Ek Jhooti Kahani Episode 13 - 11 Oct 25 - Sponsored by Lifebuoy Shampoo & Leather Galleria - HUM TV - video Dailymotion

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Ek Jhooti Kahani EP 13 [CC] - 11 Oct 25 - Sponsored by Lifebuoy Shampoo &  Leather Galleria - HUM TV  Digitally Presented By LifeBuoy Shampoo #TumMazbootHo Digitally Powered by Leather Galleria #LeatherGalleria #PremiumFurniture #leathersofa  👉 Subscribe To HUM TV -  /> #EkJhootiKahani — a lighthearted tale where one lie leads to unexpected twists, tangled emotions, and a not-so-ordinary bond, featuring Zara Noor Abbas & Mohib Mirza  Writer: Amna Mufti Director: Shehrazade Sheikh Producer: Momina Duraid Productions  #HUMTV #EkJhootiKahani #ZaraNoorAbbas #MohibMirza #AmnaMufti #ShehrazadeSheikh #MominaDuraid #LeatherGalleria #PremiumFurniture #leathersofa

Transcript

00:00The stage is set for the DOLA NEXT presents

00:05Kashmir 10th Hum Awards

00:07Powered by

00:08Leather Galleria

00:10Luxury Leather Furniture

00:12And Tap Tap Send

00:14Saturday 11th October 2025

00:17At the NRG Arena, Houston, Texas

00:20Be there for your favourite stars

00:23Mahira Khan

00:25Adnan Siddiqui

00:28Bushran Sari

00:30Tadjal Ali

00:33Faisal Qureshi

00:36Thaniya Amir

00:38Bilal Abbas Khan

00:41Sara Khan

00:43Imran Ashraf

00:46Sonia Hussain

00:48Ahaz Raza Meir

00:51Tanam Saeed

00:54And Mohit Mirza

00:55Mavera Hussain

00:57And Many More

00:59One Stage

01:01One Night

01:02And Spectacular Celebration

01:05To Get The Group Discount

01:07Book Your Tickets Now

01:09Log On To

01:10www.hum.tv

01:13Or www.ticketmaster.com

01:16For Sponsorships

01:18Contact

01:18Mr. Naveed Adam

01:20Hum Network Limited

01:21It's a

01:31Mr. Naveed Adam

01:32He's A

01:32Mr. Naveed Adam

01:36He's A

01:38I was thinking that it will go through.

01:44We don't leave the room at the same time.

01:47And if we leave the room, we keep the room together.

01:51Today, our family is coming.

01:53I didn't think that we should enter the drama in this way.

01:57I'm going to ask one question.

01:58I'm going to ask one question.

02:00What's the problem I'm going to ask first?

02:01My sister and my sister are my sister.

02:08So, who are you from?

02:11There are many pictures.

02:12But there are no pictures that are on the stage.

02:16Where are you from?

02:18When we get married,

02:21when the first time the sister is married,

02:24she's doing all the pictures with her.

02:27And she's doing all the pictures that the sister is crazy.

02:32I mean, pranks?

02:34Yes, pranks.

02:35And very dangerous pranks.

02:37We need to be banned from them.

02:40And what do you do with her sister?

02:43Oh, she's also very bad.

02:46So, this house is the house of my sister.

02:49And you will stay here until we open your heart.

02:54No, this is my sister's sister.

02:56I can't stay here for a long time.

02:58Why do you take a lot of tension?

02:59I'm going to.

03:01We will stop you.

03:02Okay.

03:03I'm going to stop you.

03:04I'm going to stop you.

03:05I'm going to stop you.

03:07I'm going to stop you.

03:08I'm going to stop you.

03:09I'm going to stop you.

03:11Yes, tell me.

03:12I'll stop you.

03:13I'll stop you.

03:14I'll stop you.

03:15I'll stop you.

03:16I'll stop you.

03:17I'll stop you.

03:30You can say my son, but for a long time, listen to someone's son.

03:36My son is also a son, Rizwan.

03:42My son is a son.

03:44I'm a shock to make a son.

03:47I mean, my son is a son.

03:50I feel like I've got a son.

03:53Yes, the fact is that I wanted to say this.

03:57I'm a son.

04:02I'm a son.

04:05I'm a son.

04:10I'm a son.

04:14I'm not a son.

04:18You don't have to be in front of your followers.

04:22My dear, this is a flower.

04:26And the way your father doesn't have any connection to them.

04:32And in that way, our and your family doesn't have any connection.

04:40Overacting.

04:44How are you doing, brother Bashir?

04:45It's a big deal that you have so happy, calm and calm about everything you want to be able to understand everything, and you have to be able to understand everything.

04:53Brother! Brother! Brother!

04:55What happened?

04:56What happened?

04:57Brother!

04:58Brother!

04:59Please!

05:00Please!

05:01Please!

05:02One second! What happened before? Tell me right.

05:06Brother!

05:08You have to invite Brother and Fakhrar to stop here. We have to take a look at it.

05:15Yes!

05:16Yes!

05:17Yes!

05:18No!

05:19Okay! We will stop!

05:21No!

05:22We will have to work!

05:23No!

05:24We will have to work!

05:26What will we do?

05:28No!

05:29No!

05:30No!

05:31No!

05:32Brother!

05:33It means that we are happy with Mirob.

05:36What will we do?

05:37We will stop!

05:40Yay!

05:41Bhaviy Zindabad!

05:49Ijazzar,

05:52in fact,

05:53as you all know that

05:56this marriage happened,

05:59this happened as a situation.

06:01The first happened was this.

06:03He was going into fear.

06:05He came into this situation afterceries.

06:08He sw

06:19and father was gonna leave us.

06:20And the fourth happened to our write-up letter,

06:24Our wife loved Bushra.

06:27This is a four-year-old.

06:30It was a four-year-old.

06:32Yes, sister, I was very scared.

06:35I thought, what am I going to do?

06:37But then I realized that

06:39that my wife didn't get married,

06:41and my wife didn't get married,

06:44and if she didn't get married,

06:47then...

06:49I was very proud of you.

06:55But let me know,

06:58today...

07:00I'm happy to see you all.

07:05I'm happy to see you today.

07:08I'm happy to see you today.

07:19...

07:29...

07:31...

07:32I'm happy to see you again.

07:33I agree with you.

07:34That's true.

07:35I feel a bit small about it.

07:40But you can see that...

07:42...that you have been able to accept my daughter...

07:46...and...

07:48...and...

07:50...and...

07:52...so until she says that I will stay here?

08:02It is so good...

08:04...and I have always had all the happiness in my house...

08:06...and all the people that I have...

08:08My husband and my husband are very happy.

08:13My husband and your husband are like one.

08:16You have married in your own children.

08:20And I can't do this.

08:23Who is married with a husband?

08:29A brother like a young man who is suffering.

08:38I'm sorry.

08:40What would you like to say that my two brothers are coming?

08:42Habib Saab, keep them in the guest room.

08:46And, you will have to ask them,

08:48what do you want?

08:50No, we took them.

08:52We were going to take them out.

08:54We were going to leave you in the guest room.

08:56And, you will have to ask them,

08:58what do you want to ask them?

09:00No, we were going to take them.

09:02We were going to take them.

09:04We were going to take them out.

09:06We were going to take them out,

09:08where the car is located.

09:10What do you think about it?

09:12What do you think about it?

09:14What do you think about it?

09:16Yes.

09:17In fact,

09:18Brother Bashir is a business man inside.

09:22Plan A,

09:24Plan B,

09:26when they came here,

09:28they kept them with their needs.

09:30They kept them on the road,

09:32road blocks, anything.

09:34So, that's why they kept them with their needs.

09:36So,

09:37they kept them with their needs.

09:38So,

09:39at night,

09:40we can't wait anywhere.

09:44Come here.

09:45Let me show you the guest room.

09:47This?

09:48This?

09:49This?

09:50It?

09:51No!

09:52Yes!

09:53What are the things that we've done in Europe?

09:56Europe is a child.

09:57Children have to be easy to keep them with money.

09:59Some what A,

10:00who has to be told us about to answer it is...

10:02Yes.

10:03So,

10:04that's why we going to behave in the truth.

10:06No,

10:07that's why we will not understand it.

10:08There's another thing in the problem.

10:10If I do not understand everything else we can have,

10:11It will be delayed, then we will get married.

10:14So what will I do?

10:16When we try to get out of this situation,

10:20we have to make our own punishment.

10:22We were also sitting in a restaurant with porka.

10:26It was very cheap.

10:27With porka?

10:29Yes, that's it.

10:31We were sitting in a restaurant with them,

10:33so we had to complain.

10:35In the past, the beach restaurant was me with porka.

10:39Well, that's what happened.

10:41No.

10:42It happened to me that,

10:44it was my face and it felt like we had to pay attention.

10:47They called the police.

10:49Kravaki?

10:50What's the way we got out of there?

10:52We rocked Nasrapa's house.

10:53Think about it.

10:54Nasrapa, you haven't heard such a crazy story.

10:58Mirabh listened to his house.

11:00That's why you don't tell me.

11:02It's a lot like Mirabh is doing.

11:04She's copying her.

11:06No, I don't know.

11:07As long as he's running,

11:08you'll notice one thing.

11:09As long as we're sitting in the house,

11:11all the people who are sitting in the house.

11:15Okay, I'm going to go and see myself.

11:17I'll tell you about Nasrapa's house.

11:19I'll tell you.

11:20Do you get me wrong?

11:23You're a good one.

11:24I don't know anything.

11:25You can tell me.

11:26You might ask меня,

11:27you know?

11:28Just tell me anything.

11:29Nasrapa's house is so inevitable.

11:31I was looking around.

11:32I didn't see my dog as a boy.

11:33No, I didn't see you.

11:34I'm almost here.

11:35No, see, Mirup is a little dirty.

11:38He took a firework in his face.

11:41And the photographer was looking at pictures.

11:44But you can't think about the lines.

11:47Why are you acting?

11:50You didn't open all the streets.

11:53Yes, but then I knew Adibad, right?

11:56Adibad?

11:57Yes.

11:59I was sitting in a restaurant with Burka.

12:02Burka?

12:04Burka?

12:05Yes.

12:06What's the name of Mirup?

12:09Yes.

12:10And the police didn't come there.

12:12This is a great movie story.

12:14If you don't have a meeting,

12:16we'll block the locker room.

12:18You guys are playing the locker room.

12:22My chatti has something else.

12:24I can't trust in Nassara.

12:28You're amazing.

12:29Everything is so perfect.

12:31Now, my brother, Bashir, is amazing.

12:36Yes, but now there's a tension that Mirup has stopped at night.

12:39There's no pole.

12:40There's nothing.

12:42I think that all of them for me,

12:45I felt that my decision was right.

12:47I didn't change my life.

12:49Yes, and Mirup,

12:52she felt so much love.

12:53She was a kid,

12:54she kept her head.

12:56Maybe she was a little girl.

12:57After this, she is weird and abnormal.

13:01Sorry, I have a lot.

13:03No, it's just like that.

13:05What do you think about Fakhra Apa?

13:09I didn't even know where to sleep tonight.

13:12Because you can't sleep in the guest room.

13:14Do you want to come to the girls?

13:16Oh yes.

13:18There will be Nassar.

13:20Fakhra Apa, I'm going to the guest room for a while.

13:24I'm going to talk about Fakhra Apa.

13:27Okay.

13:29Koshra, thank you so much.

13:34You have changed my life.

13:38Today I thought,

13:41I was responsible for the responsibility of my husband.

13:46My husband is very normal.

13:49He is a husband.

13:52Yes.

13:56If you have committed to the commitment,

13:58then you will need to do it.

14:00We say that commitment is a good thing

14:02in the work of a good career.

14:05So, we are very happy.

14:07Before I said,

14:09you can listen to me.

14:11Ok.

14:12In a moment,

14:13I took the right hand there.

14:14To help each other.

14:15You have to take the right hand there.

14:16I am,

14:17I am.

14:18You have to go.

14:20I do not turn my face off.

14:21I am.

14:22I am.

14:23I am.

14:24I am.

14:25I am.

14:26I am.

14:27I am.

14:28I am.

14:29I am.

14:30I am.

14:31I am.

14:32I am.

14:33No.

14:34No.

14:35I am.

14:36I am.

14:37My wife.

14:39Oh

14:59Oh, gee

15:01I'm gonna do this in the morning

15:03I'm gonna do this

15:05Yes, it's not that it's the root of it

15:07We are doing our own work.

15:09If you want to have someone to wear a dress,

15:12he will give you a child.

15:14No, I'm not ashamed of it.

15:16I've also put water on the table.

15:18It'll take a bath in the morning.

15:20I've also changed my clothes.

15:22Actually, it's not a guest room.

15:24It's a little bit different.

15:26But in the bathroom,

15:28it feels like someone used it for a few hours.

15:32And it's still a dress.

15:34Is there anyone staying here?

15:37It's possible.

15:39Okay.

15:40I want to tell you something.

15:43Chacha, thank you.

15:49This is such a big house, brother.

15:51What's up?

15:53We are going to have 5 hours.

15:55I don't know what to do in this house.

15:57We are going to have 60 hours.

15:59What a great house!

16:00How talented!

16:01You haven't seen your father.

16:03What's the acting?

16:05You've crossed the line.

16:07Over acting, father.

16:08Oh my God, how talented you are!

16:13Have you seen your father?

16:15What have you done acting?

16:17You crossed your head.

16:18Over acting, father.

16:20How many dialogues were talked about?

16:22Why were you talking about the conversation?

16:24And tell me one thing.

16:26Why did you say this?

16:27Why did you say this?

16:28You are my 133 brother.

16:31I am a little out of practice.

16:33And if I don't say this,

16:35then there is a big deal in the story.

16:38Now listen.

16:39You are my little girl.

16:40Yes.

16:41Where do you feel from your brother?

16:44But the deal has become very good.

16:46That's why we don't forget.

16:47There was also a deal in the story.

16:49They said that the other generation of Europe

16:51was not his father's father's father's father.

16:56Now it's over.

16:57Listen.

16:58Tell me.

16:59How are you?

17:02Shondor.

17:03Wow.

17:04Wow.

17:05This place is so good.

17:06And this place is so good.

17:07And Irfan is so good.

17:09And I pray that you and Irfan are going to be in the real world.

17:13No.

17:14Amen.

17:15Look at Irfan's beautiful face,

17:18I remember Rizwan's mother.

17:20And she called her mother.

17:21And Rizwan's phone immediately.

17:25They both go there.

17:27They go there.

17:28Now they will not be finished.

17:30They will not come here.

17:31Father.

17:32Father.

17:33Father.

17:34For a while.

17:35For a while.

17:36Please control the Rizwan's mania.

17:37Now we have to figure out how to run the story.

17:41You are the main cast.

17:43You will go ahead.

17:44You are the main cast.

17:45We are the guest appearance.

17:46Guest appearance.

17:48I feel like it is a hurtful.

17:50What?

17:51When I came to the house,

17:53I thought that Rufanya was sleeping or sleeping.

17:57I gave him a dress to his husband to give him a dress.

18:04Nothing happens. It's drama.

18:07You'll know.

18:09There's no camera here.

18:15You got your own offer.

18:17We were just one of them.

18:19The city will keep the money in the mouth.

18:22Yes, I don't know. What's he doing?

18:25What is he doing?

18:28What is he doing?

18:30He's going to take the door and take the door.

18:32That's right.

18:33He's going to say,

18:34brothers,

18:35I'm sorry.

18:36I'm sorry.

18:37I'm sorry.

18:38I'm sorry.

18:52What's this?

18:54Are you wearing this?

18:56Listen,

18:57this is the top of the pundra and the jokers.

19:02Oh, my God.

19:03You've been talking to senior girls like this.

19:06It's so much like this.

19:08You've got a big deal of love.

19:10What a matter of you.

19:12You've got a big deal of love.

19:14I've also lost my time in the kitchen.

19:16And now I've got a new daughter.

19:18I'm going to be a senior.

19:20He's going to be a big deal.

19:22I'm going to be a big deal.

19:24Okay.

19:25What's this?

19:26What's this?

19:27What's that?

19:28That's not the pundra when he's been being,

19:30he's being.

19:31He's a pundra.

19:32He's a pundra.

19:34My God,

19:35the sign of the pundra.

19:37He's like,

19:38how many pundra and pundra are being,

19:39he's not going to be.

19:40How can I get a pundra?

19:41How can I get a pundra?

19:42He's a pundra.

19:43He's a pundra.

19:44He's not.

19:45God bless you.

19:46You've got a pundra.

19:47I've got a pundra.

19:48I've got a pundra.

19:49What's that?

19:50What's that?

19:51Irfan Sahib was not in his house.

19:53He was in the guest room.

19:55He was used in the bed.

19:56He was used in the bed.

19:57He was used in the bed.

19:58And he was in the bed.

19:59Oh, that's it.

20:00So,

20:01I've got a pundra in the first night.

20:03Oh, God.

20:05God bless you.

20:06I don't need to understand.

20:07I don't want to understand anything.

20:08You've got the questions.

20:09There are other questions.

20:11What do you want to understand anything?

20:12What do you want to understand?

20:14What is it?

20:15Every drama in the third drama is,

20:16I take a pundra,

20:17I judge him and tell him,

20:18all the best things of all.

20:19I'm only

20:21I'll give away anyone else.

20:23And he can send him to the pundra and

20:26and see his pundra.

20:27And know him.

20:28Do you understand everything?

20:29Do you know what the hell is going on in my head?

20:34Do you know what the hell is going on?

20:36Let's see what the hell is going on in the morning.

20:41Oh, he's dead.

20:44Let's go, let's go, let's go.

21:01Let's go, let's go.

21:06You're sitting in a red car.

21:09Stay home.

21:14Don't keep it alone.

21:15Don't keep it alone.

21:16To be an loser.

21:19Don't stay home, people.

21:22Don't stay home for theי� Gods, don't keep it alone.

21:25Keep it away, be careful.

21:31Let's go.

21:33What the hell is that?

21:35Oh my god, it's such a dream.

21:39The poor people say that they say.

21:47Now?

21:49Now what?

21:51Now where are we going?

21:53We'll hear the sound of the gun?

21:55Yes, yes, yes.

21:57I was just seeing this fear

21:59that I'm going to make a joke

22:01Hath-men-dhinda-pak-dee,

22:02gulliyon-meen awazey legata phir raha ho.

22:05Benye weta hai chowkidar.

22:07Or,

22:07kya rao ke,

22:09chakte rehena,

22:10jakte rehena,

22:11shairi pere mat rehena,

22:13pocket maar se hooshyar.

22:15Hey?

22:17Yee kya?

22:19Maare gaya.

22:20Shairi ki jyb kta gai.

22:27Waisee hum naakam hoate jarehen,

22:29The enemy is here to the end of the kitchen garden.

22:35He has been in front of the kitchen garden.

22:38The kitchen garden is not the same.

22:40I don't know what will happen there.

22:45What will happen to you guys?

22:48I am with you.

22:49You guys.

22:51You guys should say that.

22:52Okay, what will happen to you?

22:53Let me tell you what the story is.

22:55Why are you mad at me?

22:56I want to do something I want to do.

22:59You guys are the same.

23:02I mean, you guys are the same.

23:04Nothing happened.

23:05Nothing happened.

23:06It happened.

23:07Something happened.

23:09Nassar, you are giving us a shame.

23:11Absolutely a shame.

23:14You mean saying that you are...

23:16...and you have become a slave.

23:18Bindiya.

23:19You know how much of the world's politics...

23:22Don't take it here.

23:24Don't tell you that you are a double agent.

23:27What are you saying?

23:28You are saying that you are a single agent.

23:31You are here with us.

23:33And you are with us.

23:34And you are with us.

23:35You are with us.

23:36What are you saying?

23:38You are with us.

23:39You are coming out.

23:40You came out.

23:42You came out.

23:43Where did we go?

23:44You are with us.

23:45And you are with us.

23:46You are with us.

23:47You are with us.

23:48You are with us.

23:49You are with us.

23:50You are with us.

23:51You are with us.

23:52You are with us.

23:53And you are with us.

23:54You are with us.

24:25You are with us.

24:26You are with us.

24:27You are with us.

24:28You are with us.

24:29You are with us.

24:30You are with us.

24:31And then,

24:32she is with us.

24:33And then,

24:34she is with us.

24:35And we are just standing.

24:36We are standing.

24:37We are standing.

24:41Look.

24:42This change will be done.

24:44I believe you.

24:47You are our leader.

24:48No.

24:49I am not a leader.

24:50But we are all doing this job.

24:51We are all team.

24:53No.

24:54No team.

24:55First,

24:56don't tell us why we didn't hold our faces.

24:58And what you were doing there.

24:59Why are you doing there?

25:11Those who are going to be now,

25:13they will become Nasserah.

25:14They will become such a bitter,

25:16a bitter,

25:17a bitter.

25:18It will be fun.

25:19But Mereb,

25:20they also laugh at home at night.

25:23Who knows?

25:24Whatever.

25:25I was on their own.

25:26What is your purpose?

25:27My purpose is clear.

25:28What is your purpose?

25:30Whatever you have done,

25:31you have made out of the situation.

25:34You can tell us.

25:35We will be able to make it.

25:36And that is why I am also

25:38whether I have to agree with you,

25:39I will agree with you.

25:40I will agree with you.

25:42But what is your agreement?

25:44What is the agreement?

25:45What is it?

25:46We will be able to be sorry.

25:47We will be able to do it.

25:50What is it?

25:51What is it?

25:52First of all,

25:53It's the first time, when you come to the family,

25:56the girls, the girls, who are the most famous and famous auntie,

26:02it's like a dream of a dream.

26:06It's like a dream.

26:08It's like a dream.

26:09No, I'll do it.

26:11Who's with it?

26:14With Nasser Abhi.

26:18You'll find Nasser Abhi and you'll find the dream of Nasser Abhi.

26:22You're a fool. Who's the dream?

26:24You can talk about it. I'm a big fan.

26:27What? I'll call you.

26:29I'll call you.

26:30I'll call you.

26:32Tell me.

26:33How do you think you'll find?

26:35You'll find it.

26:38You'll find a good idea.

26:40But you'll be the dream of Nasser Abhi.

26:45What are you?

26:48You're a real dream of Nasser Abhi.

26:51You're a real dream of Nasser Abhi.

26:56Oh

27:10Oh God, it's your great grace.

27:13Thank you so much for your love.

27:16How beautiful you have opened my eyes.

27:19My morning is here.

27:21My work is here.

27:22I was living in the woods.

27:24And here, there is a greenery, flowers, flowers.

27:30God, thank you so much.

27:47I had to say something about you.

27:50If I will come to the kitchen, you will be very sad.

27:55That's why you will take me to the guest room.

27:59Abba Ji?

28:00Brother Bashir!

28:03Brother Bashir!

28:05She looks good for paratha.

28:07She looks good for bread.

28:10And for me, you will have an enda,

28:13lassi, shahed, halwa puri

28:16and tea.

28:18Take it.

28:19And Irfan knows what he is eating.

28:23We will cook this omelette for paratha.

28:26Are there any other people on this side?

28:31Yes.

28:33Rizvan, there are three daughters.

28:36And who can she forget?

28:38Why?

28:39Why?

28:40I didn't know anything.

28:41I was asked for the details of Zafir.

28:44Oh!

28:45Well done.

28:47She will give her a dance to Zafir's brother Bashir's brother.

28:51If she's doing a dance, she's going on the mood with her.

28:55I feel very bad.

28:57I think it's very different.

29:03Habir Sahib, what is this?

29:06I was running away with one girl and I was running with you.

29:09There are five girls here, let's go.

29:11But what is this thing like ours?

29:13What happened to her?

29:15Look at her look at her look at her look.

29:17What happened to her look at her look?

29:19This is a look at her look at her look.

29:23What is this?

29:25This is a Bushra.

29:27When she arrived in her house, she was with Cockroach.

29:33You are going to leave us here.

29:37People will be able to know her but we are five guys.

29:40Ask yourself, ask yourself.

29:42Probably it will be closed.

29:44You were right.

29:46Bushra never had a team.

29:48Bushra is one of our team who is here.

29:52I'm coming, I'm coming.

29:57It's time to sleep at the morning.

29:59Come and talk to Abba in the guest room.

30:01I'll take the shower.

30:03We'll take the shower, we'll go and we'll never talk.

30:09Sorry.

30:13Come.

30:22What did he do outside?

30:27He's talking outside.

30:32What was the need for him to talk to him?

30:35Abba, you too.

30:36My son, my heart wants to talk to him.

30:42Today, you have to talk very little about the camera.

30:45You forget the situation.

30:48What was the need for him?

30:50How did he do that?

30:54I don't need to teach acting.

30:56I'm a very old actor.

30:58He's called the economy of characters.

31:02If you say the mother,

31:04then the mother gets killed.

31:06If you say that she's dead,

31:07then the child gets killed.

31:09I'm not a child.

31:10Do you know how to become a character?

31:12How?

31:13It's very bad.

31:15For a 60-year-old,

31:17I'm a child.

31:18How bad he feels.

31:20Now, the character is changed.

31:22He's a 60-year-old,

31:24a chronic bachelor.

31:25Is that right?

31:26I'm saying that's right.

31:28I'm saying that's right.

31:29It's a challenge.

31:30It's a challenge.

31:31Yeah.

31:32It's a challenge.

31:33It's a challenge.

31:34It's a challenge.

31:35It's a challenge.

31:36It's a challenge.

31:38When you came...

31:39phenomena uitero

31:53Yaaz B?

31:54Oong you disaster?

31:55No.

31:56Come on, ya revenir.

31:58That's why my house is here joining us.

32:00I'm not going to be a good one.

32:07I'm not going to be a good one.

32:09I'm not going to be a good one.

32:12I'm not going to be a good one.

32:15How good are these?

32:18They're like a sweet love.

32:21They should tell me that they're going to be a good one.

32:26Am I going to be a good one.

32:28That's what I will do.

32:30I'll be a good one.

32:31I'll try to better get to them.

32:33What are you talking about?

32:35You're talking about.

32:36I got to tell you that you might not tell me your luck.

32:39If you haven't told me your luck.

32:41What are you talking about?

32:43I'm not forgetting your luck.

32:46That's what I want to be a good one.

32:48It's late, I'm going to talk to you.

32:55It's late and I told you.

32:58I'm not listening to you.

33:18It's late, I'm going to talk to you.

33:35Don't do it, boss. I'm going to talk to you.

33:38Tell me, how do you get food without money?

33:43I'm going to talk to you.

33:48But it's a different way.

33:50Either we can direct money,

33:52or we can direct money,

33:54or we can direct money,

33:56or we can direct money.

33:58Do you know this thing?

34:00Yeah, I'm just telling you,

34:02we were good at the gym and training.

34:04Before, we were drunk,

34:06and we were drunk.

34:08Is that my fault?

34:10No.

34:12I'm going to take a seat.

34:14I'll leave you.

34:16I'll leave you.

34:17If I get it,

34:18I'll take a seat and take a seat.

34:20I'll take a seat.

34:21Okay, it's the first one.

34:23To kill?

34:25To kill?

34:26To kill.

34:27What?

34:28To kill?

34:30To kill.

34:31To kill.

34:32To kill.

34:33To kill.

34:34To kill.

34:35To kill.

34:37To kill.

34:38If I didn't do this,

34:39don't accept my food.

34:40You're the kids.

34:41God bless your grandmother.

34:43Just give me one,

34:45one.

34:48Oh my God,

34:49you're a table cornered.

34:50You're a table cornered.

34:52You're a table cornered.

34:53I'm not talking to you.

34:55I'm giving you a table cornered.

34:57You're all a table cornered.

34:58I'm not asking.

34:59I'm not asking for all the food.

35:01You could take the whole store.

35:02Half would be 500 per hour.

35:03I'll give you to all of the food.

35:04I'll give you my money, I'll give you my money, I'll never get paid.

35:14What? Abba, you don't eat everything?

35:16Hmmmm, I didn't eat anything.

35:20I've never eaten this with my own money.

35:22This is the price of production.

35:25And the price of production is great.

35:27Ah, ah, after so long, I'm eating the meat of theatre.

35:32Don't lose it, don't lose it!

35:34Okay, but let's wait for them, right?

35:37Oh my god, stop. It feels bad.

35:39Hey, wait. What does it feel bad?

35:41What's wrong?

35:42What was he saying?

35:44He's going to play the scene in the first place,

35:46and then we'll play the scene, and then we'll play the scene.

35:48Come on, let me go.

35:49I'm a woman in real life,

35:51and I'll tell her about it.

35:52You're right.

35:55The feeling of this set is very good.

35:58It's good.

35:59And the actors,

36:00that's a little girl.

36:01That's a good thing.

36:02What the hell is it, Nassaraki?

36:04I mean, the people who give the award,

36:08I have a choice.

36:09They always give the award to the hero and hero.

36:12They give the award to the side characters.

36:16They should give the award to the show.

36:19Oh my god, you say that fish in water.

36:23They're giving the award to the industry.

36:25They're giving the category awards.

36:28My god, the fact is that

36:32they're giving the award to the people.

36:35The people who know them,

36:37the people who give their money,

36:39the people who give their love,

36:40the people who give their award.

36:42Oh my god, we're also looking at it.

36:44It's our fault.

36:46It's all about giving the award to everyone.

36:48It's all about it.

36:50I'm here.

36:50Hey, come on.

36:52Let's drink, it's warm.

36:54If we have the award,

36:56then we'll eat again.

37:02The world is coming.

37:04The thought is coming.

37:07This will always pasar.

Ek Jhooti Kahani Episode 13 - 11 Oct 25 - Sponsored by Lifebuoy Shampoo & Leather Galleria - HUM TV

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