- 2 days ago
Category
🎥
Short filmTranscript
00:00:00The End
00:00:30Well, Pat, if I'm not back in two hours, you know what to do with her.
00:00:49Good luck, Pav.
00:00:51Thanks.
00:01:00Good luck.
00:01:30Good luck.
00:02:00Good luck.
00:02:30Good luck.
00:03:00Good luck.
00:03:02Good luck.
00:03:06Good luck.
00:03:08Good luck.
00:03:10Good luck.
00:03:12Good luck.
00:03:14Good luck.
00:03:16Good luck.
00:03:18Good luck.
00:03:20Good luck.
00:03:22Good luck.
00:03:24Good luck.
00:03:26Good luck.
00:03:28Good luck.
00:03:30Good luck.
00:03:32Good luck.
00:03:34Good luck.
00:03:36Good luck.
00:03:38Good luck.
00:03:40Good luck.
00:03:42Good luck.
00:03:44Good luck.
00:03:46Good luck.
00:03:48Good luck.
00:03:50Good luck.
00:03:52Good luck.
00:03:54Good luck.
00:03:56Good luck.
00:03:58Good luck.
00:03:59Good luck.
00:04:00Good luck.
00:04:02Good luck.
00:04:04Good luck.
00:04:06Good luck.
00:04:08Good luck.
00:04:10Good luck.
00:04:12Good luck.
00:04:14Good luck.
00:04:16Good luck.
00:04:18Good luck.
00:04:20Good luck.
00:04:22Good luck.
00:04:24Good luck.
00:04:26Good luck.
00:04:27Good luck.
00:04:28Good luck.
00:04:29Good luck.
00:04:30Good luck.
00:04:31Good luck.
00:04:32Good luck.
00:04:33Good luck.
00:04:34Good luck.
00:04:35Good luck.
00:04:36Good luck.
00:04:37Good luck.
00:04:38Good luck.
00:04:39Good luck.
00:04:40Good luck.
00:04:41Good luck.
00:04:42Good luck.
00:04:43Good luck.
00:04:44Good luck.
00:04:45Good luck.
00:04:46Good luck.
00:04:47Good luck.
00:04:48Good luck.
00:04:49Good luck.
00:04:50Good luck.
00:04:51Good luck.
00:04:52Good luck.
00:04:53Good luck.
00:04:54Good luck.
00:04:55Only to find that both his parents had been killed during a bombing raid
00:05:04while staying at their Knightsbridge apartment in London
00:05:08and that he had inherited the entire Wingate estate
00:05:12valued at that time at nearly three million pounds.
00:05:17Master Giles, glad to have you back, sir.
00:05:27Glad to be back, Fred. And how are you?
00:05:30Very well, sir.
00:05:31Good. You're looking younger than ever.
00:05:33Thank you, sir. After you, sir.
00:05:40Do you remember Clara, our cook, sir?
00:05:43Of course I remember Clara. I'm nice to see you again.
00:05:47And the maids are new, sir.
00:05:51Where did you find these girls?
00:05:52The village.
00:05:53Yes, sir.
00:05:55Amazing.
00:05:57Good heavens.
00:06:02I must have known you when you were old.
00:06:04Just at all.
00:06:12Tiny things.
00:06:13It took very little time for the handsome young bachelor
00:06:16to savour the pleasures of civilian life
00:06:19and on an unearned income of several thousand pounds per year,
00:06:25he was able to give very careful thought
00:06:27to the methods in which his newfound fortune should be spent.
00:06:33Many long hours were spent in meditation
00:06:36over his wealth of business ideas.
00:06:41But first things first,
00:06:47and Giles Wingate's army experiences
00:06:49had given him a commendable sense of class equality.
00:06:55It offended him to be waited on by uniformed servants,
00:07:00and he promptly ordered his staff to abandon their uniforms
00:07:05for something a trifle less formal.
00:07:22And to adopt a less formal...
00:07:24Oh, Polly!
00:07:26Oh, Polly!
00:07:26Oh, Polly!
00:07:27I say!
00:07:27...relationship with their master.
00:07:30I don't know what you want all this on for.
00:07:32Ooh!
00:07:33Mrs. Giles Wingate.
00:07:35From that moment,
00:07:39Polly embarked on a spending spree never before equaled.
00:07:44In one day, for example,
00:07:46she purchased from one London store 11 fur coats.
00:07:50She consumed 31 sports cars during one year.
00:07:57Needless to say,
00:07:58with young Wingate down to his last two million,
00:08:00the marriage ended in divorce.
00:08:02After Polly, the maid came Tania,
00:08:08the so-called movie actress.
00:08:14She came to stay for a weekend,
00:08:18bringing one of her films with her.
00:08:20Ah!
00:08:20Ah!
00:08:21Ah!
00:08:22Ah!
00:08:22Ah!
00:08:23Ah!
00:08:23Ah!
00:08:23Ah!
00:08:24Ah!
00:08:24Ah!
00:08:25Ah!
00:08:25Ah!
00:08:26Ah!
00:08:26Ah!
00:08:27Ah!
00:08:27Ah!
00:08:28Ah!
00:08:28Ah!
00:08:29Ah!
00:08:29Ah!
00:08:30Ah!
00:08:30Ah!
00:08:31Ah!
00:08:31Ah!
00:08:32Ah!
00:08:34Ah!
00:08:35Ah!
00:08:35Ah!
00:08:36Ah!
00:08:36Ah!
00:08:36Ah!
00:08:37Ah!
00:08:37Ah!
00:08:40Donít you mind it,
00:08:41you favour him?
00:08:43Ah!
00:08:46Ah!
00:08:47Ah!
00:08:48Ah!
00:08:54Ah!
00:08:55Ah!
00:08:58Ah!
00:09:00Ah!
00:09:01Ah!
00:09:01The whole place lived.
00:09:03The whole place lived.
00:09:05Don't.
00:09:07Stop it.
00:09:09Take that, you dirty rat.
00:09:31Take that, you dirty rat.
00:09:35Oh.
00:09:37Oh.
00:09:39Oh.
00:09:41Oh.
00:09:45Oh.
00:09:47Oh.
00:09:49Oh.
00:09:51Oh.
00:09:53Oh.
00:09:55Oh.
00:09:57Oh.
00:09:59Give me an English aid.
00:10:15Right, give me a, give me a brah.
00:10:20Suffering at the hands of gangsters on the screen
00:10:22was so moved with compassion and pity
00:10:26he asked her to be his wife.
00:10:29Three months and 500,000 pounds later
00:10:34she took off with a homosexual actor
00:10:37and has never been seen since.
00:10:40From the publicity accrued from this tempestuous romance
00:10:43Wingate became the target for every cunning
00:10:46gold-digging wench in the country
00:10:49and as fast as these women moved in
00:10:51so my client married them one after the other
00:10:55making in each case a vast settlement
00:10:59on the, um, injured parties.
00:11:03Then came a stenographer, Mary,
00:11:07who was so transparently after her employer's money
00:11:10that just anyone could have seen through her.
00:11:14Ariane, a dancer who soon stripped Wingate
00:11:17of 20,000 pounds in alimony
00:11:20as efficiently as she stripped herself of her veils
00:11:24and of Ingeborg, a Swedish masseuse
00:11:29who by her highly skilled training
00:11:31in the manipulation of the human body
00:11:33extorted, among other things,
00:11:38a promise of marriage
00:11:40which ultimately led to yet another costly divorce.
00:11:44Oof!
00:11:46Oof!
00:11:47Oof!
00:11:48Oof!
00:11:49Oof!
00:11:50Oof!
00:11:50These and other adventures at the hands of ruthless mercenary women.
00:12:20Brought my client to the brink of ruin and forced him much against his will.
00:12:27Your Honour, I must object. This man.
00:12:42Sorry, Your Honour. No objections.
00:12:43Much against his will to borrow money from his own real estate business, which he has
00:12:52since repaid and which he now regrets. I mean, he regrets the borrowing, not the repay.
00:12:59And I ask Your Lordship to put yourself in my client's position and imagine yourself
00:13:02beset on all sides by scheming ambitious women, forced into dishonesty, and to deal
00:13:09as leniently as you can with this unhappy, exploited man.
00:13:21I suppose we must.
00:13:29Two years.
00:13:31But my Lord.
00:13:31No. Suspended, of course.
00:13:36We will now adjourn for lunch.
00:13:43Well, sir, we virtually won the case, didn't we, sir?
00:13:45Yes, of course.
00:13:49But what does it mean?
00:13:50Suspend your sentence.
00:13:52You're free.
00:13:53I think I'd eat pretty well for you.
00:13:55Of course, sir, paying the money back did make a difference.
00:13:59But by the way, how did you manage to get hold of it?
00:14:00The 30,000, I mean.
00:14:05Shall we say, a rather wealthy lady.
00:14:07Yes, I suppose with all your experiences, you have learned a trick or two.
00:14:11Yes, it's been a costly education.
00:14:1330,000 back for a three million investment.
00:14:16However, I shall now sit back and reap my reward, as they say.
00:14:20Really?
00:14:22What exactly have you in mind?
00:14:25There's still one or two details to be sorted out.
00:14:27Yes, of course, I'm sure there are.
00:14:33I've already put several advertisements in different periodicals.
00:14:37Let me get this straight.
00:14:38A school for sex, eh?
00:14:41It might work.
00:14:42Of course it will.
00:14:44Dear old chap, I've been conned, swizzled and seduced
00:14:49by some of the loveliest, cleverest birds in the world.
00:14:52I think I must know just about every trick that there is to know
00:14:55for lifting money from the unsuspecting male.
00:14:58Now, if I impart this knowledge to, say, half a dozen girls to start with,
00:15:03on a commission basis of, say, 33 and a third percent,
00:15:07can you see the potential?
00:15:10Oh, by the way, where we're going, I think, um, yes?
00:15:17One thing I've learned about my fellow men,
00:15:19and don't think I'm alone in my vulnerability, is a truth.
00:15:22And it's simple.
00:15:23The shrewdest, toughest, hardest businessmen in the world
00:15:27have got one great weakness.
00:15:32One Achilles' heel, one chink in their armour.
00:15:37And that is...
00:15:39Crumpet.
00:15:41Sex.
00:15:41It's quite, quite.
00:15:51Take this girl here, for example.
00:15:53One subtle, I'll grant her, but watch her.
00:15:59And watch her audience.
00:16:01You might learn something.
00:16:11Those of you.
00:16:30刺270322,
00:16:32말 235.
00:16:35Waterhouse Rewin
00:16:38Waterhouse Rewin
00:16:40Oh, and I think I might be able to help you there.
00:17:07I have a friend who's a probation officer.
00:17:09I think I could get you a regular supply.
00:17:11Really?
00:17:12For a commission, of course.
00:17:14Would you like me to make some inquiries?
00:17:17Discreetly.
00:17:18Of course.
00:17:39Oh.
00:17:40Mmm.
00:17:41Oh.
00:17:42Mmm.
00:17:43Here we are, Fred.
00:17:45Back in business.
00:17:47You can take the covers off now.
00:17:49Glad to see you're back, sir.
00:17:51You know, I really thought you would have gone for a couple of years at least.
00:17:58Do you know, sir?
00:17:59Wingate Manor has had a master for the last ten generations.
00:18:00Oh, I remember dear Jonathan Wingate, your grandfather, sir.
00:18:02He very nearly did time because...
00:18:03Yes, quite.
00:18:04But now it's time to think of work.
00:18:05We've got to earn some money, Fred.
00:18:06Oh, come on.
00:18:07Well.
00:18:08I know I'm a little bit tired, but I'm
00:18:21not too hungry.
00:18:22There's plenty of money on the phone.
00:18:24last 10 generations. I remember dear Jonathan Wingard, your grandfather, sir. He very nearly
00:18:31did time for good... Yes, quite, but now it's time to think of work. We've got to earn some
00:18:35money, Fred. Think about paying your wages, eh? That's all right, sir. Don't you bother about me.
00:18:43Anything on for lunch, Fred? Made some soup, sir. Quite frankly, I wasn't expecting you.
00:18:49Mmm, excellent. Your cooking qualifications will come in handy. What do you mean, sir?
00:18:56Oh, I've got lots of little surprises for you, Fred. You know all those jolly little pictures
00:19:02you've got tucked away in your cupboard? Well, you'll wait and see what's going to happen
00:19:05down here very soon.
00:19:13Good God. What is it, sir?
00:19:15Don't worry. I'll soon show her off. No, just a minute, Fred. I think this might
00:19:22be the lady I'm expecting. Our new deputy headmistress. She don't look like a schoolmistress to me, sir.
00:19:30Well, she's got rather, shall we say, special qualifications. Surely, will you, Fred?
00:19:36Very good, sir.
00:19:37Good God.
00:20:07Mr. Giles Wingate.
00:20:10Good morning. You must be the doctor of the Bearwash.
00:20:13Yes, my husband, the late Duke of...
00:20:15My goodness, what a charming kitchen you have.
00:20:22How many kitchen staff have you?
00:20:24Well, we have Fred here who chefs for us,
00:20:28and anyway, now that we're in the kitchen, perhaps a cup of coffee?
00:20:32An enchanting idea.
00:20:34Or perhaps something a little stronger.
00:20:37Much better. Brandy, please.
00:20:40Fred, a large brandy for the Duchess, and a dry martini for me.
00:20:45A martini and a large brandy for her grace.
00:20:51Certainly, sir.
00:20:53Now, Duchess, you wrote to me in answer to an advertisement in the Times.
00:20:59I note in your letter that your husband, the Duke, died in 1966.
00:21:05Now, what have you been doing since then?
00:21:07Dear Archie, yes.
00:21:08It took some time spending, I mean, tying up his estate.
00:21:12Such a lovely man.
00:21:14You know, it was the publicity and the news of the world that killed him.
00:21:17Oh, interesting.
00:21:19You have experience with girls, yes?
00:21:23Your large brandy, madam.
00:21:26Your martini, sir.
00:21:28Thank you, Fred.
00:21:29Cheers.
00:21:30Cheers.
00:21:31That will be all, Fred.
00:21:45That will be all, Fred.
00:21:49Now, Duchess, you were saying your experience with girls.
00:21:53Yes, indeed.
00:21:54The windmill.
00:21:55I was her girl there, you know.
00:21:56Then the Lido in Paris, and after that I had my own modelling school.
00:22:01A big success that was, until those Russian girls let me down.
00:22:05Let you down?
00:22:06Yes, the papers played it up, of course.
00:22:08Called it the Cabinet Cuzzles Affair.
00:22:10You'll probably remember it.
00:22:12Everybody else does.
00:22:13It was in 1956.
00:22:15No, I can't say I do.
00:22:17Nothing, really.
00:22:18After a late debate on the budget of the House of Commons,
00:22:21some of the MPs had to stay overnight.
00:22:24And the morning came, nobody could find their clothes.
00:22:27It was an Ursula that took them.
00:22:29I never did like the girl.
00:22:31Well, anyway, 23 of my girls happened to be there at the time.
00:22:35Quite innocently, of course.
00:22:37Nobody believed them.
00:22:39That's how I met Archie.
00:22:40He was Minister for Internal Affairs at the time.
00:22:43We were both completely exonerated.
00:22:46Absolutely fascinating.
00:22:48Oh.
00:22:49Well, old Duchess, I think that we can say that your application has been successful.
00:22:54Now, before we discuss your percentage,
00:22:58I mean your salary,
00:23:00I think I shall give you some details of the school and your duties.
00:23:04Now, at this moment, on its way from London,
00:23:07is a minibus containing a group of girls.
00:23:22Hey, Cloppy.
00:23:23This isn't the way to Holloway.
00:23:24Please, call me Mr. Clamp.
00:23:26We're not going to Holloway.
00:23:28You've been paroled.
00:23:29We're going to Wingate Manor.
00:23:31And you approve school.
00:23:33Are you coming with us, you lover?
00:23:35Oh, go on.
00:23:36Are you alone, Beth?
00:23:37Or is that the best you can do?
00:23:38I hope we've seen you all time.
00:23:39Shh, quiet.
00:23:40Are you okay, Harry?
00:23:41Are you kidding?
00:23:42Yeah, what's all this about Wingate Manor?
00:23:43Some new school they're taking us to.
00:23:44Progressive rehabilitation or something.
00:23:45Oh, yeah?
00:23:46Well, we've got to get you all out of here before we get there.
00:23:47Don't let him suspect anything.
00:23:48I'll think of something.
00:23:49What's going on back there?
00:23:50Nothing, Mr. Clamp, sir.
00:23:51Where are we?
00:23:52It just was a small village when it was built.
00:23:53Anybody?
00:23:54No.
00:23:55No.
00:23:56No.
00:23:57No.
00:23:58No.
00:23:59No.
00:24:00No.
00:24:01No.
00:24:02No.
00:24:03No.
00:24:04No.
00:24:06No.
00:24:07No.
00:24:08No.
00:24:09No.
00:24:10No.
00:24:11No.
00:24:12No.
00:24:13No.
00:24:14No.
00:24:15No.
00:24:16No.
00:24:17No.
00:24:18No.
00:24:19No.
00:24:20No.
00:24:21No.
00:24:22No.
00:24:23No.
00:24:24No.
00:24:25No.
00:24:26No.
00:24:27No.
00:24:28No.
00:24:29No.
00:24:30No.
00:24:31No.
00:24:32No.
00:24:33No.
00:24:34No.
00:24:35No.
00:24:36No.
00:24:37No.
00:24:39No.
00:24:41Just pause the copper.
00:24:42No.
00:24:43Please find me on the knife.
00:24:44No.
00:24:45No.
00:24:46No.
00:24:47Just try it.
00:24:48And settle down with me...
00:24:49It must be the car drive. It affects some people like us.
00:24:56What's the trouble? What's going on?
00:24:59She needs an espion in a glass of water.
00:25:01Yes. Look, there's a house over there. They'll help.
00:25:05Where?
00:25:05Through the trees.
00:25:07I can't see any house.
00:25:08Of course there is. My eyesight's better than yours. I'll go.
00:25:11Oh, no, you don't. I'll go.
00:25:14And remember, no funny business goes.
00:25:17I'm going to lock you in.
00:25:19I'll go.
00:25:21It'll work all right.
00:25:34It's okay.
00:25:43Hey, Harry, what now?
00:25:45Get undressed.
00:25:46Everything?
00:25:47Yeah, everything.
00:25:48I'll tell you what to do when I'm picking them off. Hurry.
00:25:51Come on.
00:25:52Show us.
00:25:53Come on.
00:25:54Come on, hurry.
00:26:05Oh, I've got stuck.
00:26:07Come on, hurry up, girls.
00:26:12I've done it.
00:26:13I've done it.
00:26:22I've done it.
00:26:23Come on, hurry up.
00:26:39I've done it.
00:26:40Come on, quick, because he's coming.
00:27:05There's no sign of the house here.
00:27:08I guess.
00:27:10I'm going to go close.
00:27:18All set.
00:27:20I'm getting rid of your lines, okay?
00:27:22I think so.
00:27:28You're taking advantage of...
00:27:30Who the hell do you think you are?
00:27:31Why are you taking the clothes off?
00:27:33It's disgusting.
00:27:33What are you doing?
00:27:35Get back in the bus this minute.
00:27:37Please don't do this.
00:27:38Get back into the bus immediately.
00:27:39I won't tolerate this nonsense.
00:27:41Girls, please.
00:27:42Taking advantage of...
00:27:43What are you doing?
00:27:46Get back into the bus, you spirit.
00:27:48Let's go for a swim, you said.
00:27:50Change into your swimming costumes, you said.
00:27:52Take those clothes off, you said.
00:27:54And then you attack us.
00:27:55Yes, you're just a dirty, dirty, dirty old man.
00:27:58Don't do that.
00:27:58No, no, no.
00:27:59Then is this man annoying you?
00:28:02Yes, officer.
00:28:03Thank goodness you're here, officer.
00:28:04This man just sat on us.
00:28:06All we want was a lift.
00:28:07Then he makes a strip like this.
00:28:09Oh, absolute nonsense, sergeant.
00:28:10My name is Horace Clapp and I'm a probation officer of the crown.
00:28:13A likely story.
00:28:15Do you have any credentials, sir?
00:28:17Of course I have.
00:28:17I thought something like this would happen when I saw this fellow pick up these hitchhikers, officer.
00:28:22Ah, are you a witness, sir?
00:28:23Yes, I was walking along the road when I saw this fellow scouring the curve.
00:28:27He was obviously looking for an easy pickup.
00:28:29And eventually I saw him pick up these four young ladies.
00:28:31Absolute nonsense, sergeant.
00:28:33Here are my credentials.
00:28:35This, sir, is a membership card for the Raymond Review Bar.
00:28:39Oh.
00:28:39Ah, this seems to be in order, sir.
00:28:47Are these four girls in your care, sir?
00:28:50Yes, sergeant.
00:28:51You know, these girls would do anything to obey justice.
00:28:55I'm taking them to Wingate Manor.
00:28:58You see, and I trust you'll allow me to go unhindered and forget this little incident.
00:29:04Wouldn't look good on my record.
00:29:06Wingate Manor, sir.
00:29:07That's right.
00:29:08Well, I suppose it's all right.
00:29:09See you at Wingate Manor.
00:29:10All right, girls.
00:29:11Come on.
00:29:11Into the bus.
00:29:13All right, come on.
00:29:13Come on.
00:29:13Come on.
00:29:23All right, sir.
00:29:24All right, now you're going, eh?
00:29:25Thank you, sergeant.
00:29:30Wingate Manor.
00:29:39Wingate Manor.
00:29:50I'm already ready.
00:29:54I'm already ready.
00:29:58I love you...
00:29:58I love you.
00:30:00I love you,řil queří.
00:30:00All right, so we end up...
00:30:01THE END
00:30:31Oh, my God.
00:31:01Oh, my God.
00:31:31Oh, my God.
00:32:01Oh, my God.
00:32:31Oh, my God.
00:33:01Oh, my God.
00:33:03Oh, my God.
00:33:05Oh, my God.
00:33:07Oh, my God.
00:33:09Oh, my God.
00:33:11Oh, my God.
00:33:13Oh, my God.
00:33:15Oh, my God.
00:33:17Oh, my God.
00:33:19Oh, my God.
00:33:21Oh, my God.
00:33:23Oh, my God.
00:33:25Oh, my God.
00:33:27Oh, my God.
00:33:29Oh, my God.
00:33:31Oh, my God.
00:33:33Oh, my God.
00:33:35Oh, my God.
00:33:37Oh, my God.
00:33:39Oh, my God.
00:33:41Oh, my God.
00:33:43Oh, my God.
00:33:45Why? Is it you our woman then?
00:33:48Well, no.
00:33:49Good.
00:33:50Oh, don't stop.
00:33:52I say, Duchess, would you like to tell me what all this is about?
00:33:59Mr Wingate, this, oh, followed me from the village and then started to molest me.
00:34:04I insist that you call the police.
00:34:06Oh, no, I don't think there's any need for that.
00:34:08Now, if you'd like to just sit down and tell me your name.
00:34:12Hector, Hector Sean, I say.
00:34:15Si, and you live and work in the village, yes?
00:34:17Oh, no, I live up at the big house, but they work with prizefighters around here.
00:34:21So here, you could give me a joke, would you?
00:34:24Well, I'm afraid I haven't any use for a prizefighter either.
00:34:27Unless...
00:34:29Are you any good at PT?
00:34:31No, that's it again.
00:34:33I don't mean that sort of PT.
00:34:35I mean physical training.
00:34:37Yes, I spell with all of them.
00:34:39Bushwicker, Tommy Fair, Oswald Panty, we're the best of them.
00:34:43Well, it's only too painful and obvious.
00:34:45Mr Wingate, you're not serious.
00:34:47Well, he might be useful.
00:34:49And cheap.
00:34:50Now, look, Hector, if I take a chance on you, will you promise me one thing?
00:34:54To leave the Duchess here alone.
00:34:56Five litre, five litre.
00:34:58Just to be, just to be bringing the same air, just to be feeling the...
00:35:01Quite, quite.
00:35:02Now, you go off home, smarten yourself up,
00:35:05and come back here tomorrow morning at nine o'clock,
00:35:07and I'll show you your duties.
00:35:08Sir, yes, sir.
00:35:09Thank you, sir.
00:35:10Thank you, sir.
00:35:11Oh, and Hector.
00:35:12Yes, sir.
00:35:13Don't tell anybody in the village that you're working here, will you?
00:35:15Don't forget your condition of employment.
00:35:17My lips shall be sealed,
00:35:19and love shall remain a secret forever.
00:35:21Thank you, sir.
00:35:22Thank you, sir.
00:35:23Thank you, ma'am.
00:35:26Thank you, sir.
00:35:45Here they come, Fred.
00:35:46Look.
00:35:47My very first pupils.
00:35:50Alright, girl.
00:35:51Out you come.
00:35:56Master Giles, you should make a splendid headmaster of a girl's school.
00:36:07You think so, Fred?
00:36:09Now stay here.
00:36:10And don't move.
00:36:12I won't be long.
00:36:15Well, I don't know about you, but I'm going to find the house.
00:36:18Oh, Mr. Winnicott.
00:36:21That's correct.
00:36:22Could I have a word with you, sir?
00:36:23Of course.
00:36:25In private, sir?
00:36:26Oh, yes, yes.
00:36:27Fred, will you go and take the girls' suitcases and put them upstairs in the bedrooms,
00:36:32and then when you've done that, bring the girls all downstairs into the main hall?
00:36:35Certainly, sir.
00:36:38You?
00:36:50Now, Mr. Clare, what can I do for you?
00:36:52Well, Mr. Berridge didn't say it would go to me like this, sir.
00:36:56You've had difficulties, Mr. Clapp?
00:36:58Oh, tell me, why aren't all the girls undressed?
00:37:01They're a bunch of hooligans, sir.
00:37:04They try to escape.
00:37:06Oh, I don't think I can do this very often.
00:37:11Nonsense, Mr. Clapp.
00:37:12When you see the lovely lorry that you're going to make, you won't be able to get those
00:37:16girls down here fast enough.
00:37:19Young ladies, sir.
00:37:20Ah, show them in, will you, Fred?
00:37:21Certainly, sir.
00:37:22This way, ladies.
00:37:23Oh, please.
00:37:31Hmm.
00:37:32A most interesting bunch of girls.
00:37:35Uh, Mr. Clapp, will you?
00:37:37Oh, oh, yes, sir.
00:37:38Uh, this is Sally Regan.
00:37:42She was probation to me for two years for shoplifting.
00:37:46Consistently.
00:37:47Naughty.
00:37:48You have to do better than that, won't you?
00:37:51This is Judy Arkwright.
00:37:53Third offence.
00:37:54Stole 140 pounds from an elderly gentleman.
00:37:57Worked in a near beer joint.
00:37:58Oh, good work.
00:38:00Really good.
00:38:02This is Beth Villiers.
00:38:03Involved in some sort of land fraud.
00:38:07I don't know much about it, I'm afraid.
00:38:09Excellent.
00:38:11You must tell me the details sometime.
00:38:16Is that all, Mr. Clapp?
00:38:17I thought there were four gals.
00:38:20Oh, my God.
00:38:22Pupils at Wingate Manor.
00:38:24Now, our object is to provide you with an education
00:38:27that will enable you to take your place
00:38:29as leading members of our society.
00:38:31Mr. Wingate.
00:38:32Yes?
00:38:33Could I ask you what were those contracts
00:38:35that you asked us to sign?
00:38:36Ah, yes.
00:38:37Yes, I was just coming to that.
00:38:39Now, you will realize that the education
00:38:41that you will undergo here
00:38:42will be of a most unique nature.
00:38:46As such, it will be very expensive.
00:38:49But the benefits that you will reap
00:38:51as a result of this should be substantial.
00:38:54Of course, you will understand
00:38:55that I want the school to benefit as well.
00:38:58So, in fact, what you have done
00:39:00is just sign over one-third
00:39:02of your future earnings to me.
00:39:05Why is this wrong?
00:39:06Now, I should like to introduce you
00:39:10to your teachers.
00:39:13Duchess.
00:39:15This is the Duchess of Burwash.
00:39:18Now, she will instruct you
00:39:20in a number of subjects
00:39:21under the heading of technique.
00:39:26Good evening, girls.
00:39:28Hector.
00:39:28Hector.
00:39:30And this is Mr. Shamsay.
00:39:33Who will instruct in...
00:39:35Department.
00:39:37Pleased to meet you, girls.
00:39:38Oh, dear, dear, dear, oh, dear.
00:39:55Oh, dear, oh, dear.
00:39:56Oh, dear, oh, dear.
00:39:56Two hours late.
00:40:03I'm surprised it was all steamed up.
00:40:04Oh, don't keep on at me, Ethel.
00:40:06How would you like to have walked six miles?
00:40:11Seems a bit funny to me.
00:40:13Well, look what they're all doing
00:40:14up Wingate Manor.
00:40:15You ought to find out, you know.
00:40:17Ah, I ought to,
00:40:18but I don't think Mr. Wingate
00:40:19particularly welcomes me up there, you know.
00:40:21Why not?
00:40:22You're only doing what you were paid to do.
00:40:25Well, I felt so guilty last time
00:40:27when I had to go up there and arrest him.
00:40:29Wingates have been in this county for centuries.
00:40:32So it's...
00:40:32I always feel that above the law
00:40:34of them sort of people.
00:40:35Why don't you just go up there
00:40:37and snoop around without him knowing?
00:40:39Yeah, I think I will.
00:40:40Yeah.
00:40:41Probably nothing in it.
00:40:42But don't say nothing to anybody, though.
00:40:44Oh, dear.
00:40:45What's up?
00:40:47Mr. Roberts.
00:40:48The Colonel?
00:40:49Oh, no, you didn't tell him.
00:40:51Oh, Mrs. Roberts was in the kitchen.
00:40:53I only mentioned...
00:40:54Ethel, how many times have I got to tell you?
00:40:56Especially the Colonel.
00:40:58You know his daggers drawn
00:40:59with the Wingate family.
00:41:01Figures he ought to have been
00:41:02the squire of the village.
00:41:04Still,
00:41:05I'd dearly love to know
00:41:07what's going on up Wingate Manor.
00:41:19Yes, I think that's about right.
00:41:21Now, this is your millenaire.
00:41:33And this is your dining room
00:41:35with the Carlton in Cannes.
00:41:36How do I get to Cannes in the first place?
00:41:38My dear, if you don't know how to get
00:41:40a one-way ticket to the south of France,
00:41:42I don't know why we're bothering.
00:41:43I want you to play it by ear.
00:41:47Now, Fred, you know how to react.
00:41:49I'll do my best, ma'am.
00:41:52Right.
00:41:59Now, begin.
00:42:04Wiggle, dear.
00:42:05Wiggle.
00:42:05Wiggle.
00:42:06Wiggle.
00:42:06Wiggle.
00:42:13Now look what you've done.
00:42:18Oh, it took me hours to dress as well.
00:42:21Oh, my dear, I'm so sorry.
00:42:22Allow me.
00:42:23No, no, that won't help.
00:42:24I shall have to go and change.
00:42:26Good.
00:42:27Good.
00:42:28Oh, dear.
00:42:29My roommate has the keys
00:42:31and she won't be back for hours.
00:42:33What am I going to do?
00:42:34Excellent, excellent.
00:42:36It'll be my privilege
00:42:37to allow you to dress in my room.
00:42:39Oh, thank you, sir.
00:42:40Could I ask you to be so kind
00:42:41and come with me?
00:42:42Just in case one of the porters
00:42:43thinks I'm breaking in.
00:42:44Of course, my dear.
00:42:46Marvellous.
00:42:47Very good indeed.
00:42:49Now comes the kill.
00:42:53Now, this is your millionaire's room.
00:42:55There is the door.
00:42:56Take up your positions, both of you.
00:43:00Well, Hannah, you're supposed to be
00:43:01hiding away behind the sofa.
00:43:04Sue, you'll come over here and join me.
00:43:08Now, enter.
00:43:10Come along, my dear.
00:43:12I'll wait in the bathroom
00:43:14while you undress.
00:43:16It doesn't matter, sir.
00:43:17I'm sure you've got daughters
00:43:18much older than me
00:43:19and you're far too much of a gentleman.
00:43:21Quite, quite.
00:43:22Why don't you sit down?
00:43:23Thank you, my dear.
00:43:29Tease him, dear.
00:43:31Tease him.
00:43:32Tease him.
00:43:32Tease him.
00:43:32Tease him.
00:43:40Tease him.
00:43:52Tease him.
00:43:53Oh, my goodness.
00:43:55Oh, my goodness.
00:44:02Not at all bad.
00:44:04A bit corny, perhaps, but still worth a quick 5,000,
00:44:07according to the age of the punter.
00:44:09Fred!
00:44:11You all right?
00:44:13It's my aunt, ma'am.
00:44:15Blood pressure, you know.
00:44:17Goodness, what's that?
00:44:19No, no, no, dear.
00:44:21Make it appear as though it's vicious.
00:44:23Play on the punter's masochism.
00:44:25Now, start again.
00:44:27Just a minute. Get off my back.
00:44:29That's it.
00:44:30Now, sit on the side of the bed there, all right?
00:44:32Now, start at the top again, on the neck.
00:44:34Gently.
00:44:36Now, bigger.
00:44:38Harder.
00:44:40Deeper.
00:44:41That's it.
00:44:42Nice, nice.
00:44:43Now, down, down towards the ribs.
00:44:46Down towards the ribs.
00:44:48Lovely.
00:44:49Harder.
00:44:50Now, press, press.
00:44:52That's it.
00:44:53Yes, yes.
00:44:54Now, gently, up towards the top of the neck again.
00:44:58Now, begin to work down the spine.
00:45:01Gently down the spine.
00:45:03Now, this is it.
00:45:04This is where you're lulling him into a sense of false security.
00:45:07Right down, right down, right down.
00:45:10Now, quickly, a couple of rabbit punches to the spine.
00:45:13That's it.
00:45:14Lovely, into the ribs.
00:45:15That's it.
00:45:16Now, now, start on the left leg.
00:45:18On the left leg.
00:45:19That's it.
00:45:20Massage.
00:45:21Gently, gently.
00:45:22You're lulling him again.
00:45:23That's it.
00:45:24He doesn't think anything's going to happen.
00:45:26Now, take it down to the knee.
00:45:28To the knee.
00:45:29That's it.
00:45:30Now, one hand under the ankle.
00:45:33Grab it up.
00:45:34That's it.
00:45:35That's it.
00:45:36The submission hold.
00:45:37Got it.
00:45:38That's it, darling.
00:45:39Lovely.
00:45:44Everything okay up here, Mr. Wingate?
00:45:47Oh, yes.
00:45:48Yes.
00:45:49Judy's doing fine.
00:45:50All right, my dear.
00:45:51Relax the leg.
00:45:52That's it.
00:45:53You go downstairs now and join Hector's class for PT.
00:45:56Oh.
00:45:59How's your Beth doing?
00:46:01Very good indeed.
00:46:02I've sent her out to Hector's class.
00:46:04Yes, he's doing very well.
00:46:06Open your leg down.
00:46:07Put them right up behind your chest.
00:46:08Come on.
00:46:09Right up.
00:46:10Ready?
00:46:11One, two, three.
00:46:12One.
00:46:13Two.
00:46:14Three.
00:46:15One.
00:46:16Two.
00:46:17Three.
00:46:18You look like an old bag of boos, Beth.
00:46:22Hold it, man.
00:46:23Come on.
00:46:24Stretch right up.
00:46:25Stay the feet together.
00:46:26Stretch right up.
00:46:27One.
00:46:28Two.
00:46:29Down.
00:46:30Up.
00:46:31Come on.
00:46:32Down.
00:46:33Up.
00:46:34Down.
00:46:35Down.
00:46:36Up.
00:46:37Down.
00:46:38Up.
00:46:39Down.
00:46:40Up.
00:46:41Down.
00:46:42Up.
00:46:43Down.
00:46:44Up.
00:46:45Down.
00:46:46Down.
00:46:47Up.
00:46:48That's it.
00:46:49Hands down by your side.
00:46:50There we go.
00:46:51Right down to the ground this time.
00:46:52On each side of your feet.
00:46:53Hands above your head.
00:46:54One.
00:46:55Two.
00:46:56One.
00:46:57Two.
00:46:58One.
00:46:59Two.
00:47:00One.
00:47:01Two.
00:47:02One.
00:47:03Two.
00:47:04And the bottom of the chest.
00:47:05Switch right up.
00:47:06Ready?
00:47:07One.
00:47:08Two.
00:47:09Two.
00:47:10Switch right up.
00:47:11Ready?
00:47:12One.
00:47:13Two.
00:47:14Catch up, Sue.
00:47:15Put that tummy in, Sue.
00:47:16What are you laughing at?
00:47:17Put your tummy right in.
00:47:18Hold your backside in.
00:47:19That's it.
00:47:20Hands above your head.
00:47:21Hold your backside in.
00:47:22That's it.
00:47:23Hands above your head.
00:47:37Ah.
00:47:38Good morning, Sergeant.
00:47:39Colonel Roberts, what brings you up here, sir?
00:47:41Well, the wife told me there was something interesting going on.
00:47:44I take it you're investigating?
00:47:46I'm not making no investigation, sir.
00:47:48This is my routine, Reigns.
00:47:50You can't fool me, Sergeant.
00:47:51I know there's something fishy going on.
00:47:53That bound of Wingate ought to be locked up.
00:47:55Fuck you.
00:47:56All the family are the same, you know.
00:47:57For generations.
00:47:58No, no, Colonel.
00:47:59We can't run around making accusations like that.
00:48:02We've got to be sure of our facts.
00:48:03Well, that's as may be.
00:48:04But I'm going to do a bit of investigation on me own.
00:48:07And when I've got my facts, I'm going to pounce.
00:48:11Good day, Sergeant.
00:48:12Good day, sir.
00:48:13Good day.
00:48:14Good night.
00:48:15Good day, dear.
00:48:19Wow.
00:48:20Now, girls, an advanced class and a more difficult situation.
00:48:23This is the big killing.
00:48:25You need far greater care.
00:48:27young men obviously made the best husbands unfortunately they're always reluctant to pay
00:48:37for services rendered so we don't give it to them oh i know all about this permissive age
00:48:44but what we said in the 50s is true now once they've had you they'll never marry you so now
00:48:52harry i've told you what to do and sally you were just arriving at this young man's chelsea flat
00:48:58the object is to prevent him from seducing now go on take up your position
00:49:03dearly beloved we are gathered together to join this man and this woman in holy matter
00:49:08no no no i'm a sick man i'm a dying man i'm a dying man i tell you i'm a dying man
00:49:19now look girls if you can't get the old boy to the altar quicker than that he's going to drop
00:49:33dead on you now go back and start it all over again
00:49:36i don't think we've got this quite right miss sally come on get dressed we've got a lot of work to do
00:49:48now really bring them back bring these just right out ready one two three
00:49:52now dear i don't think we've got this quite right you'll have to give him a little more passion
00:50:05otherwise you'll lose interest try again
00:50:08that's enough bloody passion
00:50:15play off
00:50:17oh
00:50:24i don't know
00:50:26oh
00:50:31oh
00:51:32I've got a little something here for you, I think, quickly.
00:51:36There we are, as promised.
00:51:39Thank you very much.
00:51:40All right, see you again soon.
00:51:41See you later.
00:51:41Come along, girls, and give your back to face.
00:51:43It's okay, sir.
00:51:44I'm yours.
00:51:45I'm yours.
00:51:47I'll describe that it is useful.
00:51:54Oh, damn nettles.
00:51:57Three months, Sergeant.
00:51:59Three months.
00:52:00What are you going to do about this scandal?
00:52:02I don't see if there's anything I can do, sir.
00:52:03I'd have to know a lot more about this.
00:52:06I'd have to know a lot more about it.
00:52:07Well, I'm going to whip up a petition.
00:52:10Oh, all right, sir.
00:52:11Just as you liked.
00:52:15Well, girls, this is it.
00:52:17You've been with us for three months now.
00:52:22It's time for you to go and face the outside world.
00:52:24I shall always hold a very special place in my heart for you.
00:52:34My first, and I'm sure, my most successful pupil.
00:52:39I know that you'll capture the hearts of many unsuspecting males
00:52:42just as easily as you've captured mine.
00:52:46Now, Hector will drive you to the station
00:52:48from whence you will go your separate ways.
00:52:51Bravo, bravo.
00:52:54Goodbye, my dear.
00:53:00Go.
00:53:03Do honour to your school.
00:53:08And may God bless you all.
00:53:11Goodbye, sweetheart.
00:53:12Just take them any.
00:53:13Don't marry any of them, huh?
00:53:14Don't worry, Harry.
00:53:16Look after yourself.
00:53:17See you soon.
00:53:19Come on, girls.
00:53:20I will Mr. Trine.
00:53:24I will see you soon.
00:53:50I've got very attached to those girls.
00:53:57Now, old Dutchess, bring in the newcomers.
00:54:02Now that we've got the introductions over, I think it would be a good idea if you were
00:54:23to disrobe straight away.
00:54:26We have a very scientific approach here.
00:54:29This will enable your teachers to peruse your natural talents
00:54:34and therefore to give you the most beneficial and individual attention.
00:55:15Oh, my God.
00:55:45Oh, my God.
00:56:15Oh, my God.
00:56:16Well, my God.
00:56:18I've got a big head on the world crowd.
00:56:19You're going to do plenty of chest restorative.
00:56:20Something like this.
00:56:21Now, you try it.
00:56:23Now, you're going to do that half-hour every day.
00:56:24Every day you're going to do it.
00:56:25Well, Duchess, if you're just organising the contracts for the new girls.
00:56:28I think I'll be off to bed.
00:56:30I'll be up later.
00:56:50Hello?
00:56:53Hey, look. There's wing gates.
00:56:55Oh, I...
00:56:58Yeah, yeah. We know about it.
00:57:03Sergeant.
00:57:04Ah, double-faced blackguard. What are you going to do about him?
00:57:06There ain't nothing I can do, sir, unless he breaks the law.
00:57:09Nearly 300 guests attended the wedding yesterday of London model Beth Villiers to Sheik Abdul...
00:57:14Oop-la-o-doto, the Kuwait oil magnet.
00:57:16Miss Villiers, looking charming and composed, told our reporter that her success on the international scene had been mainly due to the training she had received at the little-known Wingate Manor Finishing School.
00:57:31Oh, by the way, we got a large cheque from her this morning.
00:57:33Oh. That's quick.
00:57:34And she filled the budget for her true self.
00:57:35Yeah, I'm not quite sure that I like all this publicity, you know. I mean, look at this thing in the paper yesterday about young Sally.
00:57:40Where are we? Oh, yes.
00:57:41Sally Regan, much in the news recently with her on-off, on-romance with horror film producer Sydney Myers, has signed a seven-year contract with a rival film company.
00:57:50It was reported that she negotiated the entire deal herself without any help from her agent. She added that her financial know-how had been acquired at Wingate Manor, an exclusive finishing school for girls.
00:58:05And then there was, there was young Sue the other day, not content with that £20,000 settlement out of court from the defence minister, tells them that it was all due to us.
00:58:26She was helping.
00:58:29Yes, Principal Wingate Manor speaking. I'm sorry, madam. I'm afraid we're full.
00:58:41Say you don't have to help me here. Some woman says she's read about us in the paper. She wants to send her daughter to us.
00:58:48Won't you take no for an answer?
00:58:51No.
00:58:52Well, stay where for?
00:58:54Um, madam, um, I'm very sorry. Yes, I know money talks, madam, but, well, £400,000 is a term.
00:59:03What?
00:59:05Very well, madam.
00:59:08That fixed her?
00:59:12No, she's confirming in writing.
00:59:15Out here.
00:59:18Good.
00:59:19Hi.
00:59:21Okay.
00:59:22I'm smiling.
00:59:23Wigit Manor School for Girls. This is the Deputy Headmistress.
00:59:28I see.
00:59:29Well, I'm afraid we're full up.
00:59:32Oh, eight or ten years, I should think.
00:59:37Hold my minute. I'll speak to the Principal.
00:59:39I think this one's for you to buy Count Snow.
00:59:44In for a penny, in for a pound.
00:59:47400 guineas a turn.
00:59:49Will you confirm?
00:59:51Thank you, bubba.
00:59:55I didn't expect anything about this one.
00:59:57I hadn't envisaged this sort of problem.
00:59:59Perhaps you could burn the place down.
01:00:09Oh, Daddy, what a super place.
01:00:20Do not forget the religious side of my education.
01:00:24Oh, good heavens no, Bishop.
01:00:26We cater for every denomination here.
01:00:28As you can see.
01:00:31Come along, my dears, this way.
01:00:34Straight through.
01:00:36Up the stairs.
01:00:38There we are.
01:00:40In there, that's it.
01:00:42Ah, Mr. Wind again.
01:00:43I'd like to show you some interesting pictures of my daughter.
01:00:47Oh.
01:00:48When she was a little girl.
01:00:50Yes, I'd be most enchanted to see those.
01:00:53Oh, oh yes.
01:00:54My, my.
01:00:55She has changed a lot, hasn't she?
01:00:57Quite a big girl now.
01:00:58Thank you, sir.
01:00:59See you again.
01:01:00Goodbye.
01:01:05That should give you all you need.
01:01:06Sergeant, do your duty.
01:01:07Right-o, sir.
01:01:08I'll have to phone the Chief Constable first now, sir.
01:01:10Right.
01:01:11I'll stay guard.
01:01:12It's the waiting I can't stand, Mr. Berlick.
01:01:13What did you want it for?
01:01:14Oh, stop fussing, clap.
01:01:15I've just seen the Home Secretary.
01:01:19I've just seen the Home Secretary.
01:01:20First, Sally Regan.
01:01:21They get a fortune as a film actress.
01:01:22Then there's, er...
01:01:23What's her name?
01:01:24Sue Randall with that cabinet minister's candle.
01:01:25You've no idea how I had to lie myself out of that one.
01:01:26And now there's this...
01:01:27Beth Villiers garibanting all over Kuwait.
01:01:28These girls are supposed to be under lock and key.
01:01:29Well, there's no idea how I had to lie myself out of that one.
01:01:30And now there's this...
01:01:31Beth Villiers garibanting all over Kuwait.
01:01:32These girls are supposed to be under lock and key.
01:01:33Well, no, no, sir.
01:01:34I mean, it's a very good school.
01:01:35I've only your word for that.
01:01:36I've never heard about this place, and neither do I find me.
01:01:37I've seen the Home Secretary.
01:01:38I've seen the Home Secretary.
01:01:39I've seen the Home Secretary.
01:01:40I've seen the Home Secretary.
01:01:41I've seen the Home Secretary.
01:01:42First, Sally Regan.
01:01:43They get a fortune as a film actress.
01:01:44Then there's, er...
01:01:45What's her name?
01:01:46Sue Randall with that cabinet minister's candle.
01:01:47You've no idea how I had to lie myself out of that one.
01:01:48And now there's this...
01:01:49Beth Villiers garibanting all over Kuwait.
01:01:52These girls are supposed to be under lock and key.
01:01:55Well, no, no, sir.
01:01:56I mean, it's a very good school.
01:01:57I've only your word for that.
01:01:59I've never heard about this place,
01:02:00and neither do I find now have any of my colleagues.
01:02:03Nevertheless, these girls are still on probation, Claridge.
01:02:06What are you going to do about it?
01:02:08Yes?
01:02:09Put him through.
01:02:10Speaking.
01:02:13Oh, no.
01:02:17All right.
01:02:18I suppose that's all you can do.
01:02:20Right.
01:02:21I'll phone you back.
01:02:23Beth was the Chief Constable.
01:02:25Reports from the local police that your Wingate Manor is a brothel.
01:02:28Oh, my God.
01:02:29Oh, no, sir.
01:02:30It's not exactly a brothel.
01:02:31It's a...
01:02:32Look, Belich, you'd better get down those straight away.
01:02:34I'll do what I can to delay police action.
01:02:37Well, go on, man.
01:02:38Hurry up and save your skin.
01:02:47Okay, sir.
01:02:52And mine.
01:02:53Quiet now, girls, please.
01:02:56Quiet.
01:02:58Now, today we have several new girls with us.
01:03:02So I thought we'd start with something cheerful.
01:03:06A party that is extremely popular in the European capitals,
01:03:09particularly in Italy,
01:03:10is one that is more generally known as the Dolce Vita Orge.
01:03:16Now, one point about this type of party.
01:03:19It is extremely difficult to tell the princes from the paupers,
01:03:25or the rich man from the poor.
01:03:27And that will be the object of this lesson today.
01:03:35Everything all set, Sergeant?
01:03:36Yes, sir.
01:03:37We caught the others as they was travelling through the village.
01:03:39Good. Where are they?
01:03:40Here, sir.
01:03:44Sergeant, what is the meaning of all this?
01:03:46Why are we being arrested?
01:03:47These people are all the same, you know.
01:03:49If there were no customers, there'd be no immoral houses.
01:03:52Immoral houses?
01:03:53What do you mean, sir?
01:03:54Down come the old acid, sir.
01:03:56You know very well what's going on in there.
01:03:58And what's more, you're the patrons.
01:04:01If that's so, officer, what am I doing here?
01:04:04Madam, just as we're country folk,
01:04:06don't think we don't know all about big city perversions.
01:04:15No, no, no, no, no, girls.
01:04:17No, no, no, no, no.
01:04:19No.
01:04:20No.
01:04:22Now, look.
01:04:23I know he's got a big pectoral and all that.
01:04:26But he hasn't got any money.
01:04:27He's only the gardener's boy.
01:04:29Now, I'm going to show you how to discern the ones with the money.
01:04:38Good precious, Mr. Berridge.
01:04:40The police are here.
01:04:41Put yourself together a clown.
01:04:43Come along, Sergeant.
01:04:44We're wasting time.
01:04:45Hold on, sir.
01:04:46Standing.
01:04:47You guard the prisoners.
01:04:48You two pass.
01:04:49Come with me.
01:04:51Now, then, Jenny.
01:04:52Which of these gentlemen sitting here would you say was the millionaire?
01:04:55That one.
01:04:56Now, why do you say him?
01:04:57Because he's fat.
01:04:59Oh, dear.
01:05:00You don't necessarily have to be fat to be a millionaire.
01:05:03Now, what about our Frederick here?
01:05:07Wingy, quick.
01:05:08The place is surrounded.
01:05:09The police, you fool.
01:05:10Don't lie.
01:05:11Don't lie.
01:05:12Don't lie.
01:05:13Sit down.
01:05:14Sit down.
01:05:15Sit down.
01:05:16Don't lie.
01:05:17Don't lie.
01:05:18Just a minute.
01:05:19Don't lie.
01:05:20Go.
01:05:21Stop her.
01:05:22Just a minute over there?
01:05:23Go quiet.
01:05:25Peace out.
01:05:26No!
01:05:27Gonna fly.
01:05:29Left my night.
01:05:30No!
01:05:31It's about my place.
01:05:32No!
01:05:33Woolies.
01:05:34ßen
01:05:35今日は
01:05:36full of the пропalities,
01:05:37Moses wedle
01:05:38Giles Henry Rice Wingate, Hubert Robert Berridge and Horace Clapp, you have been found guilty
01:05:49of conspiring to use the premises known as Wingate Manor for immoral purposes. I have
01:05:56listened very carefully to your defence and learnt a lot from it. When I retire from the
01:06:01bench at the end of this month, I shall study this extraordinary case much more carefully
01:06:07and benefit by you. Have you anything to say before I pass sentence upon you? Good.
01:06:15I am sending you... May it please, Your Honour, I would like to enter a plea of mitigation.
01:06:20Sit down and be quiet. I am sending these men where they cannot be entering into any competition.
01:06:28I mean, where they will not be able to corrupt members of society. Now, you will each of
01:06:36you go to prison for a term of three years. For Honour, I would like to take leave to appeal.
01:06:41Honour, yes. We all adjourn for lunch. Don't worry. He can't do that. I'll get you out on appeal.
01:06:50I say, did you see that dirty look I gave him and he sent it to you for three years?
01:07:00Thank you, Miss Father.
01:07:02Thank you, Miss Father.
01:07:04Thank you, Miss Father.
01:07:07I have to take leave to the end of this comment.
01:07:09I am Mother.
01:07:10I have to express myself that my father will strike me.
01:07:13Why do you think I am not?
01:07:14Other things, I have to say...
01:07:14I am not a young architect.
01:07:15I am a young architect.
01:07:16I have to see you on my own side of this compared to this morning.
01:07:17I have to give you some confidence.
01:07:19I have to come up with you on my shoulders.
01:07:21To make you up with me.
01:07:22I have to do that for valour, that I have to go.
01:07:23You
Recommended
1:09:39
|
Up next
1:33:34
1:19:51
57:13
1:24:54
1:01:42
1:40:20
1:44:12
33:38
1:21:42
1:27:15
1:28:37
1:13:23
1:32:59
1:27:57
1:24:43
Be the first to comment