All-American Co-Ed (1941) - Musical Comedy - video Dailymotion

Film Vintage

All-American Co-Ed is a 1941 musical comedy featuring Rita Hayworth and Leo Carrillo. The film follows a group of college students who start a campus radio show to boost school spirit, mixing music, romance, and light-hearted humor. Full of catchy songs and 1940s charm, it’s a feel-good classic about friendship and youthful fun.  #Tags: #AllAmericanCoEd #RitaHayworth #MusicalComedy #1941Film #ClassicMovies #OldHollywood #CampusLife #VintageMovies #PublicDomain

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14:55Oh, early to bed and early to rise.

14:59That surely applies to me.

15:02Don't have to count sheep to put me to sleep.

15:05It's easy as ABC.

15:08When I rise and open my eyes,

15:11don't need an alarm clock's chime.

15:14Believe it or not,

15:16I'm up like a shot

15:19when it's past my dreamin' time.

15:24I'm up at the crack of dawn,

15:27whistlin',

15:29singin'.

15:32Cheerful as the sunbeams peepin' through

15:34after dreamin' all night of you.

15:37I'm up at the crack of dawn,

15:40whistlin',

15:42singin'.

15:45Never saw the sky look quite so blue

15:47after dreamin' all night of you.

15:50When I wake

15:52with your kiss on my lips,

15:55all my cares

15:57are in a total eclipse.

16:01I'm up with a cheery yawn,

16:03whistlin',

16:06singin'.

16:09All your sweet erases

16:10linger on,

16:11so I whistle and sing

16:12cause there isn't a thing

16:14that I lack at the crack of dawn.

16:17I'm up at the crack of dawn,

16:19whistlin',

16:21singin'.

16:24Cheerful as the sunbeams peepin' through

16:26after dreamin' all night of you.

16:29I'm up at the crack of dawn,

16:32whistlin',

16:34singin'.

16:37Never saw the sky look quite so blue

16:39after dreamin' all night of you.

16:41When I wake

16:43with your kiss on my lips,

16:46all my cares

16:48are in a total eclipse.

16:52I'm up with a cheery yawn,

16:54whistlin',

16:57singin'.

17:00All your sweet embraces

17:01linger on,

17:02so I whistle and sing

17:03cause there isn't a thing

17:04that I lack at the crack of dawn.

17:07We're up at the crack of dawn,

17:09whistlin',

17:12singin'.

17:14Cheerful as the sunbeams peepin' through

17:17after dreamin' all night of you.

17:20We're up at the crack of dawn,

17:22whistlin',

17:24singin'.

17:27Never saw the sky look quite so blue

17:29after dreamin' all night of you.

17:31When I wake

17:33with your kiss on my lips,

17:36all my cares

17:38are in a total eclipse.

17:41We're up with a cheery yawn,

17:44whistlin',

17:46singin'.

17:49All your embraces linger on,

17:51so I whistle and sing

17:53cause there isn't a thing

17:56that we lack at the crack of dawn.

18:00At the crack of dawn.

18:12Come, come, dearie, we're here now.

18:14Coming, coming.

18:30Come, come, dearie, we're here now.

18:32Coming, coming.

18:52And now, girls, to your dormitory assignments.

18:54And I hope you'll all be very happy at Marbury.

18:57Well, I'll be seeing you all.

18:59Or will I?

19:00Now, Bobby, dear, come with me.

19:02We're very much concerned about this throat of yours.

19:06Oh, not that door, my dear.

19:07That leads to the basement.

19:08The one opposite.

19:10Do we feel like sharing a room,

19:11or would we rather be alone?

19:13Alone, please.

19:14There's a very nice little room right next to mine.

19:17Do we feel well enough to stay up,

19:19or would we rather go right to bed?

19:21To bed.

19:22Of course, if you'd rather,

19:23we can send you up to the infirmary

19:25for a complete examination.

19:27Oh, no, no.

19:28I'm just a little hoarse.

19:30We do sound more like a mule.

19:33I feel more like a jackass.

19:38Gosh.

19:40Boy, I'm going to get out of here.

19:53Oh, goodness me, Bobby, what are you doing?

19:56Well, my throat is cold.

19:58I'm just keeping it warm.

20:00Oh, is that all?

20:02Well, look, do something for me, will you?

20:04I just can't seem to do anything with these.

20:05Fix them for me, please.

20:07Well, what do you want me to do with this?

20:09Well, just fix my hair, silly.

20:18Say, you know what?

20:20I met a Zeta at Midwest over the phone.

20:22Gee, sounded grand.

20:24He asked me for a date Saturday night.

20:26He has a friend. Want to come?

20:30Well, we could sneak out of here, I bet you.

20:34I know how those Zetas work.

20:36Well, you do have to be quick,

20:38but, oh, boy, it sure is fun.

20:41Well, goodbye now.

20:43Goodbye.

20:45You look very lovely.

20:47Goodbye.

20:54I'm Virginia Collins.

20:56Welcome to Marv Ren.

20:58Is there anything I can do for you?

21:01I hear you have a pretty sore throat.

21:03Yes, very pretty.

21:05I mean, yes, it's very sore.

21:08Have you gargled?

21:10What on earth do you have here?

21:12Oh, it's just sort of a...

21:14Well, just laundry.

21:16Oh, well, I came to tell you about the sing-over by the bell tower.

21:20Too bad you can't come because of your throat.

21:22It feels much better.

21:24Well, if you do come, be quiet.

21:26It's against the rules, and Andy doesn't like it.

21:28I'm awfully sorry about your throat,

21:30and I can understand why you want to be alone,

21:33but it's too bad because we were supposed to be roommates.

21:53What on earth are you doing?

21:56Oh, just breaking in a new pair of pajamas.

21:59Oh, naughty, naughty, with your throat.

22:02To bed with you. Come.

22:04Oh, no.

22:05Oh, yes, yes.

22:06You're in very serious condition.

22:09Let me tuck you in.

22:12Shall I rub your chest?

22:15Everything is so messy.

22:18Don't you dare get out of that bed, young lady.

22:46Dirty clothes.

22:48Dirty clothes around here.

22:50Look.

22:51What is this?

22:52Well, these is men's pants.

22:54What they doing here?

22:55They got no business here.

22:57In a man's coat?

22:59Well, where these things come from?

23:02Oh, here's his shoes.

23:03I'm going to call Miss Matilda and tell her all about this.

23:09Hello?

23:11Miss Matilda?

23:13Miss Matilda?

23:15There's a man's clothes done come down this shoe.

23:18What man?

23:22Uh-uh, no, no man.

23:24I'm sure, of course I'm sure.

23:27These here clothes ain't made out of no organdy.

23:30No man.

23:34Excuse me, Miss Matilda.

23:36I must have left the washing machine going.

23:39At least I hopes I did.

23:44Uh-uh, Miss Matilda.

23:46As I was saying, there was a man's shoes.

23:49They were shoes, but they must have walked off by themselves.

23:52Now listen, Miss Matilda.

23:54There's something going on here that ain't the way I likes it.

23:57Now the irons are going.

24:00My, my, Miss Matilda.

24:02It must be my nerves.

24:05Hold on.

24:06Hold on.

24:07Hold on.

24:08Hold on.

24:09Hold on.

24:10It must be my nerves.

24:13Hold a while while I turns off the iron.

24:29No, ma'am.

24:30I ain't crazy.

24:31Miss Matilda, did y'all ever find your hoodie or the collar?

24:34I think he's here or somebody's here.

24:36Yes, sir.

24:37I goes to cut the iron off and the shirt and the shoes is gone.

24:41Yes, ma'am.

24:42It was just like this.

24:43See?

24:44I goes over to the irons to cut it off and the shirt's gone.

24:47And then I goes to the washing machine and the shoes is gone.

24:51Ah, this place is haunted.

24:53Miss Matilda, before your ass wash lady leaves here,

24:56y'all better come down here and get these pants.

24:58I just can't stay in this place no longer.

25:01I go crazy.

25:02I just can't stay here.

25:04Ah, this is awful.

25:05Now, you go to the washing machine and go in there.

25:12I ain't ever seen a place like this.

25:14Miss Matilda, stop it.

25:15Stop it.

25:16Oh, yeah.

25:17I goes and cuts me.

25:18Oh, Miss Matilda, come get me, please.

25:20Miss Matilda.

25:21What is going on in here?

25:23Are you crazy?

25:24Come on.

25:25Earth is wrong.

25:26Now, what's all this talk about pants?

25:28Where are they?

25:29I don't know where they is, but I sure know where they ain't.

25:32What is the matter with you?

25:33Ain't nothing the matter with me.

25:34This here place is haunted.

25:35First, the shirt and the shoes goes by itself.

25:38Then, the washing machine and the iron goes by itself.

25:40Then, the pants go by itself.

25:41Now, I'm going by myself.

25:43Goodbye, Miss Matilda.

25:45Out of the silence, come and cling to me.

25:56Out of the silence, come and bring to me

26:07that feeling of contentment when you're near.

26:16And that feeling of resentment will disappear.

26:31Out of the silence, come and cling to me.

26:39Out of the silence, come and bring to me

26:48that feeling of contentment when you're near.

26:55And that feeling of resentment will disappear.

27:06When out of the silence comes the sound of your voice,

27:16my heart goes leaping.

27:19I can't help but rejoice.

27:24I'm up in heaven from the bottom of the sea.

27:35When out of the silence, you come to me.

27:49Out of the silence comes the sound of your voice.

27:56My heart goes leaping.

28:01I can't help but rejoice.

28:07I'm up in heaven from the bottom of the sea.

28:18When out of the silence, you come to me.

28:32Out of the silence comes the sound of your voice.

28:41My heart goes leaping.

28:45I can't help but rejoice.

28:51I'm up in heaven from the bottom of the sea.

29:03When out of the silence, you come to me.

29:15When out of the silence, you come to me.

29:33Girls, we'd better hurry. Miss Matilda's coming.

29:36Back to the dormitories, girls. Hurry, back to the dormitories.

29:43Shh.

29:44What are you doing here?

29:46I came to see you.

29:47But right now, I'm holding the bell chord.

29:49Quiet or she'll hear you.

29:52I never saw you in my life before.

29:55Well, I've seen you.

29:57I want to help you with this presentation.

29:59My name's Bob Shepard.

30:00You see, I'm interested in a way through Bobby DeWolf.

30:04Oh.

30:05Oh, that is just professional.

30:07I taught her to sing and dance.

30:08Confidentially, though, I don't like her much.

30:11Not after I saw you, Virginia.

30:13How did you know my name?

30:15Oh, I know a lot of things.

30:18Say, say, would you mind holding this just for a minute?

30:22Careful now, it's heavy.

30:25Now, you know, you can't let go of that

30:28The bell will ring and wake up the whole town.

30:30The old girl will hear it and come and find us here together.

30:34What's the matter with you?

30:35You aren't going, are you?

30:36No, no, no, no, no.

30:37Just trying to resist temptation.

30:39You see, there's a little red man with horns behind me,

30:41egging me on, pushing me with his pitchfork,

30:44shoving me forward, forward.

30:47Like this.

30:49I don't see him.

30:51Well, he's there.

30:58Now, was that nice?

31:00Elegant.

31:02Well, wait.

31:04I mean, perhaps I'd like to get in on this myself.

31:09Oh, lady.

31:12Now, you can hold it for the rest of the night.

31:15What a dirty trick.

31:17Well, goodbye, Bob.

31:18Listen, if you leave, so help me.

31:19I'll let go of this rope.

31:20You can let go anytime.

31:21That bell hasn't worked in 14 years.

31:28Boy, how do you like that, huh?

31:38It's terrific.

31:39Gee.

31:42Glamorous addition to Moore Brim's Fall Festival.

31:46Get a load of that guy.

31:48He's doing all right.

31:50Good morning.

31:51Good morning.

31:52Well, it's like all our little girls are as busy as be...

31:55Good morning, Mr. Holden.

31:56Good morning, honey.

31:57You know, we're going to rehearse our presentation in here.

31:59Is that so?

32:00Well, girls, are we all ready?

32:04Oh, Mr. Holden, do you really think these spots mean anything?

32:08I don't know, but I called a doctor.

32:11You wouldn't get spots at a time like this.

32:13Has anybody seen Bobbie?

32:15I'm worried about her.

32:16She was out all night.

32:17Well, don't say anything.

32:18Keep it quiet.

32:19Hello, fellas.

32:21Look, fellas, be reasonable, can't you?

32:23I know I promised, but I've fallen in love with a girl.

32:26She's like orchids covered with dew, like...

32:29Oh, like moonlight and violins.

32:31She's...

32:32Hey, now, wait a minute, Bob.

32:34Hey, fellas, looks like love has crossed us up.

32:37Hey, we can't let her quit now.

32:40Now, look, you took an oath in love or no love, we can't let you get out of it.

32:44We'll send some of the local Zeta boys over to keep him from walking out.

32:47Right.

32:49Now, listen, Bob.

32:51Wait a minute.

32:53It's only me, Virginia.

32:55I'll be there in a minute.

32:56I gotta quit.

32:57I'm caught in the hothouse.

32:58Spend the night here.

32:59Yeah, that's right.

33:03Wait a minute, Virginia.

33:09I thought Bobbie was...

33:11Oh, look, Virginia, I know it looks bad, but, well, just trust me, huh?

33:16And I believed you last night.

33:17Oh, now.

33:18For Bobbie's sake, you'd better get out of here right now.

33:21Virginia.

33:25Are you sure those spots mean what you said?

33:27You can't quarantine the whole school, you know.

33:29What about our presentation?

33:30There's nothing I can do.

33:32Miss Bunny has measles.

33:33Must be put to bed at once.

33:35And the school is under quarantine.

33:37Sorry.

33:38It's too bad.

33:40It's just too bad.

33:42Poor kid.

33:51Oh, it just wrecks all of our plans.

33:53It's a pity.

33:54It's an awful pity.

33:55The very first time we try something like this.

33:58Well, couldn't we postpone the presentation?

34:00No, no, you can't do that.

34:02We'd spoil the publicity angle.

34:03We'll just have to make the best of it.

34:06I just knew something like this would happen.

34:08I'm sorry, Andy.

34:10There must be something we can do.

34:12There is.

34:13You can have your presentation.

34:15Have it in here.

34:16You know, you can't catch measles from behind glass.

34:19Who are you, young man?

34:20I'm qualified to stage your presentation.

34:22I figured a presentation to my own.

34:23I know what to do and how to do it.

34:26Now, we could move all these ferns and plants out of one end

34:28and have sort of a stage.

34:29Why, we might even make costumes out of the plants.

34:33Yeah, this is a place all right.

34:35Well, what do we do now?

34:37Oh, now look.

34:38Our Zader brothers at Quinston say the guy's here disguised as a girl.

34:42We just keep our eyes peeled and when we find him,

34:44we give him the work, see?

34:48Get a load of that over there.

34:50Yeah.

34:55Well, how do we get in?

34:58Oh, get in.

34:59Well, here, I got it.

35:01We'll grab one of these.

35:02Come on, you get one.

35:07Come on.

35:11Wait a minute.

35:12You can't get in that way.

35:19Get in.

35:29Hey, we should quit playing around.

35:40Say, we've been here three days and we haven't found that phony dame yet.

35:43I know, I know.

35:45I've been trying, though, ain't I?

35:47Yeah, trying to make dates with them.

35:51Goodbye, now.

35:52Goodbye, Bobby.

35:56Hey, wait a minute.

35:58I got an idea.

36:03Ahem.

36:07How are you, beautiful?

36:08Oh, hello.

36:10Go on, get out of here, will you?

36:13Bobby.

36:14Yes?

36:15Why don't you like me?

36:17Oh, I like you.

36:19But I've seen you with the other girls.

36:22You play too rough.

36:27Bobby.

36:28Yeah?

36:29Can you keep a secret?

36:30Uh-huh.

36:31Well, I had to do that, you know, be a little rough with the girls.

36:36Oh, you should learn to control yourself.

36:40It's nothing like that, but Bobby.

36:42Yeah?

36:43There's a man here disguised as a girl and I gotta find him.

36:47A man?

36:48Yeah.

36:54Will you please get out of here?

36:56Go on, scram.

37:02Where am I?

37:03You're with me, baby.

37:05Oh, dear.

37:08What's the matter, Bobby?

37:10I won't hurt you.

37:12That's what I'm afraid of.

37:14Will you scram?

37:15You're cramping my style.

37:16Yeah, I get it.

37:18Oh, Bobby, you're such a lovely girl.

37:21Oh, Bobby.

37:23Oh, Bobby, you play so rough.

37:26I know you do.

37:28Oh, no, Bobby, not good enough.

37:30I know you're tired.

37:32Bobby, now, wait.

37:34Oh, dear.

37:35Bobby.

37:36Oh, Bobby.

37:40Oh.

37:41That'll teach you not to play fast and loose with me.

37:44Oh, Bobby, let me up.

37:46Please let me up.

37:48I don't see why you have to be so rough.

37:59Tiki.

38:00Oh, Bobby.

38:01Tiki, tiki.

38:02Oh.

38:03Tiki, tiki, tiki.

38:04Oh, please let me up, won't you, Bobby?

38:06Will you promise to be a gentleman?

38:08Oh, yeah.

38:09Bobby, I'll promise anything.

38:11All right, now, but remember your promise.

38:13Oh.

38:18You little dickens.

38:21Now, Bobby, let me up.

38:24Oh.

38:26You little dickens.

38:28Now, I got you.

38:29Oh, no, no, no.

38:30Hey, hey, hey, hey.

38:31What's the matter with you?

38:32Why do you always keep coming around for?

38:34Just when I get going good, didn't I?

38:36Yes.

38:46We'll slay them, Annie.

38:47We'll knock them cold.

38:49Oh, Annie, what's this?

38:50Don't touch it.

38:51That's a Dionea muscapula.

38:53My, my, do tell.

38:54Venus trap.

38:55Meat-eating plant to you.

38:57Poor darling, it's hungry.

38:59I've been so busy, I haven't had time to feed it.

39:22Start introductions.

39:26Virginia, please.

39:28I want to explain.

39:29Explanations are not necessary.

39:31Oh, but Bob Shepard is...

39:32Please, you're only making matters worse.

39:34I am grateful to Bob Shepard for what he's done for Margarine,

39:37but it ends there.

39:38Get into your costume.

39:39There's the overture.

39:40Virginia.

39:52Hurry up, operator, will you, please?

39:56Hello, Quinston?

39:57Zeta House?

39:58Hello, you lugs.

40:00Thanks to you, I lost a girl.

40:02Yeah.

40:04Yeah, yeah.

40:06Yeah, I know.

40:08Am I?

40:09Of course I'm going through with it.

40:10I'll get revenge in plenty.

40:12Wait till you see the paper.

40:14Where's Bobby?

40:15Probably in there with her boyfriend.

40:17Well, you'd better get on the stage and follow this first number.

40:20Quick, quick, quick, quick, quick.

40:23Whoa, I'm ready.

40:24Yeah, all right.

40:25Right there.

40:39But what a finish.

40:40Tell your best photographers to get up overhead.

40:42It'll make a sensational finale shot.

40:44Now go ahead.

41:06Virginia, listen, I want to explain.

41:07I was going to forgive you, but a moment after she...

41:09Well, you were with her.

41:10What are you planning to do to this show?

41:12Nothing, Virginia.

41:13It's just that...

41:14That's my music.

41:17Our peaceful countryside is lonely as can be.

41:22Someone I shall mention merits the attention

41:27of the men who write our history.

41:35The poor farmer's daughter,

41:37she's wasting her glamour and charm.

41:40Oh, Dobbin and a plow and a piggy and a cow

41:42are the only ones left on the farm.

41:45Oh, the poor farmer's daughter,

41:47she once had a bow on each arm.

41:50They took it on the lamb, went to trade for Uncle Sam,

41:53and they left her alone on the farm.

41:55Her papa says the crop of here is the top,

41:58but that doesn't ease her slumber.

42:00What good is a crop when your feet wanna hop,

42:02you can't rumble.

42:05With an old cucumber,

42:07oh, the poor farmer's daughter,

42:10she really has caused her alarm.

42:12Oh, Dobbin and a plow and a piggy and a cow

42:15are the only ones left on the farm.

42:19The poor farmer's daughter,

42:21she's wasting her glamour and charm.

42:24Oh, Dobbin and a plow and a piggy and a cow

42:27are the only ones left on the farm.

42:30Oh, the poor farmer's daughter,

42:32she once had a bow on each arm.

42:35They took it on the lamb, went to trade for Uncle Sam,

42:38and they left her alone on the farm.

42:41Her papa says the crop of here is the top,

42:44but that doesn't ease her slumber.

42:48Her papa says the crop of here is the top,

42:51but that doesn't ease her slumber.

42:54With an old cucumber,

42:56you can't rumble.

42:58With an old cucumber,

43:01she really has caused her alarm.

43:04Oh, Dobbin and a plow and a piggy and a cow

43:07are the only ones left on the farm.

43:10The poor farmer's daughter,

43:12she's wasting her glamour and charm.

43:15She's he.

43:16She's he?

43:17There's a man loose in my school!

43:19Did the photographer see him or Sam?

43:21He...

43:22Her papa says the crop of here is the top,

43:24but that doesn't ease her slumber.

43:26Well, catch her! Catch her!

43:28When you beat one a hop, you can't rumble.

43:32With an old cucumber,

43:34oh, the poor farmer's daughter,

43:37she really has caused her alarm.

43:39Oh, Dobbin and a plow and a piggy and a cow

43:42are the only ones left on the farm.

43:54Grab a toaster and park it.

43:56See the models from the farmer's market.

43:59You'll find the price within reason.

44:02Get a load of what's cooking this season.

44:06Number one on the South Parade,

44:09shops will soon be selling.

44:12Folk has named it

44:14Le Morte de Watermelon.

44:31Hi, Bobby.

44:34Oh, Bobby, I wanted to tell you something.

44:36Ah, go jump in the lake.

44:41Hey, Tiny! Tiny, I found him!

44:44That's him! That's him with those glasses on!

44:47Number two on the South Parade,

44:49not by Schiaparelli.

44:52Get that cabbage around my lady's shoulder.

45:04Ooh-ooh-ooh-ooh-ooh!

45:14Oh, near the train stop,

45:16always part in this lonely garris.

45:19Take on care with our chic charcuterie.

45:26Come with me, I got a great idea!

45:29Now we all burst into the

45:32Every note staccato

45:34Our creation

45:36Temptation of tomorrow

45:39Now here's one they will race

45:42From South Maine to California

45:44Get that rhythm

45:47It's in the groove, yet it's corny

45:50Remember kids, we're setting down Zeta Trek on the last note of music.

45:54Now don't let me down.

45:55Okay.

46:02What's the meaning of this?

46:17Sorry. Awful sorry.

46:19Get out of here.

46:20You realize now there never has been a Bobby DeWolf.

46:22And honey, don't worry about your show.

46:25The poor farmer's daughter

46:28We got you now.

46:29We got you now, Bobby.

46:31Oh, Dobby and a plow and a piggy and a cow

46:33Are the only ones left on the farm

46:36For the poor farmer's daughter

46:38She once had a foal on each arm

46:41But they took it on the lamb with a case on

46:43Come on, Bobby. We got you now.

46:45Bunny, you shouldn't be here. You've got the measles.

46:48Bunny?

46:50Measles?

46:53Measles?

47:13Are you happy with the show?

47:14Yes, but there's something I want to say to you.

47:22Um...

47:30You did marvelous. You did very good.

47:32Annie!

47:43I'm sorry you lost your revenge because of me.

47:46But you should have a public apology for Zeta.

47:48Oh, getting you is enough for me.

47:51But don't you think your friends will be angry

47:53When they see those publicity pictures?

47:55Oh, they'll understand.

48:02Boy, oh, boy, how do you like that, huh?

48:05It's terrific.

48:07Gee.

All-American Co-Ed (1941) - Musical Comedy

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