T.I.L.M. S01 E02. Payment in Blood.

deaddogsdam

First broadcast 15th April 2002.  After a playwright changes dialogue in her play just days before its opening, she is found brutally stabbed with other murders to follow.  James McAvoy - Gowan Ross Naomi Frederick - Elizabeth Ronald Pickup - Sir Stuart Stinhurst Yvonne O'Grady - Joy Jonathan Firth - Rhys Davies Jones Camilla Power - Joanna Sydeham Idris Elba - Robert Gabriel Julian Wadham - David Sydeham Sharon Small - DS Barbara Havers Nathaniel Parker - DI Thomas Lynley Don Gallagher - Inspector Macaskin Gary Cross - Sergeant Lonan Lesley Vickerage - Helen Clyde Ravin J. Ganatra - Forensic Pathologist Ron Donachie - John Ross Barbara Horne - Solicitor

Transcript

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00:02:29I thought you knew.

00:02:31A word.

00:02:33Now.

00:02:39Is there a problem, Stuart?

00:02:41It's time to get up, Joy.

00:02:59It's a lovely day.

00:03:11Joy?

00:03:21Sonny!

00:03:23Sonny!

00:03:35Sir?

00:03:37What are you doing here?

00:03:39Strathclyde have requested our help.

00:03:41Have you ever been to Glasgow on a Saturday night?

00:03:43There's nothing Strathclyde can handle.

00:03:45This involves a theatre company.

00:03:47Oh, really scary.

00:03:49The actors, Robert Gabriel and Joanna Sidham.

00:03:51Well, are they Robert Gabriel and Joanna Sidham?

00:03:54I believe so.

00:03:56Well, I used to love that soap living.

00:03:58Hasn't a clue what's happening, of course.

00:04:01They're rehearsing a place called Westerbrae.

00:04:03Thanks. So?

00:04:05Well, it's due to open on the West End quite soon.

00:04:07In case the investigations never bothered by the time they come to London.

00:04:09They want some Met officers up there.

00:04:11Well, who died?

00:04:12The playwright, Joy Sinclair.

00:04:17Did you see that episode where Joanna Sidham got kidnapped by a psycho killer?

00:04:22No.

00:04:24The psycho puts a gun at her.

00:04:26She takes her kit off and suddenly, whoa, he puts the gun down.

00:04:31I mean, you don't catch me doing that.

00:04:34Shame.

00:04:35How long have they been here?

00:04:53They've been rehearsing in the theatre for a month.

00:04:55Previews are meant to start for Monday.

00:04:57How many in the cast?

00:04:58Just Joanna Sidham and Robert Gabriel.

00:05:00It was a star vehicle for the two of them.

00:05:02As you'll have seen from the notes,

00:05:04the house they're staying in belongs to Sir Stuart Stinhurst,

00:05:07the place with you, sir.

00:05:08SoCo reported no signs of an intruder.

00:05:11The security system was fully operational.

00:05:14Hadn't been triggered.

00:05:15Did anything unusual happen the night before?

00:05:18Sir Stuart and Joy Sinclair had a bit of an argy-bargy.

00:05:21Argy-bargy?

00:05:22I said to.

00:05:24I think Sergeant Hables was asking what about.

00:05:28Last-minute changes to the script.

00:05:31Well, only a motive for murder, you'd have thought.

00:05:37Robert Gabriel, actor.

00:05:41Joanna Sidham, actor.

00:05:46David Sidham, her husband and manager.

00:05:49Sir Stuart Stinhurst, the place producer.

00:05:52Elizabeth, Sir Stuart's daughter.

00:05:55She found the body.

00:05:56Hmm.

00:05:59Cowan Ross, general help.

00:06:03Rhys Davies Jones, the director.

00:06:10Helen Clyde.

00:06:11Hello.

00:06:12She's a profiler for the Met.

00:06:14You know Helen Clyde?

00:06:15Yes.

00:06:16Well, how close are you to her?

00:06:18Why?

00:06:19Is that a problem?

00:06:21Well, her room was one of the two means of access to the murder scene.

00:06:25Socko lifted fingerprints from the handle of the door between Clyde's bedroom and the victim's.

00:06:29Also from the quay.

00:06:31They compared them to prints found on glasses and other rooms.

00:06:34And?

00:06:36The fingerprints aren't hers.

00:06:38We're more or less certain that they belong to the play's director, Rhys Davies Jones.

00:06:42So?

00:06:44Helen and Davies Jones swapped rooms?

00:06:46Rhys Davies Jones' bed wasn't slept in last night.

00:06:49Oh, you mean that he and Helen...

00:06:50Anything else?

00:06:52We found a pair of trousers in his room in the laundry basket.

00:06:56Socko report what looks like minute traces of blood in the right-hand pocket.

00:07:00They're being tested.

00:07:01Does Davies Jones know about this?

00:07:02We took clothes from all the rooms, told them it was in connection with the investigation.

00:07:06Oh, they can't keep us here. We don't have to stay.

00:07:08Oh, they can't keep us here. We don't have to stay.

00:07:09I remember those lines.

00:07:10You, me, trapped in the cellar. Will we give in to our passions and finally make love? End of episode.

00:07:15This isn't helping, Robert.

00:07:16If we're postponing the first night, then why can't we...

00:07:17It's all right, darling.

00:07:18No, nothing's been decided yet.

00:07:19We're living with a murderer, David. One of us is the murderer. I mean, how can we open?

00:07:21Nothing like the murder of an author to bring in the punters.

00:07:22We're talking about joy.

00:07:23You, me, trapped in the cellar. Will we give in to our passions and finally make love? End of episode.

00:07:33This isn't helping, Robert.

00:07:35If we're postponing the first night, then why can't we...

00:07:38It's all right, darling.

00:07:39No.

00:07:40Nothing's been decided yet.

00:07:42We're living with a murderer, David. One of us is the murderer. I mean, how can we open?

00:07:46Nothing like the murder of an author to bring in the punters.

00:07:49We're talking about joy. Show some respect!

00:07:53Dad.

00:07:55Look, I will not have you upsetting Elizabeth or anyone else with hysterical speculation.

00:08:01It isn't helpful. It could well be dangerous.

00:08:07I suggest we leave the police to identify the murderer.

00:08:11Maybe we should pass on this. Personal interest issues.

00:08:15I'll talk to the Chief Constable.

00:08:17We don't want accusations of bias flying around. If Helen is having an affair with a suspect...

00:08:21We don't know that yet, Amos.

00:08:24Has she mentioned this Davis Jones bloke?

00:08:27No. No, she hasn't.

00:08:29Are we ready?

00:08:30Yep.

00:08:40What happened there?

00:08:41A woman from west of Bray, Hannah Ross, hanged herself in the folly two weeks ago.

00:08:45The inquest was opened and adjourned, but they reckon it's suicide.

00:08:49You saw a picture of her son, Gowan, earlier.

00:08:51Gowan?

00:08:52The general help up at the house.

00:08:54Good kid.

00:08:55First he loses his mum like this.

00:08:56Good kid.

00:08:57First he loses his mum like this.

00:08:58Good kid.

00:09:02All the things!

00:09:03It looks good, lady.

00:09:08Wasn't her euphemous?

00:09:10is your pad and cornwall this big size isn't everything harris isn't that what you women

00:09:28keep telling us well peter they haven't got a butler house like this needs banter done it

00:09:40sucker must have finished with my room by now better attention please everybody my name is

00:09:47detective inspector thomas lindley metropolitan police and this is detective sergeant havers

00:09:52i appreciate how distressing the situation is for everyone at london but it would help our

00:09:58inquiries if you did not leave westerbrae anyone who does want to move out of the house please

00:10:04give dc lonan a forwarding address and so the officers are finished with helen clyde's room

00:10:10if i can take it to change it's nice to see a friendly face i hadn't met most of these people

00:10:16two or three days ago what are you doing here reese reese davis jones the director invited me

00:10:22isn't this awkward for you i cleared it with akpa the assistant chief constable trusts me to be

00:10:30impartial you never mentioned you're coming to scotland can you blame me you've had me waste the

00:10:36entire weekend trying to track down some obscure whiskey have you known reese long about three

00:10:42months i say death occurred approximately 10 to 12 hours ago there are fibers in the wound possibly

00:10:49leather and rabbit fur oh well that narrows it down we're obviously looking for a psycho bugs bunny

00:10:54the killer was wearing gloves i would explain the blood stains on davis jones trousers took the

00:11:01gloves off and put in his pocket what about fingerprints on the main entrance to the room

00:11:07joy was a popular woman it seemed everyone paid her to visit at some stage the round last night was

00:11:14about rewrites to the scriptures correct the victim handed out amended blue pages just before the

00:11:19read through so where the blue page is now i saw a laptop in the video soko removed it forensics are

00:11:27checking it now no sign of a struggle from the blood distribution i'd say that the victim was lying down

00:11:33that the killer was standing above her the point of entry of the blade is very precise the victim had

00:11:38to have been asleep eight people in the house what are the chances of coming in and going out through

00:11:44that door without bumping into someone on the way to the bathroom unless of course you you're going

00:11:49through heaven clyde's door i went to bed read a bit then reese came to see me what time did he arrive

00:12:01one o'clock and what time did he leave not long after five he must be someone really special

00:12:10i hope so how can you be so accurate about the time that he left he woke me

00:12:18uh was he dressed yes is this really relevant before you went to bed together did did reese do

00:12:28anything he locked that door and did he leave the room at any time no how can you be so certain

00:12:38you managed to get out of bed and get dressed without waking you he didn't go anywhere he wanted

00:12:43a cigarette who says the brandy reese bought it did you have a drink no did reese no bag it for

00:12:51god's sake what do you think he tried to do drug me it's just routine i'm sorry this is totally absurd

00:12:57check the seal it isn't broken yes it is

00:13:01the only reason that reese didn't have any brandy is because he doesn't drink

00:13:08when i went over to him he was sweating badly

00:13:14he was agitated it had nothing to do with joy's death

00:13:19he's an alcoholic he brought you the brandy he's a recovering alcoholic

00:13:25well thanks if there's anything else well that's it you're just gonna go

00:13:31we'll have investigation to run you think reese murdered joy based on what

00:13:37you can't possibly expect me to answer that heaven

00:13:41sir let her go

00:13:46you didn't cut how much slack

00:14:00you'd be the first to be signing off about papers for friends if i did

00:14:03well helen's a profiler you think she'd realize if she slept with a killer

00:14:08psychopaths can be extremely charming and manipulative she explained the fingerprints

00:14:13perfect alibi davis jones lets helen see him lock the adjoining door

00:14:18she then tells us how the prints come to be on the key and the handle

00:14:21are you scared of me

00:14:27i'm embarrassed

00:14:43relationships aren't really my strong point

00:14:47not my relationships anyway

00:14:50not relationships like this

00:14:52whatever it is

00:14:57i know exactly what it is

00:14:59any luck with joyce and claire's laptop

00:15:01oh our dc loan and ring

00:15:03turns out the hard drive's been wiped

00:15:05i've ever didn't want to see those rewrites went to some trouble

00:15:07get scientific support onto it

00:15:09see if they can't salvage something

00:15:13no blue pages in any of them

00:15:15i'll have the lads search for them

00:15:19who'd want to kill someone over a play

00:15:22murdering the author doesn't necessarily mean it won't be performed

00:15:26what's it about anyway

00:15:28a female stalker holds her target captive in his own home

00:15:33in an attempt to win her over they form a relationship

00:15:37can it survive in the real world

00:15:39that's what he says in the publicity leaflet

00:15:42uh right who first

00:15:47sir stewart

00:15:48okay

00:15:49no caustic comments about him being a knight

00:15:51but stewart stinghurst isn't some inbred wastrel

00:15:54he earned his knighthood from the government on behalf of a very grateful nation

00:15:58have you seen any of his musicals

00:16:01nope

00:16:02huh

00:16:03i've got his cds you can borrow them if you like

00:16:05what have they said

00:16:09i murdered joy

00:16:11i brought brandy to your room to get you drunk

00:16:17made love to you and then

00:16:18i killed joy

00:16:20i pulled the brandy to prove to you i'm not a drunk anymore

00:16:25and then i woke

00:16:28at four

00:16:30terrified

00:16:32this play is the first

00:16:35decent job i've had in three years

00:16:38suddenly stewart

00:16:39people i care deeply about are screaming at each other

00:16:43maybe i don't deserve a second chance

00:16:47i looked at the bottle

00:16:51picked it up and unscrewed the top

00:16:54all that

00:16:57endless counselling

00:17:00and for what

00:17:03reese

00:17:04and then you

00:17:08said

00:17:09something in your sleep

00:17:11you must have been dreaming

00:17:13i watched you and

00:17:16suddenly no contest

00:17:19i needed you more than anything else

00:17:25if we could discuss this without your sergeant detective inspector

00:17:37sergeant havers stays

00:17:40i could insist that my solicitor be present

00:17:43unfortunately for you his practice is in london

00:17:46what you should have told him to hold up this investigation for hours

00:17:58and he knows it

00:18:00you should remember it's people like me who made him what he is today

00:18:06and his last show was rubbish

00:18:10i'm sorry that was exceptionally heavy handed

00:18:24sergeant havers is an extremely competent and professional officer

00:18:27your force has quite a reputation for leaking material to the press at least if there's only one of you i'll know who the source is

00:18:33and what are you so desperate to hide from tomorrow's papers

00:18:36joanna's never been on the stage before and she's petrified

00:18:40the tabloids have already been sniffing around questioning whether she's up to it

00:18:43and then joy suddenly announces changes to the play three days before you open

00:18:47is that why you reacted so violently

00:18:49violently spitting it rather strongly

00:18:52you had to have a blazing row

00:18:54what are you suggesting

00:18:55i killed joy over some rewrites

00:18:57she was a very dear friend

00:19:00what exactly are these new lines

00:19:04i don't remember

00:19:06the content wasn't the point

00:19:08the point was

00:19:09i'd like to see a copy of the changes please

00:19:10you took the scripts

00:19:12the rewrites were missing

00:19:14they were there the last time i looked

00:19:16thank you

00:19:18that'll be all for the moment

00:19:20detective inspector

00:19:23when you speak to my daughter elizabeth

00:19:26yes

00:19:28i'd be most grateful

00:19:29her mother died very painfully not so long ago

00:19:34and now finding joy she

00:19:37just make sure you treat her carefully

00:19:41it's okay there's no one here

00:20:10oh i'm going outside

00:20:13somewhere in the open where no one can creep up on me

00:20:16we'll be all right as long as we stick together

00:20:19i'll put the kettle on

00:20:21what the hell do you think you're doing

00:20:33what the hell do you think you're doing

00:20:47protection

00:20:48trust me

00:20:51trust me

00:20:52i won't let anyone hurt you

00:20:58i was just making some tea

00:21:11do you want a cup

00:21:13they think we did it

00:21:22they do don't they

00:21:23everyone's on edge

00:21:25i hadn't realized what a fruitcake she was

00:21:28pick pick picking at her lip

00:21:30we've only heard word that joy was dead when she went in

00:21:33don't you dare repeat that

00:21:34she's stewart's daughter

00:21:35he's one of my oldest friends

00:21:36yeah okay i thought he was great till yesterday

00:21:40but what do we know

00:21:42the only time he invites us here is when i get a part in his play

00:21:45that looks like script pages

00:21:54get this bagged up yeah

00:21:59is everything all right

00:22:13hmm

00:22:14ah just routine stuff that's all

00:22:16that fight with joy

00:22:20can't look good

00:22:23now don't you worry about me

00:22:26just concentrate on yourself

00:22:27i just don't want to let you down

00:22:32you won't

00:22:35you'll be fine

00:22:40the longer we hold off questioning davis jones

00:22:43the more he and helen can talk

00:22:45yeah i'll talk to him

00:22:46i want to get some results back on his clothes first

00:22:49give me some hard evidence

00:22:50make him sweat in the interview

00:22:51they could always lock him up in the dungeon

00:22:53place like this is burnt out one

00:22:56the asylum's had the room next to joy didn't they

00:22:58let's talk to them

00:22:59you manage your wife's career

00:23:03i take care of most aspects of her life

00:23:07is she your only client

00:23:08yeah

00:23:09apparently your wife was in a highly nervous state before the murder

00:23:12this is a very important point in her trajectory

00:23:15big names in the west end get taken very seriously

00:23:18then joy ruins everything by handing out rewrites to the script

00:23:21i usually negotiate improvements with the writer

00:23:28violence is the last resort

00:23:30it can't be easy for you

00:23:33what do you mean

00:23:34well seeing your wife kissing another bloke on television

00:23:38i think that was such a great storyline

00:23:41i think they were really hot

00:23:43wouldn't you say so sir

00:23:45not quite the words i would use but yes

00:23:48it's a job for god's sake

00:23:50i wouldn't think that kissing robert gabriel is hard work

00:23:53she and robert loathe each other

00:23:55you sign your wife up to work with someone she loathe

00:23:58well she has no problem with it

00:24:01isn't putting your wife's career into the hands of an alcoholic director rather a risk

00:24:06steward stenhurst and i go way back

00:24:09if steward reckons reese's fit for the job

00:24:13after the blow up about the script changes

00:24:21joanna was upset

00:24:22she had a go at me for getting her into what she called this mess

00:24:26i thought it best if i retreated to bed

00:24:29what time did joanna come to bed

00:24:31about midnight

00:24:33were you awake

00:24:35joanna and i haven't gone to sleep for nine years without kissing goodnight

00:24:41design a watch

00:24:49expensive clothes

00:24:50i mean joanna decided i must be earning her husband a fortune

00:24:53or he's living beyond her means

00:24:55what are you doing in here

00:25:03it's a bit risky isn't it

00:25:05you're on your own

00:25:06well if i'm gonna die i might be dying of a nice bottle of red inside me

00:25:10i would offer you some only uh i heard talking in your room last night

00:25:17what are you doing in the room last night if you've got yourself in a mess you talk to me

00:25:27now you've obviously had something on your mind these last few weeks

00:25:30you're trying to set me up

00:25:32i'm concerned about you

00:25:33only because you're so desperate for this play to be a success

00:25:36you've been making up to stinthurst on elizabeth what's that about

00:25:39and if it wasn't joy who was it

00:25:41joanna

00:25:41oh you're kidding me

00:25:42well don't tell me it was elizabeth

00:25:45you and elizabeth

00:25:46no galen you've got it all wrong mate

00:25:48uh-huh you'd have thought you passed on the place

00:25:50wait wait wait

00:25:51oh calm down

00:25:52get him off me

00:25:57leave him girl

00:25:58get off me

00:25:58leave him

00:25:59leave him

00:26:00i told you i wasn't with anyone

00:26:03i can't open a paper without seeing your face stuck down some cleavage

00:26:07i mean you really suffer for your art

00:26:11you think this happened overnight i walked into a job center and said i want to be a famous actor

00:26:16my mum juggled four jobs to get me here you get famous and they want to label you

00:26:20if mine's stud i'm not complaining

00:26:25so you were with someone

00:26:27no i'm definitely not elizabeth i mean she's nice enough but there's something seriously not

00:26:33quite right with that kid

00:26:45it's funny all stuff you read you don't imagine robert gay brother having a mum

00:26:50sounds like you've fallen for his charms

00:26:52i wouldn't say no

00:26:56yeah joke

00:26:58even if robert's fingerprints were found in joy's bedroom what does that prove

00:27:03people were in and out of each other's bedrooms all the time

00:27:06you know one thing that robert said there's something not quite right about elizabeth her father's

00:27:11very protective towards her see if you can't get hold of her medical records

00:27:14stress that we'll be discreet but tell the gp i'll get a court order if necessary

00:27:19well apparently she and gowen are an item

00:27:22can't see sir stuart welcoming a handyman to the family

00:27:26anything else

00:27:27yeah we found remnants of burnt paper in the boiler and there's scientists checking it out and if they

00:27:34are the rewrites they're unreadable and we're also something in the ashes for traces of glove

00:27:39who has access to the boiler

00:27:41well uh it's gowen's job to attend to the boiler but anyone could have wandered in there

00:27:48she uh she wouldn't go a bit of it i know that really

00:27:52no i understand her it's you got an ocean in your head and the pressure just grows and you've got to

00:27:57let it out somewhere

00:28:00aye

00:28:01so do you make a habit of punching people

00:28:03we wouldn't be such a catch if you get his face kicked in

00:28:07i was sorry to hear about your mum

00:28:11hey what made her do it she fasted a change i don't know

00:28:19what did you think of joy sinclair

00:28:23she was a writer yeah she wrote these uh true murder books very popular with young blokes apparently

00:28:29have you read any excuse me nope

00:28:35did you go to the boiler room last night

00:28:38sir stewart said not to he said he'd take care of it

00:28:40sir stewart did i am one minute he's having a go at me for no trying hard enough the next minute

00:28:45he's seen not to bother

00:28:46he's been giving you a hard time

00:28:48no he's all right he gave me this job he was really cut up over mum

00:28:53what does he think about you and elizabeth

00:28:55he thinks he knows what's best for us

00:28:58and that doesn't include you

00:29:02how long have the two of you been going out four weeks ever since the theater not showed up

00:29:13an officer found an empty bottle of whiskey in the waistband in your bedroom

00:29:17does your husband normally drink after a bust up

00:29:19well he told you we had a bust up it was only about the stupid play i didn't mean any of it

00:29:25we'd be nowhere without him why come when you're so upset he goes to bed and drinks a bottle of

00:29:30whiskey it certainly is a convenient alibi alibi if we did believe he drank all that whiskey

00:29:35couldn't possibly have killed joy but he did he did drink it maybe he drank it after you came to bed

00:29:41maybe he drank it after joy was killed to settle his nerves no he'd already crashed out i put the

00:29:49empty bottle in the bin

00:29:53you said you'd be nowhere without him but you have to defend him you don't understand it's what always

00:30:01happens always he loves me he wants to but when he tries we have a row and he thinks he should

00:30:15you know to make up he thinks it's what i want i can't bear it i can't bear him humiliating himself like

00:30:26that so i stay away until he's drunk himself to sleep i read somewhere you want a kid you can't have

00:30:37everything

00:30:42why would davis adam lie and say he was awake when she came to bed

00:30:47to protect her why would joanna want to kill joy

00:30:50why would david want to kill her he needs joanna starring on the west end background stuff you

00:30:56requested and reese davis jones oh thank you i'd like you to run an urgent check on carol davis jones

00:31:04she may be using her maiden name of lewis mother of two possibly working as a teacher in the melbourne area

00:31:12yep as soon as you find anything to let me know

00:31:20thank you

00:31:40Oh, look how. This place has got me spooked.

00:31:52I've just been speaking to Davis Jones' ex-wife. He used to beat her, apparently. Quite badly.

00:31:58Well, there's nothing on his record.

00:32:01She never pursued a complaint. She was too frightened to move to Australia.

00:32:05Look, just because he beat his wife doesn't make him a murderer.

00:32:11She did say he was drinking quite heavily at the time. Not that much consolation.

00:32:16You're not thinking of telling Helen. Look, I know it's awkward, but he's a suspect.

00:32:22He could be jeopardising the case. I do know that, Havers.

00:32:28If I tell Davis Jones I know, he'll assume I've told Helen.

00:32:33She could turn him against her.

00:32:37This is a ludicrous situation.

00:32:39Yeah, but McCaskin set us up a couple of rooms in the local pub.

00:32:42It's run by Gowan's dad, John Ross.

00:32:45Why don't we get some sleep, then we'll start again in a few hours.

00:32:49I'll go talk to Helen. Get her to come with us.

00:32:52I don't really know how to handle this.

00:33:13Davis Jones...

00:33:15Davis Jones...

00:33:16Rees!

00:33:20...is possibly a suspect in a murder case.

00:33:22Maybe you could respect my judgement.

00:33:25If not as a friend. Professionally. As a profiler.

00:33:29I just don't want to see you get hurt.

00:33:31You want to protect me from myself.

00:33:34Have you any idea how arrogant that sounds?

00:33:36I understand this weekend was meant to be perfect.

00:33:40You and Rees away from London and nosy friends.

00:33:44Maybe for a few hours it was.

00:33:48You're clinging on to what you'd hoped it would be.

00:33:51To what it is.

00:33:52It is.

00:34:01Was this the first night that he'd come to your room?

00:34:05What?

00:34:07Have you ever spent the night together before yesterday?

00:34:10You have no right to ask me that.

00:34:13I'm not one of your suspects.

00:34:14Yes, but he is.

00:34:15Havers and I have taken a room at the pub.

00:34:22Why don't you join us?

00:34:26Maybe we need some perspective here.

00:34:30And if you want to be on your own...

00:34:31I don't want to be on my own, Tommy!

00:34:33I don't want to be on my own, Tommy.

00:35:03I've made up your room, sir.

00:35:04I think you'll have everything you need.

00:35:20My wife was in charge of...

00:35:23I'm very sorry to hear about your loss.

00:35:26Good of you to put us out.

00:35:27Sir?

00:35:28There's an old picture here of David's item.

00:35:30I didn't know you've been an actor.

00:35:34Oh.

00:35:36This was a rather young Rhys Davies champs.

00:35:41What theatre crowd have used this place since Stuart Stinhurst took the lease on the theatre?

00:35:4420 years ago.

00:35:49Turns out you never know who you're serving.

00:35:57Who's the woman?

00:35:58Hannah.

00:36:02She was my wife.

00:36:08Gavin's still got a room up at the big house.

00:36:11But I told him he should leave it.

00:36:12Come back here until you catch the bastard.

00:36:15Got quite a temper on him, hasn't he?

00:36:17Hit one of the house guests, you know?

00:36:18That's nothing.

00:36:19Just a flash.

00:36:20It's over in a minute.

00:36:23Are you saying he's done that before?

00:36:25You can take that room there.

00:36:30Sergeant, get over here.

00:36:34Get over here.

00:36:55No.

00:36:57Go on.

00:36:58It's been a terrible day, you deserve it.

00:36:59Go on.

00:37:00It's been a terrible day, you deserve it.

00:37:01Now, if I'd been caught reading Geoffrey Archer, I'd lie.

00:37:29But Joy Sinclair...

00:37:31I just said that, okay? It was stupid.

00:37:36Why were you so defensive this morning when we asked you about your mum?

00:37:39Do you feel guilty about her death?

00:37:42No. Of course not. Why should I?

00:37:45You're a violent young man.

00:37:47At first, ask questions later.

00:37:50Any mum would be worried.

00:37:52So, what are you saying? Mum killed herself because of me?

00:37:57Did she?

00:37:59No!

00:38:01If anybody made her do it, it was Joy Sinclair.

00:38:04Oh, what makes you think that?

00:38:07Mum was really happy.

00:38:10Then the slot for the theatre turning up.

00:38:12She starts talking to Joy.

00:38:14I saw what happened.

00:38:16Joy asking her questions.

00:38:18Mum shaking her head.

00:38:19I don't... I don't know why.

00:38:22I tried warning her.

00:38:24It says on the cover,

00:38:25nobody gets inside her subject's mind like Joy Sinclair.

00:38:29So you think Joy drove your mum to kill herself?

00:38:32I don't... no.

00:38:34Whatever she said, Mum changed.

00:38:38Must have made you furious.

00:38:40Aye. Aye, it did.

00:38:42What's going on?

00:38:48Gowan decided to come home for the night.

00:38:50I heard a noise.

00:38:51We didn't mean to wake you.

00:38:53Uh-huh.

00:38:57You best get some sleep, eh?

00:38:58You have the solicitors in the morning.

00:39:01We'll talk tomorrow.

00:39:02We'll get you up to speed.

00:39:14I can't debrief you out here.

00:39:23Are you lucky I'm not wearing the Mickey Mouse ones?

00:39:25Gowan thinks Joy drove his mum to kill herself.

00:39:36Gowan is the killer.

00:39:38I don't buy it.

00:39:40Well, he is prone to losing his temper.

00:39:42But one perfectly aimed thrust through the neck

00:39:44with a knife is hard in behaviour

00:39:45of a grief-stricken teenager.

00:39:48Hannah and Joy talk.

00:39:50One commits suicide,

00:39:51the other gets killed.

00:39:52Whether Gowan's murderer material or not,

00:39:56there's obviously a connection.

00:39:59Do you have coffee?

00:40:02Or hot chocolate?

00:40:04Yeah, chocolate, please.

00:40:09Got any custard creams?

00:40:13I should have listened to you.

00:40:14Me?

00:40:15What about?

00:40:17Handing over the job.

00:40:19If there was any other officer,

00:40:20Helen might be sleeping safely in the next room.

00:40:22How do you make that out?

00:40:24I'm her friend.

00:40:26That's why she's being so stubborn.

00:40:29She thinks I'm criticising

00:40:30her professional and emotional judgement.

00:40:33What? You are?

00:40:34Yeah, but with good reason.

00:40:37The stupid woman is too proud

00:40:38to admit she's made a mistake.

00:40:40She's chosen a murderer

00:40:41and she refuses to believe it.

00:40:43She's chosen a murderer and she's not too proud.

00:40:45She's chosen a murderer and she's trying

00:40:46to examine her all the time.

00:40:47She's comme ça,

00:40:48she's going to give you the message.

00:40:49And she's provided to the truth,

00:40:50and she's going to be the answer.

00:40:51You haven't asked?

00:40:52She's given the answer.

00:40:53She's given this opportunity

00:40:54and she's two to know,

00:40:55she will be able to get up to it.

00:40:56They're not so nettoyed.

00:40:58How do you think?

00:40:59How do you think?

00:41:00How can I take it?

00:41:02This is your memory of you?

00:41:03I can't see.

00:41:05But you don't get it.

00:41:06No, I beg.

00:41:07I'm sorry, I'm sorry.

00:41:30I didn't mean to scare you.

00:41:35Today was awful.

00:41:37Having to pretend that nothing had happened.

00:41:40I don't want to talk about it.

00:41:42Last night...

00:41:43I meant it.

00:41:45I'll do anything for you.

00:42:07I'm sorry.

00:42:09I'll do anything for you.

00:42:10First of all, I need to wait for you.

00:42:12I can't help.

00:42:13I couldn't help.

00:42:14I'll do anything for you.

00:42:15You won't have to be here.

00:42:16I'll do anything for you.

00:42:18I'll do anything for you.

00:42:19Let's go.

00:42:49Maybe.

00:42:52Well, she was found hanging from a beam and she'd been to the doctor before asking for pills.

00:43:00He was worried enough to suggest a referral.

00:43:03That happened over here.

00:43:06How about this?

00:43:09She didn't kill herself.

00:43:11She was murdered.

00:43:13Murdered?

00:43:14Why would anyone want Hannah dead?

00:43:17No idea, Holmes.

00:43:19But the one thing we do know is that Hannah only became agitated once Stinhurst's lot arrived at the house.

00:43:25The chair tipped to the left, but her right shoe is lying to the right of the chair.

00:43:32It fell off when she kicked the chair away.

00:43:35Hannah, standing on the chair, rope around her neck.

00:43:40For the chair to fall to the left, she would have had to kick it presumably with her left foot.

00:43:44So why did she lose her right shoe?

00:43:47If she was murdered, how come our lads didn't pick up on it?

00:43:50Well, Ross calls in.

00:43:52He tells them that Hannah's missing and is in an anxious state.

00:43:56When they find her hanging, they assume that she's taken her own life.

00:44:00So what do you want us to do?

00:44:02Run a parallel investigation?

00:44:04Treat it as a possible suspicious death.

00:44:06What did the solicitor say?

00:44:09Wait!

00:44:10Don't!

00:44:11Whatever's happened, we can talk about it.

00:44:13There is no we.

00:44:15Gowan!

00:44:17I want a word.

00:44:20We're discussing something here, Gowan.

00:44:23I've got something to say.

00:44:24Leave us.

00:44:25No, you can talk to the kid later.

00:44:27You heard what he said.

00:44:29We have to make a decision.

00:44:31Leave us.

00:44:32Take it back.

00:44:53Where did you get this?

00:44:54You have to take it back.

00:45:02I'm well aware of how busy he is.

00:45:06You keep telling me.

00:45:08Well, I have been trying since yesterday.

00:45:11Look, just get him to call me ASAP.

00:45:14Doctor's receptionist.

00:45:17We got the results back on Davis Jones' clothes.

00:45:20It was Joy Sinclair's blood.

00:45:21What next?

00:45:22We interview him.

00:45:23Scientists found traces of Joy's blood on the clothing removed from your bedroom.

00:45:29Where?

00:45:31The right-hand pocket of your trousers.

00:45:34How do you think it got there?

00:45:36I don't know.

00:45:38Yes, sorry.

00:45:40Joy and I had a row after the read-through.

00:45:44There was no mention of a row in your statement?

00:45:46Oh, it was nothing serious.

00:45:47She had a small nosebleed.

00:45:49What happened?

00:45:50You hit her?

00:45:51No!

00:45:52Of course I didn't.

00:45:54May I remind you, you have been cautioned.

00:45:56It was stress.

00:45:58I let her my handkerchief.

00:45:59I put it back in my pocket.

00:46:02And where is the handkerchief now?

00:46:07I got rid of it.

00:46:08How?

00:46:14I burnt it.

00:46:16In the boiler.

00:46:18Why didn't you just put it in the laundry with your trousers?

00:46:21Or would you have burnt them too if you know they had blood on them?

00:46:23The handkerchief was old.

00:46:25It wasn't worth washing.

00:46:27You're in the habit of burning your old clothes.

00:46:30Let me get this straight.

00:46:33You had an argument with Joy, so brutal, you claim, that you had a nosebleed.

00:46:42And you went to Helen Clyde's room, which conveniently has an adjoining door to Joy's bedroom, where she lay asleep.

00:46:50Is this going to take much longer?

00:46:52Why are my questions making you feel uncomfortable, Mr. Davis Jones?

00:46:57Mr. Davis Jones.

00:46:58What if?

00:46:59What...

00:47:04Who's idea was it to give Helen Clyde the room next to Joy's?

00:47:31I don't know. Elizabeth's.

00:47:38She seems to think it was yours.

00:47:44You may be a friend of Helen's Detective Inspector but take it from me. A woman of her sensitivity

00:47:50would have noticed if she wasn't getting my full attention. Now the only motive I had

00:47:55for being in her bed was to make love to her.

00:48:05My friendship with Helen Clyde has nothing to do with this.

00:48:09Really?

00:48:21I don't know what to say.

00:48:37Oh, my God.

00:49:08You've got the blood, means of access, destroying evidence.

00:49:13Yeah, but no motive.

00:49:15I mean, what are Davis Jones to gain in killing Joy? Nothing.

00:49:19You just want him to be the killer.

00:49:21I want the killer, whoever it is.

00:49:22No, you are more determined to protect Helen.

00:49:25She's a grown woman, sir.

00:49:28Look, if Rhys made a complaint saying that you were too close to her to be involved in the case,

00:49:31then the whole thing blows up in our face.

00:49:34Look, do what you said you would do. Hand the job over.

00:49:38Let an officer with no personal involvement decide whether there is enough evidence to bring charges.

00:49:43Are you suggesting I'm incapable of separating my personal life from my professional life, Sergeant?

00:49:48Oh, then what happens next?

00:49:49I say yes and you slap on an insubordination charge.

00:49:52It's Gowan.

00:50:04He's disappeared.

00:50:07You go upstairs.

00:50:09You go with her.

00:50:09Gowan?

00:50:22Gowan?

00:50:24Gowan?

00:50:26Is something the matter?

00:50:42I don't deserve you.

00:50:45That's my line.

00:50:47I've never been so scared in my life, but here goes.

00:50:53I love you.

00:50:56I love you, too.

00:51:04Gowan!

00:51:09Gowan!

00:51:15Sir!

00:51:18No luck.

00:51:20I think we should try the boiler room.

00:51:21Gowan!

00:51:26Gowan!

00:51:32Gowan!

00:51:33Gowan, are you in there?

00:51:40An ambulance.

00:51:42Too late.

00:51:43Sir.

00:51:44I don't know.

00:52:14He's just a kid.

00:52:21Where the hell were you uniform?

00:52:23Oh, come on, sir.

00:52:24It's a big house.

00:52:25You can't expect them to be staked out in the boiler room.

00:52:29Why Gowan?

00:52:33Hannah becomes anxious.

00:52:35Dies in suspicious circumstances.

00:52:36Joy is killed.

00:52:39Gowan visits the solicitor.

00:52:42He's very upset.

00:52:44No, he's murdered.

00:52:46You know, even though Gowan's dead, he's still going to kill Joy.

00:52:50Whoever killed Joy killed Gowan.

00:52:52A word.

00:53:01Now.

00:53:03Tommy!

00:53:04Now, Mr. Davis-Jones.

00:53:11Where did you go after we interviewed you?

00:53:12I really don't want to answer that.

00:53:15Mr. Rhys-Davis-Jones, I'm arresting you on suspicion of murder.

00:53:17To see Helen.

00:53:19Where?

00:53:22In her bedroom.

00:53:23Look at that.

00:53:39No.

00:53:41Get out!

00:53:44You'd better go.

00:53:45I'm not leaving you here.

00:53:48It'll be all right, please.

00:53:51I'll talk later.

00:53:52I'm sorry.

00:54:06It's all right.

00:54:07I understand, sweetheart.

00:54:13Emotions are running very high at the moment.

00:54:16It isn't like that.

00:54:17I wanted to tell you...

00:54:18Remember what you used to say about Robert, Gowan.

00:54:21I was wrong.

00:54:22When this is all over.

00:54:27In six months' time.

00:54:31How will you feel then?

00:54:34When you open a paper.

00:54:38And see him with another half-naked female.

00:54:41He loves me.

00:54:43This is different.

00:54:43He told me.

00:54:45Do you love him?

00:54:49No.

00:54:50I don't want to.

00:54:52This is all, sir.

00:54:58We've got to think it through.

00:55:01I don't think I can continue.

00:55:05Not as your manager.

00:55:07Why not?

00:55:10Seeing you every day.

00:55:17The business stuff will be hard to sort out.

00:55:20I'll talk to the lawyers.

00:55:22Get them started on it.

00:55:24Dave.

00:55:24Oh, to hell with me.

00:55:25It's you I worry about.

00:55:29I know how scared you get.

00:55:30I don't want to see you suffer.

00:55:42Are you really sure you can cope?

00:55:44I only saw Gowan this morning.

00:55:50What was the purpose of his visit?

00:55:52There was a letter from Hannah to Gowan.

00:55:54and a check for £100,000.

00:55:55Have a word with the bank so they can find out where Hannah got £100,000 from.

00:56:08Was there a letter left with Gowan's body?

00:56:10No, officers checked his bedroom, Mr. Sturkson.

00:56:12There was no mention of a letter or a check.

00:56:14What's the bet on the murder?

00:56:15Destroyed both of them.

00:56:16You were supposed to be protecting him.

00:56:34I won't offer any excuses, Mr. Ross.

00:56:36All I can say is I'll do everything I can to find his killer.

00:56:38Mr. Ross, um,

00:56:51Hannah left Gowan at £100,000.

00:56:54Was your wife independently wealthy?

00:57:00People used to say Gowan looked just like me.

00:57:04Couldn't see any of Hannah and him at all.

00:57:08We used to have a laugh at that.

00:57:12What do you say, Mr. Ross?

00:57:13The Gowan wasn't your natural son.

00:57:15I was there when he was born,

00:57:17and as far as he knew, I was his father.

00:57:20So did the money come from his biological father?

00:57:26If we're going to find out who did this to your son,

00:57:28we need to know the name of his biological father.

00:57:35Hannah was pregnant when I proposed.

00:57:38But I don't suppose she would have looked at me otherwise.

00:57:43All I knew was that she was in trouble.

00:57:48I never asked who.

00:57:52See, it made it easier to believe Gowan was mine that way.

00:57:56Well, you must have had your suspicions.

00:58:00Hannah was a barmaid in here 20 years ago

00:58:02when the theatre crowd started coming in.

00:58:05What's Dinhurst?

00:58:06And David Seidon?

00:58:09Rhys Davis-Jones came to visit Hannah

00:58:11just about a week before she was.

00:58:13I watched them sitting in the corner over there.

00:58:22Talking.

00:58:26It's like old times.

00:58:28Thank you very much, Mr. Ross.

00:58:32I don't buy it.

00:58:33Rhys was just a kid himself.

00:58:35Rhys was Gowan's father.

00:58:36We don't know that.

00:58:38Come on, get it.

00:58:53Rhys thinks you're jealous.

00:58:56I told him that was ridiculous.

00:58:57You've been very useful to Rhys, you know?

00:59:09You provide him with the alibi

00:59:11the night that Joy was murdered

00:59:12and again when Gowan was killed.

00:59:15He was with me.

00:59:16No.

00:59:19He turned up at your bedroom

00:59:20approximately the time that Gowan was killed.

00:59:27You've been seeing Rhys for, what, three months now?

00:59:31Why was the first night he made love to you

00:59:33the night that Joy died in the room next to yours?

00:59:47They've traced the hundred grand.

00:59:49Regular monthly payments into Hannah's bank account.

00:59:52And?

00:59:53Stuart Sinha's made them.

00:59:55Hannah was going to tell Gowan the truth.

00:59:58You murder her, make it look like suicide.

01:00:01Hannah was murdered?

01:00:02But it turns out she confided in Joy.

01:00:04Someone killed Hannah?

01:00:05You were scared someone might realise

01:00:07that Joy's new lines referred to you and Gowan.

01:00:10So you killed Joy too?

01:00:11No.

01:00:12The one thing you hadn't allowed for

01:00:13was the letter Hannah left for Gowan

01:00:15saying you were his real father.

01:00:17This is insane.

01:00:19I bought this house to be close to him.

01:00:21He confronts you.

01:00:22You kill him, destroy the letter

01:00:23and the cheque for a hundred thousand pounds.

01:00:26He was my son, for God's sake.

01:00:28What about your daughter?

01:00:29Well, after her mother died,

01:00:32Elizabeth had a breakdown and disappeared to London.

01:00:34No, she's fine now.

01:00:35We're fine.

01:00:36For how long?

01:00:36She's about to discover she's living in a soap opera plot

01:00:38where her father was unfaithful to her adored mother

01:00:40and her lover is her brother.

01:00:41All right, I admit, I was scared, yes!

01:00:44Which is why you burned the rewrites to the play.

01:00:46All right!

01:00:53Yes.

01:00:55And that's all I did.

01:00:57What a choice.

01:01:01Your daughter or your son.

01:01:03Hannah, Hannah was the love of my life.

01:01:18If I hadn't been married,

01:01:20if I hadn't had responsibilities,

01:01:22she's never spent a penny of it.

01:01:37The only memento I have left,

01:01:41one lousy cheque.

01:01:44He threw it in my face and rushed from the room.

01:01:59He never knew how much I'd left.

01:02:14He seemed genuinely upset.

01:02:20Well, he's still the only person here

01:02:21with a motive for killing all three people.

01:02:24Get Mr. Nelson's doctor on the phone.

01:02:26I want to talk to him.

01:02:27All right.

01:02:28Just do it, Hayworth.

01:02:34Hi.

01:02:36I've rented a cottage.

01:02:41Lily's suspicious enough as it is.

01:02:43If I suddenly move out...

01:02:44I can't stand this house.

01:02:46Please.

01:02:50No, you're right.

01:02:52I shouldn't have presumed.

01:02:55I'm sorry.

01:02:56It's okay.

01:03:03I want to be with you.

01:03:07You're all I care about.

01:03:08Stinhurst was blood group O.

01:03:14Gowan was type A-B.

01:03:15Hannah was type A-B.

01:03:16There's no way that Stinhurst

01:03:17could be Gowan's father.

01:03:19Are you sure?

01:03:22Davis Jones.

01:03:23Drink driving.

01:03:24There has to be a record of his blood group.

01:03:28Stinhurst still believes he was Gowan's father.

01:03:31Sir, the new information

01:03:32doesn't eliminate him as a suspect.

01:03:33Well, what do you want me to do?

01:03:34Risk her his life

01:03:35because you don't think Davis Jones is the murderer?

01:03:36No.

01:03:37Suppose she starts to suspect him

01:03:38or she gets cold feet about their relationship.

01:03:41If she shows any signs of being afraid,

01:03:43he won't hesitate.

01:03:44He'll kill her.

01:03:45I'm nervous.

01:04:08Just the two of us

01:04:10for the first time.

01:04:13Alone at last?

01:04:14What's scary about that?

01:04:39What are you doing?

01:04:40Robert and I are moving into a hotel.

01:04:42The police have got all the details.

01:04:45And Robert's agent said he'd look after me

01:04:46until I get something spotted.

01:04:47This is ridiculous.

01:04:50You can't do it without me.

01:04:53Do you want to screw everything up?

01:04:54Well, as you said,

01:04:56emotions are running high.

01:04:57We'll talk when this is over.

01:05:01Joanna!

01:05:03Joanna!

01:05:03Do you know where she's gone?

01:05:12No, I mean Helen.

01:05:15She and Rhys have rented a cottage.

01:05:19Rest on down the road, it's supposed to be good.

01:05:21Yeah?

01:05:22There we go now.

01:05:24Can we go straight away?

01:05:26Because any longer...

01:05:28I love you.

01:05:36Leave it.

01:05:39I do not.

01:05:40I do not.

01:05:41I do not.

01:05:42I do not.

01:05:42Come on.

01:05:54Hello?

01:05:55Oh, thank God.

01:05:56Is Davis Jones with you?

01:05:58Um, we'll talk later.

01:06:00I have to go.

01:06:01No, no, no, no.

01:06:02Listen.

01:06:03Whatever I say, just act naturally.

01:06:05Is he with you?

01:06:08Helen.

01:06:09He beat his wife.

01:06:10She was so scared,

01:06:11she moved herself and the children to Australia.

01:06:13No.

01:06:14I think he's Gowan's real father.

01:06:17To keep that quiet,

01:06:18he's murdered Gowan and Joy.

01:06:21Maybe even Hannah.

01:06:23I don't believe you.

01:06:25Look, I don't want the next time I see you

01:06:27to be in a morgue.

01:06:28Is he with you?

01:06:30Yes.

01:06:31Right.

01:06:33I'll take him to a public place.

01:06:34Um, Ross's pub.

01:06:37Uh, call me when you get there.

01:06:39And whatever you do,

01:06:40don't upset him.

01:06:44Why would Davis Jones

01:06:46let Stinhurst think he was his child?

01:06:48Perhaps he didn't find out

01:06:49until he came back here.

01:06:50Stinhurst is his best friend.

01:06:52The man who revived his career.

01:06:53He hasn't fought back from alcoholism

01:06:55to see his future destroyed.

01:06:57Well, even if this is true,

01:06:58it's still circumstantial.

01:07:00I mean,

01:07:01unless he hurts Helen.

01:07:02For once, Habers,

01:07:03just shut up!

01:07:07What's happened?

01:07:08Nothing.

01:07:10Maybe we should go and eat.

01:07:13Who calls you?

01:07:14No one.

01:07:15A friend.

01:07:16Linley.

01:07:17No.

01:07:18No.

01:07:19It's personal.

01:07:20Don't...

01:07:20Why are you lying to me?

01:07:22Helen?

01:07:44Where's Rhys?

01:07:45He left.

01:07:47I didn't reckon I did.

01:08:02I thought...

01:08:04What if you're right

01:08:06and he has killed three people?

01:08:09He was so angry.

01:08:11There must be something

01:08:14that you said to me.

01:08:15Something I can do.

01:08:17I've arranged for you

01:08:18to go to the safe house.

01:08:19He and I are...

01:08:22emotionally close.

01:08:24I'm the only one

01:08:25who may be able to...

01:08:26provoke him.

01:08:27I don't know.

01:08:29Get him to make a mistake.

01:08:31This isn't your problem.

01:08:32Yes, it is, Tommy!

01:08:34Tommy!

01:08:35Tommy!

01:08:36Tommy!

01:08:37Tommy!

01:08:38Tommy!

01:08:39Tommy!

01:08:48He'd be using her like bait.

01:08:50If he thinks Joy sent Helen a floppy disk.

01:08:52If he thinks there's something incriminating on it.

01:08:53Yeah, and what happened to not risking Helen's life?

01:08:56I wish she was a million miles away from here,

01:08:58but this is something I have to let her do.

01:08:59What, she's not hurting enough?

01:09:01She needs to have proof that she's having an affair with a murderer.

01:09:04This is her way of trying to make it right.

01:09:09It's me, don't hang up.

01:09:13We have to talk, please.

01:09:16We have to talk, please.

01:09:19And...

01:09:20Rhys.

01:09:49No, no, please.

01:09:50I have to say this.

01:09:58I used to hit my wife.

01:10:02Not once, not twice.

01:10:04Regularly.

01:10:06The wonderful thing about alcohol made me believe that nothing was ever my fault.

01:10:10I'm not sure what this has to do with us.

01:10:13I wanted to hit you.

01:10:18I love you.

01:10:19Too much.

01:10:22Maybe in the thought that you were lying to me, that I was losing you.

01:10:25Maybe it isn't me.

01:10:28Maybe something else is troubling you.

01:10:31Perhaps, I don't know.

01:10:36I'm out of control.

01:10:40I can't slide back there, Helen. I can't.

01:10:43I'm sorry that I'm weak. I'm so sorry that the only way I know how to take care of you is to walk away.

01:10:53No, please.

01:10:55Every time I look at you, I'll be looking for your fear.

01:11:03No, don't go.

01:11:04Don't go. Not now.

01:11:06I need your help.

01:11:09Rhys, please.

01:11:09I can't.

01:11:10What you've just said, I don't want to...

01:11:16Look, something else has happened.

01:11:20And despite what you may think, you're the only person I can trust.

01:11:26This was waiting for me at the post office.

01:11:28It's from Joy.

01:11:29There's a short note.

01:11:31If anything should happen to me, do what you feel is appropriate.

01:11:33What's on it?

01:11:35I don't know.

01:11:36I haven't got my laptop here.

01:11:38There's a computer at the theatre.

01:11:39I'll check it out.

01:11:39No.

01:11:42Joy sent it to me.

01:11:46All right, we'll go together.

01:11:48Come on.

01:11:49In the morning.

01:11:50No, for God's sake, it might tell us who killed her!

01:11:56I'm sorry.

01:11:57I'm sorry.

01:11:58You're absolutely right.

01:11:59I shouldn't have shouted at you.

01:12:01Well, well, well, well, check it out tomorrow.

01:12:09You all right?

01:12:18He didn't take it.

01:12:20It can't be him.

01:12:21Oh, he's smart.

01:12:25He'll probably establish himself an alibi.

01:12:28He'll be back.

01:12:29She'll...

01:12:50They'll be back.

01:12:54We carry on as planned.

01:12:59You can pull me one of those.

01:13:06What?

01:13:07What happened?

01:13:16Car approaching.

01:13:17Could be suspect.

01:13:23No.

01:13:24Unidentified male.

01:13:25Dressed in black.

01:13:26Turning into lane.

01:13:27Picked him up at the air cage.

01:13:30He's putting on a balaclava.

01:13:33Heading towards target's front door.

01:13:35ETA, 15 seconds.

01:13:36Maintain my air silence.

01:13:39Woo!

01:13:41Woo!

01:13:47Jake, you've got to be sick!

01:13:48You've got to bring it, car!

01:13:50Over here!

01:13:51Yeah!

01:13:55Car spooked him.

01:13:56Suspect on the move.

01:13:57He's heading for the woods!

01:14:12He's heading for the woods!

01:14:17We're going,他說!

01:14:18Yeah!

01:14:20Woo!

01:14:20He's walking.

01:14:24Woo!

01:14:28He's going.

01:14:29Yeah!

01:14:29Let's go.

01:14:59Come on, come on, let's see her.

01:15:02Let me see your hands.

01:15:15Twenty years ago, Hannah told me she was pregnant.

01:15:24She was a barmaid.

01:15:25For God's sake, would she think I'd marry her?

01:15:30Then would you believe it?

01:15:34Stuart decides he fancies her.

01:15:41All of a sudden, it's love.

01:15:46She's terrified he'll end it.

01:15:48If he learns, she went with me.

01:15:57He's whining in my other ear.

01:16:00Should he tell the wife?

01:16:01I wanted to tell him I had her first mate.

01:16:12Everything's okay for twenty years.

01:16:16Then Gowan falls for Elizabeth.

01:16:19Stuart panics.

01:16:21Hannah's going to tell him the truth.

01:16:24Relax.

01:16:25Elizabeth and Gowan's okay.

01:16:27He's not your son.

01:16:30It turns out Hannah has been talking to Joy.

01:16:34Is that how you show you care?

01:16:38Planting ideas in Joy's mind.

01:16:42Leaving incriminating evidence for your son.

01:16:44So you killed them both.

01:16:49I get that sorted.

01:16:52You killed Gowan, too.

01:16:54And then alone comes Rhys.

01:16:57Gabbling about some computer disc.

01:17:00What did she think Stuart would say

01:17:07when he learned the kid's really mine?

01:17:11He'll finish me.

01:17:14I lose Joanna for certain.

01:17:16I'm supposed to sit back and let that happen?

01:17:19Stuart and Rhys acting like they're the creative genius.

01:17:22I'm just some bloody hanger-on.

01:17:24Do you know how hard it is to pluck a kid from nowhere

01:17:26and turn her into somebody?

01:17:27All these young blokes lusting after her.

01:17:33They should have seen her

01:17:35when she was stacking shells in the supermarket.

01:17:40I deserve the house.

01:17:42The cars.

01:17:43Everything I've fought for.

01:17:45I'm not losing it because some tart has a fit of conscience.

01:17:57I'm not losing it because stuff is fine.

01:18:09No.

01:18:10BIRDS CHIRP

01:18:40BIRDS CHIRP

01:18:41Was Gowan my son?

01:18:43This isn't really the place.

01:18:45Was he my son?

01:18:49No, I'm afraid he wasn't.

01:19:03Maybe you should go home to Elizabeth.

01:19:07I told her Gowan was her brother.

01:19:11She doesn't want to see me again.

01:19:28I had a choice.

01:19:30I chose to believe you.

01:19:31He knows that.

01:19:32I put you in an impossible situation.

01:19:38He'll understand.

01:19:38Don't!

01:19:40He won't understand!

01:19:41Of course he won't!

01:19:44No wonder he lost control.

01:19:47I'm sorry.

01:19:48So am I.

01:19:50No, please, stay.

01:19:53Robert's driving Joanna back.

01:19:54He offered me a lift.

01:19:56We can't just leave it like this.

01:19:57I don't have anything else to say.

01:20:02I don't have anything else to say.

01:20:04I'm thinking of resigning.

01:20:32You're kidding.

01:20:36I went after the wrong man.

01:20:38What makes you so special?

01:20:40That's half the Met out in its ear.

01:20:42We can't ever have David sign a mark for it.

01:20:47I handle a situation with Helen very badly.

01:20:49No, no, no. You were looking out for her.

01:20:52I can't. If I had a mate like...

01:20:57You resign, I resign.

01:21:00That's absurd. Why, for heaven's sake?

01:21:03Well, do you like the truth?

01:21:05Yes.

01:21:06No one else will work with me.

01:21:11It's you being nice to me, isn't it?

01:21:13Yeah.

01:21:15Shall we hit the pub?

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