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TVTranscript
00:00Oh, making some last-minute design tweaks?
00:21An artist's work is never done.
00:26Moving furniture helps me release anger.
00:28Okay. Right in front of a fire alarm.
00:32Uh, so, um, are you ready to dazzle the reporter from Leisure magazine?
00:38No, you can handle it.
00:39I mean, what would you need me for?
00:41According to you, I don't care about this place at all.
00:45Wait, I can't do it without you. You're the design expert.
00:50And I thought you might want to spend some time together because, well,
00:55Octavio may have mentioned something about you still having feelings for me.
01:01Octavio? What? He doesn't know how I feel.
01:05He's an immature telenovela star. He sees romance everyone.
01:09Aha! I knew you didn't like him. In your face, Octavio.
01:13Okay. So you're both immature. Look, tomorrow I'm gonna put on a smile,
01:20I'm gonna cut the ribbon, and I'm gonna show face at the party.
01:23And then I'm leaving on the first flight to Milano.
01:26Oh, but...
01:28Julia...
01:29Don't forget to tell the reporters about those chairs that I had specially upholstered for Morocco.
01:34You can't find authentic Berber fabric here.
01:37W-What's Berber?
01:39Who's Berber?
01:41Julia!
01:44Okay, so...
01:45That's the pool.
01:47This is where we had a memorial for my dead mentor.
01:50That's a mural my son-in-law won't let me see.
01:53And in there is the ballroom.
01:56Wait, wait, wait, wait.
01:59The ballroom?
02:01The famous ballroom from the 1986 Miss Universe pageant?
02:06Mm-hmm.
02:07I think there must be a wild story behind that day.
02:10Yeah. There is.
02:17Is there anyone else?
02:19I could speak to, like, a manager. Someone.
02:22There will be a head of operations eventually.
02:26But I haven't hired one yet.
02:29No one has the passion that I have for this place.
02:32Clearly.
02:34Maria!
02:35Hi!
02:36Hi.
02:37We are so honored you're here.
02:39I'm Paloma Maximum's daughter.
02:41I'm just going to steal him for one second.
02:43Okay.
02:44Okay.
02:45Hey, listen.
02:46I know you're sad about Julia, but nothing will cost us
02:50if we have a bad criticism.
02:52Okay, it's okay. It's okay.
02:55Also, I'm very fragile right now as to make a negative review.
03:03Come on. Let's go.
03:04My dad would be delighted to tell you all about the pageant
03:08with many incredible twists and turns.
03:11Great.
03:12It was July.
03:13It was July 1986.
03:15And I was about to embark on the most challenging day
03:19I had ever faced at Las Colinas.
03:23Okay, folks.
03:24We are almost ready to go live to 500 million people
03:27watching around the world.
03:29Woo!
03:30Yeah!
03:31That is half a billion people, people!
03:35Thanks, Dulce.
03:36But maybe don't add to my stress right now.
03:39Janet Lacroix, the very important CEO of Miss Universe,
03:43is looking for a few last-minute seat fillers in the audience.
03:46Would anyone mind volunteering three hours of their...
03:50You wanna watch?
03:53Well, I just think it's good for the baby to be exposed
03:55to large crowds at a young age.
03:57Thanks, guys.
03:58Hope you have fun.
03:59This is not to enjoy us.
04:01This is to testify to the end of the terror of Miss Venezuela.
04:05We won't win every year!
04:08Thank you, Lupe.
04:10Okay.
04:11Now, remember everybody, please.
04:12This is not just about how the broadcast looks.
04:14It's about how we look as a resort.
04:16It's the only chance for Las Colinas to reclaim its number one status.
04:20If we fail in this task, well,
04:22I have the time to share investors on speed dial.
04:25You heard the man.
04:28No room for mistakes.
04:29There are still a lot of checks to check off the checklist.
04:32First of which is to find my checklist.
04:34Go, team!
04:40Focus.
04:41Venezuela!
04:43Wow.
04:44No notes.
04:45Finland, honey, uncross your legs.
04:47You look like a baby deer.
04:49Run!
04:51Oh, some pipes on that one.
04:55Just a thought, Janet.
04:57Maybe we could have the contestants say their country and their name.
05:01Give it a more personal touch.
05:03Fun idea, Diane, but we're chasing daylight here.
05:06Why don't you stick to handling hotel business,
05:08and I'll handle the pageant like two distinct, organized lanes.
05:13Of course.
05:14I'm only here to help.
05:16I'm so glad we're on the same page.
05:19Ah, ah.
05:22Uh-huh.
05:25Mmm, qué pipi, this nice.
05:26Ay.
05:27Ay, sí, mi amor.
05:29El evento es muy elegante.
05:32Yo creo que esa playerita, francamente, como que no.
05:34Tú tranquila, ¿eh?
05:35Me cierro el saquito así, y mira, ya nadie veo nada.
05:38Pero eso sí, si Julia gana, me voy a presumir en todo su esplendor.
05:42Andale.
05:43Ajá.
05:44Oye, ¿estás segura que así quieres pasar tu prima noche antes de irte a baza?
05:47Como que, pues esto no es muy de nuestro estilo.
05:50Mira, yo feliz de estar en cualquier lugar que no sea tu sillón con Doña Rosita roncando entre las dos.
06:00Soy la mamá de Máximo Dulce.
06:02Can't be too careful about fakes.
06:05Acabas de estar en mi posada.
06:07And?
06:09Yo te cuidaba cuando era chiquita.
06:11That means nothing to me.
06:13Dad.
06:14Ay.
06:15Ay.
06:16Le voy a decir a tu mamá, ¿eh?
06:18Five away from the opening cultural dance, ladies.
06:20Let's go.
06:21No puedo creer que estemos aquí.
06:24Ay, Azul, muchas gracias por darme esta oportunidad.
06:27¿Cómo no te la iba a dar?
06:29Si miras hasta donde hemos llegado desde que me diseñaste el vestido para nuestra graduación.
06:32¿De acuerdo?
06:33Esas sombreras eran más grandes que tu cabeza.
06:36No.
06:39Azul.
06:40Azul.
06:41No estés nerviosa.
06:42Todo va a salir bien.
06:43Okay, let's wrap up these interviews, folks.
06:47Gloria, I know this is my 35th message to you.
06:50Just give me one more chance and come to the pageant today.
06:53I just want to talk and make out if it goes well.
06:58Call me.
06:59This is Chad.
07:00Hi, Chad.
07:07Chad, Chad, Chad.
07:09It seems to me like you need some fatherly advice.
07:11Again, you're not...
07:12It's getting sad.
07:13It's time for you to move on from Gloria.
07:15Move on.
07:16There's no one else.
07:17What do you mean there is no one else, Chad?
07:19Por favor.
07:20Literally the most amazing women in the world.
07:22No.
07:23The universe are all here.
07:24Right now, you desperately need a distraction.
07:27And Turk Sanquecos is staring at you right now.
07:30Well, tell them both are not interested.
07:32Mr. Sanquecos is one person, Chad.
07:35We'll have a geography lesson later.
07:37Well, I guess it couldn't hurt.
07:42My mom did intermittent pageants as a kid so we'd have something in common.
07:45Blondest point in Topeka, 1974.
07:48Okay.
07:50Go get her.
07:57Don Pablo.
08:07¿Qué haces aquí?
08:09Solo vine a ver el concurso y a felicitarte.
08:12Ese cambio en el aeropuerto, muy ingenioso.
08:16Gracias.
08:17Por favor, tome asiento.
08:20Espere.
08:21¿Vino a jugar juegos mentales?
08:23Está intentando ponerme nervioso.
08:24No, no, no, para nada.
08:26No me podía perder el mejor evento en Acapulco.
08:29Además, te traje un regalo.
08:34¿Qué hay aquí adentro?
08:36Es una cobra, ¿verdad?
08:37¿O una bomba?
08:38¿Eso es un segundero?
08:40Máximo.
08:41Solo ábrelo.
08:46Un extrañejo.
08:48Un detallito para celebrar después.
08:50Gracias, don Pablo.
08:51Es muy amable de su parte.
08:53Te lo mereces.
08:56Por pura curiosidad, ¿por qué no te sientas en tu silla?
09:03Es que se está secando.
09:06Porque le eché el ente a cuero.
09:09Eso existe.
09:11Claro.
09:13Bueno, me voy a ver el show.
09:17Máximo, si esto te sale bien, las colinas va a volver al top de los mejores hoteles en Acapulco.
09:26Felicidades.
09:27Si te lo tiras.
09:28Si te lo tiras.
09:29Don Pablo me dijo bien.
09:30Pero no podía salir de mis palabras.
09:31Y mientras el primer rato de la pagaña había salido sin una caja.
09:33Decidí que revisar la pantalla de atrás para asegurar que todo estaba funcionando muy rato.
09:38Pero no podía salir de mis palabras.
09:41Y mientras el primer rato de la pagaña había ido sin la hitch,
09:45yo decidí revisar a la pagaña de atrás para asegurar que todo estaba funcionando muy rato.
09:52¡Máximo!
10:01Maximo, ¿qué es wrong con el AC?
10:04Es la 100 grados en aquí.
10:06Esto es de calor para el contestante.
10:07Y la pez, por lo mejor.
10:10Mi cabello.
10:11Este evento es para hacer las colinas elegantes.
10:13Pero est Timberlтуra es como broteias por White Snake.
10:16¿Máximo?
10:18¿Sabes quién es el dorado, Máximo?
10:20Mi 33, Lanzo.
10:21You knew we'd have big lights and blow-dryers.
10:24Didn't you plan for this?
10:25Girls are dying on stage.
10:28Except Miss Venezuela.
10:30My rock.
10:31Your hair is perfect.
10:33Don't worry, Miss Lacroix.
10:34I'll get the air-conditioning fix things up.
10:42Amiga, no puedo creer que llegaste a las semifinales.
10:45Le ganaste a 67 mujeres.
10:46Sí.
10:47Pura perdedora o qué?
10:49Ay, Julia.
10:50No, no te preocupes, que ellas no entienden.
10:53Hablo cinco idiomas.
10:55Con as.
10:58Ay.
10:59Todo bien.
11:00Sí, sí.
11:01Solo que el calor hace que el vestido se pelle a tu pie.
11:05Solo hay que subirlo un poquito aquí.
11:08Y yo...
11:11Ay, no.
11:15Le hay un tonal.
11:16Zeti's Mandarin for...
11:18You're screwed.
11:19Yo...
11:22Gracias por ayudarme a arreglar el aire, Paco.
11:24Me salvaste.
11:25No, tú me salvaste a mí.
11:26Mi esposa no me iba a dejar ver el concurso de trajes de baño.
11:30Espera.
11:31¿Por qué no funciona?
11:32Ah...
11:33La máquina está viejita, pero...
11:35Dale...
11:36Un segundo.
11:37Un segundo.
11:38Un segundo.
11:39Un segundo.
11:40Un segundo.
11:41Un segundo.
11:42Un segundo.
11:43Un segundo.
11:44Un segundo.
11:45Un segundo.
11:46Un segundo.
11:51Un segundo.
11:52this pretty face but don't worry I'll see you in a few.
11:59And cut!
12:00Much quick everyone, thank you!
12:03Oh, damn!
12:04I need water.
12:05I need water.
12:06It's so hot.
12:07It feels like Satan's nethers after a marathon!
12:11Oh, damn!
12:14A ver, María Purísima, que este güero con cara de Ángel Bale Bailor esté bien.
12:21Mi amor, hace mucho calor. Estoy empapado en sudor.
12:26¿Crees que me pueda quitar el saco, por favor?
12:28Ay, aguántate, mi amor, hasta que Julia gane.
12:31Ándale.
12:35Oye, Sara, por ahí me enteré que quedaste en NYU.
12:39Ay, qué emoción.
12:41La gran manzana.
12:43Qué padre, ¿eh?
12:44Sí.
12:45¿Cuándo te vas?
12:46En unas semanas.
12:47Y Aida se va a pasar mañana.
12:49¿Vasar?
12:50Uy, uy, uy, uy, qué elegante.
12:53¿Está cerca de Parc Avenue?
12:55No, no, no, está a las afueras de la ciudad.
12:58Pero vamos a hacer que funcione.
13:00A ver, o sea, van a ser larga distancia.
13:04Ay, no, pues qué valientes.
13:06Ay, sí, a nosotros no nos funcionó.
13:09Fue mucho estrés.
13:11Yo casi ni comía.
13:13Se me empezó a caer el pelo.
13:15No, yo me la pasaba pegada al teléfono todo el día.
13:18Hasta que Lorena me cortó.
13:20Por carta.
13:21Fue muy feo.
13:22Ay, sí, no, no, no.
13:23Ese dolor no se lo deseo ni a mi peor enemigo.
13:26O sea, a mi hermana Inés.
13:28No, no, no, pero eso no les va a pasar a ustedes.
13:35Porque ustedes son independientes y fuertes.
13:40Mucho más que nosotros.
13:42Sí, sí, sí.
13:44Vamos a tomar aire fresco, ¿no?
13:49Vamos a tomar aire fresco, ¿no?
13:51Mm-hmm.
13:52Bill, don't quit on me.
13:54Bill, wake up.
13:56It's Beto, your body.
13:57Remember our trip to Panama?
13:59Beto, is it really you?
14:02We'll always have Panama,
14:04the country and the soul.
14:07What happened to fixing the AC, Maximo?
14:09I thought you had this handled.
14:10We fixed it.
14:11I swear, it takes a few minutes to kick in.
14:13In the meantime, I'll go get some fans.
14:16This isn't some rinky-dink local pageant in Boise.
14:19We can't come back without a host.
14:21Well, I might have an idea.
14:22No, no, no.
14:23Jenna, if you just let me...
14:24Quiet!
14:25I just need to think.
14:26Maggie!
14:30Can't you just stab Bill with an Epi-Pen or something?
14:34Maximo, if you don't fix the AC right now,
14:36this resort is as good as gone.
14:38We are back in five, four, three, two...
14:43Bill!
14:44Bill!
14:45How are we back?
14:46We have no host.
14:47Welcome back to Miss Universe.
14:49I'm Diane Davies,
14:51and I'll be your substitute host for the evening.
14:54Now, Bill is fine,
14:55and he's resting backstage.
14:57You gotta be kidding me.
15:00What?
15:01Hot air, Maximo, no manes!
15:04What happened?
15:05Why didn't it work?
15:06I told you,
15:07the machine has been here more than me
15:08since the beginning of the 70s.
15:10Does anyone know how to fix it?
15:16Okay, folks.
15:17How are we all feeling tonight?
15:24And that's why I installed an energy-efficient AC system this time.
15:29If it were up to my dad, this place would be powered by jet fuel and elephant tusks.
15:34I'm just happy you've taken a real interest in Las Colinas, mija.
15:38Proud of you.
15:41I'm sorry.
15:42I hate to interrupt this father-daughter dance that's going on here,
15:44but can we get back to the story?
15:46Whatever happened with the AC?
15:47I see.
15:48We'll get to that.
15:49But first, let's check in with my sister, Anaida.
15:52Detours are kind of his thing.
15:54Shh.
15:55So, the two of them.
15:57Oh, okay.
15:58We're doing this again.
15:59Yeah.
16:00Do you think they're right?
16:02Are we working with this long distance?
16:06I don't know.
16:09But what do we do when we're not sure about something?
16:12Do you want to stop talking and start telling us?
16:14No.
16:15What else?
16:18Debatir.
16:20Buena idea.
16:21We can solve this being logical.
16:23You debate the affirmation,
16:24that we're going to stay together,
16:25and I, the negative,
16:26that we're going to stay together.
16:27Va.
16:28Your time begins.
16:29Now!
16:31I affirm the resolution
16:32that we're going to stay together.
16:34The train takes only 90 minutes.
16:36You put two cassettes of Las Gogos
16:38and you've arrived.
16:40Aparte, we're intelligent.
16:42We know how to prioritize.
16:43We can find a time that works.
16:46And lastly,
16:47I need you.
16:49I need you.
16:50Because we both know
16:52that my friends of the poesies are
16:54pretensious
16:55and they're going to be a sobaco.
16:57I conclude my argument.
16:59You go.
17:00I promise we'll be together.
17:02First,
17:03yes,
17:04the train takes 90 minutes,
17:05but
17:06that's not the metro
17:07and the possible possible delay.
17:09Second,
17:10the university is to experiment.
17:12And if we're busy on the phone
17:13all day,
17:14we're not going to be immersed
17:15in our new environment,
17:16potentially affecting our future
17:18by not establishing relationships
17:20in the first year.
17:21And third,
17:22the probability
17:23that a relationship works
17:24are 40%.
17:25That's worse
17:26than the divorce.
17:27And that's why today
17:28I decided
17:29that we should cut.
17:30Let's go.
17:31Let's go.
17:32Let's go.
17:34Let's go.
17:35Let's go.
17:36Let's go.
17:37Let's go.
17:38Are there data against arguments?
17:44No, it's not...
17:46I don't know anything.
17:50But now you've won me.
18:02Thanks for helping me.
18:04I didn't know what else to do.
18:06This machine is a beast.
18:08It's a little trick I learned
18:10in the heat of 1978.
18:16Are you okay?
18:18Incredible. Perfect.
18:21I've been trying to fix this thing
18:23and you can achieve it in a minute.
18:27Well...
18:29You didn't have to know how to do it.
18:31It took me a week to grab the ball.
18:33I understand.
18:34This competition is a disaster
18:35and it's all my fault.
18:37When Janet came to meet the hotel
18:38I told you we could manage to organize it.
18:41But a good leader would have anticipated this problem.
18:44If you were here, nothing would have happened.
18:50Máximo,
18:51when they gave me your position,
18:53it happened exactly the same thing to you.
18:55It's normal to have doubts.
18:57But in the moment in which I was most important,
18:59I fell.
19:03I was mistaken for a while.
19:04The real reason why I didn't sit in that seat
19:07is because I don't feel that I've won.
19:11Listen,
19:12now is when you have to trust in your instincts,
19:15in your intuition.
19:17That's what you have to have here.
19:20And in the important moments,
19:21you have to know how to use it.
19:25As far as that seat,
19:27I hated it.
19:28It's china.
19:29Why do you think I didn't take it?
19:31It's just a seat, Máximo.
19:36Meanwhile,
19:41Chad was deep into his date with Turks and Caicos,
19:44but he decided to focus on a third woman, Gloria.
19:48You know,
19:49Gloria has this dream of owning a farm one day.
19:52I attended the fields and she'd milk the goats.
19:55She has this impression of a goat that's kind of like a...
19:58No, it's like actually a higher register.
20:01No, it's...
20:03That's okay.
20:04I can imagine it.
20:06You've painted a very detailed picture of your ex.
20:11Sorry, I didn't mean to ramble on about Gloria.
20:13It's okay.
20:15Her laugh,
20:16her smile,
20:17the smell of her hair.
20:19I'm doing it again, I'm sorry.
20:20I'll stop.
20:23Thanks for listening, Claudette.
20:26I'm really glad that you got disqualified.
20:28Yeah.
20:30Talking to you about your ex
20:33was a great consolation prize.
20:36How about a hug?
20:37Oh.
20:39Oh, okay.
20:41Oh.
20:43I had no idea how much I needed this.
20:46Oh, I forgot to tell you about my days as a pageant boy.
20:49All righty.
20:50Take care now.
20:51And we are back in 60 seconds, people.
20:53How fabulous is this?
20:54They love me.
20:55Today you're not just Mirena, Mirena.
20:56You're everyone's brain.
20:58I can't believe you just waltzed on that stage without consulting me.
20:59Janet, I tried, but you shut me out.
21:00And I think we can both agree it's better to have a host than no host at all.
21:0430 seconds, everyone.
21:05Okay.
21:06Okay.
21:07I'll let you be.
21:08Good luck.
21:09Diane, let me make it crystal clear.
21:10These are your interview questions.
21:11Stick to the script.
21:12Last chance, ladies and gentlemen.
21:13I'm sorry.
21:14I'm sorry.
21:15I'm sorry.
21:16I'm sorry.
21:17I'm sorry.
21:18I'm sorry.
21:19I'm sorry.
21:20I'm sorry.
21:21I'm sorry.
21:22I'm sorry.
21:23I'm sorry.
21:24I'm sorry.
21:25I'm sorry.
21:26I'm sorry.
21:27I'm sorry.
21:28I'm sorry.
21:29I'm sorry.
21:30I can't believe you just waltzed on that stage without consulting me.
21:31Janet, I tried, but you shut me out.
21:32And I think we can both agree it's better to have a host than no host at all.
21:35Stick to the script.
21:41Last chance, ladies.
21:42Five, four, three.
21:46Juliet, we're running out of time to spin it.
21:49No.
21:50I can do it.
21:51Just trust me.
21:52It's time for evening gowns and interviews.
21:56May I present to you our five finalists.
21:59Miss Finland.
22:03Miss Venezuela.
22:05Come on, Julia.
22:07Miss Mexico.
22:11Miss Chad.
22:12Oh, that's neat.
22:13And Miss Colombia.
22:24With the event finally on track, I made it back in time to see Julia's big moments.
22:28Everything we both worked for was coming together.
22:31It's beautiful, mi amor.
22:33It is.
22:35Isn't it?
22:36Wow.
22:37Julia does seem very talented.
22:39She is.
22:40It's why I hired her to the Sunday Hotel.
22:43She inspires me.
22:45Truthfully, none of this would have happened without her.
22:49This Berber chair, she got it especially holstered from Morocco.
22:59That's not Berber.
23:00That one is.
23:02Oh.
23:04But it does seem like you and Julia had quite the history.
23:07We do.
23:08We do.
23:09So much history.
23:10No, no, no, no.
23:11Keep it light.
23:12Keep it right.
23:13Okay, so.
23:14Sara and Aida have just broken up here.
23:17Okay, okay.
23:18Okay.
23:21What are we doing, Aida?
23:24Why do we let people get into our heads?
23:30Well, it's that...
23:31Tus puntos suenan bien convincentes.
23:34Y luego la estadística esa de las relaciones a larga distancia.
23:38Me la inventé.
23:40Me la inventé.
23:41Ya sé que di un argumento muy lógico,
23:44pero el amor no tiene lógica.
23:47Aida, cuando amas a alguien no tienes que...
23:49A ver, espera aquí.
23:50¿Me estás diciendo que me amas?
24:00Pues...
24:02No estoy diciendo que no te amo.
24:09Yo también te amo.
24:14Oye, entonces yo gané el debate, ¿eh?
24:16Déjame decirte.
24:18Bueno.
24:21La señorita se puede quedar con la victoria.
24:23Gracias, gracias.
24:35Well, thank you, Miss Mexico,
24:37for that very relatable answer
24:39on how you maintain your perfect figure.
24:42All right, next up we have Miss Columbia.
24:45As Diane looked at her questions like,
24:47who's your dream guy?
24:48and described your ultimate shopping spree,
24:51she was flooded with memories of her difficult time in Hollywood.
24:55Now that she was on the other side,
24:57Diane wanted to ask the questions she wanted to answer.
25:00You know what, folks?
25:04I think we're gonna mix things up a bit.
25:08Asu, what feeds your soul?
25:13What feeds your soul?
25:15What feeds your soul?
25:19Well, you know, I think it's my friends.
25:28And one of my oldest friends designed the dress I'm wearing today.
25:33Julia Gonzalez.
25:35She's always been thoughtful.
25:37And that's evident in the story behind this dress.
25:40It is made out of stones in the colors of Caño Cristales.
25:44A place we went to every summer as kids in Colombia.
25:48And to get the chance to collaborate with her.
25:51That truly feeds my soul.
25:56O sea, es el río donde jugaban de niñas?
25:59No, esto es demasiado para mí.
26:01No puedo.
26:02No puedo.
26:04Ay, mi amor, ya lo sé.
26:06Es muy emotivo.
26:09Relájate.
26:10Este vestido es tan mono,
26:11pero nada como el de mis Etiopía 78.
26:14Ese era un vestido.
26:16Se acabó de romper mi puente.
26:18Perdón, mi amor.
26:19Debe haber vestido contracciones.
26:21¡Vanana!
26:22¡Vanana!
26:23¡Vanana!
26:24¡Vanana!
26:25¡Vanana!
26:26¡Vanana!
26:27¡Vanana!
26:28¡Vanana!
26:29¡Vanana!
26:30Maggie!
26:31Who the hell is Lorena?
26:33She's a seat filler.
26:34A seat filler?
26:35Dear God, we have to get her out immediately.
26:39I agree.
26:40I am so sorry.
26:41This is unacceptable.
26:42It's alright everyone, just a little commotion.
26:44She's not just a seat filler.
26:45She's a dear friend and one of my best employees.
26:47And she's clearly in pain right now.
26:49We can't make any decisions before I have someone check on Lorena's health.
26:53The hell you will!
26:54Maximo, if you interrupt the broadcast, it will ruin our reputation as a resort.
26:59Like Don Pablo had told me, I needed to trust my instincts.
27:03No matter what the consequences were.
27:06I don't care.
27:08If choosing the safety of my team is really what is going to break this hotel,
27:12it's fine.
27:15It's not the hotel we want to be.
27:21Oh!
27:22Our head of operations, Maximo, has graced us with his presence.
27:25Kay fun!
27:28Hello everyone and viewers.
27:30I'm sorry for interrupting this special evening, but the program will have to wait.
27:34This is an emergency.
27:36A member of my team is about to give birth and she needs her help.
27:39Is there a doctor in the house?
27:43I am.
27:44Do you have to be doctora?
27:47No, why?
27:55Call your commercial!
27:56No!
28:00All will be fine, Lorena.
28:01Yes, my dear.
28:02You just look at the nose.
28:04Or by the nose.
28:05Or by the mouth.
28:07How this is?
28:08It's good that you're here, doctora Miss Venezuela. Thank you very much.
28:10No problem. Lorena, how are you going?
28:12This is not as they say in the books. It's much worse.
28:16I'm going to do a quick review.
28:17Okay.
28:21Okay, it's a good time to take you to a private room.
28:25After this, the baby is coming. And soon.
28:27Pronto? But how soon? Because I didn't bring the bag of the bag.
28:29You're going to be fine, Memo.
28:31Okay, okay, okay. Let's go, Memo.
28:34Let's go, Memo. Let's go, Memo.
28:36All right, everyone. And we're back in five, four, three.
28:43Welcome back, everyone. What a night, huh?
28:46I'm here with you. That's my life.
28:48And the crown goes to...
28:51It's coronado.
28:53It's Colombia!
28:56Bravo, bravo.
28:59It's you know what it is.
29:01Arriba, Julia!
29:04Ella llenó mi vida y la volvió adorable, sí.
29:12Es que es adorable, es amor.
29:18Es tan bonita.
29:23Más bella que un ángel es.
29:28Ella es mi vida.
29:31Soy tan feliz.
29:33Y vamos a poner Lupita.
29:35Ay, qué honor.
29:37Lupita Venezuela.
29:39Reyes Molina.
29:41Menos mal que mi nombre esté en primer lugar.
29:49Es tan bonita.
29:51I can't even believe it.
29:52I mean, you were Mr. Oklahoma for four years in a row.
29:55How'd you do that?
29:56Ah, it was a long road.
29:58Trying different talents, new teeth.
30:01Oh, you can't just be a one-trick pony.
30:04You have to tell a story on stage that dazzles the judges
30:08and really brings them into your world.
30:10My talent was a roller skating routine at the song Macho Man.
30:14That's good, too.
30:21To the new Miss Universe.
30:23To the next big fashion designer.
30:28That was a rough one.
30:30You did great.
30:31But yeah, the whole thing was a mess.
30:34This is probably it for me.
30:37But at least Memo and Lorena's baby is healthy.
30:40That's what matters.
30:41Right?
30:42No, Max, no.
30:43You did the right thing.
30:45So that was a total train wreck.
30:47But I just got off the phone with corporate and...
30:50they loved it.
30:51What?
30:52The phones are ringing off the hook
30:54and people are going crazy over the double crowning
30:57on the 10 o'clock news.
30:59Wow, that's incredible.
31:01Ah, Diane.
31:03As much as I hate to admit it,
31:06you were a hit.
31:08I'll be in touch about hosting again next year.
31:11Well, well, well.
31:14I told you.
31:16You really are the queen of invention, Lorraine.
31:20Yeah.
31:21Get up.
31:22Watch out.
31:23You're dropping your things.
31:24Ahem.
31:25Well, things got pretty out of hand back then, huh?
31:28And so much of it was your fault.
31:31But I respect the men who can go against me.
31:34Looks like I won't have to be making that call to Florida after all.
31:37Cheers to Las Colinas!
31:38Brings on the house!
31:39One round!
31:40Only one round!
31:41Okay, that turned out to be a pretty great story.
31:42Thank God for this one to come along and save the day.
31:44What is your title here, by the way?
31:45I'd love to include you in the article.
31:46Well, uh...
32:00Head of Operations.
32:02Really?
32:05That's great.
32:07I thought about it, and I think I can make a real impact here.
32:11No.
32:12I might have been stalling on hiring someone hoping this would happen.
32:14this would happen.
32:14It was pretty obvious, Dad, but...
32:16How'd you know I'd come around?
32:18Mija, you've been living this place effortlessly for six months.
32:23I was just waiting for you to realize it.
32:27Sometimes it just takes a little extra time to believe in yourself.
32:44All right, I think I got all I need.
33:10I hope the grand reopening goes well.
33:13I'll be reaching out to Julia for some quotes.
33:15It's a shame she couldn't be here.
33:17Yeah, it's a shame for both of us.
33:22I'll walk you out.
33:43Nobody told my voice, maybe, but you didn't listen.
33:51And I'm gonna keep on loving you.
33:56Cause it's the only thing I wanna do.
34:03I don't wanna sleep.
34:05I just wanna keep on loving you.
34:11And I meant every word I said when I said that I love you.
34:22I meant that I love you forever.
34:24And I'm gonna keep on loving you.
34:29And I'm gonna keep on loving you.
34:33Cause it's the only thing I wanna do.
34:39I don't wanna stay home.
34:43I just wanna keep on loving you.
34:48I'm gonna keep on loving you.
34:57I'm gonna keep on loving you.
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