Skip to playerSkip to main content
BRITCOM I
  • 2 days ago

Category

📺
TV
Transcript
00:00STREET!
00:02Carl Lieken, we want to talk to you about a shooting earlier this afternoon.
00:06Gerniker, you got a backup plan?
00:08We just told the lunacy we have a plan.
00:10Yep, we need a plan, don't we?
00:12With a restoration team in there that rules us out going in at night.
00:14Dos mujeres de cuarenta y tantos años, de ojos marrones, iban vestidas de monjas.
00:19Estoy buscando a Roberta Mancina, que la tenemos registrada aquí.
00:21Está muy enferma, con cánter.
00:23The security guard.
00:25I sort of kept in touch with him, but now we've got a requirement for an inside man at the museum.
00:28¿Tiene hora?
00:30¡Eh, eh, quieto!
00:32Roberta, why is she mad with mother, should mother be mad with you?
00:36Why?
00:37Because I went off to live my life.
00:38What about what I was owed for having you being dumped on me?
00:42I know you want a relationship with your mom.
00:44But you can't get in between them.
00:46She doesn't need special treatment.
00:47I'll be the judge of how I treat Kaylin.
00:49I can't end up in prison like Bert did.
00:51She took the rap because it was her rap to take.
00:53Your decision to contact us has been key to our investigation.
00:55You could have killed her you prick.
01:01It was wild.
01:02I am calling the police.
01:04No.
01:05You deserve that, yeah?
01:06I did the right thing.
01:07Sam.
01:09Yeah, you did.
01:10I need to speak to Jackie.
01:11No.
01:12Bert, not now.
01:13She's at the hospital.
01:14Just need to get this back.
01:15Yeah.
01:16What if she blabs to the police?
01:17Just give her some space.
01:18Look, take it home.
01:19Get some sleep.
01:20Where are you going?
01:21To check on Kaylin.
01:22So the harbour is okay?
01:23Don't know.
01:24Oh, my God.
01:25Well, you need to go anywhere.
01:27It's my creativity.
01:28Shniper's house.
01:30Listen to the career.
01:31Give her some room.
01:33Take it home.
01:34Get some sleep.
01:35Where are you going?
01:36To check on Kaylin.
01:38You've reached, Jack.
01:54Leave a message.
02:01Come on, Jacky.
02:03You've reached, Jack.
02:04Leave a message.
02:06Okay.
02:08Is he going to be okay?
02:12He has suffered a head trauma, and we had to put him in an induced coma to avoid the risk
02:17of bleeding on the brain.
02:18He's recovering well, but the next 12 hours are very important.
02:22Okay?
02:25You're a bloody idiot, Craig.
02:29Jacky.
02:29No!
02:30I was still rewriting what happened.
02:32Look, I was defending you.
02:33What are you playing at?
02:35You cannot be here.
02:36What do you want me to do?
02:37Do you want me to say sorry?
02:38I'm sorry.
02:40Miss, you can't be here.
02:42Next of kin only.
02:43Yeah.
02:44When you're ready, the police would like to speak with you.
02:51Just remember why you left him.
02:53Yeah.
02:53Hey.
02:54It's really hurt, isn't it?
03:13What the hell was that?
03:15Is she going to be a problem?
03:16It was a lot, I know, but this is what it's like with Bert.
03:20It's exciting, but it always gets out of hand.
03:23Sam, we don't have much time.
03:25We can keep it in track.
03:27Can't we?
03:28We can make this work.
03:34Yeah, we can.
03:37And if for some reason it doesn't work, we make sure our fingerprints are not on this job.
03:42What if Jackie talks to the police?
03:43She won't.
03:45She just needs to cool off.
03:47I think she's out.
03:49There is a version of this where we don't go through with the job.
03:52No, there isn't.
03:54Sam, think of the life we could have.
03:56It's three days away.
03:59I can manage this.
04:00I'll go see Jackie.
04:01Okay.
04:03What do you need from me?
04:04Nothing for now.
04:06You relax.
04:07Yeah?
04:07Mm-hmm.
04:07Sam?
04:24All right.
04:29Hello?
04:32It's Sam.
04:33Leave a message.
04:34Where are you?
04:36Oh, my.
04:37Where is the controlling cow?
04:42Eh?
04:44I don't know, Bert.
04:45They're all fucked off.
04:48Oh.
04:49How have they now?
04:50It's Sam.
05:07Leave a message.
05:08Someone answered that fucking phone.
05:22Yeah?
05:23Bert, it's Blass.
05:24Where the hell have you been?
05:26There's a problem.
05:27There's a problem.
05:29The robber of the clocks.
05:31I understand that the man in question has escaped from our officials.
05:34Yes.
05:35We're working on it.
05:36Well, we're working on it.
05:39Carlos Pérez has called me this morning before I wake up.
05:42It's the type of person who won't let him stay.
05:44And as a result, we won't let him stay.
05:47You understand?
05:47Yes, sir.
05:58Jackie.
06:00Jackie.
06:02Hey, Jackie.
06:05You know Bert was here?
06:07Telling me she was defending me.
06:09Didn't want to know.
06:11And then the police turned up.
06:12And you told him it was Bert?
06:14No.
06:15I said I didn't want to talk right now.
06:17Please don't talk to the police.
06:19I haven't decided what I'm going to do.
06:21But one thing I do know, I'm out.
06:24Without you, this whole thing falls apart.
06:26We need you.
06:27Don't want to do it.
06:28I can keep her on track.
06:29No, you can't.
06:31If you could, you'd have done it years ago.
06:42Oh, fuck.
07:09Hello?
07:10She's out.
07:11She can't be.
07:13What the hell are we going to do?
07:15Maybe I'll contact Celine by some more time.
07:17And look weak.
07:18No.
07:19I'll finish the rig.
07:21I'll be the lookout.
07:22Whatever it takes.
07:23I'm sorry, I just...
07:25We need you on the inside.
07:27If anything, we need more of a distraction, not less.
07:30But don't worry, I'll work it out.
07:31Fine.
07:32Then let me handle Jackie.
07:34Okay.
07:36Okay.
07:37Okay.
07:38Hiya, Mum.
07:39How long until you can come home, Bilal?
07:53Not long now.
07:54I'm...
07:55I'm...
07:56I'm nearly finished.
07:57And I'll be on the first flight out of here.
07:58Can I see it?
07:59Of course.
08:00Imagine being paid to copy a painting.
08:03Oh, Bilal.
08:04It is beautiful.
08:06It's all in the glazing with Dali.
08:10Give over.
08:11Never mind Dali.
08:12You did that.
08:15Bilal.
08:16You can do anything you set your mind to.
08:19Thanks, Mum.
08:29Alright?
08:30The watch you gave me, the police chased me to question me about it.
08:35Well, if you'd have given it to Maria like I asked, then no one would chase you anywhere.
08:39If you hadn't given me a stolen watch, then I wouldn't have been trying to sell a stolen watch.
08:42Do you think I got it out of a Christmas cracker?
08:44Look, it's too risky for me at the museum right now.
08:48What's wrong?
08:49You.
08:50You're what's wrong.
08:51Hanging around here, you're embarrassing yourself like a dog with its dick out now.
08:54Put it back to the reign of Sophia.
08:56Yeah.
08:57Don't talk to me like that.
08:58Or what?
09:01Or I'll let Sam know that you're lying.
09:03Yeah?
09:05Or the authorities.
09:06Yeah.
09:07Then I'll let the authorities know that you helped me lie about cancer.
09:11So you knock yourself out.
09:12Maybe it's me that should give someone a call and love you.
09:14You do that, you'll end up back in prison.
09:17You think I'd give a shit about that?
09:20I'll tell you someone who wouldn't fare well in prison.
09:23You.
09:24So they love X screws inside.
09:26You think about all that lovely attention you'd get.
09:28Yeah.
09:29Stop crying and get back to work.
09:31Hey!
09:32You need to rein it in.
09:33What?
09:34Well Jackie's out.
09:35We still don't have a distraction.
09:36And Blast just called.
09:37What did he want?
09:38The police are on to him.
09:39Yeah.
09:40I spoke to him.
09:41Well we can't expect him to manage it.
09:42Yeah okay.
09:43Well you manage Jackie and I'll manage Blast.
09:45No you need to let me deal with everyone.
09:46How am I?
09:47Cheers for asking.
09:48I got into a fight defending our mate.
09:49I wonder how I am.
09:50I got into a fight defending our mate.
09:51I wonder how I am.
09:52How am I?
09:53I got into a fight defending our mate.
09:54I wonder how I am.
09:55You all right?
09:56How are you?
09:57You all right?
09:58How are you?
09:59How are you?
10:00I'm sorry.
10:01How are you?
10:02Well Jackie's out.
10:03We still don't have a distraction.
10:04We still don't have a distraction.
10:05And Blast just called.
10:06What did he want?
10:07The police are on to him.
10:08Yeah.
10:09I spoke to him.
10:10Well we can't expect him to manage it.
10:11Yeah okay well.
10:12You manage Jackie and I manage Blast.
10:14No you need to let me deal with everyone.
10:16How am I?
10:17Cheers for asking.
10:18I got into a fight defending our mate.
10:19I wonder how I am.
10:21You all right?
10:24How are you?
10:25I'm okay.
10:26Well then I'm always okay aren't I?
10:29Right let's go together to stop Blast out yeah?
10:34Yeah.
10:35Right.
10:51You go in there in your front at ya?
10:54Yeah.
10:55You don't mess this up cause you can't tell a white lie about a nicked watch.
10:58Whatever they say, deny, deny, deny.
11:02Okay.
11:07We'll wait on the next street over.
11:09Hi.
11:35Have you slept?
11:37You have had an enormous shock, and this could be a long road.
11:42The best advice I have is go home and do something,
11:46even if it's just for 20 minutes, that is just about you.
12:07.
12:26Thank you for bringing us this.
12:29And for doing the interview.
12:31I want to clarify something.
12:34I don't want to go away because I didn't want to go away.
12:37I'm going away because they were chasing me.
12:39I'm here to cooperate.
12:42How did you find the clock?
12:44A part of the cards.
12:46We don't have names, or anything like that.
12:49I didn't know who I was robbing.
12:52You can't leave me at this point.
12:56Are you women?
13:01No.
13:03Are you sure?
13:05Because we're looking for two women in connection with this clock,
13:08and a religious religion.
13:13Is that your face of poker?
13:17I'm surprised you have won.
13:22I don't know.
13:23I don't know anything about those two women, what they do and what they do,
13:26but in that part, we're all men.
13:32If you're going to have to accuse me of something, let me go.
13:34But I don't know anything bad.
13:37I don't know anything.
13:38I don't know anything.
13:39I need your data, if I have more questions.
13:56Hello?
13:59That's great.
14:02We'll go together.
14:04Meet at mine.
14:06Jackie's agreed to meet Caitlin.
14:09I'll take you back to the house.
14:11Get out your hair.
14:17They're looking for two women in connection with the watches.
14:20And the theft of a holy relic?
14:23Did they get a description?
14:25Apparently.
14:28We need to lay low in Madrid for a couple of days.
14:30Do this when there's less heat.
14:31No, no, no. You need to go back to Madrid and stick to the plan.
14:34The police are looking for you. Are you mad?
14:36We're still doing this.
14:37We're so close. We need to make this happen.
14:39Then we can all disappear.
14:40I think we should split up.
14:42That's convenient.
14:44You just said that there's a description of two women.
14:46It makes sense to split up.
14:48Also, you're sick. You need to rest to be ready for the big day.
14:50I don't think you want me to have a rest. I think you want a rest from me.
14:53I'm taking you back. I'll keep you informed of everything that happened, okay?
14:56Shit.
14:58Hello?
14:59Hey up, gorgeous.
15:00I'm out on bail.
15:01I need to get home.
15:02I'm out on bail.
15:03I need to get home.
15:04I'm out on bail.
15:05I'm out on bail.
15:06I need to get home.
15:07And you?
15:08Obi-Wan Kenobhead.
15:09I'm my only hope.
15:10Me?
15:11That little shit cracker.
15:12I'm out on bail.
15:13I need to get home.
15:14And you?
15:15Obi-Wan Kenobhead.
15:16I'm my only hope.
15:17Me?
15:18That little shit cracker's been making moves on my patch in Bratford while I've been banged
15:25up.
15:26He's going to lose his marbles when he finds out what's happened to his cousin, Kyan.
15:30Wait, what has happened to Kyan?
15:31Is he not okay?
15:32Never mind all that, listen, seeing as you're the reason I were banged up in the first place,
15:34you're going to help me get out of Spain.
15:35And I can't exactly jump on the 3-45 Art Valley county, can I?
15:36Can't Hocky help you.
15:37I can't get in touch with him and even if I could, I want to help you.
15:38I can't get in touch with him.
15:39I can't get in touch with him.
15:40He's going to lose his marbles when he finds out what's happened to his cousin, Kyan.
15:44Wait, what has happened to Kyan? Is he not okay?
15:47Never mind all that, listen, seeing as you're the reason I were banged up in the first place,
15:53you're going to help me get out of Spain.
15:55And I can't exactly jump on the 345 bar of Alicante, can I?
15:57Can't Rocky help you?
15:59Can't get in touch with him.
16:01And even if I could, he hasn't robbed a massive bag of money off me, has he?
16:05Deeds, look, I can't. I'll get in trouble.
16:08Do you know how much trouble you're going to get in if you don't?
16:10I need that money today.
16:11And what about my mum?
16:12I just had a lovely little chat with her.
16:14So, do this for me.
16:16Your mum will be sweet, your debts will be cleared.
16:18Me and you back to square one, yeah?
16:20Old buddy, old pal.
16:23Go on then, let's have a look at that painting.
16:24I know you're making a copy.
16:27Come on then.
16:28Chop, chop.
16:33It's proper good that, Bilal.
16:35Who did it originally?
16:36It's Alvador Dali.
16:38Did he?
16:39Dirty bastard.
16:42It's good that.
16:44All right then, I'll see you in a bit, yeah?
16:48Get us that money, you prick.
16:49We'll go get it.
16:58All right, I'll go take a break.
17:02Where are you going?
17:20I need you to do something.
17:22I need you to do it now.
17:22And if you don't let me, I can't finish the picture.
17:25What?
17:26Deegs is out.
17:27He needs this money.
17:27That massive lump.
17:28Fill out.
17:29He said if I do it, you can clear my debts.
17:31If I don't, how do I ever go back to Bradford?
17:33How do I ever go home?
17:34I don't know, but I do know that you're going back in the house and finishing that picture.
17:37Got your money.
17:38It's a pain.
17:39What are you doing?
17:40Get up.
17:41It needs to be finished by tomorrow.
17:43No.
17:44If you don't let me go, I won't finish it.
17:46I don't care if you shoot me.
17:49Get your phone out.
17:50No.
17:51Get your phone out.
17:52Why?
17:53Get back in the house.
17:54We're going to sort this out.
17:57Come on.
18:00You've got no mates of your own age to phone.
18:06I wanted to see if you needed anything.
18:08You've been sent on a job, my friend, sir.
18:10First day, I wanted to see how you were doing.
18:12Secondly, how your husband is.
18:15You don't care how my husband is.
18:17Do you?
18:19Listen, when I met you, you were not only doing something you loved, but something you were
18:23good at.
18:23Why do you want this job so badly?
18:27I'm just a huge fan of art.
18:30And I'm sick of being broke.
18:32My place is so small, I can touch the toilet from the end of my bed.
18:36Bloody hell.
18:37Handy if you want a wee.
18:40Look, I just want you in, man.
18:42You seem straight up.
18:43You know, for a crook.
18:44Hmm?
18:44Well, you know what to say to a girl.
18:48Listen.
18:50Those two are full of shit.
18:52My husband is lying in there because of them.
18:55It does sound like he went pretty nuts, though.
18:58That's not the point.
18:59I'm still fucking raging with Bert.
19:02It's so much money, though.
19:04And I know that money isn't everything, but money buys you the time to decide how far away
19:09from this life you want to be.
19:11Hmm.
19:13So, are you in?
19:17Jackie?
19:20Yes.
19:21But my foot will be on the pedal, and I am in charge of when we leave and who gets left
19:26behind with the misbehaving.
19:30Entienders?
19:39Well done.
19:41We did what Bert and I couldn't.
19:43She still isn't happy.
19:46Oh, well.
19:46The money she's going to make from this job will put a spring in her step.
19:51So, our next problem.
19:52The distraction at the museum.
19:54Yeah, we're working on that.
19:56Look, I didn't want to mention it because, you know, we've got enough on our plate, but
19:59Bert's in a volatile place.
20:03Okay.
20:03I mean, she can sense being managed a mile off, so she has to think that she isn't being,
20:07else we're on the risk of the wheels completely coming off.
20:12Thank you for trusting me.
20:14It's okay.
20:16Well, come on.
20:173pm.
20:21Yeah, that's right, yeah.
20:24Er, I'll be there.
20:26With the money.
20:28That's it.
20:29Good boy.
20:30Now, all you have to do, stay here, and finish this.
20:33Nearly there.
20:37Bloody hell, Bilal.
20:40I'm not just a pretty face.
20:45No, you're a good'un.
20:47Just don't cock it up at the final hurdle, or I'll bat on you.
20:51Right.
20:53I'm off to see a man about a dog.
20:54Oh, for fuck's sake.
21:24Don't fucking spare me.
21:33Where's Bilal?
21:35What's what Bilal for?
21:36I thought you just wanted the money.
21:39I do.
21:43I'll get it, then.
21:48Drop the bag and piss off.
21:54Well, you don't, man.
22:07You're a good girl.
22:09No, no, no.
22:10No, no.
22:11No gastemos recursos, encorazonadas.
23:42Um, let me explain.
23:46What are you doing?
23:48Where are we?
23:52Yeah.
23:53Move.
24:07Where's the comer?
24:08Oh, my fucking ankle.
24:16Put it down, all right?
24:18Ah, ah.
24:22Yeah.
24:24Ah, Jesus.
24:26Your mum must have dropped you on your head or something, I swear to God.
24:30Shut up, Dad.
24:31You fucking mental.
24:37All right.
24:39What do you want, Jack?
24:52I want you to stay out of my business.
24:55Yeah, well, that's not going to happen, is it?
24:57Yeah, I've heard you've got Bilal forging a Dalai painting for you.
25:00I reckon I know why you're doing that.
25:03That sounds like fun.
25:05I fucking knew it.
25:09Fuck.
25:13You burst my eardrum!
25:16Yeah?
25:17I think I've caught your ear there as well, Mr. President.
25:23What do you want?
25:24Just tell me what you want and I'll do it.
25:25You're going to leave Bilal alone?
25:26Yeah, I'll leave him alone.
25:27I'll leave him alone.
25:28Just let me go.
25:29Yeah, the thing is, if I take you back with me, I don't think you're going to behave.
25:31Because I don't think you're capable of behaving, are you?
25:34Hmm?
25:35Sorry.
25:38I'd lick that up if I were you.
25:40That's all you're going to get for two days, because I'm leaving you here.
25:42You're fucking not!
25:43Oh, yeah, yeah, I am.
25:45And if you keep using all your energy to get free, then you're going to get sweaty and
25:49knackered and really fucking thirsty.
25:52That'll bring your need for water up to, what in this year, a day and a half.
25:57So maybe you're wriggle free.
25:58Maybe you make it to the next town, which is about three hours away on foot.
26:03But in which direction?
26:06So that's the decision you're going to have to make.
26:09Or you sit there like a good little boy, and in two days' time, someone's going to
26:12come, pick you up, give you money, and then off you fuck on your merry way.
26:15Oh, fuck you!
26:29Just leave me alone, you nightmare!
26:30And if you need a little wee-wee, you'll have to do that in your knickers.
26:35Grr!
26:36Grr!
26:37Grr!
26:38Grr!
26:39Grr!
26:40Grr!
26:41Grr!
26:42Grr!
26:43Grr!
26:44Grr!
26:45Grr!
26:46Grr!
26:47Grr!
26:48Grr!
26:49Grr!
26:50Grr!
26:51Grr!
26:52Grr!
26:53Grr!
26:54Deeks!
26:55Why didn't you tell me?
26:56Oh, I'm disobeying the boss.
26:58Where did you go?
26:59Out of the way, because you said I couldn't mind my own business.
27:02She gets like this, your mum.
27:07What happened to him?
27:08Where is he?
27:09I'm finished.
27:10I've done my bit.
27:11Have you done yours?
27:12Yep, but you won't hear a peep out of Deeks, and you're on the last plane out of here tonight.
27:17So, go on, show us the goods.
27:20Right, wait there.
27:26Right, gently now.
27:28Yeah?
27:29Yeah.
27:30Wow, that's beautiful.
27:31It's perfect.
27:32Take him to the airport, Caitlin.
27:35Oh!
27:36Hey, well done.
27:37Thanks.
27:38Yeah.
27:39Good luck, guys.
27:40You don't have to look at her like that.
27:41Like what?
27:42Like you're a team and you're edging me out.
27:43I'm not edging you out, Bert.
27:44I'm trying to help.
27:45Where is Deeks?
27:46Probably in a puddle of his own piss.
27:47But what?
27:48You're a team and you're edging me out.
27:49I'm not edging you out, Bert.
27:50I'm trying to help.
27:51Where is Deeks?
27:52Probably in a puddle of his own piss.
27:55But we don't have to worry about him anymore.
28:12Where are you going now?
28:15Out.
28:16Out.
28:17Out.
28:18Okay.
28:19I need time to think.
28:20Take a long walk.
28:21Good luck.
28:22Good luck, guys.
28:23I don't have to look at her like that.
28:24Like what?
28:25Hey, hello, to what do I owe the pleasure?
28:53We're doing a job. Bert and I. Big money. I think you make a great addition to the team.
29:04There's no team in I. What's the job exactly? Huh? You need a babysitter for Bert.
29:13That's not what's required. That's always what's required. So, what's the job?
29:18A heist in two days. Cutting it by, aren't you?
29:22We need someone who can cause a mistake-sized distraction long enough for us to get in and out.
29:26Full differences aside, you're the perfect person.
29:29What are you paying?
29:31A million euros.
29:34What are you stealing? The crown jewels?
29:37I only share that information with my team.
29:44Give me the address and my job description and I'll be there.
29:48Well, we're gonna need you before that.
29:52Of course you do. This one million-euro job, why don't we wait?
29:59Well, she's dying.
30:01Wait until she's gone. Then we do it. We get a larger cut.
30:06No. It's her dying wish.
30:10Still sentimental.
30:12Well, play your cards right, you might get it anyway.
30:14She's always had a soft spot for you.
30:18So, are you in?
30:20Can I trust you?
30:21Well, as much as anyone can trust Bert.
30:23That's not what I asked.
30:25Can I trust you?
30:39Did he get on his plane?
30:40Yeah, and now that we've got Jackie back on the side, we're winning.
30:43Don't get mad, but I'd invite someone to help lighten the load.
30:46Brorida.
30:48No, absolutely not. I don't want her involved.
30:50It was you who wanted her here in the first place?
30:52Yeah, now I don't.
30:55Well, Caitlin can't be the only distraction. It won't be big enough.
30:58And what is more distracting than this?
31:00Oh, give it a rest. You've been knocking out the same shtick for years.
31:02We don't want your help.
31:03That's not what you said when you came to see me.
31:06We do need the help.
31:08From anyone but her.
31:10Bert, it's you and I with 30 seconds to switch a painting.
31:14We have to have all eyes away from us.
31:17We need someone who can make sure everyone leaves the masturbator room.
31:21Someone skilled enough to turn the crowd to our advantage.
31:24We control the crowd and we control the space.
31:28Calm, Roberta.
31:30Let's all work together.
31:32You don't have to worry.
31:34I put on a show to end all shows.
31:37Nobody will be remotely interested in you two.
31:39Yeah.
31:40Oh, nice ambush.
31:54Well, it'd only been an ambush if you hadn't already been back channeling to her.
31:57I went to see her because of everything that was happening with me and she was just shit.
32:01Well, you were right.
32:02We do need her.
32:03Yeah, what's she going to do?
32:04Jump out of a cake?
32:05Or have everyone trip over on her bingo bowls?
32:07Well, we haven't discussed the details yet.
32:09Who? You and Caitlin?
32:10No.
32:11Mere mistake on me and you, Bert.
32:13You're worrying me.
32:14You don't have to worry about me.
32:15Well, you're acting out.
32:16You are?
32:17Oh, fuck.
32:18Fuck.
32:19How's your hand?
32:20Fine.
32:21I scraped it.
32:22Did you?
32:23Okay.
32:24So, you're Sam's daughter.
32:28Mm-hmm.
32:29I see it.
32:30It's the eyes.
32:32So how are you finding being back with your mother?
32:35Good.
32:36I'm glad.
32:37I don't think she's natural mother material.
32:40But then who among us is, really?
32:42What's going to happen?
32:52When all this is done, are you going to come back?
32:55Nurse me?
32:56Or are you going to sail off into the sunset with Caitlin
32:58and just leave me?
33:00I told you I'd take care of you.
33:01Gets messy towards the end, though.
33:03What do you want me to do?
33:07Are you even sad that I'm dying?
33:08Of course.
33:10How long do you hope it's going to be until I actually die, though?
33:13What sort of question is that?
33:14Because you want rid of me, don't you?
33:15As soon as possible.
33:16Yeah, yeah, yeah, yeah, you do.
33:17You've wanted rid of me all day.
33:19You can't even let me in on my own job.
33:20Because let's remember, this is my job.
33:22I know.
33:29This is nothing compared to what I'm capable of.
33:33Getting in and out of a museum and stealing a painting
33:35is a piece of piss compared to what I can get out of.
33:40What prison?
33:41You got yourself out of prison.
33:44How?
33:51You haven't got cancer, have you?
33:54It's took you this long to even think about working that out.
33:57Why would you lie about that?
34:00Oh, my God, you're deranged.
34:02No, I'm not.
34:03I'm smart.
34:04I'm so much smarter than you.
34:06I worked out how to pay for a cancer patient's records
34:10and then I lined up all the people inside prison.
34:12I took pills so that you thought that I was sick,
34:15which made me sick and actually that was really fucking inconvenient at times.
34:18I played the long game and here I am.
34:22That is so much better than any con that you could go.
34:24I put you to bed.
34:26We drank to life.
34:27I'll admit that you're a little bit impressed.
34:29And anyway, I'm not dead now, so aren't you happy?
34:33To life.
34:34Why?
34:36There are worse things that I could have done.
34:38What's worse than pretending you're dying of cancer?
34:43Wearing a wire for the police like a nasty little grass.
34:49I didn't.
34:50You did.
34:51And then you watched as they dragged me out of that club
34:54and you pretended that we were in it together.
34:57And I never once gave them your name.
35:00And then I wrote to you and I said you go and live your life.
35:05But you betrayed me, haven't you?
35:08I didn't have a choice.
35:15They were coming for you and you were wild.
35:17We were going to end up dead.
35:18So you put me inside.
35:19You put yourself inside.
35:21The police came to my door because you put us on their radar.
35:26I didn't have a choice.
35:27We always have a choice.
35:28Not with you, Bert.
35:29Because you push and you push until you're in a corner
35:32and that is what you're doing now.
35:33You were nothing without me.
35:35You were just some knocked up little teen working in a shitty little club in the middle of nowhere.
35:40You think I don't hate myself?
35:42No.
35:43I'd have preferred to serve a sentence than live with this guilt.
35:50You said you were my friend.
35:52And then you took away ten years of my life.
35:56You're gonna fuck me over, aren't you?
35:57Do you know the only thing that we can both know is that we need this money so that we can never see each other again.
36:05And aren't you fucking lucky that trumps me putting you in prison.
36:14But how do I know that I can trust you?
36:17so that we can never see each other again.
36:21And aren't you fucking lucky that trumps me putting you in prison?
36:27But how do I know that I can trust you?
36:30Because I'm doing this for Caitlin.
36:32And she needs this.
36:33Fuck you.
36:34You're doing it for you because you're a con through and through.
36:37And when this is done,
36:39I'm gone.
36:47I don't know.
37:17I haven't got cancer.
37:35Well, that's good news.
37:40I had to do something to get out.
37:44I made friends with a prison nurse.
37:46She needed the money, so I saw an opening.
37:52So why keep up the light?
37:55Because it's the only way I could get Sam to see me.
38:01And because I wanted her to feel it when I hurt her.
38:05Because I wanted her to pay.
38:08For what?
38:12For putting me in prison.
38:17She was a police informant.
38:19I found out when I was inside.
38:23So this is all revenge?
38:32It didn't need to be.
38:33I...
38:34I turned that around in my head.
38:35I...
38:39I was going to split the money with her.
38:40I...
38:42She's just used me like she always did.
38:44I was dead.
38:54I'm sorry.
38:58I should have stayed with you.
39:02You're the only person that's ever...
39:04really understood me.
39:06How do you know she's not planning to do the same thing again?
39:11Because she's doing it for Caitlin.
39:13For Caitlin?
39:25Roberta.
39:27We said some hurtful things to one another.
39:31Yeah.
39:33I need you to know that this isn't just about the money.
39:39But you are hard to love.
39:42But Mateo and I...
39:44We care deeply for you.
39:52Is the job real?
39:55Yeah.
39:58Is the money real?
40:00I'm very.
40:04Can I be sure that I can trust you?
40:09Pinky promise.
40:16I will watch your back.
40:20But...
40:22Anything to do with you and Sam...
40:24Not my problem.
40:26You understand?
40:28Yeah.
40:29I understand.
40:30It's been too boring.
40:32It's been a long time for me.
40:36I'm gone.
40:42It's been a long time for the night to a party.
40:45It's been a long time for me.
40:46Thank you and I love you all the time.
40:48It's been a long time for you.
40:49Are you going to be okay?
40:57I only agreed to do this job because I thought she'd be dead by the end of it.
41:00Now I'm stuck with her.
41:01When this is done, we need to leave.
41:04We'll have enough money, we can go anywhere.
41:06Why would she lie like that?
41:07Because she was born a liar.
41:10I'm just sorry you got pulled into all this.
41:13Look, I know you believed in her,
41:16but you cannot trust a single word that she says.
41:20Can we trust her to do the job?
41:22Yeah, because without this, she really does have nothing left.
41:32Will you stop moving?
41:37Ow, that hurts.
41:39Well, hold still, Dad.
41:41My mum never does my hair.
41:45When's she coming back?
41:47She's not.
41:49But you're okay here with me, aren't you?
41:55Yeah.
42:09Showtime.
42:09I don't want any, thank you.
42:15You're so cute.
42:17You're so sweet.
42:20Hola.
42:20Good day.
42:21Yeah.
42:22All right.
42:26Don't want any.
42:29Come on.
42:31Yes, I'll still go for it.
42:33Yes, I'll still go for it.
42:35I'll still go for it.
42:35Trust nobody, kid.
43:05You must be starving.
Be the first to comment
Add your comment