- 2 days ago
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00:00:00Friday at Pizza Flicks
00:00:05Tonight, watch Frank Gorshin as you've never seen him before
00:00:14in his hard-hitting crime flick that the mob didn't want you to see.
00:00:18Before the film's Portland premiere, hoodlums put the screws on local theater operators.
00:00:25It was shown around the country, but not within 30 miles of the City of Roses.
00:00:55Okay, you guys win. Come on in, I'll sign up.
00:01:25I'll sign up.
00:01:27I'll sign up.
00:01:29I'll sign up.
00:01:31If you're still there, you will get married.
00:01:34I'll sign up.
00:01:35You might be like a little girl.
00:01:37I'll sign up.
00:01:39I'll sign up.
00:01:41I'll sign up for you.
00:01:43You might be like a little girl.
00:01:45I'll sign up for you.
00:01:47I'll sign up for you.
00:01:49I'm so glad I can.
00:01:51Portland, Oregon, one of the nation's most beautiful cities, with Mount Hood rising in
00:02:16the distance, majestic, serene, white with eternal snow. Portland is a city of wide streets, modern
00:02:24buildings, deriving much of its industry from the giant forests of the Northwest. The citizens of
00:02:30Portland attend many fine churches. Portland is a city of beautiful homes. In the soft climate,
00:02:36gardens grow lush and green throughout the year. Roses are everywhere in profusion. For years,
00:02:42Portland has been known as the City of Roses. Within easy distance of the city are settings of
00:02:48incomparable natural beauty, such as majestic Multnomah Falls. It is a family town, a good place
00:02:56to bring up children. And yet, like the muddy overflow of Bonneville Dam, crime and ugliness
00:03:02recently swept down on Portland. Like these rushing waters, Vice threatened to inundate this jewel of a
00:03:08city. For the events you are about to see happened here. And they could happen again, in your town.
00:03:19Certainly is a noisy thing, isn't it? Oh, just an amusement gadget, Ms. Madison. Customers go for
00:03:24them. That's right. Clean, simple fun. Oh, Mr. Lennox, we know as well as you do that people gamble on
00:03:29them. Besides that, they're against the law. Oh, you're wrong, ma'am. Like I told you, there's no law
00:03:33bothering the pinballs. Why, I could even put in a couple of slot machines here. I'll go for the jukebox.
00:03:38We've got some money out of that. Look, George, I know what you're up against. When you bought
00:03:42this place, I said to myself, here's a guy going places, if he's wise. Well, we've made our plans
00:03:47to pay off the property. George is building some more cabins, and we may get a franchise to put in
00:03:52some gas pumps. Gas pumps? Why, this is a tavern. It's kind of a landmark. You people can make
00:03:58plenty money here. The children are due home. Do whatever you want to, George.
00:04:02George, put two, three of these in here, you'll average 20 bucks a day apiece. Splits 50-50.
00:04:0920 a day for each machine? Yep. Could be closer to 50 for you. Woodland Tavern's a hot place right now.
00:04:14All that construction going on down the road. Look, I'll leave two of them here for a month.
00:04:19See what they do. If you want more to really lift you out of the red, just holler. One. Let's just try
00:04:24one. Hiya, Pop. Hi, Jimmy. Hello, Father. Oh, boy. Pinball. Got a dime, sis?
00:04:45See? Just an amusement gadget. A toy. Played that way, but you know what a crowd of adults do
00:04:50with those things. So people gamble. That's no skin off your nose. But look, one's no account. Let me
00:04:56put in three. One. You'll make this place look like a side show in a carnival.
00:05:01one. That's no matter. Let me get the thing. Let me get to the phone. I'll ask the boss. You
00:05:22talking to the boss right now. Get that route list.
00:05:31You ain't got a chance to muscle in.
00:05:34The Syndicate's got this city tied up.
00:05:36Ain't no Syndicate no more.
00:05:39Now listen.
00:05:40Them routless talk.
00:05:45Put one low in his guts, Joe, for a starter.
00:05:48Don't.
00:05:49No, no, no, no.
00:05:50It's in the file box.
00:05:52No, no, not there.
00:05:54In the steel files on the bench.
00:05:57The second drawer from the bottom.
00:05:58They better be.
00:06:01Okay, let up on him.
00:06:10Must be 50 joints here.
00:06:15Quite a route you had.
00:06:18I see you got the real hot ones marked.
00:06:21Yeah, the good places are marked.
00:06:25If you want to run a collection route for a good outfit,
00:06:28come to Penhouse Suite A14.
00:06:31You know what hotel.
00:06:32If you want to go to Penhouse Suite A14.
00:06:36You're not a guy.
00:06:40I think you're a guy in the bank.
00:06:42That's a good house.
00:06:43You're not a guy.
00:06:44That's what I'm going to do.
00:06:45You're going to go to Penhouse.
00:06:46Maybe you're going to go to Penhouse Suite A14.
00:06:49You're on the right.
00:06:49I mean, there's no guy.
00:06:51It's a way to go.
00:06:51Don't let them push you around.
00:06:53Give them what they want.
00:06:55Give them?
00:06:57Say, this kind just takes.
00:06:59Real goons, like 20 years ago.
00:07:01Spud, you better go lay low somewhere.
00:07:03We're up against a tough deal.
00:07:05A real big one.
00:07:07The biggest one.
00:07:09The biggest one.
00:07:11Spud, you better go lay low somewhere.
00:07:13We're up against a tough deal.
00:07:15A real big one.
00:07:17The biggest.
00:07:21The biggest one again,
00:07:23the biggest one.
00:07:25The big one.
00:07:27The big one.
00:07:29Okay, you're in.
00:07:51Well, what have you got?
00:07:54That big route list from Spud Lennox.
00:07:56Did you have to rough him up a little?
00:07:57A couple slaps.
00:07:59He was slow coming through.
00:08:00You should have beat him.
00:08:02You balled things up in Seattle with that stuff, remember?
00:08:04Bill, there's only one way to run a bulldozer.
00:08:06It's to push everything ahead of it.
00:08:09That's good, Mr. Garnell.
00:08:11What we bring to this town is a bulldozer.
00:08:14Diesel-powered.
00:08:16Got the right driver in the seat.
00:08:18All right, now that you gentlemen have had your joke,
00:08:20maybe we can talk business.
00:08:22Come on, Phil, we didn't come to Portland for no funeral.
00:08:25Don't be so sure about that.
00:08:28What are these symbols in red?
00:08:30Them letters?
00:08:31The A's is joints in good locations.
00:08:34B's good, but out of the capacity, and so on.
00:08:37There are three, four, five of them marked A.
00:08:39I cased them all.
00:08:41And one joint towards the river,
00:08:43but in close enough, the Woodland Tavern.
00:08:46The Woodland Tavern is a joint the middle estate people
00:08:48were talking about.
00:08:48I know.
00:08:49All right, put the pressure on these five.
00:08:52I think most of the others will fall in line
00:08:54when they see what's up.
00:08:55Is there something special about the Woodland joint?
00:08:57Yes, I got some big plans for that spot.
00:09:02Oh, Joe.
00:09:04I haven't had a chance to talk to you
00:09:06since we left up north.
00:09:07Yeah, Mr. Jackman.
00:09:08You stay close to Larry.
00:09:10And I want to warn you about the women.
00:09:12Well, that's all over, Mr. Jackman.
00:09:15Well, I put on a tough stretch up there.
00:09:17I mean girls.
00:09:19As soon as we get going here, there'll be plenty of women.
00:09:21You can do as you like with them.
00:09:23But if you make a slip like you did in Washington,
00:09:25it won't be the pen and an easy parole.
00:09:27I tell you, Mr. Jackman, you don't have to worry.
00:09:30I talk to him, boss.
00:09:31He's got the cure.
00:09:32From now on, only ripe old dollies for Joe.
00:09:36Say, 60 or better?
00:09:37I just want to make it plain, that's all.
00:09:40We may never need you for a chopper in this setup, Joe.
00:09:42But you're around in case we do.
00:09:44But we don't want a foul up.
00:09:46I tell you, Mr. Jackman.
00:09:47All right, now let's get going.
00:09:49Put the pressure on these five.
00:09:51Larry, you move in to close the deals
00:09:52and report here every day.
00:09:54Check.
00:09:55With a little extra pressure on the Woodland Tavern joint.
00:09:57All right, now let's go.
00:10:27All right, now let's go.
00:10:35Guy's a holdout, huh?
00:10:37Six days.
00:10:38Don't he know everybody else is lined up?
00:10:41He don't know from nothing yet.
00:10:51Wait, look.
00:10:53Gives me an idea.
00:10:54Like what worked in New York.
00:11:00Hi, Pop.
00:11:02Hi, Jimbo.
00:11:03Bye, Daddy.
00:11:04Bye.
00:11:05Can I drive?
00:11:07Okay.
00:11:10I'll drop Jimmy and Ruth by the school
00:11:12and then I'll go on to the bank.
00:11:13Go to Cornette Amusement Company
00:11:14and see if you can get a line on Lennox.
00:11:16Snap out of it, you.
00:11:21Wake up.
00:11:21That's jailbait.
00:11:25And you know all about jailbait, Joe, my boy.
00:11:32Don't have any more arguments with the delivery man.
00:11:35Promise.
00:11:36Okay, honey.
00:11:38See you.
00:11:45Wait.
00:11:47Melissa.
00:11:56See you.
00:11:57See you.
00:11:59You're back again?
00:12:26That's right, Mr. Madison.
00:12:29You're ready to sign?
00:12:41I told you before, I can hang on for a year, close tight.
00:12:46You'll be closed, all right.
00:12:49This is the last chance to change your mind.
00:12:55You guys are out of date.
00:12:56You belong in Chicago, 20 years ago.
00:13:00Get out of here, all of you.
00:13:04Stay back from him.
00:13:06You're always a wise guy.
00:13:07Come on, come on.
00:13:08Take it away from me.
00:13:14Okay, chump.
00:13:16Sit down.
00:13:20So we've got to get rough.
00:13:21Just what is your racket?
00:13:25Easy.
00:13:26You kick these machines out and put ours in.
00:13:29Then we open a joint all out.
00:13:31Everything.
00:13:33No, no.
00:13:33You shut me down, I'll stay shut.
00:13:36But guys like you, we usually make it a beef job.
00:13:39That means hospital.
00:13:40But this time, we're going to go scientific.
00:13:43It burns, don't it?
00:13:49I suppose it goes in my eyes, you blossom.
00:13:51All right, sit down.
00:13:53No, not in your eyes, buddy.
00:13:57That little daughter of yours.
00:13:59How old is she?
00:14:01About 18, I bet, huh?
00:14:03No.
00:14:05No, you wouldn't.
00:14:06You!
00:14:07Don't gamble on it, mister.
00:14:11You want that little girl of yours to get a facelift,
00:14:14or you're going along the way we tell you.
00:14:21All right.
00:14:23Spell it out.
00:14:26All this trouble because we want to make you a rich guy.
00:14:30It's still 50-50, but we go all out.
00:14:34We'll make the split you've been getting look like peanuts.
00:15:01Mom, can I bring my date in?
00:15:02You know better than to ask that, Ruth.
00:15:05But, Mother, I look 18, and Benny looks at least 21.
00:15:09Well, almost.
00:15:10Who on earth is Benny?
00:15:11My date.
00:15:12Benny Morrison, that jerk.
00:15:14Keeping out, Mom, juvenile.
00:15:16Brat.
00:15:18Honestly, Mother, how square can you get?
00:15:20You listen to me.
00:15:22Jimmy, you have homework to do.
00:15:24Ruth, until you are 18, and your date is 21,
00:15:26you may not dance in here.
00:15:28You may not dance in here.
00:15:30Hold on.
00:15:30Let's go.
00:15:31Okay.
00:15:35Squiz.
00:15:38Becky, take over for me, please.
00:15:58What?
00:15:59What?
00:16:01What?
00:16:03Oh, stop it!
00:16:06If you just take care of your clothes.
00:16:09Oh, Mom, don't let her.
00:16:12OK?
00:16:13Yes, now.
00:16:15It's not 11 o'clock yet, you've got lots of time.
00:16:19Oh, there he is.
00:16:22OK?
00:16:24Do you want me to go to the park, or do you think Napoleon would object?
00:16:28Mom, I just can't stand his smart alley craft.
00:16:31He's just a typical brother.
00:16:33You tell Benny to drive carefully in the Saturday afternoon traffic.
00:16:37Okay, Mom. Bye-bye.
00:16:39Bye, darling.
00:16:41Bye, Daddy.
00:16:44Where's Ruth going?
00:16:46Into town with that boy Benny.
00:16:48We're going to a matinee then to his house for dinner.
00:16:51What business is his father?
00:16:53George, he's a deacon in the local church.
00:16:59Any breakfast, or is it lunch time?
00:17:21George, what's happening to us?
00:17:24We're making money.
00:17:25I've already put a dent in what we owe.
00:17:27It's money. All matters.
00:17:29George.
00:17:31You act like you did when you first got out of the army.
00:17:33You're all tense and nervous.
00:17:35That wild, hard looks in your eyes again.
00:17:37George, you act like you did when you first got out of the army.
00:17:41You're all tense and nervous.
00:17:43That wild, hard looks in your eyes again.
00:17:45Clara, if you'll do what I've been asking you to do for weeks,
00:17:47I can pull out of this my own way.
00:17:49No, I'm...
00:17:51I'm not going to leave you. You're in trouble.
00:17:53We've always pulled together. All of us.
00:17:57You can do it again if you'll let us.
00:17:59Yes, but Ruth...
00:18:01What about Ruth?
00:18:03That young squirt she's been running around with
00:18:05has been making snide remarks about us operating wide open.
00:18:09She's at an age to take that kind of thing very seriously.
00:18:11Maybe you ought to take her home to your mother for a while.
00:18:13Isn't it?
00:18:14I'm not going to leave you. You're in trouble.
00:18:16We've always pulled together. All of us.
00:18:18Do it again if you'll let us.
00:18:20Yes, but Ruth...
00:18:21What about Ruth?
00:18:22That young squirt she's been running around with
00:18:24has been making snide remarks about us operating wide open.
00:18:26It's not only Ruth, it's all of us.
00:18:28How long are you going to allow two or three hoodlums
00:18:30to dictate how you can run your business?
00:18:32It isn't as simple as that, Clara.
00:18:36I think I've found a solution.
00:18:37What?
00:18:38The police are coming to the tavern tonight.
00:18:40The police?
00:18:41That's right.
00:18:42I finally got through to a decent person, Captain Vincent.
00:18:44He's raiding the tavern, padlocking it,
00:18:46and arresting customers at 10.30 tonight.
00:18:48What good?
00:18:49That'll only cause more embarrassment.
00:18:51But don't you see, Clara?
00:18:52If the law shuts us down, then it's off my back.
00:18:55Well, then can we get out of here and go home?
00:18:57Can we?
00:18:58Clara.
00:18:59Can we?
00:19:00Did you ever know me to back out on a fight?
00:19:02This is different.
00:19:03This is something...
00:19:04This is something ugly and sinister.
00:19:06Okay, I'm stubborn, but I'm not going to lose every dime we've saved.
00:19:10I'm scared, George.
00:19:13Honey...
00:19:14We'll get out of this mess.
00:19:16Then we'll start again.
00:19:17Clean.
00:19:18We'll get out of this mess.
00:19:21Then we'll start again.
00:19:22Clean.
00:19:23Clean.
00:19:26Clean.
00:19:39Clean.
00:19:42How much?
00:20:04Routine check.
00:20:06Kind of early, aren't you?
00:20:08What's up, making wise?
00:20:10Oh, I run a wide open choice.
00:20:11We enjoy it here.
00:20:13It warms up about 10.
00:20:15Gambling, after-hours liquor, can't see the slot machines.
00:20:18No dames?
00:20:20We haven't got around to that yet. Give us time.
00:20:24Well, when you line up a few, let us know, huh?
00:20:27We'll be back.
00:20:33Oh, jackpot!
00:20:37Another jackpot!
00:20:38Oh, put him in here.
00:20:41I'm not saying one word out of turn.
00:20:51I'm only asking you one question.
00:20:53Where can I find the head guy of the syndicate you used to work for?
00:20:57I... I ain't even going uptown.
00:20:59Now or ever.
00:21:01I'm not asking you one question.
00:21:03Where can I find the head guy of the syndicate you used to work for?
00:21:06I... I ain't even going uptown.
00:21:08Now or ever.
00:21:09Now or ever.
00:21:11I'm not asking you to.
00:21:12Give me his address, I'll go see him.
00:21:15Do you know his name?
00:21:16I got that all right, but nobody knows where he is.
00:21:19Well, give me my little black book.
00:21:21This is in my coat pocket.
00:21:26That's right.
00:21:28This little bitty hotel...
00:21:30...on the outside of town.
00:21:32That's right.
00:21:33...if you have to be taken by.
00:21:35Here, look...
00:21:36...Edgerly Arms.
00:21:37Edgerly Arms.
00:21:44Yeah?
00:21:45I suppose they would call my business a racket.
00:21:49But if I hadn't run it, somebody else would.
00:21:52We never took the lid off of this town in 15 years.
00:21:56You mean no slots, no open gambling?
00:21:58I mean no open prostitution, no bootlegging, no dopering.
00:22:02No cover-up for criminals on the land.
00:22:05No organized illegal surgery.
00:22:08But believe me, those are the things that Portland's in for now.
00:22:14Well, George, if you still want to fight this mob, telephone me.
00:22:19I'll give you the name of the man to see.
00:22:22You should talk.
00:22:24You lay down and play dead the minute these hoods move in.
00:22:28Be as bitter as you like, my boy.
00:22:31But I'm old.
00:22:33I ain't got more than one bullet hole in my hide.
00:22:37But there are some people who intend to fight this thing.
00:22:40And they need help from someone who already has an in with this mob and can stay in.
00:22:46No, no, I just want to get this mob off my back.
00:22:50Stay here Joe, we got our collection money.
00:22:54Stay here Joe.
00:22:55We got all that collection money.
00:23:04I'm going to ask the fox for an armored truck on this route.
00:23:20Stop on this, Ralph.
00:23:22My ramen.
00:23:24What more do you want?
00:23:32Leave your business.
00:23:36For a long time, you know how he feels about things like that.
00:23:40Talk about it.
00:23:42Okay, okay, let's not talk about it.
00:23:44I don't care what your dad says. He's just a snob.
00:23:46So he's a snob.
00:23:48There's nothing wrong about you.
00:23:50There's nothing wrong about your father in this place.
00:23:52Let your dad keep his nose out of my dad's business.
00:23:56Oh, come on.
00:23:58It's not quarrel.
00:24:00We've got our own lives to live.
00:24:02Our parents are squares.
00:24:14That's only three of the machines.
00:24:16Bring the rest in the office.
00:24:18Sure.
00:24:20Oh, hey, George.
00:24:22The big shots want to see you.
00:24:24What do you mean?
00:24:26The big boys, you know, the boss.
00:24:28The big boys.
00:24:30Yeah.
00:24:32Right now, sweet A-14.
00:24:34What do I say?
00:24:35Say recently.
00:24:36Oh, no.
00:24:38This ain't no joy.
00:24:40It's Headquarters.
00:24:42It's like any army when a general sends for you.
00:24:44I suppose I'm due for a medal?
00:24:46Could be.
00:24:47Could be. You got the hottest spot on my whole route now we finally got you going for.
00:24:55First heard that song at the Calypso Club.
00:24:58Hey, there's a crazy place for you. I know the man runs it. He'd let us in.
00:25:02It's wide open. I mean, wide open.
00:25:05You know my limit's at 10.30.
00:25:08Mine? I haven't even been to a place like that.
00:25:12Wow. My dad would have our heads.
00:25:14Stop playing it so square, Ruthie.
00:25:17You know you've been around.
00:25:19Not the place your dad runs.
00:25:21Come on. We can go down to the Calypso Club.
00:25:24Then I know where we can get a room.
00:25:26I know you've been around.
00:25:31Come on. We're going out in the country.
00:25:33Oh, no, we're not.
00:25:44Come on.
00:25:45Come on.
00:25:47Come on.
00:25:50That guy bothering you, baby?
00:25:56No.
00:25:57Who are you?
00:25:59Oh, I don't mean no harm.
00:26:01I'm just a friend.
00:26:03Yeah, that's it.
00:26:04A friend.
00:26:05A friend.
00:26:06Come on.
00:26:07Come on.
00:26:08Come on.
00:26:08Come on.
00:26:09Come on.
00:26:11mater.
00:26:12Ah!
00:26:12Oh, but you're not going to work.
00:26:17Ah!
00:26:21Ah!
00:26:24Ah!
00:26:26Ah!
00:26:29Ah!
00:26:31Ah!
00:26:33Ah!
00:26:34Ah!
00:26:36Ah!
00:26:38Ah!
00:26:39Get it out!
00:27:09Oh, yeah.
00:27:39Don't kill him.
00:27:43It'll be big trouble.
00:27:49Don't kill him.
00:27:51It'll be big trouble.
00:27:55Don't kill him.
00:27:57It'll be big trouble.
00:28:00Young Dolly's again, huh?
00:28:13Get them out of here.
00:28:30It'll be all right, Ruth.
00:28:37Did he harm her?
00:28:39No.
00:28:40No, not that way.
00:28:42My God.
00:28:43This is the finish.
00:28:44Take us away from me.
00:28:45Take it easy, Clark.
00:28:46Take it easy.
00:28:47Don't you realize what almost happened to Ruth?
00:28:49Now, wait a minute, honey, please.
00:28:50We're getting out of here.
00:28:52This rotten business is gonna make all of us rotten.
00:28:56He's changed you already, George.
00:28:59Take the kids and go home to your mother for a while.
00:29:02For a while?
00:29:03No, no, no.
00:29:04You're coming with us.
00:29:06Don't you see yet what these people are, what they do?
00:29:09That one was just a rabid dog.
00:29:11There weren't.
00:29:12Others were worse.
00:29:14And they'd tell you to stay.
00:29:16Oh, George, you've lost your mind.
00:29:18I want you to take the kids and go.
00:29:22I'm mad, honey.
00:29:24This is one thing I'm gonna see through right to the end.
00:29:28Father.
00:29:29Father.
00:29:30. . .
00:29:31. . . . .
00:29:32. . . .
00:29:33. . .
00:29:35Come on.
00:30:05I thought I'd better phone you right away, Mr. Carmody.
00:30:18Where is he?
00:30:19In the car.
00:30:21I had to tie him up.
00:30:23Larry, will you allow me to step in?
00:30:26Not as far as I know.
00:30:29And old Dolly's father liked to kill him.
00:30:31It's too bad he didn't.
00:30:33I told Phil, we shouldn't keep this guy here.
00:30:36He's trouble with a capital T.
00:30:39My hop heads are nothing to what ails him.
00:30:41I figured you'd want to hand out yourself, boss.
00:30:45If you'd pull one of those things,
00:30:48somebody could file a complaint.
00:30:59If you'd like him, it'd squeal his head off to the newspapers.
00:31:05There's a thousand for you in the morning, Larry.
00:31:09Come up the hotel.
00:31:10A lonely hobo routine?
00:31:12Don't leave any tags on his clothes.
00:31:14Terry, you son.
00:31:15Whatever you want, Larry.
00:31:21Come on, Larry.
00:31:23急 in there.
00:31:23Going.
00:31:24Oh, Larry.
00:31:25Wait.
00:31:27warming.
00:31:27Come on.
00:31:57Come on.
00:32:22Hello, Benny.
00:32:23Hi, Mrs. Madison.
00:32:24You folks moving?
00:32:25No, no.
00:32:26We're just going on a trip to visit the children's grandmother.
00:32:41Come on, Benny.
00:32:42Come on, Benny.
00:32:44Come on, Benny.
00:32:45Benny, come on.
00:32:47Oh, good old Benny.
00:32:48Come here, Benny.
00:32:50That's your baby.
00:32:52There you go.
00:32:52Hey, what's this Benny bit?
00:32:57Just a name.
00:32:59Only a name.
00:33:01Kind of cute, ain't it?
00:33:03Cute name for a rat.
00:33:12Just name that old rat to tease me.
00:33:15Well, I guess it was kind of appropriate.
00:33:20No, it wasn't.
00:33:21Not after I read your letter.
00:33:24It takes character to apologize like that.
00:33:26Do you mean we can be friends again?
00:33:30Would you wear my pin again?
00:33:35Ruthie, I promise.
00:33:37I swear I'll never again...
00:33:38Shh, shh.
00:33:38Let's not talk about it.
00:33:42You made it clear in your letter how badly you felt.
00:33:45I just forget it ever happened.
00:33:47Okay?
00:33:49Oh, Ruthie, you're wonderful.
00:33:51But what about that bit your mom said you're going away?
00:33:53No, but Dad...
00:33:54That'll just be for a little while.
00:33:56What about the fraternity dance?
00:33:59Oh, I forgot all about that.
00:34:01If you're going to go to college here, you want to meet some of the crowd.
00:34:03They'll all be at the dance.
00:34:04I'll tell you what.
00:34:07If Mother doesn't want to come back by then, I will.
00:34:09Dad'll be here.
00:34:10We'll come back the day of the dance.
00:34:12Great.
00:34:14Will you write me?
00:34:15Sure.
00:34:21Ruthie!
00:34:26Get your things down to the car, honey.
00:34:27We're almost ready to leave.
00:34:28We're almost ready to leave.
00:34:58Yes?
00:35:13I don't want to give my name unless I'm certain your phone isn't tapped, sir.
00:35:17Not this telephone.
00:35:18Go ahead.
00:35:20This is George Madison.
00:35:22I know mine's tapped at the tavern.
00:35:24Big freely, my boy.
00:35:26Have you made up your mind to line up on the right side?
00:35:29First, I want to make certain that my family gets some protection.
00:35:32I'm sending them to Corvallis.
00:35:35Very easy.
00:35:37You have my assurance.
00:35:40I might want to go along with you.
00:35:42I intend to hit back.
00:35:45Memorize this name.
00:35:48Alfred Gray.
00:35:49Don't make a note of it.
00:35:51You'll find them at the labor temple.
00:35:53They're not during the labor temple.
00:35:59I believe.
00:36:17Mr. Madison?
00:36:18Come in, won't you?
00:36:20Oh, you know Captain Vincent.
00:36:22Yeah, I know him.
00:36:24It's been nice meeting his pals.
00:36:25Just a minute, George.
00:36:27Listen to an explanation.
00:36:31Yeah?
00:36:32The tip-off went right out from the district court building like I knew it would.
00:36:35Look, Mr. Madison, Captain Vincent represents the decent element on the police force or he wouldn't be here.
00:36:40At least stick around and get wised up.
00:36:43My name is Bromley, Ted Carl Reporters.
00:36:46Captain Vincent, you know already, Alfred Gray is with the Union.
00:36:50Now, uh, sit down.
00:36:52Mr. Gray will conduct the séance.
00:36:56First, let me tell you something that Al Gray won't.
00:37:00He represents the rank and file of trade unionism.
00:37:04He's just as anxious to kick out the rats and the racketeers as we are.
00:37:08Don't make a speech, Carl.
00:37:10I think he's beginning to understand.
00:37:14Okay.
00:37:16I'll go along so far.
00:37:19Why was I steered in here?
00:37:21Because we found that certain people have more than just a casual interest in your tavern.
00:37:25You mean, uh, Jackman and his gang?
00:37:27They're underworld hoods.
00:37:29They were sent here by men who have tremendous power.
00:37:31Put it this way.
00:37:33Trade unionism to Al Gray and to hundreds of thousands of people like him
00:37:37is aimed at improving every working man's position.
00:37:40Very few make a racket out of it for their own personal gain.
00:37:46Okay.
00:37:47Give me a hand.
00:37:49It's been impossible for us to plant anyone on Jackman or Garnell
00:37:52where important conversations could be picked up.
00:37:54Now, if you play your hand right,
00:37:57you could go in with this.
00:37:59It's a tape recorder.
00:38:01You wear it under your arm.
00:38:04Any tape recordings you get will go to the grand jury.
00:38:07You better take some time and think this over carefully, George.
00:38:10If they catch you with that thing, you're dead.
00:38:12I'm not buying anything yet.
00:38:13If you could get just one incriminating conversation,
00:38:17that would be invaluable evidence.
00:38:19Just record what they say they're doing with your tavern.
00:38:21That would be enough.
00:38:22If I go along, it'll be for the full ride.
00:38:28And I mean for the full ride.
00:38:30Less than that, I don't play.
00:38:32You want to sweat through another picket line?
00:38:34So far, all you've given me is a lot of double talk.
00:38:36I'm operating the tavern wide open.
00:38:38You're getting your cut.
00:38:39If there's any change, I want in.
00:38:41All the way.
00:38:43Go easy, Phil.
00:38:44This guy acts too cocky.
00:38:47We got all the aces, not you.
00:38:50All right, I'll tell you what we have in mind.
00:38:52You have a few cabins.
00:38:54We want 20 more.
00:38:55There isn't enough tourist trade for that.
00:38:57Look, quit playing the patsy, will you?
00:39:00I can see right through you.
00:39:01You're wise, cagey, and tough.
00:39:03The rest is just an act.
00:39:04You mean you want me to open the place all out
00:39:06to B-girls and gambling?
00:39:08That's better.
00:39:09Now you're talking a language, we both understand.
00:39:13All right, now this is it.
00:39:15Woodland Tavern is secluded, but it's still close enough to town.
00:39:18We're buying up to 50 acres all around you.
00:39:20We're going to put in more machines.
00:39:22The liquor and the gambling.
00:39:24Plenty of good-looking models for shills.
00:39:25B-girls by the dozen.
00:39:27You guys crazy?
00:39:28This is going to be the biggest operation in the country.
00:39:30Bigger than Vegas.
00:39:30You want to sell outright, or do you want to ride for your cut?
00:39:39If you ride, you'll run the show.
00:39:42I'll ride for the big tank.
00:39:47It's going to take a while to do the building and the remodeling.
00:39:50Meanwhile, you won't be getting any money.
00:39:52All right, put me on to something that'll pay off in the meantime.
00:39:55Hey, wait a minute.
00:39:56This guy come to that awful quick.
00:39:59This is a wise guy, Phil, I tell you.
00:40:01That's the kind we need.
00:40:02We've got enough morons.
00:40:05Here, take this key.
00:40:07I want you to get your feet wet.
00:40:09That's the key to a lockbox at the railway station.
00:40:12I want you to go down there and pick up a package and bring it here.
00:40:14When?
00:40:15Tonight.
00:40:16You'll come back in cab number 30.
00:40:17It'll be waiting at the station for you.
00:40:19And good luck on your first assignment.
00:41:26Cat?
00:41:41It's a pinch party. Narcotics.
00:41:44There must be a couple of pounds of the stuff in here.
00:41:56Yeah. Box 043. Check it, will you? I'll hold on.
00:42:08Well, brief me. Did you get me out of bed to come down here and watch you hold a telephone?
00:42:13George Madison is making a phony pickup from a railroad lockbox.
00:42:17Holy smoke, he's framed.
00:42:20Well, come on. Let's get down there.
00:42:22Hold your horses. I got Reynolds the synergic checking to see if he did not.
00:42:25My door. I hope he didn't.
00:42:29Yeah. I'm still here.
00:42:33Oh. You sure you got the number right? 043?
00:42:40Yeah. Okay. Thanks a lot, Reynolds.
00:42:43Well, he did. Box is open. Empty.
00:42:49You stay here in case he gets word through.
00:42:51Where are you going?
00:42:52To the one place he's most likely to turn up next. City morgue.
00:42:57Nothing there. No news all night.
00:42:59Yeah, I checked the morgue again. Blank.
00:43:03There's nothing on the arrest blotter down at the narcotics squad.
00:43:06Of course he could have fooled us.
00:43:10But if he did, he also fooled a very shrewd man before he ever came here.
00:43:14No, no. I'll swear George Madison was on the level with us.
00:43:16Mama, the smelling salts.
00:43:20all night. Yeah, I checked the morgue again, blank. There's nothing on the arrest blotter
00:43:26down at the narcotics squad. Of course, he could have fooled us. But if he did, he also
00:43:33fooled a very shrewd man before he ever came here. No, no, I'll swear George Madison was
00:43:38on the level with us. Mama, the smelling salts. He doesn't even look ruffled. Well, we're
00:43:48glad to see you. What happened? I'm in. Now, here's some sample dialogue for a starter.
00:43:57But you guys look like you've seen a ghost. We have. But let that pass. Well, what happened
00:44:03after you picked up the package? Well, I was arrested. Two private detectives, I think.
00:44:07They made out a charge, narcotics possession. Jackman kept the charge sheet, so I am now
00:44:13an inside member of Jackman Garnell Incorporated. Well, they certainly double-crossed themselves
00:44:19this time. You've got Jackman's voice on the tape telling you to pick up that package.
00:44:26Or have you? That's right. Play it. You've done us a great service, George. This will be
00:44:31important evidence when we get before the grand jury. What's the matter? You afraid you'll run
00:44:35out of tapes. I've just started. Well, after last night, you are hard to satisfy. As long
00:44:41as this thing runs, I'm going to record every voice I can get. They've assigned me to a collection
00:44:47round with a 50-50 split. And they just keep me happy until they get everything going. Be careful, George.
00:45:05It looks a little rough. The officers are okay. Your officers upstairs. This is going to be an all-out operation.
00:45:20Offices for each department. Records of money taken in and money spent. Records. That's a bad word in the
00:45:39records. I like you, George. You're direct and factual. But there is something you don't fully grasp. At least I'm
00:45:47reaching. And that is how big we are. There's no danger of our records being raided. We have
00:45:53unlimited funds for protection. We intend to control everything right up to the top.
00:45:58Meaning politically? That and anything else you can name. All the way up. So we keep books and records.
00:46:06We'll have branch offices in every town in this state. We have plans set for California, too. Come on, I'll show you
00:46:14the rest of the layout.
00:46:44You tell them there was only three cases of whiskey in that last truck. I want 20.
00:47:02Come again? Sorry, bud. I'm a little deaf. Got slugged in stir one time. Liquor. They ain't delivered enough. Tell them I want 20.
00:47:13Get it? 20. Yeah, I got that all right. Pearl's got a message for you. It's here before you leave.
00:47:22Hi, honey. Where's Pearl? Pearl? You don't want her. Won't I do? Come on. Come on over here and have a drink with me.
00:47:47I told you to lay off the liquor. Now go on. Get upstairs.
00:47:54Oh, you're just jealous. Because I'm younger than you. Go on. Beat it.
00:48:00Bud tells me you're a little hard of hearing. A bit. How come you never told me that?
00:48:06Well, you ain't gonna miss much on this joint. Got a message for you to call Jackman as soon as you got in.
00:48:15These dames around here would call long distance to China if I didn't keep it locked.
00:48:21You hear me all right, mister? I ain't missing much. I'm busy. Shut the door on the phone when you're through, will ya?
00:48:27It'll lock.
00:48:57It's me, George. You about finished with the milk route, George? One more call.
00:49:04I want you to go out to the airport and meet a Mrs. Stoneway on flight 62 from Seattle. Stand at the passenger entrance. She'll walk up to you.
00:49:12You got it? Uh, check. Mrs. Stoneway Airport.
00:49:18Annie Stoneway coming to town? Yeah. Yeah, do you know her?
00:49:24Boy, do I. She's a great Annie. B-girls, model agencies. Annie's the biggest and best organizer in the country.
00:49:33Hey, things are really popping when they send for her. Oh, my name's Iris. Let me. I'm the motherly type.
00:49:43There. That's better. Seen Pearl? She just left.
00:49:50Well, so long. See you around.
00:49:55Oh, uh, give my best to Annie Stoneway.
00:49:58Tell her Iris is ready and willing.
00:50:01I'll see you in the next one.
00:50:02I'll see you in the next one.
00:50:03I'll see you in the next one.
00:50:04I'll see you in the next one.
00:50:05I'll see you in the next one.
00:50:07I'll see you in the next one.
00:50:09United Airlines Mainliner Service.
00:50:12Flight 408, now arriving from Seattle, Tacoma.
00:50:19Are you looking for Mrs. Stoneway, young man?
00:50:31Yes, ma'am.
00:50:32Is there no one else on the reception committee?
00:50:35I'm afraid not, except the driver of the car.
00:50:37Well, at least they had the decency to send the chauffeur.
00:50:41And the young man, the greeter, who doesn't look too much like a thug.
00:50:46I have no way.
00:50:49I was expecting someone, well, different.
00:50:53What's the matter? Disappointment?
00:50:55No, no kind of please.
00:50:58You're already at 8th grade.
00:51:11You see, young man, when I am connected with an operation,
00:51:15it has to be of the highest class.
00:51:17I'm sure of that, Mrs. Stoneway.
00:51:19In fact, I use a strict card index system with my escort bureaus.
00:51:25Only those who are known to me will get a date.
00:51:29I'm very proud of my method.
00:51:31When I was in Portland before,
00:51:33I worked with some of the biggest people in the city.
00:51:37Yes, I'm sure you did.
00:51:39And my models and escorts are all ladies.
00:51:42No dipsoes, no hopheads.
00:51:45And I provide a gentleman with a date.
00:51:48He can take her into any class of society.
00:51:50Why are we stopping here?
00:52:02That's one of the joints they wanted me to show you.
00:52:04Oh.
00:52:05Oh, well, this will do.
00:52:08Are there others?
00:52:09Yeah, three or four more.
00:52:10You want to see them?
00:52:10No, take me to the hotel.
00:52:25Nice neighborhood, too.
00:52:28You know, I require a large house
00:52:30where I can train my young ladies in culture and social graces.
00:52:35You're really an expert, Mr. Stoneway.
00:52:37Well, the organization backing me and you
00:52:41wouldn't put up with amateurs, my boy.
00:52:44When I'm settled,
00:52:45I'll make Jackman throw a party for us all.
00:52:49The boy's doing all right.
00:52:50He gets to meet the dolls.
00:52:52Well, there's more tape he may still be on.
00:52:54That's it.
00:52:55She didn't name names.
00:52:58I'll keep sending tape by messenger.
00:53:00Too dangerous to come there with it.
00:53:02Tonight, I'm trying to get a voice direct from Seattle.
00:53:05If he can pull that off.
00:53:11So you're opening the city wide in spite of what I said.
00:53:15Wide is right.
00:53:17Don't get the idea that Portland is anything special.
00:53:19We got the dome, we got the power,
00:53:21and we're using both in plenty of towns.
00:53:22Those two hoodlums you sent up here,
00:53:25Jackman and Garnell,
00:53:27they're riding for a big fall.
00:53:29Is that a threat?
00:53:30Read the cards as they're dealt.
00:53:32Listen, you.
00:53:33If anything happens to my boys down there,
00:53:35you'll find yourself in a cast-iron coffin
00:53:37on the bottom of the Columbia River.
00:53:38Oh, yes.
00:53:49Operator, please.
00:54:03Oh, yes, operator, please.
00:54:09Hello, Clara, darling.
00:54:11George, I'm so glad you called.
00:54:13I've been trying to call you all day.
00:54:15How are you? What's been happening?
00:54:17Everything is fine.
00:54:19We'll soon have the tavern back just the way you want.
00:54:25Just a moment.
00:54:27I'll call you back. Can't talk now.
00:54:29No, George, I'll call you at the tavern.
00:54:31I'm not there.
00:54:35Ruth left with some friends.
00:54:37She was expecting to meet you at the tavern.
00:54:39George.
00:54:49I hope you've got a drink.
00:54:51As a matter of fact, I haven't.
00:54:53I just moved in yesterday.
00:54:55Not even a sweet of Ruth.
00:54:57Hey.
00:54:59Poor guy Jackman says he's ready for the big leagues.
00:55:01You live like a bum.
00:55:15I knew I was going to like you.
00:55:17Come on, get ready.
00:55:19You're going to the party, aren't you?
00:55:21What?
00:55:23Oh, I'm sorry.
00:55:25The party to welcome Annie Stoneway.
00:55:27What's wrong, Mom?
00:55:29Go get your jacket, and we'll leave a note for Grandma
00:55:31and tell you that we've gone.
00:55:33Where to, Mom? Where are we going?
00:55:35To Portland.
00:55:37To Portland.
00:56:07I have come on here.
00:56:09I'll have to be right.
00:56:11Good morning.
00:56:13Want me a drink, George?
00:56:15I'll have fun.
00:56:17Sure.
00:56:19Come on, you drink, Georgie.
00:56:30Sure.
00:56:35Glad you two got together.
00:56:38Iris is one of my favorites, but she would stay in Portland.
00:56:42Let's not rehash it now, Annie.
00:56:49I didn't want that old bit rehashing my life history.
00:56:52She's good at that.
00:57:19I don't want that old Jackman to get back to you.
00:57:26No, he hasn't.
00:57:28By the way, I've got the nicest little girl I'd like you to meet.
00:57:33I already got me a girl.
00:57:34I met the rest of it.
00:57:36You're not getting jealous, are you, Tom?
00:57:38Hello, Tom.
00:57:50Hello, Phil.
00:57:52Where's Annie?
00:57:53I want to pay my respects.
00:57:54Never mind, Annie.
00:57:55Come in the bedroom with me.
00:57:56Pay your respects first to somebody else.
00:57:58What's on your mind?
00:58:00I'm the guy who always balls things up, huh?
00:58:02I'm the big bungler.
00:58:08Come on, Phil.
00:58:09You've got to get a load of this.
00:58:25What's this all about?
00:58:27Hello, Iris.
00:58:29I saw you dancing with our new man.
00:58:30You danced like a dream.
00:58:32She's a dream, all right.
00:58:33Wake him up, honey.
00:58:35Well, the guy's certainly loaded.
00:58:37Who's loaded?
00:58:38What are you talking about?
00:58:39Georgie, pargy, pudding and pie.
00:58:42Ain't any more deaf than you and I.
00:58:44What are you two trying to do?
00:58:46Rip me?
00:58:47No, no, no.
00:58:47I sicked her onto this square john you're so sold on.
00:58:50Honey, will you tell him?
00:58:51But no nursery rhymes.
00:58:52Well, I kind of like him.
00:58:54He's the bashful type.
00:58:56Oh, bashful.
00:58:58All right, I'll tell him.
00:58:59Look, the word is out along this guy's route.
00:59:01He's kind of hard of hearing, see?
00:59:02He's got to wear kind of a gadget.
00:59:05Will you shut up?
00:59:06I sick Iris onto him after she tells me she's seen him hunched over a telephone at Pearl's joint holding out this gadget.
00:59:14But he don't wear no earpieces.
00:59:15What sort of thing was it?
00:59:17About like this.
00:59:18I didn't see it good.
00:59:20But I've been pushing my shoulder against it all evening.
00:59:23He's the loving kind.
00:59:25I'd have seen it good in the hotel room.
00:59:28But he wouldn't let me take his shirt off.
00:59:30You're nothing but a tramp.
00:59:31You made me what I am today.
00:59:33All right, quit the clowning, Iris.
00:59:35Get out of here, will you?
00:59:36Thank you for the bonus, sir.
00:59:41Send two men up to his hotel room right away.
00:59:44Search everything.
00:59:45They're looking for spools or recording tape.
00:59:47He's a wise guy, just like I told you, huh?
00:59:49He's shooting for a genuine million dollar piece of blackmail.
00:59:52Send somebody down to that woodland tavern.
00:59:53Look around everywhere.
00:59:54You going to talk anymore about who bungles what?
00:59:56All right, now get going, Tom.
00:59:58Then steer that guy in here and you come after him.
00:59:59Can we beat it, Patsy, and then?
01:00:25Jackman got some business they want to talk with you right now.
01:00:27The party is just warming up.
01:00:31The party will wait.
01:00:43All right, open up.
01:00:44I want to see it.
01:00:50All right, grab it.
01:00:54All right, take his coat off.
01:00:57Put him in this chair.
01:01:07Wise guy.
01:01:08I'd like to drop a slug at him right now.
01:01:14Now, where are the tapes?
01:01:15There?
01:01:16You're a liar.
01:01:17This tape hasn't run an inch.
01:01:19Come on, where are they?
01:01:19What have you done with them?
01:01:21Go to hell.
01:01:22All right, we'll get all the information we want out of you.
01:01:25Take him down to the warehouse.
01:01:27Get up.
01:01:27Drummer, you check the tavern for recording tape.
01:01:29Pick him out the back way.
01:01:30Right.
01:01:31Come on.
01:01:31All right.
01:01:37Now, you stay here.
01:01:38Keep an eye on the party.
01:01:39I'll handle this.
01:01:39All right, let's go.
01:01:40Let's go.
01:01:40Let's go.
01:01:41Let's go.
01:01:45The warehouse is right on the tracks.
01:01:48Apparently, they kept a lot of records, probably some for blackmail.
01:01:52Anyhow, everything is moved to the warehouse.
01:01:54The place is well guarded, but if you could figure some way to get at those files, I'd say my job was done.
01:02:00Yours, too.
01:02:01Did you catch all of it?
01:02:05Enough.
01:02:07Those files, we could be in front of the grand jury tomorrow.
01:02:10You're asking for a fight with a warehouse full of goons?
01:02:13I hope you got the originals in a safe place.
01:02:15In the vault.
01:02:16Good.
01:02:17I've asked 15 or 20 key men to come here.
01:02:19They're from all over the state, officials of various locals.
01:02:22Well, we'll stick around.
01:02:24When I get through talking to them and playing these tapes, I think I can show you the way to wrap everything up.
01:02:29Do you think we're that close?
01:02:31I'll answer that after I talk to the men who are coming here.
01:02:34We chased down every rat hole in this city for a year.
01:02:38But in a few months, this fella, Madison, puts the cap on the bottle.
01:02:43Come in.
01:02:44Well, hiya, fella.
01:02:45I'm glad you could make it.
01:02:46Drop a chair.
01:02:47Sit down.
01:02:48Looks like you're going to be crowded if everybody shows up.
01:03:01Hello, Mrs. Morrison.
01:03:03This is Ruth again.
01:03:05Has Benny come in yet?
01:03:07Yes, I know the dance is tomorrow night, but I got a ride from Corvallis, so I came in a day early.
01:03:14Uh, yes, would you have him call me as soon as he gets in?
01:03:27Hold it, baby.
01:03:31Let me go!
01:03:32Hold on.
01:03:32Let me go!
01:03:33Take it easy now.
01:03:34Little girl's scared to death.
01:03:35Look, honey, we don't want any trouble, no rough stuff.
01:03:38All we want to do is talk to you, okay?
01:03:40Where's my father? What have you done with him?
01:03:41Well, there's been a little change. He's got an office downtown now.
01:03:44I don't believe you. I don't believe you.
01:03:47Easy now, easy. We wouldn't hurt you. Why, I got a kid of my own.
01:03:50Then you let me go.
01:03:52Baby, your daddy hid some little spools of tape around there somewhere.
01:03:55You know where they are?
01:03:57I don't know what you're talking about. I've been away.
01:03:59Okay, all right. You show us where he keeps things then.
01:04:02You know, like stuff you don't want nobody to find, easy, like insurance papers, stuff like that.
01:04:07Huh? Okay, sir.
01:04:09Come on, come on.
01:04:11Feel good, girl. Where are we going to find him?
01:04:12Huh? Wait. Huh?
01:04:32You'll either talk or you'll end up out there under a train.
01:04:36Now, make up your mind.
01:04:38I told you.
01:04:40I intended to muscle in.
01:04:43Blackmail you for a big take.
01:04:45I still do.
01:04:46That figures, Phil.
01:04:48Shut up.
01:04:53Where have you hidden the tapes?
01:04:54Say when, boss.
01:05:03Come on, I ask you where you've hidden the tapes.
01:05:05Hold it, Phil.
01:05:12Out at the tavern.
01:05:14I had drummer and one of the boys searching the joint.
01:05:16The little dolly showed up.
01:05:18Where is she now?
01:05:19I told him to get her right down here fast.
01:05:21Good.
01:05:22He's got the nerves of a block of concrete.
01:05:26I believe he'd let us blind him.
01:05:28That's what I was figuring.
01:05:32You can relax a bit.
01:05:34Get him a drink of water.
01:05:40Ruth! Ruthie!
01:05:42She's been here.
01:05:44What's the number?
01:05:46Benning Orson's number.
01:05:52Apparently, they kept a lot of records.
01:05:54Probably some for blackmail.
01:05:56Anyhow, everything has moved to the warehouse.
01:05:59The place is well guarded,
01:06:00but if you could figure some way to get at those files,
01:06:03I'd say my job was done.
01:06:06Well, now, you've heard the evidence.
01:06:09You've also heard where the final proof,
01:06:11the records of these underworld operations,
01:06:13are kept and heavily guarded.
01:06:14What are we waiting for?
01:06:15Let's go!
01:06:16Come on, come on, come on, come on, come on, come on, come on, come on, come on, come on, come on, come on, come on, come on, come on, come on, come on, come on, come on, come on, come on, come on, come on, come on, come on, come on, come on, come on, come on, come on, come on, come on, come on, come on, come on, come on, come on, come on, come on, come on, come on, come on, come on, come on, come on, come on, come on, come on, come on, come on, come on, come on, come on, come on, come on, come on, come on, come on, come on, come on, come on, come on, come on, come on, come on, come on, come on, come on, come on, come on, come on, come on, come on, come on
01:06:46Let me go, you, you, where's my father?
01:06:55I told you, honey, he's here.
01:06:56Hold in a second.
01:06:58Jackman, you lousy, vicious...
01:06:59Now listen, they'll bring her into the light.
01:07:02The minute they do, Larry performs a function he's famous for.
01:07:13Start her forward slowly, boys.
01:07:16What are they doing?
01:07:21The minute you hit the light, push her forward and step back quickly.
01:07:39Stop it, stop it, I'll give you anything you want.
01:07:42Mary, Mary!
01:07:44Okay, talk.
01:07:46But remember, we've still got the girl and Larry's still got the bottle.
01:07:50Well, I'll have to show you the tapes are buried.
01:07:54Where?
01:07:56In the tavern.
01:07:58Cut him loose.
01:07:59All right, get those handcuffs on him.
01:08:14Run, run, run!
01:08:14Watch the door.
01:08:17Now shoot him.
01:08:18I want this girl first.
01:08:20We don't want any bullet holes in him when he goes to the railroad tracks.
01:08:22They got loose!
01:08:30They got loose.
01:08:30Get in there.
01:08:31I'll watch the door.
01:08:31Come on.
01:09:01Come on.
01:09:31Come on.
01:10:01Come on.
01:10:02Come on.
01:10:03Come on.
01:10:04Come on.
01:10:06Do you see the girl?
01:10:07She's hiding.
01:10:08Dig her out of those crates.
01:11:11Let's go.
01:11:20Look at him.
01:11:23Look at him.
01:11:24Look at him.
01:11:28Look at him.
01:11:30Look at him.
01:11:35It's all right.
01:11:39All right, darling, it's all right, it's all right.
01:11:44Sit down.
01:11:48Go ahead, don't worry.
01:11:54The McLaren Committee of the United States Senate
01:11:57opened an investigation of vice and crime in Portland,
01:12:01and the Portland expose sparked a nationwide inquiry
01:12:03into the affairs of the cynical men
01:12:05who had abused every trust placed in them
01:12:08by the honest, rank-and-file members of the unions.
01:12:11The rushing torrent of vice receded from the City of Roses.
01:12:14People breathed freely again.
01:12:16Portland, still a good place to rear children.
01:12:20The City of Roses, with Mount Hood rising against the distant sky,
01:12:24white and serene beneath its blanket of everlasting snow.
01:12:38The City of Roses.
01:12:44The City of Roses.
01:12:57The City of Renewació.
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