Step into the world of mystery with *The Sign of Four (1932)*, a classic Sherlock Holmes adventure filled with hidden treasures, dangerous secrets, and brilliant detective work. Based on the famous novel by Sir Arthur Conan Doyle, this timeless film follows Sherlock Holmes and Dr. Watson as they unravel a puzzling case involving a mysterious pact, lost fortune, and unexpected betrayals.
Featuring atmospheric storytelling and unforgettable performances, *The Sign of Four* remains a must-watch for fans of classic detective films and vintage cinema.
Enjoy this restored classic and experience one of Sherlock Holmes' most captivating investigations.
#ClassicFilm #SherlockHolmes #TheSignOfFour #MysteryMovie #DetectiveFilm #ClassicCinema #VintageMovies #CrimeMystery #PublicDomainMovies #OldMovies
Featuring atmospheric storytelling and unforgettable performances, *The Sign of Four* remains a must-watch for fans of classic detective films and vintage cinema.
Enjoy this restored classic and experience one of Sherlock Holmes' most captivating investigations.
#ClassicFilm #SherlockHolmes #TheSignOfFour #MysteryMovie #DetectiveFilm #ClassicCinema #VintageMovies #CrimeMystery #PublicDomainMovies #OldMovies
Category
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Short filmTranscript
00:00:00The End
00:01:54Come in.
00:02:03Come in, come in.
00:02:05Come in.
00:02:07Come in.
00:02:08Come in.
00:02:34Come in.
00:02:54Come in.
00:03:10Come in.
00:03:23Come in.
00:03:27Come in.
00:03:28Come in.
00:03:28Come in.
00:03:28Come in.
00:03:55Come in.
00:03:57Come in.
00:04:31Come in.
00:04:37Come in.
00:04:39Come in.
00:04:52Come in.
00:04:53Come in.
00:05:08Come in.
00:05:09Come in.
00:05:11Come in.
00:05:11Come in.
00:05:12No!
00:05:12Come on.
00:05:43Come on.
00:06:13Come on.
00:06:14Come on.
00:06:15Come on.
00:06:15Come on.
00:06:17Come on.
00:06:26Come on.
00:06:27Come on.
00:06:27Back, bud.
00:06:27Fetch my two sons to me at once.
00:06:32Oh.
00:06:33Oh.
00:06:39Oh.
00:06:45Oh.
00:06:47Oh.
00:06:48Oh.
00:06:49Oh.
00:06:50Oh.
00:07:05What are you doing out of your chair?
00:07:07What's happened?
00:07:08Don't forget the best.
00:07:08Robert.
00:07:10Sit down.
00:07:10Come on.
00:07:14We'll get back to the fire.
00:07:17For God's sake, keep him away.
00:07:20Don't let him kill me.
00:07:21Don't let him kill me.
00:07:22Sarah.
00:07:23No one's going to harm you.
00:07:25We'll protect you.
00:07:26Enough from Jonathan Small.
00:07:28He'll kill me.
00:07:29He said he would.
00:07:30He escaped a month ago from Andaman.
00:07:32Jonathan Small?
00:07:33Who is he?
00:07:34He's only one leg.
00:07:36The other's wood.
00:07:37I robbed him of his treasure and killed Morstan in a fight over it.
00:07:42Treasure?
00:07:43Yes.
00:07:44That's where our money comes from.
00:07:47Morstan had a daughter.
00:07:49Mary, I think her name is, runs a florist shop in the West End.
00:07:54Look.
00:07:56Open the top drawer of that desk.
00:08:03Press the back near the corner on the right side.
00:08:18Here.
00:08:19I'll keep that.
00:08:21Be careful.
00:08:21Be careful.
00:08:22No, my sons.
00:08:23Don't quarrel over them.
00:08:24What suffering they've caused already.
00:08:27Those are the respite on the pearls.
00:08:29I want them to go to Morstan's daughter.
00:08:31You must also give her one-third of the rest.
00:08:35Yes, father.
00:08:36I promise.
00:08:37I promise.
00:08:37Where is the rest?
00:08:38I've hidden it in Pondicherry Lodge.
00:08:40Where?
00:08:41Upstairs.
00:08:42In the...
00:08:46Hassan.
00:08:47Hassan.
00:08:49Do you hear?
00:08:52Do you hear?
00:08:53That stump.
00:08:55Stump.
00:08:57That wooden leg.
00:08:59No, of course you don't.
00:09:02It's only in my head pounding there.
00:09:08I do hear it.
00:09:10I do.
00:09:21Father.
00:09:24Father.
00:09:42stop stop father Eckbar Eckbar go outside there's a man stop him stop him
00:09:48he's dead
00:09:55no one here sir someone just gone in taxi
00:10:07he never told us where the treasure is
00:10:26a couple of more jabs in a pink matey
00:10:28and the beautiful spectacle of love wearing the raw smatana pearls will be finished
00:10:35one more day of this and i'd run out on you
00:10:38well you had to be done in it
00:10:41no one will recognize you now with convict number double four seven three oh
00:10:45i'd rather be young shot stranded and electrocuted than go through this again
00:10:52we can arrange that too
00:10:56oh that's done it
00:10:57oh
00:11:01keep your hand away and leave it alone let it get dry
00:11:06you have a look at yourself
00:11:09you're a masterpiece that's what you are
00:11:12i'm with a professor what's done it
00:11:14think of the money people pay to look at you
00:11:16well she looks a bit on the fat side to me
00:11:19a bit of fat over your kidneys will keep you warm
00:11:23i'll make you fat and i'll get my hands on those sparklers again
00:11:26sitting in a sofa full of food that that nice little bit of electron i did there
00:11:30will spread out and spell god bless harrow
00:11:34i've been listening to you talk about them sparklers for 10 years
00:11:41and i believe you broke out of andaman with you
00:11:44with me with only three more months of my sentence to do
00:11:47let you stick a million holes in me eyes and make me look like a blooming zoo
00:11:51you've been lying and if you ain't let's see the color of them sparklets quick or i'll break it
00:12:07now be a good boy and do what papa wants you to and don't make papa have to cave your
00:12:14blooming ribs in
00:12:21go on matey you don't think i spent in that stinking prison for 20 years without getting educated do you
00:12:29they said they sent me to court to learn me a lesson and i learned it
00:12:33well i've been through oxford in the first place most of the treasure is safe how do i know
00:12:41because old shelter hadn't got the nerve to use much of it and how do i know he hadn't got
00:12:45the nerve
00:12:46because i looked at him once and he kicked the bucket
00:12:51oh why aren't those pretty shelter boys sent the cops on me
00:12:54we don't want me to make no noise about the sparklers for fear the real owners will turn up and
00:12:59claim them
00:13:00and for fear of losing them they'll only turn him into cash one at a time
00:13:05but there are so many of the beauties so very many there'll be plenty for us when we get round
00:13:13to collecting
00:13:16no matey there's one thing you'll never know and that is what a beautiful thing it is to be educated
00:13:26oh i know enough enough to keep your mouth shut i hope
00:13:31i never did thank you myself and me government haircut but i can't wear these took and dresses for long
00:13:38they make me itch i'll just put on me best sunday go to meeting prop and give the ladies an
00:13:45eyeful
00:13:59now you stay right here in the fun fair and keep your own fires burning and mind you keep an
00:14:05eye on
00:14:05tonga too you don't go on exhibition until next week
00:14:16if i was to say to you now for the treasure of monte cristo and the world is mine
00:14:23you wouldn't know what i meant would you
00:14:25you don't know what i meant to do now of course you're not educated
00:14:32ten years of a pen and never learned nothing
00:14:58good luck miss mawson thank you
00:16:20There's somebody here I've put on the night.
00:16:45There's somebody here.
00:16:47Hello, Chalto. You'll be having breakfast with your father in the morning.
00:16:55I'm simply charmed to meet you, Mr. Chalto.
00:17:00My name's Small.
00:17:03Jonathan Small.
00:17:07Heard my name before, huh? Perhaps from your dear father.
00:17:13Nice man, your father. Wasn't he?
00:17:18Yes.
00:17:19You're a liar.
00:17:20He was a dirty, rotten sneak thief.
00:17:23A worse cook than him ever lived.
00:17:25Did he tell you he was a murderer too?
00:17:28Did he?
00:17:29What?
00:17:30He confessed.
00:17:32All those things.
00:17:34Just before he died.
00:17:35Huh.
00:17:36Did he tell you all about the treasure?
00:17:38Did he?
00:17:40Yes.
00:17:44Mary, we've been wasting our energy upsetting the gentleman's house.
00:17:48All we got to do was to ask him where my pretty sparklers were, and he'd tell us.
00:17:56Where are they?
00:17:58I don't know.
00:17:59Huh?
00:18:01The father died before he could tell us.
00:18:04I'm disappointed in you, Chalto.
00:18:07I thought you'd too much sense for the play with me.
00:18:10The treasure's hidden somewhere.
00:18:12We've not been able to find out where.
00:18:14All of it?
00:18:16Yes.
00:18:17Yes, yes, yes, yes, yes, all of it.
00:18:20Hesitating a little.
00:18:21Well, that means you're lucky.
00:18:28Listen to me, you little rat.
00:18:29They're going to get this up anyway.
00:18:31Whether you tell us or not, or whether you die or not.
00:18:34So spit it out.
00:18:40Stop.
00:18:41Stop.
00:18:41I'll travel.
00:18:42I'll travel.
00:18:48Well?
00:18:50I told you the truth.
00:18:53The bulk of the treasure, we, we can't find it.
00:18:56Only the pearls.
00:18:58The Rajputana pearls.
00:19:00Why are they?
00:19:02Promise that my brother and myself won't be harmed.
00:19:05Unless you get funny and tell the cops.
00:19:07Oh, I promise, I promise we won't.
00:19:10Captain Morstan's daughter has them.
00:19:12Well, where is she, huh?
00:19:14She keeps a flourish in the shop.
00:19:19There you are, sir.
00:19:41Your chain, sir.
00:19:42Two and six, five, and five makes ten.
00:19:44Will.
00:19:45Thank you, sir.
00:19:46Call again.
00:19:47I will.
00:21:50You certainly shot that tiger clean through the head.
00:21:54And he was a beauty, too.
00:21:59How on earth could you know?
00:22:01You're a very remarkable man, Watson.
00:22:04Me?
00:22:04The finest audience in the world.
00:22:07I never cease explaining my methods to you.
00:22:09And apparently your amazement grows deeper every day.
00:22:13But how could you possibly know what I've been thinking?
00:22:17You were looking at those tiger pictures in the paper until your eyes were nearly popping out of your head.
00:22:23Your expression then was unmistakable.
00:22:25Yes, I suppose it was.
00:22:27Yes, you came down to earth and realized that tiger shooting is no longer for you.
00:22:33Very simple, really.
00:22:34Yes, like all great things, Watson.
00:22:40You know, I owe you an apology.
00:22:42You come here for adventure and I've none to offer you.
00:22:45Very soon out of London's teeming millions, some distressed person will step up to the door and knock.
00:22:50Ring, Watson.
00:22:51The knocker doesn't function.
00:22:52You should have noticed that.
00:22:53Oh, very well, ring, then.
00:22:56Ah, made up her mind.
00:22:59What?
00:23:01Who?
00:23:02Look.
00:23:07Evidently you find the young lady's case interesting already.
00:23:15Miss Morstan to see you, sir.
00:23:17Miss Morstan?
00:23:18Did she tell you her business?
00:23:19No, sir.
00:23:20But she seems terribly upset.
00:23:23Oh, well, show her up.
00:23:26She's one of your teeming millions, Watson.
00:23:30Miss Morstan?
00:23:34Mr. Holmes?
00:23:35Mr. Sherlock Holmes?
00:23:36Yes, that is my name.
00:23:37I'm terribly sorry.
00:23:40I think...
00:23:42I'm afraid I'm going to see.
00:23:51Right, I'll get some brandy.
00:23:53I've had a frightful shock of some kind.
00:23:56Thank heaven you were here, Watson.
00:23:57For such embarrassing matters as fainting women, I must refer to you.
00:24:02Thanks.
00:24:13That's better.
00:24:14Now, you'll feel all right again in a minute.
00:24:18I feel terribly ashamed.
00:24:21I apologize.
00:24:23Oh, dear.
00:24:28Perhaps I'd better go.
00:24:30And deprive it of the pleasure of offering the assistance you came to seek?
00:24:40Miss Morstan, tell me.
00:24:42Why were you so afraid of being followed here?
00:24:46How did you know?
00:24:47Well, there's hardly a mystery.
00:24:49I simply observed it from the window.
00:24:51Oh.
00:24:53Now, Miss Morstan.
00:24:55It's rather a long story.
00:24:57Shall I begin at the beginning?
00:24:58Yes, please do.
00:24:59An amateur investigator like myself can't have too many facts of a case to work on.
00:25:04A number of years ago, my father, Captain Morstan, mysteriously disappeared.
00:25:09Whilst on his way home on leave from the Orient.
00:25:11Captain Morstan, Captain Morstan, something to do with a convict settlement at, um, uh, Andaman Island, was it?
00:25:22Yes, I remember.
00:25:23You remember?
00:25:25You learned to expect such amazing things from Mr. Holmes.
00:25:29And I'm afraid that completes my knowledge of the first chapter.
00:25:33This was found in my father's belongings.
00:25:41It appears to be the diagram of a large building.
00:25:44A fort, perhaps.
00:25:46You know, what's this?
00:25:47Four names.
00:25:47Look, here are four crosses.
00:25:49Yes, four crosses.
00:25:51When I first saw that paper as a child, I wondered what those crosses meant.
00:25:55And today when I saw it again on another paper...
00:25:57Again?
00:25:59Yes.
00:26:00That's the modern side of the story.
00:26:02It's all very simple to me.
00:26:06First, we does both the shoulder boys in, with a nice little bit of cutting round the jugular vein.
00:26:16And for the matter of that, sticks a knife into the Marston girl, if she won't tell.
00:26:23Then, off we go to South America with the sparklers.
00:26:28It's all very simple to me.
00:26:31When you're done with the three of them, I suppose you'll start an old blooming police force.
00:26:35Now, there'll be no murdering unless absolutely necessary.
00:26:41Can't do much of it without leaving some clue.
00:26:44Eh?
00:26:45Clue.
00:26:46You know what clue is, don't you?
00:26:48Yes.
00:26:49Something you stick paper together with.
00:26:52Really?
00:26:54When we get to South America, I'm sending you to night school.
00:26:59What?
00:27:02Do you want the feel of my boot in your face?
00:27:04It ain't my fault.
00:27:06It's these years' safety races.
00:27:08Here.
00:27:09What about me having a go with a straight one?
00:27:13Not on my neck.
00:27:16With so many things happening in such quick succession.
00:27:19First one note, then another, then the safe broken open.
00:27:22I didn't know which way to turn.
00:27:24I suppose I should have had more courage.
00:27:26In spite of the warning of death and gone to the police.
00:27:29Well, I'm afraid I'm not as brave as I should be.
00:27:31But, Miss Morstan, there's one thing you haven't told us.
00:27:36Actually, where are the pearls?
00:27:38Miss Morstan was afraid to trust even their own safe as such valuable.
00:27:41So she's been carrying them about on her person.
00:27:44That's true.
00:27:45I have them here in my dress.
00:27:46Although this handwriting is obviously disguised,
00:27:50the person who sent you the pearls and the one who invites you to this questionable rendezvous
00:27:54in Acacia Road this evening is one and the same.
00:27:58I should describe him as small, extremely nervous and timid.
00:28:03A perfect example of the homo lopusculis or rabbit man.
00:28:07But the one who threatens your life, he's quite the opposite.
00:28:10A homo tour as powerful as a bull and with great cunning.
00:28:14A killer.
00:28:18An opponent to be reckoned with.
00:28:21And he's only one leg.
00:28:24Mr. Holmes takes such a delight in provoking my curiosity
00:28:27that I swear I'll never ask him again how he makes deductions such as...
00:28:32Well, that by looking at a man's handwriting, he can tell he has but one leg.
00:28:38Perhaps you can tell us, Mr. Holmes, if the colour of his eyes,
00:28:41if he likes white mice, or if he suffers abominably from arthritis.
00:28:49I not only resent your making me appear ridiculous before Miss Morstan,
00:28:54but it grieves me to think, Watson, that you've never read my treatise
00:28:57on the physical and mental reactions of the disabled.
00:29:00For therein I described, with my feeble prose,
00:29:03that the whole physical being of a man who has undergone amputation
00:29:08goes through a complicated process of reorganisation,
00:29:11as a result of which his functional characteristics are decidedly marked.
00:29:16His subjective mind, fully conscious of the loss of physical balance,
00:29:22tries to make good that loss by some such expressions as,
00:29:27well, increasing the pressure on the downstroke of a pen,
00:29:31making it firm and straight so that the letters stand up, as it were,
00:29:36on their own legs.
00:29:42Do I make that quite clear?
00:29:47Perfectly.
00:29:50Miss Morstan, I don't want to alarm you unduly,
00:29:54but your homo-taurus friend is unreservedly dangerous.
00:29:58For that reason, may I suggest that you accept my meagre hospitality
00:30:02until the time of your departure for Acacia Road.
00:30:04Thank you so much.
00:30:06Oh, but I don't want to go there alone.
00:30:10It states in your invitation that you will be allowed two friends.
00:30:14May I have the privilege of appearing as one of them?
00:30:17Thank you very much.
00:30:23Will you be my other friend?
00:30:26May I?
00:30:28You're not a bit like a doctor.
00:30:32Now, Miss Morstan,
00:30:34I'm going to turn you over to my trusted housekeeper, Mrs. Hudson,
00:30:37who will see that you're made comfortable.
00:30:39Miss Morstan will dine with me here tonight.
00:30:44If I may be permitted to...
00:30:46Oh, yes, certainly, yes.
00:30:47Yes, yes, we'll give Dr. Watson a chop as well.
00:30:51Oh.
00:30:56I don't want to interrupt the violent flutterings of your heart, Doctor,
00:30:59but perhaps you'd be interested to know
00:31:01that never in my career have I encountered a more intricate case.
00:31:05Serious as that?
00:31:06Uh-huh.
00:31:07We'll need all our help and perhaps more before we're through.
00:31:10Uh-huh.
00:31:11And under no circumstances must we allow her to go back to her shop.
00:31:14Shop?
00:31:15She said nothing about a shop?
00:31:16No.
00:31:17No, but I think you'll find that she runs a small florist shop
00:31:20in the West End of London.
00:31:21How can you possibly deduce that?
00:31:23Neatly, but not smartly dressed,
00:31:26if she wears an expensive orchid.
00:31:28Orchids are not a suburban trade.
00:31:31Perhaps given her by some ardent admirer.
00:31:33Oh, well, if she had one, she'd have appealed to him and not to us.
00:31:36Besides, fingers used for wiring up flowers become scored,
00:31:39you know, in an unusual way.
00:31:41Yes, I...
00:31:41I think a florist shop.
00:31:44Amazing.
00:31:47No, elementary, my dear Watson.
00:31:50Elementary.
00:31:53Good friends, Watson.
00:31:55Case of need.
00:31:58Now, you'll take Miss Morstan to her home.
00:32:02Torch.
00:32:03Have her change quickly into clothes that are both warmer and a little less conspicuous.
00:32:08Give me.
00:32:09My preparations here will take me about ten minutes,
00:32:11then I'll pick you up.
00:32:13Don't you think we could keep the appointment and leave her out of it?
00:32:16My dear Watson, if we're to catch our fishes,
00:32:18we must use the bait they'll bite on.
00:32:20But there's no...
00:32:21No, no, no, no.
00:32:21He's getting late, Watson.
00:32:22Getting late.
00:32:25Oh, you'll probably enjoy hearing she does run a florist shop.
00:32:28Oh, really?
00:32:29I'm surprised.
00:32:30Tweezers.
00:32:31Oh,
00:32:41Here's your adventure, all right, Watson.
00:32:45Miss Morstan, go and knock at the door.
00:32:48We'll be here.
00:32:50Watch it.
00:33:04Miss Morstan?
00:33:06Yes.
00:33:08You know?
00:33:11I have two friends.
00:33:15Will you give me your word, they are not policemen?
00:33:18Certainly.
00:33:20Come with me, please.
00:33:29Miss Morstan?
00:33:33Mr. Holmes and Dr. Watson.
00:33:36You've kept your taxi, I think.
00:33:38Good, good.
00:33:39Your journey's not over yet.
00:33:41You've news for Miss Morstan?
00:33:43First, we must visit Brother Bothellon, waiting at his house.
00:33:48Taxi!
00:33:49If we go along now, I can tell you the whole thing as we go.
00:33:53Come on.
00:33:59And last night, my brother found the remains of the treasure
00:34:02under the attic flooring in Pondicherry Lodge.
00:34:06Such magnificent jewels, I'd never see.
00:34:08I had once demanded that they should be divided according to my dying father's wish.
00:34:14I told my brother that I should add my share to yours.
00:34:18It was the only way I could repay you for my cowardly
00:34:21in divulging to Jonathan Small your name
00:34:24and that I sent you to Pearl.
00:34:27Oh, Bartholomew was white to be purely.
00:34:29We quarreled violently and then
00:34:30I went home and wrote the note that you got to Smallman.
00:34:33You see, I thought that if you were to come
00:34:36and demand your share in person,
00:34:38he damned refuse
00:34:39in case we should hand the whole matter over to the police.
00:34:43You acted wisely, Mr. Sholton.
00:34:45I'm glad you think I've done one right thing.
00:34:47It took more courage than I thought I had
00:34:49to face the daughter of the man that my father
00:34:54murdered.
00:35:03Wait a minute.
00:35:11Mac Murdo, Mr. Thaddeus.
00:35:14All right, Mr. Thaddeus.
00:35:28That's all right, Mac Murdo.
00:35:30Good night.
00:35:34You're not frightened?
00:35:35Terribly.
00:35:37But rather thrilled, too.
00:35:41Mr. Holmes.
00:35:50Mr. Thaddeus.
00:35:51Something's the matter.
00:35:52I can't get the answer
00:35:54from the master's room.
00:35:55He's there.
00:35:57He's there.
00:36:14There's something devilish in there, Watson.
00:36:16Look.
00:36:19Mrs. Burnstone.
00:36:21A lamp.
00:36:42He's been dead some hours, I think.
00:36:44Watson, that's your affair.
00:36:47He's been murdered.
00:36:48Please don't move about.
00:36:54Well, Watson.
00:36:55Not a natural death.
00:36:57Tetanus of some kind.
00:36:59Extreme contraction, far exceeding the usual riga mortis.
00:37:02Precisely.
00:37:02Some powerful alkaloid poison, like Stricti.
00:37:10Mr. Holmes.
00:37:11Look.
00:37:12Look.
00:37:12The treasure's gone.
00:37:15The treasure's gone.
00:37:16It was there on the table.
00:37:18That's the hole we loaded through.
00:37:20He's been robbed.
00:37:21And he's been murdered.
00:37:24The police.
00:37:26They'll be called in.
00:37:30They'll find out about the treasure.
00:37:32I don't say I did it to get the money.
00:37:35You.
00:37:36You don't think I had a hand in it, do you?
00:37:41Gentlemen, I didn't.
00:37:42I swear I didn't.
00:37:45Steady, steady, steady.
00:37:47Mr. Shelter, go straight down to the police station and report the matter yourself.
00:37:51Yes.
00:37:52Offer to assist them in every way.
00:37:54Now, it's your wisest call.
00:37:56Well, Watson.
00:37:56We have a few minutes before the representatives of the law arrive.
00:38:03Ah, I think it is.
00:38:05Look here, do you see?
00:38:06Just behind the ear.
00:38:14Looks like a thorn.
00:38:15Don't touch it, Watson.
00:38:16It's deadly poison.
00:38:18This is a dart that's been shot to such force from a...
00:38:21a profite.
00:38:23But before the victim can recover from the shock of the impact,
00:38:26the poison takes it fixed,
00:38:27causing almost instantaneous death.
00:38:30Such weapons are used by the natives of the...
00:38:34Leigh Peninsula.
00:38:37And the Andaman Island.
00:38:39Andaman?
00:38:41Yes.
00:38:42It's pretty conclusive, isn't it?
00:38:46Look here.
00:38:47Look here, the same four.
00:38:49Crotty.
00:38:50Sign of four.
00:38:52Jonathan Small.
00:38:53No, possibly not, Watson.
00:38:55Remember, Small's only one of four.
00:38:56But more significant still,
00:38:59these crosses have been made with a tattooing needle.
00:39:02A tattooed man?
00:39:05Oh, ha.
00:39:06That's quite pretty simple, isn't it?
00:39:09Is it?
00:39:10Well, now we know who did it.
00:39:11All we have to do is to catch him.
00:39:12Is it all?
00:39:13Will you go out and catch him, and I'll wait here till you come back?
00:39:17Yes.
00:39:19Uh, but, uh, where'll I go?
00:39:23Exactly.
00:39:24Let's leave jumping the conclusions to the professional detective.
00:39:27I prefer to employ my usual method.
00:39:30I'm carefully reconstructing the crime
00:39:33in the hope of finding some clue
00:39:34that'll lead us to the whereabouts of the criminal.
00:39:38Let us stand on one side, will you, Watson,
00:39:40so that your footmarks don't complicate matters.
00:39:45Now, how did he come?
00:39:47And how did he go?
00:39:54A window fastened on the inside.
00:39:56All the framework's solid.
00:40:02No drainpipe, nothing.
00:40:05Then he couldn't have come in that way.
00:40:09Yes, but he did.
00:40:12Here's a print of a foot in mould on the sill.
00:40:15And a curious circular muddy mark.
00:40:23Right, there it is again upon the floor.
00:40:29And here again by the table.
00:40:33Do you see that, Watson?
00:40:36A perfect demonstration.
00:40:38That's not a footmark?
00:40:39No, it's something much more valuable to us.
00:40:41It's the impress of a wooden stub, my dear Watson.
00:40:44A wooden-legged man?
00:40:45Yes, precisely.
00:40:49Yes, but no one could scale that wall.
00:40:51What's less a man without one with only one leg?
00:40:53No, but suppose he had a friend here
00:40:54who lowers a good stout rope.
00:40:59How did he have a hand?
00:41:00How did he have got in?
00:41:01Not the window.
00:41:03Not the chimney.
00:41:05That's too small.
00:41:06Let me a hand, Watson.
00:41:09Now we'll have a look at the secret room where the treasure was found.
00:41:12We can surmise that Homo Taurus was here,
00:41:15but the number one man,
00:41:17the one who's skilled in the use of a blowpipe,
00:41:19who is he?
00:41:20The tattooed man.
00:41:22No, I think not, Watson.
00:41:24No one but a native could have such deadly aim
00:41:26as such a strange weapon.
00:41:31The tattooed man is described by both Sholto and Miss Morstan
00:41:34as a giant.
00:41:36We must look for someone small
00:41:37who could scale the side of a house without making a sound.
00:41:43There you are, Watson.
00:41:45There's a huge curved door leading onto the roof.
00:41:48Now, if I can push it back with ease.
00:41:51Well, that's how number one entered.
00:42:00Here, there you are.
00:42:02What did I tell you?
00:42:04Watson, those are the feet of a child.
00:42:07Not exactly.
00:42:08There's something devilishly like it.
00:42:11Now, let's see where that curious foot went to.
00:42:14Hit the impression down there.
00:42:16You know that our toes are generally all cramped together.
00:42:19You see, each one of those is divided separately.
00:42:30I bet you'd better rejoin Miss Morstan downstairs, Watson.
00:42:34You might be frightened when the police arrive.
00:42:44You observe the angle at which the thorn struck?
00:42:46Yes, and it's been shot from the attic.
00:42:48Yes.
00:42:49Oh, bravo, Watson.
00:42:50Yes, bravo.
00:42:55What's your theory about these footprints?
00:42:58Well, apply my method, Watson, and you'll probably find that they'll lead you in directly the opposite direction
00:43:03to that of my old friend, Detective Inspector Athelny Jones, whom I can hear blowing his way upstairs.
00:43:08Yes, sounds like him.
00:43:09Yes, unmistakably.
00:43:10He'll begin by telling me that a nuns of practice is worth a ton of theory,
00:43:14and then proceed to arrest everybody on the spot.
00:43:19The house seems as full as a rabbit, Warren.
00:43:22You stay here.
00:43:23Sergeant, have a look at the other rooms.
00:43:24Yes, sir.
00:43:26Hello.
00:43:27Who are you?
00:43:29Why, if it isn't Mr. Sherlock Holmes, the amateur.
00:43:34How are you, sir?
00:43:35I'm all right, John.
00:43:36How are you?
00:43:36You know Dr. Watson.
00:43:38How are you, doctor?
00:43:39How are you?
00:43:40Well, I'll be off.
00:43:44And what brings you gentlemen here?
00:43:46Oh, just a little private investigation.
00:43:49Oh, I thought you'd given up our line of business long ago.
00:43:52No.
00:43:53You know, I only take cases too difficult for the official police.
00:44:00Ah, what do you make of this one?
00:44:04Eh, business, eh?
00:44:05Yes.
00:44:06You'd hardly thank me for theorising over it.
00:44:10But let's see, eh?
00:44:12What I always say to you, Mr. Holmes,
00:44:14an ounce of practice is worth a ton of theory.
00:44:17Yes, yes.
00:44:18I've heard you say it.
00:44:22Sherlock Holmes will never rest until this mystery starts.
00:44:26What do you think of this theory, Mr. Holmes?
00:44:29Yes.
00:44:29The fellow Thaddeus was with his brother last.
00:44:32The brother dies with a fit,
00:44:34on which Thaddeus makes all for the money.
00:44:36Eh, then on which the dead man, very considerably,
00:44:38gets up and locks the door on the inside.
00:44:42Oh, well, there may be a flaw, but we can get over that.
00:44:46Yes, well, Jones, before you actually hang the man,
00:44:50I should like to point out this splinter of wood.
00:44:58Ah, nasty-looking thorn.
00:45:00Yes.
00:45:00Be careful, Jones, it's poison.
00:45:03It was found in the dead man's head.
00:45:07Does that fit in with your theories?
00:45:10Perfectly.
00:45:12The only question is...
00:45:13And how did he depart?
00:45:16Ah, of course.
00:45:17The hole in the ceiling.
00:45:20He knows the house.
00:45:21I suppose you noticed the hole in the ceiling.
00:45:25Eh, yes.
00:45:26Yes, I did notice it, in passing.
00:45:28There's a cracked door leads to the roof.
00:45:30There, you've proved my case.
00:45:33Pretty quick, eh?
00:45:34I can safely say, Jones, that I've never seen anything quite like it.
00:45:39Oh, an ounce of practice.
00:45:41Well, well.
00:45:43Constable, ask Mr. Thaddeus Sholto to step up here.
00:45:45Oh, no, my dear Jones.
00:45:47Now, Mr. Holmes, I know you like poking your nose in these things,
00:45:51but you'd better leave this to me.
00:45:54Mr. Thaddeus Sholto, I must ask you to accompany me to the station.
00:45:58It is my duty to inform you.
00:46:00Anything you say may be used in evidence against you.
00:46:02Don't be alarmed.
00:46:03I think I can engage to clear you of the charge.
00:46:05Oh, you do, do you?
00:46:06Well, you'd better not promise too much.
00:46:09All right, Sergeant, take him away.
00:46:11I shall want to question the others.
00:46:12They may all be in this.
00:46:17Oh, Watson.
00:46:19Is the girl all right?
00:46:20Yes.
00:46:20Good.
00:46:21You can't have anything further?
00:46:23Yes.
00:46:24That I have to pay a visit to Mordecai Smith.
00:46:27Is that the name of the murderer?
00:46:28No.
00:46:29No, it's the name of the man who's been engaged
00:46:31to help our little band of super criminals to escape.
00:46:34Well, how did you find that out?
00:46:36Well, quite simply, Watson.
00:46:37This rope tells me all about it.
00:46:39Huh.
00:46:39I've heard of walls having ears,
00:46:41but never of a rope that could talk.
00:46:42No, well, this one can.
00:46:44I found it on the roof.
00:46:45It was brought here by Small
00:46:47and used by number one
00:46:48to get him up the outside of the house.
00:46:51You see, Jonathan Small,
00:46:53like most master criminals,
00:46:56never commits a crime
00:46:57until he's perfected the method of his escape.
00:47:00Of course, with only one leg,
00:47:01this isn't easy.
00:47:03He can't leave by one of the channel ports
00:47:05because the authorities would immediately search
00:47:07all one-legged men.
00:47:08He can't stay in this country
00:47:09because sooner or later he'd be hunted down.
00:47:11So he arranges to be taken to sea
00:47:14in a fast, small boat
00:47:16and then transferred to some tramp steamer
00:47:18found for Africa or South America.
00:47:20Perhaps he's already escaped.
00:47:21Not small.
00:47:23He's waited 20 years in prison
00:47:25planning his revenge
00:47:25and he won't leave till he's completed it.
00:47:27He won't leave without the rash putana pearl,
00:47:30the most valuable part of the treasure.
00:47:32And pearls are easier to dispose of
00:47:34than diamonds and other jewelry.
00:47:36Well, where did the rope come in?
00:47:39Mordecai Smith.
00:47:40If he may mind?
00:47:41No, but it might as well be.
00:47:45In the first place,
00:47:46it's been bleached and soaked
00:47:48by long immersion in salt water.
00:47:50If you'd like to taste it, Watson.
00:47:52No, thanks.
00:47:53You see, at this end,
00:47:54there's a spliced loop
00:47:56which bears the imprint of constant chafing
00:47:58caused by a small ship's brass capstone.
00:48:01The rope is made of cotton.
00:48:02It's not strong enough to hold a large boat.
00:48:05And it's of so soft a texture
00:48:07that it has evidently been used
00:48:09to protect a highly varnished surface
00:48:11which suggests a speedboat or a launch.
00:48:14On the end of the rope
00:48:16used for tying the boat to a wharf,
00:48:17I found embedded a quantity of pounded malt
00:48:20which led my thoughts to a warehouse
00:48:21where malt is unloading.
00:48:24Near such a warehouse
00:48:26lives a man that I've known for years
00:48:28who runs a small pub as a sideline
00:48:30but whose real underworld business is smuggling.
00:48:32He smuggles contraband to and prop boats at sea.
00:48:36Yes, sometimes his contraband
00:48:38are criminals that the authorities are after.
00:48:41So, you see, I really must go to Mordecai Smith's.
00:48:44Positively amazing.
00:48:46Shall I come with you?
00:48:47No, Watson, no.
00:48:48You asked for the job of looking after Miss Morstan,
00:48:51so see that you'll do it.
00:48:53Oh, request Inspector Jones very courteously
00:48:58to assign several of his men to guard Miss Morstan
00:49:02day and night.
00:49:04Don't forget, small still at large
00:49:06and so are his diabolical helpmates.
00:49:09Here, protecting Miss Morstan's no small task.
00:49:22Good evening, John Riff.
00:49:23I couldn't even have to help you in.
00:49:49Good night, Mrs. Smith.
00:49:50Never in the morning of the children.
00:49:52Good night, Mrs. Smith.
00:49:54Hello, Mrs. Smith.
00:49:54Hello, Mrs. Smith.
00:49:54Have you come in some afternoon and bring her some in?
00:49:57Hello, Mrs. Smith.
00:49:59Hello, Mrs. Smith.
00:50:00How are you, will you?
00:50:01How are you?
00:50:01How are you?
00:50:02What do you have?
00:50:03I have a next door, you see.
00:50:04If I do have it with me, can I?
00:50:06Me, darling.
00:50:07Is it you, old Santa Claus?
00:50:09And what do you think of that, Al?
00:50:12I'm not so old.
00:50:13Neither my proud beauty here.
00:50:15Oh, proud beauty?
00:50:16Yes.
00:50:17That's not what the husband calls me.
00:50:18Oh, he don't either appreciate this.
00:50:20Who got this light?
00:50:21Right, you are.
00:50:22By the way, where are you, old Morty Star?
00:50:24Oh, is she here?
00:50:25Well, he ain't here.
00:50:26You can see for yourself.
00:50:27That is, if you can, see.
00:50:28He's down the river with that putt-putting tub of his,
00:50:31don't you?
00:50:32I bet he is.
00:50:33The black one.
00:50:34With the green light.
00:50:35Just where he is.
00:50:38But she ain't a tub.
00:50:40Let me tell you this.
00:50:41She's the part of the North Dan River.
00:50:43And she ain't black neither.
00:50:44She's all a lovely cream with tuna black pot.
00:50:48Oh, I don't need him.
00:50:50I don't need him.
00:50:50I don't need him.
00:50:50Nothing like.
00:50:52Named after me.
00:50:54Aurora.
00:50:55Aurora is a lovely thing.
00:50:59I love you.
00:51:01You like it?
00:51:02Oh, come on, you old gun.
00:51:04You.
00:51:04Oh, yeah.
00:51:06Back in a place.
00:51:07I bet she'd take the old gun down the river
00:51:09to see that you know that what I want to buy.
00:51:12Oh, no, he won't.
00:51:13He won't let them come to you.
00:51:15I'll pay the price, see?
00:51:16He's a solid truckle customer.
00:51:18Who is he?
00:51:19Oh, he's a nosy old Parker, eh?
00:51:22So you wouldn't know him anyhow,
00:51:24because he's a stranger.
00:51:25He's only got one leg.
00:51:27Well, if a stranger was one leg would pay the price,
00:51:29so would an old friend with two.
00:51:30Oh, no, he won't.
00:51:33Because it's the old one leg.
00:51:34He just paid him to stand by to use when he wants it.
00:51:37Why, he's paid him a week's money already,
00:51:39and he ain't done the trip yet.
00:51:40We've actually made it a night,
00:51:41so he'll be ready for me tomorrow.
00:51:42No, he wouldn't do that neither,
00:51:45because he was here a little bit too ago.
00:51:46He told me you wouldn't want more to care
00:51:48and not till tomorrow,
00:51:49and perhaps not till the day after.
00:51:50Oh, well, you'll mind mine.
00:51:52If mine I'll have another boat.
00:51:53See, I'll have another one in a bitter one.
00:51:56Oh, will you?
00:51:57You'll find a better one, me lad.
00:51:59There ain't a better one.
00:52:00Unless you mean the Florence Bee,
00:52:02and he can't hit us.
00:52:02The Florence Bee?
00:52:04That's right.
00:52:05Yeah, well, come on,
00:52:05don't waste it.
00:52:06Give me this.
00:52:07Ah, sweet, yeah, sweet.
00:52:08Go on, go, darling.
00:52:10Come on, you lad.
00:52:11You old old wrecker.
00:52:13You're bloody with you, wasting my time.
00:52:16Now, what's the last of you drink?
00:52:17Nothing.
00:52:17No.
00:52:18No dogs, no bucks, so no beard.
00:52:25Did you see that, Harold?
00:52:26No.
00:52:27You don't fancy himself, don't you?
00:52:29One foot in the grave,
00:52:31and still floating.
00:52:33Ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha,
00:52:37ha, ha, ha, ha, ha.
00:52:49Put that in the snake box.
00:52:52No one will look for it there.
00:52:59I'll drown you.
00:53:00Good, Dunger.
00:53:01Well, grab a couple of your friends around yourself and keep you warm.
00:53:05Go to sleep again.
00:53:26What do you think you're doing with them fireworks?
00:53:29I ain't taking no chances.
00:53:31No.
00:53:32What's the matter with you?
00:53:33You never do it in a ghost.
00:53:34It's worse than that.
00:53:36The cops is after us.
00:53:40How do you know?
00:53:41Went round by the girls flat over the florish shop.
00:53:43Cops and plain clothes went all over the place.
00:53:45No mistaking what they're after.
00:53:47Put them up, eh?
00:53:48Come on, squeal.
00:53:49Come on.
00:53:49Let Morrison keep her pearls.
00:53:51Let's take what we've got to knock it.
00:53:52Shut up!
00:53:54I'm gonna have them all.
00:53:55Tides.
00:53:56Pearls are all that's a trace.
00:53:57They're therefore easier to sell than diamonds and other stuff.
00:53:59Well, give me mine now and I'll look it.
00:54:01You haven't got a chance to get away with your brains.
00:54:02Well, let's get out of here anyway.
00:54:03Listen for me.
00:54:04How many times do I've got to knock into your block?
00:54:07Then when you've done something in the North that you shouldn't,
00:54:09don't start changing to new places.
00:54:11It's then that you get spotted.
00:54:13Stick your business as usual and look as innocent as an angel.
00:54:17We stay right here in the funfair and show tomorrow night the same way every hall was done.
00:54:22Me, you, and Tonga.
00:54:24Understand?
00:54:26And tomorrow night...
00:54:28Who, who is it?
00:54:30Besides, Dr. Watson.
00:54:32Oh, come in.
00:54:35Just inspecting your guard.
00:54:38We've got one officer outside the door here.
00:54:40Two downstairs.
00:54:42And one in the courtyard outside.
00:54:45Does that give you a feeling of protection?
00:54:47I suppose so.
00:54:49It seems an eternity since this morning.
00:54:51You must try and get some rest.
00:54:53Wipe today clean out of your memories.
00:54:56I'll be all right.
00:54:57I think I'll have a good cry.
00:55:00That'll make me relax.
00:55:01May I just sleep?
00:55:02You absolutely insist on weeping.
00:55:05Can I offer you my shoulder?
00:55:07I fainted once today in front of you.
00:55:09I think I'd better have my cry in private.
00:55:14Please go.
00:55:15I feel terribly weeping.
00:55:31You let go.
00:55:33Mr. Holmes, anything, I tell ya?
00:55:35Anything?
00:55:36Well, I'll...
00:55:37I'll wait.
00:55:39What's your business?
00:55:41Well, it's none of your, anyway.
00:55:43All right, my fine cockalorum.
00:55:45We'll see about that.
00:55:46Ah, Mr. Holmes told me to come here.
00:55:51What for?
00:55:53Because...
00:55:53Because I know who's done the murder.
00:55:59See?
00:56:00Oh, do you?
00:56:01Yes.
00:56:02I've come here for the reward.
00:56:06See?
00:56:07Of course, if we ain't here, well, then I'll go.
00:56:11No, you won't.
00:56:13You stay here.
00:56:16Who are you?
00:56:18Detective Inspector Anthony Jones, Scotland Yard.
00:56:21Well, why ain't you wearing your hat in the house?
00:56:23See?
00:56:27Onions.
00:56:28Getting fresh, are you?
00:56:30If you know anything, you'll stay here until I get it out of you.
00:56:33It's a nice way to treat a person I don't think.
00:56:45Kindly on the way, my dear Jones.
00:56:47The lock is reversed.
00:56:48Ah!
00:56:50Gross!
00:56:51Oh, gross.
00:56:52What a turn, forgive me.
00:56:54Whiskey and soda, Mrs. Hudson.
00:56:58Whatever have you been doing in that get up?
00:57:00Attending a fancy dress ball.
00:57:02Yes.
00:57:03Pleasure before business, eh?
00:57:04I thought you took your detective work seriously.
00:57:06Well, this case is so simple, Jones.
00:57:08It hasn't required much thought.
00:57:10That's right.
00:57:10I've got the murderer in custody now.
00:57:13Ah.
00:57:13No doubt.
00:57:14Jones, by the way, I'm expecting some further developments tomorrow.
00:57:18I may need a lot of help.
00:57:20Will Scotland Yard stand by?
00:57:22At your service, Mr. Holmes.
00:57:23Always believe in encouraging you amateurs.
00:57:26Someday you really might find something.
00:57:28Who knows?
00:57:29Flatterer.
00:57:30Will you be at the examination of the prisoners tomorrow?
00:57:32Mmm, no.
00:57:33The case couldn't be in better hands.
00:57:35That's what I like about you, Mr. Holmes.
00:57:38You appreciate me.
00:57:39Good night.
00:57:40Good night, Jones.
00:57:45Oh, I do hope Mr. Holmes is certainly successful.
00:57:48He's been awful cooped up here all day.
00:57:51Under guard like a prisoner.
00:57:53Waiting for something.
00:57:55Heaven knows what to happen.
00:57:58I've been doing a little detective work on my own.
00:58:01Unbeknown to Holmes, of course.
00:58:05Would you recognize that tattooed man again if you saw him?
00:58:07Yes, I'm sure of it.
00:58:10You know, the whole idea of a tattooed man, tattooing needles, native feet and so forth, sounds to me like
00:58:17a circus.
00:58:19Yes.
00:58:19To me, too.
00:58:21Well, there's one just behind King's Cross.
00:58:22A funfair, they call it.
00:58:24My cook was telling me about it.
00:58:27Would you risk going there with me?
00:58:29I'd go anywhere with you.
00:58:31Besides, I don't think I'm in danger anymore.
00:58:34Well, we can leave the guard here in case they give us a visit.
00:58:37There's just a chance we might find something.
00:58:40And oh, how I'd like to put it over on Holmes.
00:58:44Shall we go?
00:58:45Will you?
00:58:46I'll get my coat.
00:59:12It took ten long, painful years to make me the world's greatest human.
00:59:18There are scenes on my body through terrible and shocking to describe.
00:59:22Well, friends, into these marvellous pictures you see on me.
00:59:25Professor, I can duplicate on you in a few minutes.
00:59:28So you wouldn't rather have a lovely view of Mount Mastuvius in full eruption?
00:59:31Or later the diver on a white horse?
00:59:33No fear. It's only a sentimental bitter work I want.
00:59:38A broken heart, split in two, and blazed in a little.
00:59:43And with the initial B on one side for birth, that's my name.
00:59:51And on the other side, a S for Dolly.
00:59:55S for Dolly? You mean D for Dolly?
00:59:58No, S. Her name's Dolly.
01:00:02But I always called her Sugar.
01:00:07But that is a sweet name, to be sure.
01:00:09Ladies and gentlemen, look how the dead name by the blood of little Tonga fondles and caresses him.
01:00:16But it ain't love, it's fear. Why?
01:00:20Of course, he bites off their heads.
01:00:22They've seen it done hundreds of times.
01:00:24So could you.
01:00:26But Tuppence, look at him.
01:00:28I believe we've come to the right place.
01:00:29The man you've been.
01:00:30He looks like a murderer.
01:00:35Look!
01:00:36Dad, you can't lose me.
01:00:38It's the loudest.
01:00:38It's supposed to be a detective.
01:00:39Yes.
01:00:40You simply must see him.
01:00:42It's everything from Trotus animals, Daniel in the lion's den, beautiful ladies,
01:00:47artist models which seem to be weaving and moving about for the artistic appreciation of the men.
01:00:52That's the man who bought the flowers.
01:00:55I'm sure of it.
01:00:56There aren't a certain description, too.
01:00:57Move up those men.
01:00:59Move up those men.
01:00:59Have a look at this.
01:01:00Have a baseball of this here, men.
01:01:03What happens more?
01:01:04You can see the old figure in the old marvellous shows.
01:01:08Well, who's coming inside, ladies?
01:01:10Who's coming inside?
01:01:12Come on.
01:01:13Let's telephone home.
01:01:15Just a minute, Prince.
01:01:16I'll give everything prepared for you.
01:01:23What's that?
01:01:24What's that?
01:01:25I'll follow, Doctor.
01:01:30That girl from the florist shop.
01:01:32I've just seen her.
01:01:33With a friend.
01:01:34You sure?
01:01:34Yes.
01:01:34She looks like she knew me.
01:01:36Get her back with it.
01:01:38Get her back with it.
01:01:41Sorry, Bert.
01:01:42Can't finish her out today.
01:01:43Call again tomorrow.
01:01:44I'll do a nice wreath for you for nothing.
01:01:46Thank you, Professor.
01:01:47You did it anyway.
01:01:51I'll only be a minute.
01:02:00Look out.
01:02:02Slate's got loose.
01:02:14Come on.
01:02:15Come on.
01:02:15Give me that bag.
01:02:16Quick.
01:02:18You two, Thunder.
01:02:20Come along.
01:02:20Oh, forget your snake.
01:02:21Come along.
01:02:22I'll boil some more.
01:02:23It's not a minute.
01:02:23Come on.
01:02:32But, Mrs. Hudson, we simply must find him at once.
01:02:35Yes.
01:02:36Yes, we've got his man.
01:02:37Mrs. Hudson.
01:02:51Mary.
01:02:54Mary.
01:02:57You can't do that.
01:02:59I can't.
01:03:00You don't call no coppers round here.
01:03:02Let's go before I...
01:03:03Don't do it, Watson.
01:03:05I don't want the police here yet.
01:03:07Thank heavens you come.
01:03:08Mary.
01:03:08She's disappeared.
01:03:09She's gone.
01:03:09What?
01:03:10You don't say you've been fool enough to bring her here.
01:03:12That small's got her.
01:03:13What?
01:03:14They're on their way to Mordecai Smith.
01:03:16We need help.
01:03:17Bring up Scotland Yard.
01:03:17I'll take you quick to the ground.
01:03:22Now, see what's happening.
01:03:23We've been looking closer around.
01:03:25Somebody's found out in my office.
01:03:26Keep your hands off her.
01:03:27I was looking for the pearls.
01:03:28She's got them on her somewhere, all right.
01:03:30We'll search her for them when we get to the boat.
01:03:32If she hasn't,
01:03:34well, she'll never see them again.
01:03:35Let's go.
01:03:37Go on, Fred.
01:03:38Faster.
01:03:42Give up, lad.
01:03:44We get to the river.
01:03:45Goodbye.
01:03:46Well, they're gone.
01:03:47Let's get a taxi.
01:03:49There's thousands of places in London.
01:03:51How do you know they've chosen Mordecai Smith?
01:03:52I'm certain of it.
01:03:53How does they get away in a fast boat before we can catch him?
01:03:55Well, I've engaged the pastor one this morning, the Florence B.
01:03:57How do you know it, Tar?
01:03:58Well, I know it.
01:03:59Don't ask me how I know it, Watson.
01:04:01Gee, what a colossal mistake you've made.
01:04:02I had those fellows, all of them, right in my head.
01:04:05I only had to discover where the jewels were.
01:04:07And then I could have made my captain.
01:04:09I'd throw my brains out if I thought it'd do any good.
01:04:10Well, I haven't been much use to you, old fellow.
01:04:12I'd keep your head, you'll need it.
01:04:13And your fists too, before we're through with this.
01:04:42You keep your mouth up.
01:04:43Come on, Bailey.
01:04:44Your role is just down here.
01:04:45Come on.
01:04:45I'm going up with it.
01:04:45You got to go?
01:04:45Come on.
01:04:57I'm back with it.
01:04:58I'm out of it.
01:04:59Two minutes more.
01:04:59To do everything.
01:04:59Commercial street.
01:04:59Two minutes more.
01:05:04Let's go!
01:05:20Bennett! Bennett!
01:05:38Let's go!
01:06:01Bennett!
01:06:03Bennett!
01:06:09That's beautiful engine, Barrett!
01:06:11Yes, sir!
01:06:13Police!
01:06:13They're going to get to stop!
01:06:16That's a hell of a car!
01:06:18They'll never catch this boat!
01:06:20No, they'll fill us full of holes!
01:06:25I ain't gonna take a chance like that!
01:06:27You do it, I tell you!
01:06:30It's Crayley's warehouse!
01:06:31We'll dodge him there!
01:06:33It's alright!
01:06:34They're out of sight!
01:06:35Get on with it!
01:06:53I don't...
01:06:54I don't think it's a slip!
01:07:00The Mordecai knows his ribbon like a book!
01:07:02So do I, Mr. Holmes!
01:07:04We'll follow him there!
01:07:05Now there are two trap doors underneath the warehouse floor!
01:07:25Up there, Tonga!
01:07:27Up there, Tonga!
01:07:27Up there, Tonga!
01:07:30Up there!
01:07:34I'll see you.
01:07:40Come on!
01:07:41Where are those pearls?
01:07:43Come on!
01:07:43Where are they?
01:07:49There!
01:07:50There they are, my beautiful...
01:07:52I've got Tonga a place where you can do the most good!
01:07:54We're gonna fight for you if they find us!
01:07:56It's hanging if they catch us anyway!
01:07:57We've nothing to lose.
01:07:59No, but I have.
01:08:00We don't need you.
01:08:32We don't need you.
01:09:07We don't need you.
01:09:35We don't need you.
01:09:37Do you need help?
01:09:38No.
01:09:39I've got that deal.
01:09:41More salute.
01:09:43But I'll come.
01:09:55Don't shoot.
01:09:56I'll give up.
01:09:58Wise man, Small.
01:10:06Don't shoot.
01:10:26Lonton!
01:10:27Where are you?
01:10:31Where's Mary?
01:10:33We'll find her!
01:10:42Mary Holmes in here
01:10:44Oh, Mr. Morse
01:10:46Believe me, I'm never so thankful to see anyone in my life
01:10:52It'll be all right
01:10:53Don't you think I'm not glad to see you
01:10:55Oh, Mr. Holmes
01:10:56Yes
01:10:57Small head of satchel underneath that sack
01:11:03Are you hurt?
01:11:04No, I'm all right
01:11:06The treasure of Agra
01:11:13Who's in there?
01:11:15Oh, Holmes
01:11:16Ah, welcome, Jones, welcome
01:11:17Listen, there's a one-legged man mixed up in this
01:11:20And a tattooed man, too
01:11:21Oh, really? Really?
01:11:22Well, we've left them for you to have a look at
01:11:24By the way, they left this satchel behind
01:11:26It's probably of no value
01:11:30No value?
01:11:31What?
01:11:32Well, it's forklers
01:11:33You amateurs always overlook the important things
01:11:36Here's Mordecai Smith
01:11:37Do you want him?
01:11:38What's he got to do with it?
01:11:40I want to know where the pearls are
01:11:42Yes, where are they?
01:11:44Small taking them
01:11:45Then they're at the bottom of the river
01:11:46Where we can find them
01:11:47Because now you'll be so terribly rich
01:11:49I can't even claim you as a friend
01:11:51Much less ask you
01:11:53What?
01:11:53Sorry the jewels are distasteful to you, Miss Morstan
01:11:55Because I have the pearls
01:11:57I took them from Jonathan Small
01:11:59When we first came to grips
01:12:00I didn't want them to get wet
01:12:03So I'm afraid you'll have to have them back
01:12:05Amazing
01:12:06Elementary, my dear Watson
01:12:08Elementary
01:12:09Please ask me
01:12:11Will
01:12:12Will
01:12:12You
01:12:14Yes
01:12:22Amazing
01:12:26Elementary, my dear Holmes
01:12:28Elementary
01:12:29met allΓ
01:12:34I let youola
01:12:36I let youola
01:12:41In the cortical
01:12:42μ¬κΈ°
01:12:42In the
01:12:44Not
01:12:44We
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