- hace 14 horas
Reparto: Janine Reynaud, Rosanna Yanni, Chris Howland, Michel Lemoine, Manuel Velasco
Director: Jesús Franco
Director: Jesús Franco
Categoría
🎥
CortometrajesTranscripción
00:02:16And the box?
00:02:17What box?
00:02:18Women!
00:02:19What's it going to be?
00:02:20The box!
00:02:21Let's see if he's lost!
00:02:24Look back, eh!
00:02:26Here it is!
00:02:28Come on, darling!
00:02:30Do you want me to take her?
00:02:36You take your briefcase and don't worry about me.
00:02:40I will be able to bear the weight.
00:02:41Besides, you might lose her again down the stairs,
00:02:43as he is always in the dark.
00:02:45It's your fault, darling.
00:02:47Mia, on top of that, I entrusted you with this box.
00:02:50It's your fault for trusting me with anything.
00:02:52You should know that I am very distracted.
00:02:54For once I admit that he is right.
00:02:57How wonderful!
00:02:59Yes, bathe in my bathroom.
00:03:02See you later, Pe!
00:03:03See you later, groundhog!
00:03:06It was difficult, but we did it.
00:03:09Are you talking about Professor Bertrán's invention?
00:03:11I'm talking about lying down in bed quietly and not thinking about anything.
00:03:14In nothing.
00:03:15Yes, your favorite sport.
00:03:19Who will it be?
00:03:28Oh, what joy!
00:03:29Commissar!
00:03:30Commissar!
00:03:31Guys, Malú, just a third-class agent.
00:03:33Agent Regina, third-class.
00:03:37Commissar.
00:03:39Aren't you going to introduce me?
00:03:40Oh, yeah, sure.
00:03:41Here is Mr. Cramer, one of the leaders of Interpol.
00:03:44Nice to meet you.
00:03:45Nice to meet you.
00:03:46What do they want from us?
00:03:47We've been away for a long time.
00:03:48We couldn't have done anything wrong.
00:03:49Of course.
00:03:50Can we come in?
00:03:52Yeah.
00:03:53You're more handsome and taller and so tanned.
00:03:57Sit down, sit down.
00:03:58A drink?
00:03:59Yes please.
00:04:00Please sit down.
00:04:03Yes, sit down, I want to clarify something very important.
00:04:06We need to talk.
00:04:07Shut up, Malú.
00:04:08What will they tell them?
00:04:10I know they've just arrived from the Caribbean and that they're mixed up in the Bertrán affair.
00:04:14Us?
00:04:15You went to the wrong door, sir.
00:04:16We are dancers.
00:04:17We have a musical number.
00:04:19Red Lips.
00:04:20Very sexy, by the way.
00:04:22I advise you not to miss it.
00:04:25I have come in peace.
00:04:29I know that in addition to your musical number, you do other numbers.
00:04:34Red Lips is a mysterious private detective who is quite outside the law, by the way.
00:04:41Red Lips...
00:04:42I...
00:04:43Malú, please.
00:04:44I'm talking a little bit about correctness.
00:04:47Red Lips has intervened in recent months in the case of Professor Bertrán.
00:04:53The missing scientist.
00:04:55What the hell is he saying?
00:04:57But we don't know who that teacher is.
00:04:59It's not the kind we like.
00:05:01Besides...
00:05:06Alright.
00:05:07What do you want to know?
00:05:09All.
00:05:11From the beginning.
00:05:12Go on, get the cart with drinks, ice, etc.
00:05:15It will be long.
00:05:16Are you going to tell them?
00:05:17It is not useless to argue with the law.
00:05:20They are always right.
00:05:22Are you going to leave?
00:05:25They always have the upper hand.
00:05:32Wants?
00:05:33You are very kind.
00:05:34It all started here one night a few months ago.
00:05:46We had gone to bed early, as usual.
00:05:50It was a stormy September night.
00:06:04What is it?
00:06:06No!
00:06:10Rough!
00:06:11Still Paul Newman?
00:06:13Yeah.
00:06:14It is my torment.
00:06:18How passionate he is!
00:06:23Calls.
00:06:24Go on, go open it.
00:06:25I've got your back.
00:06:31Here we go!
00:06:34Come on, demon!
00:06:39What a great people!
00:06:51Please, red lips, take the sheet music.
00:06:54That?
00:06:55You'll see, Old Devil's Mill. It's a song that...
00:06:58Who did it?
00:07:04Who are you?
00:07:05Bertrand, the professor under the great shield.
00:07:11That's the only thing we were missing: people coming to die at our house.
00:07:17Old Devil's Mill.
00:07:27Listen.
00:07:32Please.
00:07:34Do you want to play something more funereal?
00:07:35Considering we have a dead body here, I think it would be most appropriate.
00:07:40You're right. The first thing is to take care of the visitors.
00:07:44This wax seal is curious.
00:07:49Come on, let's go.
00:07:55And where do we go now with the cold cuts?
00:07:57You look silly, honey. You never go to the movies.
00:08:00You have to throw him off a cliff.
00:08:02When I go to the movies I don't notice those details.
00:08:04I'm going to see Paul Newman.
00:08:06Or that other Englishman, who made a very nice film,
00:08:08of one who dresses up as a Moor and wants to kill everyone.
00:08:11I think his name is Lorenzo the Moor or something like that.
00:08:16Lore is from Arabia.
00:08:17Well, it's the same, isn't it?
00:08:18Be careful not to catch him in the act.
00:08:27I don't think he cares.
00:08:30And why don't we shoot him right here?
00:08:31Go on, start it and be quiet.
00:08:33We're going to Puerto Palo.
00:08:34You'll come help me, won't you?
00:08:51Well.
00:08:54Come on, don't be so lazy.
00:08:57Oh, what a cool breeze this morning.
00:09:01How heavy it is!
00:09:02Corpses usually always weigh a lot.
00:09:05And this one seemed like such a small thing, huh?
00:09:07Look.
00:09:11He had a nice appearance.
00:09:16A very correct boy.
00:09:18Don't you think so?
00:09:19Yeah.
00:09:20Right here, right?
00:09:24Such is life.
00:09:26Some come and others go.
00:09:29They go!
00:09:32The music was very beautiful.
00:09:54And we put on a very attractive number with her.
00:09:56For the rest, we soon forgot about the body, as the incident had no consequences.
00:10:05Until fifteen days later, in a coastal cabaret, the Flamingo.
00:10:11They go!
00:10:12Bye.
00:10:12They go!
00:10:12They go!
00:10:13The music was very beautiful.
00:10:14They go!
00:10:14They go!
00:10:14Thanks for watching the video.
00:10:44Thanks for watching the video.
00:11:14Thanks for watching the video.
00:11:44Thanks for watching the video.
00:12:14No, I only drink vinegar.
00:12:17Would you mind telling me what's going on?
00:12:27Nothing important.
00:12:30That damn red stamp again.
00:12:33A knife in the back again.
00:12:35Once again a man dies wanting to say something.
00:12:38Aren't you going to worry about a matter where there's no money to be seen?
00:12:43I'm sure there is.
00:12:45You don't kill two guys and there's no money involved.
00:12:47We need to find out who this Bertrani is and what's going on with that red seal.
00:12:51Hey, what are you thinking?
00:12:54We lived so peacefully with our saxophone and our little top hat, and now...
00:13:00This will be one of the most exciting red lip adventures.
00:13:04Bye bye.
00:13:06Bye bye.
00:13:07Elephant's foot shield, crow's tooth.
00:13:10What are the teeth of crows like?
00:13:12Well, like yours or mine, but a little more pointed.
00:13:15Bat wing and membrane, dwarf skeleton, toad eye.
00:13:21Girl, what a beautiful people.
00:13:24Woman, they are secret societies.
00:13:26They have to advertise themselves in a strange way.
00:13:28They're not going to do like Pexicola and cordiality.
00:13:34It has to be here.
00:13:37I've already found it.
00:13:39Shield representing a cat.
00:13:41Fingers crossed, marshmallow flower.
00:13:45He belonged to the secret society of the Avilenians.
00:13:48It was based in Avilene until the beginning of the 20th century,
00:13:52when it was banned and its members persecuted.
00:13:56Society of black magic and other forms of witchcraft.
00:14:00However, notable men emerged from it, such as the entomologist Pimpol, in the 18th century.
00:14:06And the famous healer Professor Bertrán, who mysteriously disappeared after World War II.
00:14:16That Bertrán is the man the musician said just before he stiffened, right?
00:14:20Let's go to Avilene immediately.
00:14:23But is it far or near?
00:14:24We don't care, we have to go there anyway.
00:14:30And we went to Avilene.
00:14:31It was very far away, but we went.
00:14:33And that's where the whole series of surprises and calamities really began.
00:14:37How much? Benedictine? Drambui? Himbergall?
00:14:40What do the gentlemen want?
00:14:44Water, I'll go get it from the kitchen myself so I don't bother you.
00:14:47You're not going anywhere.
00:14:50Water doesn't feel good.
00:14:53Don't you agree with me?
00:14:55It's what I've always said, water feels terrible.
00:14:58A little hemlock, please.
00:15:00What does it say?
00:15:01Nothing.
00:15:04And what did they find in that city, in Avilene?
00:15:07Loneliness, poverty and ruins.
00:15:10And the third cold cut in the series.
00:15:40Odón, don't look at those in the miniskirt.
00:15:57In my time Avilene was a beautiful city,
00:16:19It shone like a star, in the immensity of the sea.
00:16:27Old devil's mill, your blades have writing on them,
00:16:34words carried by the wind, by an ancient Avilene.
00:16:39How do you know that song?
00:16:41Everyone knows her here.
00:16:43Do you know the secret society of the Avilenos?
00:16:45I don't know anything about that.
00:16:46And do you know Professor Bertrán?
00:16:48Yes, he was a great man.
00:16:50But I don't want to talk anymore.
00:16:52Why don't you go see the widow?
00:16:56Does Mrs. Bertrán live here?
00:16:57Yes, in the old abandoned mine.
00:17:00Go.
00:17:00Mrs. Bertrán!
00:17:17Mrs. Bertrán!
00:17:19Mrs. Bertrán!
00:17:21Mrs. Bertrán!
00:17:26Mrs. Bertrán!
00:17:29Mrs. Bertrán!
00:17:45Come on, let's go.
00:17:47No, no, you go. I'll wait for you here, keeping watch.
00:17:49No way. Come too.
00:17:51Mrs. Bertrán!
00:18:04Why so much interest in seeing it?
00:18:08A woman who has the bad taste to live in this house.
00:18:12It can't be interesting.
00:18:14Shut up!
00:18:21The red box in my mom's...
00:18:35You are Mrs. Bertrán.
00:18:43Be very careful with the island of the pa...
00:18:57You are in danger!
00:19:09A lot!
00:19:37A lot!
00:19:39Number three.
00:19:47Runs!
00:19:48In my day, Abilene.
00:20:10It was a beautiful city!
00:20:21We returned to the hotel in Abilene worried.
00:20:24We had the impression that everyone was watching us.
00:20:27You guys pretend. I'm constantly being watched.
00:20:40What is this?
00:20:40It's an anonymous note from my father.
00:20:44Come on, let's go.
00:20:45Hey, what does that daddy say?
00:20:54Go immediately to the old mission of San Ginés.
00:20:57Signed X.
00:20:58Who is X?
00:20:59The girl's father.
00:21:00And luid!
00:21:09Come on!
00:21:13No!
00:21:15No!
00:21:17Come closer, daughters. Fear nothing.
00:21:47Good morning.
00:21:51Hello good.
00:22:02You are standing before the ruins of the ancient society of the Avilenians.
00:22:05I have called this meeting.
00:22:09We haven't met here for 20 years.
00:22:12But I have friends.
00:22:14And I know who you are.
00:22:18We are going to entrust you with a very important mission.
00:22:22We are already too old to do anything.
00:22:27And we are closely watched.
00:22:30Excuse him, he is somewhat asthmatic.
00:22:32You're looking for Professor Bertrand. He was our boss.
00:22:35He's been dead for a long time, but his secret lives on.
00:22:38His formula for life, the big red box.
00:22:41Pagan idol. The secret is there.
00:22:43We can't tell you more.
00:22:46But be wary of everyone.
00:22:48The pagan is a hotbed of ambitions.
00:22:51Beneath its apparent peace lie the worst vices.
00:22:56But be wary and beware of the soulless men created by the professor
00:23:01and have fallen into murderous hands.
00:23:04Say, what do we gain from this story?
00:23:09We have raised a not very significant amount of money.
00:23:13Only $223,000.
00:23:14Viriato, our agent from Lo Pagan will contact you.
00:23:18Go to the Camacho Hotel.
00:23:19Viriato will soon fill them in on the details.
00:23:22The slogan will be papirusa.
00:23:24Receive the blessing of the people of Avila.
00:23:30Acu, acu, papirusa!
00:23:32Acu, acu, papirusa!
00:23:34And we were back in orbit, heading for the small island of Lo Pagan.
00:23:47Tropical paradise of calm and peace.
00:23:52Of course, no one on the island had expected our arrival.
00:23:54The Avila people had done well.
00:23:56They sent a coded message that no one could decipher.
00:24:04Acu, papirusa!
00:24:34Sorry, it's very urgent.
00:24:39Panchito says the conga line is coming.
00:24:41The conga?
00:24:42So soon?
00:24:43Let no one know.
00:24:43Hey, Jorge, Billy's coming, Billy.
00:24:58What's up, Miguelito?
00:25:25What is wanting?
00:25:27Chimpín!
00:25:28Chimpín!
00:25:29What's happening?
00:25:30Miguelito, take message.
00:25:31Guys, get there now.
00:25:32The little birds play in the garden.
00:25:43Yeah?
00:25:44Sure?
00:25:45Sure.
00:25:49It's coming!
00:25:51It's coming!
00:25:51Here she comes, Silvia!
00:25:52They're coming, Mr. Méndez.
00:26:13Atrisa!
00:26:14Mendez.
00:26:16Can?
00:26:16Yes, come in, Méndez.
00:26:20When are those girls arriving?
00:26:22This afternoon, Captain Ringo.
00:26:24Well, we'll give them a job right here.
00:26:26Isn't it risky, Captain?
00:26:27Gosh, darling, you'll see!
00:26:28Beam!
00:26:28Beam!
00:26:28Beam!
00:26:28Beam!
00:26:28Beam!
00:26:29Beam!
00:26:30Beam!
00:26:30Beam!
00:26:35Beam!
00:26:37Hey, do you want a taxi?
00:27:04Yes, yes, of course.
00:27:06Good morning.
00:27:08Get in.
00:27:12Forward.
00:27:14Thank you, Joaquin.
00:27:19Are they artists?
00:27:21We dance on the tightrope.
00:27:23There is no circus here.
00:27:24But you speak it.
00:27:26To the Camacho Hotel?
00:27:27How did you guess?
00:27:28First because I am very intelligent and second because there is no other here.
00:27:31There is no other.
00:27:40There is no other or no.
00:27:44Yes, me.
00:27:46The ladies are served.
00:28:10How much is it?
00:28:12Dinner with me tonight.
00:28:13Too expensive.
00:28:14And tomorrow?
00:28:16Neither.
00:28:16They don't deal with taxi drivers, do they?
00:28:19I don't like little playboys.
00:28:21And you?
00:28:22Man, I...
00:28:23Neither does she.
00:28:25But you don't know me very well.
00:28:26All the better?
00:28:28Maybe they would benefit greatly.
00:28:30I would be surprised.
00:28:32You finish.
00:28:34Let's be clear.
00:28:35How much?
00:28:37Scoundrel!
00:28:37Papyrus!
00:28:48Your father!
00:28:49What is a secret locker?
00:28:51Yes, secret.
00:28:52Freed!
00:28:53Oh wow!
00:28:54Tonight at eight.
00:28:58Stop!
00:29:00Old Spanish castle.
00:29:02Stop!
00:29:02I will wear a red flower.
00:29:04So that?
00:29:05Otherwise, how will they recognize me?
00:29:07Of course, woman.
00:29:08You're right.
00:29:10Ok.
00:29:10What time is it?
00:29:19What do I know?
00:29:21What do you think of that guy in the yard?
00:29:23I didn't like him.
00:29:27Who is it?
00:29:29Hotel service.
00:29:31What do you want?
00:29:33I am the housekeeper.
00:29:34I wanted to know if you need anything.
00:29:36No, thanks.
00:29:37Everything is perfect.
00:29:38They don't want a little money either.
00:29:41What the hell are you talking about?
00:29:42I have very rich friends in the East.
00:29:44Yellows?
00:29:45Rather red.
00:29:46They would like to help them live well.
00:29:49How nice!
00:29:51They offer $200,000 and you are understanding with them.
00:29:54They've taken us for sluts again.
00:29:57Get out of here, Celestina.
00:29:58Tell those guys we don't want any trouble with the UN.
00:30:00Bye bye.
00:30:01I feel sorry for you.
00:30:02I feel sorry for them.
00:30:05Hey, we must look pretty exaggerated, huh?
00:30:08No, no way.
00:30:09We must look like we know a lot of things.
00:30:11But all we know is a song.
00:30:15In my time, Avilene was a beautiful city.
00:30:20And the stars came down to chat with the sea.
00:30:27With the 203.
00:30:40Excuse me, I'm calling to apologize.
00:30:43Don't get angry.
00:30:44Bye bye.
00:30:44Listen, let me finish.
00:30:46Why don't we make up and go for a swim in the pool together?
00:30:51No!
00:30:51Listen, let me finish.
00:31:21Above!
00:31:30Opa!
00:31:33Come on?
00:31:36Come on!
00:31:37You weigh more, huh!
00:31:39Phew!
00:31:44Our profession is not bad.
00:31:46The one with movie actors?
00:31:47Be quiet!
00:31:48We act as mystery agents.
00:31:49I don't.
00:31:50I'm a millionaire playboy on vacation.
00:31:53And I am Little Red Riding Hood.
00:31:55And who do you work for?
00:31:57For the Russians?
00:31:58Cold, cold.
00:32:00For the Chinese?
00:32:01Interpol?
00:32:03I can't say yes or no.
00:32:06Do they pay well?
00:32:07Now with the cost-of-living bonuses, insurance, and overtime, we're doing well.
00:32:11But you can also earn a lot of money.
00:32:15How much?
00:32:16One hundred bills.
00:32:18Which ones?
00:32:19From Uncle Sam.
00:32:20Of a thousand.
00:32:21Who should be killed?
00:32:22To no one.
00:32:23Just tell me your little secrets.
00:32:24Those related to Professor Bertrán.
00:32:27Who is Professor Bertrán?
00:32:53I'm the flower man, you know?
00:32:55I am the only representative of the Avila people to whom I will pay.
00:33:00Yes, yes, already.
00:33:01You have to see the princess, who is a complementary captain.
00:33:05And...
00:33:07Come on, it's so sweet that he died.
00:33:11They killed him.
00:33:15There's nothing left to do here.
00:33:18Let's go find that princess.
00:33:25Hello, girls.
00:33:30What do you want from me?
00:33:31Are you the princess?
00:33:33So it seems.
00:33:35And why do you call yourself a princess?
00:33:38It's my stage name.
00:33:40The princess of scandal.
00:33:42They gave me that name when I danced the rumba with a hat full of bananas.
00:33:45And where is the scandal?
00:33:49I didn't have anything else on.
00:33:51And you?
00:33:52Do you want to work?
00:33:54Yeah.
00:33:55And what kind of number do you do?
00:33:57A somewhat special, elegant, ancestral number.
00:34:02I hope it's not just for intellectuals.
00:34:05Because?
00:34:05Do we look like writers?
00:34:09A bit.
00:34:11But you can come in.
00:34:14Come on, show me what you can do.
00:34:24From the London Palladium, the sexy, red-lipped attraction.
00:34:36Please, da capo.
00:34:39The, the, the...
00:34:42The, the, the...
00:34:46The, the, the...
00:35:03With a halftone.
00:35:13Good.
00:35:33Good.
00:36:03Good.
00:36:33Good.
00:37:03Good.
00:37:04Good.
00:37:05Good.
00:37:06Good.
00:37:07Good.
00:37:08Good.
00:37:09Good.
00:37:10Good.
00:37:11Good.
00:37:12Your little table, Mr. Vicas.
00:37:14So small.
00:37:15You're waiting for someone.
00:37:18No.
00:37:19But will you do me a favor and tell those two new girls to come, I'm inviting them.
00:37:24Villín.
00:37:25Silly.
00:37:33Did you want to see us?
00:37:42Yeah.
00:37:43Please forgive me for being so bold, but...
00:37:46Don't worry, man.
00:37:48He took us for two alternators, eh?
00:37:50Well, here we are.
00:37:51No no.
00:37:52It wasn't that.
00:37:53Don't listen to my friend.
00:37:54He is very playful.
00:37:55My name is Diana and this is Regina.
00:37:57Eric Vicas.
00:37:58Sit down.
00:38:03What are they going to drink?
00:38:04A rum cocktail.
00:38:06I have a mint.
00:38:07It encourages a lot.
00:38:08Champagne for me.
00:38:09As usual.
00:38:20You two are beautiful.
00:38:22Much more than I had supposed.
00:38:24Had you assumed anything about us?
00:38:27Of course I had assumed.
00:38:28And I knew, like everyone else, that they had just arrived.
00:38:31Well, they've given us some good publicity.
00:38:34Very good.
00:38:36More than an American movie.
00:38:38Even everyone on the island already knows that their arrival here is related to
00:38:42Bertrand's secret.
00:38:43What did he say?
00:38:45You heard very well.
00:38:48And if you don't mind, I'd like to talk slowly about that topic.
00:38:52Well, it seems to me that we, no matter how slowly we speak,
00:38:55we'll finish right away.
00:38:57We don't know what he's talking about.
00:38:58This fish is interesting.
00:39:01Leave me alone with him.
00:39:02OK.
00:39:03He's not my type.
00:39:06I'd like us to go somewhere else to chat.
00:39:09Here it seems that even the walls can hear.
00:39:12I'm sorry, but...
00:39:13I have an appointment.
00:39:15Already.
00:39:16But they just arrived.
00:39:18If it's not an indiscretion, could you tell me with whom?
00:39:21Well, no matter how much I wanted to, I couldn't tell him.
00:39:29Don't misinterpret it, but be suspicious.
00:39:32This place is a den of wild beasts.
00:39:35Oh yeah?
00:39:36Well, I'll put on my tamer suit.
00:39:39Good night.
00:39:40Are you free?
00:39:44No, not anymore.
00:39:46I'm with you now.
00:39:48How kind.
00:39:50Would you be willing to come over to my house for a drink?
00:39:54Well yes.
00:39:56Delighted.
00:39:57This is Captain Ringo.
00:40:00The redhead just went out with vicas.
00:40:02The blonde approaches the bar.
00:40:04Do you think they are easy?
00:40:05Very difficult.
00:40:06They are more likely to tell you about their life.
00:40:08to let them confide their secret.
00:40:10Keep me posted, Captain.
00:40:11Change the conversation.
00:40:12Andy doesn't spy on himself.
00:40:16The dress was very long on her.
00:40:17He had to go to the party in a shirt.
00:40:27What would you like to drink, miss?
00:40:32Have you left your other professions to become a waiter?
00:40:35Because of you I am able to dedicate myself to diving,
00:40:37which is what attracts me the least.
00:40:39Didn't he get angry about the slap?
00:40:41No.
00:40:42I have a very hard face.
00:40:57but not.
00:40:58I have a very hard face.
00:40:59No, no, no.
00:41:29I'm glad you like it.
00:41:37You are beautiful.
00:41:39You don't.
00:41:40I know.
00:41:44But I have my secret weapons.
00:41:50Aren't you afraid?
00:41:52No.
00:41:54I could be a crazy, homicidal, woman-killer.
00:42:00I would miss you so much.
00:42:02Or a spy who wants to eliminate an enemy agent?
00:42:07I am not the enemy.
00:42:09Well then someone who wants to know their secrets.
00:42:15He has finally confessed the truth.
00:42:18In this case, as long as I haven't told my secrets, you wouldn't kill me.
00:42:21Nor after either.
00:42:24It's not my way of acting with women.
00:42:29A beautiful scene, but a little dated.
00:42:32I'm going to introduce you.
00:42:40My friend Yolanda Stuart, my business partner, Miss Diana.
00:42:43Hello.
00:42:44You are exactly as I pictured you.
00:42:46But please sit down.
00:42:50I asked Eric to bring her here.
00:42:53Where is your friend?
00:42:54Taking a walk with a friend?
00:42:57But let's get down to business.
00:42:59What do they want from me?
00:43:00That is, from us.
00:43:02I see you have a practical sense.
00:43:04He understood that Eric was not looking for an adventure.
00:43:07It's true.
00:43:08Eric and I looked for something else.
00:43:10They are free to pursue whatever they want, but I can't think of anything I can help them with.
00:43:15Let's be clear.
00:43:16You and your little friend, the blonde, are on a mission to find Professor Bertrand's big red box.
00:43:22And you're on the trail, but we know who you are.
00:43:25Two adventurers.
00:43:27It's true.
00:43:29Willing to sell herself to the highest bidder.
00:43:31In general, yes.
00:43:33It just so happens that we are the highest bidder.
00:43:37It's funny.
00:43:39Since the day we arrived on this island, Regina and I, everyone offers us money.
00:43:43But there are several reasons that prevent us from accepting.
00:43:46And the first is that we know nothing.
00:43:49I thought she was smarter, dear.
00:43:51It's not nonsense to try to deceive us.
00:43:53I tell the truth.
00:43:55In our country, two men died without being able to say a single word to us.
00:43:59And we went to Vilene and there someone asked us to look for the famous red box.
00:44:04And here we are, hoping to find it, sell it, and make a ton of money.
00:44:08And that's it.
00:44:09Did you know Professor Bertrand?
00:44:11By name only.
00:44:12It was my father.
00:44:14A madman.
00:44:15A genius.
00:44:16Or a murderer.
00:44:17He invented a system for accelerated and multiple reproduction.
00:44:21A single female hormone linked to another artificial hormone of his invention
00:44:24could achieve in a few hours a human being, man or woman, according to his desire.
00:44:29He managed to create two physically perfect men, but with a very underdeveloped brain.
00:44:33They were like two docile dogs.
00:44:37And what has become of those men?
00:44:40They still make a living from that, I'm sure.
00:44:42Moria was Professor Bertrand's favorite disciple.
00:44:46One day a dead woman appeared on the low beach.
00:44:49He had been operated on, Bertrand was accused, as was logical.
00:44:51And this one disappeared.
00:44:53But before disappearing, he hid his invention, which he kept in a red box.
00:44:59The formula had to destroy her, so that neither Moria nor anyone else could continue her experiments.
00:45:04Because?
00:45:05I was afraid they would fall into murderous hands.
00:45:09Can you imagine an army of very strong men, fearless, docile,
00:45:14and that can reproduce infinitely?
00:45:17Understand.
00:45:18But what makes you think that we possess Bertrand's secret?
00:45:22No, we have a theory.
00:45:25Everyone believes that Professor Bertrand committed suicide following the death of that woman.
00:45:29So the secret is still here.
00:45:32He didn't have time to get him off the island.
00:45:36At first we thought Moria would have it,
00:45:39and you already know that Moria has also died, murdered,
00:45:42without being able to continue the experiences.
00:45:44One day we were informed that you had been in contact with Moria
00:45:50and with a posthumous envoy of the late Professor Bertrand.
00:45:54This man, before dying, managed to give them something.
00:45:58A very nice score, by the way.
00:46:00We know that music.
00:46:02It was the song of the Avilenians,
00:46:04the sect to which my father and Moria belonged.
00:46:06Ah, well everyone already knows the song,
00:46:08I don't know what they're looking for from us.
00:46:10Me neither.
00:46:10Now I know that you are telling the truth.
00:46:13I'm sure that story won't end here.
00:46:16You are toys of a conspiracy.
00:46:18They want to use them for something.
00:46:21And that something will lead us to Professor Bertrand's secret.
00:46:25If one day the red box falls into your hands,
00:46:28don't forget it.
00:46:29We will pay twice as much as the highest bidder.
00:46:32If you need our help, please call us.
00:46:34We'll be right there.
00:46:35And now would you mind telling me
00:46:38What do you want that famous red box for?
00:46:41I won't say it.
00:46:43Besides, what do you care?
00:46:48So I had some allies
00:46:50and some offers of money.
00:46:52But we still knew nothing about the Bertrand affair.
00:46:58What does that mean?
00:47:00The sign of the Avilenians?
00:47:02I didn't learn it in school.
00:47:04Come with me.
00:47:09I'll tell you where it is.
00:47:11Thank you, Malú.
00:47:12Hold on a bit.
00:47:13Then we will go together.
00:47:19I think it's your turn to tell your adventures.
00:47:21while I was at Vicas's house.
00:47:23Nice to meet you.
00:47:23I was starting to get bored.
00:47:25Wait until I remember.
00:47:27Let's see if it can be counted.
00:47:29Oh yes!
00:47:31Well,
00:47:32I was like a saint despite Andy's attacks.
00:47:35We had a few drinks
00:47:37and we returned to the hotel.
00:47:41There Andy returned to the attack.
00:47:45Good night.
00:47:46Let me in for a bit.
00:47:47The baby will be good and go to sleep.
00:47:49The thing is...
00:47:49Bye bye!
00:47:59Oh, Andy, please!
00:48:01I've already told you not to be a pain.
00:48:02Help yourself!
00:48:03Happens!
00:48:07Good night have.
00:48:08Hey?
00:48:09But what are you...
00:48:10Where am I?
00:48:24In good hands, dear.
00:48:27To be fine and cunning hands that can destroy.
00:48:32But don't worry.
00:48:33If you are reasonable,
00:48:35fine hands to calyceal
00:48:36and do not destroy it.
00:48:38Then there is no doubt.
00:48:40I will be the most reasonable person in the world.
00:48:42What do you want from me?
00:48:43You know very well.
00:48:45Yeah?
00:48:45Don't you doubt?
00:48:46Well, I don't know and I have a lot of doubts, girls.
00:48:51You icy being.
00:48:53Peloglacia dangerous for your neck.
00:48:55Migil!
00:48:55What to prefer?
00:48:57Answer or die?
00:49:00To answer?
00:49:02You say where the big red box is
00:49:05and be free and be our little friend.
00:49:09I don't know what you're talking about.
00:49:11We admire courage.
00:49:13But having Eastern and African means
00:49:16to make people talk.
00:49:17You're a co-production, aren't you?
00:49:20Where is the Red Box?
00:49:22I ask for the last time.
00:49:23And not answer?
00:49:29Well, I'm fed up.
00:49:31For a long time now, everyone
00:49:32He's after my friend Diana and me.
00:49:34Wondering about red boxes,
00:49:36doctors' secrets and everything else.
00:49:39Some for good.
00:49:40Even offering a significant amount of money.
00:49:43Others in a cool way.
00:49:44Like you.
00:49:46But the bad thing
00:49:48I don't know a thing
00:49:50of this whole story.
00:49:52Kill me, release the monkey to me,
00:49:55throw me to the tigers,
00:49:56but I don't know anything.
00:49:59I kill.
00:50:00Wait.
00:50:01Cleo she says, right?
00:50:03Don't kill her immediately.
00:50:06Thank goodness there's someone with a sense.
00:50:08I have a lot of head,
00:50:09she has a lot of temperament.
00:50:10I give her ideas, she's ready.
00:50:13But I like you a lot.
00:50:15You don't know how happy I am.
00:50:16chanquiliqui,
00:50:21pango.
00:50:21regina.
00:50:39I know,
00:50:39Princess Chimpi.
00:50:40Nice to meet you.
00:50:41She is Princess Bulumba.
00:50:42How fine you have turned out.
00:50:44Nice to meet you.
00:50:45You want jasmine tea,
00:50:46wanting nectar from petals,
00:50:48gladiolus infusion.
00:50:49Well, I would actually have an anise.
00:50:52We don't have rosé drinks.
00:50:56Then put whatever you want.
00:50:57Well, how about the family?
00:51:02Well, he talked to her more.
00:51:03We know how to find the secret,
00:51:04Professor Beltrán.
00:51:06Why search?
00:51:08To earn a lot of money.
00:51:11Western materialism.
00:51:13We search for pleasure.
00:51:15Professor Beltrán made beautiful men
00:51:17to love,
00:51:19toltulal and kill.
00:51:20How lucky.
00:51:22Since these men have no identity card,
00:51:25we justice does not punish.
00:51:26I think it's a great idea.
00:51:30Do you like toltulal?
00:51:33Well, to be honest, I love it.
00:51:36Be good friends now.
00:51:39But we are also willing,
00:51:41to pay twice as much
00:51:43for the secret, Professor Beltrán.
00:51:45Oh, this is like onions.
00:51:47The highest bidder takes them.
00:51:48You take.
00:51:57Here opens the wonderful flute.
00:52:00If you are in danger, play the flute.
00:52:03Miguelito the monkey, good hearing.
00:52:05Listen to him.
00:52:07We go and save.
00:52:13Hey, do you know what a funny whistle is?
00:52:16Sorry.
00:52:16What a noise!
00:52:29One cannot sleep peacefully.
00:52:31Have you been back for a long time?
00:52:32Years.
00:52:33I had a very funny dream.
00:52:35I was in a cage
00:52:36and some exotic crazy ones
00:52:37They wanted to partner with us
00:52:39to look for this blessed box.
00:52:41And they gave me a whistle
00:52:42to call them.
00:52:44Look at the absurd things people dream about.
00:52:46Is this what they gave you?
00:52:49Yes, that's it.
00:52:51Where did you get it from?
00:52:52From here.
00:52:59Emuvio!
00:53:00That?
00:53:01Professor Orlov's ultrasonic.
00:53:04They put you to sleep with that.
00:53:05So it's true.
00:53:07Those crazy people exist.
00:53:08What's so special about it?
00:53:10I went with Vicas to his house.
00:53:12It's lovely.
00:53:14It all started with one of those love affairs
00:53:16that are never forgotten.
00:53:18But suddenly it turned out
00:53:19that it was all a trick
00:53:20to offer me the same as you
00:53:21and those crazy ones.
00:53:23Have you partnered with him too?
00:53:25With the?
00:53:26And with a kind of odious dwarf
00:53:28who is like his girlfriend.
00:53:30In short, we are associated with the whole world.
00:53:32but we don't know why.
00:53:33Well, let's hope something happens someday.
00:53:41What I didn't suppose
00:53:42is that while I was saying this
00:53:44horrible things were starting to happen
00:53:47in the pagan.
00:53:48And precisely to one of those two crazy women.
00:53:51Thank you!
00:53:53Thank you!
00:53:54Thank you!
00:53:55Thank you!
00:54:25Thank you!
00:54:41Chimpín!
00:54:42Chimpín!
00:54:44Also, there was a big surprise.
00:54:47I died.
00:54:47The man who was killed right under our noses
00:54:49in the nightclub was alive.
00:54:52How beautiful she is!
00:54:52What a shame to have to sacrifice her like this!
00:54:55Don't think about it, godfather.
00:54:57She is a bad woman.
00:54:58She would have no mercy on you.
00:55:00In addition, he belongs to the same blood type
00:55:02and at the same coefficient as those used by Beltrán.
00:55:06You're right, Dimitri.
00:55:08Put it in the cave.
00:55:10When everything is ready, I'll come down.
00:55:14Courage, godfather.
00:55:15You can succeed like Beltrán.
00:55:17You too can create life.
00:55:20I'll try one more time.
00:55:22And if you fail...
00:55:23Don't think about failure now!
00:55:26Do it for me.
00:55:41I've told you a thousand times not to sing!
00:55:44Moron!
00:55:44Are you nervous, Dimitri?
00:55:51Me too.
00:55:52I have lost faith in my hands.
00:55:56Three-piece clamps.
00:56:03Electronic scalpel.
00:56:04Seven tweezers.
00:56:17The fattest ones.
00:56:18I knew it, I knew it, I knew it.
00:56:38And now what will I do?
00:56:40Continue.
00:56:41In what way?
00:56:43So that?
00:56:45You made me fake my death.
00:56:46Yes, you are officially dead.
00:56:49No one will suspect you.
00:56:50You made me kill again.
00:56:53It was worth it.
00:56:54If we could have an army of men like Andros I and II, we would be very powerful.
00:57:00You have made only one mistake.
00:57:05Bertrand was a genius.
00:57:07I don't.
00:57:08So we only have one solution left.
00:57:10Find Bertrand's red box.
00:57:13With her we will succeed.
00:57:17But how to find it?
00:57:19Through those two foreigners.
00:57:22Those whores know where Bertrand's secret is hidden.
00:57:24But how to find it?
00:57:54We have a red box, we don't know what it's about.
00:58:08A Professor Bertrand, whom I do not have the pleasure of knowing.
00:58:12What else?
00:58:14Ah, yes, we have dead people.
00:58:16Many corpses.
00:58:17Look, one more.
00:58:20Come on, daughter, I don't know why you came here to die either.
00:58:23Good night, Andy.
00:58:24See you tomorrow.
00:58:25See you tomorrow? Why?
00:58:27I'm going to go in for a bit.
00:58:28No way.
00:58:29Go to sleep.
00:58:30What do you think that is?
00:58:32Oh no.
00:58:34Rough.
00:58:35How long have I waited for this moment?
00:58:37You're going to be waiting for quite a while longer.
00:58:39I don't live alone.
00:58:40I have a friend who...
00:58:40I have no manias.
00:58:41Oh yeah, come here, pretty.
00:58:48From the first moment I saw you I fell in love with you like a fool.
00:58:52Of that attractive face and that...
00:58:54Come here.
00:58:57Kiss.
00:58:57Oh, how precious, how precious he is, he looks like a little match.
00:59:02And why a little match?
00:59:03Oh, a little sad, but incendiary.
00:59:06Yes, darling, whatever you want, but kiss.
00:59:12And now get out of here.
00:59:14And what do you say?
00:59:14That my friend is here.
00:59:16But where?
00:59:16The where is the least important, it is.
00:59:19And what you were saying before?
00:59:20It was a crazy time, but it's over now.
00:59:22Wow!
00:59:22But man!
00:59:23Come on, go away!
00:59:24Come on!
00:59:25Out!
00:59:26No one understands you.
00:59:27Wow!
00:59:27And who are you?
00:59:43How soft she is.
00:59:45Hey, go on, go die somewhere else, pretty, okay?
00:59:47Do you like that girl?
01:00:03I like both, but they scare me.
01:00:06Don't tell me.
01:00:07Playboy frightened by two vulgar cabaret dancers.
01:00:10They are not vulgar or ordinary, they are much more than that.
01:00:12Cabaret girls don't scare me.
01:00:13You don't scare me.
01:00:20I don't know whether to feel flattered or annoyed.
01:00:22Both are best.
01:00:26Why don't you come back later, after closing?
01:00:29So that?
01:00:29We will talk about various things.
01:00:34One of the topics could be what you have done with your slave Méndez.
01:00:38What do you care?
01:00:40Quite.
01:00:41I want to know my future, if I decide to return.
01:00:44A wonderful future.
01:00:46Rich woman, alone, bored, wanting to experiment and discover new possibilities of love.
01:01:02Belly.
01:01:02Rich woman, alone, bored, wanting to experiment.
01:01:32Belly.
01:01:36Rich woman, alone, bored, wanting to experiment.
01:01:37Are.
01:01:38Blu.
01:01:40Mendez.
01:01:41Belly.
01:01:43Vre ordinada.
01:01:45B�.
01:01:45Sia.
01:01:46Apan Conshes istio.
01:01:47V 对.
01:01:48Vulu Rina.
01:01:48He remainsaz서 head.
01:01:49Sun.
01:01:50Hagia de Bar Pentaradan Finger power.
01:01:51book.
01:01:51Bert'm En.
01:02:01condemna?
01:02:01Take it. We'll take it to your master.
01:02:31We will take her to your master.
01:03:01We will take her to your master.
01:03:31We will take her to your master.
01:04:01We will take her to your master.
01:04:03We will take her to your master.
01:04:05We will take her to your master.
01:04:07We will take her to your master.
01:04:09We will take her to your master.
01:04:11We will take her to your master.
01:04:13Go back home.
01:04:15You know me.
01:04:16She knows I won't forget her.
01:04:18Okay, Morier.
01:04:20But don't forget that I know too many things about you.
01:04:23Don't try to fool me.
01:04:25Andros the Second, retreat to your dungeon.
01:04:33This woman makes me uneasy.
01:04:34He is capable of anything.
01:04:35Calm down, godfather.
01:04:37I'll take care of her.
01:04:38I don't want blood to stain your hands.
01:04:40It won't be my hands.
01:04:45There will be no blood.
01:04:47I promise you.
01:04:47I don't want blood to stain your hands.
01:05:17No, no, no, no, no, no, no, no, no, no, no, no, no, no, no.
01:05:30Princess, I don't understand you at all.
01:05:32The girls are in the big house in the forest looking for the song...
01:05:39What happened to me?
01:05:50Where am I now?
01:05:51In safe hands.
01:05:53That sounds familiar to me, because you will want a red box and news from a Professor Bertrán,
01:05:59who I believe is dead.
01:06:00But how do you know?
01:06:02Even the Chinese know it.
01:06:04And the Chinese ones too.
01:06:05But the bad thing is that even though everyone tries, I don't know anything.
01:06:08And I'm fed up with being dragged around the island with that story.
01:06:12We will pay you well if you are reasonable.
01:06:14Yes? Otherwise they'll rip my skin off in strips, right?
01:06:18Aren't you Professor Morier?
01:06:21Yes. Do you know me?
01:06:23I'll ask for his autograph later.
01:06:26Hey, weren't you dead?
01:06:27I had to do this comedy.
01:06:29Well, it turned out very well, because everyone fell for it.
01:06:33Childish, a fake knife like in the movies and a drug that paralyzes the heart like in the theater.
01:06:37I love cinema, you know?
01:06:39Me too. It's a shame I don't have time to go.
01:06:42And do you like horror movies?
01:06:43But only the old ones, the werewolf ones, because frankly the current ones are...
01:06:47Well, you're going to experience a gem of the genre.
01:06:49Where is the box?
01:06:50But here we go with that box.
01:06:52May I know what box that is?
01:06:54Because I don't know!
01:06:58Let's finish her off.
01:07:00We will make him suffer the worst tortures.
01:07:02Let it go or I'll shoot.
01:07:04And if we're not going to leave her alone, she can go home.
01:07:08What? What are you saying?
01:07:10Is it clear that you can go home safely?
01:07:13I just realized that she's a good girl and she doesn't know anything.
01:07:16No, it took you a while to convince me, but now we'll see it through.
01:07:19He knows too much!
01:07:20So, what's up? Should I stay or go?
01:07:24Well, if you want...
01:07:27You can go.
01:07:28There is a problem tomorrow.
01:07:35Come on, idiot!
01:07:40Oh, what joy!
01:07:53How timely you are!
01:07:55Oh, how sad!
01:07:56And how did that boy get his car to Morrie's house?
01:08:16Don't know.
01:08:18I never knew much about Andy.
01:08:20I didn't take it seriously.
01:08:22And he turned out to be the smartest.
01:08:24He was the one who discovered that the song was the key to the secret.
01:08:30I met Andy Pereira.
01:08:32A real devil.
01:08:35Still!
01:08:39Don't try it again, Malú.
01:08:42I would feel sorry for you and for them.
01:08:45Return to your post.
01:08:47If I just wanted to open the door.
01:08:48It's too hot in here.
01:08:49Enough jokes!
01:08:50Don't make me angry.
01:08:57Continue.
01:09:00And eliminate superfluous explanations.
01:09:04He's right.
01:09:05We went with Andy to the windmills.
01:09:06The song played.
01:09:07We cracked the box.
01:09:08The Avilenos got us into trouble.
01:09:09But Vicas took us to the inn.
01:09:10And here we are after his coup.
01:09:11And it's over.
01:09:15Excuse me.
01:09:15Now that has been too concise.
01:09:22Good.
01:09:24We were talking about Andy.
01:09:25In the morning he came to look for us.
01:09:27I had thought about our song,
01:09:28Bertrand's Legacy,
01:09:30The Old Devil's Mill.
01:09:31How do you know that song?
01:09:50Everyone knows it.
01:09:51But what about?
01:09:52From hearing it.
01:09:53Oh.
01:09:53Come.
01:10:14I realized it right away.
01:10:15The Old Devil's Mill.
01:10:17The secret society rabble were Dutch.
01:10:20But when they arrived they wanted to set up their mills.
01:10:22I was informed that in the south of the island
01:10:24there were many windmills
01:10:25that haven't worked for years.
01:10:27I think you're right.
01:10:29But how will we know which is our mill?
01:10:31Bertrand was not a fool.
01:10:32I know he'll have left us some clues.
01:10:33There it is!
01:10:43There it is!
01:10:47There it is!
01:11:02The coat of arms of the Avilenians.
01:11:03This is it.
01:11:04And this is the Old Devil's Mill.
01:11:27I don't understand anything.
01:11:29However, it is here.
01:11:30I feel it.
01:11:37It is an ordinary mill.
01:11:38Inside it's like everyone else.
01:11:39Nothing.
01:11:43The secret is in the music.
01:11:46In that score we have.
01:11:48For three months now.
01:11:49And we didn't pay the slightest attention to him.
01:11:51The Old Devil's Mill.
01:11:58And below the seal of the Avilenians.
01:12:00These blades.
01:12:01What's wrong with them?
01:12:02It's like a clock.
01:12:03Now I understand everything.
01:12:05Music equals numbers.
01:12:07And the blades on the clock?
01:12:08That?
01:12:10It's very simple.
01:12:11If, for example, we say
01:12:13do, re, mi, fa, sol.
01:12:14It equals one, two, three, four.
01:12:17No?
01:12:18Be quiet.
01:12:18You better keep minding your own business.
01:12:20What things?
01:12:21In nothing.
01:12:27Wait!
01:12:29Wait!
01:12:30He's a genius!
01:12:31A complete genius!
01:12:33Look.
01:12:35Suppose do is one,
01:12:36re two,
01:12:37my three.
01:12:38Let's assume the cross above is twelve o'clock.
01:12:41Let's assume this mill is a safe.
01:12:42that moves its combination according to the music.
01:12:46Well now,
01:12:47the one who doesn't understand anything at all
01:12:49it's me.
01:12:50But I do.
01:12:52He is a genius.
01:12:53Sol, re, do, si, do.
01:12:56That is, sun, five.
01:12:59Re, two.
01:13:01Two, one.
01:13:03Yes, seven.
01:13:04Two, one.
01:13:06You see.
01:13:10Five.
01:13:23Five.
01:13:32Two.
01:13:33One.
01:13:40One.
01:13:40Seven?
01:14:10One.
01:14:24Nothing.
01:14:29Nothing.
01:14:33Come on, girls!
01:14:35Do you hear that?
01:14:40Come on, girls!
01:15:10Come on, girls!
01:15:40Come on, girls!
01:15:42Oh, what a little thing!
01:15:45Yes, it will be very small.
01:15:47But he has the secret of life.
01:15:49Each of the cells in this little thing
01:15:51can create a man like Professor Morié's slaves.
01:15:59Let's go!
01:16:00Come on, girls!
01:16:01Come on, girls!
01:16:12And what are we going to do with this now?
01:16:14Take it to Interpol!
01:16:15We'll get paid well for it!
01:16:18Go up the other side.
01:16:19Andy!
01:16:19Andy!
01:16:24Andy!
01:16:24Wait!
01:16:25Wait!
01:16:27Unfortunate!
01:16:29Will it be?
01:16:31I wish I had a good puncture.
01:16:32Now I'm going to fix you!
01:16:45Why did you want to run away with the box?
01:16:53Weren't you from Interpol?
01:16:55What's up!
01:16:57I was a face.
01:16:58I've been that all my life.
01:17:00And you know,
01:17:02genius and figure until the grave.
01:17:06Poor thing!
01:17:07He was very nice.
01:17:09And also very shameless.
01:17:12Like us.
01:17:14Thank you, daughters.
01:17:15We knew you would succeed.
01:17:17Give us the box
01:17:18and you will have your reward.
01:17:21Don't be so distrustful, daughter.
01:17:23They are very good old people.
01:17:30Quiet.
01:17:31Put your hands up.
01:17:32We are targeting you.
01:17:33Don't turn around!
01:17:35Forgive us, little girls,
01:17:36but we don't have a penny.
01:17:38With the big red box
01:17:40we will remake our society.
01:17:42Give us your address
01:17:43and we will send you some letters
01:17:44at 30, 60 and 90 days without charges.
01:17:48Stay still!
01:17:51Don't move.
01:17:53Or I'll end the procession.
01:17:55Who are you?
01:17:57Interpol Agent X3-4Z-007
01:18:01and something else I don't remember.
01:18:03Grab the box!
01:18:03Hurry!
01:18:07Get down on the floor, girls!
01:18:23Come here.
01:18:24With the box.
01:18:24The lady comes first.
01:18:34Out.
01:18:39Damned!
01:18:44A genius.
01:18:46An exceptional being.
01:18:47No, I'm just smart.
01:18:50I knew my mission was to follow you.
01:18:52And you are the ideal bait for catching criminals.
01:18:55This life thing is a mess.
01:18:56Those who seem good are bad.
01:18:58Thieves are police officers and vice versa.
01:19:01From now on, if someone tells me,
01:19:02I am a lawyer, I will think.
01:19:04Engineer.
01:19:05I'm a footballer, I think.
01:19:07Bullfighter.
01:19:08Women.
01:19:10No, these things don't happen in the normal world.
01:19:13Only among charlatans, spies, thieves and actors.
01:19:18Aren't we going to stop for a while to rest?
01:19:22If you want, fine.
01:19:23But I'll sleep with one eye and watch the box with the other.
01:19:26You don't get it, huh?
01:19:28Not from you.
01:19:29Why don't you go to sleep, huh?
01:19:58Give us the box.
01:20:01Don't you trust me?
01:20:04No.
01:20:07Well, you're doing very wrong.
01:20:08I am a man as serious as James Bond.
01:20:11And from Interpol.
01:20:12I'm not going to deceive you.
01:20:14Neither do we.
01:20:16Come on, give us the box.
01:20:17Between two, she will be better cared for.
01:20:20Okay, we'll all spend the night here.
01:20:23But I'll warn you of one thing, okay?
01:20:25That after midnight I am a dangerous man.
01:20:30Oh, how wonderful!
01:20:33If I had never thought about it.
01:20:35You really are dangerous.
01:20:37Come on, give me proof.
01:20:39The thing is...
01:20:40There are people in front.
01:20:43Oh, so I am people.
01:20:46But I am a lady and I am not scared of anything.
01:20:50Do you know how to kiss a woman?
01:20:53Some have not complained.
01:20:54Oh, how wonderful!
01:21:08And so we managed to return home safe and sound.
01:21:33I congratulate you.
01:21:35So give me my box.
01:21:39Is the box yours?
01:21:43How naive they have been.
01:21:46Of course it's mine.
01:21:51Allow me to introduce myself.
01:21:54I am Professor Bertrán.
01:22:00I couldn't go back to the Caribbean.
01:22:02They are looking for me to give me a message there.
01:22:06That's why I used you two, to bring my box here.
01:22:13I came up with the idea of organizing this grand guignol to make them go pagan.
01:22:18Sorry, I didn't want to come, but he forced me, he threatened me with the gun.
01:22:26Please give me the box.
01:22:28Are we going to give it to her with what we have suffered to get it?
01:22:36A little correction.
01:22:48Drop that gun or I'll throw the box on the floor.
01:22:51Come on, let her go.
01:22:52Oh, my commissioner.
01:23:10What a pressure, huh?
01:23:12My little general.
01:23:15How delicious, huh?
01:23:16Grab the box and run.
01:23:31Yes, but who do we sell the box to now?
01:23:34Something just occurred to me.
01:23:37Do not sell the box.
01:23:38You're crazy.
01:23:40Why would I be?
01:23:41Can you imagine what a harem of quiet, stupid, and faithful men like little dogs would be like?
01:23:48I have to admit that for once he is right.
01:23:50T teenager.
01:23:51No no.
01:24:04Tünk光.
01:24:15Tünk.
01:24:16Thanks for watching the video.
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