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00:00O que é isso?
00:30O que é isso?
01:00O que é isso?
01:01O que é isso?
01:02O que é isso?
01:03O que é isso?
01:04O que é isso?
01:05O que é isso?
01:06O que é isso?
01:07O Dr. Remington Steele?
01:09Ele não existe.
01:11Eu invento ele.
01:13Eu sempre gostei.
01:15O que é isso?
01:16O que é isso?
01:17O que é isso?
01:18O que é isso?
01:19O que é isso?
01:20O que é isso?
01:21O que é isso?
01:22O que é isso?
01:23O que é isso?
01:24O que é isso?
01:25O que é isso?
01:26O que é isso?
01:27O que é isso?
01:28O que é isso?
01:29O que é isso?
01:30O que é isso?
01:31O que é isso?
01:32O que é isso?
01:33O que é isso?
01:34O que é isso?
01:35O que é isso?
01:36O que é isso?
01:37O que é isso?
01:38O que é o que é isso?
01:40O que é isso?
01:41O que é isso?
01:42O que é isso?
01:43O que é isso?
01:44O que é isso?
01:45O que é isso?
01:46O que é isso?
01:47O que é isso?
01:48O que é isso?
01:49É um jeito espérenagem de viver.
01:52Mas como as pessoas compraram...
01:55o que é isso?
01:56Eu posso fazer a gente.
01:57Eu não misturamos em uma gente.
01:58O que é isso?
02:00Nãoаем.
02:01V attended.
02:02Tanto sempre.
02:05Eu mesmo não conheço da sua própria.
02:06A CIDADE NO BRASIL
02:36Thanks.
03:06Avocado 1-7 grain with alfalfa sprouts.
03:30Mm, must be yours.
03:31Corned beef and pastrami and a kaiser with horseradish and sauerkraut.
03:35Mm, must be yours.
03:37Oh!
03:41You all right?
03:42What is it?
03:43Him!
03:44Look at those bills!
03:47One round trip charter jet to Las Vegas, $2,000.
03:52One evening gown by Louie of Beverly Hills, $6,000.
03:57You know he's bought her enough flowers to open a botanical garden?
04:02Who?
04:03Her!
04:06Nadine!
04:07The peroxide piranha.
04:09But I thought that was his assignment.
04:11Keep her out of the way until you settled the Randall case.
04:14I hate to admit it, but he seems to be doing an excellent job.
04:17I mean, we haven't seen Nadine in weeks.
04:19We haven't seen Mr. Steele either.
04:21And the case has been closed for three days!
04:24Guess he got a little carried away.
04:25Well, we may never see him again unless his credit or his stamina runs out.
04:30Well, we know he was in San Francisco two days ago.
04:33How do we know?
04:34We just got a bill from Ernest.
04:35Oh!
04:36Hold it, Laura.
04:37Calm down, huh?
04:38We've got to do something to get his attention.
04:44Uh-uh, Nadine.
04:45Never bite.
04:47Always nibble.
04:50More champagne?
04:53Anything?
04:54Just a cozy place to do some serious nibbling.
05:00Yes, Mr. Steele.
05:03Check, please.
05:04Yes, sir.
05:08Sorry, Mr. Steele, but I'm afraid your account has been closed.
05:11Closed?
05:12Yes, sir.
05:13Oh.
05:14Very well.
05:19Thank you, sir.
05:21You have made this evening so extraordinarily special.
05:25I'm gonna do something I've never done before.
05:28Oh, I hope so.
05:34They forget me not.
05:35Oh, Reddington.
05:37I'm sorry, Mr. Steele, but I have orders to confiscate your credit card.
05:43What?
05:44I don't know anything about it, sir.
05:46All they said was that I had to confiscate the card.
05:49Then how am I supposed to settle this?
05:51You could try cash, sir.
05:52Cash?
05:53I never carry cash.
05:54It's so bulky.
05:55I have some money.
05:56Really?
05:59Wow.
06:01Now you upset the lady.
06:02If I weren't so annoyed, I'd be embarrassed.
06:04Allow me to repay you over breakfast in the morning with you.
06:07Uh, Claude will have to be taken care of, too.
06:21Is this all right?
06:22More than adequate.
06:24Thank you, Mr. Steele.
06:26Should I, uh...
06:27Just a few dollars.
06:28Thank you, Mr. Steele.
06:29Thank you, Mr. Steele.
06:30Thank you, Mr. Steele.
06:31Thank you, Mr. Steele.
06:32Mr. Steele.
06:57Miss Wolfe?
06:59Fox.
07:01Mr. Steele.
07:03É um prazer, senhor.
07:05Eu sou Leverwitz.
07:07Você conhece...
07:08o Morton matter.
07:10Ah, sim, sim.
07:11Uma situação complexa.
07:13Mas foi resolvido.
07:15Ah, complexa, mas facilmente resolvido.
07:20Miss Wolfe?
07:21Fox.
07:22Eu sou a Fox, não a Wolfe.
07:23Bernice Fox.
07:24Você me chamar de Wolfe,
07:25e eu vou te dizer que você está...
07:26Onde está ela?
07:27Onde está ela?
07:28Onde está ela?
07:29Eu consigo ver.
07:30Onde está ela?
07:31Não está para publicar.
07:32Você não percebeu a gravidade da situação.
07:33Ela está fechando minha conta.
07:35Eu estou no brinco de financiamento,
07:36não a importância de físico.
07:38Eu vou dar a mensagem.
07:39Muito bem, Miss Wolfe.
07:41Como você gostaria de me
07:42lidar com todos esses casos?
07:44Você não.
07:46Onde está ela?
07:48Onde está ela?
07:49A motel na Pico.
07:55Essa é a primeira para mim.
07:57Eu vou te dar a mensagem.
07:59Você vai aprender a ler.
08:00Se meu irmão nunca descobriu sobre isso,
08:02ele vai nos matar.
08:04Eu não vou te dizer,
08:06você não vai.
08:07O que ele está dizendo?
08:09Você está falando, creep.
08:10Olha,
08:12nós já sabemos que ele está em cima.
08:14Por que não podemos chamar a polícia?
08:15Você tem que pedir a informação
08:16para você.
08:18A hora que ele faz,
08:19você vai pegar ele.
08:20A hora que eu vou dar o resto do dia.
08:27Não, não, não, não, não, não.
08:29Porque o seu trabalho vai dar a gente
08:31a lot de dinheiro.
08:33de dinheiro.
08:36Eu tenho que fazer.
08:38O que você quer dizer?
08:40Você vê,
08:41é...
08:42É assim.
08:43Você me dá uma material alternativa.
08:45Você tem uma fatão para a escração.
08:47Você tem um tipo de explicação.
08:49O que você está fazendo aqui?
08:50O que você está fazendo aqui?
08:51Você clou bem da minha conta.
08:53Como a gente não tem...
08:55Ei, eu sei que isso.
08:56Eu conheço esse cara.
08:57Não, você não.
08:58Sim, eu acho, é Remington Steele.
09:00Remington Steele?
09:01Não!
09:02Então, set up!
09:03O que está acontecendo aqui?
09:05Não perguntou.
09:08Grabem, Murphys!
09:09Ele está me chamando de police, não é?
09:11Murphys!
09:12We're not finished!
09:19Will somebody please tell me o que está acontecendo?
09:22Slight change of plans, Mr. Dillon.
09:24Stop!
09:25Why don't you go back to your office
09:26and I will give you a complete update in about an hour.
09:29Well, at least it's reassuring to know that Mr. Steele
09:32is personally involved.
09:34Oh!
09:36Three weeks playing secretary for nothing!
09:39Well, if you tell me what cases I'm supposed to be working on,
09:41I wouldn't have found myself in this embarrassing situation!
09:43You're not working on any cases!
09:44Gratitude is the one in your strong suits, Laura.
09:46After all I've done for you, this is how you repay me?
09:48Cutting off my credit? Closing my checking account?
09:51You spend $22,000 in a single month.
09:53A month that doesn't even have 31 days in it.
09:56You asked me to keep Nadine occupied.
09:57Long-stemmed roses, $200 an ounce perfume, designer gowns.
10:02Perhaps I did go a bit overboard, but it's for the good of the agency.
10:05Well, for the good of the agency.
10:07From now on, we discuss all expenditures in advance.
10:10Fine.
10:11But I've written checks to people who don't even take checks.
10:14They have names like Bruno and Guido,
10:16and they do some of their best work in cement.
10:18What kind of shady enterprise are you involved in this time?
10:20Danny's dessert.
10:22Some of the finest horse flesh ever to grace a quarter-mile turn.
10:25Spare me.
10:27The horse comes up lame.
10:28Bruno and his boys want to unload him,
10:30so I put together a group of investors to turn him out to stud.
10:33Thank you.
10:36I'll try to convince Mr. Dillon
10:38that you're barging in here with another brilliant Remington Steele tackle.
10:42Uh-huh, uh-huh.
10:43Thank you.
10:44Uh, what about Danny's dessert?
10:46Buy him some Bengay.
10:56Bruno!
10:58Just as I suspected. Bookkeeping, Bogo.
11:00Good to see you, Mr. Steele. I'm, uh...
11:02I'm interrupting. Bruno, do I detect a note of disbelief in your voice?
11:07Steph.
11:09In what context are you using that word, Bruno?
11:13Huh. Ah, that context.
11:17Noon tomorrow?
11:19I'm not sure that my bank can transfer the funds by...
11:26Jim Meacham. Meacham Exploration and Development. Let's huddle.
11:29See Miss Holt. She huddles.
11:31I never scrimmage with second stringers.
11:33See, my playbook looks like this.
11:35I'm an oil and natural gas based out of Oklahoma City.
11:39My pencil pusher says diversified, so I bought into Dillon Electronics.
11:43Only it seems like ever since I've been on that team, it's been third and long.
11:46Somebody's been red-dogging us.
11:48We don't handle animal cases.
11:49You're already handling this one.
11:51Dillon Jr. hired you folks to find out who's stealing our research.
11:54And they were just about to sack the guy in a motel.
11:57Only some airhead busted up the play.
11:59Competent help is hard to find in any profession.
12:01That's why I want you quarterbacking this operation, Mr. Steele.
12:04It's time to stop pussyfooting around motels and get to the bottom of this thing.
12:08I, uh, never involve myself directly in the case.
12:11I function best in an advisory capacity.
12:13I subscribe to the George Steinbrenner philosophy of life.
12:16If you want a piece of talent, you buy it.
12:19Twenty-five thousand dollars. Cashier's check. Made payable to you.
12:26Uh, Miss Wolfe, hold my calls. I'll be in conference. Thank you.
12:29Mayday.
12:54Excuse me, Mr. Steele.
12:56Ah, come in, Miss Holt. Come in.
12:57Uh, Meech was just telling me about the time he wild-catted up Alaska way.
13:01Uh, Jim Meecham.
13:04Laura Holt.
13:05The tangled foot from the motel.
13:07Now, Meech, let's not blitz her buns.
13:09Miss Holt is one of my finest operatives.
13:11Oh, you're too kind, Mr. Steele.
13:14We're watching the young man's apartment in case he shows up.
13:17Why, it's just fine for the taxi squad.
13:19But the coach here has just convinced me that the only way to stop all these thefts...
13:23...is to install a complete security system.
13:25We start first thing in the morning.
13:27May I respectfully remind you, Mr. Steele...
13:30...that your enormous responsibilities preclude any personal involvement...
13:34Now, little lady, when I buy seats on the 50-yard line...
13:37...I expect to see the first team play.
13:39Now, you let the coach do what he does best...
13:42...and you, well, you just do whatever it is you do around here.
13:47I'll just dog-bag this.
13:49See you later, Steele.
13:54Are you crazy?
13:55It's just that I handled the case.
13:57Security system, my foot.
13:58You couldn't even install a light bulb.
13:59Piece of cake.
14:00You know you're beginning to believe your own publicity.
14:02You are not Remington Steele.
14:04I invented Remington Steele.
14:06He's a figment of my imagination.
14:07I should put my face in your figment.
14:09I told you that was just incredible.
14:10The idea how drained is to have to be Remington Steele.
14:12Oh, it must be agony living in an apartment I've only seen in the movies.
14:14We make such a winning combination.
14:16We have a deal.
14:17Let's enjoy the success, allow our passions to erupt into something outrageously fulfilling.
14:22You mean hop in the sack?
14:24A little crude, but to the point.
14:27I'd love to.
14:28Well, then.
14:29But I can't.
14:30Why not?
14:31It's tough enough pulling off this little charade without that kind of complication.
14:35As long as we're in business, let's keep it business-like.
14:39Uh, tell old Meech that the press of other commitments forces you to turn dill and electronics over to Murphy and me.
14:49Love to, but I can't.
14:51Why not?
14:52I gave my word.
14:54And everyone knows that Remington Steele's word is his bond.
15:09Very well, Miss Wolfe.
15:23And that's the worst part of it, feeling sorry for yourselves.
15:26Nobody loves me.
15:27Nobody cares about me except my bottle or my needle.
15:30Oh, yeah.
15:32I know what I'm talking about because I know it's gonna be hard to believe, but I used to be just like you.
15:37Shooting all up all day and puking up all night.
15:41Yeah.
15:42But then I got the message.
15:45There is and was somebody who cared about me.
15:49The big C.
15:50Jesus Christ himself.
15:52I mean, you are looking at a living, breathing testimony to the powers of the big fella.
15:58I mean to tell you, if he can keep me straight for three years, he sure as hell can do the same thing for you bunch of bums.
16:06Why don't you all, uh, get yourself something to eat?
16:19Well, if it ate my own.
16:21Shh, shh, shh.
16:23Remington Steele Detective Agency? How did you wind up detecting it?
16:27I had the face for it.
16:29You're not like the old days, huh?
16:32Yeah.
16:33Uh, Remington, sorry. What a moniker.
16:35I am in desperate need of your talents, Willis.
16:38Uh, I'm not in that line of endeavor anymore. The big fella frowns on it.
16:42Nothing remotely tainted, I assure you.
16:44Since you've, uh, circumvented so many burglar alarms, I thought you'd, uh, be just the chap to install one sort of poetic justice.
16:51I don't know. If I'm not around here, this place turns into a shooting gallery.
16:55For a few days' work for, say, uh, $10,000.
16:59$10,000?
17:02What I could do for these bums were ten grand.
17:06My tailor, have him whip you up something, uh, conservative, yet don't agree.
17:13Charge it to my account.
17:16No name or not. The same old high flyer.
17:31I'm back.
17:36Homework.
17:38Surveillance on Marlene York, insurance description of the Ragazzi jewelry, and the wrap-up on the Morton case.
17:47Don't you get enough of the real thing?
17:50What?
17:52Oh.
17:53I happened to come across it on my desk.
17:56Hey, this is me, remember? The belle of the ball, the life of the party.
18:01I've seen that look before. I've even had it a few times myself.
18:05Who is he?
18:09What was he before he was Remington Steel?
18:13Who cares? He's here. You're here. Go for it.
18:16Then what?
18:17Depends on what you're looking for.
18:19Me? I'm all partied out.
18:21What I want is a slightly dull, filthy rich husband.
18:26But if I were in the market for a heart-stopping, teeth-rattling, eye-rolling fling...
18:32You know, it's not just the free ride that keeps this clown around. It's the challenge.
18:45I'm probably the only woman he's ever met who didn't tumble right into bed with him.
18:49Not a bad way to break the ice.
18:52Yeah.
18:54Hmm.
18:56But I can barely keep him in line now.
18:59Can you imagine what he'd be like if we turned that corner?
19:02It might be fun finding out.
19:05I've worked too hard to risk everything just to get my teeth rattled.
19:10So where does that leave you?
19:18Itchy.
19:20The local dispatcher to truck number 10, on your clearance ticket to Santa Barbara,
19:30be sure to fill in total mileage and time for an entire round trip.
19:33Over.
19:46Joe, throw me a tape measure, will you?
19:50Your men are very efficient.
19:53Best in the business.
19:54Right.
19:55Tell me, Wallace, where did you first meet Mr. Steele?
19:59Diplomatic Corps.
20:00Excuse me, in Paris it was.
20:02Spring of 77, or was it 78?
20:04No, no, that's 79. That was a good year.
20:07Are you sure it wasn't Dannemora or Leavenworth?
20:09Rats.
20:10What?
20:11They've got rats in the seine, big as Volkswagens.
20:15Hey, Alex, give me a hand over here.
20:17Yeah.
20:18Huh.
20:19Are you sure they know what they're doing?
20:23Between them, there was 75 years of experience.
20:33Who are you?
20:35Where did you come from?
20:37Humphrey Bogart to Ingrid Bergman, Casablanca, Warner Brothers, 1942.
20:42This is no time to be quoting old movies.
20:44Stop asking all questions.
20:45Tea time.
20:46You want to smell some of this, honey?
20:49Thank you, Mrs. Dillon.
20:51Hannah.
20:52Oh, what a mess.
20:55Packy's probably doing a 360.
20:58Packy?
20:59My late husband, Patrick Joseph.
21:02He started Dillon Electronics 40 years ago, making gyroscopes for the Navy in our basement.
21:12Tastes like raw crude, don't it?
21:15Packy had a special blended.
21:17Couldn't stand it myself while he was alive, but now it...
21:20What kind of keeps me close to him?
21:23Well, um, your son seems to be carrying on in the family tradition.
21:28Roger.
21:29He's carrying on all right.
21:31Why the hell are we cutting all this stuff up here?
21:35Stopping some underflowers, Meech.
21:36Santa Barbara's lovely this time of year.
21:38It seems Bush keeping research in-house.
21:40Dillon's orders.
21:41Well, he may run the company, but the old lady still runs him.
21:44She thinks it's too risky at the plant.
21:47Now, Meech, I am personally supervising this entire operation.
21:51What could possibly go wrong?
22:01No!
22:02He might look like that!
22:03I don't know!
22:04But if you'd like this, my previous up child, our parents were so careful.
22:07I was going to go to a house.
22:08No, that's the bedroom area.
22:09Let's go!
22:10No!
22:11It's in!
22:13And it's in!
22:14I just could get a house to the house to get his cell phone if he's going on!
22:17Come on!
22:18We need a home.
22:19It's in!
22:20It's like it's all right!
22:21We're really good!
22:22Well, trying to be a house to go!
22:24Well, we can see that.
22:26Let's go!
22:27Let's go!
22:28O que é isso?
22:58Senhoras e senhores, se o men que instalam o sistema não conseguem, eu tenho que dizer que isso é foolproof.
23:11Você tem que admitir que você tirou?
23:15O que é isso?
23:25O meu...
23:40Oh, meu...
23:45Não todos estão se sentindo como é um time-out e chamar a polícia.
23:49Não!
23:50Não, se isso se descansemos, nós lemos a governança.
23:54Você instalou R$50,000 de equipamento...
23:57e alguém se descanse a porta e descanse a porta.
24:01Você disse que era um trabalho?
24:03Você é tudo pro material, Dillon.
24:05O que é?
24:07Sal?
24:09Eu assurei, Sr. Meecher...
24:11Eu vou suar a sua agência até chegar ao meu final.
24:16Parece que...
24:19O que é isso?
24:21O que é isso?
24:22Eu me maço.
24:23Eu fui meia muito mal.
24:26Você está meia do que faz.
24:28O que é esse?
24:29O que é isso?
24:30O que é isso?
24:32O que é isso?
24:33O que é isso?
24:34Ah!
24:36Onde está a sua mulher, né?
24:38Mas ele might have killed you!
24:40O que está acontecendo?
24:50Hello?
24:52Steele here.
24:54O que você quer?
24:55No.
24:56Wallace e eu estão aqui making paper airplanes...
24:58...out of the research he stole.
25:00That's what I love about you.
25:02No matter how bleak the situation, you never lose your sense of humor.
25:05Does one of us have a reason that I'm talking to you?
25:08I think I'm onto something that could change the entire complexion of the case.
25:12You're leaving town.
25:14My car will be at your apartment in 45 minutes.
25:16Does that give you enough time?
25:17To do what?
25:18Make yourself presentable. We're having dinner.
25:20Oh, no, we're not having...
25:32...
25:42...
25:44. . .
26:13. . .
26:21Thank you.
26:35All right, I'm here. What startling news do you have for me?
26:38I'm paying for dinner.
26:41You said you had something to tell me about the Dillon case.
26:44I have.
26:45Well?
26:47Wallace didn't do it.
26:49How do you know?
26:51He's of the old school where there's honor amongst thieves.
26:54He'd never rip off a fellow miscreant.
26:56Then where is he?
26:58He'll turn up.
27:00That's it.
27:02Your foolproof security system lasts exactly three hours and 15 minutes.
27:07The agency is looking at a $10 million lawsuit.
27:10I haven't got a clue to where that missing file is.
27:13And you drag me halfway across town to tell me he'll turn up.
27:16Sit down.
27:17There's something I want you to know, Laura.
27:20Okay.
27:21You're good.
27:22This Dillon thing is merely a temporary setback.
27:25I don't want you for one moment to lose heart or confidence because you are a skilled, resourceful, and often brilliant investigator.
27:34I've had an opportunity to observe your talents firsthand, and I am terribly impressed.
27:39You're practical, yet intuitive.
27:43You can see the large canvas without missing the small detail.
27:46Have I said something wrong?
27:50I hate it when you're nice to me.
27:56What do I call you when we're alone?
27:59Well, I'm quite used to the name that you came up with.
28:02It's from a typewriter and a football team.
28:05Then pick one.
28:07I've probably used him.
28:11You know, Murphy thinks you're an international swindler.
28:14Or at the very least, an axe murderer.
28:18Excusez-moi, Miss Holt.
28:20Telephone for you in the foyer, please.
28:23Thank you.
28:29Would you permit me an observation, Mr. Steele?
28:36Certainly, Claude.
28:38This young lady is by far the finest of a staggering array.
28:43You have exquisite taste, Claude.
28:46Does Monsieur intend to bestow a nameplate on her, too?
28:50Possibly.
28:52The solid brass, you know.
28:55And I'm afraid your largesse is beginning to run into big bucks.
29:02Well, if I do, it could very well be the last one I dispense.
29:12Wallace turned up.
29:14I don't know.
29:19Where did they find him?
29:20Where did they find most of them?
29:22Main Street.
29:23Needle still in his arm.
29:24Five grand in his sock.
29:26Must have been celebrating his good fortune.
29:28He wasn't an addict.
29:29Take a look at those arms.
29:31He could run the Southern Pacific on those tracks.
29:33They're old.
29:34At least three years.
29:35When is the autopsy?
29:36Ever heard of Proposition 13?
29:38We don't have the budget to cut up every junkie that pigs out on smack.
29:41You want an autopsy?
29:43You get this stiff to your own pathologist.
29:46That stiff once made 27 straight passes in a crack game.
29:52He had a daughter he put through college.
29:54He liked to fish off Kings Point.
29:55And he read The Wizard of Id.
29:57That stiff was my friend.
30:13Harry.
30:14Harry.
30:19Harry.
30:22Tonight you look like a Harry.
30:26He didn't want to do this job.
30:28I soaked him into it.
30:30It wasn't your fault.
30:32Someone planted the money on him to make it appear he sold the papers.
30:37Then killed him.
30:39I'm gonna find that someone.
30:46We'll do it together.
30:47What are we doing here?
30:56The minute anything happens down here everybody knows it.
31:00Let's see what they know about Wallace's death.
31:15Ah, see?
31:16I told you.
31:17What?
31:18You're good.
31:19Might as well start with them.
31:24How's it going?
31:47Excuse me.
31:48Excuse me.
31:49Excuse me.
31:51Pity about Wallace.
32:02Wallace?
32:03The fellow who run the mission?
32:08Dad, you know.
32:21I'm sorry.
32:44Hello?
32:51Come on.
33:09Look.
33:21Não, não, não, não, não.
33:51Look at the alley!
34:08Did you get the license number?
34:10Right here.
34:13How did you know I was in trouble?
34:15Actually, I was looking for a pencil.
34:21Let's go.
34:45Thank you so much for coming, Mr. Meacham.
34:47This better be good, Miss Holt.
34:51What was that, dear?
34:53No, no, no, no. It's all right. I'll wait for you out here.
34:55Takes her forever to get dressed.
34:57Take her forever to get dressed.
34:59No, no, no, no.
35:01It's all right. I'll wait for you out here.
35:03Takes her forever to get dressed.
35:05Without the research, all you got's a dead thief.
35:07Or a murder victim.
35:09Or a murder victim.
35:11What was that, dear?
35:13What was that, dear?
35:15We're waiting for the autopsy report.
35:17We're waiting for the autopsy report.
35:21Okay.
35:27Where did you go?
35:28Try for a
35:44Se inscreva no canal.
36:14Little ponies, blackjack tables, and little pieces of fluff collect expensive jewelry.
36:44Be nice talking to you, Laura.
36:51Uh, wait.
36:51Um, we're not finished yet.
36:54I got my lawyer coming by with the papers in my suit against your agency.
36:57Answer the phone.
37:15Whoa.
37:17Who's this?
37:19Who's this?
37:29Good afternoon, Miss Wolfe.
37:31Beginning to be a regular fixture around here.
37:33Any word on that license plate?
37:35They're still running it through the DMV computer, but Murphy's on the phone with the pathologist.
37:39Yeah.
37:45Spell that for me.
37:48All right.
37:49Thanks, Doc.
37:50Call me when you're finished, okay?
37:52Well, what do you know?
37:55He was right.
37:56Wallace did no D on junk.
37:59He was literally relaxed to death.
38:03Injected with a form of orphenogen citrate.
38:06A muscle relaxant.
38:08The kind used on horses.
38:09Dylan's in the polo.
38:10In their stables in back of the house.
38:11Anything else?
38:12They're going over the contents of Wallace's stomach now.
38:14That should be done by the end of the day.
38:16Not only do we know how and where the murder took place, but who committed it.
38:20Oh, yeah?
38:20We do?
38:21Absolutely.
38:21Meacham.
38:22His briefcase is bulging with plans to tear down Dillon Electronics and build an industrial park.
38:26Not a bad incentive to bankrupt the country by stealing its own research.
38:29Don't forget Roger Dillon.
38:30I think I'm getting the hang of this.
38:31According to Meacham, he needed a lot of cash to float his lifestyle.
38:34Remember Mrs. Dillon.
38:35Insisting everything be moved to the house had made it a hell of a lot easier to steal.
38:39My money's on Meacham.
38:40Let's nab him.
38:42I told you this was a mistake.
38:43We need a little thing called evidence, which means that somebody is going to have to get back into that house.
38:49Leave everything to me.
38:52That is a lot more frightening than let's nab him.
38:56Hope you got Major Madrigal.
38:58Now, Meach, polo is a contest where gentlemen exhibit the finest qualities of horsemanship and fair play.
39:05Blow it out your ear.
39:06Meacham.
39:13I didn't know you played polo.
39:15Charles and I used to have a go at it whenever I was in London.
39:20Charles.
39:21Of course, now that he's married, we don't play as often as we'd like to.
39:23Thank you.
39:24Happy snoopers.
39:27I like your boss.
39:29He has the same kind of flair pack he had.
39:33A little reckless, maybe.
39:35Lots of sauce.
39:37Why do you say that?
39:40Roger's a world-class player.
39:42Well, it's only a game.
39:44Not for 25,000 bucks, it ain't.
39:4925,000 bucks?
39:50That's what he bet Roger and Meacham.
39:5325,000 each.
39:59Come on, Dylan, get it out!
40:01Come on, Dylan, move it!
40:03Come on, Dylan, come on!
40:03Good.
40:04Good.
40:07Come on, Dylan, stay with me!
40:32Yahoo!
40:33Yeah!
40:33Sorry, Steve!
40:37Didn't mean to miss you!
41:07Still, I thought you never had a game of this time.
41:09Yo!
41:10Sit!
41:11I think I don't have me a game of this time.
41:13I've never had a game of this.
41:16I thought I was so lucky.
41:30Why are you so lucky?
41:33. . .
42:03. . .
42:33. . .
42:37Friends of yours?
42:38Roger's new partners.
42:40In the electronics company?
42:42No. Some joint venture.
42:45You don't sound too pleased about it, Mrs. Dillon.
42:49Roger calls the shots now.
42:52. . .
42:54Should we count this as a time-out, gentlemen?
43:09. . .
43:14I'm not even going to ask if you know what you're doing.
43:17I know precisely what I'm doing.
43:19William Powell did exactly the same thing in The Thin Man.
43:22Invited all the suspects to a dinner party, reconstructed the crime,
43:26and exposed the murderer.
43:32And may I say, you make a splendid Myrna lawyer.
43:36Don't be so cocky.
43:37You're just lucky Dillon and Meacham had to forfeit the match.
43:41Where did you think you'd get $50,000 if you lost?
43:44I had no intention of losing.
43:53The completed autopsy report. Take a peek at page five.
43:58Couldn't you have worn something slightly more appropriate?
44:01No, I didn't have time to change.
44:04Okay. Let's get the show on the road.
44:07Well, I'm glad to see that you're finally into the spirit of the evening.
44:19To our guests.
44:21May their conversation be as interesting as their company.
44:26And Wallace obviously discovered the killer removed in the research from the library.
44:32It was a fierce struggle. The killer hit Wallace repeatedly.
44:36What Mr. Steele means is that it could have happened that way, but didn't,
44:40since the autopsy found no bruises or abrasions on Wallace's body.
44:45Well, whatever. The point is, the killer dragged...
44:47Lured.
44:48...Wallace to the stable where he was injected with a massive overdose of muscle relaxin.
44:52Same type found in this vial.
44:54Using a needle exactly like this one.
44:58Both of which were found in your stable, Mr. Dillon.
45:01Then the killer transported Wallace's unconscious body to Main Street...
45:05hoping it would appear that he died of a drug overdose.
45:08Your food is wonderful.
45:11Your theory's absurd. None of us has a reason to steal from ourselves.
45:15Wrong. One of you had the strongest possible reason.
45:18Money. Enormous amounts of the stuff.
45:21Isn't that right, Meacham?
45:23Then, of course, as you pointed out, Mr. Steele, Roger Dillon had an equally strong motive.
45:30I don't remember pointing that out.
45:33Of course you do, sir, when you learned of his association with those gentlemen at the polo match.
45:38Those gentlemen have nothing to do with Dillon Electronics.
45:41Why was one of them searching Wallace's room?
45:43Excuse me.
45:45Tell me, Meacham, when Dillon Electronics went under, did you plan to buy up the rest of the company?
45:50Damn right.
45:51You'll never get your hands on my company, Meacham.
45:53Try this, Mrs. Dillon.
45:55It's only a matter of time till you have to punt Dillon.
45:58Then I'm gonna run with the ball.
46:00How's the tea, Mrs. Dillon?
46:02Tastes like the kind I drink.
46:05It is the kind you drink.
46:07I didn't know anyone else had that recipe.
46:10Ladies, could we show the tea talk and get back to business?
46:12You wanted that land for an industrial park, didn't you?
46:14You got it.
46:15Then you admit it.
46:16I admit I was gonna build an industrial park.
46:18Where did you get the recipe?
46:19But then you already knew that, didn't you, Steve?
46:21You brewed Wallace a cup.
46:22Because you went through my hotel room.
46:23Right before you killed him.
46:24And that's called breaking and entering.
46:27Sit down.
46:32Easy, Mrs. Dillon.
46:33What the hell's going on here?
46:35You little wimp.
46:36Tell them what business you're in your partners are in.
46:38For God's sakes, Mother.
46:39Shut up!
46:40They peddle classified American technology to the highest bidder.
46:43Do you think I was gonna let you sell them our discoveries?
46:46Just to keep you in more toys?
46:47I'd rather see the company go under than have it run by a traitor.
46:50Mother, you're gonna get us both hung.
46:55I didn't want to hurt that poor man.
46:58But he just couldn't understand what I was trying to do.
47:07You saved my life, Steele.
47:09And I thought you were gonna accuse me of the murder.
47:11You? Don't be absurd.
47:13All for quick thinking, buddy.
47:16Well, what else do you expect from Remington Steele?
47:30Really, Laura, this is shocking.
47:32If I were you, I'd have a word with the press.
47:35You realize no one of these stories mentions your name?
47:38One learns to live with it.
47:43That was nice.
47:44Donating the money you won in that polo match to Wallace's mission.
47:47He was a nice man.
47:50And a hell of a burglar.
47:55I think the entire staff can be rather proud of this one.
47:58The entire staff thanks you.
48:01However, there is one small thing that puzzles me.
48:05How did I know it was Mrs. Dillon and not her son?
48:09Or Meacham.
48:10Remember?
48:11Or Meacham.
48:13She was the only one who drank that tea.
48:15And when it turned up in the stable and Wallace's stomach.
48:24God, I'm good.
48:25I don't think I met you.
48:26God, I let you go.
48:27I've never seen those people tonight.
48:28I have never seen them.
48:29I loved it.
48:30I was born there.
48:31I love you.
48:33I love you, you didn't go.
48:34I love you.
48:35I love you.
48:36I love you, I love you.
48:37I love you.
48:38I love you, aren't you.
48:40I love you.
48:42I love you, aren't you?
48:43I love you.
48:44Amém.
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