- 13 hours ago
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00:00:00What is this place?
00:00:09Students use it to fix their two CVs.
00:00:21Excuse me.
00:00:22We're looking for a Peter Brenton.
00:00:24Have you seen him?
00:00:26He wants to know.
00:00:27Please.
00:00:28We were told he'd be here.
00:00:30I haven't seen him in ages.
00:00:32Any idea where he might be?
00:00:34Could be anywhere.
00:00:36Listen, if you see him,
00:00:38you tell him we want to speak to.
00:00:40It's your thing.
00:00:57I'm going back, Ed.
00:01:00I'm going back.
00:01:00I'm going back.
00:01:05Oh!
00:01:05Oh!
00:01:35All we wanted was a quiet chat.
00:01:56You seem to have other ideas.
00:02:02So let's get this straight.
00:02:07You can confirm that Morris Newman was with you that night?
00:02:10Yes.
00:02:12Look I told you all this.
00:02:14Do you know what this is?
00:02:18It's a rotor arm.
00:02:20Look, I haven't done anything.
00:02:23Innocent people don't run.
00:02:25I didn't know you were the police.
00:02:27Who did you think we were?
00:02:29The hit squad?
00:02:31If you want the truth, I thought you were the sheriff's officers.
00:02:35I owe money on the poll tax.
00:02:37My student loan, the bank.
00:02:39Perm anyone from three.
00:02:41Half the whole of residents has been getting warrants.
00:02:43And that's why you ran?
00:02:45Yes, miss.
00:02:46Ma'am.
00:02:47You have nothing else to tell us?
00:02:51That's it.
00:02:54Any comments?
00:02:57Bollocks.
00:02:58Lock them up.
00:02:59Lock me up?
00:03:00Police assault.
00:03:02Withholding evidence.
00:03:04Conspiracy to mislead the police.
00:03:05That's worth a few months in a barrel.
00:03:07I've got classes.
00:03:08My thesis.
00:03:09My heart bleeds.
00:03:10Do it.
00:03:11What?
00:03:12No.
00:03:13No.
00:03:14Wait.
00:03:15What?
00:03:16It was the train.
00:03:18What about the train?
00:03:22I was on the train and I saw the woman at the station.
00:03:26I think, I think I was one of the last people to see her alive.
00:03:30Hey, what do you mean, rolled it over?
00:03:35I rolled it?
00:03:36No, no.
00:03:37I rolled it over.
00:03:38I want a digger.
00:03:39Come again?
00:03:40I got the big bucket and I rolled it over.
00:03:44I thought you'd be pleased.
00:03:46I told you, I would deal with it, you bam pot.
00:03:49He's no hurt, is he?
00:03:50You were going to cut his hands off.
00:03:51It's a figure of speech, Eddie.
00:03:53Is he hurt?
00:03:54He wasn't there.
00:03:55You sure?
00:03:56I chapped his door.
00:03:57You chapped his door?
00:03:58Did anybody see you?
00:04:00No, no.
00:04:01I've done it quite clandestine.
00:04:02Clandestine?
00:04:03You drove a digger onto an open site and rolled over a caravan in broad daylight, you stupid!
00:04:08Hey!
00:04:09What's up with you two?
00:04:10Oh, nothing.
00:04:11Nothing.
00:04:12Just a fraternal discussion.
00:04:13Is there something going on here?
00:04:14No.
00:04:15I don't know.
00:04:16I don't know.
00:04:17I don't know.
00:04:18I don't know.
00:04:19I don't know.
00:04:20I don't know.
00:04:21I don't know.
00:04:22I don't know.
00:04:23I don't know.
00:04:24No.
00:04:25Eddie's just done a spot of freelance house moving.
00:04:28Don't walk away from me, Barry.
00:04:31Now, I'm a partner here and if there's something going on, I want to know about it.
00:04:35There's nothing to worry about, believe you me.
00:04:38Everything's under control.
00:04:39Oh, it had better be.
00:04:41Because if it isn't, this might just be your last chance.
00:04:46You could always tip it back over again, Barry.
00:04:47Ah!
00:04:48She looked a bit worried so I held back so she wouldn't think I was going to bother.
00:05:01Always feel dead guilty if I walked too close to a woman on the pavement late at night.
00:05:07I crossed over the road and then I met up with Maurice.
00:05:12That was that.
00:05:13And you saw no one else?
00:05:15No one, Mr. Taggart.
00:05:17When I found out what had happened to her, I haven't been able to sleep since.
00:05:24Well, that's all I know, honest.
00:05:28Here.
00:05:41Hello?
00:05:42That's your call, Alistair.
00:05:44Hello?
00:05:45Hello.
00:05:46Do you speak English?
00:05:49You lost the caravan?
00:05:54Hi.
00:05:55What?
00:05:56Oh, er, some signs.
00:05:59Look, can I leave my gear here for a while?
00:06:02Oh, of course you can.
00:06:05Look, what do you do with that video?
00:06:07Just something I've got to copy.
00:06:09Now, don't touch it.
00:06:26Look, don't cut it off.
00:06:27Look, don't change.
00:06:28It's not going to see you.
00:06:29You can't be used to use it.
00:06:30Look, don't touch it.
00:06:31I can't be used to me.
00:06:32All right.
00:06:33Look at everything.
00:06:34I'll do it.
00:06:35You should be used to know all the characters that you've either had to do by.
00:06:36You should be used to find the characters today.
00:06:37It's only a person who's just Robert's voice-to-to-to-to-to-to-to-to-to-to-to-to-to-to-to-to-to-to-to-to-to-to-to-to-to-to-to-to-to-to.
00:06:39You should be used to the next person.
00:06:40I'll do it.
00:06:41I'll do it.
00:06:42Oh, my God.
00:07:12You keep this safe. Put it away somewhere, okay?
00:07:21All right. I'll just put the kettle on there.
00:07:24I'm sorry, Daddy. You have no time. I'll see you later.
00:07:27All right. Hey, listen, buddy. Listen. Come here. Come here.
00:07:30Want to make a bed up for you?
00:07:32Yeah, okay. Great.
00:07:34Now, you don't worry. Cheerio.
00:07:37All right. Bye-bye.
00:07:42Allison, there's a message for you.
00:07:48King, yeah, great.
00:07:52Fancy a snack?
00:07:54We're sending out for some smoked salmon.
00:07:56No time. You eat it, my darling.
00:07:58Message for you.
00:07:59I think you need to apply a bit of forensic psychology.
00:08:20In what sense?
00:08:22Have you ever heard of psychological profiling?
00:08:24Vaguely?
00:08:25I read a paper in the Modern Psychology magazine the other week.
00:08:28Oh, cheers, man.
00:08:31There's this bloke from the university.
00:08:32He does a psychological profile of the suspect on the basis of the crime.
00:08:37Oh, I forgot his name.
00:08:38Eric Cunningham.
00:08:38That's your man, Professor Eric Cunningham.
00:08:42He solved a serial rape case in Edinburgh recently.
00:08:44Yeah, I've heard of him.
00:08:45He's got a list of questions or something.
00:08:46That's right.
00:08:47You cross-match the answers of the questions to that of all your suspects.
00:08:52He picked the guilty man out of a list of over 2,000.
00:08:56I don't know.
00:08:57It's worth a try.
00:08:58Oh, no, it is.
00:08:59I wouldn't fancy trying to persuade Taggart that it would work, though.
00:09:04Cheers.
00:09:29Oh, no, it is.
00:09:43Cheers.
00:09:48Cheers.
00:09:49Cheers.
00:09:58Cheers.
00:09:58Cheers.
00:09:59Cheers.
00:09:59Let's go.
00:10:29Let's go.
00:10:59Listen in the latest note. All the feedback from the teleprogram followed up.
00:11:03We've sifted through 20 tons of rubbish, so there's still nothing.
00:11:06Now, this guy Cunningham...
00:11:07You can contact a fake healer for all I care. Take a look at that.
00:11:11What is it?
00:11:12We were shooting in Canberra's Lang last night.
00:11:14Oh, yeah. The guy's in hospital.
00:11:16Aye.
00:11:16Used to have fallen out amongst nids, isn't it?
00:11:19Look who was the first person on the scene.
00:11:22Alison Bain.
00:11:23Look at the victim's occupation.
00:11:25Waste disposal contractors? So what?
00:11:27I'm sorry, Jim, but you've lost me there.
00:11:30Surely Julie Smith's death had nothing to do with her job.
00:11:34The other victims had all sorts of jobs.
00:11:35But Smith was the first death by shotgun.
00:11:39And then somebody tries to murder this Jamie here last night, and who's with him?
00:11:43I'll tell her she's now lying in the fight against crime, Alison Bain.
00:11:46What the hell was she doing there?
00:11:48Well, the night boys took a statement, but it's not very revealing.
00:11:51I'm going to interview her now.
00:11:53And this O'Hare?
00:11:55Pretty bad, apparently.
00:11:57I've sent Jackie up to the hospital.
00:11:59Get a full report on this shooting.
00:12:00I want to treat it as part of the murder inquiry.
00:12:04It might be something.
00:12:06Aye, it might be nothing.
00:12:07I was supposed to meet him in the factory.
00:12:12I wandered round a bit, then I heard a shot and I ran over.
00:12:16The man was lying there. It was awful.
00:12:18And he didn't say anything?
00:12:19No. No, he couldn't speak.
00:12:23He was just lying, sort of gurgling and trembling.
00:12:26Not like the movies.
00:12:28It seldom is.
00:12:30So, you get a phone call from a man you don't know,
00:12:33and you go to meet him alone.
00:12:35I was on a story.
00:12:36He said he had something for me.
00:12:39Dynamite.
00:12:40That's what he said.
00:12:41Did he have anything with him?
00:12:42No, I didn't.
00:12:44It could have been you lying there.
00:12:45You know that, don't you?
00:12:47I didn't consider it risky.
00:12:49Risky.
00:12:51It was absolutely stupid.
00:12:53I realise that now.
00:12:55Well, maybe if you'd heeded our advice,
00:12:57instead of patronising my officers,
00:12:59you might be better off.
00:13:01How is the man?
00:13:03He's on a ventilator, sir.
00:13:04Yeah, he took the full force of the blast on his chest.
00:13:08Yet, he still hasn't regained consciousness.
00:13:11Now, you stay there for the moment, Jackie.
00:13:13And it's vital you tell me the minute that anything happens.
00:13:16If he saw who shot him, then we're in business.
00:13:19OK?
00:13:20Right, bye.
00:13:27I believe you took the message.
00:13:29Yes.
00:13:30Yes, I did.
00:13:32Just go back in and have a talk.
00:13:34Bye.
00:13:35Excuse me, sir.
00:13:37I'll need to talk to everybody.
00:13:39I don't know anything.
00:13:40Well, I'll be the judge of that.
00:13:42OK.
00:13:43I get about 150 calls a day.
00:13:47I didn't log the call
00:13:49because I gave the message straight to Alison.
00:13:52What did he say?
00:13:55Alison was to meet him
00:13:58at the factory.
00:14:01That's all I know.
00:14:02And you didn't recognise his voice?
00:14:06No.
00:14:08No.
00:14:09It was a bad line.
00:14:12I could hardly hear what he said.
00:14:16OK.
00:14:18OK, you can go now.
00:14:20But, uh,
00:14:21if you remember anything,
00:14:23let me know.
00:14:25Say in the next one, Anne.
00:14:26Ah, Mr. Hogg.
00:14:33Sit down.
00:14:34Won't give you a minute.
00:14:55Can you join the studio?
00:14:56Nothing.
00:14:57The most unobservant bunch
00:14:59of journalists
00:15:00I've ever met in my life.
00:15:02What you got for me here?
00:15:04Well, Alison Bain parked her car
00:15:06and then went nosing around.
00:15:09Blurred down here
00:15:09on some pretext?
00:15:11Just like Julie Smith.
00:15:13Was the car tampered with?
00:15:15No.
00:15:16She drove up to the main street
00:15:17and called an ambulance.
00:15:19Whose motor's that?
00:15:20Or hers?
00:15:22Yes, sir.
00:15:23We reckon he followed her down here.
00:15:25Hasn't been touched.
00:15:26Look at this.
00:15:31Hasn't been fired in ages.
00:15:33So I'll have it checked out.
00:15:35These are not nice people, Michael.
00:15:39How's the victim?
00:15:40Well, he's still unconscious, sir.
00:15:42He can get nothing from the family.
00:15:43I don't think they have a very high opinion
00:15:44of the police.
00:15:46I've left a PC.
00:15:46They said they'll get in touch
00:15:47as soon as anything happens.
00:15:48I hope so.
00:15:50He's our only live witness.
00:15:53Good at heart.
00:15:54Exactly where you're standing, sir.
00:15:57The asylum was standing
00:15:58on the outside fire escape
00:15:59and shot through a hole in the door.
00:16:02Not realising it was a hare
00:16:04instead of Alison standing there.
00:16:05I'd say you got it in one, Michael.
00:16:08Sir?
00:16:09What?
00:16:11No, it's nothing.
00:16:13I've got his home address.
00:16:14Well, someone had it in for him.
00:16:35The wind didn't blow it over.
00:16:37Do we need a search warrant?
00:16:38No, no way.
00:16:41We'll get on the radio.
00:16:42I want it going over
00:16:43inch by inch.
00:16:59Tommy, how's that?
00:17:01You all right?
00:17:02Aye.
00:17:04Well, what's the problem?
00:17:06Well, I need some help.
00:17:11You've come a great man.
00:17:17And you've no idea
00:17:18what it was about?
00:17:20He must have had information
00:17:22on the mechanic.
00:17:23He watched the show
00:17:23the other night.
00:17:25What gives me the creeps
00:17:26is that he was the only one
00:17:27that knew I was going down there.
00:17:30Yes.
00:17:30Yes, he was.
00:17:31You've been there.
00:17:33Oh, what do you want?
00:17:34A bit of peace.
00:17:35Oh, no, these are only
00:17:36two gin and tonics, please.
00:17:43Who's that man with armistry?
00:17:46I don't know.
00:17:50What the hell is he up to?
00:17:53I'm not having a clue.
00:17:54No.
00:18:01Found a hair's book, sir.
00:18:02Such as they were.
00:18:05He was a one-man waste disposal operation.
00:18:08His lorry was repossessed last week.
00:18:11No lorry, no business.
00:18:12Correct.
00:18:13He was in the skids.
00:18:14No sign of any fraud?
00:18:16Well, it seems he was just
00:18:16an honest John caught up in debt.
00:18:19The repayments in his lorry
00:18:20were astronomical.
00:18:21Why was he following Alison Bain?
00:18:23Could have had information
00:18:25in the Julie Smith murder.
00:18:26There was nothing there.
00:18:26There was nothing on him.
00:18:27Let's hope he lives long enough
00:18:29to tell us what he wants.
00:18:32And there's no way
00:18:33she could have met
00:18:33a waste disposal contract
00:18:35in the course of her work.
00:18:37I don't suppose so.
00:18:38We'd only know about him
00:18:38if he submitted
00:18:39one of his consignment notes.
00:18:40What are they?
00:18:41When waste is taken from A to B,
00:18:43the firm that produced it
00:18:44sends us one of these.
00:18:46A consignment note.
00:18:47Tells us what it is
00:18:48and where it's going.
00:18:49That way we can check
00:18:50if it's in the right place
00:18:51and the right material.
00:18:53And what if they don't
00:18:53give you the note?
00:18:55There's no way
00:18:56we'd know anything about it.
00:18:57Unless, of course,
00:18:58it turned up somewhere
00:18:58it shouldn't.
00:19:00Look at this map, Mr. Taggart.
00:19:02We're here
00:19:03and the nearest treatment plant
00:19:04for, say,
00:19:05high-level toxic waste
00:19:06is in Ellesmere Port.
00:19:09Takes a lot of diesel
00:19:10to drive all the way
00:19:10down there and back.
00:19:11So the cowboys
00:19:12just dump it up here
00:19:13and pocket the cash.
00:19:15Meanwhile,
00:19:15the rest of us get poisoned.
00:19:17The problem is
00:19:17keeping the stuff
00:19:18out of the water supply.
00:19:24And what was Julie's
00:19:25role in all this?
00:19:27She tested samples
00:19:28to determine
00:19:28exactly what they were.
00:19:31I want every piece of paper
00:19:32you've produced
00:19:33in the last six months.
00:19:34Jackie,
00:19:35go over it all.
00:19:36See if her hair's name
00:19:37crops up.
00:19:39But surely she wasn't killed
00:19:40because she worked here.
00:19:42I thought it was that lunatic
00:19:43who wrote those notes.
00:19:46I see your left hand.
00:19:47Yes.
00:19:50Sinister.
00:19:51Plays havoc with my golf.
00:19:55I'm sorry,
00:19:56I don't quite understand.
00:19:57Just get us those files.
00:20:00Constable Reed
00:20:00will be along
00:20:01to collect them.
00:20:03Yes.
00:20:04Yes, I will.
00:20:04Well, here left Belfast
00:20:13in 1973
00:20:14with his father, sir.
00:20:16Huh.
00:20:16I don't blame them.
00:20:18His mother was killed
00:20:19in a bomb blast
00:20:20at a bus station.
00:20:22I don't know
00:20:22if this means anything,
00:20:24but both his brother
00:20:25and her cousin
00:20:25were interned
00:20:26at the time.
00:20:27Membership of the IRA.
00:20:29What about Jamie?
00:20:30Clean as far as we know.
00:20:32He's only 11 at the time.
00:20:34Get on his special branch.
00:20:36See if his file is active.
00:20:37Yes.
00:20:44More fan mail
00:20:45for you, mate.
00:20:47Wouldn't he mind?
00:20:47There never any money in them.
00:20:49See, Siri,
00:20:50can I help you?
00:20:50This one's perfumed.
00:20:58Sir,
00:21:00that was the hospital
00:21:01on the phone.
00:21:02Jamie O'Hare died
00:21:0315 minutes ago
00:21:04without regaining consciousness.
00:21:10Sir,
00:21:12another one.
00:21:17Now he's telling us
00:21:18when he's gonna do it next.
00:21:20We've got two days.
00:21:25This latest escapade
00:21:26she's made us all
00:21:27look like fools.
00:21:28TV girl in shotgun shock.
00:21:30I'm well aware
00:21:31of the side effects.
00:21:32We're meant to be
00:21:33reporting the news,
00:21:34not making it.
00:21:35She's flaky, Martine.
00:21:36She's flaky
00:21:36and we're all suffering.
00:21:37Morning, Sheila.
00:21:39Hi, dear.
00:21:40It's good for ratings.
00:21:41We've never had
00:21:42so much interest.
00:21:43All right.
00:21:44I just think
00:21:45you should give her
00:21:46a week or two off
00:21:46to rest.
00:21:48Calm down a bit.
00:21:50Then what?
00:21:51Oh, then her position's reassessed.
00:21:53And what if I don't?
00:21:56Your contract with KGTV
00:21:58is up for renewal
00:21:59next month, yeah?
00:22:00So?
00:22:01You're re-tendering.
00:22:03Need a bit of staff stability,
00:22:04don't you?
00:22:06You never really got over
00:22:07her making it
00:22:08from researcher
00:22:08up to presenter,
00:22:09did you?
00:22:10Oh, let's not reduce it
00:22:11to that level, please.
00:22:12A bit too close to home, eh?
00:22:13Oh, just do as I ask.
00:22:17Or you'll be looking
00:22:18for a new anchor man
00:22:19for your programme.
00:22:20That's the truth,
00:22:20plain and simple.
00:22:21Alistair, the truth
00:22:22is rarely plain
00:22:23and never simple.
00:22:24Spare me the aphorisms, please.
00:22:26Then spare me the threats.
00:22:28If I were you,
00:22:29I'd think long and hard
00:22:31before you asked me
00:22:32to choose between you and her.
00:22:34Do you understand
00:22:35what I'm saying?
00:22:48Alison, could you
00:22:49come in for a chat?
00:22:56Hello?
00:22:58Yeah?
00:23:01Oh, great.
00:23:02That's it confirmed, then.
00:23:07Ah, no doubt about it.
00:23:11Bye.
00:23:14Yes!
00:23:20What's this?
00:23:21Every piece of paper
00:23:22we could trace
00:23:23in the Environmental
00:23:23Health Department.
00:23:25For the attention
00:23:26of D.C. Reid.
00:23:27I don't believe this.
00:23:29Right.
00:23:30I want all of them
00:23:32going through.
00:23:34And I mean all of them.
00:23:36See if there's any mention
00:23:37of this guy over here.
00:23:38And after that,
00:23:39I want that cross-referenced
00:23:41with all previous victims.
00:23:43We've got 36 hours
00:23:44before this fella
00:23:45strikes again.
00:23:46And I don't want
00:23:47to be making
00:23:48any more visits
00:23:49to the mortuary.
00:24:00Mr. O'Hare.
00:24:00Yes?
00:24:02Oh, hello.
00:24:02I was wondering
00:24:03if I could have a word
00:24:04with Mr. O'Hare.
00:24:05He's a bit upset.
00:24:06I don't know.
00:24:06Who is it for?
00:24:08Is it the police?
00:24:09I've nothing to do
00:24:10with the police.
00:24:10He really doesn't want
00:24:11to speak to anyone.
00:24:12Mr. O'Hare.
00:24:14I was with your son
00:24:15the night he was shot.
00:24:17I've got nothing
00:24:18to say to you.
00:24:18Mr. O'Hare, please.
00:24:20I need to understand
00:24:21what all this is about, too.
00:24:24And you're sure
00:24:25you have nothing
00:24:25to do with the police?
00:24:26I promise you.
00:24:45O'Hare.
00:24:49Jamie O'Hare.
00:24:52Well, boom.
00:24:52You and Eddie
00:24:56were arguing
00:24:57about him,
00:24:57weren't you?
00:25:00Well, we were.
00:25:03He's dead, Barry.
00:25:05He's dead.
00:25:06It was on the radio.
00:25:09Not any day with me.
00:25:11What, Eddie?
00:25:14You leave Eddie to me.
00:25:19Mr. O'Hare,
00:25:20about Jamie.
00:25:24Alison, now, listen.
00:25:26I'm not a great one
00:25:28for overstating,
00:25:29but, now, Jamie
00:25:31was a fine lad.
00:25:32One of the best.
00:25:34I know that
00:25:35because I had two wrongs,
00:25:37two right roles.
00:25:39They were,
00:25:39but do you see how, Jamie?
00:25:41There wasn't one bad
00:25:43fibre in that lad's body.
00:25:45Too good,
00:25:46we used to say.
00:25:48Aye.
00:25:48Too good
00:25:50for this veil
00:25:51of tears, anyway.
00:25:58And you've no idea
00:26:00what he wanted
00:26:01to see me about.
00:26:03You never heard him
00:26:04mention the mechanic.
00:26:06That's them arrived.
00:26:07What?
00:26:09Oh, oh,
00:26:10Alison,
00:26:11do you have a motor car?
00:26:13There you are.
00:26:28Detlam,
00:26:28Anthony,
00:26:29O'Hare.
00:26:30Your cousin
00:26:31who was interned.
00:26:32The same.
00:26:33Special branch
00:26:34latched onto him
00:26:35at the airport.
00:26:36Ah,
00:26:37probably just over
00:26:38for the funeral.
00:26:39That's what I thought.
00:26:40but he was picked up in a car.
00:26:42They traced the number...
00:26:44Alison Bain.
00:27:01Hello, Miss Bain.
00:27:03You seem to have a habit of turning up in the most unexpected places.
00:27:07The same could be said of you, Inspector.
00:27:09A bit of overkill, isn't it?
00:27:14That's a rather unfortunate choice of words.
00:27:17Denkling the hair.
00:27:18What do you that want?
00:27:19Yes, just like home.
00:27:21I trust you have no other plans except to go to the funeral, Mr O'Hare?
00:27:25Thought I might take in a couple of shows, you know.
00:27:28When are you going home?
00:27:30When I blame my cousin in the earth.
00:27:32Good. That's good.
00:27:34Because I don't want any freelance activity on my patch.
00:27:38Anything you know, you'd tell me. You understand?
00:27:41I've always enjoyed a constructive relationship with the police.
00:27:46Now, if you don't mind, I have arrangements to make.
00:27:51After you, Alison.
00:27:53You think they knew anything?
00:27:54I doubt, Dan.
00:27:55Okay, fights.
00:27:56Five assaults on women.
00:27:57He disabled their cars, and then he attacks them.
00:27:59Indecent assaults, rape, and then he threatens them with a shotgun.
00:28:03Each crime becoming more violent than the one before.
00:28:06Five confessions.
00:28:07Then he makes a mistake.
00:28:08He sets up a woman, and he kills a man instead.
00:28:10No.
00:28:11What?
00:28:12I'm sorry, sir.
00:28:13I just can't keep it in any longer.
00:28:14I think you're wrong.
00:28:15About what?
00:28:16About him setting up a woman.
00:28:17I think O'Hare was the intended victim.
00:28:18Well, if he was, we can discount the mechanic.
00:28:20Why?
00:28:21Oh, come on, Jackie.
00:28:22You're saying this guy rapes five women in a row, then he decides he'll kill a man.
00:28:27He's not a man.
00:28:28He's not a man.
00:28:29He's not a man.
00:28:30He's not a man.
00:28:31He's not a man.
00:28:32I'm sorry, sir.
00:28:33I just can't keep it in any longer.
00:28:34I think you're wrong.
00:28:35About what?
00:28:36About him setting up a woman.
00:28:38I think O'Hare was the intended victim.
00:28:41Well, if he was, we can discount the mechanic.
00:28:44Why?
00:28:45Oh, come on, Jackie.
00:28:47You're saying this guy rapes five women in a row.
00:28:50Then he decides to turn on a man.
00:28:52He's a bisexual now.
00:28:54Julie Smith wasn't raped.
00:28:56That's what he wanted.
00:28:59He only killed her because she struggled.
00:29:01He uses the shotgun to...
00:29:03What's in your mind, Jackie?
00:29:05Well, it's just that...
00:29:08Look at this room.
00:29:10Look at you.
00:29:11All you men hunting a sex beast.
00:29:14You read the papers and you believe it.
00:29:17You're making the classic mistake.
00:29:19You're acquitting rape with sex.
00:29:22So what's rape about if not sex?
00:29:24Depends how good you are at it.
00:29:28I don't think this was ever about sex.
00:29:31Don't you see?
00:29:31The sex is incidental.
00:29:33Not to me, isn't he?
00:29:35Shut up, Anderson.
00:29:37The sex is incidental
00:29:39because rape, just like any other sexual crime,
00:29:42is about power.
00:29:43Pure and simple power.
00:29:45The ability to dominate those weaker than yourself.
00:29:47And I think that's the important thing with our murderer.
00:29:51He's an inadequate wee man
00:29:52who wants to have power.
00:29:54The power to control,
00:29:55the...
00:29:56the power to exploit
00:29:58and the power to kill.
00:30:00I'm looking for a chief inspector tagger.
00:30:07Any takers?
00:30:10Nope.
00:30:12Well, I'll try next door then, will I?
00:30:13What are you actually doing?
00:30:20Well, the idea is
00:30:22not to deduce anything from a single clue,
00:30:24but to look for a system of patterns
00:30:27that'll lead the way
00:30:28to more fruitful areas of investigation,
00:30:30so to speak.
00:30:30It's actually quite exciting.
00:30:32What's all this?
00:30:34What I'm doing is
00:30:35I'm taking all your information
00:30:36and I'm putting it on this disc.
00:30:38You know,
00:30:39past crimes,
00:30:40proximity to a notional epicentre.
00:30:41That's what it's doing just now.
00:30:43And from that,
00:30:43I'll get a fair idea
00:30:44not just of what kind of person he is,
00:30:46but where he lives,
00:30:47what his job is, maybe,
00:30:49and so on.
00:30:50And then I'll cross-match that
00:30:51with your list of suspects.
00:30:53Two thousand and thirty-three of them.
00:30:55Right, right.
00:30:56Well,
00:30:56I should be able to pop up
00:30:57a name or two for you then.
00:30:59But I'll tell you this,
00:31:00the chances are
00:31:00that you'll get more and more audacious,
00:31:03almost as if he wants to be caught,
00:31:04like a moth to a flame.
00:31:06He's out of control.
00:31:08He's goading you.
00:31:10So how long before you can give us a name?
00:31:12Two or three days, maybe.
00:31:13I've got fifteen hours.
00:31:15Well,
00:31:15I could provide you
00:31:16with a psychological profile tomorrow,
00:31:18but I'll need to use the mainframe
00:31:19at the university.
00:31:20We'll get you a car.
00:31:24You can't be serious.
00:31:26It'll be more like bait than decoys.
00:31:29You'll be risking their lives.
00:31:31Don't you think I know that, Gene?
00:31:33But he says he's going to kill again tomorrow.
00:31:35What am I supposed to do?
00:31:36What do you normally do?
00:31:38Well, the book says
00:31:39flood the place with uniforms,
00:31:40but this isn't normal.
00:31:41But it might frighten him off.
00:31:43Stop him doing it.
00:31:45And then what?
00:31:46We sit around
00:31:47and wait for him
00:31:48to kill another innocent person.
00:31:50An innocent person
00:31:51could get killed
00:31:52if you set them up.
00:31:53I know that.
00:31:54But,
00:31:55I've got no choice.
00:32:00Now,
00:32:03we've managed to get
00:32:05a complete news blackout on this,
00:32:07and I mean to keep it that way.
00:32:09The priority
00:32:10is to capture this man,
00:32:12but without injury
00:32:13or loss of life.
00:32:15I don't want any dead heroes.
00:32:17Understood?
00:32:18Yes.
00:32:19What's the scope
00:32:19of this psychologist bloke, sir?
00:32:21Has he come up with anything?
00:32:22Well,
00:32:23according to Professor Cunningham,
00:32:24our man lives in this area.
00:32:27He may have been married,
00:32:28but his life has hit
00:32:29a turbulent patch.
00:32:30He has no close friends,
00:32:32and he works
00:32:32in the semi-skilled occupation.
00:32:34What team does he support?
00:32:36We know he's a left footer
00:32:37from forensic.
00:32:39Don't have any names yet.
00:32:40Unfortunately,
00:32:41time is not on our side.
00:32:43Michael?
00:32:43Michael.
00:32:45Okay,
00:32:45you've been split up
00:32:46into 12 teams,
00:32:47all placed by these markers here.
00:32:50We reckon if this guy
00:32:51keeps to the same pattern,
00:32:52these are the danger car part size.
00:32:55Now,
00:32:56it's one decoy,
00:32:56three back up,
00:32:57all in instant contact
00:32:59with the center here.
00:33:00The call sign for subject sighted
00:33:02is fire guard.
00:33:03Repeat,
00:33:04fire guard.
00:33:06So you know where you're going?
00:33:07Good luck.
00:33:08Good luck.
00:33:08Good luck.
00:33:13Good luck.
00:33:43Good luck.
00:34:13Do you realize
00:34:14that this division
00:34:15doesn't have a single
00:34:16uniformed officer
00:34:17on the street?
00:34:19Whenever you want
00:34:20to find a policeman,
00:34:22you can't get one.
00:34:24Tango 1,
00:34:25you're receiving me.
00:34:26Over.
00:34:27Tango 1.
00:34:28Nothing to report, sir.
00:34:31Have your tickets ready, please.
00:34:38Tickets, please.
00:34:39I hope you've got a ticket this time.
00:34:47I've got one, thank you.
00:34:49Only, it was up to me, you know.
00:34:51It's okay.
00:34:52The shoe and plain clothes?
00:34:54Yeah, you could say now.
00:34:55I see you let that guy go.
00:34:57Thanks for your help, eh, no?
00:34:58No further forward?
00:34:59No, not really.
00:35:01Right, right.
00:35:02Enough said.
00:35:03Tickets, please.
00:35:17Hello, dear.
00:35:18It's me.
00:35:19I'm just ringing to say
00:35:20I might be a bit late tonight.
00:35:21I thought I'd go for a drink.
00:35:24Okay, bye.
00:35:30Tango 2.
00:35:32Nothing to report, sir.
00:35:34Tango 5.
00:35:35Quiet as a grave, sir.
00:35:37Over.
00:35:37Okay, Michael.
00:35:39Stack at it.
00:35:40Over.
00:35:40Over.
00:35:41Over.
00:35:41Over.
00:35:41Over.
00:35:42Over.
00:35:43Over.
00:35:43Over.
00:35:43Over.
00:35:43Over.
00:35:44Over.
00:35:44Over.
00:35:45Over.
00:35:45Over.
00:35:45Over.
00:35:46Over.
00:35:47Over.
00:35:47Over.
00:35:48Over.
00:35:49Over.
00:35:50Over.
00:35:50Over.
00:35:50Over.
00:35:50Over.
00:36:03Nothing's up.
00:36:04Nothing yet.
00:36:08He's never struck after ten, has he?
00:36:10Never another half air.
00:36:11You never know.
00:36:13I'm sorry, Jim.
00:36:15We'll have to call it all.
00:36:17Overtime's ruining the budget.
00:36:18Aye. I thought you might say that. That's why I let you snooze.
00:36:25All units, Operation Car Park is now over.
00:36:30Repeat, Operation Car Park is now over. Come on home.
00:36:48Ordered along to the modify rooms you need to need to prepare for the event
00:36:54eni please join the wifi for doing dernière access.
00:36:57it is one of the most important parts of the
00:37:18Do you want a lift?
00:37:26The car's in the car park. I'm going to walk.
00:37:28Oh, tempting fate.
00:37:30I'm too ugly.
00:37:31Oh, that's a sexist comment.
00:37:39Mary Hill Police. Can I help you?
00:37:41Could I speak to Mr Taggart, please?
00:37:42I'm sorry, sir. I'm afraid he's away home.
00:37:45Who's this come?
00:37:46It's Eric Cunningham from the university.
00:37:47It's imperative that I speak to somebody
00:37:49in the mechanic investigation.
00:37:51I have a name for them.
00:37:52I think I know who it is.
00:38:03Start driving.
00:38:05Don't move a muscle.
00:38:09Your place or mine?
00:38:12Oh, Colin, you bastard.
00:38:14You utter bastard.
00:38:16I'm sorry.
00:38:17It's real champagne.
00:38:19It's real champagne.
00:38:20It's real champagne.
00:38:22Thank God I found you.
00:38:49I've got a name.
00:38:49Why wouldn't you start?
00:38:55I don't!
00:38:56Why don't you sit there?
00:39:00Help me!
00:39:02Russell, why don't you sit there?
00:39:04Help me!
00:39:05Russell Bryce, two convictions for indecent assault eight years ago.
00:39:17Lives in Newtoncourt, Lowen.
00:39:19Separated, no kids, a loner.
00:39:20Had we interviewed him?
00:39:21Aye.
00:39:22Two weeks into the inquiry.
00:39:23His wife gave him an alibi.
00:39:24She's changed her tune now, though.
00:39:25Wrong.
00:39:26Curl.
00:39:27Cunningham got him down to a tea?
00:39:28I started off just wanting to talk to you.
00:39:29I started off just wanting to talk to you.
00:39:30I don't know.
00:39:31I don't know.
00:39:32I don't know.
00:39:33Then to kiss them.
00:39:34Ted's a loner.
00:39:35Had we interviewed him?
00:39:36Aye.
00:39:37Two weeks into the inquiry.
00:39:40His wife gave him a nalibi.
00:39:42She's changed her tune now, though.
00:39:44Wrong, you.
00:39:44So, Cunningham got him down to a tea?
00:39:57Started off just wanting to talk to them,
00:39:59then to kiss them,
00:40:01then they wouldn't.
00:40:04They would never do what I was asking them.
00:40:07When was this, Russell?
00:40:09Started about six months ago.
00:40:11As long ago as that?
00:40:13When I decided to stop being polite.
00:40:16Polite?
00:40:17To stop asking them nicely.
00:40:21Decided to make them use the gun.
00:40:24Make them do what I wanted.
00:40:26They will only take a telling, will they?
00:40:29He knows what I'm talking about.
00:40:31The first ones, they'd done what they were told,
00:40:35but the woman at the station, she wouldn't.
00:40:36She tried to fight me off.
00:40:37She grabbed hold of the gun.
00:40:39Went off.
00:40:42I never meant to shoot her.
00:40:43How did you choose your victims?
00:40:50Victims?
00:40:51Is that what you call them?
00:40:53I'm the victim, me.
00:40:55And every other poor sod that has to put up with the bitches.
00:40:57All right.
00:41:00All right.
00:41:01Calm down now.
00:41:03Take a sip of tea.
00:41:08So,
00:41:09how did you decide who to ask?
00:41:13It was her letters.
00:41:15The letters you sent us?
00:41:16No, no.
00:41:17No them.
00:41:19It was her cars.
00:41:20I just watched them park their cars.
00:41:23Nice wee cars.
00:41:24Fast cars.
00:41:25With rounded bumpers and plump wee headlamps.
00:41:28With letters on the back.
00:41:30They buy their cars because
00:41:32they've got letters on the back.
00:41:37Arseholes.
00:41:39That's how I chose them.
00:41:42Underneath the spoiler.
00:41:44Spoiler.
00:41:47XR2.
00:41:47G-T-I.
00:41:50The more letters,
00:41:52the more they needed a lesson.
00:41:55Spoilers.
00:41:58So,
00:41:59now what about the man
00:42:01Jamie O'Hare?
00:42:03A man?
00:42:05A man?
00:42:08What do you think I am?
00:42:11Some kind of weirdo.
00:42:17Hi.
00:42:26Free shoes.
00:42:27Thanks, Colin.
00:42:31So,
00:42:31how have they been treating you?
00:42:33Fine.
00:42:35The,
00:42:35the Gideon's Bible
00:42:37has been a great support.
00:42:39Right.
00:42:39Listen,
00:42:42I was thinking that
00:42:43you might not want to go back
00:42:45to your own flat.
00:42:46So,
00:42:48well,
00:42:48there's a spare room at mine.
00:42:50I mean,
00:42:50no obligation,
00:42:51of course,
00:42:51but...
00:42:51Thanks very much,
00:42:53Colin,
00:42:54but,
00:42:54I think I'd like a bit more space.
00:42:59Jean's offered to put me up.
00:43:02Hello,
00:43:02Colin.
00:43:04Mrs. Taggart.
00:43:05Oh,
00:43:07I see.
00:43:09Right,
00:43:09well,
00:43:10I'll just,
00:43:12I'll leave the flowers.
00:43:14Um,
00:43:15do you need a lift?
00:43:16Oh,
00:43:16I arranged a police car.
00:43:18Contacts,
00:43:19hey.
00:43:23Yeah.
00:43:30Well?
00:43:31Bryce.
00:43:32He was telling the truth of it,
00:43:33Jamie O'Hare,
00:43:34sir.
00:43:34He went through his shift records.
00:43:36He was on the other side of the city at the time.
00:43:39You couldn't have murdered him.
00:43:41Then who did?
00:43:43Ach.
00:43:45Have a drink.
00:43:47Sir.
00:43:48Take a drink.
00:43:55I've been thinking
00:43:56about a hair's caravan.
00:43:59Still don't know who turned it over.
00:44:01Well,
00:44:01somebody had a downer in them all right.
00:44:04I think.
00:44:08I think he was murdered by mistake.
00:44:11Who do you mean?
00:44:13I think Alison Bain was the target that night.
00:44:16Somebody wanted her down there to rub her out.
00:44:18Well,
00:44:18here,
00:44:18just get in the way.
00:44:20It's the only thing that fits.
00:44:23Alison Bain?
00:44:24That means she's still at risk.
00:44:34It's landed in the bin.
00:44:38What's this?
00:44:42Porn.
00:44:42Yeah.
00:44:43Yeah.
00:44:43Uh-huh.
00:44:57Alison?
00:44:58But why would anyone want to kill her?
00:45:00That's what we're trying to find out.
00:45:02And you can't find her?
00:45:04Not a trace.
00:45:05I'm going to need a list of all the people who came in contact with her over the last two
00:45:08weeks.
00:45:09Anything she was working with.
00:45:11Oh, my God.
00:45:13You'd better come into my office.
00:45:14Rachel.
00:45:23For goodness sake,
00:45:24get down from there.
00:45:26Where's the boy?
00:45:26He's supposed to be helping with the decorations.
00:45:28He went upstairs.
00:45:30You tell him I want it finished before I come back.
00:45:33Don't let him off.
00:45:37Porn.
00:45:39That's his crop.
00:45:41Maybe a spice.
00:45:42The Robocop, too.
00:45:45What's in it?
00:45:49What are the pair of you up to?
00:46:01Where did the boys find it?
00:46:03In a part of Wayspin at Newtoncook.
00:46:05What do these dates and times mean?
00:46:08Well, as far as I can make out,
00:46:10relate to some sort of transport schedule.
00:46:12The point is, it's Jamie O'Hare's folder.
00:46:15Names, addresses.
00:46:16What the hell's it doing in the bin?
00:46:17Well, he must have had it on him when he was shot.
00:46:20So the killer takes it and dumps it.
00:46:24Was there any attempt to destroy it?
00:46:26It was all intact.
00:46:27Just lying there.
00:46:28Rewind that, Kate.
00:46:34Wait, stop it here.
00:46:37Richards Hallage.
00:46:39They're a waste disposal contractor.
00:46:41Any idea where that place is?
00:46:44Not a clue.
00:46:45But I know somebody that might.
00:46:46It's a children's playground.
00:46:49We need some more infill here to level it off.
00:46:52It must have been, let me see.
00:46:55About here he was dumping.
00:46:56Oh, no.
00:47:09This is beyond belief.
00:47:11What's up?
00:47:12The fools.
00:47:13The bloody fools.
00:47:14What is it?
00:47:15I'll have to check back at the lab, of course,
00:47:16but I'm pretty certain that this is chrysidolite.
00:47:19Chrysidolite?
00:47:20Blue asbestos.
00:47:21The most dangerous type of the lot.
00:47:23The bloody fools have been dumping blue asbestos
00:47:25on a children's playground.
00:47:27That's what he was going to show all of St. Bain.
00:47:30Proof that these cowboys were dumping waste here.
00:47:33What name did you say again?
00:47:40Barry, I just heard the news.
00:47:42They're looking for whoever wrecked her here's caravan.
00:47:44Aye, well, they haven't any far to look then, have they?
00:47:45Well, they might think they killed him, too.
00:47:47You ever thought of joining Mensa?
00:47:49I told you to leave him alone.
00:47:50Barry, I'm scared.
00:47:51Look, what if you just keep your traps shut?
00:47:53You'll be okay.
00:47:54What the hell are you up to?
00:47:55Bonus payments.
00:47:56How far?
00:47:57Does Marjorie know you're taking that?
00:47:59You're meant to get a chitty.
00:48:00Marjorie and I have sort of dissolved our partnership.
00:48:03Wait a minute.
00:48:04Where the hell does that leave me?
00:48:04Barry!
00:48:05Barry!
00:48:05Get her!
00:48:14All right.
00:48:27Which one of you two bastards killed Jamie?
00:48:31Please, mister.
00:48:32It wasn't me, honest.
00:48:34It wasn't me.
00:48:35Just hide Owen.
00:48:36I've seen the video.
00:48:39And as far as I recall, this is a family firm.
00:48:42Please, mister.
00:48:44Please don't.
00:48:45Oh, my no.
00:48:46I've got money.
00:48:47Take it.
00:48:48Hey.
00:48:49I will.
00:48:51Armed police officer.
00:48:53Drop it.
00:48:55Drop it!
00:48:56Drop it!
00:49:01Lie on the floor.
00:49:03Face down.
00:49:04Now!
00:49:06Spread your legs.
00:49:07Spread them!
00:49:09You two down as well!
00:49:13Now you're going to take your hands
00:49:14and you're going to put them very slowly behind your back.
00:49:19Slowly!
00:49:32Well done, Michael.
00:49:33It's amazing what you can do with a length of pipe.
00:49:48All right.
00:49:50All right.
00:49:51I did put one hour in my hair.
00:49:53You had the Clements contract.
00:49:55Well, I found out how much he'd bid and undercut him.
00:49:57By dumping asbestos in the kids' playground.
00:50:01Well, I was going to get covered up.
00:50:03Where's the herm?
00:50:05Herm?
00:50:06The stuff's lethal.
00:50:09All right.
00:50:10So I'm no angel.
00:50:11But that bastard spiked my new wagon's tires.
00:50:14Eddie.
00:50:14Eddie.
00:50:15He done the guy's caravan hair.
00:50:23Well, I didn't even know he'd done it.
00:50:25He thought it would please me.
00:50:27Do you know he made a video of you dumping that stuff?
00:50:30No.
00:50:32No, I didn't he.
00:50:34We think he was going to expose you on TV and then he got shot.
00:50:38Well, listen.
00:50:39I admit.
00:50:40All right.
00:50:41I admit I was going to put her hair in jeopardy.
00:50:45But just the frighten her, like.
00:50:47I mean, there's no way I'd go to the length of shooters.
00:50:49I'm not that stupid.
00:50:50And what about your brother?
00:50:52Oh, aye.
00:50:54Well, he's that stupid, all right.
00:50:56But he didn't dare.
00:50:59I'd swear to it in the Bible.
00:51:01You might have to.
00:51:20You.
00:51:43You.
00:51:43just how long are you gonna keep me here
00:51:52you're lucky you're not in cotton veil by now you're here in protective custody
00:51:59i don't feel very protected it's a damn sight safer than the industrial estate where jamie
00:52:05o'hare ended up don't you realize it was you that were after that night not him
00:52:10he died in your place i don't believe it i just don't we've been through everything i was working
00:52:18on i've no enemies why would anyone want to kill me
00:52:22well let's start all over again and see if we can come up with any suggestions eh
00:52:32i've been up all night it's light outside i'm leaving and unless you want to charge me there's
00:52:42not a thing you can do about it good morning
00:52:49hey you get the full story from the cousin yeah all ties up we bought a kalashnikov from a bloke
00:53:00in a pub no name apparently the going rate's 600 quid anyway seems quite grateful that we stopped him
00:53:08family owner being preserved and he didn't have to top it anyway so he gets four years instead of life
00:53:15okay you pack up and go home i'll hang on with you sir you're joking i'm off do you i don't think so
00:53:23sir now sir hog's been shot i left him at about half six he stayed to do a bit of work i think
00:53:33did you ever quarrel with him oh what is this i'm a director he's a presenter of course i quarrel with him
00:53:45he wasn't the easiest man in the world to get on with so he had enemies there's enemies and enemies
00:53:52i certainly know of no reason that anyone would want to do that to him
00:53:57i understand that he was having an affair with allison bain you're barking up the wrong tree inspector
00:54:06she's not capable of this i know that she was in my custody at the time now day what about martine
00:54:15i was in the pub with martine all last night ask her i have asked her
00:54:21you've given each other a watertight alibi i don't like the sound of that i don't like the smell of this
00:54:36oh it's just one other thing martine told me she saw alistair speaking with a stranger in the pub
00:54:43a tall guy in the dark overcoat any idea who that might be no no none at all
00:55:13what on earth did the two of them have in common alison bain she's like a spider in the middle of a web
00:55:39everywhere we go she turns up isn't that right michael
00:55:46michael sorry sir you're excused i'm just saying that this bain woman is at the center of everything
00:55:55isn't that right yeah i can't help feeling if we find out why someone would lure alistair out like that
00:56:02the phone alistair what lure alistair not alistair you said alistair alistair alistair i need my bed
00:56:14alistair what it was alistair the murderer wanted not alistair if you're right jim this turns everything
00:56:24upside down if the killer wanted alistair maybe it was something he was working on
00:56:28it explains why the stuff that jamie had on him was abandoned if you think about it the killer wasn't
00:56:35interested in clandestine dumping it was something that alistair had that he wanted let's go and find
00:56:41out where he was working on
00:56:55in the alistair hogg murder investigation
00:57:13this was unusual it was the afternoon that i took the message alistair called that number and then he
00:57:18went rushing off ludwigsburg 6100 yeah call that for me where's ludwigsburg they used to call it west
00:57:30germany just outside stuttgart i thought you were in sight leave i get sick of leaving they're on the line
00:57:38hello hello you speak english please
00:57:46what do you mean i'll take it
00:57:49good morning
00:57:50excuse me i'm fast verbunden
00:57:53yeah yeah
00:57:55can you please tell me what i called
00:57:58a
00:58:11so what is it and who might you be my name's tom harrison i'm a private investigator i've been doing a bit of
00:58:15research for alistair i think i know who killed him
00:58:17and uh mom turned to me and she said maurice she said your father is not the best cook in the world
00:58:29but his matzo balls certainly put a smile on that seagull's face
00:58:34mom dad here's to another 40 years of happiness to rachel and albert
00:58:41thank you maurice and now a surprise i've got a very special present for you rachel
00:58:56i've carried this stone for 40 years waiting for this moment
00:59:11thank you
00:59:22hello mr newman i wonder if you could help me i found a piece of paper with your address on it
00:59:41for the last time miss bain will you get out of my way good god this is outrageous
00:59:53it's my parents wedding anniversary i'm sorry mr newman it's not you i've come to talk to it's your father
01:00:00ah the police i thought you'd be here i must just say goodbye to my guests
01:00:09my friends uh i'm afraid i'll have to leave the party a little prematurely but don't let this stop the festivities
01:00:22some gentlemen wish to speak to me
01:00:35good bye my dear i love you very much
01:00:47good bye
01:00:49albert
01:00:51who's is geschehen
01:00:53she will nia no freaking apple fragen
01:00:55i come bald zurich
01:00:57albert
01:00:58albert
01:01:00I was the jeweler.
01:01:26Their Juvelier des Commandantins.
01:01:30Jeweler to the Nazis.
01:01:35I melted the gold taken from...
01:01:38From...
01:01:42Gold?
01:01:44And I cut up the jewels.
01:01:48They brought the jewels with them, you see.
01:01:52It was all they had.
01:01:55All that was left.
01:01:58It was a small cog in a big wheel.
01:02:03Three years at Majdanek, I survived.
01:02:09And 600,000 didn't.
01:02:13Do you know what this does to a man to survive on the teeth and jewels of others?
01:02:23When the Russians came, I bought my way out of camp.
01:02:26The POW camp.
01:02:29I said I'd spent the war years in a cellar.
01:02:35And when I got to Britain, somehow the lie still persisted.
01:02:43I met my wife.
01:02:46And for 40 years I've been waiting for that knock on the door.
01:02:51Oh, the journalist.
01:02:54He knew.
01:02:56He was on my trail in Ludwigsburg.
01:03:00The war crime center.
01:03:05You're not a war criminal, Mr. Newman.
01:03:11I lived a lie for 40 years of my reputation.
01:03:16He said it would be a big story.
01:03:20He said he would tell before the anniversary.
01:03:25I couldn't let him do that.
01:03:28So I arranged to meet him.
01:03:32And I shot him.
01:03:35But it was the wrong man.
01:03:40Why did the wrong man come?
01:03:51Why?
01:03:52I'm just a jeweler.
01:03:55I'm not a bad man.
01:03:57Tell David I'm not a bad man.
01:04:02I'm not a bad man.
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