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  • 1 day ago
First broadcast 14th December 1978.

Detective Sergeant Taylor is shot and wounded, and names his informant, Jimmy Park, as pulling the trigger.

John Thaw - Regan
Dennis Waterman - Carter
Garfield Morgan - Haskins
Sheila Reid - Doreen Haskins
Lynda La Plante - Eve Fisher (as Lynda Marchal)
Peter Wight - Jimmy Park
John Alkin - DS Tom Daniels
Elizabeth Burger - Joan
George Innes - Willoughby
Gillian Rhind - WPC Jackson
Benny Lee - Tommy Swain
John Biggerstaff - Mr. Culley
Katie Allan - Sharon
Stuart Wilde - Richard Haskins
Tony Allen - Bill the Driver
Eric Kent - Flying Squad Officer
Mike Mungarvan - Constable

Category

📺
TV
Transcript
00:00Oh, you little darling!
00:04Dory?
00:08Dory?
00:12Dory?
00:14Dory?
00:16Dory?
00:18Dory?
00:20Dory?
00:22Dory?
00:24Dory?
00:26Dory?
00:28Dory?
00:30Dory?
00:32Dory, are you there?
00:34What? What's wrong?
00:36Well, there you are. Where have you been?
00:38In the garden.
00:39Well, in this weather.
00:41It's fine.
00:42It's freezing.
00:48These shirts...
00:49Yes?
00:50Well, they're not my size. I took a 16 collar.
00:52Oh, yes.
00:53These are 14 and a half.
00:55Can you change them?
00:57Yes, of course.
00:58Well, I'll get someone to pick them up tomorrow.
01:00Tomorrow?
01:02Yes.
01:05Yes.
01:06Oh, and another thing.
01:11Oh, yes.
01:12We'll never guess.
01:13There was a picture...
01:14Yes, but not before I've had a chance to read it.
01:16Sorry.
01:18Take care.
01:19Do you have any idea?
01:20What?
01:21It doesn't matter.
01:22Bye.
01:23Bye.
01:24Bye.
01:26It doesn't matter.
01:27Bye.
01:28It doesn't matter.
01:29Bye.
01:30Bye.
01:31Bye.
01:32Come on, come on, come on, come on.
02:02Come on, come on, come on, come on.
02:32All right, we found it.
03:02I want you to find anybody that Sergeant Taylor knew who lives around here, anybody that
03:12any of us know that live around here, villains, snouts, brasses, I want the bastard that
03:18fired that.
03:19All right, I got him.
03:24Morning, Gup.
03:27You heard.
03:28Is he still alive?
03:31It was when he reached hospital.
03:32What was it?
03:33A meat?
03:34Who knows?
03:35Oh, dear.
03:36Looks like a 15-rounder to me.
03:40Jack?
03:41I should go back to the office, look at Taylor's diary, tell me who he was meeting, why and
03:48where, anything you can.
03:50What about D.I.
03:51Willoughby?
03:52Is he...
03:53Certified sick.
03:54Sure sign does trouble.
03:55What is it?
03:56He's found the jars playing him up again.
03:58Well, that doesn't mean you can't talk to him.
04:01Doesn't affect his speech.
04:02Get with it.
04:07What's the verdict then, Doctor?
04:08Oh, you're absolutely fine, Mrs. Haskins.
04:09101%.
04:10And the baby?
04:11There's no baby.
04:12You've got one family, you'll have to settle for that.
04:13Are you sure?
04:14Yes, I'm sure.
04:15Did you want another child?
04:16Yes.
04:17Well, at your age, Mrs. Haskins, I wouldn't have advised it.
04:18Really, I wouldn't.
04:19All right, then.
04:20I'll Bell Catford find out the strength of this Malone knockoff.
04:24What about Willoughby?
04:25Would you rather I went?
04:26Much rather.
04:27Yeah, OK, Linda, mate.
04:28I'll do it.
04:29I'll do it.
04:30I'll do it.
04:31I'll do it.
04:32I'll do it.
04:33I'll do it.
04:34I'll do it.
04:35I'll do it.
04:36I'll do it.
04:37I'll do it.
04:38I'll do it.
04:39I'll do it.
04:40I'll do it.
04:41I'll do it.
04:42I'll do it.
04:43I'll do it.
04:44I'll do it.
04:45OK, Linda, mate.
04:47You go down to the insurance assessors, George.
04:49Find out why Taylor was there so often.
04:52Odds on, he was ripping off his informants for their insurance rewards.
04:55Yeah, maybe.
04:56Well, let's have some names.
04:57Snopes Taylor took down there.
04:59Yeah, OK.
05:00And real ones.
05:01Boycott and Truman.
05:02I can do without.
05:05Get me dear old Willoughby's home number, will you?
05:08Willoughby's rat-faced wife.
05:10Anybody know her name?
05:11Deborah.
05:12No.
05:13Tom.
05:15What are you, psychic?
05:20You know a brief named Groh?
05:23David Groh?
05:24Yeah, that's him.
05:25Yeah, bent as a banana.
05:26He's pulled a bloody habeas corpus on me.
05:28Well, that's par for the course, isn't it?
05:30Yeah, but how did he find out?
05:31That's why I can't tumble.
05:32Someone from the neck belled him, didn't they?
05:34You written?
05:35That's David Groh for you.
05:37Deborah, is Jack Regan here from the squad?
05:42How is he today?
05:44Frank, conspicuous by his absence, as usual.
05:47He's working.
05:49Only his mother-in-law, after all.
05:51That's not fair.
05:52Any more promotions?
05:54There's a board in the offing.
05:56Keep whining about their pay, don't they?
05:58Mr Moody.
05:59Ten years since he lived next door to her.
06:01Some people make the effort, don't they?
06:02We couldn't have taken her, Joan.
06:03It wasn't possible.
06:04I didn't say anything.
06:05When the boys are home from school, there just isn't the room.
06:07I don't see the sense in having a family, then farming them out.
06:10You wouldn't understand.
06:11No, I don't.
06:12Nor did she.
06:13Have you heard from the hospital?
06:14Yes.
06:15Taylor survived the off.
06:16As a man, or...?
06:17Ask again in 48 hours.
06:18As bad as that?
06:19Yeah.
06:20No.
06:21No.
06:22Anything on the bullet?
06:23To 38.
06:24Ballistics are working on it.
06:25What about Taylor's gear?
06:26Yeah.
06:27Well, won't he want a few things?
06:28You know, a toothbrush, whatever.
06:29What else?
06:30No.
06:31No.
06:32No, no.
06:33No.
06:34No.
06:35No.
06:36No.
06:37No.
06:38No.
06:39No.
06:40No.
06:41No.
06:42No.
06:43No.
06:44No.
06:45No.
06:46No.
06:47No.
06:48No.
06:49No.
06:50No.
06:51Oh, yes.
06:52Fix it, will you, Jack?
06:54Are you all right?
06:56Yes, I'm fine.
06:58I'm fine.
06:59Fine.
07:08What about my call to Mrs. Haskins?
07:10Are you sure?
07:12Well, try again, please.
07:16Got a job for you, Daddy boy.
07:19England needs me.
07:20Get over to Taylor's drum.
07:22Collect some things for him, you know, razor, Jim Jones, all that.
07:25Righto, Gov, not so fast.
07:27While you're there, give the place a once-over.
07:30What?
07:31You heard?
07:32What am I looking for?
07:34Buried treasure.
07:35Are you saying he's just...
07:36I'm saying give the place a once-over.
07:38That's all.
07:40Can't somebody else go?
07:41Oh, I won't cross your legs, son.
07:43Don't be such a bloody boy scout.
07:45Leave it out, Gov.
07:46Poor bastard just had half his head shot up.
07:47Just get on with it.
07:48You might find something that'll give us a motive.
07:56He just crossed me up his Christmas card list.
07:59He'd be a good skipper one day.
08:00Yeah, second Joan of Arc.
08:02We've got Frank Askins with the curse.
08:06Going well, innit?
08:08What do you got?
08:10A busy fella, our Bob Taylor.
08:11Snort's names?
08:12Yeah, there they are.
08:14Help yourself to cigarettes.
08:17You'll like this first one.
08:18Harold Smith.
08:22Smith?
08:22Yeah, C-11, no.
08:24Do they?
08:25Yeah.
08:25Next.
08:26George Riley.
08:28Third floor is sending the file up.
08:30Any more?
08:31Yeah, Jimmy Park.
08:32He was down there a couple of days ago, picked up 1,500 quid.
08:35What for?
08:3615,000 pounds worth of air dryers.
08:38Nicked off a transport depot in Camden Town.
08:40Lawson's?
08:41That's the one, yeah.
08:42Any more?
08:44No.
08:44But that last one, he's had a few nice drinks, has it hams?
08:47Right, then.
08:49I'll try this lot out on Willoughby.
08:51You check the informant's phone, George.
08:53Yeah, all right.
08:54Hey, do you hear the one about the Irish turkey?
08:57Well, looking forward to Christmas, yeah.
09:04The relationship between a squad officer and his snail.
09:07Oh, I couldn't agree more.
09:09But when that squad officer's had half his head wiped off a windscreen,
09:12and he's lying in intensive care with a quarter of a mile of tube sticking into him...
09:16I repeat, what do you want?
09:18Names.
09:19Haven't got them.
09:20I have.
09:22I just want a few details.
09:27She said you were stubborn.
09:30Who said?
09:32WPC Winslow.
09:34Sends her love.
09:37You had some names.
09:39Smith, Harry.
09:41Semi-retired.
09:43Yeah, it's all well in the past.
09:44George Riley.
09:46When we nicked him, his bird was up to spout.
09:49So you left out the poison?
09:51He does a nice bit for us now.
09:53He's a croupier on mortar.
09:55Scrub him.
09:56Park.
09:57James Park.
09:59Nice steady grass.
10:01Bit flash.
10:03Not much bottle by all accounts.
10:05He's still around.
10:06Was Taylor earning off him?
10:08I've no reason to think that, have I?
10:10Yes or no?
10:12Possible.
10:13Where do I find him?
10:16He's got a girlfriend.
10:19Fishery, Fisher, dancer.
10:21What he did have anyway.
10:22Could he have done it?
10:24To me, pal.
10:26Yeah.
10:27Why not?
10:27Oh, Joan, it's Frank.
10:45Look, I'm sorry I couldn't get to your mother's funeral.
10:47I'll tell you why I'm ringing.
10:49I can't seem to raise Doreen.
10:50She's not with you, is she?
10:51No, that's what I thought.
10:55You did.
10:56Where was that?
10:59Did she seem all right?
11:01Didn't say where she was going, did she?
11:05No, I see.
11:06Yes, be glad if you would.
11:08Goodbye.
11:08Goodbye.
11:09Goodbye.
11:10Goodbye.
11:10Goodbye.
11:10Goodbye.
11:10Goodbye.
11:11Goodbye.
11:11Goodbye.
11:11Goodbye.
11:12Goodbye.
11:12Goodbye.
11:13Goodbye.
11:13Goodbye.
11:14Goodbye.
11:14Goodbye.
11:15Goodbye.
11:15Goodbye.
11:16Goodbye.
11:17Goodbye.
11:17Goodbye.
11:18Goodbye.
11:18Goodbye.
11:19Goodbye.
11:19Goodbye.
11:20Goodbye.
11:21Goodbye.
11:22Goodbye.
11:22Goodbye.
11:23Goodbye.
11:23Goodbye.
11:24Goodbye.
11:24Goodbye.
11:25Goodbye.
11:26Goodbye.
11:26Goodbye.
11:27Goodbye.
11:28Goodbye.
11:29Goodbye.
11:30Goodbye.
11:31Goodbye.
11:32Goodbye.
11:33Goodbye.
11:34Goodbye.
11:35Goodbye.
11:36Goodbye.
11:37Goodbye.
11:38I don't care about the devil's market
11:53I can't love and live or die or fool
11:56I don't want to be another target
11:59Okay, love. Leave your number with my secretary.
12:02Nice girl.
12:09Wrong shape. Now, what can I do for you, quickly?
12:12I want to talk to a girl you represent, if that's the right word.
12:16Look after. I look after my girls.
12:19Eve Fisher.
12:20Sorry, Miss Fisher and I are no longer associated.
12:23She found herself a better agent, has she?
12:25Yeah, well, that happens all the time, doesn't it?
12:27Grass is always greener. Next.
12:30Sharon.
12:32Okay, Sharon. Let's have a look at you.
12:34He's not being very helpful, is he, George?
12:36Obstructive, I'd say, Governor.
12:38How am I supposed to know where she is?
12:40Ring round your pals.
12:41I'm very busy.
12:44Tell you what, Governor.
12:45I bet all these birds are underage.
12:48Now, look at that one.
12:49What do you reckon?
12:51Ooh, 15.
12:53If that.
12:5521. That's what she tells me.
12:57Oh, you shouldn't trust people, Tommy.
12:59They take advantage.
13:00You could get into trouble.
13:02Yeah, well, I'll make a few phone calls.
13:04I can't promise.
13:05How long?
13:06Well, I'll try and have something first thing tomorrow.
13:08I'll tell you what I'll do.
13:10Me and George will go and have a pie,
13:12and we'll be back in an hour.
13:14There's no way I can't...
13:14One hour.
13:19Nice girl.
13:22Shame.
13:22Anyone seen the Governor?
13:39Tom?
13:40Ah, address for you.
13:42Eve Fisher.
13:44Yeah, that's Park's girlfriend.
13:46Well, what about Taylor's drum?
13:48As clean as a whistle.
13:50Was it?
13:5172 quid in his current account,
13:53a bill with a garage for 114,
13:55and two solicitor's letters about a portable TV set.
13:59Thanks.
14:03So what do you want?
14:04A medal?
14:08You what?
14:09You what?
14:10What's up?
14:12What about these, then?
14:13Closer buttons?
14:14Do you want one of those?
14:15What are you doing?
14:17I'm talking to my son.
14:18Oh, son, please.
14:21He's like his dad.
14:22He wants his tea.
14:23How do you know?
14:25Just told me.
14:26Oh, yes.
14:27Steak and chips,
14:28and easy on the onions.
14:30Well, you tell him.
14:31When his dad gets made up to be inspector,
14:33then maybe we'll have steak.
14:37Yeah.
14:39Yeah.
14:40A bee.
14:41A bee.
14:41A bee.
14:42I need an oxygen mask.
14:55I'll tell the ones you'll be out as well.
14:58What about Frank Askins, then?
15:01He's going thin on top.
15:03He's been out of it lately.
15:05Don't know what's the matter with the man.
15:06I could be worrying about his promotion board.
15:09You reckon?
15:15Miss Fisher?
15:16Yeah.
15:17Please.
15:18I'd never have guessed.
15:20Detective Inspector Regan,
15:22Detective Sergeant Carter, Flying Squad.
15:24You want to come in?
15:26Get a couple of chairs.
15:27We'll talk out here.
15:29Is the lift working?
15:30Bustards.
15:34Don't mind if I make lots around here.
15:36You've got a warrant.
15:37We wouldn't come all this way without one, would we?
15:39After you.
15:42Bottom drawer, undies.
15:46No, you're all right with me, love.
15:48Boots.
15:50Long plastic boots.
15:51What are you looking for?
15:53A man.
15:54Aren't we all?
15:55This man.
16:01Does he have a name?
16:02Park.
16:03Jimmy Park.
16:06You've never heard of him, right?
16:08Wrong.
16:10I used to know Jimmy.
16:11Knew him well.
16:12That was before he discovered Smirnoff.
16:15We weren't getting anywhere.
16:17And then what?
16:19He moved on.
16:21Where?
16:22Not far.
16:23See him around.
16:24Around where?
16:26Around.
16:27Man's whistle.
16:28A few shirts and some shaving gear.
16:30Well, I didn't say I'd become a nun.
16:33Do you mind if I set the table?
16:37Why do you want him?
16:39He shot a policeman.
16:41You're kidding.
16:42That's one subject we don't kid about.
16:45Why do you think it was him?
16:47The cop I named him.
16:49Just before the operation.
16:55Who's Jimmy got a shooter?
16:58Not that I know of.
17:02Who's coming to dinner?
17:03Friend.
17:05Girlfriend.
17:07Mind if we wait?
17:08Say hello.
17:10Be my guests.
17:11Thanks.
17:12Thanks.
17:12Thanks.
17:13Thanks.
17:13Thanks.
17:14Thanks.
17:14Thanks.
17:15Thanks.
17:15Thanks.
17:16Thanks.
17:16Thanks.
17:17Thanks.
17:17Thanks.
17:18Thanks.
17:18Thanks.
17:19Thanks.
17:19Thanks.
17:20Thanks.
17:20Thanks.
17:21Thanks.
17:21Thanks.
17:22Thanks.
17:22Thanks.
17:23Thanks.
17:23Thanks.
17:24Thanks.
17:25Thanks.
17:25Thanks.
17:26Thanks.
17:26Thanks.
17:27Thanks.
17:28Thanks.
17:29Thanks.
17:30Thanks.
17:31Thanks.
17:32Thanks.
17:33Thanks.
17:34Thanks.
17:35Thanks.
17:36Thanks.
17:37Thanks.
17:38Thanks.
17:39Thanks.
17:40All right, I'm coming.
17:52Oh, not again.
17:54Morning.
17:55What do you want this time?
17:56I can't have another look at your underwear.
17:59Harassment, that's what this is.
18:00Yeah, you're right, I wouldn't stand for it.
18:02Where's the kettle?
18:10Governor.
18:22On what charge?
18:24Any one of a dozen.
18:25Name one.
18:25What about harbouring?
18:26You can't be accused of harbouring unless...
18:29You know your way round a charge sheet, don't you?
18:32Taylor got shot, it was his fault.
18:34How come?
18:35He's a bastard.
18:36If all the bastard's in the world...
18:37All right, I'll spell it out for you.
18:39He's bent, well bent.
18:41Why was he shot?
18:43Pushing too hard, I expect.
18:48Tell me more.
18:51Jimmy put three or four jobs his way.
18:54Good rewards.
18:56Come payday, Taylor always wanted to cut himself in.
18:59But why did he get stropy this time?
19:01I'm not saying it was him.
19:02You don't have to.
19:04Taylor did.
19:05Jimmy wanted out.
19:06He had the offer of a job.
19:09But Taylor wasn't having any.
19:11He threatened to grass on him.
19:13Grass on him?
19:15To who?
19:16The Brodies.
19:17How did they come into this?
19:20Some hairdryers got nicked.
19:22I heard.
19:22Well, it was one of the Brodie firm that pulled it.
19:24I see.
19:25So Park gets himself tooled up to go and argue the toss.
19:31Something like.
19:32And the bullet just happens to come into contact with the side of Taylor's head.
19:38But do him a favour.
19:41Get him to turn himself in.
19:43Take his chances with you.
19:44Yeah.
19:45That'll be the day.
19:46Yes, all right, Inspector.
19:48Thanks very much for your trouble.
19:50Yes, I'll keep in touch.
19:51Goodbye.
19:52Goodbye.
19:52Joan.
20:01Any news?
20:05Joan.
20:20Any news?
20:27Do I have a cup of tea?
20:28Yes, please.
20:32When did you last see her?
20:33Er, day before the funeral, when I dropped off at your house.
20:38She left us last Tuesday.
20:40Well, you said you were there yesterday at the cemetery.
20:42We arranged to meet there.
20:45That was three or four nights ago.
20:49How did she seem?
20:50Oh, a bit broody.
20:53How do you mean, broody?
20:57Odd, different.
20:59I don't know how to put it.
21:02What was she wearing?
21:02Oh, God.
21:05I can't remember.
21:07Does it matter?
21:08Only that she doesn't seem to have taken any clothes with her.
21:12No clothes.
21:14No money.
21:16Nothing.
21:16How much?
21:3785, please.
21:38Keep the change on.
21:39Thank you very much.
21:40Beautiful day.
21:41I'll be coming out again later.
21:45Elle, hairdresser's on the Broadway.
21:47Do you know it?
21:48Shampoo and sets.
21:51I'll be back about 12.
21:52Okay.
21:52Ask them nicely.
21:53They'll let you wait inside.
21:54Thanks.
21:55Thanks.
21:55You heard about the lift?
21:56What about it?
21:57Won't be working for at least another week.
21:58I hope they drop off and roll down a drain.
22:02Hello, Mr. Haskins.
22:03Got you working for your living, is she?
22:05Yes.
22:06Oh, 12 and a half, sir.
22:07Oh, really?
22:08So, you don't do much, sir?
22:09Oh, you don't do much as you do.
22:10They don't do much for your living, is she?
22:11Yes, sir.
22:12Okay?
22:13Ask them nicely.
22:14They'll let you wait in time.
22:15Thanks.
22:16You heard about the lift?
22:17What about it?
22:19Won't be working for at least another week.
22:20I hope they drop off and roll down a drain.
22:23Hello, Mr. Haskins.
22:25Got you working for your living, is she?
22:30Yes.
22:30Oh, 12 and a half, sir.
22:31Oh, really?
22:32No, sir.
22:33No, sir.
22:34No, sir.
22:35No, sir.
22:36So you don't do much shopping? No. I've been on the lookout for your good lady. Oh, really? Why?
22:43Forgery
22:45What? I'll show you
22:48Look, she's signed at Doreen Masters, not Haskins. Yes, Masters was her maiden name. I'll put it right. Is she okay?
22:58Yes, why shouldn't she be? Just wondered
23:02Dial
23:03Number or code
23:06And um
23:08I'm sorry, really. I'm sorry to keep you awake.
23:10I'm sorry, really. I'm sorry to keep you awake.
23:12I'm sorry. I'm sorry to keep you awake.
23:14I'm sorry. I'm sorry. I'm sorry to keep you awake. I'm sorry.
23:16I'm sorry. I'm sorry to keep you awake. I'm sorry.
23:18I'm sorry. I'm sorry. I'm sorry to keep you awake. I'm sorry.
23:20I'm sorry, Renee. I'm sorry to keep you awake.
23:35I'm so sorry.
23:50Morning, Gough.
23:53Morning, Jack.
23:54Is there any word on, uh, oh, you know, um...
23:58Park?
23:59Park.
24:00Well, we're tailing his bird. We've got a picture and description on him.
24:03Any known associates?
24:04Only one.
24:06And he's in Charing Cross Intensive Care.
24:08Yes, well, apparently he's a bit bitter this morning.
24:11Well, keep me in the picture, would you, Jack?
24:18Do you want to say something?
24:20Yeah.
24:21What?
24:23What's wrong, Frank?
24:25What do you mean?
24:26You. You've fallen apart.
24:29Rubbish.
24:30No, it's not rubbish. You're walking through it.
24:33Is there something wrong?
24:34I've got a lot on.
24:35Yeah, there's more to it than that.
24:37I've got a board coming up.
24:39Taylor's been shot.
24:40Willoughby is sick.
24:41And you know how busy we are.
24:43And?
24:47And Dory's disappeared.
24:49What?
24:52Do you think she's been abducted?
24:55No.
24:55It's been going on for some time.
24:57Months.
24:59Well, why didn't you say?
25:00It's not exactly the sort of thing you go shouting from the rooftops, is it?
25:04You know, Askins, the one with the dodgy wife.
25:07Well, what are you going to do?
25:08Well, are they just sussy or what?
25:29They know, Jimmy.
25:32Taylor's told them.
25:33The bastard.
25:34He wound me up.
25:35Every word he's threatening me.
25:37You didn't have to shoot him.
25:38I didn't mean to shoot him.
25:39Well, that's how you don't believe me.
25:46You make me so tired, Jimmy.
25:47You just got me going.
25:49Well, don't expect me to be waiting.
25:50You didn't know what I was doing.
25:51I'm not going to hang around for 20 years.
25:53End up an old bag.
25:54How much?
26:01Four.
26:03Not enough?
26:05Look, don't get involved.
26:06Oh, thanks.
26:08It's a bit late for that.
26:13Here, Stan, let her off.
26:21Where are you staying?
26:23Old warehouse, down.
26:24No, Betty, you don't know.
26:29You do it.
26:35Hey, stay slippery.
26:38Take care.
26:46She hates the police force.
26:48Bad as that.
26:50That's what she says.
26:51Isn't that why we're here?
26:52I thought it was so that you and Brian would get good air.
26:54It's our theory that it was to get us away from London.
26:59You see, no one here knows you're a copper.
27:01What do they think I am?
27:03Civil servant, inland revenue, something like that.
27:07And that's preferable to being a copper.
27:09When did you see her?
27:10When did you see her?
27:12Um, that last exeat.
27:14It was two.
27:15Uh, two weeks ago.
27:17You're at Bramshill somewhere.
27:18Yes, I'm sorry.
27:19I didn't expect you.
27:21Have you heard from her?
27:22Only a postcard.
27:23It's, um, it's Henry Moore.
27:25It's in the Tate.
27:28Went up there last Easter.
27:35Not waving.
27:37Drowning.
27:37It's from a poem.
27:39There's a woman swimmer in the sea.
27:41And people think she's waving, so they all wave back.
27:44But in fact...
27:46She isn't waving, she's drowning.
27:47Uh, WPC Jackson?
27:54What's left of her?
27:56It's a bit taint, isn't it?
27:58What are you watching for?
27:59A flasher.
28:01Oh, in this weather.
28:02Poor little bastard.
28:03You'd get it frostbitten.
28:06What about my maskings?
28:07Well, could all be hearsay.
28:09I know that.
28:10She's been seen around the parks, eyeing up the kids.
28:13Generally sort of behaving strangely.
28:15For instance?
28:16Well, not more than that, really.
28:18Except that it became sort of regular.
28:20Then one of the kids had her mother with her,
28:22and she recognised her.
28:24You know, put a name to her.
28:26Is that it?
28:27No.
28:27One of the women told me that she was on a bus,
28:29and she saw a wheeling a pram along the street.
28:33Well, that could have been her friends.
28:35There was a doll in it.
28:38Yeah, she's obviously having her problems.
28:40She disappeared.
28:42Mm.
28:45Here they are.
28:46You don't feel like letting me buy you a drop of antifreeze, do you?
28:50Come on.
28:50Frank, these search forms.
29:13Yes, I just signed them.
29:14Well, that's the point.
29:15You didn't.
29:16I didn't.
29:17Just leave them with me, would you, Jack?
29:21Jack.
29:24That story of George's about the pram.
29:26We do have a pram.
29:28It's in the garage.
29:29You do?
29:30Yes.
29:31Doreen's nieces come over and play with her, you know, dolls and things.
29:35Well, that's it, then, aren't I?
29:36Don't you think?
29:37Sure.
29:39Jack.
29:39I'm applying for some compassionate leave.
29:45Why not?
29:46Prior to putting in my papers.
29:47Is that wise?
29:59I mean, your pension and all that.
30:01I'd say it was inevitable.
30:03Talking to the children, they see a different side of Doreen.
30:06She really hates the force.
30:08Hates it.
30:09All those years she worked in the bank wasn't just to put the kids through school.
30:12It was to keep them away from the force.
30:16Frank, if she is ill, needs treatment, has to go away, hospital, I don't know what,
30:22you're going to need a job.
30:24A 24-hour, seven-day-a-week job.
30:29Look, till Jimmy Park services, George and I haven't got much on, have we?
30:33No, I suppose not.
30:35Well, give us your house keys.
30:36We're going to have a look around.
30:37She can't have gone that far.
30:59What?
31:00Read it.
31:03Even if you don't come, I hope you like the roses.
31:07I don't get it.
31:11It's a note to Doreen.
31:14From Astrid's?
31:15Presumably.
31:15She lived in South End as a kid.
31:40Might be a clue there.
31:41Shades of the cursel.
31:45Honking out the window on the train on the way home.
31:48You always were one with a good life, weren't you, George?
31:51Not many.
31:52South End meant 15 pints to me.
31:5514 a bitter and one a whelks.
31:56And a good strong paper bag.
31:58I'll go and check out the garage.
31:59All right.
32:00All right.
32:11Yes?
32:15Hello?
32:15Is that you, Doreen?
32:19Yes.
32:20Doreen?
32:21What's that?
32:25Where are you?
32:26Who is it?
32:29It's a friend of Frank's.
32:33How are you?
32:35I'm fine.
32:37You had us all worried.
32:39Is Frank there?
32:40Er, no.
32:41Not at the moment, no.
32:42You had to go out.
32:45Where are you?
32:49My mother died.
32:51Yes, I heard.
32:52I'm sorry.
32:52She thought I didn't love her.
32:56No, no.
32:57I'm sure she didn't.
32:57She did.
32:59She said so.
33:02Well, even if she did, I mean, er, you know, there's an explanation for these things.
33:07Anyway, where are you, love?
33:10Can you give me a number?
33:14I'm tired.
33:16Well, of course you are.
33:17It's natural.
33:19Time to come home, eh?
33:20I am home.
33:22The garden, though.
33:24It's a disgrace.
33:26It's awful.
33:28Doreen, tell me something.
33:30Yes?
33:31You promise?
33:34Tell me where you are.
33:36We'll fix the garden in a jiffy.
33:40You still there, huh?
33:43Doreen?
33:43She called me ungrateful.
33:47She thought I wanted her to die.
33:52You're in a phone box, aren't you?
33:54How do you know?
33:56I heard the pips.
33:57Can you see that bit of printing in red where it says emergency calls?
34:01Do you think you can find that for me?
34:04I see it.
34:06Yeah, well, underneath that, there's an address.
34:09All right?
34:10Will you read that to me, please?
34:12Hold on a minute.
34:13It's torn.
34:13Doreen, put some more money in, love.
34:25Doreen, money!
34:26What?
34:27Let's go.
34:27It's torn.
34:29Let's go.
34:35Pimp.
34:52Pimp.
34:53Pimp.
34:53Pimp.
34:53Pimp.
34:54Pimp.
34:54Pimp.
34:55Pimp.
34:56Hello?
35:06No.
35:09Where?
35:11Well, you'd better get down there.
35:13Have a look and see yourself.
35:15And Tom, don't forget he likes shooting policemen.
35:20Who's that?
35:21Tom Daniels.
35:21Jimmy Park's been spotted near Battersea Power Station.
35:24Where did he go there?
35:27I found him in the garage.
35:54I found him in the garage.
35:58Not long, not excellent.
35:59Ok, so we're all ready.
36:02Have a look and see.
36:03It's all in the car?
36:05Do you get right?
36:09I'm so scared to make your voice.
36:13I know.
36:15I can't hear you.
36:16I don't know.
36:17But what the fuck is this way?
36:18there were 12 copies of the same edition of your local rag 12 yeah I don't know anything about
36:42that what time you seen it now he's putting his papers it um they all had the same picture cut
36:55out of them this picture yeah you recognize it right number 23 where we lived when we first got
37:06Marion I heard they were being demolished anyway thanks for trying George I'll see you lose
37:16yourself lock yourself in the loo anything remember she talked about home garden and everything yeah
37:22that's right bit of a long shot Jack look I'm gonna be late thanks for everything you don't
37:29mind if we don't give up just yet
37:36George why is it always me because I'm an inspector and you're a sergeant yeah
38:03check down the stairs George
38:21you
38:21you
38:22you
38:24you
38:26you
38:28you
38:30Audunard.
38:50Governor?
38:52George.
38:56There's been somebody downstairs.
39:00Oh. What now, then?
39:05On the blower. Get Askins over here quick.
39:08Yeah.
39:20Hi, Barry.
39:21Yeah.
39:22I'm starving.
39:24Yeah, see you, Tom.
39:30Hi, George.
39:38Governor.
39:43We couldn't work out how she'd get the key.
39:46In Doreen.
39:48She's still got the key to every lock we ever had.
39:50Every door, every suitcase, every clock.
39:55Yeah, well, we'll be getting back then, Frank.
39:58You're all right, Jack.
40:00Anything else we can do?
40:03No, I don't think so. Thank you.
40:20It's warm work.
40:22Oh.
40:23What's the matter?
40:25I wanted to finish it, give you a surprise.
40:28Oh, you've done well.
40:29Such a mess.
40:31The honeysuckle all choked up.
40:34And the clematis.
40:35How do we ever let it get to be so bad?
40:37I don't know, Doreen.
40:39Anyway, I have plans, you'll see.
40:43Marigolds, petunias,
40:44salvious, salvious.
40:47And you out here in the summer with your pipe.
40:50Well, that sounds great.
40:52Good.
40:54What time is it?
40:57It's, uh,
40:57half three.
40:59I'll just finish this,
41:00then we'll walk round and we'll pick up the boys.
41:02Why don't you stop now?
41:03You're looking tired.
41:05Tired?
41:05Yes.
41:09I'm not tired, Frank.
41:14I'm just very,
41:15very frank.
41:17He's in there,
41:26somewhere.
41:27There's only one way up.
41:29Stairs.
41:30Here.
41:31And only one way down.
41:32Couldn't have chosen a bigger place, could he?
41:34How many men were we gonna need?
41:36A dozen?
41:37A dozen, it is.
41:39What time?
41:40Dawn.
41:42Take him with the dew on.
41:47Take him with the dew on.
42:01I need a high one.
42:05I'll get the dew on.
42:07I'll go.
42:09Take him with the dew.
42:10Take him with the dew.
42:12And take him with the dew.
42:14I'm gonna go.
42:14Okay, Frank, it's all set.
42:35Go on.
42:37Are you all right?
42:40Yeah, yes.
42:42Yeah, well, I suggest...
42:43Just... just handle it, would you?
42:48Yeah.
43:05Cork?
43:07James Cork!
43:09You're surrounded.
43:10I'll throw your gun out, and come down with your hands upon your hands.
43:16That way no one gets hurt.
43:18You've got one minute.
43:22Yeah?
43:23I'm on Chris, that one.
43:25I'm on you, someone.
43:29Bravo, three receipts.
43:31Not by.
43:32Alright, alright?
43:45Yeah.
43:47Alright interesting.
43:49Alright.
43:50Alright, cool.
43:52Okay, cool.
43:53Yes.
43:54Okay.
43:55Look, don't be a fool. What chance have you got? What's the point?
44:17You all right?
44:18Yeah, just twisted me ankle. What do we do now?
44:25You want more men? Just give me 20 minutes.
44:29You're all right. Fine, fine.
44:33Mind the shop, George.
44:35Okay.
44:39Move yourself, Tom.
44:42Let's go, Bill.
44:55Who is it?
45:10Jimmy.
45:11Just a minute, love.
45:14You bastard!
45:16Get dressed.
45:17You've no right!
45:18Who was you told?
45:18You're filth! That's what you are. Filth!
45:21You've got a chance to help him.
45:23How?
45:23We've got him holed up.
45:25He can talk some sense into him. Get dressed.
45:27He won't listen to me.
45:28Well, he's got a straight choice.
45:30He either listens to you or he listens to a priest.
45:32He's still out there, Gov. Nothing's happened.
45:57Thanks, George.
45:58Now, he's up there. Just press that. Keep it pressed down and talk.
46:06Jimmy!
46:08This is Eve!
46:11Don't fight!
46:12That's what they want!
46:13That's not true!
46:14I do it my way, or not at all.
46:23If you try and shoot it out, you'll be playing into their hands.
46:29Don't!
46:31They'll kill you!
46:34Don't let them do that!
46:37Do you hear me?
46:39Don't give them that satisfaction!
46:41ありがちなし!
46:46Jimmy!
46:47Be smart!
46:50Jimmy!
46:51Jimmy!
46:52Jimmy, throw your gun out!
46:54And come on down!
46:59Please!
47:00Throw your gun out!
47:03There's no way, love!
47:10Where's Regan?
47:18Keep talking, love.
47:20For God's sake, Jimmy!
47:22Throw your gun out!
47:24They're coming in for you!
47:26Hold it!
47:40You bastards!
47:53You bloody bastards!
47:55You've murdered him, you pigs!
47:57Park fired first, miss.
47:58You made him!
48:00You bastards!
48:01He was gonna throw down his gun!
48:04I know he was!
48:06They know!
48:07Ask them!
48:08You saw it, didn't you?
48:11This is your fault.
48:12Right from the off, you pushed him.
48:14You forced people to do things.
48:16Things they don't want to do, and you don't care, do you?
48:20You're fascists, all of you fascist pigs!
48:22You're not like human beings, are you?
48:24You don't care if people get mangled up!
48:28You're too ignorant!
48:30Filth, that's what they call you, and that's what you are.
48:32Pig, ignorant, filth!
48:33I'll get you!
48:34I'm coming!
48:35Get a hold of you!
48:35Come on!
48:36I'm coming!
48:37You ain't!
48:38I'll get you!
48:38I'll get you!
48:38I'll get you!
48:39I'll get you!
48:39You bastards!
48:41He was gonna throw down his gun!
48:50Everything all right, yeah?
48:52Yeah, great.
48:58Just great.
48:59Just great.
48:59Youупル.
49:06What?
49:07I missed it.
49:09You're not sure.
49:09Hey, how are you?
49:11You're lucky!
49:11You're lucky!
49:21You're lucky!
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