- hace 7 horas
Reparto: Anna Maria Rizzoli, Serena Grandi, Giorgio Bracardi, Raf Luca, Annie Belle
Director: Ferdinando Baldi
Director: Ferdinando Baldi
Categoría
🎥
CortometrajesTranscripción
00:00:00Thank you!
00:00:30Thank you!
00:01:00Thank you!
00:01:30Thank you!
00:01:32Thank you!
00:01:34Thank you!
00:01:36Thank you!
00:01:38Thank you!
00:01:40Thank you!
00:01:42Thank you!
00:01:44Thank you!
00:01:46Thank you!
00:01:48Thank you!
00:01:50The F says that if the hit goes well, we won't have to worry about anything for the rest of our lives.
00:01:55Yes, I hope so. He's prepared it perfectly.
00:01:58Calling Francesca.
00:02:00Calling Francesca!
00:02:02Go relieve Divina.
00:02:04Everything continues according to plan.
00:02:06Short and close.
00:02:28Who is it?
00:02:38Very good, Mr. Baron.
00:02:40Is that you? Do you want to help me?
00:02:42Oh, always at your disposal, Baron. Excuse me.
00:02:45Are there many people in the restaurant?
00:02:47No, regular.
00:02:49Would you mind informing me about my travel companions?
00:02:52Oh, no way.
00:02:55Traveling are a politician with a secretary, a noble lady with a companion, some newlyweds, a rock singer...
00:03:04And your assistant?
00:03:06Oh yeah?
00:03:07What fun!
00:03:09And a psychiatrist with a wife included.
00:03:12His wife?
00:03:13I am not married.
00:03:14What does it have to do with it?
00:03:15How did you ask about my wife?
00:03:16No no.
00:03:17I asked her if she is the psychiatrist's wife.
00:03:19Oh no, Mr. Baron.
00:03:21From her appearance, I would say more like a patient.
00:03:26Oh!
00:03:27Nothing changes.
00:03:29Nothing new under the hot sun.
00:03:33In the meantime, may I ask for your usual little bottle of champagne?
00:03:36No.
00:03:37Two.
00:03:38And you bring them to my compartment after midnight, let's say, let's say at twelve forty-five.
00:03:47OK?
00:03:49Or it's too late.
00:03:50Oh, no.
00:03:51It's a perfect time.
00:03:52But yes, the same champagne as always.
00:03:55Thirteen degrees, huh?
00:03:56Don't worry, Mr. Baron.
00:03:58Thirteen degrees.
00:03:59Not one degree more, not one degree less.
00:04:01How are you?
00:04:02An unmatched knot, Mr. Baron.
00:04:04Please.
00:04:05No, thanks.
00:04:06I still have to fix a few things.
00:04:08Oh, as you wish.
00:04:09Always at your service, Baron.
00:04:20No, thanks.
00:04:21No, thanks.
00:04:22No, thanks.
00:04:23No, thanks.
00:04:24No, thanks.
00:04:25No, thanks.
00:04:26No, thanks.
00:04:27No strange.
00:04:28No, thank you, sir.
00:04:29Hello.
00:04:59The boss says everything is ready, so whenever you want.
00:05:01Great, I'm glad to know we're all in agreement.
00:05:03You can take my car.
00:05:04Okay, put yourself in my shoes.
00:05:29You can take my car.
00:05:59The journey has begun.
00:06:19How are things going?
00:06:20Your orders have been carried out, boss.
00:06:22Everything ok.
00:06:23Good, but I suffer from loneliness.
00:06:26Meet me as soon as possible.
00:06:29Hey, do you want to smoke?
00:06:32No, thanks.
00:06:32There are five minutes left until the match.
00:06:37Oh, always at your disposal, sir man.
00:06:41Thank you.
00:06:42Excuse me, excuse me.
00:06:43Do you want me to wake him up, sir?
00:06:57At seven.
00:06:58At seven, and with breakfast?
00:06:59For me, grape juice.
00:07:01And for the lady, a grapefruit juice.
00:07:05Double.
00:07:07Double.
00:07:09AND...
00:07:09Yeah.
00:07:10And a bottle of mineral water at...
00:07:13At two o'clock.
00:07:15At two o'clock.
00:07:17At two o'clock.
00:07:18What I've heard.
00:07:19Good evening, sir.
00:07:39Are you ready?
00:07:40Yeah.
00:07:44Open your mouth and follow my instructions, all these painkillers.
00:07:50Open, open your mouth.
00:07:52Drink.
00:07:53It has to be strong.
00:07:56He promised me.
00:08:00What if they make me feel bad?
00:08:03Don't forget that psychiatrists are also doctors.
00:08:07I'll be...
00:08:08Prepared for any eventuality.
00:08:11It's that I'm afraid.
00:08:12It's natural.
00:08:15But don't worry.
00:08:19Thank you.
00:08:21I keep watch.
00:08:23Termi?
00:08:29Do you want an alarm clock, sir?
00:08:31What did you say?
00:08:32Alarm clock?
00:08:33The alarm clock?
00:08:34For tomorrow, in the morning.
00:08:36Ah, alarm clock.
00:08:38Yeah.
00:08:42This.
00:08:44Yes, yes.
00:08:46Have.
00:08:47And breakfast?
00:08:52Breakfast?
00:08:52Yeah.
00:08:53Breakfast?
00:08:54No.
00:08:55I don't think we'll have time.
00:08:58She's my wife.
00:08:59Ah.
00:08:59We got married today.
00:09:02I understand.
00:09:05In the countryside we only drink barley.
00:09:08Ah, what a pity.
00:09:09We don't have any barley on board.
00:09:11Not even straw.
00:09:12We do not allow horses in sleeping cars.
00:09:14But we have a very complete menu list.
00:09:16Choose what you like, place your order on the compartment door, and you'll be served promptly.
00:09:22What do you think?
00:09:25Congratulations, sir.
00:09:26Congratulations.
00:09:27You too, madam.
00:09:29Excuse me.
00:09:34Poor thing.
00:09:35May nothing happen to him.
00:09:37Oh.
00:09:37Always at your service, sir.
00:09:46Would you like to be woken up tomorrow, sir?
00:09:48Yes, call me at a quarter to seven in compartment sixteen.
00:09:50And for breakfast?
00:09:51One moment.
00:09:52A cortado, tea with lemon, hot chocolate, grapefruit juice, two eggs with bacon, and lots of toast.
00:10:15Oh.
00:10:16That's all.
00:10:18And a Canadian beer for me.
00:10:19Bring it to sixteen, but charge it to fifteen.
00:10:22And the weather forecast, please?
00:10:25He wants them for twelve hours or for the whole day.
00:10:29And if there's a storm, I'll let you know on the fifteenth or sixteenth, ma'am.
00:10:33Don't worry about the fifteen, it's as if it doesn't exist.
00:10:36We must take into consideration the union's request to reduce working hours
00:10:40as a disintegrating principle of the stability of our industrial apparatus
00:10:45and reduce it in the shortest possible time,
00:10:49given the precarious and chaotic conditions in the navel of Europe.
00:10:54Did you say belly button?
00:10:56Yes, Jennifer.
00:10:57In political jargon, the navel of Europe is Italy.
00:11:01Also add the word putrefied.
00:11:05Rotten navel!
00:11:08Oh, sir! I like myself more every day.
00:11:09So, miss, wake up and have breakfast?
00:11:18Wake up at seven-five.
00:11:20Lightly toasted brios for two.
00:11:22Plum jam for one.
00:11:24Apple syrup for one.
00:11:26Skimmed milk for two.
00:11:28Orange marmalade for one.
00:11:30And a double espresso Italian style for one.
00:11:33And you don't ask anything of the lazy kings?
00:11:38Please also bring a copy of all the newspapers.
00:11:40Sorry, but we only have one copy of the email.
00:11:43Why's that?
00:11:44Because the news is more or less always the same.
00:11:48And do you know the only new thing the newspaper has today?
00:11:50What do I know?
00:11:51The date.
00:11:52Very funny.
00:11:54Jennifer.
00:11:54Jennifer, remind me that I am submitting a question.
00:12:00about this very serious episode
00:12:02of limitations on the citizen's rights
00:12:05to have access to a varied and pluralistic press.
00:12:09Well, remove varied and add strong.
00:12:11Let's not screw it up.
00:12:13Excuse me, honorable, but I haven't written anything.
00:12:15Well, damn it, write it down, write it down.
00:12:17I'm not going to do it.
00:12:20Wow, what an honorable individual this is.
00:12:23And to think that it takes two hundred like him.
00:12:26Thank you.
00:12:28But the bad thing is that there are many more.
00:12:30Many more.
00:12:32What a shame.
00:12:33Excuse me.
00:12:35What a disgusting honorable person.
00:12:45Oh, sir man.
00:12:47Do you want to get ready for the night?
00:12:48Who is traveling in the next compartment?
00:12:50The singer Rock.
00:12:52Only?
00:12:52No, his assistant also goes with him.
00:12:55And what did you order for lunch?
00:12:59Smoked salmon, Balkan trout,
00:13:01kyiv caviar, Chinese vegetables and Brazilian molasses.
00:13:05How barbaric, but you in your little hovel
00:13:07takes all of that.
00:13:08No, I only have cans, but that's what I'll give you.
00:13:11What can I do?
00:13:12I'll turn it off for you, sir.
00:13:14They call him.
00:13:16I always forget mineral water, damn it.
00:13:19Excuse me, sir.
00:13:20Oh, if it's the same inside.
00:13:37Excuse me, sir.
00:13:38Forward.
00:13:51What happened?
00:13:53Have you broken anything?
00:13:54Pick it up, quickly.
00:13:55I'm so thirsty and it's so hot in these compartments.
00:14:02that one never knows what to wear.
00:14:05And you, poor thing, I feel so sorry for you.
00:14:07How he must suffer all day in a jacket and tie.
00:14:12I don't know why they don't have air conditioning on the trains.
00:14:18With how much it costs to travel.
00:14:20But the water bottle has broken.
00:14:24Well, don't worry.
00:14:26Bring me another one and some tea with sugar while you're at it.
00:14:31Oh.
00:14:31I have to change my job.
00:14:44Yes, but which one?
00:14:45There it is, for example.
00:14:47Damn, that's hot.
00:14:50Oh, excuse me.
00:14:51Excuse me, I'm sorry.
00:14:53I'm sorry.
00:14:53Always at your service, sir.
00:14:55Tell me, what emotions and reactions have you felt?
00:15:05Well, I don't know.
00:15:08A great emptiness in the stomach
00:15:10and a huge sense of shame.
00:15:14It seemed as if I were sinking into an abyss
00:15:16endless, very dark.
00:15:19He wished for a moment that that man
00:15:26casually brushed against his body.
00:15:32No!
00:15:32No no!
00:15:33Don't shout!
00:15:42May I smoke?
00:15:44Clear!
00:15:49Have you looked into his eyes?
00:16:01Yeah.
00:16:02Once.
00:16:04His gaze was...
00:16:07obscene.
00:16:09Full of...
00:16:10full...
00:16:10Lust!
00:16:11That's what I meant!
00:16:13Yeah.
00:16:17What did you feel?
00:16:19Anguish and...
00:16:21rage.
00:16:22Anger for what?
00:16:23With who?
00:16:24Please reply.
00:16:26With myself.
00:16:27I felt hatred for that man,
00:16:29but I didn't want to.
00:16:31I didn't want him to leave.
00:16:32That's all.
00:16:34Good.
00:16:36That is the first sign.
00:16:40Really positive.
00:16:42Cheer up.
00:16:43You'll see.
00:16:45Doctor.
00:16:46Do you think I'll make it?
00:16:47I repeat, my lady,
00:16:50that his thing is...
00:16:51It is a curable disorder.
00:16:53I have barely overcome
00:16:54inhibitory blockade
00:16:55that prevents her from undressing
00:16:57before a man,
00:16:59you will see how easy it is
00:16:59that will mean abandoning yourself
00:17:00to its normal functions
00:17:02physiological sexual.
00:17:04And I beg you to...
00:17:05Please repackage.
00:17:07Is it better for me to stay like this?
00:17:10Hey?
00:17:10No, ma'am.
00:17:12The second therapeutic phase
00:17:15but an impact
00:17:16less brutal,
00:17:17more calculated.
00:17:19In plain and simple words
00:17:22will have to try to get there
00:17:24to nakedness
00:17:25freely,
00:17:28gradually.
00:17:30In sum,
00:17:31with more fun.
00:17:35Understand.
00:17:35Sorry, doctor.
00:17:39And after that second phase
00:17:43will there be a third?
00:17:47Oh, that's outrageous.
00:17:51This,
00:17:53the blockade that afflicts her
00:17:55Mrs. S
00:17:56is the fruit
00:17:57from a rigid religious education.
00:17:59Oh,
00:18:01is...
00:18:01hot aunt,
00:18:02I say madam,
00:18:03for years and years
00:18:05they have instilled in him
00:18:06massive doses
00:18:07of modesty,
00:18:08of modesty.
00:18:09Yeah,
00:18:10will not pretend
00:18:11to get rid of
00:18:13of that modesty
00:18:14in a single night.
00:18:15Oh.
00:18:29Allow me, madam.
00:18:56Baron Bolfango Funestín,
00:18:58conscious.
00:19:00Oh,
00:19:01Lili.
00:19:04Please,
00:19:05happens,
00:19:05the compartment
00:19:06is prepared.
00:19:07Sorry.
00:19:09Forward.
00:19:12Excuse me,
00:19:13What time do you want?
00:19:14wake her up
00:19:15tomorrow morning?
00:19:16It doesn't matter,
00:19:17cigarette.
00:19:18Thank you,
00:19:19I don't smoke.
00:19:19The cigarette.
00:19:21Good night.
00:19:21Good night.
00:19:29What do you want?
00:19:44Who is it?
00:19:46Who?
00:19:48Who is he really,
00:19:49Lili?
00:19:49An actress?
00:19:50Famous?
00:19:51Don't know,
00:19:52I never go to the movies.
00:19:53Never?
00:19:53And why don't I go?
00:19:54Because I fall asleep.
00:19:54Go to sleep earlier.
00:19:55I'm not sleepy.
00:19:56Well,
00:19:56Who?
00:19:57Who is it?
00:19:57Who?
00:19:58Lili?
00:19:58An actress?
00:19:59I've already told you.
00:20:00I've never seen her.
00:20:02Because you,
00:20:02sir man,
00:20:03usually travels on Thursdays.
00:20:04It's the first time
00:20:05that we have the honor
00:20:06to see him on a Saturday
00:20:06on board our plane,
00:20:08Hey,
00:20:08say,
00:20:08from our train.
00:20:09TRUE,
00:20:10TRUE,
00:20:10TRUE.
00:20:11Now,
00:20:11If you allow me,
00:20:12I'm going to 13.
00:20:13Who is it?
00:20:13Who?
00:20:14The 13th?
00:20:14A compartment
00:20:15where should I take some tea.
00:20:17Oh.
00:20:17Always at your service,
00:20:19sir man.
00:20:20No,
00:20:20Yes, I'm going.
00:20:20Oh.
00:20:20Who is it?
00:20:50Who is it?
00:21:20Oh,
00:21:21sorry,
00:21:22precious,
00:21:23but I'm a bit short-sighted.
00:21:25I'm not going to...
00:21:26But son,
00:21:27is that we have a problem
00:21:28of madness.
00:21:30We couldn't find
00:21:31the little device.
00:21:33Tell me where we can plug in.
00:21:34In the hole below,
00:21:35220 volts.
00:21:37Thank you,
00:21:38precious,
00:21:39bye.
00:21:40He doesn't know where to plug in.
00:21:41Excuse me,
00:21:52Could you tell me what the regulator is?
00:21:54of the air conditioning?
00:21:55Hey,
00:21:56Yeah.
00:21:59But,
00:22:00on this train
00:22:01the air conditioning doesn't work
00:22:02due to the issue
00:22:03Arab energy.
00:22:05Do you understand?
00:22:06TRUE?
00:22:07How awful?
00:22:07Those Arabs
00:22:08are getting
00:22:09really unbearable.
00:22:10Yeah,
00:22:10Yeah,
00:22:11That's what I say,
00:22:12but if you want I can create
00:22:13a base current
00:22:14door and window
00:22:15so that you are
00:22:16cool,
00:22:17Hey?
00:22:17It doesn't matter,
00:22:18thank you.
00:22:19Ah,
00:22:20he doesn't care.
00:22:21Oh,
00:22:22sorry,
00:22:23how silly I am,
00:22:24I have stumbled,
00:22:25excuse me.
00:22:30Do you want anything?
00:22:35Water,
00:22:35a little water.
00:22:37Be careful
00:22:37that of the bathroom
00:22:38it is not drinkable.
00:22:39Or not?
00:22:41No,
00:22:41we love her
00:22:42to wash our hands.
00:22:43Then,
00:22:44in its compartment
00:22:45has all he wants.
00:22:47Just press
00:22:47the push button
00:22:48what's under the mirror
00:22:48from the sink.
00:22:51Thank you.
00:23:01It turns out there is water
00:23:02in the sink.
00:23:04Yeah,
00:23:05I've already found it.
00:23:10I have washed
00:23:11the bra.
00:23:21But...
00:23:38No, wait.
00:24:08No, wait.
00:24:38No, wait.
00:25:08Do you want some hot water?
00:25:38Yeah.
00:25:39It will be the best.
00:25:40No, wait.
00:25:42No, wait.
00:25:44No, wait.
00:25:46No, wait.
00:25:48No, wait.
00:25:50No, wait.
00:25:52No, wait.
00:25:54No, wait.
00:25:56No, wait.
00:25:58No, wait.
00:26:00No, wait.
00:26:02No, wait.
00:26:04No, wait.
00:26:06No, wait.
00:26:08No, wait.
00:26:10No, wait.
00:26:12No, wait.
00:26:14No, wait.
00:26:16No, wait.
00:26:18No, wait.
00:26:20No, wait.
00:26:22No, wait.
00:26:24No, wait.
00:26:26No, wait.
00:26:28No, wait.
00:26:30No, wait.
00:26:32No, wait.
00:26:34No, wait.
00:26:36No, wait.
00:26:38No, wait.
00:26:40No, wait.
00:26:42No, wait.
00:26:44No, wait.
00:26:46No, wait.
00:26:48No, wait.
00:26:50No, wait.
00:26:51No, wait.
00:26:52No, wait.
00:26:53No, wait.
00:26:54No, wait.
00:26:55No, wait.
00:26:56No, wait.
00:26:57No, wait.
00:26:58No, wait.
00:26:59Damn.
00:27:22If I don't change jobs soon, these women will finish me off.
00:27:29You're not fucking around. She's complaining about the air conditioning and she's naked.
00:27:34I would like to rain it here.
00:27:36Since she is sick, he gives her water or tea.
00:27:39By the way, did he ask me for it with or without sugar?
00:27:42Well, I'll take it just in case.
00:27:45Where did I put the little envelopes?
00:27:47Oh, what a mother that happened to me! There isn't one.
00:27:51Beer. I'm never bringing that shit back.
00:27:53What I have to do is leave the train, yes.
00:27:54That's right, leave the train and join the navy.
00:27:57Even if it's a torpedo in a submarine.
00:27:59Well, and now part of the head.
00:28:05What am I missing, my God?
00:28:06Jennifer, why are you crying?
00:28:34What's wrong with him?
00:28:35He's been working for me for almost a month now, and I want to know more details about his life.
00:28:41Trust me, I beg you.
00:28:43Will they be okay with it?
00:28:43I've been divorced for a year and recently, for the first time, I realized how much there is a huge void in my life.
00:28:56I don't know why.
00:28:57Excuse me.
00:28:58No, I make her work too much.
00:29:03She's tired.
00:29:05But honorable?
00:29:07Excuse me.
00:29:07In everyone's life, there is always a moment when the weight of loneliness is felt most acutely.
00:29:21And I have to confess that mine lasts much longer than yours.
00:29:27Let's fill that void, whatever it is, Jennifer.
00:29:31Why don't we take that weight off our shoulders?
00:29:33Oh, that tickles!
00:29:42How hot!
00:29:43I'm going to freshen up.
00:29:45Oh, mother!
00:29:46Oh!
00:29:46Excuse me.
00:30:05Excuse me.
00:30:05Excuse me.
00:30:16Water and tea, ma'am.
00:30:39But what are you doing?
00:30:42Excuse me.
00:30:46But what are you doing?
00:31:16I need to change my job urgently.
00:31:46Subscribe to the channel!
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00:33:46Do you like it?
00:33:48I bought it a few days ago.
00:33:50Thank you!
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00:36:45Could you give me a hand?
00:36:53Do you want to help me?
00:36:54Thank you, I don't understand how it happened.
00:36:58Don't worry
00:36:59It's the worst nuisance!
00:37:00computer
00:37:05letter
00:37:10How handsome you are!
00:37:40Dark-skinned!
00:38:10How handsome you are!
00:38:12Very good!
00:38:14Very good!
00:38:18Very good!
00:38:19Very good!
00:38:24Very good!
00:38:28Very good!
00:38:30But hey, why don't you want to?
00:38:41No, no, no. My wife is waiting for me. We got married today. It's our night.
00:38:47About weddings.
00:38:48I'll give you an advance.
00:38:51No, no, no.
00:38:54Yeah.
00:39:00Yes! Yes! Yes! Yes! I'll destroy you!
00:39:20Don't be rude!
00:39:30Oh! Piranha!
00:39:33Don't be rude!
00:40:03Without eating a donut
00:40:05I am always at your disposal, sir.
00:40:11I don't believe him
00:40:15Word?
00:40:23Listen, good man, you won't have the Strasbourg telephone directory in this contraption.
00:40:28No, honorable, I'm sorry.
00:40:29We only have that of Adriano Irpino, Ambrate and Putillano del Mare
00:40:33Thank you very much, sir.
00:40:34More than you, baldy
00:40:38Oh, wet husband, lucky husband
00:40:44May I congratulate you and not be discouraged?
00:40:49Honey, I admit I'm stupid.
00:41:17You are my husband
00:41:18And my duty is to please you in the good and the bad
00:41:21And this is good
00:41:23I'm yours
00:41:29Attack me
00:41:30Yes, yes, yes
00:41:34Now wait
00:41:37Wait?
00:41:38I have forgotten
00:41:39I have forgotten
00:41:41I don't know
00:41:42I have forgotten
00:41:45Yes, brush my teeth
00:41:48You're right
00:41:55It's my fault
00:41:57You're right
00:41:59Now you don't want to because you're angry
00:42:06But what are you saying?
00:42:08Come on, don't cry
00:42:11What happens
00:42:12It's that we are tired
00:42:14Nervous
00:42:16The mass
00:42:17The relatives
00:42:18The banquet
00:42:19But I will be a good wife
00:42:24I swear
00:42:25I will give you many children
00:42:27My love, my love
00:42:32Thank you
00:42:32Thank you
00:42:34Please come in
00:42:39Well, dear
00:42:59Do not touch me
00:43:03Never
00:43:05Cigarette?
00:43:29Camera
00:43:34Get ready
00:43:47Do not touch me
00:44:17Jennifer
00:44:27The previous one was a serious and formal proposal.
00:44:32And I would like you to give me an answer.
00:44:39I think I've already done it
00:44:42I have asked you for a little time to reflect, honorable
00:44:45I'm not a kid anymore, Jennifer.
00:44:48Dear
00:44:52After two disastrous marital experiences
00:44:56I thought it was impossible to ask a woman to join me again for the rest of my life.
00:45:02And yet, I have bitten
00:45:04That?
00:45:06Jennifer
00:45:07That?
00:45:07Jennifer
00:45:07Honorable
00:45:08Honorable
00:45:10Honorable
00:45:11Honorable
00:45:12Please
00:45:13Is it eaten?
00:45:16No
00:45:16Honorable
00:45:17Leave me
00:45:18Leave me, honorable one.
00:45:19Please
00:45:20Oh, how hot!
00:45:21I'm going to freshen up
00:45:22Oh, mother
00:45:23But if it's a matter of time, I'm also capable of waiting.
00:45:33Thank you
00:45:34It won't be much
00:45:36I'll tell you tomorrow
00:45:41Oh
00:45:42I hold on
00:45:43I hold on
00:45:43Oh
00:45:45Ch water
00:45:46Bye
00:45:47The
00:45:52Ta
00:45:52Bye
00:45:57Bye
00:45:59Bye
00:46:01AND
00:46:02Bye
00:46:04AND
00:46:05Bye
00:46:07Aba
00:46:07AND
00:46:08Bye
00:46:10Bye
00:46:10No, no, no.
00:46:40There is a little boy who doesn't want to sleep.
00:46:51He wants me to take him to his bed.
00:46:52Or I'll put him in mine and distract him a little.
00:46:55Choose, man.
00:46:57That's on you.
00:47:10Too much air, don't you think?
00:47:22Of course, madame.
00:47:27Do you want to give me a light?
00:47:28Do you want to give me a light?
00:47:58Yeah?
00:48:13Do you want something?
00:48:14No, no, thank you.
00:48:16As you wish.
00:48:16No, don't ever touch me.
00:48:46No no.
00:48:47No no.
00:48:48No, no, thank you.
00:48:49No no.
00:48:50No, no, thank you.
00:48:51No, no, no, no.
00:49:21There is no love between the two anymore, it's over.
00:49:39And no matter how stubborn we are...
00:49:41What's next?
00:49:42Hate will make our glazed eyes drip with jets of poison.
00:49:49Resign yourself, Terry.
00:49:50Our former passion no longer exists.
00:49:57Bravo.
00:49:58Don't laugh.
00:50:00Darling, I don't know how to be a hypocrite.
00:50:03However, it is political.
00:50:06Should I be offended?
00:50:07I don't like this movie.
00:50:12It's a stupid thing to do, like everything else he's done during the crisis.
00:50:15If things continue like this, I'll have to go to America.
00:50:18Yes, I'm going to California.
00:50:22Leave Europe?
00:50:23Now that we've united it?
00:50:26Europe was born and cinema died.
00:50:29We actors are walking corpses.
00:50:35Ghosts of an illusion that has already expired.
00:50:37Well, I like his skeleton.
00:50:42Very kind.
00:50:45Tired?
00:50:48Single woman.
00:50:49Good night, dear.
00:50:55Why doesn't he stay?
00:50:56No.
00:50:59Good night, dear.
00:51:00Ah, Lieutenant
00:51:30Excuse me, do you think the dining car is open at this time?
00:51:36No, I don't think so.
00:51:36Oh, and could you tell me if there are other sleeping cars like this one?
00:51:42Miss, why do you want that information?
00:51:45Ah, I'm looking for the traveler from 17 and I don't know where he could have gone.
00:51:48Sorry, but I have to know what's going on in these cars, you understand?
00:51:52Understand
00:51:52If I'm not mistaken, you're looking for the honorable one, aren't you?
00:51:55Exactly, I'm his secretary.
00:51:57Oh, well, a little while ago your boss asked me for a phone book.
00:52:00Oh yeah?
00:52:01Yes, then he asked me for a bottle of vodka and went to compartment 1.
00:52:04Excuse me, where to?
00:52:06To compartment 1
00:52:08Ah, yes, the Commander's
00:52:09Oh, what a commander, in number 1 there is an actress, a movie actress
00:52:14With more proof than vodka
00:52:16Thank you
00:52:17But, Lieutenant, did I say anything wrong?
00:52:23Ah! Help! I cut myself!
00:52:26What's going on? Who's screaming?
00:52:29Oh, quick, you give him some water on his forehead.
00:52:32I'm going to get a first aid kit.
00:52:33Ah, here it is
00:52:51His finger needs to be treated immediately.
00:52:53What a crack
00:52:54Calm down, general, don't get married.
00:52:56Oh
00:52:56I'll sell it to you
00:52:58No, no, no, no, no, no, okay
00:53:00I'll sell it to you, man, I'll sell it to you, man, look, that's it.
00:53:02Oh, mother, I'm going to drink water, I'm getting dizzy.
00:53:04Oh, what a night, man, what a night
00:53:12What's going on?
00:53:13A girl caught her finger in a door as it closed.
00:53:15Hey, a girl caught her finger in the door.
00:53:18But nothing serious, don't worry.
00:53:19It doesn't turn on
00:53:28Ah, the fuses must have blown.
00:53:31Don't talk nonsense, Coco
00:53:32Don't you see that the recorder is working?
00:53:34Oh, sorry, dear.
00:53:36I must have gone to the wrong hole.
00:53:37That crazy waiter confused me.
00:53:40Right hole
00:53:41Left hole
00:53:42Center hole
00:53:43Why are there so many holes in this damn train?
00:53:47I'm going to plug you in.
00:53:48Come on, see if you can fix it.
00:53:49What problem?
00:53:55I was annoyed by the essay
00:53:56The lamp doesn't work, but it doesn't matter
00:54:00Do you have anything for my nasty headache?
00:54:03Yes sir
00:54:04Hello, Grandpa
00:54:07Poison!
00:54:10I gave this disgusting
00:54:12How are you doing?
00:54:18Does it hurt?
00:54:19No, I'm better now.
00:54:20Ma'am or miss?
00:54:22Miss
00:54:22Mr. man, Mr. man
00:54:31What a night this day is!
00:54:32TRUE?
00:54:35Excuse me
00:54:35Always at your service, sir man
00:54:37Sir man
00:54:39The mustache
00:54:39The mustache?
00:54:42As?
00:54:43The mustache
00:54:44Where?
00:54:47There, above the lip
00:54:48Ah, above the lip, of course.
00:54:51Where would it be?
00:54:52Oh, please don't bother.
00:54:54What do you have me for?
00:54:55Always at your service, sir man
00:54:57Allows
00:54:58Allows
00:55:00Don't be scared, sir man.
00:55:09She is the newlywed of the fourteenth
00:55:10You know?
00:55:11It's their wedding night
00:55:13And then Sara
00:55:16He raised his eyes to heaven and said
00:55:18Lord, here is your victim
00:55:20The Holocaust
00:55:21It has been fulfilled
00:55:22Oh, magnificent, sir man
00:55:25From the Divine Comedy
00:55:26No, Genesis, Book Two
00:55:28Chapter Four
00:55:28Verse sixteen
00:55:30Two up, two down
00:55:32I'm thirsty
00:55:38Me too
00:55:39I'm going to ask the waiter for water.
00:55:42Hey!
00:55:46Are you going to go out like that?
00:55:47Naked?
00:55:48It's true
00:55:49I don't know what's wrong with me
00:55:50I must have lost my mind
00:55:51Besides
00:55:53Remember what I told you
00:55:55Be careful with that waiter
00:55:57I don't like it at all
00:55:58My love, come back soon
00:56:00I'm very thirsty
00:56:01But more of you
00:56:03Lie down
00:56:04And leave the door open
00:56:07So you won't have to get up
00:56:09When I return
00:56:10May I?
00:56:14Of course
00:56:16What do you want?
00:56:17A bottle of mineral water
00:56:18Do you want it with or without gas?
00:56:20I don't care
00:56:21Glad to hear it
00:56:22Because there is only one kind
00:56:23We couldn't leave this phase for another time.
00:56:51No
00:56:52We would lose the advantage gained so far.
00:56:57So that
00:56:59How long have I told you?
00:57:01Yeah
00:57:02What if he reacts badly?
00:57:05Oh, I will intervene at the right time.
00:57:09Oh, I will intervene at the right time.
00:57:11Oh, I will intervene at the right time.
00:57:12Little one
00:57:13Oh, come on.
00:57:14Come on
00:57:15Come on
00:57:16Come on
00:57:16So
00:57:17So
00:57:17Resist
00:57:19Resist
00:57:20As much as I can
00:57:21All I can
00:57:22Oh
00:57:24Is it me?
00:57:33Yeah
00:57:34Come on, please
00:57:35My diamond ring fell into the sink.
00:57:44Please, I can't get it out alone.
00:57:48The water
00:58:01But where is it?
00:58:04I finish Majara
00:58:05It's you?
00:58:20Come right away
00:58:21Come, come soon
00:58:25I'm hugging myself
00:58:27But I don't want water
00:58:28I love you
00:58:29Come, I've dreamed of you
00:58:31You had so many faces
00:58:33Oh, so many arms
00:58:36So many hands
00:58:37So much of everything
00:58:39I love you
00:58:40Oh, darling.
00:58:41You know you have an adorable butterfly
00:58:45Excuse me, I brought you the water.
00:58:49Why won't I change my profession?
00:58:59It's almost one o'clock
00:59:00The man's champagne
00:59:01Yeah
00:59:16Your champagne, sir man
00:59:21Exactly thirteen degrees
00:59:23Perfect
00:59:26Zero forty-five
00:59:27At this exact time
00:59:29Out of coquetry I won't tell you how many years ago
00:59:32I saw the light in a small
00:59:34Very small town
00:59:36From the great, holy and exterminated Russia
00:59:39That night the Cossacks were on maneuvers
00:59:42And my people were illuminated by the glow of the flames
00:59:45What heroic times?
00:59:47The Tsar
00:59:48The revolution
00:59:49Pushkin, the great Pushkin
00:59:54Do you know Pushkin?
00:59:55No
00:59:55Well, never mind boy, it's not serious.
00:59:58Congratulate me and drink with me
00:59:59Oh, then mister man
01:00:01I'll go get another drink
01:00:02And I will toast with you for a second
01:00:04What heroic times?
01:00:34Here I am ready to toast you, sir.
01:00:49Please
01:00:52Oh, what an honor
01:00:53Thank you
01:00:53Tinkin
01:01:02Happy birthday to you
01:01:05If it's not in Russian, leave it
01:01:06Thank you
01:01:07As you like
01:01:08You think that with a simple gesture
01:01:13You will be able to erase so many memories
01:01:15The memories
01:01:16Oh, the memories
01:01:19They will be shadows that will haunt you
01:01:22Wherever you go
01:01:24I don't know why I bother
01:01:27This idiot doesn't know how to appreciate the good
01:01:29Shall I sing you a lullaby?
01:01:32Shall I sing you a lullaby?
01:01:40 monitor!
01:01:48Thank you!
01:02:18Thank you!
01:02:29Hello.
01:02:31It's you?
01:02:33I tried to call you...
01:02:37Sshh!
01:02:39Speak more quietly.
01:02:41I tried to call you but your device must be broken.
01:02:43No. It was me who didn't hear.
01:02:45That monkey wouldn't let me go with his snoring. He's drunk.
01:02:48What's happening?
01:02:56Get ready, it will be in half an hour.
01:02:59And the alarm?
01:03:00Locked, unlocked.
01:03:01And the rest of the travelers?
01:03:03Don't worry, everything is under control.
01:03:05Wait.
01:03:06That?
01:03:07You see, if all goes well...
01:03:12Yeah?
01:03:15If all goes well...
01:03:17But hey, what's wrong with you now?
01:03:20If all goes well, I would like to produce a film and act in it.
01:03:24I would like to be an actress, right?
01:03:26Alright.
01:03:28Okay, with your share of the loot you can do whatever you want.
01:03:31I'll even pay the director.
01:03:33Really?
01:03:34How happy I am!
01:03:35I'm going to make a film starring Fellini.
01:03:39Hey, how much does that Fellini cost?
01:03:43Well, if you catch him at the wrong time, about 100 million.
01:03:47That?
01:03:50100 million.
01:03:53100?
01:03:54Yeah.
01:03:59I hope he's unemployed, because that way he'd earn us less, don't you think?
01:04:04But I have given my word and I will keep it.
01:04:07Really?
01:04:08Really.
01:04:08Really?
01:04:09My love, how happy I am.
01:04:12Thank you.
01:04:15Thank you.
01:04:15Precious.
01:04:30Did it cost you a lot?
01:04:33It's a gift.
01:04:35I also gave one to my wife, with a little green stone.
01:04:40We got married today.
01:04:42Congratulations.
01:04:43Thank you.
01:04:47Open your hand, please.
01:04:54Have.
01:04:56It's yours.
01:04:58It's my wedding present.
01:05:00No, no, no.
01:05:02It's too much.
01:05:03No, no, I don't want to.
01:05:05Cheer up.
01:05:05I don't want to.
01:05:06Cheer up.
01:05:10Accept it.
01:05:10Accept it.
01:05:11Thank you.
01:05:13I give it to you with great pleasure.
01:05:16Thank you.
01:05:18Undress me, please.
01:05:19Hey?
01:05:21It's a personal problem for me.
01:05:25Help me, please.
01:05:28Undress me slowly.
01:05:32You can't see how much I need it.
01:05:34I understand that agreements must be kept, but leaving me in the hallway for the rest of the trip is too much.
01:05:40Why don't you require a separate compartment on these occasions?
01:05:43I haven't thought about it.
01:05:45The more vicious, the more greedy.
01:05:48Oh.
01:05:51Should we change the band-aid?
01:05:54Yeah.
01:05:55Yeah.
01:05:55What do you do for a living?
01:06:02In a nightclub in Hamburg.
01:06:04Artist?
01:06:05Yes, artist, stud.
01:06:06In what sense, please?
01:06:08For a year I've been doing Beauty and the Beast.
01:06:10Ah, he does Cocteau theater.
01:06:12Sorry, but I don't know that co-co-co-co...
01:06:13Cocteau?
01:06:15You see, I dress up as King Kong and fall in love with Evelyn, my friend.
01:06:19She's a good girl.
01:06:22Before being captured, I make love to her three times, every night.
01:06:26There comes a time when you run out of juice.
01:06:30But should it be bad to experience sexual intercourse every night?
01:06:37Well, my colleagues pretend to enjoy themselves.
01:06:40Sometimes to rest, but I don't always have to be in shape.
01:06:44If not, the audience notices and whistles.
01:06:46I...
01:06:48I don't understand how it's possible to be in shape three times a night.
01:06:56It's a matter of training.
01:06:58Just concentrate and...
01:06:59Bang, bang.
01:07:02You don't believe it, do you?
01:07:04I...
01:07:04Now you'll see.
01:07:05Every night in Hamburg...
01:07:08I begin like this.
01:07:10I take off my pants...
01:07:13I have Evelyn in front of me.
01:07:15I concentrate.
01:07:28And voilà?
01:07:30Oh.
01:07:32Have you seen?
01:07:34Oh, how hot.
01:07:35I'm going to freshen up.
01:07:36Oh, mother.
01:07:36Oh, mother.
01:08:07I will have a new film law passed.
01:08:11A new law.
01:08:13Yes, my love.
01:08:14When?
01:08:15What do you care?
01:08:16What do you care?
01:08:19You don't care.
01:08:21You don't care about anything.
01:08:23Nothing matters to you.
01:08:24You don't care.
01:08:35To you!
01:08:35You don't care.
01:08:36I don't care about anything, nothing, I don't care about anything
01:09:00I don't care about a life
01:09:30I don't care about anything
01:10:00I will recommend you for the next fallas
01:10:03And now I'm going to see if the little ones have fallen asleep.
01:10:30I don't care about anything
01:11:00I don't care about anything
01:11:07I don't care about anything
01:11:14I don't care about anything
01:11:21I don't care about anything
01:11:28I don't care about anything
01:11:35I don't care about anything
01:11:42I don't care about anything
01:11:49I don't care about anything
01:11:56I don't care about anything
01:12:03I don't care about anything
01:12:10I don't care about anything
01:12:11I don't care about anything
01:12:13I don't care about anything
01:12:17I don't care about anything
01:12:24I don't care about anything
01:12:26I don't care about anything
01:12:28I don't care about anything
01:12:29I don't care about anything
01:12:31I don't care about anything
01:12:33I don't care about anything
01:12:35I don't care about anything
01:12:36I don't care about anything
01:12:37Good evening, man. Hello.
01:13:03Scissors?
01:13:08Scissors.
01:13:11Scissors.
01:13:14Scissors.
01:13:16Close.
01:13:18Close.
01:13:22Close.
01:13:24Close.
01:13:25Blowtorch.
01:13:27Blowtorch.
01:13:33Blowtorch.
01:13:37Blowtorch.
01:13:39Twenty-two.
01:13:41Twenty-two.
01:13:43Twenty-two.
01:13:45But what is this for?
01:13:47What do you care?
01:13:48Twenty-two.
01:13:50Grifa.
01:13:52Grifa.
01:13:55Grifa.
01:13:56Grifa.
01:13:58All.
01:13:59All.
01:14:00All.
01:14:03All?
01:14:07All?
01:14:08All.
01:14:17What is all this for?
01:14:19That's what the man wants.
01:14:22He's crazy.
01:14:23Like a goat.
01:14:24That?
01:14:33A sanitary wagon transporting gold ingots.
01:14:54Very clever.
01:14:56But we are smarter than them.
01:14:58A lot more.
01:14:58That?
01:15:07All set.
01:15:08Unfortunately Fellini was committed and could not accept.
01:15:31So the man hired his assistant
01:15:33An extraordinary, wonderful guy
01:15:36We are shooting a sensational film
01:15:40The world of women, thirty-one eighth
01:16:00The world of women, thirty-one ninth
01:16:03Man, the boy for the Divine's wigs
01:16:06Only for wigs
01:16:09Come on, finish that makeup already.
01:16:31The world of women, twenty-three-eighth
01:16:34Rolling
01:16:38That is
01:16:40Very good
01:16:42Slowly
01:16:44Perfect
01:16:46Come on, come on baby, come on
01:16:48That is
01:16:50Peaceful
01:16:53Peaceful
01:16:54Very good
01:16:55Perfect
01:16:56All right, babe.
01:16:57Cut!
01:16:58Cut!
01:16:59Brown
01:17:06Where do I put this?
01:17:25Over there
01:17:26Exactly
01:17:28Exactly there
01:17:28On the top floor
01:17:32Under my office window
01:17:35Ex-office
01:17:38Ex-everything
01:17:41Ah
01:17:43Male
01:17:46And with this we already have eight thousand three hundred million lire
01:17:52And with this we are also without Blanca, right?
01:17:57No
01:17:57We have two billion three hundred million in debt
01:18:00That we will never pay
01:18:02Yeah
01:18:03But
01:18:04We have the movie
01:18:06Everyone wants her
01:18:08It's an Oscar movie
01:18:10They even want her at the Venice Film Festival
01:18:12But even those from Zagarolo don't accept it.
01:18:15Oh
01:18:17Where have we ended up?
01:18:20So much work
01:18:22Oh
01:18:23So much struggle
01:18:25Peace
01:18:26What a true phrase
01:18:28Time will pass
01:18:31Who said it?
01:18:34Who said it?
01:18:36He doesn't know
01:18:37Humphrey Bogart in Maltese alcohol
01:18:40Time will pass
01:18:42Will it happen?
01:18:43These producers are all crazy.
01:18:48Director
01:19:13Director
01:19:13Who said it?
01:19:43Hello
01:19:44Hello
01:19:45Load everything into the Petrarca
01:19:47Shouldn't we have done it in Augustus?
01:19:49New service orders
01:19:51They have changed everything
01:19:54We are always changing
01:19:56What a flirt
01:19:56Yeah
01:19:57I think it's a mess.
01:19:58Hurry up
01:19:59Let's make a pair right away
01:20:00Bye
01:20:13D
01:20:37Thank you!
01:21:08Dear Lili, I'm going to ask you a favor.
01:21:12Before you express another wish, think about it.
01:21:16No, I've thought about it, you know? I've thought about it very carefully, and I'm determined.
01:21:20You make me tremble.
01:21:23Say nothing.
01:21:24No. I want to get married, start a family.
01:21:29Ah. Gosh, I'm happy for you.
01:21:34Although I am sorry to lose such a beautiful partner.
01:21:36But why can't we remain partners after marriage?
01:21:47What are you saying?
01:21:50OK.
01:21:52Yeah.
01:22:02Stop.
01:22:03That?
01:22:04We can't be, father.
01:22:06Because?
01:22:07There's a strike. The port staff.
01:22:11And that will authorize.
01:22:13Damn sir!
01:22:14Damn sir!
01:22:29Touching sir!
01:22:29Damn sir!
01:22:29Thank you!
01:22:59Oh, how awful! What bad luck we have!
01:23:17But how is it possible that everything has gone so wrong for us?
01:23:20Of course.
01:23:21It's incredible. Do you realize?
01:23:23I thought I would live like a pacha
01:23:30I already have it
01:23:40What is it about?
01:23:42Every Monday a plane leaves Fiumicino for Amsterdam
01:23:46Carrying a cargo of diamonds on board
01:23:49Stopover in Paris for 16 minutes and 35 seconds
01:23:55If in Paris we could replace the crew
01:23:59For this we would have approximately 43 seconds
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