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BRITCOM I
  • 2 days ago

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00:01We are going to steal the face of the great master Bale.
00:05So Jackie helps us get in undetected.
00:07Don't get involved with the babe, she is not worth it.
00:11I'm leaving, Krog.
00:12Leaving? Leaving me?
00:14Someone has stolen a matador dress of incalculable value
00:17and has substituted it for that cheap thing.
00:19But all your officials are looking for me
00:21and the people who did it, I want her to be jailed.
00:23Okay.
00:24It's another visit to the doctor.
00:26Let's see how you work under real pressure.
00:29Can you open the mind?
00:30Nothing can just be mine, can it?
00:32Not even finding my daughter.
00:35I want to be more involved.
00:36We need another capable pair of hands.
00:38I would really like for us to work together.
00:40I just wanted you to be you, whatever you turned out to be.
00:43Can we not talk about the cancer?
00:44I just want to enjoy my time with you.
00:46Take care of me.
00:47I was going to keep it, but give it to Maria.
00:49It's worth more than I are.
00:50I'm worried you have a short memory.
00:52You promised to cut me in on something big.
00:55What are you doing?
00:56You haven't got cancer.
00:57You faked it.
00:58Is there anything else I need to do?
01:00Nothing.
01:01Brown is on her.
01:03No.
01:04I'm not going to be heard of this.
01:05I'm not going to be heard of this.
01:06I'm not going to be heard of this.
01:07I'm here in the background.
01:08I'm hearing you hear of this.
01:10You're my one, my one, okay.
01:12Oh, no.
01:13No.
01:14I'm not going to be heard of this.
01:15We're just going to be heard of this piece.
01:16Oh
01:46Okay, you want me to come and see the doctor with you no fine
02:16Oh, I forget my head
02:40Cheers
02:41Hey
02:42Hi
02:55Um, so, spontaneous remission, you know, where the cancer just kind of disappears
03:00You ever heard of that?
03:02No
03:03I'm just a man
03:05Maria
03:14How do I look out at my prison duds?
03:20Why keep this up?
03:22You're out now
03:22No one thinks you're a threat
03:24I had to keep someone invested
03:26Like you don't understand, she's my oldest friend
03:30I had to get her to want to spend some time with me
03:33The less I know about what you do on the outside, the better
03:37I do need paying
03:41What? You've been paid?
03:44From Blas? I gave him a watch to give you
03:46What watch? There's been no watch
03:48I don't think I can do it
04:05by a group of manifestants.
04:07A portavoz of the museum has declared,
04:09we are horrorized.
04:11We will not tolerate this type of acts in our public space.
04:13Painted in 1937,
04:15Goenica is one of the highest profile paintings
04:17to have been attacked in this latest state of war.
04:19Yes.
04:21We've got a big problem.
04:23Yeah.
04:31That's gonna be crawling with security.
04:33Have you seen this? Yes.
04:34Just focus.
04:36It's impossible.
04:37So what do we actually know?
04:39Well, that the place is in total lockdown
04:40and half of Spain's press are camped outside.
04:43That'll only be the case for a couple of days.
04:45When the Mona Lisa were nicked in 1911,
04:47people came to stare at the space at the wall.
04:49They'd never had so many visitors.
04:51Right, let's deal with the facts.
04:54We know that due to the size of the painting...
04:56It's bloody massive.
04:57Yeah, so it won't be removed and it'll be restored in situ.
04:59Yeah, and most of the work will be done at night.
05:01With a restoration team in there around the clock
05:03and increased security, that rules us out going in at night.
05:05There's no way we can go unnoticed.
05:07I mean, we'd just be seen.
05:08So what, we push the job?
05:10No, we can't.
05:11Celine's given us a deadline.
05:12What then?
05:13We go in during the day and steal a painting in front of all those people.
05:17That's impossible.
05:18Yeah, we're not gonna do anything that puts you in any danger.
05:20Here, we come up with a plan and we execute it.
05:23Craig, do fuck off.
05:27Why did you do that?
05:30He needs to leave you alone.
05:32Jackie, you need to come up with a plan to get the painting in and out during the day.
05:36Yeah, I'm already on it.
05:37You don't have to worry about me.
05:39Can you two guarantee that you're not gonna go rogue?
05:41Nobody's going rogue.
05:42Get some rest.
05:43Tomorrow will be a big day.
05:46Do you really think we can pull this off in a crowded gallery?
06:01The security guard.
06:03The prison.
06:04Yeah?
06:05I sort of kept in touch with him.
06:07I didn't say anything because obviously I didn't see it going anywhere.
06:10But now we've got a requirement for an inside man at the museum.
06:13And you trust him?
06:14Trust is a relative concept.
06:16But there's never been a man that between us we couldn't handle.
06:19Well, let's go see him.
06:25You know that Caitlin's part of the team.
06:26She doesn't need special treatment.
06:28I'll be the judge of how I treat Caitlin.
06:35I see you later.
06:42Buenas.
06:43Buenas días.
06:44Mira, queria saber qué ese precio haình de esto.
06:45Por curiosidad.
06:46A ver.
06:52Buenas.
06:57なるほど.
06:59¿Quede saber el precio de esto?
07:00Con curiosidad.
07:02Buenas.
07:04Where have you taken this from?
07:11Listen!
07:13Listen, come back!
07:15Come back!
07:22Yes, the police?
07:25I'm in contact with a journalist who's reporting at the museum.
07:29Convince him I'm an editor at El Mundo,
07:31I promise I'm an exclusive, he can feed me the details on what's going on on the ground.
07:34Oh, great.
07:37I'm worried.
07:40Police, that's the last thing I want.
07:42Part of the job is rolling with the punches.
07:44No, I'm worried about you.
07:46And Bert, it's just...
07:48When you're together, it's just this thing with the two of you.
07:51Well, we were best friends for years.
07:53We're about to do a massive job.
07:55I can't end up in prison like Bert did.
07:57You won't.
07:58How can you know that?
07:59Because I'm in charge and I wasn't when she was arrested.
08:03What actually happened?
08:08There was this job.
08:10Taking something from a safe or a client.
08:13And it caused a whole load of trouble.
08:16Two guys who'd happily worked the same area,
08:19started a turf war but ended up on the wrong side.
08:21It was a mess.
08:22People got hurt.
08:24Two of four.
08:26You were involved in this job?
08:33Look, we were both arrested, Bert.
08:35Bert kept me in the dark on a lot of it.
08:38She took the rap because it was her rap to take.
08:40That can't happen this time.
08:41It won't.
08:42Whatever happens, you can trust me.
08:45I'm running this.
08:46I'm managing Bert.
08:47And we're rebuilding the plan.
08:49You have to understand.
08:51I will always have your back.
08:54I'm in charge this time.
08:55And you are my priority.
08:57And that means a lot.
08:58And that means a lot.
09:08¿Y la corona de espinas ya ha sido de vuelta?
09:10Parece que el robo de la corona de espinas
09:12está relacionado con el robo de joyas de alto valor
09:14que tuvo lugar ese día.
09:15Yo no tengo ni idea.
09:16No sé.
09:17No, no tengo ni idea.
09:18¿De quién ha sido?
09:19Me creo en la palabra de usted.
09:25Hola.
09:26Pérez aquí.
09:27¿Qué hace ese cura en la tele diciendo que no sabe nada?
09:29Está mintiendo seguro.
09:31Algo está ocultando.
09:32Y entérate de qué es.
09:56No sé.
09:57People.
09:58People.
09:59Tengo que ver el punto en la Worth.
10:00Y tiene que ver.
10:01No sé.
10:02No sé.
10:03No sé.
10:04¿Es que la cosa está siguiendo?
10:05No sé.
10:06¿Está bien?
10:07No sé.
10:08No sé.
10:09No sé.
10:10No sé.
10:11No sé.
10:12No sé.
10:13No sé.
10:14No sé.
10:15No sé.
10:16No sé.
10:17No sé.
10:18No sé.
10:19Who is this?
10:25Who is that?
10:27I don't know.
10:31Fuck this.
10:43Oi.
10:44Did I kill this, you knob?
10:45Selene needs to see you.
10:47Now.
10:48Where the fuck do you even find us?
10:50Follow me.
10:54So much.
11:01Guernica.
11:03The minute you heard about that,
11:05I should have had a phone call
11:06telling me you know there's a spanner in the works
11:08but you are moving hell and high water to sort it.
11:11Yeah, we are.
11:11We didn't want to come to you with a half-baked idea.
11:14Well, thank fuck for that.
11:16You got a backup plan?
11:18Yep.
11:18Do I need one?
11:22Because the buyer is breathing up my arse and I am holding her off.
11:25But she is not to be messed with.
11:27The buyer?
11:28That's not you.
11:29No, that's fucking not me.
11:30But I am the one with all the exposure if this goes tits a-kimbo.
11:35So don't be slacking off.
11:37We've got a lot at stake.
11:38We need this to work as much as you do.
11:40Okay, so we're in agreement.
11:42But just because some yoghurt knitter lobs paint around a museum,
11:46we are not going to let anything slip.
11:47And by we, I mean you.
11:49Your delivery date remains the same.
11:50We just need to redesign the acquisition.
11:52Okay.
11:53Or you come back to me with a nailed-on plan of what you're going to do.
11:57Okay?
11:59Right.
12:01You're done.
12:01Get the fuck out.
12:02Unless you're in any way handy with a bucket of star drops.
12:05You'd be amazed the amount of piss you have to deal with in this place.
12:07Oh, fuck's sake.
12:14We just told a lunatic we have a plan.
12:16Yep.
12:17And our gang thinks we have a plan.
12:18Yeah.
12:20We need a plan, don't we?
12:22We've got to stop seeing the crowds as a problem and start seeing them as a solution.
12:28Oh, that's all I've got.
12:29Sorry.
12:30That's beautiful.
12:31Beautiful.
12:31Sorry.
12:50Just a bit on edge.
12:51Didn't mean to startle you.
12:53Are you okay?
12:54Yeah.
12:55Thanks.
12:56Yeah, I'll put those on there.
12:59Just come and grab this for me.
13:01Pinch it.
13:04Very good.
13:07We might be missing a trick, you know.
13:10I was just thinking about how does a woman get in and out of somewhere without getting noticed.
13:15Like?
13:16Well, you're an older woman.
13:21No one takes a blind bit of notice.
13:23You could take the crown jewels off the king's head and the courtiers would be like,
13:27Ooh, is there a breeze?
13:28Well, we can use that invisibility to our advantage.
13:34Your husband?
13:36I've done the same thing for 30 years.
13:40I'm not going back to it.
13:42That bad?
13:42I'm not going back to it.
13:43Yeah.
13:46What did you mean about Sam and Bert going rogue?
13:50When it's good.
13:52They're the best in the world.
13:54But when it's not, it's...
13:56What?
13:59It's toxic.
14:00I know you want a relationship with your mum, Kayon.
14:07And you can have that.
14:09But you can't get in between them.
14:12Because it's a game.
14:15They don't think it is.
14:17But it is.
14:17I just really need this.
14:25Me too, darling.
14:31Cheers.
14:36Presioné al cura un poco más.
14:37Resulta que la vergüenza es una gran motivadora.
14:39De repente se acordó.
14:41Dos mujeres de cuarenta y tantos años, ojos marrones e iban vestidas de monjas.
14:45¿Qué?
14:47Hay una alta posibilidad de que no fueran monjas.
14:55La corona de espinas.
14:57Robada y luego devuelta.
14:58A la vez que un gran robo de joyas.
15:00El traje de torero.
15:02También robado y luego devuelto.
15:04No entiendo por qué alguien robaría algo para luego devolverlo.
15:08Bueno, supongo que miedo a la ira de nuestro señor.
15:12Una vez igual, pero dos.
15:15Vamos a mirar a ver si tenemos a alguien registrado.
15:21Tenemos que investigar a cualquiera con un historial de este tipo de robos.
15:24Algún estafador con antecedentes o alguno recién salido que necesite dinero rápido.
15:28Si alguien te llama la atención, empieza a hacer llamadas.
15:32Perfecto.
15:32Hey.
15:42Pleased to meet you.
15:44Martha Samuels.
15:45Sam to my friends.
15:47Well, Sam to my friends.
15:50You're late.
15:51Yeah, I know.
15:52I'm really sorry.
15:53We had something important to attend to.
15:56Not a hospital thing.
15:58No.
15:58It'll make us a little money thing.
16:06Look, we've said we're sorry for being late.
16:09Come on, please.
16:10Stay.
16:11We'll get you another drink.
16:12Yeah, please.
16:14Stay.
16:15Look, we need you.
16:16I'm going to need an advance.
16:23We can get you $5,000 before the end of the week.
16:25The rest is payable when the job's finished.
16:29Doesn't work for me.
16:32You know, I bet she still hasn't told you.
16:38About Isabella.
16:40Her cellmate.
16:41What?
16:42The person she got the idea for the job from?
16:43You're not worried about her finding out.
16:46No, she won't find out, will she?
16:51Go on.
16:52Tell me more.
16:58Hola.
17:00Hola.
17:01Soy el inspector Luis Sanchez.
17:02Estoy buscando a Roberta Mancini, que la tenemos registrada aquí.
17:04Está muy enferma.
17:06Con cáncer.
17:08Ahora mismo está en el hospital porque tiene cita.
17:09Pero le puedo decir que te has pasado.
17:11Es un control rutinario.
17:12Ciento verla molestado.
17:13No, por favor.
17:14Muchas gracias.
17:15O sea.
17:16Wait.
17:20The police.
17:20The police.
17:21On to me.
17:22Are they on to us?
17:23This is getting high on our hands.
17:23It's too risky.
17:24I'm done.
17:24Calm down.
17:25You need to go inside and finish the painting.
17:27And then you can go home.
17:29Okay?
17:30You just need to trust them.
17:31Oh, they can't even trust each other.
17:34I saw them batting each other in the pool.
17:35Proper fist fight.
17:37Bloody wild animals.
17:38They're part of them.
17:41Okay.
17:41Just breathe through your nose, okay?
17:46Yeah.
17:49Keep breathing.
17:50Look.
17:51We're looking for someone who works in security, with an unblemished record, can get a job at the
17:56municipio, and feed us information about their new security.
17:59She's cute, right?
18:04Oh, yeah.
18:04She's cute.
18:05But if you keep trying her, she'll pull your arm off and shove it up your ass.
18:08Oh.
18:13Here's the deal.
18:15I'll pay you 100,000 euros on completion of the job.
18:18And what it is exactly you're taking from her Reina Sofia.
18:25We're in.
18:27300.
18:29200?
18:30Are you in or are you out?
18:31I'm in.
18:40I'm in.
18:50Everything okay?
18:52Your painter is having a meltdown.
18:58What?
19:02A policeman came round earlier.
19:05To talk to me?
19:06No, to talk to Bert.
19:08I got rid of him.
19:10Did he say?
19:11He said it was a routine check, and I told him that Bert was very sick, and she had a hospital
19:15appointment to attend to.
19:16Okay, good.
19:19Ah.
19:21Let's not bother her with this.
19:25Don't take the piss, Bilal.
19:27We did a full kidnapping rescue on you.
19:30So how about you finish the job I've employed you to do?
19:33Now you take your balls, get back to that easel, and crack on.
19:38All right?
19:41Cheer up.
19:41Blas.
19:50All right.
19:51Thanks for letting me know.
19:53He's got an interview tomorrow at the museum.
19:55He'll talk his way into that.
19:56They're desperate, and he's absolutely bubbling.
19:58Great.
19:59When he's in, let's get to Madrid.
20:02We'll assess the crowds, be in the space.
20:04I'll come too.
20:05No.
20:06You stay here.
20:08Yeah, it's far more useful if you stay here and keep your eye on Bilal and Jackie.
20:11She needs this.
20:28We don't know how long she has.
20:30You hold the fort here.
20:32We can have all the time in the world together when this is done.
20:34So, we need a new plan, and the night is completely out.
20:49That means we have to go in during the day and use the crowd to our advantage.
20:52The good news is, the paintings on track are being finished in a week, which gives us ample
20:57time for any last-minute adjustments.
20:59Mm-hmm.
21:00Jackie's designing a rig to get the fake in, ready for the swap, working on making it as
21:04fast as possible, using disruptors to block the magnetic box.
21:07What we don't have is a diversion.
21:10How do we control the crowd?
21:11We don't know that yet, but hopefully our inside plan will give us access to security
21:15and the museum cameras.
21:17We still need an exit strategy, but Caitlin's nicked a van.
21:22We'll get access to the loading bay, and we'll go in as service workers.
21:26So, that's half a plan.
21:28What do you think?
21:28I'd say we're getting there, but a lot to work out.
21:36Buckle up, buttercup, and pat your knackers.
21:39We are off to Madrid.
21:40Hmm.
21:58I don't give a damn, they kiss on the ring, I carry the crown.
22:05Nothing can break, nothing can break me down.
22:09Don't give no advice, I got a plan.
22:14I know the direction, the lay of the land.
22:18I'll score like the back of my head.
22:22No, no, nothing can break, no, nothing can break me down.
22:25I'm the man, come around, and nothing, nothing can break.
22:32You can't break me down.
22:35I got gas in the tank, I got money in the bank, I got news for you, baby, you're looking at the man.
22:42Masturbator is on the list of paintings which have been given 24-7, one-to-one security.
22:48Government's orders.
22:50As the Carnica room is closed, the masturbator has the most footfall.
22:53Well, I'll be honest, if I had a masturbator room, that I'd get a lot of footfall and all.
22:59Maximum numbers.
23:01Nothing official, but if it feels like it's getting crowded, we can stop people entering.
23:07Doesn't help that the Carnica's in the same space, the rooms are interconnected, and there are a lot more visitors.
23:12This is all sounding pretty hard to get around.
23:14No, no, no.
23:15We can use some of this to our advantage.
23:17If something else gets disturbed, we can use the chaos that ensues to pull focus away from us.
23:23True, but you don't want to end up in a locked-down gallery.
23:26Good point.
23:28Pluses and minuses.
23:30Minus.
23:31A lot more security.
23:32Plus, a lot of them are new.
23:36Minus.
23:38Everyone's on high alert.
23:40Plus, when people are on high alert, they get easily distracted and spooked.
23:44Especially with the restoration.
23:45Are all the exhibits alarmed?
23:47Everything in the permanent collection.
23:49The temporary collection, no.
23:50They're just stacked.
23:51So that's a weak spot.
23:55Let's see if it could be useful.
23:58We'll need a distraction to move the crowds.
24:02Something big enough to get people away from the master bit of room.
24:04It's just beautiful, that's all.
24:32Want to play a game?
24:34What?
24:37Oh my god, your water's my god.
24:40My help.
24:41It's my water's.
24:42I'm pregnant.
24:43I'm a...
24:44I don't speak.
24:46Maybe if you call my doctor.
24:48Come on, hurry up.
24:54Why did you leave?
24:56I had to style it out and say I'd just piss myself.
24:58Just trying to prove a concept.
25:00Huh?
25:02Wanted to see what we could achieve when no one is paying attention.
25:04What?
25:06Turn around.
25:15For you.
25:16Can we go somewhere on the way home?
25:24Hang on.
25:38Hang on.
25:40Hang on.
25:54What do you want, Craig?
25:57Old dog, new trick.
26:01How'd have you taken up heart in your menopause?
26:10What do you want, Craigie?
26:16For you to give your head a shake and come on.
26:20No, I can't.
26:22Can't?
26:25I won't, actually.
26:28Not this time.
26:33All I've ever done is look out for you, Jackie.
26:38No-one will ever love you like me.
26:40Comet, Craigie.
26:43She's a kid.
26:46And you're a show.
26:59You owe me, Jackie.
27:01I don't owe you anything, and I don't want anything.
27:05Who brought you to Spain?
27:07Me?
27:08I brought me to Spain.
27:10Oh, you've got a short memory.
27:11I've got a long one, unfortunately.
27:14I made the great Diablo, Craig.
27:16Not you.
27:17Do you really believe that?
27:19Put a wooden beneath my wings, is that what you think?
27:22I mean, if you want to put it in like that.
27:24Don't let your head get a turn now.
27:27Do you believe that you're bigger than this?
27:32Think yourself lucky that you're here at all.
27:34Why do you have to make me feel so sane?
27:38I can't make you feel anything, Jack.
27:45You're just responding to what I say because it's true.
27:49I am just a realist, and I know that whatever you're up to now will just be a flash in the pan, and you'll wake up and know that you need me.
27:58So let's just save us the trouble, and then just do it now, eh?
28:07No.
28:09I don't want anything from you.
28:11I don't want anything to do with you.
28:12You need to get back on those days, Jackie.
28:42I can't believe it's still standing.
29:02I was so green when we came.
29:04It must have all been burnt to the ground.
29:09Don't recognise it, dear.
29:11No.
29:12Come on.
29:12Oh, my God.
29:21You can't have that, eh?
29:23Yeah, we went to that Fiesta in San Pedro.
29:25Yeah.
29:26And that Ferris wheel was completely unsafe, and we screamed at the guy to let us off, and he wouldn't.
29:31So when we did, we just jammed his engine so it wouldn't stop.
29:35He went nuts.
29:36And we pegged it past you on your moped.
29:38Yeah.
29:39Like a hairdryer on wheels, I think.
29:41So is this where you want to...
29:49Yeah.
29:55Right.
29:58You know, I...
30:01Like, over the years I've been near with, it was a lot, and it's just, I was, you were brilliant, you were mental, and you were a fucking nightmare, but you were fierce, and you were loyal, and you were just, just the ace.
30:31And if you'd been given a bit of love, an opportunity, you could have ruled the world, then this job, Bert, this is, this is you putting it right.
30:50Yeah. You're the only friend I've ever had. Same.
30:55No. I'm sorry.
31:05You've got nothing to be sorry for.
31:09Nothing.
31:10What's up, Samuel?
31:30Ah!
31:30Give it!
31:49Sam.
31:51You've been really brave.
31:55Help her with the wire.
32:01Your decision to contact us has been key to our investigation.
32:05Hey, look at me.
32:07You should be proud of yourself.
32:09You've got a clean record and you can put this behind you.
32:11You can start again.
32:30You've got a clean record and you've got a clean record.
32:34There's no way to see the recording.
32:39You've got a clean record.
32:40You've got a clean record.
32:42You've got a clean record.
32:44Oh, wait, I can't get a clean record.
32:46OK, OK, I can't get a clean record.
32:48Oi, oi. Thought I'd swing by.
32:57How's the exit plan going? Need anything?
33:01Yeah, I do. Actually, can you go to the hardware store for me?
33:04Ask him for a long stand.
33:07Is it taking longer than you thought?
33:10Getting the canvas off the wall is one thing,
33:13but stealing Idali in broad daylight is something else.
33:17If I can get the swap down to 30 seconds, remember the chance.
33:22But I need to finish off this rig.
33:24Craig leaving you alone?
33:26Mm. Yeah.
33:29It's hard, though. Why?
33:32Because he does this thing where he can just convince me black as white.
33:38He's a gaslighting, narcissistic prick,
33:41and the only thing he's good for is being a magician.
33:44Not even good at that, is he?
33:46Do you remember that time that he let all those rabbits go
33:49and they were open all over the stage?
33:51And then that woman stood up and she said,
33:52I've not seen here, Colin. No, it's absolutely dog shit.
33:55Do you remember?
33:56Yeah.
33:57Well, I took over the reins after that.
33:59Yeah, but you still let him have his name above the door.
34:01Just saying.
34:03Right, I'm going into town.
34:05I'm going to see the comms guys cos we need new earpieces.
34:08Bert.
34:09Hmm?
34:11What have you been weird for?
34:12The Great Diablo.
34:13More like the Great Dickhead.
34:14I'll see you later.
34:15What have you been weird for?
34:17The Great Diablo.
34:18More like the Great Dickhead.
34:20The Great Diablo.
34:21I'll see you later.
34:22What a smart laugh with your friend, are you?
34:36What?
34:37I am your husband.
34:40And them rabbits were duds, by the way.
34:43The police came to my house looking for Bert.
34:48You promised me I'd be anonymous.
34:50You are.
34:51As long as she's not got you involved in anything.
34:53You don't need to worry about that.
34:55Well, Ferris, I need to know this has nothing to do with me.
34:58It was probably a routine house to house.
35:00But look, Sam, I will call my old partner on the force
35:03and see what they can find out.
35:05But if they seriously needed her for something,
35:08they would have stuck around.
35:09Okay?
35:10You're worrying unnecessarily.
35:11Trust me.
35:12Sam and Bert.
35:14A Dali painting theft.
35:16It's nothing.
35:18How much are you paying you?
35:19A fortune?
35:20A small fortune.
35:22Come back to me.
35:25Let's just get out of here.
35:28Let's set our sights on Vegas.
35:31Me and you.
35:34No.
35:37Okay.
35:38It's like that, is it?
35:39Oh, maybe I'll just phone police then.
35:43Stop.
35:44Just stop, mate.
35:46I'll split it with you.
35:48Split what?
35:49How much are you paying?
35:50Come back to work.
35:52Take a little side hustle and we'll sort of split it out later.
35:53Jackie?
35:54Okay.
35:55I'll come back.
35:56That's the spirit.
35:57That's the spirit.
35:58De mi lista nadie encaja.
35:59De mi lista nadie encaja.
36:00También he llamado a la cárcel.
36:01La cárcel.
36:02La han dejado a salir polibracelet.
36:03La han dejado a salir polibracelet.
36:04La han dejado a salir polibracelet.
36:05No le queda mucho tiempo.
36:06No le queda mucho tiempo.
36:07Okay?
36:08No.
36:09De mi lista nadie encaja.
36:11También he llamado a la cárcel.
36:12Jackie.
36:14Okay.
36:16I'll come back.
36:24That's a spirit.
36:26No one's in my list.
36:28I've also called to the prison.
36:30They've let her out for a passive liberation.
36:32She doesn't have much time left.
36:36Poor woman.
36:38No one's out of me.
36:40Ah.
36:42But I've entered another thing.
36:44A cashier in Madrid
36:45called a man who tried to sell the reloj
36:47of Carlos Pérez.
36:49He managed to escape,
36:50but we have security cameras.
36:52All police officers in Madrid
36:54already have a picture of his face.
36:56Maybe this guy knows something.
37:01Hey.
37:02Hey.
37:03Madrid Gooden.
37:05Yeah.
37:06Yeah, it was useful.
37:08Thanks for understanding.
37:09I feel like you're keeping things from me.
37:14I'm not.
37:15I promise.
37:16Don't get me wrong.
37:17I love seeing you with her.
37:18I think she makes you feel alive.
37:20And I feel more proud of it than ever when we're all together.
37:23And it's really exciting.
37:26I just don't want to be on the outside.
37:28Not with you.
37:30Understood.
37:31We're in this together.
37:33Do you want me to talk you through the new plan?
37:35Yeah.
37:36Right.
37:37Right.
37:38Yeah.
37:43OK.
37:52It'll be reached, Jack.
37:53Leave it.
37:55Yeah.
37:56What is it?
38:22Are you ready?
38:26Hey, hey, quieto!
38:34Detérense!
38:36Let's go!
38:42Let's go!
38:58You've got to be fucking kidding me.
39:00Jesus.
39:02You've got to be fucking kidding me.
39:04Jesus.
39:08You've reached Jackie.
39:10Leave a message.
39:12Let's welcome her after the stage.
39:16If I could ask you just to stand here.
39:18And ladies and gentlemen,
39:20I want you to keep your eyes very closely
39:22on my hands.
39:24Because my hands will reveal you
39:26and all the time.
39:30I saw her two hours ago.
39:38She can't have gone back to him.
39:40What does that mean for the job?
39:42We'd be fucked.
39:44Can you just get down here?
39:46We have a death-defying act.
39:48A beat like no other.
40:24Jackie.
40:26Are you mad?
40:27I can't.
40:28What are you doing?
40:29I'm busy.
40:30We are working up to a huge job.
40:32And you are an integral member of the team.
40:34What are you doing back here?
40:35He's fucked up.
40:37Because he knows.
40:38He knows about the job.
40:40He overheard us talking.
40:41He was hiding in the workshop.
40:43He's a massive fucking weirdo.
40:45You know that that's not normal.
40:47He said he called police.
40:49If it didn't come back.
40:50Jackie Diamond.
40:52That's what you mean.
40:53Jackie!
40:55Diamond!
40:57Jackie!
41:14Jackie!
41:19Jackie!
41:25J-Jackie!
41:35You could've killed her, you prick.
41:39Everybody help!
41:40Look at me! Jackie! Jackie! Look at me!
41:42Come on!
41:43What?!
41:44Come on!
41:45Come on!
41:46That is your fella, you're off your head, you!
41:48I need you to leave her alone!
41:49Shut up, you stupid cow!
41:51Please!
41:52Come on, move!
41:54You're all right, my dad!
41:56Come on!
41:57Hey, Craig!
41:58Look, now, if you go away somewhere,
42:01then when all this is done,
42:03we can sort you out some money, yeah?
42:05What?
42:06I don't want your money!
42:07I want me wife!
42:08And your wife wants to be with us because we know who she is.
42:11Fucking know who you are.
42:13Please!
42:14Alright, so you've been crying at your mates, have you, about me?
42:16Hey?
42:17You think they're gonna whisk you off to a better life than this?
42:19Shut up!
42:20You've always thought that you are something better than this,
42:23but you are nothing!
42:25Oh!
42:26She's not nothing, you bubberic!
42:28Oh!
42:29Oh!
42:30Oh!
42:31Oh!
42:32Oh!
42:33Oh!
42:34Oh!
42:35Oh!
42:36Oh!
42:37Oh!
42:38Oh!
42:39Oh!
42:40Oh!
42:41He's bleeding!
42:42Sam!
42:43He was wild!
42:44You always fuck things up!
42:46Not true, Sam!
42:47I'm calling an ambulance.
42:49And I am calling the police!
42:51No!
42:52Jackie!
42:53Oh!
42:54Oh!
42:55Oh!
42:56Oh!
42:57Oh!
42:58There's so much blood!
42:59Oh!
43:00Oh!
43:01There was an accident.
43:02He attacked you.
43:03His temper, Jackie.
43:04It was her.
43:05If you say it was her, they'll arrest her, and all of this will have been for nothing.
43:09He did that in front of people.
43:11He's a loose cannon.
43:12You know that.
43:13That's why you left him.
43:14She attacked him.
43:15He attacked you.
43:16You distracted him!
43:17Are you hearing yourself?
43:18Are you serious?
43:19You need to get clean.
43:20Jackie!
43:21He's still breathing.
43:22You too, Bert.
43:23Here.
43:24Right.
43:25The police are gonna investigate this.
43:26We need to get all evidence out of Jackie's workshop.
43:29Seriously?
43:30Is that what you think's important right now?
43:33Yes.
43:34It's what is important for all of us right now.
43:36I'm sorry.
43:37Caitlin.
43:38We need to get you out of here.
43:39Hey.
43:40Come on.
43:41Come on!
43:42So you're just gonna leave me?
43:47Hey.
43:48Look, you deserve that, yeah?
44:01I did the right thing.
44:04Sam.
44:05Yeah, you did.
44:17You did.
44:18You into the right thing.
44:19Yeah.
44:20The first step, man.
44:21I don't believe I knew how the family was stranded here.
44:23I would lose some стеб%er than you were completely judgmented,ودot,
44:24Have you ever gotten blown away from Dallas?
44:25What did you Carminebr shyle nines in a Chat discipline zone?
44:27Yeah, you've been walked away from Dallas.
44:28Because she's a good man, man.
44:29And she's like, I'm just gonna share it, not the bros, yeah?
44:30I'm just gonna get bigbie off!!
44:31Yep I've gotta just get a goal for it!
44:32дорогuent.
44:33There's that plenty.
44:34Can you do remedy.
44:35Because the troops won't fall there at that point.
44:36It's sostore for a better country.
44:37You choose that man.
44:39Yeah?
44:40Just didn't get a pretty great show.
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