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BRITCOM I
  • 7 weeks ago

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00:00I've been shot.
00:04Do we?
00:06Come on, ma'am, really okay?
00:08Save me to school, ma'am.
00:10The deceased, a woman named Lady Mary McLean.
00:12Her husband, Sir Douglas, is in critical condition.
00:14You're from the islands.
00:16I'm sorry, which islands are we talking about?
00:18Yours.
00:20I just need to ask you, no conflicts, do you?
00:22No, no conflicts.
00:24I'm in bedrown, a man.
00:26I'm living in bedrown.
00:28I'm in bedrown.
00:30I'm in bedrown.
00:32But I'm in bedrown.
00:34I'm in bedrown.
00:36Have you told your boss?
00:38What, Jay? Find myself in your father's crosshairs again?
00:40I'm in bedrown.
00:42I'm in bedrown.
00:44I'm in bedrown.
00:46I need to see my boy.
00:54I'm ill, mog七,
01:00I'm in bedrown.
01:02I've come to bedrown.
01:04We're hungry for alleys,
01:06we're hungry and a we're hungry and a bit gross.
01:10Even though we're hungry not grand-lady,
01:12we're hungry for land...!
01:14We're hungry for exclusive DSG,
01:16and we're hungry for it.
01:18I'm hungry for a song.
01:20That's my friend henry uh-one.
01:22Why what thehead is to come someone?
01:24Well, I'll show you what I'm going to say.
01:43Bittersweet.
01:44Sweet as you call it Aisha, Carden, Sherlock.
01:49And bitter.
01:52Sheriff, I'll show you what I'm going to say.
01:55But I'll show you what I'm going to say.
01:57I'll show you what I'm going to say.
01:59And Larry, let's go!
02:22I'll show you what I'm going to say.
02:29I'll show you what I'm going to say.
02:34What a hell of yourself!
02:38In China, Australia.
02:41Cool the roof.
02:42Wow, it's good.
02:43Yes.
02:45Oh, my God.
03:11You're new, Ali.
03:14Daddy, help your father.
03:18What's up?
03:20Check out the whole weekend.
03:23Now her mom is going to go home.
03:26Stop it. I'm going to go.
03:38Your father.
03:40What's up?
03:41What's up?
03:42I'm his bloody father.
03:43When it suits you.
03:45I'm going to go home.
03:47I'm going home.
03:48I'm going home.
03:49I'm going home.
04:11I'm going home.
04:12I'm going home.
04:13I'm not going home.
04:14Youtoffle Matching
04:27You know, Springsteen, you put less money into marketing and more of making this shite
04:50taste good.
04:51You could have made a go of it.
04:54You know, we thought we could buy a pair of condolences of it.
05:00I'm not sure if your text goes to me, but I'm not sure if it's going to be good.
05:05To keep us sinking ship afloat.
05:08I couldn't be careful, Gavin.
05:10I will.
05:12I'm not sure if it's going to happen.
05:15I'm not sure if it's going to die.
05:18I'm not sure if it's going to die.
05:22If it's going to die, he'd cut me off.
05:24Yes, but given recent events.
05:27Well, listen.
05:29I'm not sure if it's going to die at that moment.
05:36I've got no problem with you folks.
05:38You're my fucking problem.
05:41And if that shite doesn't pay it by tomorrow, Tweetie's on his way.
05:45So you get the urgency.
05:48Jason!
05:49Cookie!
05:50Can I see you?
05:51Baby!
05:52Baby.
05:53Yes.
05:54He can im diesem haar arepost.
05:55Be bad.
05:56Literally be fine.
05:57He's a bad man.
05:58Check out.
05:59Yes!
06:00Michael!
06:01lemise
07:27Morning.
07:28Morning.
07:29You're not there, Liv.
07:31Sorry, Jenny.
07:32I'll be back in a bit.
07:37I'll be back in a bit.
07:47I'll be back in a bit.
07:48What's that?
07:49I'm sorry.
07:50I'm sorry.
07:51I'm sorry.
07:52I'm sorry.
07:53I'm sorry.
07:54I'm sorry.
07:55I'm sorry.
07:56I'm sorry.
07:57I'm sorry.
07:58What's that?
07:59I'm sorry.
08:00I'm sorry.
08:02I'm sorry.
08:03I'm sorry.
08:04I'm sorry.
08:05I'm sorry.
08:06You're not there.
08:07What's that?
08:08No.
08:09I'm sorry.
08:10I'm sorry.
08:12Can you ask your letter to be honest?
08:14Mm-hmm.
08:16Give me a lot of good.
08:17Right.
08:19Jimmy, you're in your deposit, eh?
08:39Hi.
08:40Hi.
08:42I was born again.
08:43Are you proud of me to make me a bad boy?
08:46Are you proud of me to make me a bad boy?
08:48I didn't want to make a bad boy.
08:49Yes, because I'm in my rain.
08:53But sitting inside the house, you're doing a good job.
08:55What?
08:58You're off the train.
09:00Well, I think you're going to do something.
09:02I wish to make my shoes.
09:05Dr. McLean?
09:07I'm going to use B2.
09:10I'm not ready.
09:12I'm not ready.
09:14I'm not ready.
09:16I'm ready.
09:18Chrissie,
09:20if you're ready to set up
09:22and take a look at the house
09:24and just go out to the house.
09:26That's not it.
09:28Yeah, I'm not ready to get up.
09:31Dr. Maclean.
09:34I'm a little good old cat.
09:40And now that's the healer hound, a snap, with that wound.
10:00Right, 24 hours in, how's the burglary crew theory holding up?
10:21Unfortunately, the CCTV was down at the castle.
10:25You found nothing unusual on other footage?
10:28Not yet.
10:29There were no unknown prints found at the crime scene either.
10:32No names of any known criminals on any ferry or flight manifests?
10:36Or any new intel on the stolen jewels?
10:38Nothing from our informants suggests it was locals.
10:41Okay, so with that theory looking decidedly less solid, how about we look closer to home?
10:46What about Sir Douglas, boss?
10:50I only bring it up because yesterday he mentioned to his kids that he grabbed the duvet to staunch his wife's blood.
10:56But, as you can see, the duvet's perfectly flat.
10:59It would have required him to shoot himself from ten feet away.
11:01Or Christina McMillan was his accomplice.
11:03Except her CCTV was working and chose Cissy leaving her place moments after Sir Douglas called her.
11:09Hmm, my suspicion is he misspoke, but Jenny will follow up just in case.
11:14So what else?
11:15Callum, the oldest son's alibi, is flimsy.
11:18Witnesses confirm that he spent the night at the Ancala pub in Tarbert, but then he left just after midnight.
11:23He claimed he went back home to fetch some rum.
11:26Why? He was in a pub.
11:28Right, but he owns a craft distillery that went belly up six months ago.
11:32Gus the publican said he tried to drop off a case around 1.30.
11:35Fifteen minutes after his parents were shot.
11:37Where does mobile triangulation put him at the time of the murder?
11:40Just a general vicinity. He could have been at his home or at the castle.
11:44Right, I want to know where Callum was and who he was with in the days leading up to the murder.
11:47Where he might have obtained a handgun.
11:49So when's the post-mortem?
11:50This afternoon.
11:51Good, good, that should tell us more.
11:54It's Sheena McLean.
11:56Take it.
11:59And then go see Callum.
12:01Don't ask any questions, let him run his mouth and we'll pull back.
12:04OK, bye.
12:10Hello.
12:12How are you doing?
12:13How are you doing?
12:14How are you doing?
12:15How are you doing?
12:16How are you doing?
12:17How are you doing?
12:18How are you doing?
12:19How are you doing?
12:20How are you doing?
12:21Good.
12:22How are you doing?
12:23If you're doing well, you're doing well in there.
12:24Yeah man, it's funny.
12:25I'm talking to you, no-
12:26How are you doing?
12:27Wow.
12:28I'm talking to you and I'm not doing well.
12:29I'm sorry.
12:30How are you doing?
12:31I'm talking to you.
12:34How are you doing well?
12:35How are you doing well?
12:37I don't know.
13:09This is the Dasing White Sergeant.
13:12Don't forget to subscribe.
13:14I did not subscribe to the channel.
13:16I'm sorry, you're the only one.
13:18But I can't wait.
13:20I'm not even sure.
13:22I'm not even sure in Australia.
13:24I'm sorry.
13:26I've been waiting for a long time.
13:28Douglas, if I want to be a long time.
13:30He's the only one.
13:32I'm the same.
13:34He's the only one.
13:36I'm going to take a look at the bacon corner.
13:39And when the Beatles are in Hamburg,
13:41I'm going to take a look at the caravan.
13:43So I'm going to take a look at Sydney in the back.
13:49What's up?
13:50What's up?
13:51This is a once-in-a-lifetime opportunity.
13:53It's like a girl like a moron.
13:55A girl like a moron?
13:57Well, guess what?
13:58It's like a girl like a moron.
13:59It's like a girl like a moron.
14:00It's like a girl like a moron.
14:02It's like a girl like a moron.
14:04And now I'm going to take a look at the white sergeant.
14:08My mother is Michael.
14:10Did you see her?
14:11I'm not.
14:12No, I'm not.
14:22Hey, come on!
14:30I'm not going to take a look at her.
14:32I'm not going to take a look at her.
14:33I'm not going to take a look at her.
14:35I'm not going to take a look at her.
14:45Not going to take a look at her.
14:46All right.
14:48T'rawaad.
14:50Bloody hell.
14:58What did I tell you?
15:02It's the day I was adopted.
15:06Yes, Dad. It's the day I was adopted.
15:16My dad's been on the way to get on the road.
15:19I've never seen it before.
15:23How are you?
15:26How are you?
15:27How are you?
15:29How are you?
15:30How are you doing?
15:32No.
15:33I'm going to go to the side of the side.
15:36How are you?
15:38I'm going to get a good job.
15:40How are you?
15:41I'm not going to get a good job.
15:43I'm not going to get into it, Tracy.
15:47I'm going to get a decent job.
15:51I'm not going to get a good job.
16:03I'm going to get a good job.
16:23никope
16:24Let's go.
16:54How are you?
16:55My diary.
16:57How are you?
16:58I'm going to write a piece of paper.
17:00That cop's bad news.
17:02That cop?
17:03That's what's the only way she's been able to do.
17:06She's not going to write a diary.
17:09She's going to write a diary.
17:11She's going to write a diary.
17:12She's going to write a diary.
17:14She's going to write a diary.
17:16She was treating her badly.
17:18Dad never raised a hand to Mom.
17:20How are you going to write a diary?
17:23It's the same thing.
17:25I'm going to write a diary.
17:27I'm going to write a diary.
17:29I'm not going to write a diary.
17:31I'm going to write a diary.
17:33Oh, my God.
17:53I'm ready.
18:03I'm ready to get ready.
18:08I'm ready to get ready.
18:13What's going on?
18:15How's it going?
18:18Are you sure?
18:42You're not going to look jealous.
18:44You're not going to look.
18:46You're not going to look, you're not going to look.
18:50I think I'm the owner of the castle.
18:54I'm not going to lie.
18:56Is he going to lie?
19:01What's your name?
19:03What's your name?
19:06I'm not going to lie.
19:12I'm not going to lie.
19:16Do you have a sculpture?
19:18Yes.
19:20But there's a garage there.
19:22I'd like to have another go.
19:24Do you have a cottage?
19:26No.
19:28There's a house there.
19:30There's a house there.
19:32There's a house there.
19:34Yes.
19:36There's a house there.
19:38There's a house there.
19:40What's that?
19:42I don't know.
19:44There's a house there.
19:46Do you have a house there?
19:48Yes.
19:50I don't know.
19:52There's a house there.
19:54There's a house there.
20:00Come on, you must have heard.
20:02There's a house there.
20:04There's an orphanage in Rush.
20:08There's a house there.
20:10There's a house there.
20:12Bad.
20:14I don't think I can get a lot done.
20:16There's a house there.
20:18It's true.
20:22It's true.
20:24It's true.
20:26It's true.
20:28It's true.
20:30Right.
20:32I'll leave.
20:34It's true.
20:36Hello, be careful.
20:38I can't get a book.
20:40The dead you go.
20:42It's true.
20:44Hello.
20:45It's true.
20:46It's true.
20:48It's true.
20:49It's true.
20:50It's true.
20:51It's true.
20:53I can't get in.
20:54Hello?
21:01Hi Aisha, it's Kat. Have you got a minute?
21:04Sure.
21:05Do you know if it would be possible for someone to adopt a child without their spouse's consent?
21:08Not usually.
21:09This would have been back in the early 90s.
21:11Okay, I can look into it for you.
21:13That would be great, thank you.
21:14The child's name is Aileen Clayne.
21:24fte folk music
21:35Dagi, thank you.
21:37×
21:39And Ely!
21:41No, give me your Auckland, I'm a breeze to cloud you, OK.
21:44Then do youroute?
21:46Or i'll do some money happening?
21:47Dagi, have a telephone beard that doesn't hurt?
21:49The idea is that something who breathes in.
21:51I'm going to get to the end of it.
21:57Is there a threat to Edinburgh?
22:00This threat about Edinburgh?
22:01It's not a threat. It's an opportunity.
22:04What are you doing now?
22:05I'm sorry.
22:07I'm sorry to be here.
22:09I don't know what you're doing.
22:11I'm sorry.
22:12I understand you too.
22:14I'm sorry to be here.
22:16I'm sorry.
22:17I'm sorry to be here.
22:19I'm sorry to be here.
22:21Douglas?
22:22Oh, I'm sorry.
22:24I'm sorry to be here.
22:26I'm sorry to be here.
22:28I'm sorry.
22:49I'm sorry to be here.
22:52Christmas!
22:53Christmas!
22:54Christmas!
22:59This is Australia, I think.
23:01I don't know what you have on military.
23:03Can't you stop hanging from Fateh?
23:05Or?.
23:08Is the Australian, you?
23:10Is there a place to hang?
23:11No!
23:12No!
23:13She might have me a farrow come.
23:15I gave up my place at uni.
23:16Didn't ask you to do that.
23:18How, Greg, are she finished?
23:20No, no.
23:24Fuck you, Colin.
23:26Holla, let Erica dabdeen at the fog edge.
23:29Ward me out. Holla!
23:34Holla!
23:43Holla!
23:46Holla!
24:09Hi.
24:11I wonder if you had to be a detailed fan of me.
24:16All you need is not going to be able to make a clue.
24:19I've never told you about it.
24:19I've never told you about this.
24:20I can't tell you.
24:21What did you do with your friends?
24:23What did you do with your friends?
24:24I'm convinced.
24:25Talk about not having a clue!
24:27What did you do?
24:28You did!
24:29I have to have to have a clue for the following.
24:30I did tell you, I didn't know.
24:32I have to have a clue for the following.
24:34I did not know.
24:35I was not sure for friends.
24:36I didn't know why my friends were kin.
24:38..I think they have to do a nice kitchen and make sure that they are getting done.
24:41What are you doing?
24:43What are you doing?
24:44That's why I'm doing this.
24:46How are you doing this?
24:47How are you doing this?
24:49How are you doing this?
24:51No, Patrick. I'm not going to do this.
24:54I don't want to do this.
24:56I don't want to do this.
24:58Do it.
25:08I don't know if you're a man who'd pull through, but I don't know if you're a man who'd pull through.
25:38I'm not going down for you, Gus, call the cops, tell them we've found Beny McLean's killer.
26:08I'm not going to go back.
26:13I'm not going to go back.
26:15I'm not going to go back.
26:17Son, are you crossing the Sahara?
26:19Rudy, I'm not going to go back.
26:25Fine, give me a little bit of help.
26:27I'm not going to go back.
26:32It's pathetic.
26:35I'm not going to go back.
26:40I'm not going to go back.
26:42I'm not going to go back.
26:45I know I'm going to go back.
26:52I'm not going to go back.
26:55The phone call is 5 minutes in the morning.
26:59In Paris, when you look at it,
27:01you can see that in the med school
27:03you can call the text to your mum.
27:06Does that mean you can call your mum?
27:12I'm sorry.
27:14I'm sorry.
27:15I'm sorry.
27:17I'm sorry.
27:19I'm sorry.
27:20I'm sorry.
27:21I'm sorry.
27:22I'm sorry.
27:23I'm sorry.
27:28If you don't mind.
28:22What are you doing?
28:24I'm not going to.
28:26I felt like I was in the middle of the night.
28:33I was almost there.
28:35I was at the time.
28:37I didn't know that.
28:41I didn't want to.
28:43I didn't want to.
28:46I didn't want to.
28:48I didn't want to.
28:50What do you think?
28:57What's the name of Mary McLean?
29:00What do you think?
29:02I don't know.
29:04I don't know.
29:06It's about Douglas.
29:08It's about his love.
29:12I've never heard of him,
29:14but I've never heard of him.
29:16What do you think?
29:26Michael,
29:28I'll pass the computer.
29:36Colonel McLean tried to offload some jewellery in a pub in Tarbo.
29:38We've issued a warrant for his arrest.
29:40So go and tell Sir Douglas before he hears it from somebody else.
29:46How could you do this game?
29:50Tell him a little.
29:52Why are you doing it?
29:58He's from the inside,
30:00and he's from the outside.
30:02He's from the outside.
30:04He's from the outside.
30:06We've got two at the outside.
30:08We've got two at the outside.
30:10He's from the inside.
30:12He's from a house.
30:14Whhoo! Whhoo! Whhoo! Whhoo! Whhoo! Whhoo! Whoo!
30:37Whhoo! Whhoo!
30:41Christian engine.
30:43Hook
30:48Callum McLean detaining you on suspicion of murder the gosh me
30:54Jack
31:04Just picked up column McLean
31:13That's right
31:22Where are they?
31:23I'm okay Mr Douglas
31:24Well how did you tell me?
31:25I know how I am
31:27Mr Douglas
31:28I told you when she ended up absorbing her
31:31The максимum수� 320
31:32Will I go here?
31:35Have you got yourself here?
31:39This is the ding port
31:40only
36:55Okay.
38:43thank you.
38:53Who had a lot of grins to a guy a gudge and jewellery?
39:15Did you like anxiety?
39:17No.
39:18I'm going to get you.
39:20I'm going to get you.
39:21I'm going to get you.
39:48I'm going to get you.
39:54I'll get you.
42:57I want to speak to you about my son, Callum.
42:59Unfortunately, I'm not permitted at this time.
43:01Listen to me.
43:02You have to let him go.
43:04It has nothing to do with this.
43:05It was Mary!
43:14It was my wife who shot me.
43:16I'm not inclusive.
43:28I'm not mistaken.
43:29I'm not sure.
43:29I'm not sure.
43:30I'm not sure.
43:33I'll ask you a little bit.
43:52Look at that, I'm just a little.
44:03I'll ask you a little bit.
44:06I'll ask you a little bit later.
44:26You alright?
44:27Yeah.
44:33No!
44:35No!
44:37No.
44:38No.
44:40No!
44:42No!
44:43No!
44:44No!
44:46No!
44:48I'll ask you a little bit later.
44:51Oh, I really mind.
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