- hace 2 días
Reparto: Michele Hermet, Lina Romay, Nadine Pascal, Jérome Foulon, Leonardo da Costa, Olivier Mathot, Eduardo Hell, Vítor Mendes, Antonio de Cabo
Dirección: Jesús Franco
Dirección: Jesús Franco
Categoría
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CortometrajesTranscripción
00:00:00The Carnival
00:00:30The Carnival
00:01:00The Carnival
00:01:02The Carnival
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00:01:58The Carnival
00:02:00The Carnival
00:02:02The Carnival
00:02:04You seem very happy
00:02:06It is that we have already gathered
00:02:07What do you mean by that?
00:02:09That your two wise friends, based on singing sambas and being cold
00:02:13They already have pastiflora for the Rio Carnival
00:02:15It just can't be
00:02:16Have you been able to raise money for the trip?
00:02:20You?
00:02:21Some Latinos?
00:02:34So you're leaving me? Are you going to the river?
00:02:39I've dreamed of Brazil all my life.
00:02:41With river, you know
00:02:43Oh, paradise, the sun, the dream beaches covered with coconut trees
00:02:48The heat, the music
00:02:50The kind, simple, happy and relaxing people
00:02:54And the richest girls in the world
00:02:56Hot, volcanic, tender, submissive
00:02:59There the MLF doesn't know what it is, man.
00:03:02What is the MLF?
00:03:03Women's liberation movement
00:03:04I agree with them
00:03:05You have no idea
00:03:07You arrive in Rio and they invite you all the time
00:03:09They take you to the coolest places to spend the weekend.
00:03:12How do you know?
00:03:12Malú, my father's friend, told me.
00:03:14Has all that happened to you?
00:03:16No, not him, his wife.
00:03:17Anyway, I don't have enough money to go
00:03:22Come on now
00:03:23It's true
00:03:24But if you have your current account and in foreign currency
00:03:27Yes, but I don't have a penny
00:03:28Call your father, he's full of money
00:03:30He's not going to say no to you, Juan.
00:03:31Come on, kid, you're going to get lost.
00:03:33I can't attend carnival anymore
00:03:34I really can't.
00:03:35I'm also here to work on my thesis on Volter.
00:03:37Yes, with the Rio Carnival
00:03:39Come on, Hans
00:03:40Go ahead
00:03:40Call him
00:03:41Please
00:03:42I have to stay and study
00:03:44I like snow
00:03:46The intellectual girls
00:03:48Classical music, Beethoven
00:03:49And I also have to do my thesis.
00:03:53Hans!
00:03:53I'm going to work
00:03:54Go on, run, he's leaving.
00:03:57I'm coming
00:03:58Hans!
00:03:59Hans!
00:04:01Hansi, male
00:04:02You can't leave me the key to your room.
00:04:04Only half an hour
00:04:05I already knew it
00:04:06That's why you wanted to accompany me.
00:04:08But Hansi, do you know that Juanita lives in a convent boarding school?
00:04:11And with my parents, the only opportunity to have sex is in your room.
00:04:14Ok
00:04:15But only half an hour
00:04:19Thank you
00:04:19You are my father
00:04:2235 minutes!
00:04:39Wait a bit for your mother
00:04:41Don't involve my mother in this.
00:04:43It's already coming
00:04:44Who?
00:04:45My mother?
00:04:46Me, asshole
00:04:47La, la, la, la, la, la, la
00:04:51What's up? Are you scared of seeing me naked now?
00:04:56It disgusts me
00:04:57Thank you, very kind
00:04:58For all those hanging miseries
00:05:01It didn't scare you before
00:05:02I wanted to make love, now I don't.
00:05:05Here, it's there.
00:05:08Who, my mother?
00:05:09No, Hansi, asshole
00:05:10The three essential elements in Voltaire's thought are...
00:05:14Don't turn around
00:05:15I'm naked
00:05:16The three essential elements in Voltaire's thought...
00:05:22The three essential elements in thought...
00:05:26Don't you feel like making love to me anymore, Hansi?
00:05:27Shut up, Satan!
00:05:29However, we have had good times together
00:05:31I like you more than Juan
00:05:33He is not that romantic
00:05:34You are my best friend's girl
00:05:36Like a sister to me
00:05:37But I knew you first.
00:05:40That is, the one who has betrayed you
00:05:42Let me
00:05:42And come back later, if you want.
00:05:47I'm going to miss you, my angel.
00:05:58Come
00:05:58No, not yet.
00:05:59I mean, come with us to Brazil.
00:06:02No, woman, not yet.
00:06:03I can't take it anymore
00:06:06And ten more bars and we will have the apotheosis of the strings
00:06:10And the strings piss me off
00:06:10A measure, nothing more, a measure
00:06:13Bravo, my face couldn't have done any better.
00:06:25It's wonderful to make love to you.
00:06:28I feel like I'm joining a symphony orchestra.
00:06:31And when I make love to you
00:06:33I feel like I'm touching the sky with my hands.
00:06:35How kind you are
00:06:37I like being with you
00:06:41And with Juan too
00:06:42It's something else
00:06:43You are sweeter, kinder, more handsome
00:06:47A bit of a maniac with your music, but...
00:06:50But it's great, isn't it?
00:06:51Cumming at the same time as the genius's spirit explodes
00:06:54Cha-cha-chan!
00:06:55Cha-cha-chan!
00:06:58It is also quite useful
00:06:59Useful?
00:07:00This way the kids in the other rooms don't hear your screams.
00:07:03Cha-cha-chan!
00:07:03You are despised!
00:07:06Wait, I'll take you home
00:07:07La, la, la, la, la, la, la, la, la...
00:07:11Uh! Don't look!
00:07:16Don't you think we should tell Juan?
00:07:19No way, he's very jealous
00:07:20Would it kill us both?
00:07:21Traitors?
00:07:31Juan, let me explain...
00:07:32Get in the car!
00:07:33Don't do anything crazy
00:07:34Come on!
00:07:35Give me the key!
00:07:37Pig
00:07:38Come in!
00:07:39Come on!
00:07:51Hey
00:08:02It's awesome
00:08:04Awesome who?
00:08:06Your car, see how I managed to drive it?
00:08:09Ah, that was it
00:08:10Aren't you pissed off?
00:08:12Am I pissed off? Why?
00:08:13Because you sleep together, we are all three friends
00:08:15Besides, I've known it for a long time.
00:08:16And you're not pissed off?
00:08:17No
00:08:18Not even a little bit?
00:08:20Hey?
00:08:21No, no, nothing
00:08:22Bastard!
00:08:24Is that what it meant to you?
00:08:27Oops!
00:08:38I don't see what's so funny about this.
00:08:40We are all three friends, we love each other, isn't that true?
00:08:42We are good together
00:08:43Why don't we share the love too?
00:08:45Naturally, it is logical
00:08:46We must be like the three musketeers
00:08:48One for all
00:08:49And Juanita for both of them
00:08:50Smith a Peters
00:08:56Gembeha?
00:08:58Here is Mr. Smith's son
00:08:59Please, could I speak to my father?
00:09:02Yes, Paul
00:09:03What do we do about Bank of America's request?
00:09:08regarding euro dollars?
00:09:11I will dictate the answer to myself
00:09:12That can wait
00:09:13Yes, Mr. Smith
00:09:14We have the proposal for Sinai phosphates
00:09:17I think an answer is urgently needed.
00:09:19Bravo?
00:09:20Yes, boy
00:09:20He is from Paris, his son
00:09:22Hans?
00:09:29Dad
00:09:30It's me, Hans
00:09:32Yes, I'm calling you because I need
00:09:34Need
00:09:35Money, yes
00:09:37So that?
00:09:39I want to go
00:09:39Where do you want to go?
00:09:42Where to?
00:09:43I want to go to several places
00:09:45Following
00:09:46Following the life of Voltaire
00:09:47And visit several wise men
00:09:49Specialists in his work
00:09:51Don't have enough in your account?
00:09:55No, I have to go very far
00:09:57Tell me how much you need
00:09:59Let's say three thousand or three thousand five hundred
00:10:02French francs?
00:10:04Marcos
00:10:04Hey?
00:10:05Yeah
00:10:05Listen, Hans
00:10:07I'm going to New York right now.
00:10:09Write to me explaining everything.
00:10:11But it is urgent
00:10:13Because?
00:10:14The desire to know
00:10:16Can't wait
00:10:17Voltaire's work awaits me
00:10:19I
00:10:19But dad
00:10:21He hung up
00:10:23Hey, doll
00:10:36You can't go to school to do your accounts.
00:10:38Ah, yes
00:10:39Excuse me
00:10:43Unless I do a trick
00:10:44A great trick
00:10:4625
00:11:00You're bluffing
00:11:0350
00:11:03My rest
00:11:14Trio
00:11:14Full
00:11:16Poker
00:11:18We screw up
00:11:19I don't play anymore
00:11:21Well
00:11:23I already have
00:11:24My solved bean stew
00:11:25When are you leaving?
00:11:29Next Tuesday
00:11:30Oh, Rio de Janeiro
00:11:32The richest girls in the world
00:11:33And the most numerous
00:11:34They are the ones who flirt with you on the beach
00:11:36With her tiny thongs
00:11:37Moving her hips
00:11:38Do you want
00:11:40Focky, Focky, sir?
00:11:42Just for that you want to go
00:11:44Isn't that enough for you?
00:11:46Old school girls
00:11:48Sweet, tender, submissive
00:11:50If good, not good
00:11:52No artistic, scientific or ethnic interest
00:11:58Ethnic?
00:12:00Naturally
00:12:00I want to communicate with another race
00:12:02Mixing my hormones with third world hormones
00:12:04You disgust me
00:12:07Well, little Hans Smith is going to study.
00:12:10Greetings to Voltaire
00:12:13You're not jealous, are you?
00:12:17I told you all this so that you can work it out here, in your ass.
00:12:21Am I jealous?
00:12:22What you said is normal
00:12:23I'm also going to sleep with all the guys with satin bodies.
00:12:26They walk like the tigers of the Brazilian jungle.
00:12:29Do you think you can survive such a long trip?
00:12:38I would do anything to go
00:12:39It's actually a promise.
00:12:42What if your family calls you from Toulouse?
00:12:45Tell them the truth, they will understand
00:12:47Your mother will be proud of you
00:12:49As I am, my little Juanita
00:12:51And you're going to walk there?
00:12:55Yes, Sister Teresa
00:12:56A very long and dangerous journey
00:12:58And what about the nights? What will you do?
00:13:01I will do what I can
00:13:02Be good
00:13:03And to the mantle of the Virgin of Lourdes a kiss
00:13:05I will, sister, I promise.
00:13:07Bye
00:13:11Come in, sister! Come in!
00:13:20Between!
00:13:21You scared me, why are you hiding like that?
00:13:27I wasn't sure I looked like a pilgrim going to Lourdes.
00:13:29Not really, with that sudden look
00:13:31And what have you told your family?
00:13:35I told them goodbye, my father and mother were busy
00:13:37In what?
00:13:38In fighting, as always
00:13:39We'll take the metro to Les Invalides.
00:13:41Well, they told me that the bus to the airport leaves from me
00:13:43Have you ever been on a plane?
00:13:47No never
00:13:47And you?
00:13:48I do
00:13:49When I was three years old with my grandfather
00:13:52If Han knew, he would laugh at us.
00:13:55You will never know
00:13:56Taxi to the airport, ladies and gentlemen
00:13:58Hey, hello!
00:13:59Hey, hello!
00:14:01Please come in.
00:14:02You look very elegant, Bautista.
00:14:03You are very kind to take us
00:14:04Well, see you soon, mate.
00:14:34Don't forget me much
00:14:36Come on, come on, don't get involved
00:14:38Come on, less babbling.
00:14:41I'll accompany you
00:14:43No, don't bother and we're right here next door.
00:14:45You didn't understand me, I'm going with you to Rio.
00:14:47As?
00:14:48Really?
00:14:49Don't tell me
00:14:49Oh, what joy!
00:14:52Excellent!
00:14:54But I, Guillete
00:14:55Like yours, Hotel Periquito
00:14:56Parrot!
00:14:58I ordered it a week ago
00:14:59Oh, bastard!
00:15:01You have deceived us
00:15:02I didn't want to go, but I couldn't leave you alone.
00:15:04A pleasure, already silme
00:15:05Thank you!
00:15:35We are already arriving
00:15:43Look at the river bay! It's beautiful!
00:15:59How wonderful!
00:16:02Come on, look!
00:16:05Look, the river bay! Come on, look!
00:16:35Come on, look!
00:17:05Come on, look!
00:17:06Come on, look!
00:17:35Thank you!
00:18:05How are you, girl?
00:18:22This is nice, huh?
00:18:25I am a foreigner, from Paris, from France, you know.
00:18:30How about you show me your Brazilian secrets, huh?
00:18:35Do you want me to break your face?
00:18:38Well, excuse me, I'd been told the girls here were friendly and welcoming.
00:18:42And when I saw you, I said to myself, let's see if I can get a date.
00:18:52Wait, don't cum yet.
00:18:54I can't take it anymore.
00:18:56Wait, the violin cadence will be magnificent.
00:18:59How long until that cadence?
00:19:01A few minutes, first comes the largueto.
00:19:03The larghetto?
00:19:05Hold on!
00:19:05Too long.
00:19:06Can't we have sex on the larghetto and another on the violinetto?
00:19:09Never before the passage of the strings.
00:19:12So tell them to come right away, otherwise...
00:19:14Wonderful concerts.
00:19:31Wow, what a mess.
00:19:42Hey, kiddo.
00:19:44Hey, you show me, eh, the monuments of Rio de Janeiro, will you?
00:19:49Hello, man.
00:20:05What do you want?
00:20:07Mr. Smith, please.
00:20:08315, please.
00:20:14Mr. Smith, there is an individual here asking for you.
00:20:18It was the only free room and there is only one bed.
00:20:23Brave bastard.
00:20:24Now I understand why you left me hanging before.
00:20:27It isn't true.
00:20:28You are wrong.
00:20:29The truth is that when I arrived I put on music.
00:20:31Beethoven's violin concerto and it was beyond my strength.
00:20:34You know Beto, come to me.
00:20:37We moved very quickly so as not to keep you waiting.
00:20:40Man, very good.
00:20:41Very kind.
00:20:42Just two movements.
00:20:43Don't tell me, just two.
00:20:45Excellent.
00:20:45The andante and the largueto.
00:20:46Andante and largueto.
00:20:48And what have you done?
00:20:50I came down five minutes later and you were gone.
00:20:54Well, I've had my first Brazilian adventure.
00:20:57Wow, how do you spend your time?
00:20:59You have to enjoy it while you're young.
00:21:02A wonderful girl.
00:21:04Oh yeah?
00:21:04Tell, tell.
00:21:06She wanted me to stay with her for the rest of my life.
00:21:08You refused, I suppose?
00:21:10No, not entirely.
00:21:11Where have you been?
00:21:12At home, of course.
00:21:14A palace, my friend, a palace.
00:21:17And since there's only one bed for three here, I'm leaving.
00:21:21Isn't it quite comfortable?
00:21:23Yes, but I can bother you.
00:21:29My problem is that...
00:21:32I didn't want to sleep with both of them in the same bed.
00:21:35Because?
00:21:36There's room for a regiment here.
00:21:38Yes, but...
00:21:40the flesh is weak.
00:21:42And frankly, a tri-ammon with you two, well...
00:21:46What's happening?
00:21:48Wouldn't you like it?
00:21:49It's not that.
00:21:51I would like it too much.
00:21:56Come on, cut the crap.
00:21:57Don't fuck with me with your sense of smell.
00:22:04Do you want to stop arguing, guys?
00:22:09I can't stand that music.
00:22:12Without music I can't.
00:22:13One moment.
00:22:21I have an idea.
00:22:22No.
00:22:24No.
00:22:25The three essential elements of Voltaire's philosophy.
00:22:53Nothing, I'm not going beyond this line.
00:22:58The three essential elements of Voltaire's philosophy...
00:23:03Yeah, I'm doing better now.
00:23:05Hello.
00:23:06Hello hello.
00:23:10The three essential elements of Voltaire's philosophy...
00:23:16They are the three elements...
00:23:19It's forbidden to study during carnival, you know?
00:23:22Oh yeah, I didn't know that.
00:23:44You don't study anymore.
00:23:45Didn't you say it's forbidden?
00:23:54Come here, my pretty gringo.
00:23:57I'm not a gringo, I'm German.
00:23:59Well then, gringo.
00:24:03Oysters.
00:24:04It's a beauty.
00:24:10So small.
00:24:11So spicy.
00:24:12Bye!
00:24:15Hello!
00:24:22We know each other, right?
00:24:23We have never seen each other in our lives.
00:24:24No, but it doesn't matter.
00:24:27Let's jump at the carnival.
00:24:28Yes, let's go.
00:24:29Bye!
00:24:30I!
00:24:31Bye!
00:24:31Hello!
00:24:32Hello!
00:24:37I!
00:24:45Hello!
00:24:46Thank you!
00:25:16Thank you!
00:25:46Thank you!
00:25:48Thank you!
00:25:50It's wild music! Ritual!
00:25:52We have to dance naked!
00:26:06But what are you doing?
00:26:07What's wrong with you? It's Carnival!
00:26:09You're crazy?
00:26:16Leave me! Leave me!
00:26:19Stop! Leave me! Leave me!
00:26:23Still!
00:26:28Stay still! Subdue below!
00:26:30Stay still! Don't do anything crazy! We're on the thirtieth floor!
00:26:35Don't move! Don't move! We're following you!
00:26:38Action!
00:26:46Are you better?
00:26:47Yeah!
00:26:52Are you better?
00:26:53Yeah!
00:26:54Already!
00:26:55Ah!
00:27:00Already!
00:27:01The, the, the, the
00:27:31La, la, la, la, la, la
00:28:01La, la, la, la, la, la, la
00:28:31Hey, hey!
00:28:34Listen, I'm not asking.
00:28:36Let's see if I can't play
00:28:38Don't you mind this Nestlé?
00:28:41Man, a book by Voltaire
00:28:44Leave that now
00:28:45You told me that your father was a scholar of Voltaire
00:28:52It's not, you'll see.
00:28:54It can arrive at any moment
00:28:58That's true, but what do you care?
00:29:01Yes, but...
00:29:01You can enter
00:29:03He is a modern man, and before entering he knocks.
00:29:06Before entering your room, I suppose
00:29:08You're right, my darling, let's go to my room.
00:29:10No, I have to work
00:29:12Works!
00:29:24This girl takes after her father
00:29:32My father, Hans, French student
00:29:38A very German name for a French person?
00:29:41I came here because I'm interested in Voltaire.
00:29:43Voltaire, this is a good one, Voltaire
00:29:48Have fun with Voltaire
00:29:53What will he think of me?
00:29:55And what do you care?
00:30:06On the beach you fooled me
00:30:07You seemed so formal.
00:30:08What do you mean by that?
00:30:16Hey, do you happen to have a good Beethoven symphony around here?
00:30:18Chuchuchuchón
00:30:19Chuchuchuchón
00:30:21Chuchuchuchuchuchuchuchuchuchuchuchuchuchuchuchuchuchuchuchuchuchuchuchuchuchuchuchuchuchuchuchuchuchuchuchuchuchuchuchuchuchuchuchuchuchuchuchuchuchuchuchuchuchuchuchuchuchuchuchuchuchuchuchuchuchuchuchuchuchuchuchuchuchuchuchuchuchuchuchuchuchuchuchuchuchuchuchuchuchuchuchuchuchuchuchuchuchuchuchuchuchuchuchuchuchuchuchuchuchuc huchuchuchuchuchuchuchuchuchuchuchuchuchuchuchuchuchuchuchuchuchuchuchuchuchuchuchuchuchuchuchuchuchuchuchuchuchuchuchuchuchuchuchuchuchuchuchuchuchuchuchuchuchuchuchuchuchuchuchuchuchuchuchuchuchuchuchuchuchuchuchuchuchuchuchuchuchuchuchuchuchuchuchuchuchuchuchuchuchuchuchuchuchuchuchuchuchuchuchuchuchuchuchuchuchuchuchuchuchuch
00:30:51Don't go on like that. I'll cut it off and feed it to the dogs for my father.
00:30:56I don't eat a cable.
00:31:21Man, the neslé. Now she's going to see this one.
00:31:24Here's your money. I'm a tourist. Not a beggar.
00:31:28What's wrong with you?
00:31:30Joy! It's carnival time! You, you, you, you, you, you, you! Carnival! Joy!
00:31:36Ah, you are not carnival.
00:31:38Not me, but I'm looking forward to it. Come on, let's go.
00:31:41Or are we going somewhere else?
00:31:51And you live alone?
00:31:53This is my workplace. Likes?
00:31:56Oh, it's very pretty, yes. Very nice, huh? Very nice, yes.
00:32:01Ove, I want to kiss you, shall I pose?
00:32:13You look very handsome.
00:32:16You like that you and I have a festival, huh?
00:32:19Yes, nice.
00:32:20Oh, nice.
00:32:21Yes. Go on, my boy, I'm going to drive you crazy.
00:32:24Very crazy.
00:32:36That's it. Don't get wet, they're dangerous.
00:32:38Yeah.
00:32:39My mother.
00:32:43Hello? Hello.
00:32:45TRUE!
00:32:45I'm with a client, a very good guy, very correct, a Frenchman.
00:32:53Of course he'll pay me in francs. What do you want him to pay me in? It's a currency.
00:32:57He must not have a penny.
00:32:58Goodbye, goodbye, goodbye, Andex, I'm going there.
00:33:03Boy, you need to get drunk. I forgot to tell you I'm a whore.
00:33:06As?
00:33:06And if my brothers come and see that you haven't given me the hundred francs...
00:33:09A whore? But you?
00:33:10Yes, they're going to kill you, they're going to kill you.
00:33:12Come on, let's go, come on, hurry up.
00:33:15Yes, they're going to kill me.
00:33:15Come on, come on, let's go.
00:33:18I really like you and I'm not going to charge you anything, but I want to see you again.
00:33:23Yes, don't worry, I'll come back for you another time.
00:33:26Bye bye.
00:33:30A little Frenchman.
00:33:32A little Frenchman.
00:34:02Princess?
00:34:13Come into my arms.
00:34:23Goodbye, guys.
00:34:24Goodbye, and ours.
00:34:27Come on, I'm coming.
00:34:32Good morning, miss.
00:34:49Good morning.
00:34:49Fascists!
00:34:59Fascists!
00:35:00See you later, my darling, my king, my man.
00:35:17Hey, my darling!
00:35:35But how? Are you still here?
00:35:37Yes of course.
00:35:38I love this wax.
00:35:40It breathes very well, it's clean.
00:35:42And besides, what the fuck do you want me to do?
00:35:45Where is Juanita?
00:35:46He just arrived with three tacky guys.
00:35:49Let go, have they gone up with her?
00:35:50No, fortunately they are gone.
00:35:55Wait here.
00:35:56I'm going to get you in.
00:35:58One moment.
00:35:59Good morning, sir.
00:36:11Good morning.
00:36:21Come on, hurry up.
00:36:22Mr. Smith, just a moment.
00:36:33Sorry, but it's forbidden to go up to the room with guests before nine o'clock.
00:36:37Guests?
00:36:37I don't see anyone.
00:36:39Excuse me, but I saw you come in and then someone came in behind you.
00:36:42It was me who came in twice, it's just my mania.
00:36:44Twice, huh?
00:36:45Yeah.
00:36:45Yeah.
00:36:45No, no, no.
00:37:15No no.
00:37:16Baby, darling.
00:37:17Come here, come.
00:37:18Come here.
00:37:20No, don't be on time, no.
00:37:24Cast your lot, it's the longest straw.
00:37:28Ah, no.
00:37:29No.
00:37:31Ah, ah.
00:37:33Excuse me.
00:37:36Good night.
00:37:38Good night.
00:37:44Hello.
00:37:45Hello.
00:37:51Did you have fun?
00:37:53Yes, quite a lot.
00:37:54I have discussed Voltaire with the girl on the beach, yes.
00:37:58She is very intelligent and very well-educated.
00:38:01Well formed, he says, and with a horrible little ass.
00:38:03No, it's just that you're vulgar.
00:38:04And you?
00:38:05Phew, I'm great.
00:38:07I've been with a girl, what a beauty, you can't imagine.
00:38:10Phew.
00:38:10The beach slut?
00:38:12Why do you call her a bitch?
00:38:13A very good girl who works for her entire family, an angel.
00:38:16Have you slept with her?
00:38:17Of course, two hours without stopping for a second, 500 bucks.
00:38:21As?
00:38:21Well, I mean, I'd have 500, 500 fucks with her, you know?
00:38:25Are you going to see her again?
00:38:26No, I don't think so, she's very busy, time is worth its weight in gold, you know?
00:38:31Disgusting.
00:38:33All on the ground.
00:38:35You Latinos are savages.
00:38:45Leave me alone!
00:38:46What a scare!
00:38:47All men are bastards.
00:38:49Haven't you had enough with your girls?
00:38:51What's the matter?
00:38:53You're jealous, huh?
00:38:56Jealous?
00:38:58You both play the gig for me.
00:38:59I've had three guys all to myself.
00:39:02Yeah, and now you only have two.
00:39:05Yes, I understand that it seems like a trifle to you, but it's better than nothing, daughter.
00:39:09Come on, calm down, tell your friends all your problems, little one, look.
00:39:13I went dancing with the three of them, on the thirtieth floor or something like that.
00:39:19We have, we have gotten naked.
00:39:22Because of the rituals, I had to jump onto the balcony.
00:39:26I was hanging in the void, completely naked, and they saved my life, you understand?
00:39:31No, not very well, and then what happened?
00:39:34What do you want to happen when someone has saved your life?
00:39:38Ah, I see, you had to show your appreciation, right?
00:39:41Yes, and I'm embarrassed, what are you both going to think of me now?
00:40:11Come on, come on, come on!
00:40:41Never mind, we'll give you other things.
00:40:44No, no, no, no, please don't follow me.
00:40:50It's just that I'm sick.
00:40:54No, please, leave me.
00:40:56I'm really tired, please.
00:41:01You don't happen to have a Beethoven record?
00:41:14Wanna...
00:41:31Eumir Rodríguez Fonseca Coutinho Cago Méndez de Chiqueira, specialized hydraulic engineer.
00:41:44Let us not forget that the three essential elements...
00:42:12...hello.
00:42:24Hey, man!
00:42:31Are you starting to get interested in culture?
00:42:33Ah, it's very boring!
00:42:35Boring flipping!
00:42:36I've been waiting for you for two hours to go to dinner!
00:42:39You're right, something unexpected happened to me.
00:42:42Yeah?
00:42:43I've met some strange people and...
00:42:45...and you too, I see.
00:42:46They are the ones who want to find me.
00:42:49Sorry.
00:42:56Already?
00:42:57Yes, yes.
00:42:58Uh, yeah.
00:42:59Very interesting, I agree.
00:43:01Great.
00:43:02Bye bye.
00:43:04Don't you want to go out with your friends?
00:43:05You're the one who prefers to go out with your friends!
00:43:08It's Lillea, the girl from the beach.
00:43:15His father is a mortel specialist.
00:43:17I want to meet him, talk to him.
00:43:18That's all.
00:43:20I have to hurry.
00:43:21He'll come for me in a quarter of an hour.
00:43:51I have to hurry with other friends.
00:43:52It's very fun, very campy.
00:43:53Then you go out with your friends.
00:43:54What instincts or noachos.
00:43:56Spanish.
00:44:18A menos?
00:44:19Very good! Bad move!
00:44:25Very good! Very good!
00:44:35Very good!
00:44:49Very good!
00:44:51Very good!
00:44:53Very good!
00:45:03Let's sit down! I wasn't born for this.
00:45:07How lazy is this one too!
00:45:12I'm dead.
00:45:19Very good!
00:45:25You are very strong for your age.
00:45:27We haven't made love for over 24 hours.
00:45:29If I told you.
00:45:30Is there another woman in your life?
00:45:32It would be too simple.
00:45:39I want to go with my dad and study Voltaire's work.
00:45:43And when he gets drunk he calls my daughter Voltaire.
00:45:49Very good!
00:45:50Very good!
00:45:51Very good!
00:45:52Very good!
00:45:57Very good!
00:45:58Very good!
00:45:59Very good!
00:46:00Very good!
00:46:01Very good!
00:46:02Very good!
00:46:03Very good!
00:46:04Very good!
00:46:09My uncle!
00:46:10This house is yours.
00:46:11He's back sooner than expected.
00:46:12Let's go quickly!
00:46:13He'll kill me!
00:46:19Ah!
00:46:20Oh!
00:46:22Very good!
00:46:23Moplacate!
00:46:32Look!
00:46:34Where did the shoe go?!
00:46:36Oops!
00:46:37Damn that one!
00:46:38No no.
00:46:39Damn!
00:46:42I can't see myself!
00:46:49Thank you!
00:46:51Who are you? Where are the others?
00:46:54What others?
00:46:56Roger Milton, Eumir and Emilio, the owner of the house.
00:47:02I'm afraid they've all left, abandoning their war material on the battlefield.
00:47:09And why have they left?
00:47:10Because of my sudden arrival.
00:47:12Are you a police officer?
00:47:15No, I am the owner of the house.
00:47:28I will never thank my stupid nephew enough.
00:47:32having stolen my key to take it to my house with his idiot friends.
00:47:38Despite the disaster?
00:47:40I think I'll leave everything as it is to remember you.
00:47:44Thank you, that's very kind of you.
00:47:47Here's my card.
00:47:49If you need anything, whatever it is.
00:47:52If you're feeling down or just happen to want to see me, I'm here for you.
00:47:58I didn't hesitate to call myself.
00:48:01Promise me you will.
00:48:03Finally, alone.
00:48:25I urgently need to find that person's address.
00:48:29Only his name appears here.
00:48:31It's a big problem.
00:48:33We are sure he is still in Rio de Janeiro.
00:48:37You will also understand that I cannot...
00:48:39What do you mean, not being able to?
00:48:41We belong to the German secret service.
00:48:44Only with a warrant from the Brazilian police?
00:48:46It's the same, it's the same.
00:48:48I already know what we can do.
00:48:50Good evening, gentlemen.
00:48:51Good night.
00:48:52Good night.
00:48:58Has the lady returned yet?
00:49:00Yes sir.
00:49:04There are many Germans around here.
00:49:06Tourists?
00:49:07Those two were police officers.
00:49:12Police?
00:49:12Yes, they are looking for someone.
00:49:14A case of embezzlement.
00:49:17And they just arrived?
00:49:19No, they just left.
00:49:24And, excuse me, have you found the thief?
00:49:27A clue, at least.
00:49:30Ah, a hint.
00:49:31Very good.
00:49:33Very good.
00:49:33I want to be fed up with Beethoven.
00:49:53No, no, no, no, no, no.
00:50:23Dad, if when I return from New York,
00:50:44Did you find out I gave your agent a bad check to pay for my school trip?
00:51:05Don't act, don't act against me.
00:51:10Forgive me, Hans.
00:51:22From now on I am yours, only yours.
00:51:24Don't act against me.
00:51:25Don't act against me.
00:51:26Don't act against me.
00:51:27Don't act against me.
00:51:28Don't act against me.
00:51:29Don't act against me.
00:51:30Don't act against me.
00:51:31Don't act against me.
00:51:32Don't act against me.
00:51:33Don't act against me.
00:51:34Don't act against me.
00:51:35Don't act against me.
00:51:36Don't act against me.
00:51:37Don't act against me.
00:51:38Don't act against me.
00:51:39Don't act against me.
00:51:40Don't act against me.
00:51:41Don't act against me.
00:51:42Don't act against me.
00:51:43Don't act against me.
00:51:44Don't act against me.
00:51:45And what did I think?
00:52:03That you would have forgotten me
00:52:04I have not forgotten
00:52:05I have a good memory
00:52:06I like you a lot
00:52:08Especially without siblings
00:52:09They were furious
00:52:11Now calm down
00:52:12They are in the house
00:52:13No wonder, right?
00:52:14You love your little black girl
00:52:16What do you call me?
00:52:18Nestlé is very nice
00:52:19Nestlé is a very rich thing
00:52:21Like you
00:52:22I've thought about you a lot
00:52:24I love you
00:52:25I love you very much too
00:52:27Why don't we get married?
00:52:29Wedding?
00:52:30Wedding?
00:52:31Man, wedding
00:52:32So my little brothers will leave me alone
00:52:34If we get married, everything is legal.
00:52:36Didn't you want to have me forever?
00:52:38Yes, my life, but
00:52:39You're too young to get married, aren't you?
00:52:42Yes, Peño, 18 years old
00:52:43We would be so happy
00:52:45With my little children
00:52:46What are you taking about?
00:52:47I have two little children
00:52:48A little brachio, like you
00:52:50And another pretiño, like me
00:52:51Mmm, how boring
00:52:53Moors and Christians
00:52:55Do you really want us to get married?
00:52:57I always speak seriously
00:52:58I'm not a whore anymore.
00:53:00Just a man
00:53:01My dear Juan
00:53:02No man
00:53:04No Notes
00:53:04No
00:53:05No
00:53:06No
00:53:06No
00:53:06No
00:53:07No
00:53:08No
00:53:08No
00:53:09No
00:53:09No
00:53:12No
00:53:12No
00:53:12No
00:53:13La, la, la, la, la, la, la, la, la, already, la, la, already.
00:53:19What happened?
00:53:24La, la, la, already, already?
00:53:35The...
00:53:38The people all dream.
00:53:41Du amor a ti, a gran sidace, de fiesta a sé en final, de amor eterna.
00:54:11Good night. Good night.
00:54:41Well, excuse me.
00:54:47Permission.
00:54:56Good night.
00:54:57Good night.
00:55:11Good night.
00:55:41Your car is not bad.
00:55:49It's a cheap car. I have four more.
00:55:54Today I have four more.
00:55:56It's the best.
00:55:58She's a snob. She also has crooked legs.
00:56:09Rio is wonderful.
00:56:10You are wonderful.
00:56:18Don't ever do that again. Have you heard?
00:56:20What's the matter?
00:56:21I've already told you. I'm in love.
00:56:23I don't care. I'm not jealous.
00:56:24And I'm also getting married.
00:56:29What are you saying?
00:56:30What are you talking about, Juan?
00:56:31Shit.
00:56:34What am I getting married for?
00:56:36That's all.
00:56:37Have you gone crazy?
00:56:38No way. I'm a man of honor, and I'm also in love with a wonderful, miserable girl.
00:56:43You speak like in old novels.
00:56:44So what's it to me? I'm not the one who wrote them.
00:56:46Of course.
00:56:48One for all and Juanita for both.
00:56:50Goes.
00:56:50Shut up!
00:56:51It was a teenage game.
00:56:53I have matured.
00:56:54I'm going to marry Rosa and I'm going to work for her and her two children.
00:56:58Do you have two children?
00:56:59Oh, so she's an old woman.
00:57:00An old woman.
00:57:01Yes, 17 years old.
00:57:03How precocious!
00:57:04And you plan to take her with you to Paris?
00:57:06Yeah.
00:57:06With the children?
00:57:07Clear.
00:57:08And with what pasta?
00:57:09Well, I hope you can help me.
00:57:12Me? Help you destroy your life? Make you a jerk?
00:57:16Selfish. You just don't want to lend me the money. That's all.
00:57:19You can take it however you want, but you'll thank me tomorrow for stopping you from being an idiot.
00:57:24At your age, with a wife and two children.
00:57:27Okay. I'm getting out. I don't want to continue with assholes like you.
00:57:31Are you coming or staying with this bastard?
00:57:35I don't know.
00:57:36Understood. See you never.
00:57:39Poor John.
00:57:40Him, right? And me?
00:57:42He is very much in love. And love is sacred.
00:57:45Like cow dung in India is also sacred.
00:57:48Oh, you don't think so, really.
00:57:50And shut up, it's overwhelming.
00:57:51Yeah, shut up. We're talking serious stuff. You understand, cutie?
00:57:54I am the poor thing. Everything I did was for his good, because I am his friend, your friend.
00:57:58And you are selfish.
00:58:00And you don't care if Juan ruins his life with this bitch.
00:58:02What if he's happy like this?
00:58:03You're crazy.
00:58:05Maybe! But I prefer the madness of that fucking calculating machine you Teutons have instead of a heart.
00:58:10Do you have the right to speak to me like that? I came to the river because I love you both.
00:58:13And because I'm bored without you.
00:58:15And I didn't want to leave you alone in this adventure.
00:58:18And you won't know what trouble I've gotten myself into by accompanying you and helping you,
00:58:21even knowing that your friendship is a shitty friendship.
00:58:23And if my father didn't have money, you wouldn't be friends with a square head.
00:58:27Self-conscious! Idiot! Cock-sucking! Goodbye!
00:58:31Juan! Juan, wait for me!
00:58:35Hey!
00:58:35Come on, come on, they'll come back, you'll see.
00:58:39You don't know them. No, neither do I.
00:58:44Take it.
00:58:44Thank you, miss.
00:58:45Can you open Mr. Smith's room for us?
00:59:04Should we give him a good tip?
00:59:06Yes, ma'am.
00:59:06Ovaquia?
00:59:21Thank you so much.
00:59:21What is it?
00:59:25No, no, no, no, no, no.
00:59:55I would make you forget those boys, my love.
01:00:09That, I don't know.
01:00:22Shall we go to your room?
01:00:23I don't know.
01:00:48This is funny.
01:00:50I find it rather boring, but it doesn't matter.
01:00:52Bored, Beethoven?
01:00:53Come.
01:00:54But no, no, no, no!
01:00:57No.
01:00:58Many thanks!
01:01:01No, no, no.
01:01:31Allow me, sir.
01:01:36Bring down my bags.
01:01:38I can't, daughter.
01:01:39Oh, how heavy you men are!
01:01:44There's no way to get this out of me.
01:01:47Come on.
01:01:50This one is done.
01:01:55What's happening?
01:01:58There are fleas in this hotel.
01:01:59What's happening?
01:02:03Come to me.
01:02:06Do not disturb.
01:02:09Open up, Hansi!
01:02:10I'm your mother!
01:02:11Come on, hurry up, hide.
01:02:14Come on.
01:02:15What are you waiting for?
01:02:15Run, run, get in there.
01:02:17That, that, yes.
01:02:19Be quiet, pretty girl, be quiet.
01:02:20Oh, hi, Dad.
01:02:27What a pleasant surprise.
01:02:30I can imagine.
01:02:31It was what I would want.
01:02:34Why are you dressed like that?
01:02:35Hey, I was going to take a shower.
01:02:38How are you?
01:02:39Nice to see you.
01:02:41A shower?
01:02:41It is very hot in here.
01:02:44I need to take several showers a day.
01:02:46Then do it.
01:02:47We'll have time to talk later.
01:02:49It seems the couch isn't happy with my weight.
01:03:05Hans!
01:03:06But, Hans!
01:03:09What's happening?
01:03:11Nothing.
01:03:11I always scream before taking my shower.
01:03:14Well.
01:03:15You've already screamed.
01:03:16Take your shower, then.
01:03:17Not now.
01:03:18I'll take a shower.
01:03:18Afterwards I don't want to leave you alone.
01:03:22And tell me, Hans.
01:03:30What are you doing?
01:03:32Don't you see it?
01:03:32Sing?
01:03:34Are you sure you're there?
01:03:36Good?
01:03:36Oh, like never before.
01:03:37I believe so, yes.
01:03:40And tell me, Dad, how was your trip?
01:03:41What did you come for?
01:03:42What do you want me to come in?
01:03:43By air?
01:03:44Clear.
01:03:45And where do you come from?
01:03:46From Munich.
01:03:46Oh, Munich, beautiful city.
01:03:48You were never funny, Hans.
01:03:54But...
01:03:55My voice is fine now.
01:03:57Hans, what's wrong?
01:03:59What's wrong, Hans?
01:04:01Nothing, nothing.
01:04:01Don't worry.
01:04:03And tell me, dad, how are you doing here?
01:04:05I received your telegram and I didn't understand anything.
01:04:07Coming up to work I couldn't believe it.
01:04:10So I took advantage of the fact that I have good clients here to visit them and talk to you.
01:04:15Great.
01:04:17But let's take a walk.
01:04:18The streets here have life, they have something.
01:04:21Sorry, I just saw you quickly and I'm with you.
01:04:24Oh!
01:04:24What happens now?
01:04:27Already.
01:04:28Hans!
01:04:29Nothing.
01:04:31Now I remember that I hate the street.
01:04:33Let's stay here.
01:04:35Yeah.
01:04:36So.
01:04:36We will be more comfortable.
01:04:51This is more comfortable.
01:04:52No!
01:04:52In the rematch!
01:04:53No!
01:04:54No, let's go to bed.
01:04:55You'll be better off in bed.
01:04:56Yes, let's go.
01:04:57But the bed...
01:04:57Come on!
01:04:59What's wrong, Hans?
01:05:00Nothing that sometimes makes me want to neigh and kick.
01:05:02Ekus complex, you know.
01:05:03Sit down, Dad.
01:05:08Sit down.
01:05:08There is nothing like a bed to rest on.
01:05:10Ouch!
01:05:11Oh!
01:05:14How it clears up to scream, right?
01:05:15Phew!
01:05:17Phew!
01:05:19Don't you have a handkerchief?
01:05:20Of course, as I say, no.
01:05:22No.
01:05:23Hey?
01:05:23I threw them all out the window.
01:05:25In a moment of rage, you know how I am.
01:05:27You work too much, my son.
01:05:29You work too much.
01:05:30Yes it's true.
01:05:31I'm short on hours.
01:05:32If you have a handkerchief in your pocket...
01:05:35Don't touch it!
01:05:37Because?
01:05:38Because it's dirty.
01:05:39It's also very ugly.
01:05:41It doesn't matter!
01:05:42Give me...
01:05:42Don't leave it!
01:05:43It is an intimate garment and...
01:05:47Intimate?
01:05:49That...
01:05:50What is this?
01:05:51A slip.
01:05:53Whose briefs is this?
01:05:56Mine.
01:05:58Are you wearing this?
01:05:59What do you wear this?
01:06:00It's the fashion, beautiful.
01:06:04Excuse me, excuse me for a moment.
01:06:05I'm going to open it, I'll be right back.
01:06:10Hello.
01:06:12I forgot this before.
01:06:13Hello, Juan.
01:06:24I forgot this before.
01:06:28My son!
01:06:32Who will those two be?
01:06:34My best friends.
01:06:36Well, if they become your enemies...
01:06:37What is this?
01:06:46What is this?
01:06:47Donny!
01:06:49Donny!
01:06:50What is this?
01:06:50Donny!
01:06:52Juanita! Juanita!
01:06:58Juanita! Juanita!
01:07:13Juanita! You left without telling me anything.
01:07:16You want a word, asshole?
01:07:18What's up? Do you think like him?
01:07:20Yes, you are right.
01:07:22Because I guess you're still determined to marry that whore.
01:07:24Yes that's how it is.
01:07:26I'm going to stay here, to work.
01:07:29Do you want to stay with me?
01:07:31Did you know the plane back to Paris leaves tomorrow?
01:07:33Huh? So soon?
01:07:35How soon? We've been here for five days.
01:07:38You have to see how quickly time passes.
01:07:40Anyway, I'm staying. And you?
01:07:42Me? What's it to you?
01:07:45I wish you all the happiness in the world. See you never!
01:07:49Juanita! Juanita!
01:07:51Juanita!
01:07:57Oh! Oh! Carlos!
01:08:00You come here, I fell from the sky!
01:08:02Fortunately, my fall was shorter.
01:08:05But it is undoubtedly heaven that has put me in your path.
01:08:16Can I keep you company?
01:08:18Yes, Carlos! I can even treat myself to lunch!
01:08:20I'm so dead!
01:08:22Ha ha ha!
01:08:23Life is wonderful!
01:08:25Ha ha!
01:08:26I don't know what you see that's extraordinary!
01:08:27Well, that's it!
01:08:29The little birds!
01:08:31The panorama!
01:08:32The sun!
01:08:33I'm not interested in anything.
01:08:37Of course, when you drink Denti and Fricó it's very difficult to be optimistic.
01:08:47Bravo, my son, I'm very proud of you. Very proud.
01:08:53Are you very proud?
01:08:54You had me very worried.
01:08:57So much time in France, so much study, so much intellectualism.
01:09:02That's how many faggots started.
01:09:06Did you think I...?
01:09:07This is what the best families do.
01:09:10But now I'm sure of you.
01:09:12Yesterday's scene was a good example.
01:09:15I was remembering the old days when I was your age.
01:09:19Did you also have many female friends?
01:09:21Oh, he was a normal boy!
01:09:24I still am!
01:09:25Perhaps for you it is nothing more than, as they say, a mummy.
01:09:31But I can introduce you to quite a few young ladies who don't share your opinion.
01:09:37This is a good one.
01:09:40Now, enough worries.
01:09:43You are young, handsome, rich.
01:09:45Enjoy life.
01:09:46You'll have time to study.
01:09:48But I've lost my two best friends.
01:09:50Without them, without them I am nothing.
01:09:53Oh, are they the ones who hit you yesterday?
01:09:54They seem very nice.
01:09:57We should look for them!
01:09:59Too late.
01:10:01He is going to get married here.
01:10:03And she, Juanita, must be on her way to France alone.
01:10:07Why are they angry with you?
01:10:09My fault.
01:10:10I have been harsh on them, and unfair.
01:10:17Especially with Juanita.
01:10:20Now that she's no longer here, I know she's the girl I love most in the world.
01:10:24I love Europe.
01:10:39Those old monuments.
01:10:41The Parthenon.
01:10:42The Parthenon.
01:10:43Zotredán.
01:10:45Bopur.
01:10:49And all the glorious ruins.
01:10:52The Escorial.
01:10:55The Valley of the Fallen.
01:10:56How good is this fish!
01:11:17Wow!
01:11:17I must have cost you a fortune!
01:11:22Much less than what you deserve.
01:11:24It has cost me much less than the happiness you can give me.
01:11:52Much less.
01:11:52Will you marry me?
01:11:55That?
01:11:57Will you marry me?
01:12:00How beautiful!
01:12:02Marry you?
01:12:04Yeah.
01:12:05Marry you?
01:12:06What do you want?
01:12:08And why not?
01:12:22Marry you?
01:12:23Marry you?
01:12:24That?
01:12:24Marry you?
01:12:25Marry you?
01:12:25Marry you?
01:12:26Marry you?
01:12:26Marry you?
01:12:27Marry you?
01:12:28Marry you?
01:12:28Marry you?
01:12:28Marry you?
01:12:29Marry you?
01:12:29Marry you?
01:12:30Marry you?
01:12:31Marry you?
01:12:31Marry you?
01:12:32Marry you?
01:12:32Marry you?
01:12:33Marry you?
01:12:34Marry you?
01:12:35Marry you?
01:12:36Marry you?
01:12:37Marry you?
01:12:38Marry you?
01:12:39Thank you!
01:13:09Thank you!
01:13:39Thank you!
01:14:09Thank you!
01:14:39Thank you!
01:14:40Thank you!
01:14:41Thank you!
01:14:42Thank you!
01:14:43Thank you!
01:14:44Thank you!
01:14:49Thank you!
01:14:50Thank you!
01:14:51I am the happiest of all unhappy men!
01:15:09Thank you!
01:15:40enemy
01:15:44Good morning, Jeresmí
01:15:45Come, join me
01:15:47I have to talk to this gentleman
01:15:48Come yes, accompany me
01:15:51Hi how are things?
01:15:53Do you know my son?
01:15:54Yes, and I've been spying on him.
01:15:56What do you have to say?
01:15:58These are the reports you asked me for.
01:16:00Juanita Martínez is still in Rio
01:16:03in the home of an industrialist
01:16:04Carlos Martínez Freire de Acosta
01:16:06with whom Amanzebada lives
01:16:08It's Zuligue, let's go. The other guy, Juan Turán, lives in a hotel, a filthy hotel, the Hotel Madrid.
01:16:18They gave him that name because it's a very dangerous place, a refuge for gunmen, and he shares his room with two old foreigners.
01:16:26Maybe they are, as I would say, maybe they are lovers.
01:16:29I was with his girlfriend, a certain Rosa Monteiro, a prostitute, with two children and some brothers who flirt with her.
01:16:36She wanted to hunt down this Juan, thinking he was very rich, you know.
01:16:41I gave her the two thousand dollars, as you told me, and she left for Bahia, delighted with life.
01:16:48I believe, Jerezvi, that I have fulfilled all your orders, no?
01:17:02Hello, man.
01:17:06Unfortunate.
01:17:11Wreck, I don't have to talk to you.
01:17:13I don't talk to people of your race.
01:17:15One denies me help, the other takes my girlfriend away.
01:17:19That pasta guy...
01:17:21Are you up to date?
01:17:22She didn't like you very much then.
01:17:24Maybe, but that bastard didn't know that.
01:17:27Maybe he did it for your own good.
01:17:30An altruist, aren't you? Leave me alone.
01:17:32I won't talk to you anymore.
01:17:33Look at this.
01:17:35Read this.
01:17:40His Excellency, Carlos Martín Freire da Costa, has the pleasure of inviting you to the presentation celebrations of his fiancée, Miss Juanita Martín.
01:17:47What's the matter?
01:17:48Don't talk to me anymore.
01:17:48What's the matter?
01:17:51I kill! I kill! I kill! I kill!
01:17:58Guripo! Klon Fircoz!
01:18:21Hello. Is everything okay?
01:18:39Very good.
01:18:41How are you?
01:18:42Fine, thanks.
01:18:44Good boy.
01:18:51One moment.
01:18:56One moment, please.
01:19:00I want to tell you some good and important news for me.
01:19:15My dear friends, I present to you my fiancée, Miss Juanita.
01:19:21I am announcing our upcoming wedding.
01:19:28You can't get through.
01:19:32This wedding is not possible.
01:19:34She is married.
01:19:36Married to whom?
01:19:37With us!
01:19:45Oh, you bastard! You're leaving me!
01:19:47It's leaving me!
01:19:49Come with me!
01:19:58Aluia! Aluia!
01:20:01Come on, come on!
01:20:05Alema is here!
01:20:06Ah!
01:20:07There it goes!
01:20:17Come on!
01:20:18Come on, come inside!
01:20:19Come on!
01:20:19Juanita! Juanita! Where have you been, Juanita?
01:20:49Juanita! Juanita! Juanita!
01:21:19Juanita! Juanita!
01:21:49Juanita! Juanita! Juanita!
01:22:19Ah, it's you.
01:22:21Ah, it's you.
01:22:23Hello.
01:22:27I'm going to introduce you to my father.
01:22:29Juanita?
01:22:30Ah, nice to meet you.
01:22:32Hello.
01:22:34And Juan, my best friends.
01:22:35Mister.
01:22:46I understand your reaction.
01:22:48When I was your age, I found myself in a situation like yours.
01:22:52And my godfather, who was Spanish,
01:22:58got me out of it.
01:23:07My hand.
01:23:08I love you.
01:23:23I want both of them!
01:23:25To the airport, we don't have much time.
01:23:27One for all and Juanita for both.
01:23:35And there's nothing for me?
01:23:39Ah, a weekend once in a while, why not?
01:23:41I didn't know your godfather was Spanish.
01:23:50Don't be silly, it's a lie, but you know how shady they are.
01:23:54You're a great guy.
01:23:56Not always like this, I don't have time.
01:24:05Oh shit!
01:24:07I've never missed a plane in my life, but there had to be one time.
01:24:13Not always like this, in clothes.
01:24:15Not always like this, during the day.
01:24:15Not always like this, in my life.
01:24:17Subscribe to the channel!
01:24:47Subscribe to the channel!
01:25:17Subscribe to the channel!
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