- 4 months ago
Campus Rhythm (1941) is a lighthearted musical comedy filled with catchy tunes, lively performances, and playful college humor. A fun glimpse into 1940s cinema, this film blends music and comedy in a way that captures the spirit of its era. Now in the public domain, it remains a nostalgic treasure for fans of vintage movies.
Category
🎥
Short filmTranscript
00:00The
00:04The
00:10The
00:20The
00:26The
03:08Hey, Tiger, you're out of step.
03:51I'm a chap with a chip on my shoulder
03:56When anyone looks at you
03:59How my muscles swell in the throes of jealousy
04:03I may not be six feet two
04:07Having Samson's hair is true
04:10But I'm a chap with a chip on my shoulder
04:13When anyone looks at you
04:16That's it, ma'am.
04:19And the audience gave him a great big hand, too
04:21Of course, for the boys, it was just another show
04:23But for Cushing, it was great publicity
04:25I had to... empty
04:26That's very interesting, Mr. Holden
04:29Pardon?
04:29Coming from a newspaper man
04:31But I'll have no cheap, undignified publicity at Marbury
04:36But it isn't undignified, Auntie
04:38I can't understand why we don't have more students
04:42Well, it's because our girls are...
04:44Well, men won't even come to our proms
04:46Sure, you need regular girls
04:47Not a lot of petunia putters
04:49Girls with Zip
04:50Let me remind you both
04:52That through the study of nature
04:54My girls develop well-rounded minds
04:57Minds they can live with the rest of their lives
05:00But, Auntie, a girl doesn't want to live with a mind
05:03She wants to live with a husband
05:05But, Jillian!
05:07Listen, would you be willing to give away twelve scholarships?
05:10To twelve unusual girls?
05:12Well?
05:12If it would help my school?
05:15Yes
05:15It will
05:19I hope so
05:20But I wonder...
05:21You don't have to wonder any longer
05:23There they are
05:24You need girls like that
05:25Look them over
05:26There's the Watermelon Queen
05:27The Pumpkin Queen
05:28The Orange Queen
05:28The Lemon Queen
05:29The Strawberry Queen
05:30Millions of them
05:31What lovely tomatoes
05:34Why is she called the Tomato Queen?
05:36Because she grew them herself
05:38That's how she won the title
05:39Really?
05:41She's a very pretty girl, too
05:43Empty?
05:45Sure, there's queens like her all over this country
05:47We could pick twelve
05:49And give them memberships and scholarships to Mar Bryn
05:51Yes, Auntie
05:52And they'll all be so outstanding
05:54Well, it doesn't seem beneath the dignity of Mar Bryn
05:58We could call them
06:02The girls
06:03Most likely to succeed
06:05That's swell
06:06Now, all we need is some quick notoriety
06:08Enough to get
06:08Quiet!
06:09But dripping with dignity
06:10Like a public announcement
06:11You know, the way Harvard lampooned Hollywood
06:13Let me think, let me think
06:16I've got it
06:21We'll pick on the men
06:24Least likely to succeed
06:25Do you mean those mentally undernourished males
06:28At Quinston
06:29Cavorting as girls?
06:30The Zeta boys!
06:32Great, Auntie!
06:32I mean, pardon me
06:33Write an article for your paper about them
06:35And spread it on thick
06:36Call them dumbbells
06:37Call them anything you like
06:38And I'll see if the press picks it up
06:40Now, make them look ridiculous
06:41And we'll head the article
06:43Men least likely to succeed
06:45But do you think we should?
06:47Perhaps they will succeed
06:48Oh, don't be silly
06:50Everybody knows that Quinston men don't succeed
06:52They inherit
06:53Ha ha ha ha
06:55Ha ha ha
06:56Hey, fellas
07:05Get a load of this
07:07Can you imagine that?
07:08Some hip girl's college is putting us on the pan
07:10Where's Henry?
07:12I'm coming, Mother.
07:16Now look, we know you're the world's greatest dramatic actor, but this is serious.
07:19Quit hamming, will ya?
07:20Listen.
07:21Girls, are you interested in horticulture?
07:23Perhaps you will be one of this season's festival queens to win a scholarship to Marbury.
07:27Send us your pictures and credentials.
07:29They're just taking a crack at us to advertise their scholarship award.
07:32And we gotta do something about it.
07:34That's right.
07:35Yeah!
07:36Well, I know what Gary Cooper would say.
07:38He'd say, I don't know how you people do things here, but...
07:46Well, back where I come from, we act.
07:50Yeah.
07:51Now wouldn't it be too bad if this scheme up there should backfire some way?
07:55Yeah! Backfire!
07:58What's on your mind?
08:00Why, some way to turn the tables.
08:03On account of we won't let ourselves be treated that-a-way.
08:08That's it.
08:09And we've had plenty of experience.
08:10We all just finished impersonating girls.
08:12Suppose one of the Marbury candidates turns out to be a boy.
08:17Then one of us would go to Marbury as a contest winner.
08:23And you, Henry.
08:24You and me are great at invitations.
08:26Mm-hmm.
08:27Oh, no, not me.
08:28I only impersonate men.
08:30Well, get a pack of cards and we'll cut for it.
08:38That was a great idea, Bob.
08:40Do you think it's possible?
08:42Oh, wouldn't that be something?
08:44Gee.
08:45Can you imagine being in a girl's school?
08:56I don't want to go.
08:57I'll frame him.
08:58You will think of something dirty, Mr. Bergen.
09:01You always do.
09:02Yes, but what?
09:03He's the one to go.
09:05Well, give him the business.
09:06Give him the business.
09:07Now, if I were in your place, I'd certainly-
09:10Charlie.
09:11Nothing crooked.
09:12Why, Mr. Bergen, I'm a man of high honor.
09:15How could you even-
09:16Charlie, answer my question.
09:17Yes, but you don't, Charlie.
09:18Oh, well, Charlie.
09:19Oh, well.
09:20Yes, I see.
09:25Yeah, and besides, you got a deck of cards, haven't you?
09:33Charlie McCarty.
09:37We'll fake a swell picture of a girl with her arms full of flowers,
09:40which naturally she grew herself.
09:41You know, the beauty type-
09:42Well, we're willing to take our chances.
09:47And Bob, as president of the fraternity,
09:49I think it's only right that you take the first card.
09:51Oh, well, there's no-
09:53Yeah, and the one who gets the first ace goes.
09:55First ace?
09:56Yeah.
09:57Agreed?
09:58Right.
09:59First ace.
10:00Take your pick.
10:01Well.
10:02You're afraid.
10:03Yeah.
10:04It's kind of important, you know.
10:10Well, let's make it two out of three.
10:12Oh, no, no, no.
10:14You want and you go, as queen of the flowers.
10:17Si.
10:18Madame.
10:19And Mar-Bren expects you to do a good job.
10:21And we know you won't let us down.
10:22Oh, I'm hooked.
10:23Well, that's all right, Bob.
10:25After all, it should be right up your alley.
10:27Ah.
10:28Hey.
10:29Hey, look.
10:30Ace.
10:31Ace.
10:32Ace.
10:33Ace.
10:34Ace.
10:35Ace.
10:36Ace.
10:37Ace.
10:38Ace.
10:39Ace.
10:40Ace.
10:41Ace.
10:42Ace.
10:43Ace.
10:44Ace.
10:45Ace.
10:46Ace.
10:47Ace.
10:48Ace.
10:49Ace.
10:50Ace.
10:51Ace.
10:52Ace.
10:53Ace.
10:54Ace.
10:55Ace.
10:56The Tobacco Queen, a Chesterfield all-American girl.
11:00Isn't she beautiful?
11:02What a lovely turkey.
11:04Give me the girl, and I'll give you the bird.
11:07Well, that's satisfactory.
11:09I never realized there were so many lovely girls with such amazing talents.
11:14Listen, there's only, uh, only 11 here. We need one more.
11:17Well, we have fruits and vegetables.
11:20Flowers must be represented.
11:22I'll take this one. Queen of the Flowers.
11:28Bobby DeWolf.
11:30That's a very interesting face.
11:32That's fine, Auntie. Don't call me Auntie.
11:35Oh, I'm sorry, but what I was going to say, uh, was, uh,
11:38with all these pretty girls, you'll have to relax a little
11:40and let some boys on the campus.
11:42Never! No men on the campus during school hours.
11:45Not while I'm president of Marverine.
11:48Well, I'm a man.
11:50You're safe.
12:02How are you, guys? Come here. Come here. I want to show you something.
12:04Hey, shh, fellas. Here he comes.
12:06He's coming. Is he in a good mood?
12:08Oh, I don't know, but it sure wasn't when we were helping him into her clothes.
12:14Let go of me, will you? I'm not gonna run away.
12:17The fraternity will never forget this.
12:19It was your idea, and you're the only one that could do it.
12:22Make Marverine look like a sucker.
12:24Yeah, sucker is right, and I'm it. And I'm not gonna go through it.
12:27Oh, yes, you will. Oh.
12:29Don't trip again there, dearie. Or we'll give you the words.
12:41Watch your little temper.
12:42Oh, you can't back out now. Besides, you look like Ginger Rogers.
12:46More or less.
12:47And think of all the fun you'll have.
12:49Yeah, fun.
12:50I'll probably land in jail.
12:51Oh, now, wouldn't that be too fast?
12:53Now, remember, you're doing this for Zeta. We'll all be rooting for you.
12:57Come here, sir. Come.
12:58We know you can do it, so don't let us down.
13:00And don't forget the writers.
13:05Bobby, look, look.
13:06That must be she there.
13:15Yes, sir.
13:16Yeah, and a honey.
13:19Miss Bobby DeWolf from Quiston Community.
13:22Queen of the flowers.
13:25Welcome to Marverine's special.
13:27Now, don't forget. Keep that baritone trap ears shut.
13:30Pretend like you've got a sore throat or something.
13:32Come, come, Mr. DeWolf. Gotta be going.
13:35Oh, maybe you'd better kiss your friends goodbye, huh?
13:37Yeah.
13:38Yeah.
13:40Goodbye, dear.
13:43There we go.
13:44Now we're off.
13:45My goodness, but you do have a lot of boyfriends.
13:48Just brothers.
13:49Just brothers.
13:50My, my.
13:57All aboard.
13:59Oh, hello, honey.
14:00Hello.
14:01Here you are, right up here at number two.
14:03Now, listen.
14:04I want you to get a good night's rest and take care of that throat, Bobby.
14:08If I may call you that.
14:10Uh.
14:11Honey.
14:12You know you're different than these other girls around here.
14:14Could you, could you, could you, could you, could you, could you?
14:15Oh, you go on.
14:16Let me help you up.
14:18Oh, no you don't.
14:20I'll get a letter.
14:22I'll get a letter.
14:23Yes, sir.
14:25Hey!
14:26Oh, no.
14:27Now, come on.
14:28Come on.
14:29Oh, yeah.
14:30All right.
14:31Well.
14:32Ah, come on.
14:33Oh.
14:34Oh, no.
14:35Oh.
14:36Oh, no, I.
14:37Oh, no.
14:38Go.
14:39Oh!
14:40Oh, no.
14:41Oh, no.
14:42Oh, no.
14:43Oh, no.
14:44Oh, no.
14:45Oh.
14:46Oh, no.
14:47Oh, no.
14:48Oh, my.
14:49Oh, no.
14:50Oh, no.
14:51Oh, early to bed and early to rise, that surely applies to me.
15:01Don't have to count sheep to put me to sleep.
15:05It's easy as ABC.
15:08When I rise and open my eyes, don't need an alarm clock's chime.
15:14Believe it or not, I'm up like a shot.
15:18When it's past my dreaming time, I'm up at the crack of dawn whistling, singing.
15:32Cheerful as the sunbeams peeping through, after dreaming all night of you.
15:37I'm up at the crack of dawn whistling, singing.
15:43Hef, hef, hef, hef, hef, hef, hef, hef, hef.
15:45Never saw the sky look quite so blue, after dreaming all night of you.
15:49When I wake with your kiss on my lips, all my cares are in a total eclipse.
15:59I'm up with a cheery yawn, whistling, singing, da-da-ba-ba, all your sweet erasers in your arms, so whistle and sing, cause there is nothing that I lack at the crack of dawn, I'm up at the crack of dawn, whistling, singing, da-dee-da-da-da-da, cheerful as the sunbeams seepin' through, after dreamin' all night of you.
16:29I'm up at the crack of dawn, whistling, singing, da-da-da-da-da, never saw the sky look quite so blue, after dreamin' all night of you, when I was, I was awakin' with your kiss on my lips, on my kiss, off of gatherin' a dark dolly clip, I'm up with a cheery yawn, whistling, singing,
16:57Oh, daddy, all your sweet embraces linger on, I whistle and sing, there is nothing that I lack at the crack of dawn, we're up at the crack of dawn, whistling, singing, da-da-da-da-da-da, cheerful as the sunbeams seepin' through, after dreamin' all night of you, we're up at the crack of dawn, whistling, singing, da-da-da-da-da, never saw the sky look quite so blue, after dreamin' all night of you,
17:27When I was, I was on my face, all my face, all my face, all my face, all my face, are in a total eclipse, oh, we're up with a cheery yawn, whistling, singing,
17:57at the crack of dawn, whistling, singing, da-da-da-da-da-da-da-da-da-da-da-da-da-da-da-da-da-da-da-da-da-da-da-da-da-da-da-da-da-da-da-da-da-da-da-da-da-da-da-da-da-da-da-da-da-da-da-da-da-da-da-da-da-da-da-da-da-da-da-da-da-da-da-da-da-da-da-da-da-da-da-da-da-da-da-da-da-da-da-da-da-da-da-da-da-da-da-da-da-da-da-da-da-da-da-da-da-da-da-da-da-da-da-da-da-
18:27And now, girls, to your dormitory assignments.
18:54And I hope you'll all be very happy at Margaret's.
18:57Well, I'll be seeing you all.
18:59Or will I?
19:00Now, Bobby dear, come with me.
19:01We're very much concerned about this throat of yours.
19:05Oh, not that door, my dear.
19:07That leads to the basement.
19:08The one opposite.
19:10Do we feel like sharing a room, or would we rather be alone?
19:13Alone, please.
19:14It's a very nice little room, right next to mine.
19:17Do we feel well enough to stay up, or would we rather go right to bed?
19:20Oh, to bed.
19:22Of course, if you'd rather, we can send you up to the infirmary for a complete examination.
19:26Oh, no, no.
19:27I, uh, I'm just a little hoarse.
19:30We do sound more like a mule.
19:33Feel more like a jackass.
19:38Gosh.
19:40Boy, I'm going to get out of here.
19:42Ah.
19:44All right.
19:45Oh.
19:45Oh, goodness me, Bobby, what are you doing?
19:56Well, my throat is cold.
19:58I'm just keeping it warm.
20:00Oh, is that all?
20:02Well, look, do something for me, will you?
20:03I just can't seem to do anything with these.
20:05Fix them for me, please.
20:06Well, what do you want me to do with this?
20:09Well, just fix my hair, silly.
20:11Say, you know what?
20:19I met a Zeta at Midwest over the phone.
20:22Gee, he sounded grand.
20:23He asked me for a date Saturday night.
20:25He has a friend.
20:26Want to come?
20:27Mm-mm.
20:29Well, we could sneak out of here, I betcha.
20:31Mm-mm.
20:33I know how those Zetas work.
20:35Well, you do have to be quick, but, old boy, it sure is fun.
20:41Well, goodbye, now.
20:42Goodbye.
20:44You look very lovely.
20:46Goodbye.
20:54I'm Virginia Collins.
20:55Welcome to Marv Rennes.
20:57Is there anything I can do for you?
21:00I hear you have a pretty sore throat.
21:02Yes, very pretty.
21:04I mean, yes, it's very sore.
21:07Have you gargled?
21:10What on earth do you have here?
21:11It's just sort of, well, just laundry.
21:15Oh.
21:16Well, I came to tell you about the staying over by the bell tower.
21:19Too bad you can't come because of your throat.
21:21Oh, it feels much better.
21:23Ah.
21:23Well, if you do come, be quiet.
21:24It's against the rules, and Andy doesn't like it.
21:27Well, I'm awfully sorry about your throat,
21:30and I can understand why you want to be alone.
21:32But it's too bad, because we were supposed to be roommates.
21:35Uh-huh.
21:35What on earth are you doing?
21:56Oh, just, just breaking in a new pair of pajamas.
22:01Oh, naughty, naughty, with your throat.
22:03To bed with you.
22:04Come.
22:05Oh, no.
22:06Oh, yes, yes.
22:07You're a very serious condition.
22:10Now, let me tuck you in.
22:14Shall I rub your chest?
22:16Everything is so messy.
22:24Don't you dare get out of that bed, young lady.
22:26Look, what is this?
22:54Well, these is men's pants.
22:55What they doing here?
22:56They ain't got no business here.
22:58And a man's coat?
23:00Well, where'd these things come from?
23:03Uh-oh, here's his shoes.
23:04I'm gonna call Miss Matilda and tell her all about this.
23:11Hello?
23:12Uh, Miss Matilda?
23:14There's a man's clothes that come down this chute.
23:17Uh, what, ma'am?
23:19Uh-uh, no, no, ma'am.
23:23I'm sure, of course I'm sure.
23:25These here clothes ain't made out of no organdy.
23:28Uh-uh, no, ma'am.
23:32Uh, excuse me, Miss Matilda.
23:34I must have left the washing machine going.
23:36At least I hope so, I did.
23:50Uh, Miss Matilda, as I was saying, there was a man's shoes.
23:54They were shoes, but they must have walked off by themselves.
23:58Uh, listen, Miss Matilda, there's something going on here that ain't the way I lights it.
24:02Now the ironers are going.
24:05My, my, Miss Matilda, it must be my nerves.
24:10Uh, hold a while while I turns off the iron.
24:13No, ma'am, I ain't crazy.
24:28Miss Matilda, did y'all ever find your hoodie or the color I think he's here or somebody's here?
24:34Yes, ma'am.
24:35I goes to cut the, the ironer off and the shirt and the shoes is gone.
24:39Yes, ma'am.
24:40It was just like this.
24:41See?
24:42I goes over to the ironers and cut it off and, uh, and the shirt's gone.
24:45And then I goes to the washing machine and the shoes is gone.
24:49Ah!
24:50This place is haunted!
24:51Miss Matilda, before your ex-wash lady leaves here, y'all better come down here and get these pants.
24:56I just can't stay in this place no longer.
24:59I go crazy.
25:00I just can't stay here.
25:02Ah, this is awesome.
25:04Now, yes, all the washing machines are going.
25:06Ah!
25:07Ah!
25:08Ah!
25:09Ah!
25:10Ah!
25:11Ah!
25:12You have to see a break like this.
25:13Miss Matilda!
25:14Miss Matilda!
25:15Oh, yeah, I'm going to cut me.
25:16Ah, Miss Matilda, come get me clean.
25:18Miss Matilda!
25:19What is going on in here?
25:20Are you crazy?
25:21What on earth is wrong?
25:22Now, what's all this talk about pants?
25:23Where are they?
25:24I don't know where they is, but I sure know where they ain't.
25:25What is the matter with you?
25:26There ain't nothing the matter with me.
25:27This here place is haunted.
25:28First the shirt and the shoes goes by itself.
25:29Then the washing machine and the iron goes by itself.
25:30Then the pants go by itself.
25:31Now I'm going by myself.
25:32Goodbye, Miss Matilda!
25:33Goodbye, Miss Matilda!
25:34Out of the silence, come and bring me to me.
25:35Out of the silence, come and bring me to me.
25:41Out of the silence, come and bring me to me.
25:48Out of the silence, come and bring me to me.
25:55Out of the silence, come and bring me to me.
26:07Out of the silence, come and bring me to me.
26:19Out of the silence, come and bring me to me.
26:28Out of the silence, come and cling to me
26:38Out of the silence, come and bring to me
26:46That feeling of contentment when you're near
26:54And that feeling of resentment will disappear
27:02When out of the silence, comes the sound of your voice
27:15My heart goes leaping, I can't help but rejoice
27:21I'm up in heaven from the bottom of the sea
27:32When out of the silence, you come to me
27:45Out of the silence, comes the sound of your voice
27:55I'm up in heaven from the bottom of the sea
28:02I'm up in heaven from the bottom of the sea
28:15When out of the silence, you come to me
28:26Out of the silence, comes the sound of your voice
28:39My heart goes leaping, I can't help but rejoice
28:48I'm up in heaven from the bottom of the sea
29:01When out of the silence, you come to me
29:12When out of the silence, you come to me
29:24Girls, we'd better hurry
29:34Miss Latilla's coming
29:35Back to the dormitories, girls
29:36Hurry, back to the dormitories
29:38Shhh
29:43What are you doing here?
29:45I came to see you
29:46But right now I'm holding the bell cord
29:48Quiet or she'll hear you
29:50I never saw you in my life, Dathor
29:54Well, I've seen you
29:56I want to help you with this presentation
29:58My name's Bob Shepherd
29:59You see, I'm interested in a way through Bobby DeWolf
30:02Oh
30:03Oh, that is just professional
30:05I taught her to sing and dance
30:07Confidentially though, I don't like her much
30:09Not after I saw you, Virginia
30:11How did you know my name?
30:13Oh, I know a lot of things
30:16Say, say, would you mind holding this just for me?
30:19Be careful now, it's heavy
30:20Now, you know, you can't let go of that
30:22Or the bell will ring and wake up the whole town
30:24And the old girl will hear it and come and find us here together
30:27What's the matter with you?
30:28You aren't going, are you?
30:29No, no, no, no, no
30:30Just trying to resist temptation
30:31You see, there's a little red man with horns behind me
30:33Egging me on
30:34Pushing me with his pitchfork
30:35Showing me forward, forward
30:37Like this
30:39I don't know what you're doing
30:40I don't see him
30:41Well, he's there
30:43Now, was that nice?
30:44Elegant
30:45Well, wait
30:46I mean, perhaps I'd like to get in on this myself
30:50Oh, lady
30:51Now, you can hold it for the rest of the night
30:53What a dirty trick
30:54Well, goodbye, Bob
30:55Listen, if you leave, so help me
30:56I'll let go of this rope
30:57You can let go any time
30:58That bell hasn't worked in 14 years
30:59Now, you can hold it for the rest of the night
31:02What a dirty trick
31:04Well, goodbye, Bob
31:05Listen, if you leave, so help me
31:06I'll let go of this rope
31:07You can let go any time
31:08That bell hasn't worked in 14 years
31:09Boy, how do you like that, huh?
31:11That bell doesn't work
31:12Well, it's almost nothing
31:13I mean
31:14I've been on this myself
31:15Oh, lady
31:16Well, you can hold it for the rest of the night
31:18What a dirty trick
31:19Well, goodbye, Bob
31:20Listen, if you leave, so help me
31:21I'll let go of this rope
31:22You can let go any time
31:23That bell hasn't worked in 14 years
31:24Boy, how do you like that, huh?
31:25Oh, boy
31:30Boy, how do you like that, huh?
31:37It's terrific.
31:39Gee.
31:42Glamorous addition to more Brim's Fall Festival.
31:46Get a load of that guy.
31:47He's doing all right.
31:50Good morning.
31:51Good morning.
31:51Well, it's like all our little girls are as busy as be...
31:55Good morning, Mr. Holden.
31:56Good morning, honey.
31:57You know, we're going to rehearse our presentation in here.
31:59Is that so?
32:00Well, girls, are we all ready?
32:03Oh, Mr. Holden, do you really think these spots mean anything?
32:07I don't know, but I called a doctor.
32:10You wouldn't get spots at a time like this.
32:13Has anybody seen Bobby?
32:15I'm worried about her.
32:15She was out all night.
32:17Well, don't say anything.
32:18Keep it quiet.
32:19Hello, fellas.
32:21Look, fellas, be reasonable, can't you?
32:23I know I promise, but I've fallen in love with a girl.
32:26She's like orchids covered with dew.
32:28Like, oh, like moonlight and violin.
32:31She's...
32:32Hey, now, wait a minute, Bob.
32:34Hey, fellas.
32:36Looks like love has crossed us up.
32:37Hey, we can't let them quit now.
32:40Now, look.
32:41You took an oath in love or no love.
32:42We can't let you get out of it.
32:43We'll send some of the local Zeta boys over to keep him from walking out.
32:47Right.
32:49Now, listen, Bob.
32:52Wait a minute.
32:54It's only me, Virginia.
32:55I'll be there in a minute.
32:56I gotta quit.
32:57I'm caught in the hothouse.
32:58Spent the night here.
32:59That's coming.
33:00I'll be there in a minute.
33:01I'll be there in a minute.
33:02I'll be there in a minute.
33:03Wait a minute, Virginia.
33:08I thought Bobby was...
33:10Oh, look, Virginia.
33:12I know it looks bad, but...
33:14Well, just trust me, huh?
33:15And I believed you last night.
33:17Oh, now.
33:18For Bobby's sake, you'd better get out of here right now.
33:21Virginia.
33:24Are you sure those spots mean what you said?
33:26You can't quarantine the whole school, you know.
33:28What about our presentation?
33:30There's nothing I can do.
33:32Miss Bunny has measles.
33:33Must be put to bed at once.
33:34And the school is under quarantine.
33:37Sorry.
33:38It's too bad.
33:39It's just too bad.
33:41Poor kid.
33:50Oh, it just wrecks all of our plans.
33:52That's a pity.
33:53It's an awful pity.
33:55The very first time we try something like this.
33:57Well, couldn't we postpone the presentation?
34:00No, no, you can't do that.
34:01We spoiled a publicity angle.
34:03We'll just have to make the best of it.
34:05I just knew something like this would happen.
34:08I'm sorry, Andy.
34:10There must be something we can do.
34:11There it is.
34:13You can have your presentation.
34:14Have it in here.
34:15You know, you can't catch measles from behind glass.
34:18Who are you, young man?
34:20I'm qualified to stage your presentation.
34:21I figured a presentation to my own.
34:23I know what to do and how to do it.
34:24Now, we could move all these ferns and plants out of one end and have sort of a stage.
34:29Why, we might even make costumes out of the plants.
34:33Yeah, this is the place, all right.
34:35Well, what do we do now?
34:36Oh, now, look.
34:38Our Zeta brothers at Quinston say the guy's here disguised as a girl.
34:42We just keep our eyes peeled and when we find him, we give him the work, see?
34:45Get a load of that over there.
34:50Yeah.
34:55Well, how do we get in?
34:56Huh?
34:58Oh, get in.
34:59Well, here, I got it.
35:00We'll grab one of these.
35:02Come on, you get one.
35:07Come on.
35:10Wait a minute.
35:11I can't get in that way.
35:12Hey, we should quit playing around.
35:30Say, we've been here three days and we haven't found that phony dame yet.
35:43I know, I know.
35:45I've been trying, though, ain't I?
35:46Yeah, trying to make dates with them.
35:50Goodbye, now.
35:51Goodbye, Bobby.
35:56Hey, wait a minute.
35:58I got an idea.
35:59Hey, I got an idea.
36:03How are you, beautiful?
36:08Oh, hello.
36:09Go on, get out of here, will you?
36:12Um, Bobby.
36:14Yes?
36:14Why don't you like me?
36:16Oh, I like you.
36:18But I've seen you with the other girls.
36:21You play too rough.
36:22Uh, Bobby.
36:27Yes?
36:27Can you keep a secret?
36:29Uh-huh.
36:30Well, uh, I had to do that, you know, be a little rough with the girls.
36:35Oh, you should learn to control yourself.
36:38Oh, no, no.
36:39Now, it's nothing like that.
36:40But, Bobby.
36:41Yes?
36:42You know, there's a man here disguised as a girl, and I gotta find him.
36:47A man?
36:47Yeah.
36:49Oh!
36:50Man!
36:53Will you please get out of here?
36:56Go on, scram.
36:59Oh!
37:00Oh!
37:01Oh!
37:02Where am I?
37:03Well, you're killed with me, baby.
37:05Oh, dear!
37:07Oh!
37:09Oh!
37:10Oh!
37:11Oh!
37:11What's the matter, Bobby?
37:14I won't hurt you.
37:16That's what I'm afraid of.
37:18Will you scram your cramp in my style?
37:20Yeah.
37:21I get it.
37:22Oh, Bobby.
37:23You're such a lovely girl.
37:25Oh, Bobby.
37:26Ow!
37:28Oh, Bobby, you play so right.
37:30Oh, no, you don't.
37:32Oh, no, Bobby.
37:33Now, cut it out.
37:34Oh, I know you're tired.
37:35Bobby, now, wait a minute.
37:37Oh, Bobby.
37:39Oh!
37:40Hey, Bobby!
37:42Move!
37:42Bobby!
37:46Oh!
37:47That'll teach you not to play fast and loose with me.
37:50Oh, Bobby.
37:51Let me up.
37:52Please, let me up.
37:53I don't see why you have to be so rough.
38:04Tiki!
38:05Ow!
38:05Bobby!
38:06Tiki, Tiki!
38:07Tiki, Tiki, Tiki!
38:09Oh!
38:09Oh, please let me up, won't you, Bobby?
38:11Will you promise to be a gentleman?
38:13Oh, yeah.
38:14Bobby, I'll promise anything.
38:16All right now, but remember your promise.
38:18Oh, love.
38:21Oh.
38:23Uh-huh.
38:24Ha-ha-ha.
38:25You little dickens.
38:27Now I got you.
38:28No, no, no, no.
38:29No!
38:29Hey, hey, hey.
38:30What's the matter with you?
38:32What do you always keep coming around for?
38:34Just when I get going good, didn't I?
38:36Uh, yeah.
38:36Ha-ha.
38:45We'll slay them, Annie.
38:46We'll knock them cold.
38:47Ha-ha-ha.
38:48Oh, Annie.
38:49What's this?
38:50Don't touch it.
38:50That's a Dionea mascapula.
38:52My, my, do tell.
38:54Venus trap.
38:55Meat-eating plant to you.
38:56Mm.
38:57Poor darling, it's hungry.
38:58I've been so busy I haven't had time to feed it.
39:00Virginia, please.
39:27I want to explain.
39:29Explanations are not necessary.
39:31Oh, but Bob Shepard is...
39:32Please, you're only making matters worse.
39:34I am grateful to Bob Shepard for what he's done for Margrin, but it ends there.
39:38Get into your costume.
39:39There's the overture.
39:40Virginia.
39:52Hurry up, operator, will you please?
39:56Hello, Quinston?
39:57Zeta House?
39:58Hello, you lugs.
40:00Thanks to you, I lost a girl.
40:02Yeah.
40:04Yeah, yeah.
40:06Yeah, I know.
40:08Am I?
40:08Of course I'm going through with it.
40:10I'll get revenge and plenty.
40:11Where do you see the papers?
40:13Where's Bobby?
40:14Probably in there with her boyfriend.
40:17Well, you better get on the stage and follow this first number.
40:19Quick, quick, quick, quick, quick.
40:20Come on, I'm ready.
40:23Yeah, all right.
40:24Okay.
40:36Great start.
40:38But what a finish.
40:39Tell your best photographers to get up overhead.
40:42It'll make a sensational finale shot.
40:43Now go ahead.
40:44Virginia, listen, I want to explain.
40:54I was going to forgive you.
40:56But a moment after she, while you were with her, what are you planning to do to this show?
41:12Nothing, Virginia.
41:13It's just a...
41:13That's my music.
41:16Our peaceful countryside is lonely as can be.
41:22Someone I shall mention merits the attention of the men who write our history.
41:32The poor farmer's daughter, she's wasting her glamour and charm.
41:39Old Dobbin and a plow and a piggy and a cow are the only ones left on the farm.
41:44Oh, the poor farmer's daughter, she once had a bow on each arm.
41:49They took it on the lam, went to trade for Uncle Sam, and they left her alone on the farm.
41:54Her papa says the crop of the year is the top, but that doesn't ease a slumber.
41:59What good is a crop when your feet want to hop?
42:02You get rumber with an old cucumber, or the poor farmer's daughter.
42:10She really has cause for alarm.
42:12Old Dobbin and a plow and a piggy and a cow are the only ones left on the farm.
42:17Old Dobbin and a plow and a piggy and cow are the only ones left on the farm.
42:19The poor farmer's daughter, she's wasting her glamour and charm.
42:32Old Dobbin and a piggy and cow are the only ones left on the farm.
42:33Boy, what a job.
42:34I'm gonna get myself in a mess like this again.
42:37Corsets, garters.
42:38I never get home.
42:50Why, auntie!
42:52It's going great, isn't it?
42:53Yeah.
42:54But I better tell you, Bunny got out.
42:57Who?
42:58Bunny.
42:58What's out?
42:59Bunny.
43:00Where?
43:01Where?
43:01By, by, by.
43:05Oh, darn.
43:08Did you see that?
43:11Canned bananas.
43:12It's a double cross.
43:14Bobby, Bob, he's she.
43:15She's he?
43:16There's a man loose in my school.
43:18Let the photographer see him or son.
43:20Here.
43:25Bunny.
43:26Well, catch her.
43:26Catch her.
43:27When your feet want to hop, you can't rumble.
43:31With an old dude, gone, blah, old poor farmer's daughter.
43:36She really had salt for a lawn.
43:39Old Dobbin and a plow and a piggy and a cow are the only ones left on the farm.
43:54Grab a toadstool and park it.
43:56See the models from the farmer's market.
43:59You'll find the price within reason.
44:01Get a load of what's cooking this season.
44:04Number one on the style parade shops will soon be sellin'.
44:12Folk has named it Le Mordeau watermelon.
44:32Hi, Bobby.
44:32Oh, Bobby, I wanted to tell you something.
44:35Ah, go jump in the lake.
44:41Tiny.
44:42Tiny, I found him.
44:43That's him.
44:44That's him with those glasses on.
44:46Number two on the style parade, not by Schiaparelli.
44:52Get that cabbage around my lady's shoulder.
44:56Mommy and my baby, look at me.
44:57The little baby's shoulder, not by Schiaparelli.
45:06I know he's gone.
45:07I know he's gone.
45:07It's a fish, he's gone.
45:08I just saw it.
45:09You know he's gone.
45:09But he's gone.
45:10I know he's gone.
45:10I know he's gone.
45:11It's a fish.
45:11I know he's gone.
45:12It's a fish.
45:13I know he's gone.
45:13I know he's gone.
45:14Come with me, I've got a great idea.
45:27Now we offer a symphony, every note staccato, our creation, temptation of the motto.
45:38Now here's one they will rave from top, main to California, get that rhythm, it's in the
45:48groove, it's a corny.
45:50Remember, my kids, the sitting down Zeta Trek on the last note of music.
45:53Now don't let me down.
45:54Okay.
46:08What's the meaning of this?
46:18Sorry, awful sorry.
46:19Get out of here.
46:20You realize now, there never has been a Bobby DeWolf.
46:22And honey, don't worry about your show.
46:27Come on, Bobby, we've got you now.
46:44Bunny, you shouldn't be here, you've got the measles.
46:49Bunny?
46:50Measles?
46:52Measles?
46:59Are you happy with the show?
47:13Yes, but there's something I want to say to you.
47:19I'm sorry you lost your revenge because of me, but you should have a public apology
47:46for Zeta.
47:47Oh, getting you is enough for me.
47:50But don't you think your friends will be angry when they see those publicity pictures?
47:54Oh, they'll understand.
47:56Boy, oh boy, how do you like that, huh?
48:04It's terrific.
48:05Gee.
48:06Gee.
48:07Gee.
48:09Gee.
48:11Gee.
48:12Gee.
48:13Gee.
48:14Gee.
48:15Gee.
48:16Gee.
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