is true
04:10But I'm a chap with a chip on my shoulder
04:13When anyone looks at you
04:16That's it, ma'am
04:19And the audience gave him a great big hand, too
04:21Of course, for the boys, it was just another show
04:23But for Christian, it was great publicity
04:25I had to... empty
04:26That's very interesting, Mr. Holden
04:29Pardon?
04:29Coming from a newspaper man
04:31But I'll have no cheap, undignified publicity at Marbury
04:36But it isn't undignified, Auntie
04:38I can't understand why we don't have more students
04:42Well, it's because our girls are...
04:44Well, men won't even come to our proms
04:46Sure, you need regular girls
04:47Not a lot of petunia putters
04:49Girls with zip
04:50Let me remind you both
04:52That through the study of nature
04:54My girls develop well-rounded minds
04:57Minds they can live with the rest of their lives
05:00But, Auntie, a girl doesn't want to live with a mind
05:03She wants to live with a husband
05:05But, Jim...
05:06Listen, would you be willing to give away twelve scholarships?
05:10To twelve unusual girls?
05:12Well...
05:13If it would help my school?
05:15Yes
05:16It will
05:19I hope so, but I wonder...
05:21You don't have to wonder any longer
05:23There they are
05:24You need girls like that
05:25Look them over
05:26There's the Watermelon Queen
05:27The Pumpkin Queen
05:28The Orange Queen
05:29The Lemon Queen
05:30The Strawberry Queen
05:31Millions of them
05:32What lovely tomatoes!
05:34Why is she called the Tomato Queen?
05:36Because she grew them herself
05:38That's how she won the title
05:39Really?
05:40Mmm
05:41She's a very pretty girl, too
05:44Empty
05:45Sure, there's queens like her all over this country
05:47We could pick twelve
05:48And give them memberships and scholarships to Mar Brin
05:51Yes, Auntie
05:52And they'll all be so outstanding
05:54Well, it doesn't seem beneath the dignity of Mar Brin
05:58We could call them the girls most likely to succeed
06:05That's swell
06:06Now, all we need is some quick notoriety
06:07Enough to get...
06:08Quiet!
06:09But dripping with dignity
06:10Like a public announcement
06:11You know, the way Harvard lamprood Hollywood
06:13Let me think
06:15Let me think
06:16I've got it
06:21We'll pick on the men least likely to succeed
06:25Do you mean those mentally undernourished males at Quinston
06:28Cavorting as girls?
06:30The Zeta boys!
06:31Great Auntie!
06:32I mean, pardon me
06:33Write an article for your paper about them
06:35And spread it on thick
06:36Call them dumbbells
06:37Call them anything you like
06:38And I'll see if the press picks it up
06:40Now, make them look ridiculous
06:41And we'll head the article
06:43Men least likely to succeed
06:45But do you think we should?
06:46Perhaps they will succeed
06:48Oh, don't be silly
06:50Everybody knows that Quinston men don't succeed
06:52They inherit
06:53Hey, fellas
07:06Get a load of this
07:07Can you imagine that?
07:08Some hick girls college is putting us on the pan
07:11Where's Henry?
07:13I'm coming, mother
07:17Now look, we know you're the world's greatest dramatic actor
07:19But this is serious
07:20Quit hamming, will you?
07:21Listen
07:22Girls, are you interested in horticulture?
07:24Perhaps you will be one of this season's festival queens
07:26To win a scholarship to Marbury
07:28Send us your pictures and credentials
07:30They're just taking a crack at us to advertise their scholarship award
07:33And we gotta do something about it
07:35That's right
07:36Yeah!
07:37I don't know what Gary Cooper would say
07:39He'd, uh
07:40He'd say, uh
07:41I, uh
07:42I don't know how you people do things here, but
07:45Well, uh
07:47Well, back where I come from
07:50We act
07:51Yeah
07:52Now, uh
07:53Now, wouldn't it be too bad if this scheme of theirs should backfire some way?
07:56Yeah!
07:57Backfire!
07:58What's on your mind?
08:00Why, uh
08:01Why, uh
08:02Why, some way to turn the tables
08:04On account of
08:05We won't let ourselves be treated that-a-way
08:07That's it
08:09And we've had plenty of experience
08:10We all just finished impersonating girls
08:13Suppose one of the Marbury candidates turns out to be a boy
08:17Then one of us would go to Marbury Inn
08:20As a contest winner
08:25And you, Henry
08:26You and me are great at invitations
08:27Mm-hmm
08:28Oh, no, not me
08:29I only impersonate men
08:31Well, get a pack of cards and we'll cut for it
08:38That was a great idea, Bob
08:40Do you think it's possible?
08:42Oh, wouldn't that be something?
08:44Gee
08:45Can you imagine being in a girl's school?
08:50Huh?
08:52Oh
08:57I don't want to go
08:58I'll frame him
08:59You will think of something dirty, Mr. Bergen
09:02You always do
09:03Yes, but what?
09:05He's the one to go
09:06Well, give him the business
09:08Give him the business
09:09Now, if I were in your place, I'd certainly-
09:11Charlie, nothing crooked
09:13Why, Mr. Bergen, I'm a man of high honor
09:16How could you even-
09:17Charlie answer my question
09:18Yes, but you don't, Charlie
09:19Oh, well, Charlie
09:20Oh, well
09:24Uh, yes, Dicey
09:26Yeah, and besides
09:28You got a deck of cards, haven't you?
09:31Charlie McCarty
09:34Charlie McCarty
09:37We'll fake a swell picture of a girl with her arms full of flowers
09:40Which naturally she grew herself
09:42You know, the beauty type of-
09:43Well, uh, we're willing to take our chances
09:47And, uh, Bob, as president of the fraternity, I think it's only right that you take the first card
09:52Oh, well, there's no-
09:53Yeah, and the one who gets the first ace goes
09:55First ace?
09:56Yeah
09:57Agreed?
09:58Right
09:59First ace
10:00Take your pick
10:01Well
10:02I'm afraid
10:03Yeah
10:04It's kind of important, you know
10:10Whoa, whoa, whoa
10:11Well, uh, let's make it two out of three
10:13Oh, no, no, no, no
10:14You want and you go
10:15As queen of the flowers
10:17Si
10:18Ma'am
10:19And Mar-brin expect you to do a good job
10:21And we know you won't let us down
10:23Oh, I'm hooked
10:24But that's all right, Bob
10:26After all, it should be right up your alley
10:28Ah
10:30Hey, hey look
10:31Ace, ace, ace, ace, ace, ace, ace, ace, ace, ace
10:34Ace, ace, ace, ace, ace, ace, ace, ace, ace, ace, ace, ace
10:37Hey, look, they're alive
10:39Who
10:40Here's another lovely tomato queen.
10:45Mm-hmm. Nice. I see.
10:48There's watermelon, strawberry, pickle,
10:52potato, carrot, orange, lemon, and all queens.
10:55Spinach.
10:57The tobacco queen.
10:59Chesterfield, all-American girl.
11:01Isn't she beautiful?
11:03What a lovely turkey.
11:05Give me the girl, and I'll give you the bird.
11:08Well, that's satisfactory.
11:10I never realized there were so many lovely girls with such amazing talents.
11:15Listen, there's only, uh, only 11 here. We need one more.
11:18Well, we have fruits and vegetables.
11:21Flowers must be represented.
11:25I'll take this one.
11:27Queen of the flowers.
11:29Bobby Dubois.
11:31That's a very interesting face.
11:33That's fine, Auntie. Don't call me Auntie.
11:36I'm sorry, but what I was going to say, uh, was, uh,
11:39with all these pretty girls, you'll have to relax a little
11:41and let some boys on the campus.
11:43Never.
11:44No men on the campus during school hours.
11:46Not while I'm president of Marverine.
11:49Well, I'm a man.
11:51You're safe.
11:53Hey, there's you guys. Come here. Come here. I want to show you something.
12:05Hey, shh, fellas. Here he comes.
12:07He's coming. Is he in a good mood?
12:09Oh, I don't know, but it sure wasn't when we were helping him into her clothes.
12:14Let go of me, will you? I'm not going to run away.
12:17The fraternity will never forget this.
12:20It was your idea, and you're the only one that could do it.
12:23Make Marverine look like a sucker.
12:24Yeah, sucker is right, and I'm it.
12:26And I'm not going to go through it.
12:27Oh, yes, you, oh, oh.
12:29Don't trip again there, dearie, or we'll give you the words.
12:41Watch your little temper.
12:43Oh, you can't back out now.
12:45Besides, you look like Ginger Rogers.
12:47More or less.
12:48And think of all the fun you'll have.
12:49Yeah, fun.
12:50I'll probably land in jail.
12:52Oh, now, wouldn't that be too bad?
12:54Now, remember, you're doing this for Zeta.
12:56We'll all be rooting for you.
12:58Come, come, come.
12:59We know you can do it, so don't let us down.
13:01And don't forget the writers.
13:03Here's the night out.
13:04Here's the night out.
13:05Bobby, look, look.
13:15That must be she there.
13:16Yes, sir.
13:17Mmm, and a honey.
13:19Miss Bobby DeWolf from Quiston Community.
13:23Queen of the flowers.
13:25Welcome to Marverine's special.
13:27Uh-huh.
13:28Now, don't forget.
13:29Keep that bare-tone trap of yours shut.
13:31Pretend like you've got a sore throat or something.
13:33Come, come, Mr. Wolf.
13:34Gotta be going.
13:35Oh, maybe you'd better kiss your friends goodbye, huh?
13:38Yeah.
13:39Yeah.
13:40Goodbye, dear.
13:42There we go.
13:44Now we're off.
13:45My goodness, but you do have a lot of boyfriends.
13:48Just brothers.
13:49Just brothers.
13:50Just brothers.
13:51My, my.
13:58All aboard!
14:00Oh, hello, honey.
14:01Hello.
14:02Here you are, right up here at number two.
14:04Now, listen.
14:05I want you to get a good night's rest and take care of that throat, Bobby.
14:09If I may call you that.
14:11Uh, honey.
14:13You know, you're different than these other girls around here.
14:16Could you, could you, could you, could you, could you?
14:17Oh, you go up.
14:18Uh, let me help you up.
14:20Oh, no you don't.
14:22Uh, I'll get a letter.
14:23Yes, sir.
14:53Oh, early to bed and early to rise.
14:58That surely applies to me.
15:01Don't have to count sheep to put me to sleep.
15:05It's easy as A, B, C.
15:08When I rise and open my eyes, don't need an alarm clock's chime.
15:14Believe it or not, I'm up like a shot
15:18When it's past my dreaming time
15:24I'm up at the crack of dawn whistling
15:28Singing
15:30Da-da-da-da-da-da-da-da-da
15:32Cheerful as the sunbeams peeping through
15:34After dreaming all night of you
15:37I'm up at the crack of dawn whistling
15:41Singing
15:43Hef-hef-doom-doom-doom-doom-doom
15:45Never saw the sky look quite so blue
15:47After dreaming all night of you
15:49When I wake
15:52With your kiss on my lips
15:54All my cares
15:57Are in a total eclipse
16:00I'm up with a cheery yawn
16:02Whistling
16:05Singing
16:07Ba-da-da-da-da-da-da
16:08All your sweet erases linger on
16:10So whistle and sing
16:11Cause there is nothing
16:12Cause there is nothing that I lack at the crack of dawn
16:15I'm up at the crack of dawn whistling
16:19Singing da-dee-da-da-da-da
16:24Cheerful as the sunbeams seething through
16:26After dreaming all night of you
16:28I'm up at the crack of dawn whistling
16:32Singing da-da-da-da-da
16:36Never saw the sky look quite so blue
16:38After dreaming all night of you
16:41When I wake
16:42I's awaking with your kiss on my lips
16:46On my case
16:47Awful gathering a dog doll eclipse
16:51I'm up with a cheery yawn whistling
16:55Singing da-da-da-da-da-da
16:59All your sweet embraces linger on
17:02I whistle and sing, there isn't a thing
17:04Like at the crack of dawn
17:06Hear up at the crack of dawn
17:09Whistling
17:10Whistling
17:10Singing da-da-da-da-da-da
17:14Cheerful as the sunbeams peeping through
17:17After dreaming all night of you
17:19We're up at the crack of dawn whistling
17:22Singing da-da-da-da-da
17:27Never saw the sky look quite so blue
17:29After dreaming all night of you
17:31When I wake
17:33When I wake
17:33With your kiss on my face
17:36All my days
17:38Are in a total eclipse
17:40Oh, we're up with a cheery yawn whistling
17:45Sing it!
17:48All your phrases linger on
17:51Roll the whistle and sing
17:53Da-da, da-da, the rhythm to sing
17:56And relax at the crack of the door
18:12Come, come, dearie. We're here now.
18:14Coming! Coming!
18:44And now, girls, to your dormitory assignments.
18:53And I hope you'll all be very happy at Margaret's.
18:56Well, I'll be seeing you all.
18:58Or will I?
18:59Now, Bobby dear, come with me.
19:01We're very much concerned about this throat of yours.
19:04Oh, not that door, my dear. That leads to the basement. The one opposite.
19:08Do we feel like sharing a room, or would we rather be alone?
19:12Alone, please!
19:13It's a very nice little room, right next to mine.
19:16Do we feel well enough to stay up, or would we rather go right to bed?
19:20Oh, to bed?
19:22Of course, if you'd rather, we can send you up to the infirmary for a complete examination.
19:26Oh, no, no. I, uh, I'm just a little hoarse.
19:29Of course.
19:30We do sound more like a mule.
19:32I feel more like a jackass.
19:38Gosh.
19:39Boy, I'm gonna get out of here.
19:41Ah.
19:42All right.
19:53Oh, goodness me, Bobby, what are you doing?
19:55Well, my throat is cold. I'm just keeping it warm.
19:59Oh, is that all?
20:01Well, look, do something for me, will you? I just can't seem to do anything with these. Fix them for me, please.
20:06Well, what do you want me to do with this?
20:09We'll just fix my hair, silly.
20:18Say, you know what? I met a Zeta at Midwest over the phone.
20:21Gee, he sounded grand.
20:23He asked me for a date Saturday night.
20:25He has a friend. Wanna come?
20:29Well, we could sneak out of here, I betcha.
20:33I know how those Zetas work.
20:35Well, you do have to be quick, but old boy, it sure is fun.
20:40Well, good-bye now. Good-bye.
20:43You look very lovely.
20:46Good-bye.
20:47Good-bye.
20:54I'm Virginia Collins. Welcome to Marvren.
20:58Is there anything I can do for you?
21:00I hear you have a pretty sore throat.
21:02Yes, very pretty.
21:04I mean...
21:06Yes, it's very sore.
21:07Have you gargled?
21:09What on earth do you have here?
21:11It's just sort of...
21:13Well, just laundry.
21:15Oh.
21:16Well, I came to tell you about the staying over by the bell tower.
21:19Too bad you can't come because of your throat.
21:21Oh, it feels much better.
21:23Well, if you do come, be quiet.
21:24It's against the rules, and Andy doesn't like it.
21:27Well, I'm awfully sorry about your throat,
21:29and I can understand why you want to be alone.
21:31But it's too bad because we were supposed to be roommates.
21:34Uh-huh.
21:54What the earth are you doing?
21:57Oh.
21:58Oh, just...
21:59breaking in a new pair of pajamas.
22:01Oh, naughty, naughty.
22:02With your throat.
22:03To bed with you.
22:04Come.
22:05Oh, no.
22:06Oh, yes, yes.
22:07You're a very serious condition.
22:12Let me tuck you in.
22:15Shall I rub your chest?
22:21Everything is so messy.
22:24Don't you dare get out of that bed, young lady.
22:29Let's get your clothes.
22:36Get your clothes around here.
22:39Look.
22:40What is this?
22:41Well, these is men's pairs.
22:42What they doing here?
22:43Look, what is this?
22:54Well, these is men's pants.
22:56What they doing here?
22:57They ain't got no business here.
22:59And a man's coat?
23:01Well, where'd these things come from?
23:04Uh-oh, here's his shoes.
23:05I'm gonna call Miss Matilda and tell her all about this.
23:11Hello?
23:12Uh, Miss Matilda?
23:14There's a man's clothes that come down this chute.
23:17Uh, what, ma'am?
23:19Mm-mm.
23:21Uh-uh, no, no, ma'am.
23:24I'm sure, of course I'm sure.
23:26These clothes ain't made out of no organdy.
23:29Mm-mm, no, ma'am.
23:34Excuse me, Miss Matilda.
23:35I must have left the washing machine going.
23:38At least I hope so, I did.
23:39Uh-uh, Miss Matilda, as I was saying, there was a man's shoes.
23:55There was, there was shoes, but there must have walked off by the set.
23:59And listen, Miss Matilda, there's something going on here that ain't the way I lights it.
24:04Now the ironers are going.
24:08My, my, Miss Matilda, it must be my nerves.
24:11Uh-uh, hold a while while I turns off the ironer.
24:28No, ma'am, I ain't crazy.
24:30Miss Matilda, did y'all ever find your hoodie or the color I think he's here or somebody's here?
24:35Yes, ma'am.
24:36I goes to cut the ironer off and the shirt and the shoes is gone.
24:41Yes, ma'am.
24:41It was just like this.
24:42See, I goes over to the ironer to cut it off and the shirt's gone.
24:47And then I goes to the washing machine and the shoes is gone.
24:50Oh, I just can't stay in this place no longer.
25:00I go crazy.
25:01I just can't stay here.
25:04Oh, this is awful.
25:05Now, yes, over to the washing machine and going.
25:11Oh, I've never seen a break like this.
25:14Miss Matilda, it's my Miss Gossman.
25:15Oh, yeah, I'm going to cut me.
25:17Oh, Miss Matilda, come get me, please.
25:20Miss Matilda, what is going on in here?
25:22Are you crazy?
25:24What on earth is wrong?
25:26Now, what's all this talk about pants?
25:28Where are they?
25:28I don't know where they is, but I sure know where they ain't.
25:31What is the matter with you?
25:33Ain't nothing the matter with me.
25:34This here place is haunted.
25:36First the shirt and the shoes goes by itself,
25:38then the washing machine and the ironer goes by itself,
25:40then the pants go by itself,
25:41now I'm going by myself.
25:43Goodbye, Miss Matilda.
25:45Oh, no, no, silence.
25:48Come and cling to me.
25:55Power of the silence,
25:59come and bring to me.
26:04That feeling of resentment when you're near.
26:15And that feeling of resentment will disappear.
26:29And that feeling of resentment when you're near.
26:36Come and bring to me.
26:37Come and bring to me.
26:38Come and bring to me.
26:39Come and bring to me.
26:43Come and bring to me.
26:44Come and bring to me.
26:48That feeling of contentment when you're near.
26:51And that feeling of resentment will disappear.
27:04When out of the silence comes the sound of your voice.
27:15My heart goes leaping.
27:17I can't help but rejoice.
27:18I'm up in heaven from the bottom of the sea.
27:32When out of the silence comes the sound of your voice.
27:34When out of the silence comes the sound of your voice.
27:39When out of the silence comes the sound of your voice.
27:46When out of the silence comes the sound of your voice.
27:48When out of the silence comes the sound of your voice.
27:53I'm up in heaven from the bottom of the sea
28:17When out of the silence you come to me
28:27Above the silence comes the sound of your voice
28:40My heart was leaping, I can't help but rejoice
28:50I'm up in heaven from the bottom of the sea
29:02When out of the silence you come to me
29:15When out of the silence you come to me
29:32Girls, we'd better hurry, Miss Latilla's coming
29:35Back to the dormitories girls, hurry back to the dormitories
29:42Shhh, what are you doing here?
29:45I came to see you, but right now I'm holding the bell cord
29:48Quiet or she'll hear you
29:51I never saw you in my life before
29:54Well, I've seen you
29:56I want to help you with this presentation
29:58My name's Bob Shepard
29:59You see, I'm interested in a way through, through Bobby DeWolf
30:03Oh
30:04Oh, that is just professional
30:05I taught her to sing and dance
30:07Confidentially though, I don't like her much
30:09Not after I saw you Virginia
30:11How did you know my name?
30:13Oh, I know a lot of things
30:16Say, say, would you mind holding this just for a minute?
30:20Careful now, it's heavy
30:22Now, you know, you can't let go of that
30:26Or the bell will ring and wake up the whole town
30:28And the old girl will hear it and come and find us here together
30:31What's the matter with you? You aren't going, are you?
30:34No, no, no, no, no, just trying to resist temptation
30:37You see, there's a little red man with horns behind me, egging me on
30:41Pushing me with his pitchfork, shoving me forward, forward
30:45Like this
30:47I don't see him
30:49Well, he's there
30:57Now, was that nice?
30:59Elegant
31:01Well, wait
31:03I mean, uh
31:04Perhaps I'd like to get in on this myself
31:07Oh, lady
31:10Now, you can hold it for the rest of the night
31:13What a dirty trick
31:16Well, goodbye, Bob
31:17Listen, if you leave, so help me
31:18I'll let go of this rope
31:19You can let go any time
31:20That bell hasn't worked in 14 years
31:31Boy, how do you like that, huh?
31:37It's terrific
31:38Gee
31:41Glamorous addition to more Brim's Fall Festival
31:45Get a load of that guy, he's doing all right
31:49Good morning
31:50Good morning
31:51Well, it's like all our little girls are as busy as be...
31:54Good morning, Mr. Holden
31:55Good morning, honey
31:56You know, we're going to rehearse our presentation in here
31:58Is that so?
31:59Well, girls, are we all ready?
32:03Oh, Mr. Holden
32:04Do you really think these spots mean anything?
32:07I don't know, but I called a doctor
32:09You wouldn't get spots at a time like this
32:12Has anybody seen Bobby?
32:14I'm worried about her
32:15She was out all night
32:16Well, don't say anything
32:17Keep it quiet
32:18Hello, fellas
32:19Look, fellas, be reasonable, can't you?
32:22I know I promise
32:23But I've fallen in love with the girl
32:25She's like orchids covered with dew
32:27Like...
32:28Oh, like moonlight and violin
32:30She's...
32:31Hey, now, wait a minute, Bob
32:33Hey, fellas
32:34Looks like love has crossed us up
32:36Hey, we're getting a little quit now
32:38Now, look
32:40You took an oath in love or no love
32:41We can't let you get out of it
32:43We'll send some of the local Zeta boys over
32:45To keep him from walking out
32:46Right
32:47Now, listen, Bob
32:50Wait a minute
32:52It's only me, Virginia
32:54I'll be there in a minute
32:56I've got to quit
32:57I'm caught in the hothouse
32:58Spent the night here
33:00Wait a minute, Virginia
33:08I thought Bobby was...
33:10Oh, look, Virginia
33:12I know it looks bad
33:13But, well, just trust me, huh?
33:15And I believed you last night
33:16Oh, now
33:17For Bobby's sake
33:18You'd better get out of here right now
33:19Virginia
33:23Are you sure those spots mean what you said?
33:25You can't quarantine the whole school, you know
33:27What about our presentation?
33:29There's nothing I can do
33:30Miss Bunny has measles
33:31Must be put to bed at once
33:33And the school is under quarantine
33:35Sorry?
33:36It's too bad
33:37It's just too bad
33:39Poor kid
33:41Poor kid
33:42Oh, it just wrecks all of our plans
33:51That's a pity
33:52It's an awful pity
33:53The very first time we try something like this
33:56Well, couldn't we postpone the presentation?
33:59No, no, you can't do that
34:00We spoil the publicity angle
34:02We'll just have to make the best of it
34:04I just knew something like this would happen
34:07I'm sorry, Andy
34:08There must be something we can do
34:10There it is
34:11You can have your presentation
34:13Have it in here
34:14You know, you can't catch measles from behind glass
34:17Who are you, young man?
34:18I'm qualified to stage your presentation
34:20I've figured a presentation to my own
34:21I know what to do and how to do it
34:23Now, we could move all these ferns and plants out of one end
34:27And have sort of a stage
34:28Or we might even make costumes out of the plants
34:30Yeah, this is the place, all right
34:33Well, what do we do now?
34:35Oh, now, look
34:36Our Zeta brothers at Quinston say the guy's here disguised as a girl
34:40We just keep our eyes peeled
34:42And when we find him, we give him the work, see?
34:45Get a load of that over there
34:48Yeah
34:54Well, how do we get in?
34:55Huh?
34:56Oh, oh, get in
34:58Well, here, I got it
35:00We'll grab one of these
35:01Come on, you get one
35:06Come on
35:10Wait a minute, I can't get in that way
35:15Move
35:28Hey, we should quit playing around
35:38Well
35:39Say, we've been here three days
35:40And we haven't found that phony dame yet
35:42I know, I know
35:44I've been trying, though, ain't I?
35:45Yeah
35:46Trying to make dates with them
35:49Goodbye, now
35:50Goodbye, Bobby
35:51Hey, wait a minute
35:56I got an idea
36:05How are you, beautiful?
36:06Oh, hello
36:07Go on, get out of here, will you?
36:10Uh, Bobby
36:12Yes
36:13Why don't you like me?
36:14Oh, I like you
36:17But I've seen you with the other girls
36:19Oh
36:20You play too rough
36:22Uh, Bobby
36:25Yes
36:26Can you keep a secret?
36:27Uh-huh
36:28Well, uh, I...
36:29I had to do that, you know, be a little rough with the girls
36:33Oh
36:34Oh
36:35You should learn to control yourself
36:36Oh, no, no
36:37It's nothing like that, but
36:39Bobby
36:40Yeah
36:41You know, there's a man here disguised as a girl
36:44And I gotta find him
36:45A man?
36:46Yeah
36:47Oh
36:52Will you please get out of here?
36:54Go on, scram
36:55Oh
36:57Oh
36:58Oh
36:59Oh
37:00Oh
37:01Oh, where am I?
37:02Well, you're killed with me, baby
37:04Oh, dear
37:06Oh
37:07Oh
37:08Oh
37:09Oh
37:10Oh
37:11Oh
37:12Oh
37:13What's the matter, Bobby?
37:14I won't hurt you
37:15That's what I'm afraid of
37:17Will you scram your cramp in my style?
37:19Yeah
37:20Yeah
37:21I get it
37:22Oh, Bobby, you're such a lovely girl
37:24Oh, Bobby
37:25Oh
37:26Oh
37:27Oh, Bobby, you play so right
37:29I know you don't
37:30Oh, no, Bobby, now cut it out
37:32Oh
37:33I know you're tired
37:34Oh
37:35Bobby, now wait a minute
37:36Oh
37:37Bobby
37:38Oh
37:39Oh
37:40Hey
37:41Bobby
37:42Bobby
37:43Oh
37:44Oh
37:46Oh
37:47That'll teach you not to play fast and loose with me
37:49Oh
37:50Bobby
37:51Let me up
37:52Please let me up
37:53I don't see why you have to be so rough
38:03Ticky
38:04Ow, Bobby
38:05Ticky, Ticky
38:06Ow
38:07Ticky, Ticky
38:08Oh
38:09Please let me up, won't you, Bobby?
38:10Will you promise to be a gentleman?
38:12Oh, yeah
38:13Bobby, I'll promise anything
38:15All right now, but remember your promise
38:17Oh
38:25You little dickens
38:26Now I got you
38:27No, no, no, no
38:28No, no, no, no
38:29Hey, hey, hey, hey
38:30What's the matter with you?
38:31What do you always keep coming around for?
38:33Just when I get going good, didn't I?
38:35Yes
38:36We'll slay them, Annie, or we'll knock them cold
38:46Oh, Annie
38:48What's this?
38:49Don't touch it
38:50That's a Dionea mascapula
38:51My, my, do tell
38:53Venus trap
38:54Meat-eating plant to you
38:55Mm
38:56Poor darling, it's hungry
38:57I've been so busy I haven't had time to feed it
38:59I haven't had time to feed it
39:04Not the dark introduction
39:06Yeah, no, dare you anywhere?
39:10Virginia, please
39:12I want to explain
39:14No, no, sorry, no, sorry
39:15No, no, great
39:16I want to explain
39:18No, no, no, no, no
39:20I want to explain
39:21Yeah, I want to explain
39:22Yeah, no, no, no
39:23No, no, no, no
39:24No, no, no, no
39:25Virginia, please
39:26Oh, Virginia, please. I want to explain.
39:29Explanations are not necessary.
39:31Oh, but Bob Shepard is...
39:32Please, you're only making matters worse.
39:34I am grateful to Bob Shepard for what he's done for Morrowind,
39:37but it ends there.
39:38Get into your costume. There's the overture.
39:40Oh, Virginia.
39:52Hurry up, Operator, will you please?
39:55Hello, Quinston. Zeta House.
39:57Hello, you lugs.
39:59Thanks to you, I lost a girl.
40:01Yeah.
40:03Yeah, yeah.
40:05Yeah, I know.
40:07Am I? Of course I'm going through with it.
40:09I'll get revenge and plenty.
40:11Where do you see the papers?
40:13Where's Bobby?
40:14Probably in there with her boyfriend.
40:16Well, you better get on the stage and follow this first number.
40:19Quick, quick, quick, quick, quick.
40:21Come on, we're ready.
40:23Yeah, all right.
40:24Great start.
40:25But what a finish.
40:26Mm-hmm.
40:27Tell your best photographers to get up overhead.
40:28It'll make a sensational finale shot.
40:29Now, go ahead.
40:31Okay.
40:32Let's go.
40:33Now, go ahead.
40:34Here in the room, let's go.
40:35Okay.
40:36Oh look, let's go.
40:37Go ahead, I'll figure it out.
40:38I want you to put it all together.
40:39Let's go.
40:41Whoo.
40:43Now, go ahead.
41:05Virginia, listen.
41:06I want to explain.
41:06I was going to forgive you, but a moment after she,
41:09while you were with her, what are you planning to do to this show?
41:12Nothing, Virginia.
41:13It's just a...
41:13That's my music.
41:17Our peaceful countryside is lonely as can be.
41:22Someone I shall mention merits the attention of the men who write our history.
41:34The poor farmer's daughter, she's wasting her glamour and charm.
41:39Oh, dobbin' and a plow and a piggy and a cow are the only ones left on the farm.
41:44Oh, the poor farmer's daughter, she once had a bow on each arm.
41:49They took it on the lam, went to trade for Uncle Sam, and they left her alone on the farm.
41:54Her papa says the crop of the year is the top, but that doesn't ease a slumber.
42:00What good is a crop when you beat one a hop?
42:02You get rumba with an old cucumber.
42:07Oh, the poor farmer's daughter, she really has cause for alarm.
42:12Oh, dobbin' and a plow and a piggy and a cow are the only ones left on the farm.
42:17Oh, the poor farmer's daughter, she's wasting her glamour and charm.
42:33Boy, what a job.
42:34I'm gonna get myself in a mess like this again.
42:37Corsets, garters.
42:38Yes.
42:44Gee, I have her get home.
42:50Why, Auntie.
42:52It's going great, isn't it?
42:53Yeah, but I better tell you, Bunny got out.
42:57Who?
42:58Bunny.
42:58What's out?
42:59Bunny.
43:00Where?
43:01Where?
43:01By, by, by.
43:05Oh, darn.
43:08Are the only ones left on the farm
43:10Did you see that?
43:11Canned bananas.
43:12It's a double cross.
43:14Bobby, Bob, he's she.
43:15She's he?
43:16There's a man loose in my school.
43:18Let the photographer see him or son.
43:20Yes.
43:24What?
43:25Bobby, well catch her, catch her.
43:27When your feet wanna hop, you can't rumble
43:30With an old cute conble, old poor farmer's daughter
43:36She really had salt for a lawn
43:39Old Dobbin and a plow and a piggy and a cow
43:42Are the only ones left on the farm
43:44Grab a toadstool and park it
43:56See the models from the farmer's market
43:59You'll find the price within reason
44:01Get a load of what's cooking this season
44:04Number one on the style parade
44:10Shops will soon be selling
44:11Folk has named it
44:14The Mordeaux Watermelon
44:16Hi, Bobby
44:32Oh, Bobby, I wanted to tell you something
44:35Oh, go jump in the lake
44:37Tiny, tiny, I found him
44:43That's him, that's him with those glasses on
44:46Number two on the style parade
44:49Not by Schiaparelli
44:51Get that cabbage
44:54Around my lady's shoulder
44:56On me and a train from a poet's heart in this lonely garret
45:05Say, don't care with a sheep, she'll push the carrot
45:10Come with me, I got a great idea
45:27Now we offer a symphony
45:31Every note staccato
45:33Our creation, temptation of the motto
45:38Now here's one
45:41They will raise a cop named to California
45:44Get that rhythm
45:47It's in the groove, but yet the corny
45:49Remember, my kids, the sitting-down Zeta trick
45:52on the last note of music
45:53Now don't let me down
45:54What's the meaning of this?
46:17Oh, sorry
46:18Awful sorry
46:19Get out of here
46:20You realize now
46:21There never has been a Bobby DeWolf
46:22And honey, don't worry about your show
46:24Come on, Bobby, we got you now
46:46Bunny, you shouldn't be here
46:48You've got the measles
46:49Bunny?
46:53Measles?
46:54Are you happy with the show?
47:14Yes, but there's something I want to say to you
47:24You're marvelous
47:30You're very good
47:31Jenny
47:32Oh
47:32I'm sorry you lost your revenge because of me
47:45But you should have a public apology for Zeta
47:47Oh, getting you is enough for me
47:50But don't you think your friends will be angry when they see those publicity pictures?
47:55Oh, they'll understand
47:56Boy, oh boy, how do you like that, huh?
48:05It's terrific
48:06Gee
48:07Gee
48:19¶¶
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