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Graveyard Carz Season 20 Episode 5
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00:00According to the Bible, God created the heavens and the earth.
00:06It is man's prerogative, and woman's, to create their own particular and private hell.
00:12Case in point, Mark Warman, age 62, who in every sense is a successful businessman and noted celebrity.
00:21Mr. Mark Warman has let nothing derail him from the lofty plans he's held since he was a child.
00:30See, I'm already having a problem as this goes in.
00:33Why does this look like a cartoon and it doesn't look like a real figure to me?
00:37You did ask for a cartoon.
00:39I asked for a cartoon, but not in a cartoon sense, right?
00:41This isn't Bugs Bunny or Wile E. Coyote.
00:43I didn't have a photograph.
00:44You care about what you're doing?
00:45You did sign off on these sketches.
00:47Tootsis the driving cat, Saturday Night Live.
00:49Tootsis the driving cat, famous cat.
00:50You see him?
00:51He looks real, right?
00:52But we all know that a cat can't drive.
00:54So what are they doing on the show when we see Tootsis?
00:57Mark Warman has learned through trial and error, mostly error, that there may not be an appetite
01:14for a Saturday morning animated version of his fortuitous program.
01:19However, he will make one last attempt as he takes a dark detour into the Graveyard Zone.
01:29Hey, man, what do I look like?
01:43UNICEF?
01:44Maybe one day UNICEF will get in the Mopar restoration business and they'd be the folks to see.
01:50But in the meantime, y'all gotta work with me.
01:53UNICEF?
02:13UNICEF?
02:15Hello?
02:17Who's there?
02:19What the hell do you want?
02:21No, no, no, no, hey!
02:51No, no, no, no, hey!
03:21This is Mopar by Death.
03:22This is my favorite animation we've ever done.
03:25I love the looks of it.
03:27I love the feel of it.
03:28You need to watch the original movie Murder by Death, Neil Simon,
03:32so that you can appreciate all of the nuance in this animation.
03:37I love the Mopar Easter eggs.
03:40It just adds so much texture and layers to it that it's just a cool thing.
03:47Hey, I'm Nick.
03:48I have been working at Graveyard Cars for about seven years now,
03:52and I'm the animator.
03:54One of the biggest projects I've worked on at Graveyard Cars
03:57is the Mopar by Death cartoons,
04:00and I kind of consider them my baby.
04:02Here, like in the movie,
04:09our host is filling out the invitations for the weekend.
04:13Do you think they'll come, sir?
04:29Oh, they'll come.
04:30They'll come all right.
04:32Here, stamp these and mail them.
04:35And now it's time to meet the guests.
04:50The first folks we meet are Dick and Doreen Charleston,
04:55played by Will and George.
04:58It's ringing.
05:00No.
05:01Wait.
05:02It's just a busy signal.
05:05Ugh.
05:06Dude, it's me, you idiot.
05:08Now, in the actual movie itself,
05:09this was played by David Niven and Maggie Smith.
05:12We have a lack of female actors here,
05:15so I put George in a dress.
05:18Sue me.
05:18Hello?
05:25Hello?
05:26Hello, anybody there?
05:28Thank goodness.
05:29Tell them we're not going to make it.
05:35What the?
05:36He hung up on me.
05:38Really?
05:38What did it sound like?
05:41Click?
05:46This is ridiculous.
05:47Why'd you get me a meatball sub
05:49when I asked for a cheesesteak?
05:50All right, let's just cut the crapola.
05:53This is a business trick for me.
05:55The next characters we meet
05:57are Stan and Tony D'Agostino.
06:00Stan is portraying from the movie
06:03Sam Diamond,
06:04who is played by the incomparable
06:07and amazing Peter Folk.
06:10Tony is actually playing two different parts.
06:12He's playing James Coco's part as Milo Perrier,
06:16but he is also playing
06:17Tess Skeffington,
06:19played by Eileen Brennan.
06:21And not being a team player like Tony is,
06:24he refused to wear a dress in this animation.
06:26Now, what do you got on this Warming guy?
06:29Well, he was born in Eugene, Oregon,
06:31to John and Ruby Warming.
06:33He has one sibling,
06:35a sister,
06:36he dropped out of school in the ninth grade,
06:38and he only had eight crayons growing up
06:40and a tumor in his foot.
06:42You got any little Warmans running around?
06:45Yep.
06:46A daughter, age 27,
06:49calls herself Alyssa.
06:51I hear words she's at the dinner tonight.
06:53Don't stop, pal.
06:54You're doing fine.
06:56Now, for those of you who don't know
06:58who Stan Lynch is,
06:59he's been a friend of mine most of my life.
07:01He's been in the show a few times.
07:02He used to have a show called Lynch for Hire.
07:04He has done the most perfect Peter Falk
07:08I have ever heard anybody do.
07:10Absolutely spot on.
07:11Yeah, I'd just like to mention here,
07:13I recorded all the voice talent for these cartoons.
07:15That was not Stan doing Peter Falk.
07:18That was Mark doing the impression
07:20of Stan Lynch doing Peter Falk.
07:23Warming spent a lot of time in the principal's office
07:26during grade school for teasing other kids.
07:28No surprise.
07:30He had his nose broken in the sixth grade
07:32for making fun of a kid
07:33for squinting during science class.
07:36In eighth grade,
07:37he was voted most likely to be murdered
07:38by a fellow student.
07:40Well, I said,
07:41I think we picked ourselves an odd duck, buddy.
07:44You did your homework good, pal.
07:47Where did you dig all this
07:48covert information up from?
07:51I texted Mark and asked him.
08:01Oh, there's a bridge, Mom.
08:03It doesn't look that safe to me.
08:08There's only one way to find out.
08:10Hey, where are you going?
08:12Well, the bridge might not hold all of our weight.
08:15Wait, how come I have to drive across?
08:17Because I was smart enough to get out first.
08:20Thanks, Alamo.
08:21The next guests that we see arriving at the mansion
08:25are my wife, Suzanne,
08:27and my daughter, Alyssa.
08:28They are playing the father and son dynamic team,
08:33Sidney and Willie Wang.
08:35The son is played by a Richard Narita,
08:38an up-and-coming actor at the time,
08:41so he didn't look very familiar to folks.
08:43But Peter Sellers played Sidney Wang,
08:48the great Peter Sellers.
08:49What a cast.
08:50Now, Suzanne and Alyssa also didn't want to
08:53come off as cross-dressed in this animation,
08:55so we just left them as female.
08:57That's not the important part.
08:58The important part is I wanted my little Bailey in there.
09:02Bailey, my dog,
09:03gots to have his time on screen.
09:05My dog's worth a fortune now
09:06because of spinning that, so.
09:17Hey, Mom, I made it.
09:20Good, good.
09:21Now come back and get your mother.
09:27Daddy, you got to help me.
09:29It was first time driving a limo.
09:31That's okay, pal.
09:33My first time riding in one.
09:35Arriving at the mansion next
09:38is Gambo and McLean.
09:41Gambo is based on John J. Rambo
09:44and McLean is based on
09:46our hero from the Nakatomi Plaza,
09:49John McLean.
09:51Welcome to the party, pal.
09:54Live for nothing.
09:56Die for something.
09:58These characters have nothing to do with the movie.
10:01They're nowhere near the movie.
10:02They didn't star in it.
10:03They had nothing to do with it.
10:05But I felt that they needed
10:07a little bit of crossover integration,
10:09we call it.
10:10Maybe a spinoff.
10:12After a while,
10:13Mark started inserting characters into there
10:15that really shouldn't have been there.
10:18And I think I know why.
10:21He just wanted to do impressions.
10:23Mark loves the sound of his own voice.
10:25Jump, pal.
10:29Why are you pushing me?
10:33They drew first blood, not me.
10:37Gambo is a multi-layered character
10:40that I've really created at Graveyard Cars
10:43by just doing my ridiculous impressions
10:45of Sylvester Stallone.
10:46Now, because Gambo is difficult to understand at best,
10:51we decided to do subtitles
10:53as to what he was really trying to say
10:55versus what you actually heard,
10:56which is a lot of mumbo jumbo.
10:59Come out to the coast.
11:00We'll get together.
11:01Have some laughs.
11:02If you're sending that many guys in there,
11:08don't forget one thing.
11:10Here's a blood body bag.
11:15Ah, good evening.
11:17You must be Will Scott and Curious George.
11:20We've been expecting you.
11:22Not exactly, pal.
11:24I'm Jim McLean.
11:26This is Gambo.
11:28Oh, I see.
11:29In the movie Murdered by Death,
11:31the butler was blind.
11:33Here I had Doug play the blind butler
11:35because he's oblivious to everything around here.
11:38I just felt it would be appropriate.
11:40Please allow me to take your bag, sir.
11:42No, no, no, pal.
11:44Let Gambo get it.
11:46He eats food that'd make a billy goat puke.
11:50Very well, sir.
11:52Please excuse me one moment while I close the door.
11:59But he's the only one I trust.
12:03Now if you will follow me,
12:05I will show you to your room.
12:09Remember at all times, folks,
12:12the characters you see
12:13have been invited to a mysterious castle
12:17for murder and Mopah.
12:21You know, Warman is a pretty unique individual.
12:47Single-handedly built his business
12:49and had a successful TV show.
12:52Could have had one myself.
12:53Chose not to.
12:54Nothing more than a ninth-grade education.
12:56Some hard work.
12:58Folks, I know why we're all here.
13:01Yeah, because my dad is insane.
13:03Now, honey, that's not official yet.
13:06You guys, I love the set that Nick drew here.
13:09Everything is laid out almost verbatim,
13:12almost identical to the way it was.
13:14It's really beginning to feel like a murder mystery show.
13:18My kind of stuff.
13:19Grew up on murder mysteries and Alfred Hitchcock.
13:23All the good stuff.
13:24This is perfect.
13:26Eww, eww.
13:27That punk pulled a Glock 7 on me.
13:30Do you know what that is?
13:32It's a porcelain gun made in Germany.
13:34It doesn't show up on your x-ray machines.
13:36And it costs more than you make in a month, pal.
13:39You'd be surprised what I make in a month.
13:43No, my simple-minded friends.
13:47Mark has gathered us here to solve the mystery
13:50of who tried to have him killed.
13:54Tried?
13:55What do you mean, tried?
13:57Whoa!
13:57Oh my gosh, why is this so dirty?
13:59What is going on?
13:59What's going on?
14:00I can't see you now.
14:03You're in there.
14:04I'm in there.
14:05That's my foot.
14:05Somebody touch me.
14:06Good evening, ladies and gentlemen.
14:10I'm your host, Mark Warman.
14:14Good God, what an entrance.
14:17Just an illusion, Mr. McGeorge.
14:19Much like your bodywork.
14:21Did you know about this?
14:23Hey, yeah.
14:23Steve.
14:24Why are we on the wall?
14:25Just a monkey's head.
14:27What the hell is my head to now?
14:28I'm in there all the way out here.
14:30What's going on?
14:31What's happening here?
14:32I don't hear you.
14:32I don't hear you.
14:32I don't hear you.
14:33I don't hear you.
14:33I don't hear you.
14:34I don't hear you.
14:34I don't hear you.
14:35I don't hear you.
14:35I don't hear you.
14:36People, people, let's focus here.
14:40As you all know, last season, an attempt was made on my life.
14:45And the perpetrator is sitting at this very table as we speak.
14:51Dad, you've gone too far.
14:53It was an animation.
14:54Just something to get people talking during the offseason.
14:57In fact, it was your idea.
14:59Alyssa is right about this whole thing.
15:02It was a cliffhanger.
15:04Kind of like who shot J.R.
15:06That was the spirit of that cliffhanger from the previous season.
15:09But when I watched back through it, I thought, that thing's got legs.
15:11I've always wanted to do animation.
15:13This is perfect for it.
15:15So between seasons, the production really started playing with ideas of expanding on that cliffhanger.
15:21A lot of different ideas were thrown out, and Mark eventually landed on a murder-by-death homage, so we ran with that one.
15:27And so I took on the challenge of animating an entire season's worth of shorts.
15:33Yeah, I didn't know what I was getting into.
15:34I took on the task of writing everything.
15:38I wrote this thing, I mean, basically from the very cover to the cover, if you will, if it was a book.
15:46So?
15:49I'm leaving.
15:50This is stupid.
15:51Yeah, I'm leaving too.
15:53Let's get out of here, Stan.
15:54I'm hungry anyway.
15:55Nobody is leaving.
15:56Let's make one thing perfectly clear.
16:06You have all been invited to dinner and a murder.
16:10Nobody is leaving here until we figure out who tried to take me out.
16:15Or somebody dies.
16:20Yippee-ki-yay, mother f***er.
16:26Dad, what do you mean somebody dies?
16:33That's ridiculous.
16:34What movie is that from anyways?
16:36Look, somebody in this room tried to have me killed.
16:38We're going to find out who did it through any means necessary.
16:41I get what I need, or somebody dies.
16:45Blacklist.
16:46Son of a...
16:47If you don't let me out of here, I'll kill you myself.
16:53Nice try, Blubber.
16:54You're a little too slow for the Iceman.
16:58You have until midnight.
17:00Don't disappoint me.
17:07Not a bad contraption.
17:08Built one like it in high school back in shop class.
17:11Took my grandma's wheelchair and modified it.
17:14Eh, she got hurt in it, but...
17:16Didn't kill her.
17:19What's going on here?
17:20What do we do now?
17:21And where's that butler with our dinner?
17:25Hey, that's a good point, Tony.
17:27Where is the butler?
17:28Because I haven't seen him since I arrived.
17:30I'm going to go check it out.
17:32I'll come with you.
17:33I need to have a word with him about the quality of his service.
17:36I eat food that makes it be a little cute.
17:39Oh my god, he's dead.
17:48I knew it.
17:49We're going to starve.
17:51This scene, you guys, is very, very similar to the original movie.
17:54Again, you've got to watch it.
17:55It follows it really closely.
17:59The animation's great.
18:00But at the end, Nick just begins to take what they call those creative liberties, I think.
18:05Is that what they're called?
18:06Gambo, can you cook?
18:10I want to send me to you.
18:12I'll be pushing me.
18:14Why are you pushing me?
18:16Look, here's a note.
18:19It says here,
18:22Now I have a machine gun too.
18:27Ho, ho, ho.
18:30Come out to the coast.
18:31We'll get together.
18:32Have some laughs.
18:33You guys, it's only 11 o'clock.
18:35My dad said we have until midnight.
18:37So there's still another murder.
18:40That means...
18:41That means this murder was just the appetizer.
18:47We need to go and tell the others what we found.
18:49Let's go, you guys.
18:50Let's go, you guys.
19:20Uh, where are we?
19:21Where's the dining room?
19:25What the?
19:26There's room for it.
19:27I'll cover you.
19:28Let's get out of here.
19:30Now I got no idea where all this is going or what it has to do with anything.
19:34This is all Nick.
19:36This is from his brain.
19:37Want everybody to know this has nothing to do with me.
19:39So around this time, Mark started getting pretty busy.
19:42And so I took over a lot more of the writing.
19:44So I just kind of created this scene to get Gambo fighting in the jungle in his natural habitat.
19:50You know, what you call hell, he calls home kind of thing.
19:53At the time, it made perfect sense in my head.
19:56Now...
19:57Don't push it.
19:59I'll give you a war you won't believe.
20:01So anyway, I tells the little chick, look.
20:15Yes, I graduated high school.
20:18Yes, I've got a Trans Am.
20:19What the heck is going on?
20:25Where were you guys?
20:26Hey, we've been here the whole time, pal.
20:29Where have you been?
20:30I've been getting worried.
20:31The butler.
20:33Dead.
20:35Knife.
20:36Are you saying he's been murdered?
20:38My word.
20:40Someone's been murdered?
20:41Oh my god, you're alive?
20:43And you have dinner.
20:44Hey, where's Gambo, pal?
20:49He's fine.
21:02What is Nick doing?
21:04Playing hacky sack with another human being?
21:07Rambo didn't do that.
21:08Gambo didn't do that.
21:09Honestly, I just had a lot of fun animating that and it had to go in.
21:14Now, how about that dinner?
21:19So something to note about Tony is that he was never here recording his dialogue.
21:24He was always recording remotely from his home in Delaware.
21:27I had to sit down with him and direct him over Zoom.
21:30And every time we sat down to record, I had to keep apologizing that every one of his lines
21:35was about him just wanting to eat.
21:37The reason Tony's character is so obsessed with food is that James Coco's original character
21:42in Murder by Death is obsessed with food.
21:44Mark did decide to cast Tony in that role.
21:47So I'm not saying that it was Mark's fault, but I am saying it was Mark's plan.
21:53Hey, where's the soup?
21:56In your bowl, Mr. D'Agostino.
21:59Can't you see, uh, can't you tell there's nothing in my bowl?
22:04I'm dreadfully sorry, sir.
22:10I just remembered.
22:11The cook was fired last week.
22:12It must have slipped my mind.
22:14I'm afraid I'm dead on my feet.
22:17Oh my gosh, Mal!
22:18My gosh, what happened to you?
22:22They drew first blood, not me.
22:26Everybody, look!
22:34We're out of time.
22:42Whoa!
22:43Can't see anything!
22:46I found a switch!
22:49Oh my god!
22:51What the?
22:52Oh no, my dad's dead!
22:55Again.
22:55So, I'd actually like to pause right now and take a couple minutes to go over, like,
23:01the character rigging process, because it's a lot more interesting than you think.
23:06All of the, everything from, like, eye movements to the head turns to the walking,
23:11everything has to be, like, meticulously planned out, and you have to, um...
23:13Niko!
23:15You talking about murder?
23:16Yeah.
23:17Murdered by Mopar?
23:18Bailey disappears.
23:19My dog disappears.
23:20My dog's in the car, and then it's not in the car, it's not in the house.
23:23If you're confused about why Mark is upset, well, here's the reason.
23:29Remember Mark's dog, Bailey?
23:31He's upset because he doesn't see Bailey in this scene.
23:35Bailey here?
23:37No Bailey here.
23:39Seriously, that's the reason.
23:41Now do you see why it takes so long to get anything done around here?
23:45We'd also like to remind you that the reason you're watching a completely animated episode of Graveyard Cars
23:52is this guy right here.
23:56Go on social media and tell him what you think.
23:59We dare you.
24:00How did this happen?
24:06All the suspects were in this room.
24:08Yeah, I saw this in a Matlock episode once.
24:12Mark is dead, but he was not murdered.
24:16He died by his own hand.
24:20That's right, folks.
24:21That's the oldest trick in the book.
24:24Suicidus autodelecti.
24:27Basically, with Warman's knowledge of mechanics and physics,
24:30it would have been simple enough for him to build an apparatus
24:33that would allow him to stab himself in the back.
24:38I'd have been happy to do the same thing for a six-pack.
24:42I checked the hall.
24:44All the windows and doors are still barred.
24:46There's no way out of here.
24:48Okay, I've had enough of this.
24:50I'm calling 911.
25:00Hello, my simple friends.
25:02Don't bother calling the police.
25:04I've blocked the signal.
25:05If you're listening to this message,
25:08then it means I am dead.
25:10It also means when you dial 911,
25:14you triggered a detonation device that is connected
25:16to C4 plastic explosives
25:19that is set to go off in 30 seconds.
25:24I will see you all very soon.
25:26Oh my God, we're going to die.
25:27You're dead.
25:28I'm going to die.
25:29You're dead.
25:29You're dead.
25:29You're dead.
25:29You're dead.
25:30You're dead.
25:30You're dead.
25:31You're dead.
25:31You're dead.
25:31You're dead.
25:32You're dead.
25:33You're dead.
25:33You're dead.
25:33You're dead.
25:34You're dead.
25:34You're dead.
25:35You're dead.
25:35You're dead.
25:35You're dead.
25:35You're dead.
25:36You're dead.
25:36You're dead.
25:36Okay, okay, it was me.
25:38I tried to have him killed.
25:40You're dead.
25:40You're dead.
25:40You're dead.
25:41You're dead.
25:41Screw this, pal.
25:42I'm getting us out of here.
25:45Hey, has this been here the whole time?
25:48When did you do that scene?
25:50Um, what time of year?
25:53Oregon Country Fair.
25:54Okay, this might take some explaining, too.
25:59Mark is suspicious that Nick's sudden psychedelic plot twists may be connected to his attendance
26:05of a local festival that is associated with actual psychedelics.
26:11Mark's lawyers would like us to say that he has no evidence of this, and that his opinions
26:16are not those of the Division Graveyard Cards nor any of the aforementioned associates
26:20or affiliates.
26:21So there, you can't sue us.
26:23Just guessing?
26:32A lot of things going on out there, stuff I wouldn't want to see written on an overpass.
26:36Keep the liberties to a minimum, okay?
26:38This is an Ellis Island.
26:43Lord, if you get me out of this, I promise I'll never even think about going to a party
26:49on the West Coast.
26:53I'm sorry, okay?
27:01It was me.
27:01I'm the one that stole your car.
27:02But Will did make me do it.
27:04Don't listen to her.
27:04She's lying.
27:05I didn't tell her to do s***.
27:11It's okay, baby.
27:12It's okay.
27:13We're going to get out of here.
27:15Oh, Mark.
27:17Uh, Bailey's back.
27:18Eh.
27:19Bailey came back.
27:31I'm going to die and I don't even get my last meal.
27:33There's no use, Mr. McLean.
27:42You'll never get out that way.
27:45The windows are double-pained with transparent titanium bulletproof glass.
27:50They're also tinted to reduce glare.
27:52Standard on all air conditioning.
27:55Oh, yeah.
27:56Oh, God.
27:57Pretty clever, Warman.
27:58Firstly, I'd have done three layers of polycarbonate with a flexible titanium.
28:03Shut up, Stan.
28:04Stan.
28:09Time's up.
28:15Time's up.
28:17Time's up.
28:17Uh, we're still alive.
28:28Sorry about that, folks.
28:30I've been having a bit of a rodent problem in the east wing.
28:33Thought perhaps I'd nip it in the bud.
28:37Take that as a warning, however.
28:40I'll give you just one more chance to redeem yourselves.
28:42If you fail me again, the next time, the chamber won't be empty.
28:48Die hard, too.
28:49What is this?
28:50Some kind of revenge?
28:52Extortion?
28:53You're dead, pal.
28:54What more do you need from us?
28:56It's not as simple as all that, Mr. McLean.
28:59There is a pay phone in the lounge.
29:02You and Mr. Gamble will go there.
29:04No one else.
29:04No?
29:06No?
29:07I will call you in five minutes.
29:09Failure to answer will cost you noncompliance.
29:12Do you understand me, Jim?
29:14Oh, yeah.
29:15I understand.
29:16I understand you're a wacko that likes to rip off action movies.
29:19That's what I understand.
29:21Good.
29:22I'll talk to you in five minutes.
29:25Well, it looks like we're in this one together, pal.
29:28I'm not responsible.
29:30What the hell are you talking about, pal?
29:32It's what that lady in the bowl is in First Block Part 2, the necklace.
29:42You're not going to believe this, but I'm in this big house right now, and there's this
29:49whole group of people here having some kind of dinner party, and one of them is my boss
29:55from the...
29:55Excuse us, sir.
29:56Excuse us.
29:57This is an urgent police matter.
29:59We're going to need to commandeer that phone.
30:00What are you guys...
30:01Ow!
30:01Wait, hey.
30:03Whoa!
30:05As I was going to St. Ives, I met a man with seven wives.
30:09Every wife had seven sacks.
30:11Every sack had seven cats.
30:12Every cat had seven kittens.
30:14Kitten, cats, sacks, and wives.
30:16How many were going to St. Ives?
30:19My number is 555.
30:20And the answer.
30:21How do you like the German accent?
30:25I got to work on it.
30:25I do Peter Sellers a little bit better, but...
30:28Now you have 30 seconds to figure it out, or this place is history.
30:34Whoa!
30:35Talk about deja vu, pal.
30:38I just remind you, as you're watching through this, it's obvious which scenes I've written
30:43and which ones I haven't.
30:44The ones that I have done border on brilliant.
30:48Check out this scene.
30:50Perfection.
30:51Alright?
30:54So this brilliant writing of Mark's?
30:58He just ripped off Die Hard 3.
31:01So McLean, I got it.
31:03There's one guy who was, there's another one, there's another one, there's a kid.
31:07There's just one guy.
31:08One.
31:09One.
31:10He goes, zero, zero, zero.
31:12One.
31:13He's fooling me.
31:15He better go, puke.
31:18Thanks for the help, pal.
31:19But as you're well aware, I don't read.
31:24Time's up, buddy.
31:35Everybody!
31:36Duck!
31:37There's a bomb!
31:39Hey, uh, another bomb!
31:41Pal?
31:42Are you guys talking about this bomb?
31:45We found it while you guys were out of the room.
31:47It's just a dud.
31:47Ha ha ha ha ha ha ha ha ha ha ha ha ha!
31:52Oh man, this is too easy.
31:56I'm getting pretty sick of this s***, pal.
31:58Mark, what the hell's going on here?
32:04I want answers.
32:06Are you dead or not?
32:08Is there another bomb or what?
32:11This is ruining my appetite.
32:15Answer me!
32:16Nick is right about one thing.
32:17Tony was not happy with all the references about eating.
32:20He thought I was taking a jab at him.
32:22So, he actually called and left me a voicemail.
32:24That's not as friendly as a lot of them have been.
32:28This is Mark Worman.
32:29That's a tone.
32:30Leave your name and message, and I'll get back with you.
32:33Voicemail again.
32:34You gotta pick up sometime.
32:35I just read the last script.
32:37All of my lines are about food.
32:38All the s*** that you do about me on the show is about eating.
32:41I know what you're doing.
32:42It's not funny, and I don't like it.
32:44Grow a pair.
32:45Answer my calls.
32:46And let's get this straight.
32:47And for the last time, I do not like Billy G-Steaks.
32:51End of story.
32:52Hang on a minute.
32:53A second ago, the broad with the mud said she's the one that tried to have Mark killed.
32:58Okay, okay, it was me.
33:01You want to explain that, pal?
33:03Yes, it's true.
33:04I killed him.
33:05I knew there was something weird with him.
33:07The glasses, the funny coat, the death threats.
33:10I knew this wasn't my husband.
33:13This is an imposter.
33:14When the lights went out, I heard him enter the room and did what I had to do.
33:19I stabbed him with the shifter.
33:21Oh, hang on.
33:22Now, uno momento, por favor.
33:25Are we to believe you just happened to have a pistol-grip shifter laying around in your purse?
33:31Yes.
33:32Mark gave it to me for our 25th wedding anniversary.
33:35But yeah, I could fly a gun shed, drive a thing, a million-dollar equipment out of here.
33:39I gave an old job.
33:40I gave it to me.
33:41If this isn't the Mark Warman, then who did you kill?
33:47Nobody.
33:49I took the liberty of examining the body.
33:51You'll notice there's no blood.
33:53This is not my dad.
33:55This is not a human at all.
33:59That's right.
34:00He's a fake.
34:02A dummy.
34:03A mannequin, if you will.
34:04What are you suggesting?
34:08Yeah.
34:09What are you suggesting?
34:11When I watched this for the first time, I really thought Nick was grasping at straws.
34:15It seemed to me that he was coming up with things to kind of buy time to get through the edit.
34:20Yeah, that's pretty accurate.
34:21I was grasping at straws.
34:23But around this point, I did start trying to reel it back into some kind of ending.
34:29But in reality, he sewed this up really nicely.
34:32He sewed it up in the spirit that Neil Simon would be very happy.
34:35My dad was never here.
34:37This entire evening has been a charade meticulously set up by some imposter,
34:41using a finely crafted dummy to carry out his plan.
34:44And we're all looking at him.
34:47Very good, Alyssa.
34:49Very good.
34:51Now hold on.
34:52Why do I have to be the bad guy?
34:54I've never hurt anyone in my life.
35:00Hey, you guys didn't grow up with Cousin Dougie.
35:03I wouldn't put this past him at all.
35:06This is his meal you.
35:08So you're telling us Mark is just a mannequin.
35:11You've been controlling him the whole time.
35:14And you've been faking blindness.
35:16Actually, that makes sense.
35:18Dougie's never been blind.
35:19I don't know why I didn't pick up on that sooner.
35:21You got me.
35:23I planned this entire dinner party.
35:25I designed a dummy Mark.
35:27Wait, so the dead butler in the kitchen...
35:30Yes, I designed that one too.
35:32And I spent months modifying and booby-trapping this mansion.
35:38Of course, I didn't do it all on my own.
35:41I had help from two of Mark's most trusted employees.
35:45No.
35:46Will?
35:47How could you?
35:48Hey, this wasn't my choice.
35:50I was blackmailed.
35:51He said he'd expose me for being the number two painter.
35:53But according to my Instagram,
35:55number underscore one underscore painter.
36:06I'm the number one painter.
36:08Okay, I admit it.
36:09It's been me, George, this whole time.
36:13We built the mannequins and installed the bars.
36:16I came in disguise so I wouldn't be found out.
36:19Dude, you're an idiot.
36:21I told you you weren't fooling anybody.
36:23Let me tell you something, fella.
36:25You just made a huge mistake confessing all this to a well-known private investigator and his partner.
36:31Murder, identity theft, blackmail.
36:34You were going away for a long time.
36:37Tony, have Mr. Oldham unlock the door as he will be escorting us to the nearest police station.
36:44I don't think I'll do that, Stan.
36:47Still to come, will Tony turn the tables?
36:51Will Stan prove himself as a competent detective?
36:54Will George surprise anyone when he reveals his true identity?
36:59And will any of these twists, turns, explosions, and gunshots make Will Scott actually give a crap?
37:06Find out in the thrilling conclusion of Mopar by Death.
37:10What's this all about?
37:14Come on, Stan.
37:15What kind of detective are you?
37:16You didn't really think I was working for you this whole time, did you?
37:20Dougie, you did good.
37:21Everything went according to plan.
37:23Thank you, sir.
37:25That's right.
37:26None of you suspected a thing, did you?
37:28No one ever has.
37:29I've been trying to get rid of Mark for years.
37:31In eighth grade, he was voted most likely to be murdered by a fellow student.
37:36And now I've finally done it.
37:38That's right.
37:39I killed Mark.
37:41Me.
37:43Royal Yoakum.
37:45Oh my God, Royal?
37:46I love that Royal was able to come in at the end with a great plot twist.
37:51Here he is, this angelic.
37:53Royal is an angel.
37:54Everybody loves Royal.
37:54My mom loved Royal.
37:55Nobody doesn't like Royal.
37:57But to make him the villain, I thought, was so perfect.
38:00However, Nick seems to have had an ulterior motive behind making him the villain.
38:07So as a cartoonist myself, and as somebody who grew up with Looney Tunes and all those
38:11classic old cartoons, one of my favorite gags is the unzipping your body effect.
38:17So I just had to find a way to work that into the story here.
38:21And fun fact, in the film Looney Tunes Back in Action, Bill Goldberg, of all people, unzips
38:27his body to reveal that he is in fact a Looney Tune.
38:30Why would you kill my dad?
38:33I mean, besides the obvious reasons.
38:36For this, of course.
38:37My dad's Mopar award that he was given at SEMA?
38:40Why would you even want that?
38:42It's a freaking paperweight.
38:44Can it be?
38:49Guys, I am so sorry for this.
38:51When you listen to George do his monologue, it was a long monologue.
38:55If it sounds like we just had him say one word at a time to get this, it's because we
39:02had him kind of say one word at a time.
39:04Once in a while, if it was just a conjunction word, he could do two.
39:07But a lot of these are just single words, which is why the inflection changes all the
39:11time.
39:12But we love George.
39:13The priceless Panther Pink Diamond, manufactured by Walter P. Chrysler himself in 1925, and
39:20then later stolen from his Sleepy Hollow Mausoleum following his death in 1940.
39:26I thought it was a myth.
39:30What?
39:31I read it on Wikipedia.
39:33That's right.
39:34It was right under your noses the whole time.
39:36And now it's mine.
39:37All mine.
39:38I'll be rich.
39:39All right, boys.
39:40I think we've heard enough.
39:42What do you think?
39:43More than enough for me, sir.
39:45Well, I'd like to introduce you to David Starsky and Kenneth Hutchinson, undercover detectives
39:51for the Springfield Police Department.
39:53We're undercover cops.
39:54And celebrity impersonators.
39:56Here's our card.
39:57We do birthdays and county fairs.
39:59And we've been wearing wires this whole evening.
40:02We've got everything on tape.
40:03You're busted.
40:07Mark?
40:08But how?
40:09You better check your aim next time, buddy.
40:11That shot didn't even come close to hitting the vital organ.
40:15It was the concussion that knocked me down.
40:18When I woke up, that's when I noticed my award was missing.
40:22Didn't take long to put the pieces together and figure out exactly what's going on.
40:27I know you.
40:28I knew you wouldn't admit to anything.
40:30I knew these idiots couldn't keep their mouths shut.
40:32So, I faked my death and hired these gentlemen to help me catch you in the act.
40:36What I didn't count on was you roping in my own cousin into your twisted game.
40:42Cuff them, boys.
40:44Damn you, Mark.
40:46I would have gotten away with it if it wasn't for your middling detectives.
40:49Well, that's it, folks.
40:51You can all go home.
40:52I'll see you back at the shop tomorrow.
40:54Why was Dougie pretending to be blind this whole time?
40:59And then he was dead at one point, and then he wasn't.
41:00What was the point?
41:01Why didn't Royals set up this master plan?
41:03And how did he get his hands on a haunted mansion?
41:06Was it a recording?
41:07What was the deal with blowing up a building?
41:09If Royals was disguised as Tony, and Tony was with us in the dining room,
41:12who was controlling the lights?
41:14And how did he mimic Tony's voice?
41:15Are we getting paid for any of this?
41:45Dad.
41:52Dad.
41:54Yeah, baby.
41:56I think you fell asleep watching your movie.
41:59Oh, yeah, I did.
42:00We're supposed to do parts at one.
42:02Oh, yeah.
42:03Sorry.
42:04In this final scene of the animation, we decided to pull back to reality,
42:10make everything that you had just seen on TV a dream,
42:12like in Who Shot J.R.? Dallas, that turned out all to be a dream.
42:17Just note that my acting chops are pretty good in this one.
42:20I'm not saying I'm up for an Oscar or anything,
42:22but I looked like I was asleep and Melissa woke me up, so.
42:26I can't believe this weird dream.
42:28I had this dream that we were all cartoon characters.
42:31Like, I was a cartoon character, you were a cartoon character,
42:34Mom was a cartoon character, Dougie was a blind butler.
42:38We were at this, like, mansion, this weird haunted mansion.
42:41Oh, nice.
42:41And I had been murdered.
42:43Yeah, I had been murdered by your mom.
42:46Well, I mean, that tracks.
42:46Yeah.
42:47Yeah.
42:48I don't know how that tracks.
42:48Yeah, that one coming.
42:50What did I do?
42:50I'm not sure.
42:50I wasn't in the dream.
42:51I don't know.
42:52I wasn't in the dream.
42:53I didn't do anything.
42:54Nothing?
42:55In the dream, I got shot for doing nothing.
42:57And there it is, folks.
42:58I finally got my animated episode of Graveyard Cars, full animation, one hour.
43:04It took 15 years and over 250 episodes.
43:07And if it doesn't do well, then, you know, pretty much it was all Nick's fault.
43:14It was his idea.
43:15Can we just get some blood sorter?
43:17Yeah.
43:17Sounds good.
43:18Are you going to sleep on the job?
43:19Dan was there, Lynch.
43:21There's a guy named Gambo, Jim McLean.
43:24I don't know what that was all about.
43:26It just was so weird.
43:27It's like surreal.
43:28It's like surreal.
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