- 3 months ago
Category
🎥
Short filmTranscript
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00:00:20Oh, great. We're gonna need a translator for the slates.
00:00:22Hold it a moment, everybody. Keep rolling.
00:00:25What are we holding for?
00:00:28Birds.
00:00:29What birds?
00:00:30A flock flew by a moment ago. It looked great.
00:00:33What makes you think these birds are coming back exactly?
00:00:36I can feel it in my gut, Logan.
00:00:40Ah!
00:00:41Cut the damn camera!
00:00:44I've got a feeling in my gut, too.
00:00:47A sinking feeling that we're going to be over budget on the very first set-up.
00:00:52Oh, the last picture. They were like wild dogs.
00:00:56We didn't come to Greece to go bird-watching, Zacherly.
00:00:59So if you please, Madam Director, would you get your ass in gear and get the camera rolling?
00:01:05Birds or no birds?
00:01:07You're packing, if you just want, you can't do it.
00:01:09Can you pull the damn things?
00:01:10I'm playing with you, though.
00:01:11I'm not sure what happens.
00:01:12I'm playing with my keys.
00:01:14Go away with music.
00:01:16You can pull the own parts of us.
00:01:17It's not weary, too.
00:01:19I wake up with the sun upon my face
00:01:38Breezes blowing clouds across the sky
00:01:42Doubles disappear without a trace
00:01:49Living on an island, just you and I
00:01:53We don't need a ticket, just take me by the hand
00:01:57Love is gonna lead us to our promised land
00:02:02Adventures in paradise
00:02:06You take me round the world when I close my eyes
00:02:11You got me walking on fire and ice
00:02:14And it's your field of grace
00:02:19We can catch a ride upon a star
00:02:23Dance away our blues in outer space
00:02:27In your arms I found my Shangri-La
00:02:33Givens waiting for me in your embrace
00:02:37We don't need directions, you tell us where to go
00:02:41Love is gonna lead us to our past we know
00:02:46Adventures in paradise
00:02:50You take me round the world when I close my eyes
00:02:55You got me walking on fire and ice
00:02:58And it so feels nice
00:03:04Adventure and imagination
00:03:08Exotic places we can play
00:03:12We're making movies on location
00:03:17Pictures that we dream
00:03:35Carry us away
00:03:41Pictures that we dream
00:03:44Kill me out the way
00:03:46Adventures in paradise
00:03:51You take me round the world
00:03:53When I close my eyes
00:03:56You got me walking on fire and ice
00:04:00And it so feels nice
00:04:02Oh, oh, oh, oh
00:04:05Adventures in paradise
00:04:09You take me round the world
00:04:11When I close my eyes
00:04:13You got me walking on fire and ice
00:04:17And it so feels nice
00:04:20Adventures in paradise
00:04:26You take me round the world
00:04:29When I close my eyes
00:04:29Dad?
00:04:30It's caca.
00:04:32Well, for caca, it's good caca.
00:04:34Logan, I can see the strings on the tray.
00:04:37Oh, Zach, you can see them.
00:04:38No one else can.
00:04:40Lights!
00:04:40It's embarrassing, Logan.
00:04:42Oh, for Pete's sake, Zach,
00:04:44Will you calm down?
00:04:45No one of average intelligence
00:04:47Can see anything.
00:04:48You didn't notice any strings,
00:04:50Did you, Snookins?
00:04:50Oh, no, I didn't see anything, Bobo.
00:04:53Talents from Gay Perrine.
00:04:55Let me see my little cream puff.
00:04:57About the bathroom set.
00:04:59A real airplane bathroom
00:05:01Is just too tight.
00:05:03Could you build me a bigger one?
00:05:04Perhaps with some windows?
00:05:06Whatever you want, Chief.
00:05:08One loo with a view coming up.
00:05:13Cheese and crackers!
00:05:14What's the matter?
00:05:15Oh, Logan, don't tell me the money fell through.
00:05:18No, those idiot actors.
00:05:19They missed the plane.
00:05:21And the airline refused to permit Scotty's fiancée
00:05:23To bring her pussy aboard.
00:05:25How rude.
00:05:29Dinner time.
00:05:30There you go, baby Rambo.
00:05:32You're on there.
00:05:32Rax, you're not going to believe this.
00:05:35Listen to this stuff.
00:05:36All right, man, what's next?
00:05:37Hit me.
00:05:37As Scotty opens the bathroom door,
00:05:41A gust of wind whips his hair
00:05:43To and fro.
00:05:45Oh, whoosh!
00:06:03I'll keep you in suspense.
00:06:04What happens next?
00:06:05Check this out.
00:06:07The plane shudders,
00:06:08Starts doing barrel rolls
00:06:09In a fantastic aerial orgasm!
00:06:13That is sick!
00:06:14The women in this script
00:06:15Are just tits and ass
00:06:17With nothing but sex on their minds.
00:06:19I mean, is that really what you want?
00:06:21Yes, please.
00:06:24Well, then you can have it.
00:06:26Both of you.
00:06:28Morgan!
00:06:33Great.
00:06:34Thanks, pal.
00:06:36I'm sorry, man.
00:06:37I didn't know she was so sensitive.
00:06:39She isn't exactly thrilled
00:06:40That our co-stars are going to be topless
00:06:41Half the time.
00:06:42But not that I intend to use this movie
00:06:44To entice gorgeous young females
00:06:46To abuse my overdeveloped body.
00:06:49Right.
00:06:50Where are you going?
00:06:51To apologize to a gorgeous young female.
00:06:54Who I have to be engaged to.
00:06:55What?
00:06:56Scott, what are you doing?
00:07:01Morgan, we have to talk.
00:07:03About what?
00:07:04The movie.
00:07:05Look, I think you're confusing me
00:07:07With the character I play in the film.
00:07:09I'm not a dumb surfer kid
00:07:10Who walked off the beach
00:07:11With a surfboard and a hard-on.
00:07:13I know that.
00:07:14It's just that for the past few months
00:07:16We've been alone
00:07:17And now I have to share it.
00:07:19Share me?
00:07:19Love!
00:07:21Morgan, love
00:07:22Would I have given you this
00:07:23If I didn't intend on staying true?
00:07:26You're the only woman I want.
00:07:29Oh, Scotty
00:07:30You make me just want to throw you down
00:07:34And jump on your bones.
00:07:36Oh, honey.
00:07:43Oh, baby.
00:07:43Sweetheart.
00:07:53Oh, yes, Morgan.
00:07:59Oh, my God.
00:08:01Morgan.
00:08:02Morgan.
00:08:02Oh, my God.
00:08:03Sir.
00:08:04Where's my ball this year, Morgan?
00:08:05Come on.
00:08:08Come on.
00:08:08Just pull it.
00:08:09Come on.
00:08:10Morgan.
00:08:24Coming through.
00:08:25Look out.
00:08:26Where's the beach?
00:08:27Hey.
00:08:28I think it's on your board.
00:08:29Is this yours?
00:08:30Yeah.
00:08:31Can you prove it?
00:08:32I'm grieving.
00:08:33Hey, dude.
00:08:33She wants my body.
00:08:34I can tell.
00:08:35Hey.
00:08:40Rintintin, off my board.
00:08:44George, look.
00:08:45Just pretend it's a big bone, okay?
00:08:47Drugs?
00:08:50Nah.
00:08:51Me?
00:08:51Nah.
00:08:52Come on, young bag.
00:08:54That dog of yours is a little high-strung.
00:08:55I think he's a dope.
00:08:57Yeah.
00:08:58Part of the dog.
00:09:00Hey, where are those guys going?
00:09:02I'm in my 34.
00:09:02Hey, back up.
00:09:03Hey, hey.
00:09:03Hey, hey.
00:09:06No, no.
00:09:07No, my 34!
00:09:09No!
00:09:12No!
00:09:12Ah!
00:09:15Ah!
00:09:15Yeah.
00:09:20Look, man, there's no drugs in here.
00:09:22Oh, I'm sorry about all that, boys. Enjoying.
00:09:25Oh, I'm sorry.
00:09:55What's the matter, bud?
00:09:59You can't be done hassling me. My suitcase is still in one piece.
00:10:02Come on, man. Cool out.
00:10:07Open in.
00:10:08What for?
00:10:09Come on. Open in.
00:10:10It's obviously unnecessary.
00:10:12Hold on. You're on a power trip, right?
00:10:15I get it.
00:10:15Don't mess up my shirt.
00:10:18What is this?
00:10:21This is obviously not my suitcase.
00:10:25Can you believe that?
00:10:30Drugs in my surfboard.
00:10:32Yeah, I know.
00:10:32Like you'd have put them in such an obvious place.
00:10:35Really?
00:10:43Cut.
00:10:43Print it.
00:10:45Raffola.
00:10:47I need a pickup of the chainsaw, cutie.
00:10:49Okay, everybody.
00:10:50That's a wrap.
00:10:50Crew bus leaves in half an hour.
00:10:52Cast and cookie comes with me.
00:10:53Daddy!
00:10:53Oh, I can't even find your name here, please.
00:10:58What has he got that we haven't got?
00:11:01Looks, charm, hit TV series.
00:11:06Oh, shit.
00:11:08This is real.
00:11:09Bye, guys.
00:11:10Bye, guys.
00:11:11Bye, guys.
00:11:11Bye, guys.
00:11:11Bye, guys.
00:11:11Bye, guys.
00:11:12Are you ready to go?
00:11:13Ready?
00:11:15Sure.
00:11:16I've got a headache.
00:11:17My shoulder feels separated.
00:11:18I'm bored out of my mind.
00:11:19I guess you're ready to go.
00:11:23Did it.
00:11:31Excuse me, officers, but that's not real.
00:11:34It's just a prop for the movie.
00:11:36You understand?
00:11:37Movie.
00:11:37You understand?
00:11:39Movie.
00:11:40Movie.
00:11:41You see, it's just parsley.
00:11:42Oof.
00:11:43Cookie!
00:11:44Look at those silly cops.
00:11:45They think the kids are smoking real pot.
00:11:47They are.
00:11:49I told Bruce to get the real stuff.
00:11:52You what?
00:11:54It doesn't sound anything like grass.
00:11:56Here, here, take this back to the prop truck, please.
00:12:03Cookie!
00:12:04Huh?
00:12:05Oh, God, is that a joint in your hand?
00:12:08Ed is disgusting, and he promised me he'd given it up.
00:12:11Eat it.
00:12:13What if you might ever take drugs?
00:12:15You can eat it!
00:12:16Take it, sir.
00:12:18Take it, take it, take it, take it, sir.
00:12:36What do you want, Clay?
00:12:37Did you want to get us all thrown in a slammer?
00:12:39What I want is reality on the screen.
00:12:42Oh, you want reality?
00:12:43You got it, lady.
00:12:45You're fired!
00:12:48Before you fire me, Logan, I walk.
00:12:51Oh, no, no, no, no, no.
00:12:52I fired you before you walked.
00:12:57Bad news.
00:12:57Trouble in paradise.
00:12:59Nothing a quick poke won't cure.
00:13:01The next time your phone rings, it'll be my attorney.
00:13:04And you'll be hearing from my agents.
00:13:08Cookie, come along.
00:13:09We have script changes.
00:13:11Mantino, I need you presto!
00:13:17I'm sorry, sir, but there's nothing else I can do.
00:13:20Look, you can't put all three of us in one room.
00:13:23That's what your reservations go for.
00:13:25Take it, or leave it.
00:13:26I feel sick.
00:13:48Hey, Sean.
00:13:50You sharing your room with anybody?
00:13:52Not permanently.
00:13:53How about taking on Rags as a roommate and helping me out?
00:13:55I want to get girls in my room, man, not scare them away.
00:14:14Well, I think I'll leave you two lovebirds alone for a while.
00:14:17Thanks, buddy.
00:14:18Yep.
00:14:20Hey, Carl Naspi.
00:14:22When did you get in?
00:14:23Hey, son, just flew in after 14 and a half hours and a seat designed for a chimpanzee.
00:14:29Well, then, come on downstairs and we can toss down a couple of ice-cold beers.
00:14:32I'm not quite feeling human yet.
00:14:34Tomorrow's my first day of shooting.
00:14:35I better get a little sleep.
00:14:37Good night.
00:14:38Right.
00:14:38Raggy?
00:14:39Hi, this is Logan.
00:14:40Welcome to Greece.
00:14:42Tell me, have you seen my husband around?
00:14:44Uh, not recently.
00:14:45Who's banging in my door?
00:14:52Oh, jeez, and crackers.
00:14:53Who's banging in...
00:14:54Oh, what a surprise if it isn't my little wifey.
00:15:00Kiss, kiss.
00:15:01Darling, just let me straighten up a bit.
00:15:04Make some room for you, huh?
00:15:05Hey, Spooky, you'll get those sheets changed.
00:15:13I mean, the, uh, strip sheets changed, right?
00:15:15Oh, yes, yes.
00:15:16Right away.
00:15:16Oh, I'm sorry.
00:15:18That's okay.
00:15:19You need some help?
00:15:20No, I'm okay.
00:15:25Oh, good.
00:15:27Oh, work, work, work, work, work, work, work.
00:15:30Oh, are we a little cranky?
00:15:34Well, it's been a long trip.
00:15:37I know, I know, I know.
00:15:40I love you.
00:15:41I love you.
00:15:48This place isn't so bad.
00:15:51I mean, it may not be the Ritz.
00:15:54At least it's clean.
00:15:57What's wrong with Baby Rambo?
00:16:00Uh, nothing.
00:16:02Just jet lag.
00:16:04Oh, God, I feel like refresh.
00:16:07Shit.
00:16:08Probably that joint you ate.
00:16:10Getting a buzz yet?
00:16:12Oh, my God!
00:16:14Morgan, what is it?
00:16:16My period is two days late.
00:16:18Big deal.
00:16:19I missed a few pills last month.
00:16:21So?
00:16:23I'm PG.
00:16:25I'm Prego.
00:16:26My God, I've been knocked up.
00:16:28Are you sure this isn't a hysterical reaction from the grass?
00:16:33Hysterical reaction?
00:16:35I'm pregnant and you're calling me hysterical?
00:16:38Our baby is growing inside my womb
00:16:40and you accuse me of being an emotional basket case.
00:16:44I didn't say that.
00:16:46But you implied it.
00:16:49Like horse shit.
00:16:50Like horse shit?
00:16:59Come on, baby doll.
00:17:00Oh, don't.
00:17:01I don't deserve this kind of abuse.
00:17:04What do I have to do?
00:17:05Get on my hands and knees?
00:17:08Maybe.
00:17:08Maybe.
00:17:08It feels so good to hold you.
00:17:18Just the three of us.
00:17:20Together.
00:17:23You know what, honey?
00:17:24What?
00:17:25I think maybe we shouldn't make nookie nookie for a while.
00:17:29Why not?
00:17:31Oh, just to be safe.
00:17:32You know, we're in the family way.
00:17:37Oh, darling, isn't it wonderful?
00:17:41Mmm.
00:17:50Man, another hour in the sun and my nose will be fried.
00:17:52Springy nose coat?
00:17:54Yeah.
00:17:55Hey, buddy, we gotta face reality here.
00:17:58Pennies don't start dropping from heaven.
00:17:59We're gonna have to get jobs.
00:18:00Oh, please, God, anything but that.
00:18:03Who's is this?
00:18:08Thank you, Jesus.
00:18:10Save from the minimum wage.
00:18:12Put it back, man.
00:18:13This isn't ours.
00:18:14Scotty, dude, we're in Europe.
00:18:16I mean, miracles happen all the time over here.
00:18:18That's pretty lame, dude.
00:18:20Look, we'll find the rightful owner
00:18:21and maybe we'll get a cash reward.
00:18:27Ask and ye shall receive!
00:18:30Everyone on board, please!
00:18:42Setting sail for another island paradise.
00:18:44Come on, let's go!
00:18:46This is school?
00:18:47Things have sure changed since I dropped out.
00:18:51Gentlemen, I'm Ms. Rollins, the chief administrator.
00:18:53May I help you?
00:18:54Uh, yes, uh, Sean Kingsley.
00:18:56Oh, Mr. Kingsley!
00:18:57Thank God you've arrived!
00:18:59We've been holding the boat for you.
00:19:00And this must be your private tutor.
00:19:03That's me, Professor D. W. Rags,
00:19:05Ph.D., MBA, DDS, DDT, LSD, and ABC.
00:19:09Look, Ms. Rollins, my name is not Sean.
00:19:11It's Scotty.
00:19:13Scotty?
00:19:14Uh, it's his middle name.
00:19:16Sean Scott Kingsley.
00:19:17You see, he uses it when he travels incognito.
00:19:19You understand.
00:19:20Of course.
00:19:21The son of a billionaire can't be too careful.
00:19:24Son of a...
00:19:25Now, if you'll excuse me,
00:19:27I'll tell the captain we're ready to cast off.
00:19:30Rags, we can't do this.
00:19:31This is crazy.
00:19:32Don't be such a squid, dude.
00:19:33Besides, it's educational.
00:19:37Hey, hey!
00:19:38Where you going?
00:19:40Wait a sec!
00:19:41Hold on!
00:19:42Hold the boat!
00:19:42Hold on!
00:19:45You can't leave without me!
00:19:47Come on, dude.
00:19:47You can make it!
00:19:49Come on!
00:19:49I'm with the semester at sea!
00:19:51Come on, man, run!
00:19:52Hold on!
00:19:53Come on, dude, jump!
00:19:54Hold on!
00:19:55Hey, jump!
00:19:56Come out!
00:19:59I lied!
00:20:00Come back here, you!
00:20:02Hey, put that in reverse!
00:20:10Are you the rich, handsome American
00:20:12we were waiting for?
00:20:13Bingo!
00:20:14Now, didn't we meet somewhere before,
00:20:16like maybe in a past life?
00:20:33Well, look what the cat dragged in.
00:20:36Ashby?
00:20:38Lana?
00:20:38Hi, Scotty!
00:20:40What the hell are you guys doing here?
00:20:42I'm the captain of this crate, son.
00:20:44We bought it as an investment.
00:20:45Why, this son of a bitch
00:20:46is a floating tax write-off.
00:20:49Boy, it's sure good to see you, son.
00:20:50Hell, I get hungover
00:20:51just thinking about old times.
00:20:53We sure did raise a lot of hell, didn't we?
00:20:56You know, we don't mind you and Rag
00:20:57for being on board
00:20:58as long as we come to a little understanding.
00:21:01Anything you say, Chief.
00:21:03Be on time for class
00:21:04and do your homework.
00:21:06Do your homework!
00:21:07Ha, ha, ha, ha, ha, ha, ha, ha, ha!
00:21:09What the hell?
00:21:10No, I said I'm gorgeous!
00:21:11No!
00:21:13No!
00:21:15No!
00:21:17This is the temple where they worshiped Rhodos,
00:21:20the lovely nymph
00:21:21and daughter of Poseidon,
00:21:23built in the third century B.C.
00:21:25According to Pindar, Elios, the god of the sun, fell in love with the nymph, wrote us on sight and decided to marry her.
00:21:42Okay, sucker, this time wait for Papa.
00:21:55And over here is the recently restored statue of Rhodos, the lovely nymph.
00:22:08Even today, centuries after she was chiseled out of rock, we're still struck by her incredible beauty.
00:22:15Cut. I can't get it up for this scene.
00:22:25What's the matter, cupcakes?
00:22:28The script calls for me to gaze lovingly into her eyes.
00:22:31How can I? She's headless.
00:22:33He seems to want a little head, Madame Director.
00:22:36Sorry, look, I'm an actor. I need something to help me fulfill this moment.
00:22:41How's about 5,000 bucks a week, butt face?
00:22:44Listen, Honeybuns, until we cast the part of Rhodos, the nymph, we can't cast the head.
00:22:51Hey, Scotty, is this what you need?
00:22:53Raghos, the nympho.
00:22:55Nympho!
00:22:57Oh, my God!
00:23:10Oh, no!
00:23:14Is this a buggy?
00:23:18Well, hello, everybody.
00:23:19Great, Scot.
00:23:20Scot, you're a half an hour late. Get your keister in here.
00:23:23It's pretty hard to wake up quickly on your only day off.
00:23:26Oh, I think you'd be well-rested, sugar buns, after sleepwalking through all your scenes.
00:23:31Just following your inspiring direction.
00:23:34Come on, come on, come on. Let's get cracking.
00:23:36If we don't find our nymph today, tomorrow we are screwed.
00:23:41Who are those guys?
00:23:43Well, those are our investors.
00:23:45And they're very good people, Scott.
00:23:47Doctors, lawyers, dentists...
00:23:49Fletches.
00:23:50I just love investors.
00:23:52Yes, I know you do, dear.
00:23:54Uh, Cookie, perhaps you could trot out the first young lady?
00:23:58Coming right up, Bobo.
00:24:00Jeanette Pillates.
00:24:02Jeanette Pillates.
00:24:03This is our director and producer and his wife.
00:24:07Um, Jeanette is wearing a bathing suit underneath her dress
00:24:10and she wanted to know whether or not you wanted to see her body before or after reading.
00:24:16I think before.
00:24:18Sounds professional to me.
00:24:19Definitely.
00:24:20Definitely.
00:24:42Dude, what's wrong?
00:24:44Morgan's punishing me.
00:24:46No nookie.
00:24:47Why?
00:24:50When she told me she wasn't pregnant, I was so happy a French kid's the maid.
00:24:54Thank you, Janay.
00:24:56A plus.
00:24:57Now let's hear your reading.
00:25:00Am I really awake?
00:25:02Let me pinch myself.
00:25:04If you love me, open those lovely lips and tell me in your own sweet voice.
00:25:09Words of love are only words.
00:25:12Therefore, think carefully before you answer me.
00:25:16Are you really in love with me or is it just with my body?
00:25:20Your body.
00:25:21Next.
00:25:22Next.
00:25:23Next.
00:25:24Next.
00:25:25Next.
00:25:26Next.
00:25:27Next.
00:25:28Next.
00:25:29Next.
00:25:30Next.
00:25:31Next.
00:25:32Next.
00:25:33Next.
00:25:34Next.
00:25:35Next.
00:25:36Next.
00:25:37Next.
00:25:38Next.
00:25:39Next.
00:25:40Next.
00:25:41Next.
00:25:42Next.
00:25:43Next.
00:25:44Next.
00:25:45Next.
00:25:46Next.
00:25:47Next.
00:25:48Next.
00:25:49Next.
00:25:50Words to love are only words.
00:25:54Therefore...
00:25:55Think carefully before you answer me.
00:25:59Are you really in love with me?
00:26:03Or just with my body?
00:26:05My body.
00:26:06My body.
00:26:07My body.
00:26:08Body.
00:26:09Body.
00:26:10Body.
00:26:11How about Monique Monet?
00:26:12She wasn't so bad.
00:26:14Wasn't so bad?
00:26:15She can't even say her name and make it sound real.
00:26:18That's because it's not.
00:26:20Can I get you anything else?
00:26:22Oh, just coffee, my dear.
00:26:24Coffee.
00:26:25Make it three?
00:26:27Nothing, just some water.
00:26:32Please.
00:26:34Three coffees and one water.
00:26:37Good luck, my dear.
00:26:41Oh, I got it.
00:26:43I got it.
00:26:44We make her a poor little mute girl.
00:26:46That way she can look great and she doesn't have to say a bloody word.
00:26:49I suppose the love scenes will be done in sign language.
00:26:52Yeah, it's just like ordering dinner in a sushi bar.
00:26:55I mean, he points at everything he wants.
00:27:01Excuse me.
00:27:04Excuse me.
00:27:05Are you an actress?
00:27:06No.
00:27:07I'm the waitress.
00:27:08So are most the actresses, I know.
00:27:10Would you mind reading these lines of dialogue with me?
00:27:12I told you, I'm not an actress.
00:27:14Please.
00:27:15I'll leave you a big tip.
00:27:16Want a glass of water?
00:27:17Come on.
00:27:19Okay.
00:27:20But only if you promise to quit bothering me.
00:27:22All right, look.
00:27:23I'll read this and then I'll cue you.
00:27:25If you love me, let me know by opening those lovely lips and tell me in your own sweet voice.
00:27:31Words of love are just words.
00:27:33Therefore, think carefully before you answer me.
00:27:36Are you really in love with me or just with my body there?
00:27:39Okay?
00:27:40Okay.
00:27:41That was more than okay.
00:27:42That was really good.
00:27:43You didn't even tell me your name.
00:27:44Cleopatra.
00:27:45But I go by Cleo.
00:27:46So, Cleo, how would you like to be in a movie?
00:27:50How does it end?
00:27:51Very happily.
00:27:52I mean, do I end up taking off my clothes and jumping into bed with you?
00:27:55That's right.
00:27:56How'd you know?
00:27:57I've been in that movie.
00:27:58It doesn't end happily.
00:27:59Hey, I'm serious.
00:28:00We're trying to cast the lead in a film.
00:28:02You'd be perfect.
00:28:03You guys, I just read her and she's great.
00:28:07Try telling that to my stepfather.
00:28:13Oh, what a fine looking citizen.
00:28:15Well, my dear, perhaps you'll take off your reed for us?
00:28:19Please, try to understand.
00:28:22I don't even go to the movies and I have no desire to be in one.
00:28:25I'm just a student working to save some money for college.
00:28:28Now, I'm excited that you asked, but there's really nothing you can say to change my mind.
00:28:33How about 150,000 drachmas a week?
00:28:42Perhaps the most outstanding example of the Ionic Order is the Erechtheum, located in the Acropolis.
00:28:48At the southern portico of the Erechtheum is the famed Porch of the Maidens, known for its six sculpted caryatids.
00:28:57These female figures, dating from the 5th century BC, act as columns, supporting an entablature on their heads.
00:29:05Oh man, we have a porch of maidens here and I am Erechtheum.
00:29:09Ha!
00:29:10Ha!
00:29:17Richard, check out that boat.
00:29:19It's not the boat I'm checking out.
00:29:21Speaking of checking out...
00:29:23You are out there!
00:29:25You're the most beautiful girl I've ever seen!
00:29:35You're the most beautiful girl I've ever seen.
00:29:42What's your name?
00:29:45I have to talk to you.
00:29:48I'm coming aboard.
00:29:50Come on, man.
00:29:52Keep going from the boat.
00:29:54Well done.
00:29:55I'm gonna do it.
00:29:56Stop it.
00:29:57Get away from the boat.
00:29:58Come on.
00:29:59Come on.
00:30:00Keep going from the boat.
00:30:01Hurry.
00:30:02Well done.
00:30:03I'm gonna do it.
00:30:04Get away from the boat.
00:30:05Get away from the boat.
00:30:06Get away from the boat.
00:30:07Get away from the boat.
00:30:08Get him.
00:30:09Get him.
00:30:10Get him.
00:30:11Bring him over here.
00:30:12Shoot him again.
00:30:13Shoot him again.
00:30:14Come back.
00:30:15Come on inside.
00:30:17Maybe if he knew or would be FILMES told him,
00:30:22Get over here.
00:30:23Just a bunch of people.
00:30:24Walk against them under the water.
00:30:25OTHER WINGES
00:30:27TREWS
00:30:28babysitter
00:30:29Talks after the ÅŸekil
00:30:30They thought the the demons
00:30:36The demons wait down deep inside me
00:30:39Stirred and call for my surrender
00:30:43The weakness of the flesh has won again.
00:30:50Very good.
00:30:54Hey, Cleo, wait up.
00:30:58You were really good today.
00:31:01How do you like making movies?
00:31:04Honestly, it was the most boring day of my life.
00:31:08All that waiting around with nobody to talk to but actors.
00:31:11Sorry, Princess. I guess actors are beneath someone of your noble birth.
00:31:18Lobo, you don't understand.
00:31:20Scram, just sling and scram, that's all.
00:31:22And you, Mr. Papa Peppelin, out, out. I want you out.
00:31:26I will not tolerate this trashy sexist behavior on my set.
00:31:30You are finished.
00:31:32I have a contract, sir. You can do it.
00:31:35Oh, you have a contract, do you?
00:31:37Well, I invoke the morals clause on your contract.
00:31:42Oh, shit.
00:31:44The morals clause? What's going on?
00:31:47Logan caught Mr. Papa Peppelous with his hand in the cookie jar.
00:31:51Ha, ha, ha, ha, ha, ha.
00:31:52Pervert, you're through. Shoo, shoo, shoo, you're history. Shoo.
00:31:57Logan, you just fired one of my supporting leads and he has to work again tomorrow.
00:32:01Replace the degenerate.
00:32:03On one day's notice? How?
00:32:05Oh, throw a souvlaki sandwich into any crowd.
00:32:07Anyone you hit will be a better actor than that, turkey.
00:32:10Logan!
00:32:11I'll be seeing you later, princess.
00:32:17Look, Scott, I didn't mean to be a snob.
00:32:21I'm just feeling uneasy for what we're doing.
00:32:24If my stepfather hears that we have a nude scene together,
00:32:27he'll lock me up and come after you with a knife.
00:32:30Why is it that every time I see that man he has a weapon in his hand?
00:32:34Maybe it's a sign.
00:32:37Thanks for your help today.
00:32:38Oh, happy day.
00:32:41Now.
00:32:42Oh!
00:32:43God, Scott, what are you trying to do, give me a heart attack?
00:32:56oh god scott what are you trying to give me a heart attack i know you've been mad at me
00:33:11but i did not expect to find you in war paint are you making fun of my avocado mask me make
00:33:17fun of that looks pretty stupid morgue i was only kidding look you want to know the truth
00:33:25that guacamole on your face really turns me on oh yeah sure hey little girl i'm dr dan and i make
00:33:34house calls naughty girl have you been cleaning your ears scotty don't you know what that does to me
00:33:44that's why dr dan is doing it
00:33:46oh guess what i ran out of birth control pills
00:33:57i always say without them oh honey do we care
00:34:02well i guess that's your answer huh and i thought you loved me morgan let's not fight
00:34:15we can hold off making love until you get some more pills
00:34:18in the meantime dr dan could use a little physical therapy if you know what i mean
00:34:23oh
00:34:25oh
00:34:27morgan you don't know what it's like on the set all day surrounded by these beautiful girls with
00:34:34beautiful bodies come on reach out and touch someone
00:34:38me
00:34:39oh i got you
00:34:41so while you lie back and daydream about all those great looking bodies morgue here does all
00:34:47the dirty work right come on dr dan just needs a little relief you need relief honey
00:34:53take two of these and call me in the morning i'm taking you back morgan
00:35:00take two of these and call me in the morning i'm taking you back and daydream
00:35:02take two of these and call me in the morning i'm taking you back and daydream
00:35:07take four of them
00:35:08go
00:35:09go
00:35:10go
00:35:11go
00:35:12go
00:35:13you
00:35:14go
00:35:15go
00:35:16go
00:35:18go
00:35:22go
00:35:24go
00:35:29go
00:35:31go
00:35:33go
00:35:34the
00:35:36good
00:36:07Okay, who wants the next rubdown?
00:36:14Me, Rags, please.
00:36:16No, me.
00:36:17Me, Rags?
00:36:18My skin is so dry.
00:36:20Please, Rags, please do me, Max.
00:36:23Oh, but, Rags, I was before her.
00:36:26I bet, honey.
00:36:27I just did you.
00:36:28You did my back, not my front.
00:36:33Thank you, Lord.
00:37:37I'm sorry about the nurse, but I had to see you again.
00:37:56Come away with me.
00:37:57Come, come to the disco.
00:37:59Tonight.
00:37:59Tonight, okay?
00:38:01To the disco.
00:38:03Tonight.
00:38:05Murderer.
00:38:06Drown him.
00:38:08Hey, guys.
00:38:09It's been a long time since I've done any cliff diving.
00:38:12Seriously.
00:38:14I guess we'll practice things perfect.
00:38:15That was a good rehearsal, my soggy little macaroon.
00:38:31Now let's shoot it.
00:38:33Just kidding.
00:38:34Next set up.
00:38:36Next set up.
00:38:36The gathered insert.
00:38:39Where the hell is Sean?
00:38:40Somebody find me, Sean.
00:38:43You know, I think he's off learning his lines.
00:38:46Oh, he doesn't have any lines.
00:38:48Think it, babe.
00:38:48Hey, princess.
00:38:53What's with the long face?
00:38:56Nothing.
00:38:57Just that in spite of my better judgment, I'm beginning to like you.
00:39:00Well, it's a good thing you don't love me.
00:39:02You probably commit suicide.
00:39:03I've never had a crush on a playboy before.
00:39:06Playboy?
00:39:07What makes you think I'm a playboy?
00:39:09Hey, Scotty.
00:39:10Maybe it's because she's heard all the banging and screaming coming from your dressing room.
00:39:14I mean, everybody else sure has.
00:39:16Sex and traveling.
00:39:17See ya.
00:39:17Gotta roll.
00:39:19You don't believe him, do you?
00:39:20Cut me some slacks, will you?
00:39:22I don't believe everything I hear.
00:39:24I'm here.
00:39:24Let's shoot this puppy.
00:39:25Where have you been, Sean?
00:39:27Get out there.
00:39:29Hello, Mrs. Logan.
00:39:30Oh, hello, Jay.
00:39:31How are you today?
00:39:32Wonderful.
00:39:34Tell me something.
00:39:35Has there ever been a time in your life when you haven't been wonderful?
00:39:39Not so far.
00:39:40Everybody ready?
00:39:42Roll, fans!
00:39:45Camera!
00:39:47Action!
00:39:55Water!
00:39:57Water!
00:39:58Real cute, Scott.
00:40:07Hey, hey, hey, cut it off.
00:40:09Knock it off, you uncured hams.
00:40:11Get your poker out there, Sean.
00:40:12Take two, coming up.
00:40:14Oh, Sean doesn't have much of a sense of humor.
00:40:19That's because what you did was not funny.
00:40:21Oh, and I suppose what he did was.
00:40:23No.
00:40:24I'll tell you, you're both behaving like children.
00:40:27If you think it's impressing me, you couldn't be more wrong.
00:40:29First of all, you need to be more wrong.
00:40:50I'm sorry.
00:40:52I'm sorry.
00:40:54I'm sorry.
00:40:56I'm sorry.
00:40:58I'm sorry.
00:41:00I'm sorry.
00:41:02I'm sorry.
00:41:04I'm sorry.
00:41:06I'm sorry.
00:41:08Hey, don't forget your spoken foresight.
00:41:12Have you ever been in love with two women at once?
00:41:14Not in this incarnation.
00:41:16Hell, yeah, several times.
00:41:18I just never let my left ball know what my right ball's doing.
00:41:22It's always juggling lovely.
00:41:24It's always got it.
00:41:26I don't know what to do.
00:41:28I'll move to Saudi Arabia.
00:41:30It's legal there.
00:41:32Liquid libations, are not?
00:41:34Well, that would be hell, wouldn't it?
00:41:36Stuck in a desert with two women and no liquor.
00:41:40Okay.
00:41:42So the casting dude says,
00:41:44I'm sorry, but we're looking for the Robert Redford type.
00:41:46Hey, dude, that's incredible.
00:41:48He's my father.
00:41:49In fact, that's where I got my blonde hair.
00:41:50I love your hair.
00:41:51It's so spiky.
00:41:52Do American girls like spiky hair?
00:41:54Oh, hell yeah.
00:41:55I mean, spiky hair and earrings, serious turn-ons.
00:41:58I'll drink tonight.
00:41:59All right.
00:42:00Baby.
00:42:01Bottle to Dom Perignon and a funnel right away, huh?
00:42:04And, uh, why don't we plan on getting together later on?
00:42:07We close at midnight, then I'll do the dishes.
00:42:10Would you rather do the dishes or do me?
00:42:13The dishes?
00:42:14Less grease.
00:42:16What the hell do you find these guys, Logan?
00:42:19They look like a gaggle of pussycats.
00:42:22Would you really be frightened if this guy kidnapped your wife?
00:42:26Oh, yeah.
00:42:27I'd be frightened for him, poor bastard.
00:42:29A couple of nights with Lana driving out bananas or turn him into some other kind of fruit.
00:42:34I'm serious, dick brain.
00:42:36The role of the kidnapper is critical.
00:42:39We've got to find someone who looks real.
00:42:41Real?
00:42:42Oh, you want real way.
00:42:44You're gonna get real.
00:42:46Uh, could you come over here, please, Dimitri?
00:42:49Here come in.
00:42:51Ooh.
00:42:56Darling, you're not going to believe the bargains I got.
00:42:59Everything in the whole marketplace was on sale.
00:43:01And you bought it all.
00:43:03You know, the thing I just love about shopping here is the money just doesn't look real.
00:43:06You can just spin and spin and spin and it's like confetti.
00:43:09Oh, oh, somewhere here I've got something for you.
00:43:12The bill.
00:43:13Oh, oh, here it is, darling.
00:43:15I ran into Sean and he helped me pick it out.
00:43:18Hi, Sean.
00:43:20It's one of a kind.
00:43:22What do you think?
00:43:23It certainly is one of a kind.
00:43:26Not many people know how to make them babies.
00:43:29Sean helped pick that out?
00:43:31Mm-hmm.
00:43:32I'll have to find a unique way of thanking him.
00:43:35You don't like it, do you?
00:43:38You hate it.
00:43:40I can tell.
00:43:41It's beautiful.
00:43:42I love it to death.
00:43:44Well, let me tell you something, bucko.
00:43:46You know, it's not easy being stuck over here with nothing to do all day.
00:43:49You know, I'd go crazy if I couldn't go out and do a little shopping now and then.
00:43:53Morgan, it's just that you're going through our money faster than I can make it.
00:43:57And I suppose my sanity is only worth $50 a week.
00:44:08Or maybe $75.
00:44:10Good old Morgan.
00:44:11Just lock her up in the hotel room and throw away her credit cards.
00:44:14Is that it?
00:44:15Well, I don't have to take that kind of abuse from anybody.
00:44:17You know, I'll wire Daddy for money if I have to.
00:44:20He knows how delicate and sensitive I am.
00:44:23Here, take your gold card and shove it up your wallet.
00:44:26I'll survive somehow.
00:44:28Morgan, it's...
00:44:30Son, I got a feeling she's blown her tires off your credit card.
00:44:34Next time, better leave home without it.
00:44:36Ha, ha, ha, ha, ha, ha, ha, ha.
00:45:06Hey, Blatty, you want blood all over that white suit?
00:45:20Be a good dog, yeah?
00:45:22Lighten up our world, so let it shine, let it shine.
00:45:27Cause we are children of the night.
00:45:32We're dancing to some feet for a different love.
00:45:37Hey, we're children of the night.
00:45:40We're taking to some feet.
00:45:41Excuse me, sir.
00:45:42This is because of the name of American Dollars.
00:45:44No problem.
00:45:45Just put it on my tab and keep it flowing to those guys, okay?
00:45:47I'm sorry, Mr. Kinsley.
00:45:51I want nothing for you.
00:45:54I want your love.
00:45:57Come on tonight.
00:46:02You know what happened to me last night?
00:46:20What?
00:46:21I dreamed we were dancing together just like this.
00:46:23So, in this dream of yours, what happens next?
00:46:27Next, I say, hey, let's blow this joint and watch the sun rise.
00:46:32I'd love to, but my father would never allow it.
00:46:36Funny, that's what you said in a dream.
00:46:38And then I said, hey, let's just sneak out the back door.
00:46:40I wish we could.
00:46:42But my body goes, whichever move I make.
00:46:45Well, in my dream, this is where I point out to you
00:46:47that you two gorillas are blotto over there in the corner.
00:46:58I've never done anything like this before.
00:47:01I have.
00:47:02In my dreams, and believe me, it's worth it.
00:47:05Hey, you don't happen to know where the semester at C Group is, do you?
00:47:13I heard a couple of the guys are in here.
00:47:16The only guy I want is Sean Kinsley.
00:47:19That's me. I'm Sean Kinsley.
00:47:22Listen, gay boy.
00:47:24This 24 bottle of champagne is 280,000 rachmes without tip.
00:47:30That's ridiculous. I don't have that kind of money.
00:47:34Well, I hope you haven't gold tip.
00:47:51Hold it a bit longer.
00:47:55And cut. Very nice.
00:47:57Next set up.
00:47:59Was that good for you?
00:48:00That was fine.
00:48:01Okay, let's get back here.
00:48:02Yahoo! Scotty! Scotty!
00:48:06Scotty!
00:48:10Morgan.
00:48:11I didn't expect to see you up so early this morning.
00:48:14I woke up feeling cheap as hell.
00:48:16You snuck out of bed like a one-night stand.
00:48:18You didn't even leave me any breakfast money.
00:48:20I woke up feeling cheap.
00:48:26Café au lait, mademoiselle?
00:48:28Thanks.
00:48:45What are you doing?
00:48:46Oh, just practicing?
00:48:50Someday I want to be a director.
00:48:53Stranger things have happened.
00:48:55Really? You think so?
00:48:57Yeah. One or two.
00:49:06Don't I get any lunch money, Daddy?
00:49:09Thank you, darling. A good boy deserves a good kiss.
00:49:16Morgan, not here, okay?
00:49:19Who's that girl over there?
00:49:21You mean you don't know? That's Scott's fiancée.
00:49:25First team, let's go. I'm the devil before we lose this light.
00:49:29Let's man the oarslands.
00:49:31You're still angry at me from last night, aren't you?
00:49:34No.
00:49:35Then prove it and give Margie back the gold card.
00:49:39Here. You have it all. Are you satisfied?
00:49:42I will be, as soon as the stars open!
00:49:45Get it!
00:49:46All right, kittypies. This is where you're kissing
00:49:49and the two gorillas come after you. This will be a master. Ready?
00:49:52Okay. Picking up where we left off.
00:49:55Just wait until she calls action, okay?
00:49:57Roll sound!
00:50:01Camera!
00:50:02Four to ten. Shot down the fifty. Take one!
00:50:05Action!
00:50:09Touch me!
00:50:13Hey!
00:50:16Oh, my God!
00:50:18Here I am
00:50:40Falling in love
00:50:42With love again
00:50:43Woman and man
00:50:47Under the stars
00:50:49Above again
00:50:51Falling in the air
00:50:54Hearts run free
00:50:56But he's the third
00:50:58And she's with me
00:51:00We're just going
00:51:02Through the motions
00:51:03But it doesn't really
00:51:06Feel right to me
00:51:08We're not showing
00:51:09Our emotions
00:51:11And I'm not
00:51:13Where I'm supposed to be
00:51:15I tried
00:51:20Finding somebody
00:51:21To take your place
00:51:23I can't hide
00:51:27I close my eyes
00:51:29And see your face
00:51:31Magic in the air
00:51:34Hearts run free
00:51:36But he's the third
00:51:38And she's with me
00:51:39We're just going
00:51:41Through the motions
00:51:42And it doesn't really
00:51:45Feel right to me
00:51:47When I'm showing
00:51:49Our emotions
00:51:51And I'm not
00:51:53Where I'm supposed to be
00:51:55I'm in the right place
00:51:59With the wrong girl
00:52:02I've got a red face
00:52:06And you're the only
00:52:08Only woman
00:52:08I never really know
00:52:11We're just going
00:52:23Through the motions
00:52:24But it doesn't really
00:52:27Feel right to me
00:52:29When I'm showing
00:52:30Our emotions
00:52:32And I'm not
00:52:34Who I'm supposed to be
00:52:36But more mud
00:52:45Brucie
00:52:45More mud
00:52:46Zachary
00:52:47What is your
00:52:47Preoccupation with mud
00:52:49May I remind you
00:52:50We are making a motion picture
00:52:51Not a mud buy
00:52:52Listen Logan
00:52:53This is the big fight scene
00:52:55Where Sean finally
00:52:56Catches up with Scotty
00:52:58Can't you see
00:52:59The mud is very symbolic
00:53:01Oh of course
00:53:02It's symbolic
00:53:03It's symbolic
00:53:04Of how much money
00:53:05Can be wasted
00:53:06Shooting all this
00:53:07Boo McNutt
00:53:08Intellectual crap
00:53:09Now you get that
00:53:10Camera of yours
00:53:11Rolling in five minutes
00:53:12Or I'm going to start
00:53:12Tearing pages
00:53:13Out of your script
00:53:14Scooter pie
00:53:16Find me some inserts
00:53:17To shoot
00:53:17Yes sir
00:53:18A map
00:53:18Thank you
00:53:30Oh you're welcome
00:53:31Mrs. Logan
00:53:31What are you thinking
00:53:33Me for
00:53:33Oh for blocking my sun
00:53:35I love sunbathing
00:53:36With no sun
00:53:37Oh glad to be of help
00:53:39I should have stayed in pork bellies
00:53:44I should have stayed in pork bellies
00:53:51I should have stayed in pork bellies
00:53:55Mr. Logan
00:53:56Mr. Logan
00:53:57Mr. Logan
00:53:58Mr. Logan
00:54:11Psst
00:54:12Psst
00:54:13Psst
00:54:15Yes Dimitri
00:54:17Yes Dimitri
00:54:18I brought the mutro
00:54:20You wanted
00:54:21Mutro
00:54:22Mutro
00:54:23Did I want a mutro
00:54:24For kidnap
00:54:25Bang bang
00:54:26Oh yes
00:54:27Yes the kidnapper
00:54:28And we need him
00:54:29And we need him for the first scene tomorrow
00:54:30What have you brought me
00:54:31What have you brought me
00:54:36Ah
00:54:37Ah
00:54:38Yeah
00:54:39Na na na na na
00:54:41Very good
00:54:43Very good
00:54:45Oh
00:54:46Oh
00:54:47You can do this
00:54:49Very good
00:54:52Very good
00:54:53Very good
00:54:54As long as the price is right
00:55:00Find something for me sugar cookie
00:55:11I think so
00:55:12We still need an insert of the chainsaw cutting the surfboard in half
00:55:15Pull the chainsaw and surfboard from props
00:55:17Wait away chief
00:55:18You wait here I'll be right back you little ginger snapper you
00:55:30Hello
00:55:31Hi
00:55:32You know I know it's none of my business but I think I should warn you about Sean
00:55:37Suppose you're gonna tell me that he's a liar and a cheat is that it?
00:55:40Yeah how'd you know?
00:55:42I guess it takes a liar to know a liar
00:55:44Hey Cleo what are you talking about?
00:55:46I'm talking about the lies you've been spreading about us telling everybody that we slept together
00:55:51I never said that
00:55:52There are a lot of things you never said
00:55:54By the way congratulations on your engagement
00:55:57You two deserve each other
00:55:59Cleo
00:56:01Cleo
00:56:02All you have to do
00:56:03Take your gun
00:56:04You know gun?
00:56:05Gun
00:56:06And aim at that boy over there and abduct him
00:56:09Think you can handle that?
00:56:11What do you say?
00:56:12He needs to use your pistol
00:56:15That's why I'm going to use it
00:56:16And I don't have to put it back
00:56:18But I can
00:56:19If there is a lot of money
00:56:21Money
00:56:22Money
00:56:24He'll do whatever you want
00:56:27If money
00:56:28Good enough
00:56:29Oh
00:56:30Tough negotiator
00:56:32Huh?
00:56:33Hmmm
00:56:36Whesserell
00:56:37Which side of the board did they cut off love? The right or the left?
00:56:39The right!
00:56:40Or was it the left?
00:56:41Ha ha ha!
00:56:49Which side of the floor did they cut up, love, the right or the left?
00:56:54The right!
00:56:57Or was it the left?
00:57:06Smooth and hard. And smooth. That's it.
00:57:08Someone told Cleo I was bragging about sleeping with her.
00:57:10Now, who'd do a thing like that?
00:57:12Good. Perfect. Now, wait a moment.
00:57:14You start. When you bring the left, bow inside completely.
00:57:18From the beginning. Come on. Good.
00:57:20More, more.
00:57:22What? 10% of the gross.
00:57:25Oh, come on. To the measly little part of the kidnapper. Outrageous. No.
00:57:31Decker. 10. 10.
00:57:34He wants a percent of what you make of him is only fair.
00:57:41Oh, I see what you mean.
00:57:44What I make off him, like merchandising,
00:57:47like kidnapper dolls and posters and all that crap.
00:57:50Oh, well, no problem. Why didn't you say so in the first place?
00:57:57He wants to know why you want.
00:58:00He wants to know why you want the boy kidnapped.
00:58:06Why?
00:58:07Oh, he's a method actor, of course.
00:58:10Because the boy's father is a billionaire.
00:58:14Billionaire?
00:58:16He's worth a hundred and fifty billion drachmas.
00:58:21So, you want to be a director, my little Twinkie.
00:58:32Make this shot while I go see how the fight scene's coming.
00:58:35Really? You want me to direct this shot?
00:58:43Gee, I don't know what to say.
00:58:45Try saying action.
00:58:47Just because you couldn't get in her pants doesn't mean that I won't.
00:58:51Cleo's not that stupid.
00:58:52Yeah?
00:58:53Just leave your window open tomorrow night.
00:58:55You'll hear us.
00:58:58I'll hear her slap your ugly face.
00:59:00Yeah.
00:59:01With the inside of her thighs.
00:59:07Hey, I told you.
00:59:08Distance.
00:59:09Are you okay?
00:59:14Son of a bitch.
00:59:17Uh!
00:59:17Uh!
00:59:26Ah!
00:59:26Ah!
00:59:27Hey, one minute.
00:59:27Let's go!
00:59:28Ah!
00:59:29Ah!
00:59:29Uh!
00:59:30Ah!
00:59:30Ah!
00:59:32Come here!
00:59:35No!
00:59:36Sorry, honey buns.
00:59:37It just doesn't look real.
00:59:47Oh, oh, oh, oh, oh, oh.
01:00:17Oh, oh, oh, oh, oh.
01:00:47Oh, oh, oh.
01:00:50Oh, oh, oh, oh.
01:00:54Bunky, Bunky.
01:00:59Bunky, Bunky.
01:01:02No!
01:01:04No!
01:01:06No!
01:01:07No!
01:01:09No!
01:01:10No!
01:01:11No!
01:01:12No!
01:01:13No!
01:01:14No!
01:01:15No!
01:01:16No!
01:01:17No!
01:01:18No!
01:01:19No!
01:01:20No!
01:01:21No!
01:01:26Crook, are you okay?
01:01:28Cut!
01:01:29Cut!
01:01:30Bridge!
01:01:47Hey, hey, princess!
01:01:49You look even prettier than I remember you from last summer.
01:01:52And you look even taller.
01:01:55Daddy says my pituitary must be wired to the stock market.
01:01:58Each day we're both hitting new highs.
01:02:06Carlton Ashby, my wife and two young sons.
01:02:10Howdy!
01:02:15Please.
01:02:23Beautiful! Cut!
01:02:24Mr. Logan!
01:02:25Mr. Logan!
01:02:26Mr. Logan, you're wanted on the set.
01:02:27Oh, well, you're wanted on my lap.
01:02:29Oh, how I've missed my milk and cookies.
01:02:32Mmm.
01:02:33Guide it out, Mr. Logan.
01:02:34It's not right.
01:02:35Oh, but it feels so good.
01:02:36Face it, Mr. Logan.
01:02:37It's reality.
01:02:38God, how I hate reality.
01:02:39Oh, how I hate reality.
01:02:40Boss!
01:02:41Oh, come out, come out into the light where I can see you.
01:02:42Yes, not bad, not bad.
01:02:43A dumb Corleone you will never be.
01:02:44But for a mutro you'll do.
01:02:45Ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha.
01:02:46Oh, I've missed my milk and cookies.
01:02:47Mmm.
01:02:48Guide it out, Mr. Logan.
01:02:49It's not right.
01:02:50Oh, but it feels so good.
01:02:51Oh, but it feels so good.
01:02:52Face it, Mr. Logan.
01:02:53It's reality.
01:02:54God, how I hate reality.
01:02:56Oh, come out, come out into the light where I can see you.
01:03:00Yes, not bad, not bad.
01:03:01A dumb Corleone you will never be, but for a mutro you'll do.
01:03:07Ha, ha, ha, ha, ha, ha, ha, ha, ha, ha!
01:03:12Brucey!
01:03:14I got the kidnapper here.
01:03:15Get his gun and ammo right away, will you?
01:03:18Make it snappy.
01:03:20Right away, Chief.
01:03:21Now, the kids are going to come down the gangplank,
01:03:24and you're going to abduct them right here.
01:03:26The kids are going to come down the gangplank, and you're going to abduct them right here.
01:03:30Good, good. Now, you see the boat over there?
01:03:33Varca.
01:03:34Yes, that's the getaway boat.
01:03:36First time it's ever been done. Fresh idea, no?
01:03:40Yes.
01:03:41Hey, Logan, you're holding up the whole damn company!
01:03:45Bitch, piece of cake for a Moutro like you.
01:03:49Break a leg!
01:03:54Woo!
01:03:54Here we are.
01:03:57Regular .38, quarter loads.
01:03:59Personally, half loads hurt my ears.
01:04:04Why didn't you tell me you're already equipped?
01:04:08In a .45, I see you're a man who likes big pistols.
01:04:12I know I do.
01:04:21Why is it great living on a boat?
01:04:24Now, I find it convenient as hell.
01:04:27No matter how much beer you drink, you only got to go ten steps in any direction to pee.
01:04:31Ha, ha, ha, ha.
01:04:33You're always in the water, and hell, you can't miss.
01:04:36It's sort of like living in a giant toilet bowl, ain't it?
01:04:40I'd like to propose a merge, princess, between two of the richest multinationals on earth.
01:04:46Toi and moi.
01:04:48Oh, John, this is so unexpected.
01:04:52I don't know what to say.
01:04:54In the language of love, words are obsolete.
01:04:57John, oh.
01:04:59Hey, Hillbilly Joe.
01:05:01Walk the plank, man.
01:05:04Hey, out of here, dude.
01:05:06He's explained that you two are in violation of the International Seaman's Code.
01:05:10International Seaman's Code?
01:05:11Get real.
01:05:12Hey, cut it out.
01:05:13Hey, what's this?
01:05:14It's a proper quotation device.
01:05:16Smaller than this.
01:05:17We're on safety.
01:05:18What's that?
01:05:19Kitty pool.
01:05:20If you're going to visit the kitty pool, you have to be wearing these.
01:05:24Snap.
01:05:25Snap.
01:05:26Snap.
01:05:27Snap and it's on and no problem.
01:05:30Hey, Papa.
01:05:31Snap the park's sick.
01:05:32Had too much to drink.
01:05:34What else?
01:05:35I don't know.
01:05:36I don't know.
01:05:37I don't know.
01:05:38I don't know.
01:05:39I don't know.
01:05:40I don't know.
01:05:41I don't know.
01:05:42I don't know.
01:05:43Drink.
01:05:44What is it, son?
01:05:45Feeding a mite, puny?
01:05:47Hell's bail, boy.
01:05:48Don't hold back.
01:05:49Boy, it's vomit.
01:05:51Where'd you go?
01:05:52Ah, Snagglefarb.
01:05:54You take your brother right back to the boat, you hear?
01:05:59Well, that's a young pup for you.
01:06:01Can't hardly hold their peckers, much less their liquor.
01:06:05Hey.
01:06:06What's the matter?
01:06:07You're not too fast there, sport.
01:06:09Ah!
01:06:10Go to back.
01:06:12Stop or I'll shoot.
01:06:14Stop or I'll shoot.
01:06:25No, no!
01:06:26No, no!
01:06:27Cut!
01:06:28No, no, no!
01:06:29Cut!
01:06:30Cut the camera!
01:06:31Cut!
01:06:32Fire!
01:06:33Fire!
01:06:34Fire!
01:06:35Fire!
01:06:36Let's shoot the real bullets!
01:06:38Bullets!
01:06:39Come on, buddy.
01:06:40They call cut.
01:06:41Turn this tug around.
01:06:42Disgusting.
01:06:43Hey, buddy.
01:06:44Come on.
01:06:45They call cut.
01:06:46He said to shut up or he'll blow your head off.
01:06:51With blanks.
01:06:52Ha-ha.
01:06:53Okay, we laugh.
01:06:54The joke's over.
01:07:02Oh, where's my poor Scotty?
01:07:05What are they doing to him?
01:07:07You don't think they're pulling out his fingernails one by one or burning his feet with cigarettes,
01:07:15do you?
01:07:16Oh!
01:07:17Oh, what if they chop off his ears?
01:07:20Oh, he'll look so ugly.
01:07:22Holy!
01:07:23Keep his sunglasses on!
01:07:25You seem very, very upset.
01:07:27Why don't I take you up to bed?
01:07:29I can still see it so clearly.
01:07:32The flash of the gun, the hurtling of the bullets towards me.
01:07:36Snap out of it, Leah Sackerley.
01:07:38You know, sometimes reality is so phony.
01:07:41The reality is we have one more day to shoot this turkey and our stars have been shanghaied.
01:07:46Their ransom note just came.
01:07:47They're demanding fifty big ones.
01:07:49Fifty thousand dollars!
01:07:51Fifty thousand dollars, Mr. Logan.
01:07:53Fifty million dollars.
01:07:54Fifty million dollars.
01:07:55It says here, fifty million dollars in cash tonight, but we cut off his pipi.
01:08:00Oh!
01:08:01Oh!
01:08:02Oh!
01:08:03Oh!
01:08:04Oh!
01:08:05Oh!
01:08:06Oh!
01:08:07Oh!
01:08:08Oh!
01:08:09Oh!
01:08:10Oh!
01:08:11Oh!
01:08:12Oh!
01:08:13Oh!
01:08:14Oh!
01:08:15Oh!
01:08:16Oh!
01:08:17Oh!
01:08:18Oh!
01:08:19Oh!
01:08:20Oh!
01:08:21Oh!
01:08:22Oh!
01:08:23Oh!
01:08:24Oh!
01:08:25Oh!
01:08:26Oh!
01:08:27Oh!
01:08:28Oh!
01:08:29Oh!
01:08:30Oh!
01:08:31Oh!
01:08:32Oh!
01:08:33Oh!
01:08:34Oh!
01:08:35Oh!
01:08:36Oh!
01:08:37Oh!
01:08:38Oh!
01:08:39Oh!
01:08:40Oh!
01:08:41Oh!
01:08:42Oh!
01:08:43Oh!
01:08:44Oh!
01:08:45Oh!
01:08:46Ritz, you, me, Ritz.
01:08:56Ritz.
01:09:05I know you.
01:09:07TV.
01:09:09Scott Allen Palmer.
01:09:12That's me, right.
01:09:13Right here in the flesh.
01:09:16Well, Scotty, how do you like grief?
01:09:22It's great.
01:09:24I hope I can come back and visit sometime if I make it out of here alive.
01:09:29I, too, am actress.
01:09:32You're an actress?
01:09:33Of course, I should have known.
01:09:36Have I seen your work?
01:09:39You want to see my work?
01:09:42Yeah, sure, sure.
01:09:43We'd love to see your work, wouldn't we, Cleo?
01:09:45Yeah, sure.
01:09:46Oh, my God.
01:09:50Oh, my God.
01:09:52And the Holy Spirit and the Son of God.
01:09:57Now, my friend, I'm going to kill my men.
01:10:01Now I'm going to take a look.
01:10:04But I'm going to cry.
01:10:09What will I do next?
01:10:11Because I'm going to kill myself with my hands.
01:10:15My children!
01:10:22What in the hell was that?
01:10:30It's Metea from Euripides.
01:10:33A woman like me can only take so much.
01:10:39I need to be held.
01:10:41I need to be touched like a woman, not like a cow.
01:10:45Make love to me now, here on the floor by the fire.
01:10:50Or else, or else I'll kill myself with this little dagger.
01:10:58Yeah, yeah, very nice.
01:11:02Was that more Medea?
01:11:04I think it was Sue Ellen from Dallas.
01:11:08Now that I have bared my naked soul to you, you must give me something I want very badly.
01:11:18Your autograph?
01:11:20Getting pretty quiet over there, Princess.
01:11:33Don't call me that, okay?
01:11:35This whole thing has been nothing but dregs.
01:11:37These shoes are killing me.
01:11:39I...
01:11:40Oh, God.
01:11:42I can't go on.
01:11:44Come on, up and at them.
01:11:45Oh, Scott, I can't.
01:11:47I can't walk with shoes, I can't walk without them.
01:11:49I don't know what to do.
01:11:51Can you sing?
01:11:52Sing?
01:11:53Sure, a little bit.
01:11:55Why?
01:11:56Just to pass the time.
01:11:58Come on.
01:11:59One, two, three.
01:12:03Oh, two, three.
01:12:04Oh, my God.
01:12:06Threeå‘Š.
01:12:07One, two, three.
01:12:08Two, three.
01:12:13hi, them are not a tree.
01:12:18Regalar, regalar, regalar, regalar.
01:12:21Lo debo regalare per chiere un bel machetto.
01:12:24Lo debo regalare per chiere un bel machetto.
01:12:27Non es vento a me, a la palazza.
01:12:31Que su puro venire a cura la blusa de vida.
01:12:34SofÃa, sofÃa, sofÃa, sofÃa, sofÃa, sofÃa.
01:12:42Morgan?
01:12:44Morgan?
01:12:52Scotty, dude, you're back.
01:12:54God, man, it's been a killer night. We didn't know whether we'd ever see you again.
01:12:57It's been quite an evening. Look, I'll tell you about it later.
01:12:59I'm looking for Morgan. Have you seen her?
01:13:01Oh, no, man, not since last night.
01:13:03Who's that hiding in your bed?
01:13:05Olly, olly, oxen free.
01:13:08All right, guys, look at it later.
01:13:11Well, as I live and breathe.
01:13:15Hey, uh, Carlton, have you seen Morgan around?
01:13:18No, son, I can't say that I have.
01:13:20Mrs. Logan, hi.
01:13:23So you made it back in one piece.
01:13:26Well, I guess I could go and try to rouse the old goat and tell him the good news.
01:13:30The old goat?
01:13:32Well, Logan put the lights out last night with a couple of reds and nature just sort of took its own course.
01:13:38Just like in the movies.
01:13:41Son, there's a familiar tinkle to that laugh.
01:13:45So, darling, did you miss me while I was gone?
01:13:58Where am I?
01:14:00Who are you?
01:14:02How did I get in here?
01:14:04Scott, I think I must have amnesia.
01:14:07Somebody must have drugged me or something.
01:14:09Morgie, love, you're in bed with another man.
01:14:12This is a little awkward.
01:14:14I don't know what to say, except thank you both.
01:14:18Scott, what are you doing?
01:14:21Repossessing my little piece of the rock.
01:14:24Oh, Scott, no!
01:14:26By the way, you guys look great together.
01:14:29Scotty, wait!
01:14:32Come back, Scotty!
01:14:34One last thing.
01:14:35I'm calling the police and reporting the gold cart stolen.
01:14:38Nighty-night.
01:14:40A gold cart?
01:14:44Stop it!
01:15:10Beautiful!
01:15:11Cut!
01:15:12Camera inside for the love scene.
01:15:14On the double!
01:15:15Okay, everybody, that's it.
01:15:17We got a half an hour for the kiss-kiss, push-push scene.
01:15:20Then on to the airport and the great silver bird!
01:15:23You ready for this?
01:15:35Hardly.
01:15:36I've never taken up my closing public before, much less in front of a camera.
01:15:42Now, who are those guys?
01:15:44Hey, Logan, come here.
01:15:48Yes, Scott, what is it?
01:15:50What are those clowns doing over there?
01:15:53Clowns?
01:15:54Oh, no, no, no, those are not clowns, Scott.
01:15:57Those are our dear, dear investors.
01:15:59They just dropped by to watch a little filming, see their money at work, so to speak.
01:16:03Well, uh, kindly give them this message from the actors.
01:16:07Oh, certainly, Scott.
01:16:08Get the fuck out of here or we're not doing the scene.
01:16:14Come on, boys, time for a drink.
01:16:16But, Mr. Logan, I'm an actor. I belong on the set.
01:16:20I got something for you.
01:16:25Scott, I can't take this.
01:16:27I can't take it back.
01:16:30Okay, honey pies, I know you're both a little nervous, but so am I.
01:16:34Listen, in this scene, you finally admit to yourself that you're in love with Scotty the man,
01:16:39no matter what your father or anybody else has to say about it.
01:16:42I think I can relate to that.
01:16:44Good, good. Let's go for a take.
01:16:48Uh, for the fair, shot hundred, uh, uh, uh, doo-doo. Uh, take on.
01:17:04Uh, who, uh, are they gonna have links to us in this situation?
01:17:09Go for a walk.
01:17:10We've got a walk in.
01:17:12Dang, we've got a walk.
01:17:13You've got a walk in.
01:17:14I'm so excited, all right.
01:17:15You're welcome, man.
01:17:16I'm so excited.
01:17:17You've got a walk in.
01:17:18I've got a walk in.
01:17:20You've got a walk in.
01:17:21How do you want?
01:17:22And one of you love me.
01:17:23I'll see.
01:17:24You're welcome to your Harley.
01:17:25If you're nice to me, then it's a walk in.
01:17:27And one of you.
01:17:29Got a walk in.
01:18:30How's my baby doing?
01:18:31She's doing great.
01:18:32She's doing her big love scene right now.
01:18:34What love scene?
01:18:36The one with Scott.
01:18:37The one where they bang like bunnies.
01:18:40As long as she didn't have to take off her clothes.
01:18:44Oh, but she did.
01:18:46The producer had her stripped in front of all those animals on the crew.
01:18:50I mean, it was very humiliating.
01:18:52She was crying.
01:18:56That's showbiz.
01:18:58Oh, my God.
01:18:59Oh, my God.
01:19:01Let's go to the crew.
01:19:03Oh, my God.
01:19:04Oh, my God.
01:19:05Oh, my God.
01:19:06Let's go.
01:19:36Let's go!
01:19:43Cut!
01:19:44Blast at him outside!
01:19:46Hurry up, hurry up!
01:19:47Come on, we've only got 10 minutes to get this shot!
01:19:50Zachary!
01:19:51Zachary, do you realize the actors have got to catch the plane?
01:19:54I know, I know!
01:19:55I know, I know, but if Scott misses that plane,
01:19:58he goes into triple golden time!
01:20:01Oh, my God, that's $400 an hour!
01:20:04Let go of my arm!
01:20:09Hey, bud!
01:20:10Hey, how are you going?
01:20:11Want me to save your seat on the plane?
01:20:13I'm not going to make it, I've got another scene to shoot.
01:20:15Well, if you don't, I guess I'll catch you back in La La Land.
01:20:17Cleo, it was great meeting you.
01:20:20I hope you come to L.A. sometime.
01:20:22Maybe I will, sometime.
01:20:25The sooner the better.
01:20:27Ooh!
01:20:29See you back.
01:20:30Later.
01:20:31Ciao!
01:20:32And a ciao, ciao, ciao to you!
01:20:33Got it, dude!
01:20:34All right!
01:20:35Ah!
01:20:36What is this?
01:20:3712,000 drachmas to the government.
01:20:39Clears passport and visa.
01:20:41What the hell did you do?
01:20:42Buy a real passport and real visa?
01:20:44Don't look at me.
01:20:45Zachary insisted.
01:20:46Oh, you stupid swisher.
01:20:47Do you do everything people tell you?
01:20:49If I told you to punch me in the nose, would you do it?
01:20:51Hold, please.
01:20:52Your swish is my command.
01:20:54Oh!
01:20:55Scott!
01:20:56Scott!
01:20:57Scott!
01:20:58Oh, Scott!
01:20:59Oh, Scott!
01:21:00Oh, Scott!
01:21:01Oh, I thought you were going to leave without me.
01:21:03That's the plan.
01:21:04Oh, oh, I know Morgy's been bad.
01:21:05But life just swept me off my feet and galloped away with me.
01:21:07Oh, but you don't know what happened.
01:21:08You see, I've been dumped in the dirt.
01:21:09Oh, Scott, Morgy needs you, honey.
01:21:10It's too late for that.
01:21:11Is it too late for Dr. Dan?
01:21:12Wouldn't Dr. Dan like to make a house call?
01:21:13Scott and Cleo!
01:21:14Get your butts out here!
01:21:15We're ready to shoot!
01:21:16Scott!
01:21:17No!
01:21:18No!
01:21:19No!
01:21:20No!
01:21:21No!
01:21:22No!
01:21:23No!
01:21:24No!
01:21:25No!
01:21:26No!
01:21:27No!
01:21:28No!
01:21:29No!
01:21:30No!
01:21:31No!
01:21:32No!
01:21:33No!
01:21:34No!
01:21:35No!
01:21:36No!
01:21:37No!
01:21:38No!
01:21:39No!
01:21:40No!
01:21:41No!
01:21:42It's Scott!
01:21:43Or, At least, give me my plane ticket home!
01:21:45Whoa...
01:22:06Caught in the act, you over, sexed, spiky-haired little punk rocker.
01:22:09What's your problem, Logan?
01:22:11we were just saying goodbye goodbye goodbye goodbye you're massaging her tonsils with your
01:22:17tongue you call that goodbye oh no you're fired oh off my set you can't fire me i'm done working
01:22:24besides this is not your set this is the airport oh perfidious slut you're history too off my set
01:22:32you're fired myopic little ditzoid what did you call her i called her a myopic little ditzoid you
01:22:40want to make something of it let's just discuss it logan okay okay
01:22:46okay
01:22:50okay kitty pies this is your dash to freedom on action i want you to start running towards that plane
01:23:08now the grillers are going to be coming from right behind so you're going to have to haul ass
01:23:13wait for me
01:23:28roll sound camera action
01:23:46you idiot get back here you got your wrong way
01:23:53Come on, get ready for it!
01:24:08You idiot! Get back here! You got your wrong place!
01:24:18Get back here! We haven't had enough time to do the matter!
01:24:23Stop! Stop! Stop!
01:24:29Stop! Stop!
01:24:38Come on, everybody! You made it!
01:24:42Scott, this is crazy! What are we doing?
01:24:45Elope.
01:24:51Excuse me.
01:24:53There seems to be a problem here.
01:25:04I'll see your tickets, please.
01:25:08Two tickets.
01:25:10And our two passports.
01:25:12Everything seems to be in order.
01:25:17No!
01:25:18Your history! You'll never work in this town again!
01:25:25You lice! You bums! You rummies! You bunghole zippers!
01:25:28Quit whining, Logan. It's just a dumb movie.
01:25:42Dumb movie!
01:25:43Dumb movie?
01:25:44Yeah!
01:25:45Come here! Come here! Come here!
01:25:47Dumb movie!
01:25:48Dumb movie!
01:25:49Dumb movie!
01:25:50Dumb movie!
01:25:51Dumb movie!
01:25:53Dumb movie!
01:25:55Be为什么
01:26:00Dumb et
01:26:21Without a trace
01:26:22Living on an island
01:26:25Just you and I
01:26:27We don't need a ticket
01:26:29Just take me by the hand
01:26:32Love is gonna lead us
01:26:34To our promised land
01:26:36Adventures
01:26:37In paradise
01:26:40You take me round the world
01:26:43When I close my eyes
01:26:45You got me walking
01:26:47On fire and ice
01:26:49And it's your field
01:26:51We can catch a ride
01:26:56Upon a star
01:26:58Dance away our blues
01:27:01In outer space
01:27:02In your arms
01:27:05I found my Shangri-La
01:27:07Kevin's waiting for me
01:27:10In your embrace
01:27:11We don't need directions
01:27:14Tell us where to go
01:27:16Love is gonna lead us
01:27:19To our place we know
01:27:21Adventures
01:27:22In paradise
01:27:25You take me round the world
01:27:27When I close my eyes
01:27:30You got me walking
01:27:32On fire and ice
01:27:34And it sure feels nice
01:27:37Oh, oh, oh, oh
01:27:39Adventures
01:27:40In paradise
01:27:43You take me round the world
01:27:45When I close my eyes
01:27:48You got me walking
01:27:50On fire and ice
01:27:52And it sure feels nice
01:27:55Adventures
01:27:58In paradise
01:28:00Downtown
01:28:04Outside
01:28:05In paradise
01:28:05Inimy
01:28:06I'm
01:28:06I'm
01:28:07I'm
01:28:21I'm
01:28:21I'm
01:28:21I'm
01:28:22I'm
01:28:22I'm
01:28:23I'm
01:28:23I'm
01:28:24I'm
01:28:24I'm
01:28:24I'm
01:28:25I'm
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