Skip to playerSkip to main content
BRITCOM I
  • 2 days ago

Category

📺
TV
Transcript
00:01Burt's in a volatile place.
00:05My husband is lying in there because of them.
00:07They're looking for two women in connection with the Watchers.
00:09We're so close, we need to make this happen.
00:11He's not looking for you, are you, mate?
00:13Rack's been making moves on my patch in Bradford while I've been banged up.
00:16He's gonna lose his marbles when he finds out what's happened to his cousin, Kyan.
00:19Yeah, I've heard you've got Bilal forging a Dalai painting for you.
00:22I reckon I know why you're doing that.
00:24You need a babysitter for about.
00:30That's not what's required.
00:31That's always what's required.
00:32You just need to trust them.
00:33Oh, they can't even trust each other.
00:35You haven't got cancer, have you?
00:36There are worse things that I could have done.
00:38What's worse than pretending you're dying of cancer?
00:40Wearing a wire for the police like a nasty little grass.
00:43I didn't have a choice.
00:45They were coming for you and you were wild.
00:47We were gonna end up dead.
00:48So you put me inside!
00:49Put yourself inside!
00:51When this is done, we need to leave.
00:53Trust nobody, kid.
01:09Watch out for her, she ain't her last mate.
01:12Oh, it's Dr. Doolittle.
01:14He talked through the animals.
01:16Is Deegs alive?
01:18Yeah, well he was when I tied him to a chair.
01:21Is he a problem?
01:23Absolutely not.
01:24Good.
01:31Hey.
01:32Look, we've got a job to do, so...
01:34I'm gonna be able to do it.
01:36Yeah.
01:37Celine.
01:38Game face.
01:56Oh, they give a drive here.
01:57Well, come on then, let's have a look.
01:58Right, yeah.
01:59Tengo una pista sobre el robo de la Plaza de Toros.
02:00Captura de pantalla de una cámara en la calle 13.
02:01A dos calles de la Plaza de Toros.
02:02Supongo que si utilizamos el software de reconocimiento facial, a lo mejor esta persona es conocida por la policía.
02:18Mira, me sale esto.
02:25Roberta Mancini.
02:27La mujer de la montaña.
02:28Vayamos allá arriba.
02:29Well, ladies, that is... incredible.
02:41You couldn't distinguish it from the real thing.
02:44Brushwork.
02:45Gentle ageing.
02:46It's completely in line with not just how old the painting is, but...
03:01how well the gallery's housed it.
03:04Something you don't often see in copies.
03:07Even the best.
03:09In fact, it's so good, you could have just given me this.
03:13Saved yourself the shag and hassle.
03:15Wouldn't have known the difference.
03:24But once you know, you know.
03:26Do you know what I mean?
03:29So once you have the real painting safely in your possession,
03:33I'll ping you a location and we can bring the money.
03:35The money needs to be in unmarked bills.
03:37It will be.
03:39Thank you for the egg-sucking lesson.
03:43Well, good luck.
03:45Not that you'll need it.
03:47Thanks.
03:54Shall we?
03:56Let's go do this.
04:08Let's go do this.
04:09Alright.
04:10Let's go do this.
04:11And I'm so sorry.
04:12It's alright.
04:13Let's go do it.
04:14Let's go.
04:15Do you think I've got a camera guy?
04:18No.
04:27You think I've got a camera guy?
04:31She was there. Why would she have met this woman?
05:01I don't want you to go.
05:02I'm not going to wait on the sidelines anymore.
05:04I just need you to back me.
05:06When have you ever been on the sidelines?
05:07You haven't had a good thing to say about that.
05:09What if it's a setup?
05:10We've come to an understanding, Bert and I.
05:13I can't support this.
05:14That's your decision.
05:15But I'm going whether you support it or not.
05:31I'm going to leave you alone.
06:01Turn on your earpiece and be careful, okay?
06:11See you on the other side, kiddo.
06:20Jackie's late.
06:21Mm-hmm.
06:22I'm not sending Caitlin in there blind.
06:26Yeah.
06:31For the next hour, can we be a team?
06:33That's why we're here.
06:35Bet you a Euro you can't get Gidali out of there.
06:39Bet you I can.
07:01Where the hell is Jackie?
07:06Just keep on loading.
07:08She'll be here.
07:10I'm approaching the building.
07:11Copy.
07:12When you're in the building, let me know.
07:14Roger that.
07:17Hola, putas.
07:21You're cutting it fine.
07:22Well, I am juggling a few things, in case you haven't noticed.
07:25Let's just keep it together and get this done.
07:28Where are you going?
07:29You're the lookout.
07:30I am paying my parking.
07:32Don't want you to look out getting towed, do you?
07:34That would be very shoddy, wouldn't it?
07:46Mistake.
07:47You're approaching the entrance.
07:48Yes, darling.
07:49Katelyn, on her way in.
07:59Gracias, que disfrutes.
08:02Hola, buenas.
08:03Una, corta.
08:04Doce.
08:07Muchas gracias, disfruten.
08:08Blast said the weak spot is the idiot guard of the loading bay.
08:12¿Qué tal?
08:14¿Vais a dónde vais?
08:15A la tercera es con la plata.
08:16Muy bien.
08:17Oye, un momentito, un momentito.
08:26Es que siempre nos quedamos sin...
08:28Alguna vez he tenido que utilizar los calcetinos.
08:30Gracias.
08:31That was a lovely story.
08:32He seemed like a weak link.
08:38Continue, por favor.
08:39Señoras, soy muy estrecho.
08:40Por ahí no puedo pasar.
08:41No problem.
08:42Sí, muy bien.
08:43Pero por favor, pase por el arco.
08:44No puedo pasar por el arco.
08:51Feeds are up and running.
08:56Shit.
08:57Jackie?
08:58Where is she?
08:59Perdona.
09:00Está durmiendo.
09:02De verdad.
09:04¿Me permites la bolsa?
09:08Katelyn, are you okay?
09:11I can't talk.
09:12¿Qué tiempo tiene?
09:14Cinco meses.
09:17¿Y duermes algo?
09:18No mucho.
09:19Siempre tiene hambre.
09:22Cuando esté calladita, empieza la otra.
09:24Hice ocho meses.
09:25Está en la guardería.
09:27Pobrecita, que pocos meses se sacan.
09:34Where is she?
09:40Ya está, ya está.
09:41Ya está, estoy dentro.
09:42Ya está.
09:49Tengo en la guardería.
09:51Tengo en el camino.
09:53No lo ases.
09:54No lo ases.
09:55Tengo una carga.
09:57Tengo una carga.
09:58Blas, get your eyes on Mistake. Room 203.
10:13Contact 8, heading to the Masturbator.
10:16My girls are in place.
10:17Beautiful.
10:18We go on the command.
10:20Wanker.
10:21Why wanker?
10:22Think about it.
10:24What are we nicking?
10:25Settle as an aerate.
10:27Well, aren't you a sight for sore eyes?
10:34Someone had to make sure you didn't get into any trouble.
10:38Currently around 20 people in the room.
10:42No Q supported at the door.
10:44Maintaining steady football.
10:46I've requested change over there.
10:48Here's the Prince Guard now.
10:50Come on.
10:51Come on.
10:52Come on.
10:53Come on.
10:54Come on.
10:55Come on.
10:57Okay.
10:58Mistake is in place.
11:00And Blas is heading to the security room.
11:03We are running to time.
11:06Caitlin's on floor one.
11:07She is heading to the lift.
11:10Shit.
11:11Museum staff.
11:16What do I do?
11:18Stick to the plan.
11:19Follow them in.
11:20Follow them in.
11:43Everybody, stand by.
11:50You okay?
11:51She's fine.
11:52You said that without moving your lips.
11:53I'm good.
11:57Okay.
11:58Heading to security now.
11:59Copy that.
12:00Caitlin.
12:01How's the baby?
12:02Testing now.
12:03No.
12:04No.
12:05No.
12:06No.
12:07No.
12:08No.
12:09No.
12:10No.
12:11No.
12:12No.
12:13No.
12:14No.
12:15No.
12:16No.
12:17No.
12:18No.
12:19No.
12:20No.
12:21No.
12:22No.
12:23No.
12:24No.
12:25No.
12:26No.
12:27No.
12:28No.
12:29No.
12:30No.
12:31No.
12:32No.
12:33No.
12:34No.
12:35No.
12:36No.
12:37No.
12:38No.
12:39No.
12:40No.
12:41No.
12:42No.
12:43No.
12:44No.
12:45No.
12:46No.
12:47No.
12:48No.
12:49No.
12:50No.
12:51No.
12:52No.
12:53No.
12:54The next line only catches the first two meters outside the lift. We're clear.
13:00All right, girls. You are out of vision.
13:13Caitlin's in place, and baby crying.
13:16Yeah, dad, I will know.
13:24What's up, Blas?
13:27Blas.
13:29You'll be the same.
13:31Then, you'll be the same, aren't you?
13:35You're going to go home with me.
13:37Blas.
13:39What are you going to want?
13:43What's up, Ben?
13:44Blas? What's happening? Blas?
13:53Fuck! Blas has been taking out the security room.
13:56He can't swap the feed.
13:59Everyone, hold your positions.
14:02What the hell's going on?
14:05Just wait for my commander.
14:07Blas, whatever you need to do, get back in that room.
14:14You know, family, you know.
14:17Hold your positions.
14:26Joder, macho.
14:27I don't know what to do with me, he's tired.
14:30It's my free day, right?
14:32With his free day, he does what he wants.
14:35Let's see...
14:37Is this good?
14:38You know what I think?
14:40Well, thanks.
14:42Blas, what's happening?
14:46What did he say?
14:48The person that was there was going to be a big day for him.
14:51Mother of me.
14:53Okay, feed swapped.
14:58Everyone free to move on.
15:00We have a problem.
15:07The bus is changing.
15:08They're getting the loading day at three o'clock.
15:10That only leaves us seven and a half minutes.
15:13Can I go out through the front?
15:15No, stick to the plan. Stay calm. We can do this.
15:19All right there, ladies. Over to you.
15:29Wanka.
15:31Go.
15:33Go.
15:46Sorry.
15:47Oh, thank you.
15:48I'm sorry, but he can't sit here.
15:53I just need to feed him.
15:56You can't do this in here.
15:58Could you give me some privacy, please?
16:01Let's do it.
16:02It's working.
16:15People are gathering.
16:16It's showtime.
16:17You have blood on your hands.
16:21If you don't know the history of the art that you're consuming,
16:25these women's blood on these walls.
16:28And yet, what we know about are the men who painted them.
16:32This picture here.
16:34A famous artist was painted handsome in the beginning.
16:37And yet, he used sex workers as his model
16:40and paid them nothing.
16:42Nothing.
16:47What's happening there?
16:50Another manifestation? No, please.
16:52Let's see, we have a woman in the room 203.
16:55Can you confirm me if it's art or crazy?
16:57What's happening?
17:00All security in the room 203.
17:02He's making a mess.
17:05Class is on the spot.
17:08We have an area for ladies to feed.
17:10Okay, fine.
17:11Show me this room.
17:13You can do this for me, please.
17:17I'm going to help you.
17:22Capen's on the move with the guard.
17:24Glass is about to get to work.
17:32Girls, get in position.
17:34This is going to be tight.
17:40How much do you know about the art that you're protecting?
17:43Six minutes and 33 seconds.
17:45This artist used factory workers as his model.
17:50His last sale was for over 1 million euros.
17:55The musicians were just giving food on the day.
17:59You know, pretty pictures, darling.
18:01We're going to avoid the person that was coming.
18:03We're going to stop the scene.
18:04We're going to stop the scene.
18:06The show is finished.
18:07Let's go, let's go.
18:13The crowd is moving through.
18:14Blas, make sure you've got everyone.
18:18We don't want any stragglers.
18:21Are you complicit?
18:23Is there blood on your hands?
18:25Blood on your hands?
18:27Blood on your hands!
18:28Blood on your hands!
18:30I'm going to order the room 203 and that's how I can go out.
18:44I'm not a feminist. The works are not good.
18:51Almost there. The last few heading out.
18:54And tears.
18:55I'm going to leave the room 204.
18:57I'm going to let it go, we don't want to be in a moment.
18:59We're going to go outside, we're going to keep the control.
19:05The mistake has passed the gun again.
19:07Everyone is away from the masturbator.
19:09Bert, Sam, go!
19:26I need to get back.
19:27Can you show me?
19:28It's just along there, on the left.
19:30Can you take me to it?
19:31I'm sorry, but I shouldn't leave my post.
19:34Security's coming back in.
19:36Caitlin, we need more time.
19:39Keep the guard out.
19:41I'm going to report you.
19:45I'm going to report you.
19:46All I've asked for is some help.
19:48And you're not helping.
19:51Three minutes, six seconds to change your security at the loading bay.
19:56When do we want it?
19:58Class, stand by.
20:01All clear. Go.
20:03Three, two, one.
20:05Thirty seconds before a last reset completes.
20:09Thirty seconds before a last reset completes.
20:17What do we want?
20:22When do we want it?
20:24Twenty seconds.
20:26Twenty seconds.
20:28Let's help these men take our off from us.
20:36Ten seconds.
20:38Two minutes, fifty seconds.
20:39And the other guard is coming.
20:40Hurry.
20:41Come on.
20:42Come on.
20:43Come on.
21:01Two minutes, fifty seconds.
21:03And the other guard is coming.
21:04Hurry.
21:05Come on.
21:07Chester, come on.
21:11Security guards with the boogie?
21:15No, don't touch that.
21:17Leave it.
21:19Thanks.
21:21Take the nice of the boogie.
21:25Two minutes, girls.
21:33Back on the ground floor.
21:35I'm making my way to the exit.
21:41What are you doing here?
21:43This area is only for the authorized personnel.
22:11They're destroying, heard the alarms, and sent them to check everyone going in and going out.
22:15Leaving the loading bay.
22:19See?
22:21Let's get down in there.
22:23Go.
22:29Go.
22:33You know what you up there?
22:35Fuck you!
22:37You know what you up there?
22:39Fuck you!
22:41Fucking dekes is like.
22:43Fuck you, stupid fucking cow.
22:45Fuck you, stupid fucking cow!
22:47Go!
22:48Go!
22:49She's nicked the dali from there!
22:51She's nicked the dali from in there, I'm telling you!
22:53That's what you're doing here, isn't it?
22:55I've worked it out, haven't I?
22:56I've got you, I've got you.
22:57I've got you.
22:58Listen to me.
22:59Listen to me.
23:00Listen to me.
23:01Yeah, she kidnapped me.
23:02She left me for dead.
23:03She shot me in the air.
23:04You see that?
23:05Because I'm smart and she knew I'd work it out when I did.
23:07Jackie's doing that.
23:08What do you mean, please, huh?
23:10Carl.
23:11Carl Deegan, my amigo.
23:12I'm here to help you.
23:13Can you prove a name?
23:15I'm solving this.
23:16What you're checking me for?
23:17What you're checking me?
23:18You need to check those.
23:19You need to check those two to rob the dali.
23:21You know that lad dali?
23:23It's a picture of some Brock's knackers swinging a bird's face.
23:26I'm telling you.
23:27I'm 100 million percent eating that bag away!
23:29Miguel, please, can you check me out the house of the masturbator?
23:32There's a guy who said he had been robbed, but he seems to be in trouble.
23:34Quiet!
23:39Give me the good news.
23:41Nothing's been stolen.
23:42I just checked.
23:45You need to check again.
23:46Have another look.
23:48You need to look in that van!
23:50You need to look in the van!
23:52Carl Deegan, in breach of your bail conditions.
23:55That bloody bollocks breached me, Bill.
23:57What are you talking about?
23:58The man you sure has died.
23:59Kayan?
24:00He died?
24:01And now I am arresting you with suspicion of the murder of Kayan Salim.
24:04I can't believe he showed up.
24:05I can't believe he showed up.
24:06I can't believe he showed up.
24:07He's wishing he hadn't.
24:08I can't believe he showed up.
24:09He's wishing he hadn't.
24:10I can't believe he showed up.
24:11He's wishing he hadn't.
24:12I can't believe he showed up.
24:13I can't believe he showed up.
24:14I can't believe he showed up.
24:15I can't believe he showed up.
24:16He's wishing he hadn't.
24:30I can't believe he showed up.
24:33I can't believe he showed up.
24:36I can't believe you actually did it.
24:47You were fucking amazing in there.
24:52Tell me it's done.
24:54It's done.
24:55Good. I'll send you the pin.
25:06I'll send you the pin.
25:08I'll send you the pin.
25:14Oh, yeah.
25:16Back up.
25:18Search them.
25:22These are those.
25:24Can't be too careful.
25:32Yeah, yeah.
25:36Well done.
25:48So where's the money?
25:50Keep your brother on.
25:54It's all there in unmarked bills, divided up as we agreed.
26:06You did what you said you do when you said you do it.
26:10I'm impressed.
26:12I have my doubts about you two, but I take it back.
26:16Yeah.
26:18It's good doing business with you.
26:20Keep your noses clean.
26:22Yeah.
26:24It's good doing business with you.
26:28Keep your noses clean.
26:30Yeah.
26:36Yeah.
26:38I have no more.
26:50Yes!
26:52Ahh!
26:54Woo!
26:56Woo-hoo-hoo-hoo-hoo-hoo-hoo-hoo!
26:58Get me the money!
27:00Yes!
27:20Roberta, thank you.
27:31Thank you, baby.
27:33So where to now?
27:35Madele's chartered to Jot, so wherever the wind takes us.
27:38Yeah? Well, as you see, Lex.
27:40Fabulous, darling.
27:46Take care.
28:00Right.
28:01So, that's me for test.
28:05Where you heading, Jackie?
28:07Well, like I'm telling you,
28:08so you can tip up like a couple of bad pennies.
28:11Uh-uh.
28:13See ya.
28:18Woo!
28:22Told you I was a safe bet.
28:24I wouldn't say safe.
28:26Right then, back to yours. Get the IDs and...
28:38And then we never have to see each other again.
28:43Where are you going?
28:44For a piss.
28:45Wanna watch?
28:46Please.
28:58Okay.
28:59When we get back,
29:00we take all of the money
29:02and we leave.
29:03Start a new life together.
29:06Without Bert.
29:07If she has the financial means to find us,
29:09we will never be free of her.
29:10The job works out, so she's high on it,
29:12but she won't stop until we all end up in prison or dead.
29:16It's just how she operates.
29:19Are you with me?
29:23I...
29:42Jackie.
30:03Socks and undies.
30:04And 20 grand under your bed, kid.
30:07But that'll get you to Vegas.
30:09What?
30:14What?
30:31Acabamos de recibir un aviso anónimo.
30:33Una de las mujeres que estaban buscando
30:34ha sido relacionado con asesinatos.
30:35Marta Samuels.
30:36Vive con Roberta Mancini.
30:37Stay here.
30:38I'll get the IDs.
30:43Police are on their way.
30:57Okay, I'll get the IDs.
31:04Police are on their way.
31:07You called them.
31:08Listen to me, you need to hear this.
31:10She gave you away. She had no qualms about giving you up.
31:13No matter what she tells you.
31:15She says that you're a liar and that you can't be trusted.
31:18Yeah? Did she tell you that she's the reason why I ended up inside?
31:24She wore a wire, Caitlin.
31:26She put me in prison for years.
31:29She's manipulated you and she's lied to you ever since the day that she first met you.
31:35Is that the kind of life you want, huh?
31:37Because you will never know where you are with her.
31:42How do I know where I stand with you?
31:45I looked out for you.
31:47It was me that saw your potential.
31:52You can have half of all of the money, but you have to come with me now.
31:56I'm gonna get out the car.
32:01And when I say so, you go too.
32:07Fuck.
32:10Get out of the car, Bert.
32:11And leave your money.
32:13What do you think you're doing, Caitlin?
32:14I'm not fucking around, Bert.
32:17Drop the bag.
32:21One funny move and I'll blow your brains out.
32:24What are you doing?
32:25Get the fuck inside.
32:26Now.
32:27What the hell happened?
32:28In the lock-up.
32:29Both of you.
32:30Now.
32:31No stupid moves.
32:32Hey.
32:33Fuck.
32:34Now, Bert.
32:35I mean it.
32:36Caitlin!
32:37I'm taking the money.
32:39The money doesn't matter.
32:40You can have mine.
32:41The money always matters.
32:42I mean between me and you.
32:44You are not my mother.
32:47The birthmark's not real.
32:50What?
32:51I heard that Bert was looking for her friend's daughter in prison.
32:54How?
32:55How do you think?
32:56I have my contacts.
32:58You stupid little girl.
33:01Funny, is it, Bert?
33:04Everything is just a game to you.
33:05And what about me?
33:07Come on now, Sam.
33:08You two.
33:10You deserve each other.
33:12You're both pathetic.
33:14Get inside.
33:16Now.
33:21My name is in Kipling, you fucking idiot.
33:27Who the fuck are you?
33:30How long till the police get here, Bert?
33:32Think I hear them.
33:33See you later, puta.
33:34You little shit!
33:35You called the police!
33:36Yeah.
33:37Fuck whatever your name is, I'm gonna hunt you down and fuck you over so badly.
33:41You're making me over.
33:42This is what you do.
33:43We need to get out of here.
33:44How could you not see?
33:46You brought that into our lives.
33:48If you were so held bent on revenge, we wouldn't be here.
33:50Yeah?
33:51And if you hadn't been so bowled over by her, you might have noticed that that wasn't your
33:55fucking daughter.
34:13What did you say to the police?
34:15Did you tell them about the job?
34:17No.
34:20No, I told them that you owned the gun that Deeg shot his mate with and that you planted
34:24it on him.
34:25You linked me to a murder?
34:27Yeah.
34:28What the fuck, Bert?
34:29Yeah, well that backfired, didn't it?
34:30Yeah, it fucking did.
34:32I fucking hate you.
34:33Fucking get in the car.
34:38Jesus.
34:42Hold on, you dick.
34:45What the fuck was that?
34:48What the fuck was that?
35:15That was fucking close.
35:36That was fucking close.
35:38Fuck. Seriously?
35:50It stops.
35:53We just passed together with two women that fit with the description.
35:56Jeep yellow, south of 902.
35:58We start persecution.
36:08Left here. We need to get off the main road.
36:26Shit. There's more of them.
36:33Fuck. You're going to be kidding me.
36:35Fuck. Shit.
36:43The fucking tire.
36:57Shhh.
36:59No, maybe we can't take off.
37:06No, we're doing nothing.
37:07What?
37:09No, no, no.
37:11No, no, no, no.
37:12We're doing no.
37:13You're doing the police work.
37:14What are we waiting for?
37:15We'll go.
37:16We're going to the north.
37:17We've got a search of all Americans.
37:18Oh, my shit.
37:32Oh, my shit.
37:48Oh, my God.
37:49Oh, my God.
37:50Oh, my God, my God.
37:51Oh, my God.
37:52Oh, my God.
37:53Oh, my God.
37:54Oh, my God.
38:09We're screwed.
38:10What now?
38:16OK.
38:17Give me a leg up.
38:35But...
38:38But...
38:47But where are they?
39:13Where are they?
39:17They have to have been up.
39:47No, no, no, no, no, no, no.
40:17No, no, no, no, no.
40:46Calculando tu ruta, Florencia.
40:52Estoy tan orgullosa de ti, Sara.
40:59Gracias, mamá.
41:16No, no, no.
41:46No, no, no, no.
42:16Yo!
42:21Someone's coming!
42:22Come on.
42:26You know the drill?
42:32Don't bridge, yeah?
42:35Come on.
42:36Oh, fuck.
42:39Oh, fuck.
42:44Hey.
42:45Hey.
42:46Hey.
42:51No, really.
42:51Our car's come off the road.
42:53See?
42:54It's over there.
42:55We need to push.
42:55What?
42:56What?
42:57Another way up.
42:58We should.
42:59Get a fucking key.
43:01Get a fucking key.
43:02Get a key.
43:11Where to?
43:12To get our fucking money back.
43:18I can't see me loving nobody but...
43:24Where to go?
43:25Here we go.
43:25Here we go.
43:25Right.
43:26Here we go.
43:26Let's go.
43:27Okay.
43:27Let's go.
43:27Let's continue.
43:27Look.
43:28Alright.
Be the first to comment
Add your comment