- 4 months ago
Category
🎥
Short filmTranscript
00:00:00Satsang with Mooji
00:00:30Oh, my God.
00:01:00Oh, my God.
00:01:30Oh, my God.
00:02:00Oh, my God.
00:02:29How many enemies are you planning to make in this department?
00:02:32Look, I get it, but I want a transfer of his team.
00:02:37There's not many places I can put you.
00:02:40There's a new DI.
00:02:53Just starting.
00:02:54I can pair you up with him, but this is your last chance.
00:03:00Well, what happened?
00:03:17What do you think?
00:03:20I've got read the riot act and I signed a new DI.
00:03:22Seriously?
00:03:23Who?
00:03:24I don't know.
00:03:25Some new bloke.
00:03:26Probably wet behind the ears.
00:03:28I've been warned to behave myself and not speak out of turn.
00:03:30Oh, yeah.
00:03:31Well, not much to answer that, is there?
00:03:33Thanks, mate.
00:03:34You know what?
00:03:36I'm going to end up as nursemaid to some fresh-faced city boy who doesn't know his arse from his elbow.
00:03:41What?
00:03:42That's where you're going.
00:03:46Can I help you?
00:03:48I'm DI Linley.
00:03:49Do you know where I can find my office?
00:03:50Oh, you're the new...
00:03:53Fresh-faced city boy who doesn't know his arse from his elbow.
00:03:56Uh, yes, that way.
00:03:59Um, I'm DS Havers, Barbara.
00:04:04Thanks.
00:04:06Oh, and I, uh, won't be needing the nursemaid.
00:04:20Oh, what now?
00:04:25Oh, I was...
00:04:26I was told this was my desk.
00:04:29Oh, Barbara, nobody mentioned an officer, but, uh...
00:04:33I see you two have already met.
00:04:36Good.
00:04:39Barbara Havers is your assigned DS.
00:04:41Great.
00:04:43Call just came into the station.
00:04:45Suspicious death.
00:04:47Sulkot Island.
00:04:48I need you two to get down there.
00:04:50Play nicely.
00:04:54Yeah?
00:04:57Okay.
00:04:59Shall we?
00:05:08I'm okay to drive.
00:05:10Near the area.
00:05:12Let's save my car.
00:05:14Okay.
00:05:20You're kidding me.
00:05:29Whoa, slow down, mate.
00:05:33So, uh, where were you before?
00:05:36Med.
00:05:37Train at Hendon?
00:05:38Yeah.
00:05:40And before that?
00:05:42University.
00:05:44Right, where?
00:05:45Oxford.
00:05:46Bellyall College.
00:05:47New?
00:05:48Swatham High, then Swatham Tech.
00:05:50Yeah.
00:05:51Norfolk.
00:05:52Norfolk born and bred.
00:05:52Anyone else in your family in the port?
00:05:58Oh, actually, we're big in iron and steel.
00:06:00Really?
00:06:01Yeah.
00:06:02My mother irons and my dad steels.
00:06:05Good one.
00:06:06Oh, nice wellies.
00:06:33Left mind in my car.
00:06:34None's spare, I'm afraid.
00:06:38Sorry about that.
00:06:47Morning.
00:06:48Morning.
00:06:49Salkett Island.
00:06:50Yeah.
00:06:51Morning, Dad.
00:07:15All right?
00:07:16Yeah.
00:07:17We got an ID on him.
00:07:18White male named Brouard.
00:07:20Guy Brouard.
00:07:21B-R-O-U-A-R-D.
00:07:2359.
00:07:23Who found him?
00:07:25Birdwatcher from the mainland.
00:07:27Uh, this is Detective Inspector Lindley, by the way.
00:07:30Uh, Sergeant Ellis.
00:07:34Do you know anything about him?
00:07:36Owns the biggest estate on the island.
00:07:38Retired here a few years ago.
00:07:40Groundsman came and identified him.
00:07:41Do you want to wait for me here?
00:07:44No.
00:07:45Sure?
00:07:45Yeah, I'll be fine.
00:07:46Thanks, Dad.
00:08:02Say hi, Lindley.
00:08:04Take it from here.
00:08:05No problem, sir.
00:08:19Hello to the skull.
00:08:22Really deep.
00:08:23Well, maybe he slipped and fell off the seawall.
00:08:27Oh.
00:08:30Well, these could be defensive wind.
00:08:32It's damp, but not wet through.
00:08:37He ended up here when the tide was out.
00:08:40Sergeant Ellis.
00:08:47Need you to call the coroner's office.
00:08:49We need to arrange a post-mortem.
00:08:51Thank you kindly.
00:08:56Where'd you find Beau Bromwell?
00:08:58Isn't he something?
00:09:00Hey, Buzz.
00:09:02There's a flood trail.
00:09:05We need forensics to examine this whole area.
00:09:07Maybe someone attacked him here.
00:09:10Rolled him over the wall.
00:09:13We need to shut the whole place down.
00:09:15On it.
00:09:15We need to shut the whole place down.
00:09:16We need to shut the whole place down.
00:09:16We need to shut the whole place down.
00:09:17We need to shut the whole place down.
00:09:18We need to shut the whole place down.
00:09:19We need to shut the whole place down.
00:09:20We need to shut the whole place down.
00:09:21We need to shut the whole place down.
00:09:22We need to shut the whole place down.
00:09:22We need to shut the whole place down.
00:09:23We need to shut the whole place down.
00:09:24We need to shut the whole place down.
00:09:25We need to shut the whole place down.
00:09:26We need to shut the whole place down.
00:09:27We need to shut the whole place down.
00:09:28We need to shut the whole place down.
00:09:29We need to shut the whole place down.
00:09:30We need to shut the whole place down.
00:09:31We need to shut the whole place down.
00:09:32We need to shut the whole place down.
00:10:03How long have you worked for Mr. Brewer?
00:10:06Ever since you came here.
00:10:0811 years. 12, nearly.
00:10:10And you're the housekeeper of Valerie, is it?
00:10:13Layton.
00:10:14Oh, and Paul.
00:10:15He's our groundsman.
00:10:17You're the one who identified him.
00:10:19Why don't you take this up to her?
00:10:24He doesn't like to talk much.
00:10:26There's some fancy name for it.
00:10:28You both live here?
00:10:30Hmm.
00:10:31When did you last see Mr. Brewer?
00:10:33Last night, when I was clearing the dinner, about ten.
00:10:37He didn't want much.
00:10:38A tin of soup, some fresh fruit.
00:10:41I washed up quick and went upstairs.
00:10:43Anyone else in the house?
00:10:45My niece, Cynthia.
00:10:47Comes to stay during the holidays.
00:10:49She and I sat and watched a movie.
00:10:51We were together the rest of the evening.
00:10:53Paul joined us.
00:10:53Who was the tray for, Valerie?
00:10:55Oh.
00:10:56Please, follow me.
00:11:11Mrs. Brewer, you have some visitors.
00:11:15Perfect.
00:11:15Oh, thank you.
00:11:30Osteosarcoma may have only a week or two left.
00:11:34Nurse comes in three times a week.
00:11:36Were they here yesterday?
00:11:37No.
00:11:38Paul and I managed the other days between us.
00:11:41Does she know what's happened?
00:11:43Someone told her.
00:11:43I did try, but she didn't register it.
00:11:48Her son knows, though.
00:11:50Driving up from the south coast.
00:11:52Nasty wound.
00:12:00Not a knife.
00:12:01A blunt object.
00:12:03You can tell by the surrounding abrasion.
00:12:05Look.
00:12:08Definitely our cause of death.
00:12:10Difficult to say at this stage,
00:12:11but blood loss can be heavy.
00:12:13I'll need to do an internal examination.
00:12:15Do you have anything else for us?
00:12:17Oh, this is.
00:12:21Intriguing.
00:12:22In his pocket.
00:12:23Not sure what they are.
00:12:24Family icons.
00:12:25Romans used to carry them.
00:12:28For luck.
00:12:32No sign of a weapon?
00:12:35No, nothing yet.
00:12:37Probably at the bottom of the estuary.
00:12:39What about suspects?
00:12:40Well, it's a private island.
00:12:41Everyone travels there by boat.
00:12:42There's no casual footfall.
00:12:46Is there anything else, sir?
00:12:48It's just I'm expecting forensics to brief me, sir.
00:12:50Hey, Viz.
00:12:55Could you wait outside?
00:12:58Could you wait outside?
00:12:59Presumably when you took this job
00:13:14you didn't know that I've been transferred here
00:13:18Pleasant surprise for us all
00:13:21So?
00:13:24We're going to try to
00:13:25reset our relationship
00:13:28Forget everything that happened between us
00:13:32in London
00:13:32because I could make things quite uncomfortable for you
00:13:36I hope that you appreciate that
00:13:40Pax for a Biscum
00:13:43I'm agreeing to a truce
00:13:47Linley
00:13:58Keep me informed
00:14:01Yes, sir
00:14:02What was that about?
00:14:09Nothing
00:14:10I wouldn't worry about it
00:14:12You're the only other person who lives on the island
00:14:19I own this row of cottages
00:14:21All empty right now
00:14:23You must have known Mr. Brewer quite well
00:14:25Was he a good neighbour?
00:14:26Well, he seemed all right to me
00:14:28Made his money in the city, they say
00:14:30Retired out here, still in his fifties
00:14:33Ducky bugger
00:14:34Sorry
00:14:34Shouldn't speak ill of the dead
00:14:37Got your work cut out for you, Paul
00:14:50How long have you worked here, Paul?
00:14:59Since I left school
00:15:00What about your parents?
00:15:04My mum's dead
00:15:05And your father?
00:15:09He was glad to see me gone
00:15:10The brewers are kind of
00:15:12You know
00:15:15Family, huh?
00:15:16Yeah
00:15:17You know any Roman history?
00:15:21Let's assume I don't
00:15:22During the time of Hadrian
00:15:24There was a villa here
00:15:25Okay
00:15:25Some students are here working on it
00:15:27Digging it up
00:15:28Maybe the Roman emperors
00:15:31What inspired him?
00:15:33Inspired him to do what?
00:15:35Emperor Tiberius had a palace
00:15:37At Capri
00:15:38An island paradise
00:15:39Naked girls
00:15:40Running round like nymphs
00:15:42I don't quite get you
00:15:44Wife dying of cancer
00:15:46So
00:15:46He liked to
00:15:47Bring people here
00:15:48To entertain him
00:15:50Anything else you think
00:15:53We need to know, Paul?
00:16:01What is it?
00:16:03I saw them together
00:16:04You saw them?
00:16:05Mr. Broad and
00:16:07A young woman
00:16:08They were wearing masks
00:16:10And they were dressed up
00:16:11Can you give me a description
00:16:12Of her hair colour?
00:16:13Height?
00:16:14She was in a mask
00:16:15Like I said
00:16:15And it was dark
00:16:16And where were you?
00:16:20I was over by the gate
00:16:22I was only there for a moment
00:16:23He was touching her
00:16:25Kissing her
00:16:26Then I went in
00:16:28Watched TV with
00:16:29Cynthia and Val
00:16:30Anyone else you saw?
00:16:33No, but
00:16:33Who was she, Paul?
00:16:36Who was the woman in the mask?
00:16:39No one gets on or off the island
00:16:40Without the harbour pilot knowing
00:16:42No launches recorded here
00:16:52And they always keep very good records
00:16:55So no one sailed over to the island yesterday?
00:16:59Just for people coming back
00:17:00What about private launches?
00:17:05This is the only route
00:17:06And they always keep the slipway chained up
00:17:08And do you mind if I borrow those records?
00:17:12Bit of bedtime reading?
00:17:13No at all
00:17:14Do me a favour
00:17:16Bring them back with him
00:17:18I like to keep a tight ship
00:17:21The young woman you reckon?
00:17:23I think he's talking about someone
00:17:26Who was already over here
00:17:27Well, thanks
00:17:28His neighbour mentioned something
00:17:29About some students
00:17:30No of these guys?
00:17:46No idea
00:17:46I'll talk to them
00:17:48Hi
00:17:50Can I help?
00:17:51Inspector Lenley
00:17:52Three counties
00:17:53Major crime
00:17:53You know there's been a death on the island?
00:17:56Yeah
00:17:56Yeah, we just found out
00:17:58Are you in charge here?
00:18:00Yeah, I mean
00:18:01It's just a student dig
00:18:02Yeah, but on Mr. Brouard's estate
00:18:04That's what we were just talking about
00:18:05He's our benefactor
00:18:07He financed the work we're doing
00:18:08Fed us
00:18:09Provided accommodation
00:18:10Were you all here last night?
00:18:13No
00:18:13Not everyone stayed over
00:18:14Just me and Sophia
00:18:15How well did you know Mr. Brouard?
00:18:18You socialised with him?
00:18:20Yeah, sometimes
00:18:21We went for dinner at the house
00:18:22We went for dinner at the house
00:18:22He was
00:18:23He was kind
00:18:24Really generous
00:18:26Where are you guys from Sophia?
00:18:28We're at Cambridge
00:18:29Just going into third year
00:18:31Archaeology is it?
00:18:33Mm, that's fascinating
00:18:34Oh, I watched some documentaries on the telly
00:18:37You ever done those, um, what they call, reenactments?
00:18:39Sorry, how do you mean?
00:18:40What, like dressing up?
00:18:41Masks and that
00:18:42No, that's
00:18:44That's not really our scene
00:18:46Why'd you ask her that?
00:18:49What do you mean?
00:18:50Witness said he'd been with a girl
00:18:51So you thought you'd share his statement with her
00:18:53Do you see her eyes?
00:18:55She would not look at us
00:18:56She's hiding something
00:18:57She isn't even a suspect yet
00:18:58And she isn't under caution
00:19:00One step at a time, okay?
00:19:02Let's not get ahead of ourselves
00:19:03I've finished all the planting
00:19:14It's going to look really beautiful
00:19:17I think you're going to love it
00:19:33I think you're going to love it
00:20:03Oh, Mel, welcome back
00:20:05Hello, Valerie
00:20:06I've made your room up
00:20:08How long will you be staying?
00:20:10You're welcome, of course
00:20:11Well, we have to talk to the lawyers first
00:20:14And then see about a funeral
00:20:17How's Mum doing?
00:20:19Can we go up and sit with her?
00:20:21Yes
00:20:33Sorry
00:20:51What?
00:20:55What's stupid, you know?
00:20:57What do you mean?
00:20:59Sea stuff
00:21:00You're a dark horse, ain't you?
00:21:06Promise me I'm not going to say anything
00:21:07I've seen what you're up to
00:21:10You know what my price is, yeah?
00:21:18Hi
00:21:19That packet of ground flour expired over a year ago
00:21:24You having a clear-up?
00:21:25Mm-hmm
00:21:25How is your die?
00:21:31You don't know
00:21:32How is your die?
00:21:50I don't know.
00:22:50Check the ferry log, the tides were out.
00:23:12Hmm?
00:23:13No vessels went across that evening.
00:23:16Wherever the woman was, she was already on that island.
00:23:19Okay.
00:23:20I'm not coming with you.
00:23:21Yeah, chop chop.
00:23:26Not in the car.
00:23:27Those students are the only other people on the island.
00:23:28Those students are the only other people on the island.
00:23:30You might want to hold your breath.
00:23:31You might want to hold your breath.
00:23:32They're a bit messy.
00:23:38They're only using it temporary.
00:23:39They're only using it temporary.
00:23:40This place has been here since the war.
00:23:41How did they make contact with you?
00:23:42How did they make contact with you?
00:23:43I wrote to Mr. Bruard.
00:23:44I wrote to Mr. Bruard.
00:23:45We've had groups working here before.
00:23:46Ah.
00:23:47Ah.
00:23:48That's a tiny island.
00:23:49It's a tiny island.
00:23:50It certainly seems to have its first share of history.
00:23:51It's a tiny island.
00:23:52It certainly seems to have its first share of history.
00:23:53Roman Villa.
00:23:54Roman Villa.
00:23:55All sorts of other people on the other people on the island.
00:23:56You might want to hold your breath.
00:23:57They're a bit messy.
00:24:00They're only using it temporary.
00:24:06This place has been here since the war.
00:24:09How did they make contact with you?
00:24:11Wrote to Mr. Bruard.
00:24:12We've had groups working here before.
00:24:15Ah.
00:24:16That's a tiny island.
00:24:18It certainly seems to have its first share of history.
00:24:21Roman Villa.
00:24:22Roman Villa.
00:24:23Also a World War II military installation.
00:24:25Taking your life in your hands there, mate.
00:24:26Yeah.
00:24:27What you got?
00:24:28It's taking so long.
00:24:29Hi, Sophia.
00:24:30Thanks for coming in.
00:24:31Ah.
00:24:32Is...
00:24:33Is she under arrest?
00:24:34No.
00:24:35You're free to leave whenever you want.
00:24:36This is just a voluntary interview.
00:24:37You are entitled to legal advice, sir.
00:24:38Yeah.
00:24:39Well, my dad's a barrister, so maybe I should call him.
00:24:40No.
00:24:41No.
00:24:42It's okay, Sam.
00:24:43Don't worry.
00:24:44No.
00:24:45No, it's okay, Sam.
00:24:46Don't worry.
00:24:47All right.
00:24:48Sophia, if you'd like to follow us.
00:24:49Sure.
00:24:50Oh, Sam, you can wait here.
00:24:51Your name's Sophia Cullen.
00:24:52Is that right?
00:24:53Mm-hmm.
00:24:54You're a student of Cambridge.
00:24:55Second year.
00:24:56Me and Sam share a house.
00:24:57And how well did you know Guy Bruard?
00:24:58Not that well.
00:24:59No.
00:25:00You're free to leave whenever you want.
00:25:01You're free to leave whenever you want.
00:25:02This is just a voluntary interview.
00:25:03You are entitled to legal advice, sir.
00:25:04Well, my dad's a barrister, so maybe I should call him.
00:25:05No.
00:25:06It's okay, Sam.
00:25:07Don't worry.
00:25:08You're a writer.
00:25:09You're a writer.
00:25:10Your name's Sophia Cullen, is that right?
00:25:11Mm-hmm.
00:25:12You're a student of Cambridge.
00:25:13Second year.
00:25:14Me and Sam share a house.
00:25:16And how well did you know Guy Bruard?
00:25:19Not that well.
00:25:20He was hosting us, funding our dig.
00:25:23And what was the nature of your relationship?
00:25:25Friends, I guess.
00:25:27Yeah, he gave me a nickname.
00:25:29China.
00:25:30That's my specialism, pottery.
00:25:33I make clay reproductions, and he let me look through his catalogue.
00:25:36Well, would you recognize these, then?
00:25:41Yeah.
00:25:42I made them for Mr. Bruard.
00:25:45You made them?
00:25:47As a thank you.
00:25:48They're supposed to be house gods.
00:25:49They're supposed to ward off evil.
00:25:51Well, we have a witness who says Guy Bruard was intimate with someone in the hours before
00:25:58he died.
00:25:59What's that got to do with me?
00:26:02I'll ask you again.
00:26:03What was the nature of your relationship?
00:26:08Is that yours?
00:26:11Mm-hmm.
00:26:12Bit of an unusual garment.
00:26:14Plus, we found blood on it.
00:26:18Oh, I cut myself.
00:26:20See?
00:26:21Here.
00:26:22A couple days back, I was using an old trowel.
00:26:25Sorry, is that what all this is about?
00:26:28Just a couple spots of blood.
00:26:31Did anyone see that happen?
00:26:33No.
00:26:35Well, we'd like you to agree to give us a DNA sample.
00:26:40If the blood matches, you've nothing to worry about.
00:26:44Sure.
00:26:45Sure.
00:27:00You all right?
00:27:01Yeah.
00:27:02Have you heard about Mr. Bruard?
00:27:04Maybe he wants Josephine.
00:27:06Don't yell sod.
00:27:07It's going to happen eventually.
00:27:09Well, he's kind to me.
00:27:11Yeah.
00:27:12Well, you wasn't his time.
00:27:18Are there something else?
00:27:19Why?
00:27:22It's time we come up in the nets.
00:27:24He was wearing this the night he died.
00:27:48Looks like he was making movies.
00:27:50Do you think that you'd give it to the police officers?
00:27:52No.
00:27:54Why not?
00:27:56What's up?
00:28:15Barbara?
00:28:18Fancy a quick chat and a coffee?
00:28:20Uh, yeah.
00:28:21Great.
00:28:25Come in.
00:28:27Oh, shut the door.
00:28:30I've got one of these new espresso machines.
00:28:33Anniversary gift from my wife.
00:28:35I've just got to learn to work the bloody thing.
00:28:38How's it going?
00:28:39Well, I'm supposed to be behaving myself.
00:28:41You did warn me to knuckle down.
00:28:43Oh, you can speak freely.
00:28:45It's just us.
00:28:46It's a bit of arrogant sod, isn't it?
00:28:49Well, he was your only option, you do realise.
00:28:52Take a seat.
00:28:54You mean there's nowhere else to put me?
00:28:57It's about the size of it.
00:28:59Do you take sugar?
00:29:00No, thanks.
00:29:01Perfect.
00:29:03There we go.
00:29:06So what's happening?
00:29:08With the case, I mean.
00:29:10We've got a suspect.
00:29:11Yeah, a student.
00:29:12Sophia Cullen.
00:29:13And?
00:29:14Linley's not for sure.
00:29:15She's one of his kind.
00:29:16You know, blue stocking.
00:29:17But I reckon she's lying to us.
00:29:18You think he's reluctant to arrest her?
00:29:20Maybe.
00:29:29This DI Linley.
00:29:30I've encountered him before, you know.
00:29:32Four years in the Met together.
00:29:34Really?
00:29:36Oh, I've got to put this.
00:29:37He's not really a team player.
00:29:39If he ever puts a foot wrong, I'd be glad if you'd come and tell me.
00:29:47Hmm?
00:29:51Biscuit.
00:29:59You've looked out there.
00:30:00Your new partner.
00:30:02Nightmare.
00:30:03Sorry, I don't follow.
00:30:04Oh, you will be sorry.
00:30:05You should have seen how things ended with a lusty eye.
00:30:08Anyway, good luck, mate.
00:30:11You're gonna need it.
00:30:18Thanks.
00:30:22It's a local brew.
00:30:26Cheers.
00:30:33Are you gonna be writing your novel all evening, then?
00:30:35Case notes don't write themselves, Sergeant.
00:30:42Come on, then.
00:30:44What do you think?
00:30:45What about what?
00:30:47About the girl?
00:30:48I reckon a man like brew art.
00:30:50A man obsessed with owning beautiful things.
00:30:53I reckon he'd be drawn to her.
00:30:55Sophia's the only young woman on the island that night.
00:30:58Cynthia and Valerie were there, but they both have an alibi in each other.
00:31:02So Sophia, she's the closest thing we got to a suspect.
00:31:06You really think so?
00:31:07Yeah. Don't you?
00:31:08I think if you murder someone and their blood splashes about, you don't stuff your clothes in a laundry bay.
00:31:15You burn them.
00:31:17Maybe she didn't notice the blood.
00:31:20Plus, you know, people panic, do stupid things.
00:31:22She doesn't really seem the sort.
00:31:24What's that supposed to mean?
00:31:26She seems smart.
00:31:28Cambridge educated.
00:31:29Yeah, I suppose.
00:31:32Tell me something.
00:31:33Do you really think that posh people don't commit murders?
00:31:35It's just the plebs.
00:31:38I'm brushing that chip off your shoulder.
00:31:40What?
00:31:42If you've got a problem with me, just say so.
00:31:45I can take it.
00:31:49Come on.
00:31:51Go for it, Havens. Don't be shy.
00:31:54What is a bloke like you doing in a job like this?
00:31:57Oh, that old chestnut.
00:31:59I've been asked that so many times.
00:32:01Everyone's got to own a living.
00:32:02That's not an answer.
00:32:04Your family has money.
00:32:06You've been asking questions then, have you?
00:32:09Some of the liars have been talking, but I just don't know what it is you're doing here.
00:32:14That's all.
00:32:16I'm doing my job.
00:32:18Same as everyone.
00:32:20I'm a career officer.
00:32:22I'm not just amusing myself until something better comes along.
00:32:28You're on the house.
00:32:31I'm here.
00:32:32I'm here, aren't you?
00:32:34I'm here, aren't we?
00:32:36I'm here, aren't we?
00:32:38I'm here, aren't we?
00:32:39You're right, aren't we?
00:32:41We'll be here.
00:32:43I'm here.
00:32:45I'm great.
00:32:47If you're in here...
00:32:51You have to bring us to the house.
00:32:52CYNTHIA
00:32:56Cynthia?
00:32:57Hiya.
00:32:58Hey.
00:33:02What's this?
00:33:03Mm-mm.
00:33:06What's that smell?
00:33:08You've been smoking in here.
00:33:10Er, it's incense.
00:33:12Oh, well, don't burn the place down.
00:33:22It's all quite straightforward.
00:33:24There's money set aside for a funeral.
00:33:26He has to be cremated.
00:33:28And for his ashes to be interred in an urn.
00:33:32How very Greco-Roman.
00:33:34And what about the estate?
00:33:36I know he changed the will after my mother became ill.
00:33:40It's to be sold.
00:33:42And the money given to a charity.
00:33:46British heritage.
00:33:48What?
00:33:49Also, a large sum is going to one private individual.
00:33:56You mean me?
00:33:59No.
00:34:03How much?
00:34:05You little one!
00:34:08How do you do it?
00:34:09Huh?
00:34:10You start calling him Daddy?
00:34:11Huh?
00:34:12I am going to have lawyers call him right off your backside!
00:34:15Eddie!
00:34:16What?
00:34:17Stop it!
00:34:18Paul, no!
00:34:19Don't!
00:34:20Hey!
00:34:23Sin, quick, call the police!
00:34:24You're anything you're up to, this little man!
00:34:27Eddie!
00:34:28That is enough!
00:34:30Stop it!
00:34:31Right now!
00:34:32Eddie!
00:34:33Stop it!
00:34:34Stop!
00:34:36Just a kid!
00:34:37It's not him.
00:34:39It's got nothing to do with Paul.
00:34:41I got a letter from the solicitor.
00:34:43It...
00:34:44It's me.
00:34:45He left me an endowment.
00:34:46He left me an endowment.
00:34:59Where's Adrian now?
00:35:01Station.
00:35:02Orsford.
00:35:03He's under arrest for assault.
00:35:05We need you to give us a statement.
00:35:15Paul...
00:35:19I can't.
00:35:21His family has looked after me.
00:35:23It doesn't matter what he's done.
00:35:26Cynthia?
00:35:27Hello, you.
00:35:38Hello, you.
00:35:56Do you have any idea why he chose your niece as a beneficiary?
00:35:59Sorry, I'm as surprised as anyone.
00:36:03Sir, I need to see.
00:36:08Excuse me a minute.
00:36:21Wait for it.
00:36:22Who do you think that is?
00:36:23That's truth.
00:36:37We've seen the film.
00:36:39You and Guy Bruard.
00:36:41A sexual encounter.
00:36:42Pretty wild.
00:36:45Pretty unusual.
00:36:46When was the film made?
00:36:56Alright, Cynthia.
00:36:58I know that this is difficult.
00:37:00I don't understand what I did wrong.
00:37:02You didn't do anything wrong.
00:37:04We're just asking questions.
00:37:06You're not under arrest.
00:37:07Anything like that.
00:37:08I need you to cooperate here, Karma.
00:37:10When was the film made?
00:37:12About a month ago.
00:37:14He said he liked to keep mementos.
00:37:16He used to make these little jokes.
00:37:18What sort of jokes?
00:37:20He called me Diana.
00:37:22He said I was a goddess.
00:37:24You know?
00:37:26He used to make these little jokes.
00:37:28What sort of jokes?
00:37:30He called me Diana.
00:37:32He said I was a goddess.
00:37:35He said I was a goddess.
00:37:37You know?
00:37:40Did he ever touch you, Cynthia?
00:37:43He must have paid you some attention though.
00:37:45He said that you were attractive.
00:37:47I didn't do nothing to lead him on.
00:37:49We know that, love.
00:37:51Did you know he was going to leave you all that money?
00:37:56We were staying at Salkert for the weekend.
00:37:59Adrian had to shoot down to London.
00:38:01He's an investment banker.
00:38:02I was in the house working at my laptop.
00:38:06I'm a solicitor.
00:38:07And what?
00:38:09Mr. Brouard suggested a way you could amuse each other?
00:38:13It was a private encounter between two adults.
00:38:17How exactly is this relevant?
00:38:19It's relevant because he's dead.
00:38:23We're still trying to establish a motive.
00:38:25Guy was very charismatic.
00:38:32He said that he was the Emperor Augustus.
00:38:37That the island was his empire.
00:38:40Yes, okay.
00:38:42I had intimate relations with my husband's father.
00:38:45And yes, he kept a record.
00:38:47It's embarrassing.
00:38:49Nothing more.
00:38:51I know the law inspector.
00:38:54Why would she do that?
00:38:56Not that it sucks.
00:38:58Or the attention.
00:38:59Certainly not from her father-in-law.
00:39:03By the way, we've got a second suspect.
00:39:06Adrian?
00:39:07Violent temper.
00:39:09If you knew about this...
00:39:10We need to put him on that island.
00:39:12Shall we request the pleasure of his company?
00:39:13Okay.
00:39:18We need to know your movements on the 14th.
00:39:20The day your father was murdered.
00:39:22If you want a solicitor, you are entitled to one.
00:39:25You think I was involved in his death?
00:39:29That's completely ridiculous.
00:39:31I was at work.
00:39:33At the bank.
00:39:35All day.
00:39:36Train home from Blackfriars.
00:39:38Next morning I got the message he was dead.
00:39:40Is there anyone who can verify that?
00:39:41Carmel was at home.
00:39:43She'll back me up.
00:39:47Time of death I'd estimate somewhere between 10 and 11pm.
00:39:51What about the weapons?
00:39:52A blunt metal object used with force.
00:39:54Some sort of hitting motion.
00:39:56And then there's these...
00:40:00Metal shards in the wound.
00:40:03If you find it, we can try to match it.
00:40:05It's likely he was knocked unconscious, left bleeding.
00:40:08But the wound wasn't fatal.
00:40:10Which brings me to this.
00:40:12Interesting.
00:40:14Chalky residue found inside his stomach.
00:40:17Only partially dissolved, but suspicious.
00:40:20I'll order a toxicology report.
00:40:22Where's the so-called chief forensics officer around here?
00:40:25I've been such a good day up until now.
00:40:27Haven't they fired you yet?
00:40:29Well, you know how it is.
00:40:30Someone's got to keep this place going.
00:40:34Havours, this is my friend.
00:40:36Simon St James.
00:40:37Hello.
00:40:38Si.
00:40:39DS Havours.
00:40:40Oh, God, poor you.
00:40:41You've been saddled with this arrogant saucer.
00:40:44They're the words I was looking for.
00:40:45Glad for your service.
00:40:47It's good to see you too, mate.
00:40:48Yeah.
00:40:49So, what brings you over here?
00:40:50I'm a new DI.
00:40:51Three counties.
00:40:52So, you're on the Brouard case?
00:40:54Keep up, dear.
00:40:55They sent you over the blood samples?
00:40:57Yes, yes.
00:40:58I have the reports here.
00:41:00The traces on the dress.
00:41:01The same DNA profiles the blood from the deceased.
00:41:06Seems like Sophia was lying to us.
00:41:11Yes, it does.
00:41:13Are you going to let me take the lead this time?
00:41:15Why?
00:41:17Are you both eager to impress you?
00:41:19Did eight years in CID, I know what I'm doing.
00:41:23Just drink carefully, will you?
00:41:29This, found in your laundry bag.
00:41:33Guy Brouard's blood was on that.
00:41:35We got a match back from the lab.
00:41:38Now, you said the blood was yours.
00:41:39You said you cut yourself?
00:41:43I-I was confused.
00:41:45Okay.
00:41:46Well, take a minute.
00:41:47See if you can un-confuse yourself.
00:41:49Because you were seen wearing it that night.
00:41:51You were seen being intimate with Mr. Brouard.
00:41:54Hmm?
00:41:59It started as a joke.
00:42:01That's all it was.
00:42:02What was?
00:42:03I'd read about them.
00:42:04A sort of, er, celebration.
00:42:07What exactly are you talking about?
00:42:09A bacchanal.
00:42:11You mean like the ancient Romans, a sort of ritual?
00:42:18Yeah, he joked about it.
00:42:19He said, er...
00:42:21He said this was his own private island.
00:42:25Guy Brouard persuaded you to take part in a reenactment.
00:42:28He said we could do anything we want.
00:42:33There were no rules.
00:42:35He joked he was the only god on Salkirk.
00:42:39And what happened?
00:42:41We dressed up.
00:42:46Me and him.
00:42:48Costumes.
00:42:50Masks.
00:42:52Torches.
00:42:58Wine.
00:42:59He chased me from the house through the forest.
00:43:05And then onto the sea wall.
00:43:06That's where it happened.
00:43:08Sorry, er, chased?
00:43:09It's a sort of...
00:43:11hunt.
00:43:15Part of the game.
00:43:18Do you have sex with him?
00:43:19Out loud, please, for the recording.
00:43:33Yes.
00:43:43Why...
00:43:44Why did you go with him?
00:43:46He's old enough to be your dad.
00:43:50He was very persuasive.
00:43:53He was looking after us.
00:43:55That's not an answer, Sylvia.
00:43:58Money, okay?
00:44:00I want to do a master's degree and I can't get the funding.
00:44:04It's really hard to get sponsorship these days.
00:44:07My parents have just divorced.
00:44:09All the money's gone, they can't afford it, so...
00:44:13Guy offered.
00:44:16But there were strings attached, am I right?
00:44:20Yeah, it was really stupid.
00:44:25I never should have done it, I can't...
00:44:29I can't imagine what my family will say.
00:44:32What about your boyfriend?
00:44:34What does he reckon?
00:44:36He never knew.
00:44:38I left him sleeping.
00:44:40So, after the intercourse?
00:44:46Mr. Broad...
00:44:48He fell down and cut himself.
00:44:50He was...
00:44:52really...
00:44:53drunk at this point.
00:44:56Yeah, that must be the blood on my clothes.
00:44:59Okay, and then what?
00:45:03He left.
00:45:05He...
00:45:06he seemed okay.
00:45:08I...
00:45:09I walked back to the bunkhouse.
00:45:11Yeah, stripped off my clothes, put them in the laundry.
00:45:14That was the last I saw of him on the beach.
00:45:17Honest.
00:45:22It needs to let her go.
00:45:24What?
00:45:25Crown prosecution would throw it straight out.
00:45:27Oh!
00:45:29You think she's innocent just because she talks posh?
00:45:31No, I think the CPS will say we don't have enough to charge her.
00:45:34She admits they had sex.
00:45:35She lied about it before.
00:45:37But that's because her boyfriend was working right alongside her.
00:45:38Oh, come on.
00:45:39We can put her on the beach.
00:45:40We've got blood on her clothes,
00:45:41consistent with delivering a blow to the head.
00:45:43Could be a fool, just like she said.
00:45:45Okay, well then how do you explain the metal shards?
00:45:47None of the evidence is conclusive.
00:45:49Why are you so keen for her to be guilty?
00:45:51Why are you so keen for her to be innocent?
00:45:53Right, what's her motive?
00:45:54Well, I don't know.
00:45:55Maybe he went too far and attacked her during one of their little games.
00:45:58Too many maybes.
00:45:59The boyfriend has more of a motive than she has.
00:46:03Maybe she wasn't the last one seen that night.
00:46:06Don't you just ever go with your guard?
00:46:08No.
00:46:11Nor should anyone.
00:46:25Hi, Mrs. Bright.
00:46:31Time for lunch.
00:46:34You okay?
00:46:38Here you are.
00:46:45Sam?
00:46:48What's happening?
00:46:49What are you doing?
00:46:50I'm going.
00:46:52Going where?
00:46:54I don't understand.
00:46:55Yes, you do.
00:46:56You think I'm staying here any longer?
00:46:58Did you have an affair with him?
00:47:03Did you?
00:47:04No.
00:47:05Did you?
00:47:07No, it was one night.
00:47:08Yeah, I'm going.
00:47:09It was stupid. It was one night.
00:47:10Get off me. Get off me.
00:47:11Sam, hear me out.
00:47:12It was a good night.
00:47:13You know what?
00:47:14Do you know what?
00:47:15This is pretty clear.
00:47:18She admits that she was with him.
00:47:19She admits that they had sex.
00:47:20this this is this is pretty clear she admits that she was with him she admits that they had sex
00:47:27that's hardly enough for the cps to charge her well isn't it
00:47:31we know she's lied before
00:47:35at her first interview
00:47:38someone already briefed you sir
00:47:42didn't she begin by giving us a false statement no sexual relationship keep up
00:47:48she didn't want to admit it in case her boyfriend discovered well it
00:47:52looks like you need to dig a bit deeper inspector
00:47:57do me a favor would you you're going to make a report to dc and eyes at least have the courtesy
00:48:12to warn me in advance he asked me a direct question and i answered it and you didn't think it would
00:48:17be best to alert me
00:48:19oh look whatever's going on between you two yeah it's got nothing to do with me yeah i see he's giving you a full lowdown
00:48:25no he just said that you guys have worked together before that's all
00:48:28and then he asked you for a case update and knowing he was out to get me you happily provided it wasn't like that
00:48:34look there's one quality i value above all others okay that's loyalty hang on you do not get to question mine
00:48:39you hang on i've stood by you since i got here what the hell is that supposed to mean
00:48:42i see the lads smirking when i tear up with you
00:48:44they think you're a pain in the arse they feel sorry for me being paired up with you
00:48:48who said that tell me your name
00:48:48if i'm prepared to take you as i find you you should extend me the same courtesy
00:48:52courtesy yourself as the lord of the matter you're not a team player and i'm the bloody main service
00:48:59well i'm not sure there's much point in us continuing
00:49:03you and i i mean perhaps you should put him for reassignment out of this case
00:49:07wait hang on better for both
00:49:09wait hang on
00:49:10oh
00:49:28how are you doing no i'll make you tea
00:49:31i'd see you try there's no bother don't be done we're going out love we're going to the cemetery
00:49:36you're driving us i'm tired dad anniversary i know what for your mother i'll keep it in my own way
00:49:49hi mom
00:50:02hello
00:50:05thanks so much
00:50:05good morning
00:50:14i just got a call from adrian barad's boss she's willing to talk
00:50:19oh better head down there then
00:50:21okay i'll hold the port and i'll text you the address
00:50:23oh you're the point of contact you should probably come
00:50:25i thought you told me to put in for reassignment
00:50:28let's leave that for now until after we've solved the case
00:50:35this from the 14th look see there's adrian nevin
00:50:53and then 1701 out the door that's plenty of time for him to get down to solcol
00:50:59i'll check cctv from the train platform so how's it going very insightful thank you for the access
00:51:08it was only a matter of time before you guys turned up here oh really adrian likes to overstep
00:51:14the boundary you don't like him thinks the world owes him a living
00:51:19you're only as good as your last deal and adrian's been losing money lately how he burns through
00:51:26everything he earns at top speed he brought us new bond scheme people failed to invest
00:51:34all very embarrassing his father was on the board here for years
00:51:39what you didn't know adrian tried to persuade him to come out of retirement
00:51:45help fund it and and it didn't happen his father refused to help him left him to drown
00:51:57well thank you so he's a screw-up basically pisses his money away at the bank tries to drag his dad
00:52:04into it to bail him out no dice he needed that inheritance more than ever coupled with the fact
00:52:09his father's screwing the wife certainly paints a picture
00:52:17toxicology report just came in oxycodone there's a thriving black market people take it with just
00:52:24about anything enough in his bloodstream to sink a battleship if it was self-administered he was
00:52:30careless would have caused him to go into respiratory failure i don't understand thought you said he
00:52:34bled out it was hard to ascertain what took him first well we better check with mrs broad's doctor
00:52:41they might be the source already done that she's only prescribed morphine and there was nothing else
00:52:46found in the house search so where'd it come from
00:52:54reckon adrian might have a drug problem friends through his money she said yeah
00:53:02email this to us would you sure
00:53:08so you left work early on the day he died now hang on do you think adrian was involved in inspector
00:53:14mrs breward please don't interfere it all comes back to that film
00:53:19they found it the film with guy and i together they know all about it
00:53:25somehow cynthia found the dvd oh jesus you're making a mistake inspector
00:53:32you think my husband was jealous look you think this was a crime of jealousy
00:53:36mrs breward please adrian knew everything
00:53:41he agreed to let me do it adrian had lost money a lot of money he bankrupted us we were completely
00:53:50washed up no they need to hear this so of course we went to guy begged pleaded for his help but he
00:53:59wouldn't budge he enjoyed having control over everyone he relished every little weakness
00:54:07so i suggested it we all know the kinds of games that guy liked to play i suggested that i prostitute
00:54:13myself and adrian agreed no it was an idea that we picked up between the two of us so the notion that he
00:54:21killed him in some sort of jealous fit well it's absurd do you have any evidence for this i made him sign
00:54:36a contract i drafted myself here's money my body
00:55:06sir just got a text confirmation cctv at brighton he took the early train home
00:55:15damn it adrian broad's not responsible though he might have paid someone to do it i suppose
00:55:21someone could have easily waited till sophia was gone and attacked him when he was helpless
00:55:28now let's get back to base
00:55:34christ
00:55:36what time's the ferry on this island it comes when it comes what you thinking well you still
00:55:44don't know where the hell he got the drugs from oh look who it is leave it to me
00:55:54hi cynthia hello can i ask you a question i mean you already interviewed me no yeah i know that i just
00:56:03want to know where did you get the weed we don't want to arrest you okay we just we just need the name of
00:56:11your supplier that's all it's just some bloke i know okay can you give me the name
00:56:18come on cynthia where'd it come from just look you need to talk to paul okay
00:56:28well he has this little hideaway where he keeps it all
00:56:36thank you
00:56:37i guess it's not back to base after all
00:56:51paul
00:57:00Paul!
00:57:08We need to have a word, Paul.
00:57:10Why? What's happened?
00:57:11Why don't you come inside there? We'll have a chat.
00:57:13Why?
00:57:14You've got a reason to believe you've been selling illegal drugs.
00:57:17I haven't. I haven't touched anything like that at all.
00:57:19No, no, we know.
00:57:20I don't know what you're talking about.
00:57:22I just come right out with it, why don't you?
00:57:24Paul!
00:57:25Paul!
00:57:26Paul!
00:57:27Paul, stop!
00:57:30Paul!
00:57:35Come on.
00:57:38Keep up, peasants.
00:57:45Paul!
00:57:47Paul!
00:57:52Paul!
00:57:55Paul!
00:58:00Not that way!
00:58:14Stop!
00:58:19Paul!
00:58:21Stop!
00:58:26Paul! Not that way!
00:58:28There's nowhere to go, Paul!
00:58:32Paul!
00:58:33Paul!
00:58:34Paul!
00:58:45Hey, Bert!
00:58:51You took your time.
00:58:52I've got some power in them legs of yours.
00:58:54They're a pretty good tackle, too.
00:58:56Rugby.
00:58:57Pass this thing.
00:58:58Oh, of course.
00:59:05Here we go.
00:59:06We don't want you going home in your dirty pants, do we?
00:59:11Stop smiling, would you?
00:59:13Right, the kid's being looked over by a doctor,
00:59:15but we have to wait till a solicitor gets here.
00:59:17And I've sent someone round to go search through his little den.
00:59:21Come on, hurry up, cupcake.
00:59:23Let's get you a sandwich.
00:59:28You know what?
00:59:29I don't know anything about you.
00:59:31Well, like, where are you living?
00:59:35Are you back at your family estate?
00:59:37My old teenage bedroom.
00:59:39No, just...
00:59:40You know, I've got a place on the coast.
00:59:42Just renting.
00:59:45I couldn't really go back home again, so...
00:59:48Is that a sore subject?
00:59:51There's a lot of history in my family.
00:59:54Well, the eldest son's supposed to take over, but...
00:59:57So, what's your story?
00:59:59How did you end up a...
01:00:00What was it?
01:00:01Career officer.
01:00:04Well, I did a law degree at Oxford.
01:00:05Well, of course.
01:00:07My uncle was a barrister of silk.
01:00:10Everyone expected me to follow in his footsteps.
01:00:12But, uh...
01:00:13Well, I got obsessed with criminology.
01:00:16Just the way the whole system set up.
01:00:19Then I knew I didn't want to spend my life in a courtroom.
01:00:22I'd always be on the front line.
01:00:28Did your family kick off?
01:00:31Yeah, they didn't speak to me for a while.
01:00:34I love this job.
01:00:37Gives me some sort of purpose I never really had before.
01:00:52Mr. Brouard had opiates in his bloodstream.
01:00:57He believed they were a factor in his death.
01:01:00How'd they get on the island, Paul?
01:01:05She kept asking for stronger medicine.
01:01:08And you knew someone who could help?
01:01:10Who could supply you?
01:01:11Yeah.
01:01:13How did Mr. Brouard get hold of it?
01:01:16You buy something for him as well?
01:01:17I had no idea that he knew about it.
01:01:31Found these, Paul.
01:01:36Cynthia told us about your little hiding place.
01:01:40What were you doing with them?
01:01:42I swear to you, I don't know why I kept them, please believe me.
01:01:44I found them.
01:01:45This camera tripod's been identified as the weapon that caused his head injuries.
01:01:50He was clubbed with it. The camera's broken and the film's destroyed.
01:01:53Can you tell us what's on it?
01:01:54No.
01:01:55The water's made the film unretrievable.
01:01:57It's not looking very good for you, is it, Paul?
01:01:59No.
01:02:00You're in possession of the murder weapon.
01:02:02The drugs that were in his system.
01:02:06It wasn't me.
01:02:07Believe me, it wasn't me. I didn't have anything to do with it.
01:02:09Who supplied the oxycodone, Paul?
01:02:13Who supplied the oxycodone, Paul?
01:02:15This time, Paul.
01:02:29Rob Palmer?
01:02:30Oh, my God.
01:03:00Oh, my God.
01:03:30Hi, Mum. Hi.
01:03:43Yeah, yeah, I'm, uh, I'm well enough.
01:03:47You?
01:03:52Sure, yeah.
01:03:53Oh, my God.
01:04:23You don't want to walk into my room, do you?
01:04:25You want to say what you're going to say?
01:04:28Come on.
01:04:31I knew it was a matter of time.
01:04:34As soon as you started visiting,
01:04:37I knew you'd become obsessed.
01:04:40You'd die.
01:04:40It's a shame it didn't work out for you.
01:04:45I guess you're just going to have to kiss all this goodbye.
01:04:51Aren't you?
01:04:52Please leave.
01:04:58Please leave.
01:04:58You all right?
01:05:23Yeah, it's just, um...
01:05:27Now, we're nowhere.
01:05:32Now, now he's just going to be snapping at my heels.
01:05:35I don't know how you can eat that stuff.
01:05:37What even is that?
01:05:39These are figs.
01:05:42Food of the gods.
01:05:45Hang on.
01:05:47Hmm.
01:05:49He said he was Augustus.
01:05:51Who?
01:05:52Guy Bruard.
01:05:53You know your Roman history?
01:05:55Emperor Augustus?
01:05:57One of my current favourites.
01:05:58What is it with men?
01:05:59Why are they so obsessed with the Roman Empire?
01:06:01No, no, no.
01:06:01Hang on.
01:06:02Listen.
01:06:04I read about it last night.
01:06:05Naturally.
01:06:07Augustus thought he was being poisoned.
01:06:09He thought someone was trying to kill him,
01:06:11so he changed his diet.
01:06:12Ate figs from the trees,
01:06:14plucked his own fruit from the orchard.
01:06:15Where is this going?
01:06:16Tin soup.
01:06:17What?
01:06:18That's what Guy Bruard ate.
01:06:20He can't tamper with a tin.
01:06:21It's safe to eat.
01:06:23And fresh fruit.
01:06:26We're looking at the possibility
01:06:28that his food or drink might have been spiked.
01:06:30As a precursor to murder, perhaps.
01:06:33Maybe a way to pacify him.
01:06:35He was fussy about his food, I told you.
01:06:37Usually came from a tin.
01:06:40Not much of a banquet for Bacchus, is it?
01:06:45What about the wine, then?
01:06:47Opened an hour or so beforehand.
01:06:50Then it sits on the dining table to breathe.
01:06:56Easy enough to tamper with.
01:06:58Where's the bottle now?
01:07:00There was shard of glass out by the sea wall.
01:07:02Okay, so let's assume for a moment
01:07:05that's how it got into his bloodstream.
01:07:07The person responsible would have had to know
01:07:09that bottle would be there.
01:07:11Everyone knew.
01:07:12It was his regular routine.
01:07:14Augustus.
01:07:16That's what he called himself.
01:07:19He's hinting at something.
01:07:20Okay, so who was it
01:07:23trying to poison Augustus back then?
01:07:26Livia.
01:07:28And who was she, Professor?
01:07:32Mrs. Brouard?
01:07:34We need to talk to you.
01:07:35We're police officers.
01:07:38Where's the boy?
01:07:41Where's Paul?
01:07:43We're holding him.
01:07:44He was supplying you with illegal drugs.
01:07:52I don't have much time.
01:07:55Here, take a sip.
01:07:57I begged him to help me.
01:08:00I found their way into your husband's wine.
01:08:05He was drugged, Mrs. Brouard.
01:08:07We need you to tell us
01:08:11exactly what happened.
01:08:18Someone
01:08:19went into the garden
01:08:21and spiked your husband's wine bottle.
01:08:25He always opened it
01:08:26hours before his dinner.
01:08:28Paranoid about being spiked.
01:08:30But he would never drink red wine
01:08:33without letting it breathe.
01:08:37I knew I'd have the opportunity.
01:08:41You know
01:08:42how many nights
01:08:43I endured
01:08:45listening to their voices
01:08:48laughter from the gardens.
01:08:51I put up with it
01:08:52for such a long time.
01:08:56I was ill
01:08:57so I allowed it.
01:09:00When you love somebody
01:09:02you want them to be happy.
01:09:04Then it all started
01:09:05getting out of hand.
01:09:07He went
01:09:08with poor
01:09:09A.D.'s wife.
01:09:10I could hear them together
01:09:12through the war.
01:09:14And it was more than
01:09:15I could stab her.
01:09:25She's not strong enough
01:09:26to wield a weapon.
01:09:27We're looking at
01:09:28two different crimes here.
01:09:30The blow to the head
01:09:31wasn't enough to kill her
01:09:32but together with the drugs
01:09:33it was a lethal combination.
01:09:35Paul thought she was responsible.
01:09:39That's why he hid the mask
01:09:40in the camera
01:09:40in case there was something on it.
01:09:42But he's wrong.
01:09:44There's someone else
01:09:44who's implicated.
01:09:46Okay, so what are we trying to do?
01:09:47Get CPS to charge her
01:09:48with manslaughter?
01:09:49No, no.
01:09:50Sarah, Sarah,
01:09:51a crime was committed to you.
01:09:52That woman lay there
01:09:53night after night
01:09:55knowing her husband
01:09:57was on the other side
01:09:58of the wall
01:09:58having sex with
01:09:59God knows who.
01:10:00Don't you think I know that?
01:10:01I'm saying it's true, Havers.
01:10:03A crime was committed there.
01:10:05There's someone else
01:10:06who's implicated, okay?
01:10:09Let's just wait
01:10:10until we've got
01:10:11the full picture.
01:10:12Understood?
01:10:13it.
01:10:13It's good.
01:10:36It's good.
01:11:10Good morning.
01:11:29Good morning.
01:11:30I spoke to Maya.
01:11:32Oh, and?
01:11:33I was right.
01:11:35Their analysis.
01:11:35There's evidence of other drugs in the system.
01:11:39Morphine, lazerpam.
01:11:41You should try this before.
01:11:43On several occasions.
01:11:45Okay, so?
01:11:45What do you want to do about it?
01:11:47We hold off on the arrest.
01:11:48Until we know who attacked him.
01:11:50Until we get the full picture?
01:11:51So, what are we missing, then?
01:12:03There's something.
01:12:07Something passed us by.
01:12:09I need to go back to basics, Havers.
01:12:20Start again from scratch.
01:12:25Okay, well, what about this collection of his?
01:12:29What about it?
01:12:30Well, you said he modeled his life after people in ancient history, yeah?
01:12:34Well, I don't know.
01:12:35You tell me.
01:12:36Who were they all?
01:12:40Sophia said she'd seen a catalog.
01:12:47That's 27.
01:12:49Mm-hmm.
01:12:49Okay, 28.
01:12:51Statue of an aristocratic Roman boy.
01:12:54I guess that's him.
01:12:5629.
01:12:57Early 20th century naked woman bathing.
01:13:00Yeah, here.
01:13:02Not a looker, is she?
01:13:04Uh, okay, 30.
01:13:05Roman Reglays Pottery Bus Diana.
01:13:07Something used to be here.
01:13:09Hmm?
01:13:10Has 30 gone missing?
01:13:12Roman Reglays Pottery Bus Diana.
01:13:16Diana.
01:13:21That's what I used to call her.
01:13:25Cynthia said that name.
01:13:27Said it was a nickname he gave her.
01:13:29What's going on, Valerie?
01:13:37A piece of art from the catalog appears to have gone walkabout.
01:13:43It was broken, sir.
01:13:46The bus was smashed.
01:13:49Did you keep the pieces?
01:13:52Can you show us?
01:13:53Can you show us?
01:13:53What's going on?
01:14:14How'd you say?
01:14:14How'd you say?
01:14:16How'd you say?
01:14:16What kind of aå„¿?
01:14:17Add the salt to the pan.
01:14:22Add 10 minutes of the pan.
01:14:28Add 2 drops of the pan.
01:14:33Add 1 minutes of the pan.
01:14:39Add 1 cup of salt.
01:14:44And her face, doesn't it look like...
01:14:51Cynthia.
01:14:58Her mother, my sister, Rose.
01:15:02She's in a bad way.
01:15:04Sin has to run things at home, do all the cooking,
01:15:07and change her mother's sheets when she wets herself.
01:15:10It's the drink that does it.
01:15:13Sin's at college most days, but over the summer, it gets harder for her.
01:15:18I told her she could come and stay here with us in the holidays.
01:15:22She's content up in her room, just listening to music.
01:15:26And then there was this stupid thing with the bus.
01:15:28Well, just a coincidence, but Mr. Brouard, he noticed it,
01:15:31kept going on about it, kept making comments.
01:15:34We all knew what he was like, but...
01:15:37when it's your own niece and you're supposed to be looking after her.
01:15:39You felt uncomfortable with the things he was saying to her?
01:15:43He said that having her in the house was like having a real work of art here.
01:15:47That Diana had come to life.
01:15:50Goddess on earth, a divine form.
01:15:53I saw the way he looked at her.
01:15:56Oh, you were torn.
01:15:58You wanted her here with you, but you didn't want him getting close to her.
01:16:01Make me shudder every time he said anything.
01:16:04So you broke it?
01:16:10That's an expensive fit of anger.
01:16:14I thought he'd be angry when I told him about it.
01:16:17He was at first, but...
01:16:21Then he seemed to forget about it.
01:16:25Spoke to some insurance firm.
01:16:26I'll need to take these pieces.
01:16:43She said he didn't seem too upset about it.
01:16:46In the catalogue, this is valued at five figures.
01:16:51It's a reproduction.
01:16:53Fake.
01:16:54Yeah.
01:16:56That's what I reckon.
01:17:00I didn't think the Romans had no studs.
01:17:02I didn't think the Romans had no studs.
01:17:02I didn't think the Romans had no studs.
01:17:24The Romans with no studs.
01:17:25The Romans had no studs.
01:17:32Inspector?
01:17:32What's going on?
01:17:34Can we take a look around?
01:17:35We need to see inside.
01:17:36Oh, boy, do you have a warrant?
01:17:38We can come back with one if you'd like.
01:17:41I
01:17:48Assume you want to see Sophia's pottery workshop
01:18:00Look at all this stuff it's a regular little factory got going on here
01:18:11Forgeries. Oh well reproductions. I used to say potato. Did you know what was going on?
01:18:23Tell us the truth Sam. How deeply involved were you in this little scam?
01:18:41You weren't honest with us Sophia. What?
01:18:49Oh we've done our homework. We went to Cambridge. Saw your studio. China. Isn't that what he called you?
01:18:59Creating fake masterpieces.
01:19:03You stole a priceless piece of art from Mr. Bruard's collection. Replaced it so he wouldn't notice.
01:19:11Just bad luck for you that it got broken.
01:19:13No. No. Wait a second.
01:19:15What happened when he discovered the theft?
01:19:19Did he confront you? Threaten you with the police?
01:19:23And then it spiraled into violence?
01:19:27He had no eye at all you know.
01:19:29Collected art with enthusiasm but actually had no concept of what was good and what was garbage.
01:19:35The man wasn't a true collector.
01:19:39He was a sham.
01:19:41So you thought you'd relieve him of his masterpiece.
01:19:45Replace it with a replica.
01:19:47Is that why you left Cynthia's little nose stud there?
01:19:51Little joke at his expense.
01:19:53Where's the original Diana statue?
01:19:55The original Diana statue.
01:19:59Sold to fund your research?
01:20:05Tell us what happened when he realised it was stolen.
01:20:13Came to find me.
01:20:15He said he would expose me.
01:20:17Unless I...
01:20:19Unless you consented to his little role play.
01:20:25So...
01:20:26That was the reason you did it.
01:20:31He was twisted.
01:20:33He enjoyed playing his little power games.
01:20:37You had sex with him just to silence him.
01:20:40But I didn't know the whole thing would be filmed.
01:20:43And now everything I did will forever be on film.
01:20:49It just happened in the moment.
01:20:51I felt...
01:20:52Humiliated.
01:20:53I felt powerless.
01:20:59When I came to Solcott, I was someone else.
01:21:01My tutors, they said I had a great future.
01:21:16This island, it's...
01:21:20It's destroyed me.
01:21:21It's time for us to go, Sofia.
01:21:29Who?
01:21:38Sofia.
01:21:41Sofia.
01:21:42It's time to go.
01:21:46Sofia.
01:21:48Hey.
01:21:50Hey.
01:21:51Hey.
01:21:53I can't do this.
01:21:55Sofia.
01:21:56Look at me.
01:21:57Trial.
01:21:59I'm prison.
01:22:00This doesn't have to be the end of the road.
01:22:04You're bright.
01:22:07Aren't you talented?
01:22:10What the hell?
01:22:12Does any of that matter now?
01:22:13It matters.
01:22:14No, don't, Sofia, no.
01:22:16It matters.
01:22:17Because you were manipulated by that man.
01:22:20No.
01:22:21Any jury would see.
01:22:22You didn't plan to kill him.
01:22:28You gotta be strong.
01:22:32Look at me.
01:22:35It's alright.
01:22:36It's alright.
01:22:44Keep your breasts down.
01:22:48It's okay.
01:22:49It's okay.
01:22:53Hey.
01:22:57Look!
01:23:06We've got a look.
01:23:08We've got a look.
01:23:09We've got a look.
01:23:15Right?
01:23:16Here.
01:23:19Yep.
01:23:21.
01:23:23.
01:23:25The estate is up for sale.
01:23:37What a relief, really.
01:23:40All those monstrosities up for auction.
01:23:45Most of the money will go to charity,
01:23:47but Cynthia gets a decent slice of the pie.
01:23:50What will happen with Mrs. Burad?
01:23:58The CPS have said they won't prosecute.
01:24:03We're finished here.
01:24:20Let's go.
01:24:36Ruad, there was no one there to stand in his way.
01:24:41Tell him no.
01:24:42Show him where the boundary lies.
01:24:45Life's supposed to be a battle.
01:24:46Is that your way of telling me I'm still on the team?
01:25:16I'm still on the team.
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