- 6 weeks ago
First broadcast 28th September/5th/12th October 1988.
Taggart and Jardine investigate a brutal dismemberment of a local loan shark.
Mark McManus - DCI Jim Taggart
James MacPherson - DS Mike Jardine
Celia Imrie - Helen Lomax
Kenny Ireland - Ken Lomax
John Kane - Mick Lomax
Gordon Kane - Willie Lomax
Emma D'Inverno - Julie Adamson
Peter Kelly - Robert Carrera
Tom Mannion - DS Scott
Don Gallagher - DS Hind
Iain Anders - Supt. Jack McVitie
Robert Robertson - Dr. Stephen Andrews
Harriet Buchan - Jean Taggart
Leigh Biagi - Alison Taggart
Sandy Welch - Tim Webster
Irene Sunters - Mrs. Lomax
Jonathan Hackett - Bill Shires
Elizabeth Millbank-Turner - Lana Shires (as Elizabeth Millbank)
Kirsty Miller - Linda
Bill Murdoch - Kennel Owner
Alex Howden - Libby
Carol Brannan - Fanny
Jean Craig - Aunt Peggy
Kay Lyell - Aunt Hetty
David Meldrum - Nicholas Frame
Stewart Ennis - George McSherry
James Gibb - Archie Cook
Alan Vicary - Paul Hunter
Harry Glass - MacIntyre
James Martin - Steve Gooch
Robert Stefani - Police Sergeant
Joe McFadden - David Shires (as Joseph McFadden)
Emma Currie - Prospective Hostess
Taggart and Jardine investigate a brutal dismemberment of a local loan shark.
Mark McManus - DCI Jim Taggart
James MacPherson - DS Mike Jardine
Celia Imrie - Helen Lomax
Kenny Ireland - Ken Lomax
John Kane - Mick Lomax
Gordon Kane - Willie Lomax
Emma D'Inverno - Julie Adamson
Peter Kelly - Robert Carrera
Tom Mannion - DS Scott
Don Gallagher - DS Hind
Iain Anders - Supt. Jack McVitie
Robert Robertson - Dr. Stephen Andrews
Harriet Buchan - Jean Taggart
Leigh Biagi - Alison Taggart
Sandy Welch - Tim Webster
Irene Sunters - Mrs. Lomax
Jonathan Hackett - Bill Shires
Elizabeth Millbank-Turner - Lana Shires (as Elizabeth Millbank)
Kirsty Miller - Linda
Bill Murdoch - Kennel Owner
Alex Howden - Libby
Carol Brannan - Fanny
Jean Craig - Aunt Peggy
Kay Lyell - Aunt Hetty
David Meldrum - Nicholas Frame
Stewart Ennis - George McSherry
James Gibb - Archie Cook
Alan Vicary - Paul Hunter
Harry Glass - MacIntyre
James Martin - Steve Gooch
Robert Stefani - Police Sergeant
Joe McFadden - David Shires (as Joseph McFadden)
Emma Currie - Prospective Hostess
Category
📺
TVTranscript
00:00:30Jim, stand here with Auntie Hedgie and Auntie Peggy.
00:00:37Come on, put your arms in Jim's.
00:00:39Try it.
00:00:41Jim, smile.
00:01:00Jim, smile.
00:01:29I always knew it would be you.
00:01:35Since I heard your lilting laughter, it's your Irish heart I must know.
00:01:44Take off my heart.
00:01:48Your glasses.
00:01:49Your A1, smashing.
00:01:51Thanks.
00:01:52Just wish the audiences were better.
00:01:55What are you drinking?
00:01:56A pint of Murphy's.
00:01:57Come make your home in my heart.
00:02:03In my heart.
00:02:09Thanks, folks.
00:02:14We're at the Garden Festival as well, twice a week through the summer.
00:02:17Petty and Peggy want to go and look at the water displays.
00:02:34You know, Gene, I was just thinking how my old man used to drive one of these things.
00:02:39That was my ambition, too, to be a driver.
00:02:42Good job we joined the policy.
00:02:43I wish Alison could have come home this week for the opening.
00:02:49Right.
00:02:51It is certainly going to change the image of Glasgow.
00:02:55It's certainly going to do that.
00:02:56There are two colours of star.
00:03:03Blue stars and there are red stars.
00:03:06You're one of my good wee blue stars, aren't you?
00:03:16So why are you borrowing money off Frank Bell?
00:03:20That's not a good idea.
00:03:22Going to one money lender to pay off another.
00:03:24I'll tell you what I'll do.
00:03:26I've got a wee proposition for you.
00:03:27I will lend you the money to pay back Frank Bell,
00:03:31and that way you stay in to me.
00:03:34Right.
00:03:36Right!
00:03:37Ah!
00:03:54Right.
00:03:54Right.
00:03:55Right.
00:03:55Right.
00:03:56Go.
00:04:05Right.
00:04:05Come on, my son!
00:04:35Yes, there you go, there you go, come on!
00:04:40Come on, sit down!
00:04:43Come on, sit down!
00:04:46Come on, sit down!
00:04:49Sit, come here.
00:05:03Good try, Satan, good try.
00:05:08Okay.
00:05:19Yes, there you go.
00:05:34Yes, there you go.
00:05:47Let's go.
00:06:17Where's Pat?
00:06:32Sorry, Mr Bell. We don't know how it happened.
00:06:36We're going to have to hang on to the dog for a while.
00:06:39An autopsy.
00:06:42Okay.
00:06:47What happened to your fingers?
00:07:11Hello, Max.
00:07:15Yeah, I'll do it.
00:07:22Who saw this?
00:07:24He said I have to pay you back.
00:07:27Loan and interest.
00:07:29I have to stay into him for 60%.
00:07:31I'm sorry, Frank. I wish I'd get into you earlier.
00:07:35I wish I had the muscle to match his.
00:07:41I've had to start cleaning windows in the quiet to pay off the debt.
00:07:45One day I'll do it.
00:07:46Here you go.
00:07:54You were brisk.
00:07:55Teenager said,
00:07:56Mommy, I'm 19, now can I wear a bra?
00:07:58She said, no, John.
00:07:59Oh, that's garbage, do you, man?
00:08:01One house, boy.
00:08:03Cheers.
00:08:04I get my sickness benefit,
00:08:05as well as my social.
00:08:07Give me your books.
00:08:08That way you don't fall behind,
00:08:09and I don't have to come looking for you.
00:08:10See ya.
00:08:37We don't serve your type here.
00:08:39You can't afford to be that fussy.
00:08:42Um, listen, Mick,
00:08:44I mightn't have managed to get to Mum's tomorrow.
00:08:46I thought I might go down to London for a few days,
00:08:47you know, a wee bit of a break.
00:08:48It's Sunday.
00:08:50Ken and Helen are gonna be there.
00:08:51That makes it special for Mother.
00:08:53We are all gonna be there.
00:08:56Aye, all right.
00:08:57We are all gonna be there.
00:09:09We are all gonna be there.
00:09:17Oh, oh, oh, oh, oh, oh.
00:09:47More, Mum?
00:10:10I don't know why you have to waste money on champagne.
00:10:18The garden festival's on.
00:10:20Helen and I were thinking of going.
00:10:23Thought you might like to join us.
00:10:24Oh, that would be nice.
00:10:27Willie, pass Helen a napkin.
00:10:30Wouldn't want her to spoil her nice new clothes.
00:10:33You ought to come through to see the club one night, Mrs Lomax.
00:10:36I'm not the club type.
00:10:38We did have an elderly party, once.
00:10:41They behaved themselves better than some people I know.
00:10:44Why employ hostesses if they're not there to please?
00:10:47They're not there to please you.
00:10:50Why own a nightclub, then?
00:10:51I don't run it as a family knocking shop for scumbags like you.
00:10:54Sorry, Mum.
00:11:04Matter of fact, I thought of coming through to Edinburgh tomorrow.
00:11:09Willie and I might drop in.
00:11:10Yes?
00:11:12Can I come in, Mrs Lomax?
00:11:15Shh.
00:11:16What is it?
00:11:20I've got most of the interest, Mrs Lomax.
00:11:22Do you think I'd have another 30?
00:11:24I've got to buy the Wayne shoes for school.
00:11:26And I'm already losing 11 out my allowance for fuel payments.
00:11:30It's my wee boy's birthday tomorrow.
00:11:32Shh.
00:11:32If you can't pay the interest in one loan, how do you expect to pay it in another?
00:11:46I just will, Mrs Lomax.
00:11:48I promise.
00:11:55After this 30, I'm freezing it till you pay back all the interest.
00:12:02Thanks, Mrs Lomax.
00:12:04I appreciate it.
00:12:17There's a list of 12 names.
00:12:19All in this block.
00:12:21All missed between four and six weeks.
00:12:24I wish you wouldn't lend to a woman, Mum.
00:12:26I refuse to beat up a woman.
00:12:28What do you think I asked you for?
00:12:30And no Willie.
00:12:32Oh, good man.
00:13:00You kept it for us.
00:13:02Oh, Dad.
00:13:05We've got a surprise for you, Willie.
00:13:10Okay?
00:13:11I hear you and your boys have taken a cut off Frank Bell.
00:13:26He's buying out my customers at 25s.
00:13:29Says you killed his dog.
00:13:31There's a warning.
00:13:34Wasn't me.
00:13:36He's out for revenge.
00:13:37I said it wasn't me.
00:13:41I like animals.
00:13:44Do you remember that mouse we kept in a shoebox at school?
00:13:47Yeah.
00:13:48I remember what happened to it.
00:13:52I loved that mouse.
00:13:57I bet he hasn't got a mouse in a shoebox.
00:13:59Not at his school.
00:14:00David.
00:14:01David.
00:14:11I mean, we're getting you home.
00:14:13Mum's at keep fit and he's got staff meeting at the scale to six.
00:14:17He?
00:14:18He's your stepfather.
00:14:20And you'll just have to get used to the idea.
00:14:22Okay, then, David.
00:14:38See you next Sunday.
00:14:39Official time.
00:14:40Don't leave the camera here till then.
00:14:43Aye, I'm here.
00:14:45Remember my comic next week.
00:14:46And don't forget who your real pals are.
00:14:48Do I love you?
00:15:16My, my, my, river deep, mountain high.
00:15:23Yeah, yeah, yeah.
00:15:25If I lost you, could I cry?
00:15:31Oh, I love you, baby.
00:15:33Baby, baby, baby.
00:15:41The problem with a door is what I want to see.
00:15:44Make warm eyes.
00:15:50Do you want to see a lot of good people?
00:15:54I'm a marvel at a venue.
00:15:54I've got a visitor at the lobby.
00:15:58Told you I was probably on, didn't I?
00:16:01Any girl stronger, baby, in every way.
00:16:05Watch that, dear.
00:16:07Any girl's higher, baby, everyday.
00:16:11How did you know we were here?
00:16:26The car was outside.
00:16:27Right shell at home with my wife married.
00:16:30You see David two Sundays a month, no other time.
00:16:33But I'll see to it that you'll never have access to him.
00:16:37You're out of line, Shire.
00:16:39David's in a good school now.
00:16:40I don't want him growing up admiring you or your brother.
00:16:44I'm his father.
00:16:45Don't forget that.
00:16:46You might be a couple of hard men through in Glasgow,
00:16:49but here you're nothing.
00:16:51What's going on?
00:16:53Nothing.
00:16:54I'm finished.
00:16:56Oh, Shire.
00:16:57Tell Lana if she wants any excitement.
00:17:00She knows where to come.
00:17:02I'm only here.
00:17:02Yeah.
00:17:13You're the other son.
00:17:15They're your brothers, huh, are you?
00:17:17Yeah, yeah.
00:17:18I knew if I'd lost you when I cried.
00:17:21Good night, Shire.
00:17:31Good night, Shire.
00:17:31Good night, Shire.
00:17:31Good night, Shire.
00:17:31Good night, Shire.
00:17:31Good night, Shire.
00:17:31Good night, Shire.
00:17:31Good night, Shire.
00:17:31Good night, Shire.
00:17:31Good night, Shire.
00:17:31Good night, Shire.
00:17:32Good night, Shire.
00:17:32Good night, Shire.
00:17:33Good night, Shire.
00:17:33Good night, Shire.
00:17:34Good night, Shire.
00:17:35Good night, Shire.
00:17:35Good night, Shire.
00:17:36Good night, Shire.
00:17:36Good night, Shire.
00:17:37Good night, Shire.
00:17:38Good night, Shire.
00:17:39Good night, Shire.
00:17:40Good night, Shire.
00:17:41Good night, Shire.
00:17:42Good night, Shire.
00:17:43Good night, Shire.
00:19:14You'll be lucky to find somewhere to stick your thermometer.
00:19:28Give me one of that, will you?
00:19:44Well, so far as I can judge, I'd say the time of death is between 2 and 4 a.m.
00:19:55Not a lot of folk about.
00:20:00What do you think was used?
00:20:02I'll give you my opinion later.
00:20:04Oh, come on.
00:20:06I know it wasn't.
00:20:08An axe?
00:20:09Yes.
00:20:10The rest of it's up there.
00:20:13I think he played fit-by-wear.
00:20:14What's up?
00:20:15Oh, hello you.
00:20:16Back in the job.
00:20:17I found this.
00:20:18Look at the logo in the corner.
00:20:20Glasgow Garden Festival.
00:20:21I've got your souvenirs, Mum.
00:20:32Oh, yes, thanks.
00:20:33See the nice handkerchief, Helen?
00:20:39Mmm.
00:20:40Enjoying yourself?
00:20:42Oh, yes.
00:20:43It's good to remember Glasgow the way it was.
00:20:46Isn't it, Helen?
00:20:48Pardon?
00:20:48I think the point is, Mum, it is better than it was.
00:20:52There's still a lot to see.
00:20:54Could take the whole day.
00:20:56There's the Chinese gardens, the water tower, water display, and don't forget the thrill ride.
00:21:08Mick and Willie would love it here.
00:21:10Why?
00:21:11They're just boys at heart.
00:21:18It's Prince and File.
00:21:25Willie Lomax, the moneylender.
00:21:28His flat's only about 100 yards from where we found him.
00:21:33So somebody did it at last.
00:21:35If you're looking for a moneylender's tally book, you've got to think like a moneylender.
00:21:52We did all right for himself.
00:21:54Look at that stuff.
00:21:56The interests these boys charge, they always do all right for themselves.
00:21:59If there wasn't so much poverty, they wouldn't get the opportunity.
00:22:02Well, it's a social worker's job, not hers.
00:22:13Hey, Michael.
00:22:15What's the time?
00:22:16What?
00:22:18The cloak.
00:22:22Oh, look at this.
00:22:25More than money.
00:22:26There must be about 200 suspects' names in this book.
00:22:38Don't get that off, any.
00:22:40Listen, his brother's got a bar on the south side.
00:22:43I'll go and talk to him.
00:22:45You go down to the Garden Festival, find out how many of those hankies have been sold.
00:22:49Great.
00:22:49Can I help you, gentlemen?
00:22:58DCI Tiger.
00:22:59Superintendent McVetty.
00:23:01Maryhill Police Station.
00:23:03Sit down.
00:23:07What brings you on to foreign soil?
00:23:11When was the last time you saw Wally?
00:23:13Last night.
00:23:14Where?
00:23:16We drove through to Edinburgh.
00:23:18At the Oasis.
00:23:19It's my brother's club.
00:23:20What time did you get back to Glasgow?
00:23:23About half past two.
00:23:24This morning.
00:23:25Were you driving?
00:23:27Yes.
00:23:28What's this about?
00:23:29He didn't make it home in one piece.
00:23:38All right.
00:23:39I hope you haven't been up to anything, Mum.
00:24:09I hope you haven't been up to anything.
00:24:39I'll put the kettle on, Mum.
00:25:02It's on general sale to the public as a souvenir.
00:25:05Thousands have been sold.
00:25:06Wonderful.
00:25:18I know he had his faults, but what if I...
00:25:22He had a book with 220 names in it.
00:25:26Names of people he led money to.
00:25:28Do you have to bother her now?
00:25:29I'm afraid we must.
00:25:30We don't know anything about any book.
00:25:32Don't insult us.
00:25:34If people weren't too ashamed or too frightened to come forward, we'd have put you out of business years ago.
00:25:41Look at the state she's in.
00:25:42Can't you wait?
00:25:43I don't know what you're talking about.
00:25:45You know what I'm talking about.
00:25:47I'm not interested in your activities.
00:25:49Only his.
00:25:51But I might get interested.
00:25:53Now, do you understand her?
00:25:54I don't know anything about illegal money lending.
00:25:58The P-Mont.
00:25:59There were always been good boys.
00:26:04On the last birthday, the 5th of November, they took me to see Frankie Vaughan at the Theatre Royal.
00:26:12Then they took me out for a lovely meal at the Albany Hotel.
00:26:18Very nice.
00:26:19It might have been you.
00:26:36What might?
00:26:38Well, money lenders must invite murder.
00:26:42Especially those that charge 60% interest a week like your brother.
00:26:46As much as that.
00:26:46What would a blue asterisk and a red asterisk in his book mean?
00:26:53How many times I knew nothing about my brother's business.
00:26:57But I know about his business.
00:27:01And I know the misery it causes.
00:27:04Have you thought of the misery that would be without it?
00:27:14Mr. Cook.
00:27:15Police.
00:27:29What happened to the finders?
00:27:32Yeah, they got jammed.
00:27:33In a windy.
00:27:35I'm doing sudden.
00:27:36Is there somebody on the other end of it?
00:27:38I don't know what you're talking about.
00:27:40Archie Cook.
00:27:41Is that you?
00:27:42That's a common name.
00:27:44Well, it's not that common.
00:27:46How much do you owe Willie Lomax?
00:27:47Who?
00:27:48Now, listen, you.
00:27:50This is a murder inquiry.
00:27:52You can help us here.
00:27:53I'll do it the night.
00:27:55I paid him half.
00:27:57I didn't owe him anything.
00:27:58That's funny.
00:28:00According to this, you still owe him £200 and a £50 loan.
00:28:04I paid him back, honest.
00:28:06He put his heavies on you.
00:28:08What are their names?
00:28:09No, no.
00:28:10He never set anybody on me.
00:28:11What does a blue asterisk mean?
00:28:13A year name in his book.
00:28:16Asterisk?
00:28:16Why don't you just call them stars?
00:28:19He'll know what you're talking about.
00:28:20I've no idea.
00:28:22We have reason to believe he had a good motive for killing Lomax.
00:28:26We're holding you on suspicion of murder.
00:28:28Now, if your memory comes back,
00:28:32you might do yourself a bit of good.
00:28:35What?
00:28:36My Wendy's?
00:28:38Why bother with him?
00:28:39He don't seem to agree with you.
00:28:46Why bother with him?
00:29:16Willie Lomax is dead.
00:29:24Aye, I know.
00:29:25I read it in the paper.
00:29:26The police don't know you had that reason to want him dead.
00:29:30You like animals too, right?
00:29:34Even dead ones.
00:29:36You see, Willie's death has left us unemployed.
00:29:40Polis have got his book.
00:29:42But we know the faces, right?
00:29:44So we thought, you know,
00:29:46with your book,
00:29:47we might go into partnership.
00:29:49Partners?
00:29:52I'd sooner hear a couple of monkeys.
00:29:55Report from Forensic of interest.
00:29:58In a few cuts on Lomax's clothing,
00:30:04they found pollen grains.
00:30:06Pollen?
00:30:08They've gone to the botany department
00:30:09of the university for identification.
00:30:13And you have a theory about the handkerchief?
00:30:15I think the killer used it
00:30:16to wipe the blood off the axe, sir.
00:30:18And it's on sale only at the Garden Festival?
00:30:20Yes, sir.
00:30:21And thousands have been sold.
00:30:28Inspector Taggart.
00:30:30Hello.
00:30:31My name's Paul Hunter.
00:30:33I'm the director of a play at the Tron Theatre
00:30:35about Lizzie Borden,
00:30:39the axe murderess from New England.
00:30:40I read in the paper
00:30:42about the axe murder of the moneylender.
00:30:44Well, this may just be coincidental,
00:30:47but two days before,
00:30:49we had something stolen.
00:30:51Lizzie Borden's axe.
00:30:52The axe murderess from New England
00:31:22Oh, my God.
00:31:52Oh, my God.
00:32:22The horns of Elfland faintly...
00:32:24Did you feel that?
00:32:27I'll put some of it into the poem.
00:32:32The horns of Elfland faintly blowing.
00:32:35Blow, let us hear the purple glens replying.
00:32:38Blow, bugalancer, echoes dying, dying, dying.
00:33:10It was just an axe.
00:33:13You don't think somebody's going to steal an axe.
00:33:16Who can get into that stage area?
00:33:18Almost anybody.
00:33:20The people use the bar here.
00:33:21And anyone could nip through to the theatre area.
00:33:23It's not kept locked.
00:33:25How big would you say that the head of the axe was?
00:33:29Five, six inches.
00:33:31Bigger than the new axe.
00:33:36You really think somebody saw the show and got the idea?
00:33:39It's one theory.
00:33:39It's crazy.
00:33:43Lizzie Borden was a good few years older than you, wasn't she?
00:33:47Dramatic licence.
00:33:48She was also a very unattractive woman, I believe.
00:33:51Dramatic licence too.
00:33:54What interested you in the part?
00:33:56I wanted to show that, driven by hatred,
00:34:00the most unlikely person can commit murder.
00:34:04Listen, if you're going to be about for a couple of weeks,
00:34:06maybe we could have a longer chat.
00:34:09A drink.
00:34:09Hey.
00:34:13We've got work to do.
00:34:15I was just telling Julie how much we enjoyed the play.
00:34:17We're on duty.
00:34:19We're not supposed to enjoy ourselves.
00:34:23Go on.
00:34:24Did your mother never warn you about actresses?
00:34:36You think Lizzie Borden did it?
00:34:37Who cares?
00:34:38Didn't happen on my patch.
00:34:40I'm keen on knowing if it was her axe.
00:34:42Someone could have been unhinged by watching the play.
00:34:46Unhinged?
00:34:46But listen.
00:34:47But listen.
00:34:48Willie Lomax was no random victim.
00:34:50Somebody had it in for him.
00:34:52Let's go.
00:34:54One leg of the family we haven't spoken to yet.
00:34:55Please, sit down.
00:35:06I've got to ask you, did you like your brother-in-law?
00:35:20I didn't like or dislike him.
00:35:23I married Ken.
00:35:25Not his family.
00:35:27Did you know he was a moneylender?
00:35:28He'd see through me if I lied.
00:35:32Yes, I did.
00:35:34When did you last see him?
00:35:35Monday night.
00:35:36At the club.
00:35:37I was working there.
00:35:38As what?
00:35:39As Ken's wife.
00:35:42I employ girls for him.
00:35:44Not that I don't trust him.
00:35:46Have you had experience with this kind of job?
00:35:48I know what men look for.
00:35:51Um, did you know anyone that might want to murder Willie?
00:35:56Didn't hundreds of people.
00:35:57No.
00:35:58I mean personally.
00:36:01Well, as what happened at the club.
00:36:04That was mainly a threat to Mick.
00:36:07Why?
00:36:08What happened?
00:36:09Mick had a row with his son's stepfather about access.
00:36:13He said he'd put an end to David saying his father all Willie.
00:36:16He said he didn't like the boy admiring villains.
00:36:20And this was the night before he was murdered?
00:36:21Well, why didn't you mention this before?
00:36:24Maybe I agreed with him.
00:36:26Someone did your city a favour.
00:36:34I don't call murder doing anyone a favour.
00:36:37Everybody's got the right to live.
00:36:38My boy has a right, too, to grow up emulating decent people.
00:36:42Which Willie Lomax wasn't.
00:36:44The row is between me and my wife's ex-husband.
00:36:47Did you wait for them to come out?
00:36:49At half past eleven at night.
00:36:50Yeah.
00:36:52Edinburgh folk turn into bumpkins at midnight, do they?
00:36:55He's different, sir.
00:36:58It's your ex-husband.
00:37:00Bill and I grew up in the same street in Edinburgh.
00:37:03Went to the same school.
00:37:04I met Mick and just made a big mistake.
00:37:09How long were you married to?
00:37:11Ten years.
00:37:14That's how big a mistake it was.
00:37:17He never went to prison, but I felt as though I did time every day of it.
00:37:24Now, if you'll excuse us, we're driving up to St Andrews for dinner.
00:37:27What do you think?
00:37:43Maternal jealousy?
00:37:45It was Willie who died.
00:37:46No Mick.
00:37:48Aye, but the boy admired both of them.
00:37:50Maybe he saw a threat in both of them.
00:37:52Doesn't seem the type.
00:37:53Neither did Lizzie Borden.
00:37:54I'll show you a bandit, son. It's going off.
00:37:57Come on, there, please. Thanks, lads.
00:38:01Come on, there.
00:38:05Come on, lads. You know Holmes can go.
00:38:07Give the band on a break.
00:38:10Come on, son. Put her down. You don't know where she's been.
00:38:13Mick, visit her.
00:38:14She's got the police.
00:38:17Come on, there.
00:38:20Hello, Dad.
00:38:21Help me if you can.
00:38:24Do you know a man called Mr. Shire?
00:38:40Oh, I don't think so.
00:38:42He was well-spoken. Slightly baldy.
00:38:45Please help me.
00:38:47Thanks very much.
00:38:48And now my life is true.
00:38:54Not one person saw Shire's hanging around after us.
00:38:58I think we're wasting our time.
00:39:01Ah.
00:39:02So do I.
00:39:04Every villain in Edinburgh must be here tonight.
00:39:07Can spot them a mile away.
00:39:09See that prayer?
00:39:11They're Glasgow.
00:39:12I know them.
00:39:13I just can't put my finger on them.
00:39:18They're faces.
00:39:20I might have lifted them.
00:39:23Who are they?
00:39:24Come on.
00:39:26Just think.
00:39:28They're up to something.
00:39:30Come on, let's satisfy our curiosity.
00:39:32Oh, help me get my feet back home.
00:39:39Boys.
00:39:40Mind if we join you?
00:39:42You're interrupting something, I hope.
00:39:44No.
00:39:46You want to remind us of your names.
00:39:49You've had a memory lapse.
00:39:50If you can, I'm feeling down.
00:39:55And I do appreciate it.
00:40:00Do you know, Dax?
00:40:03It might mean that we went in for that kind of thing.
00:40:06But then we had different pleasures.
00:40:16Can I ask you something?
00:40:18Sure.
00:40:21Is it true you're in money?
00:40:22It really hides its interest illegally.
00:40:24Who told you that?
00:40:26Mum.
00:40:29It's true.
00:40:30Is it true you have people beating up you can't pay?
00:40:35Time I was getting you home.
00:40:36Why'd you do it?
00:40:41You're good at science at school, yes?
00:40:44Some boys are good at sports.
00:40:46Some at languages.
00:40:49It was the same when I was at school.
00:40:51Some were good at some things.
00:40:53Some were good at others.
00:40:58Let's get you home.
00:40:58You've just got Mick Lomax in your patch.
00:41:09We've got his whole money lending operation in ours.
00:41:12We've been working with the consumer credit guys for months trying to get enough evidence.
00:41:16Is that why you're here?
00:41:17Ah, and for the fun.
00:41:20We drink with the Lomax brothers a lot here.
00:41:22Real nice guys.
00:41:24Three Alabama Slammers.
00:41:26Count me out.
00:41:27Oh, you're having one.
00:41:29Three Alabama Slammers.
00:41:30And what about the boss?
00:41:31No, really, I don't want one.
00:41:33I don't drink.
00:41:33Look, you're not sitting at this table and not drinking.
00:41:37Three Alabama Slammers.
00:41:39And a double malt for the boss.
00:41:41Besides, I'm driving him back.
00:41:44Do you hear Christmas?
00:41:46An angel just landed on my shoulder in death.
00:41:49Mr. Tagger, you're what?
00:41:59There's a guy, Frank Bell, lives in heartache.
00:42:04Well, he was taking a couple.
00:42:07Great.
00:42:11Thanks.
00:42:19Hello, Dad.
00:42:33Aye, aye.
00:42:37When did you get here?
00:42:39About eight o'clock.
00:42:40We've been waiting up for you.
00:42:41I was through in Edinburgh.
00:42:43Inquiries, you know.
00:42:44It's good to see you.
00:42:49Dad, this is Tim.
00:42:51Pleased to meet you.
00:42:53Hello.
00:42:55Tim and I are engaged.
00:42:59You're what?
00:43:00You might say congratulations.
00:43:03I don't even know the guy.
00:43:08Um.
00:43:10Here's something for you.
00:43:12It's 12-year-old.
00:43:15Thanks.
00:43:18Sit down.
00:43:19It's just that Alison never told us
00:43:27she was going out with anybody.
00:43:31How long have you known each other?
00:43:34About three months.
00:43:37I broke my leg.
00:43:38I was a patient in the ward she was working in.
00:43:40What do you do?
00:43:42I'm a carpenter.
00:43:44I've got my own business.
00:43:45How about it?
00:43:50That's good.
00:43:51Is something wrong?
00:43:57No.
00:43:58I've got my own business.
00:47:16You two again.
00:47:18Your usual.
00:47:18We met two colleagues from the north side last night in Edinburgh.
00:47:25They're investigating your brother's murder.
00:47:27Wish we could have been in on that one.
00:47:29Aye.
00:47:30We'll be pulling out all the stops to congratulate him.
00:47:34One pound eighty.
00:47:37One pound eighty.
00:47:38That's nice.
00:47:39We'll drop in for a friendly chat and he doesn't even buy us a drink.
00:47:43I don't encourage the police in here.
00:47:46That's why I had a carpet put down.
00:47:47This was Bell's routine, it seems.
00:47:53Collecting his debts the same time folk collected their social.
00:47:57We were hoping to interview him this morning.
00:47:59What's it, Bell?
00:48:01Yes, sir.
00:48:03There were witnesses who owed them.
00:48:04Two moneylenders down, two hundred to go, sir.
00:48:07All right, all right.
00:48:09Who gave you his name?
00:48:12Ken Lomax, sir.
00:48:14Last night in Edinburgh at the Oasis Club.
00:48:16It's pretty you didn't visit him at once,
00:48:19instead of staying on and enjoying yourselves.
00:48:22I will remember next time.
00:48:30Oh, Archie.
00:48:32No hoping to clean the wind, is he?
00:48:35Franky was all right.
00:48:37It's a lot worse than him.
00:48:43Do you mind a couple of names?
00:48:46Hi.
00:48:48Good morning.
00:49:16Some place this time, eh?
00:49:25Mm-hmm.
00:49:26Do you think the killings are connected?
00:49:28Oh, I don't know.
00:49:30I'd be happier if you knew what a vine-leave the butylone was.
00:49:33I've got one in my greenhouse.
00:49:34I'll show it to you sometime.
00:49:36Doing very well this spring.
00:49:39Come in.
00:49:41Come in.
00:49:41Hello.
00:49:42Oh, Mrs. Lomax.
00:49:44Mr. Lomax.
00:49:46Superintendent McPittie.
00:49:47Hello.
00:49:51Splendid collection of blood.
00:49:54You respond well to a wee burst of puccini.
00:49:58That name you gave me the other night, Frank Bell.
00:50:01Who gave you the tip-off?
00:50:02My brother, Mick.
00:50:04As someone who might have a motive for murdering Willie.
00:50:06That's right.
00:50:08What do the names, uh, Nicholas Frame and George McSherry mean to you?
00:50:12Not a lot.
00:50:14Why?
00:50:15Well, they were henchmen for Willie.
00:50:17You see, we think they might have had it in for Bell, too.
00:50:19I knew nothing of Willie's business.
00:50:22We've always kept ourselves apart from Mick and Willie.
00:50:24Haven't we, Ken?
00:50:26Yes.
00:50:27Ken tried to give a guiding hand to them, but they just went their own way.
00:50:31Willie was pretty affected when our father died.
00:50:34Ken would make a good father.
00:50:36Have you got a butylone?
00:50:40They haven't.
00:50:42Did you speak to Frank Bell?
00:50:44We never had a chance.
00:50:46His car was blown up this morning.
00:50:49He was in it.
00:50:50Jelly Ignite, I sure think.
00:50:58I don't know the difference between Jelly Ignite and Jelly Babies.
00:51:00They remind me of a bomb.
00:51:02Come on, that's IRA's department, officer, not mine.
00:51:15Do you need much intelligence for this line of work?
00:51:18I mean, how many O-levels?
00:51:20Do you have any O-levels?
00:51:25Just that my boy's interested in science at school.
00:51:28I could recommend this as a career if nothing worthwhile turns up.
00:51:34Do you do toenails as well?
00:51:36You know one of the delights of my job?
00:52:00Seein' a hard man go soft at the sight of four walls.
00:52:05We never murdered anybody.
00:52:09Look straight at me.
00:52:11What are you on?
00:52:13Coke?
00:52:15Nothing.
00:52:15What's that we found in your pocket?
00:52:17That's just a little weed.
00:52:21What are you and your pal?
00:52:24The floor of port main.
00:52:25I don't have an alibi.
00:52:28I don't need an alibi.
00:52:30I didn't plant that bomb.
00:52:32This was found in the search of your flat.
00:52:35It's just a book.
00:52:36It's an American publication.
00:52:40Banned in this country.
00:52:43Terrorists' standard issue.
00:52:45Tells you how to make the lot.
00:52:48It's a revolutionaries recipe book.
00:52:51I thought it was Mrs. Beaton's.
00:52:54Collecting hankies.
00:52:56This is a really exciting job I joined the force for.
00:53:02Lizzie Borden and the Axe.
00:53:04The Tron Theatre.
00:53:05Lizzie Borden and the Axe.
00:53:08Tron Theatre every lunchtime.
00:53:10Lizzie Borden and the Axe.
00:53:12Mack'em.
00:53:14You've seen it.
00:53:15Look, you're backing me into a corner.
00:53:21You were in a corner
00:53:22when you got out of bed this morning.
00:53:27Okay.
00:53:29I've got an alibi.
00:53:31All night.
00:53:33Not that one again.
00:53:35What's her name?
00:53:37My son.
00:53:39David.
00:53:45Thanks.
00:53:48You didn't tell me you also played the guitar.
00:53:51I was playing before I ever thought about acting.
00:53:53What kind of music?
00:53:56Country and Western mostly.
00:53:58What ages did you start singing?
00:54:00About this high.
00:54:02Mind you, I was practically pushed into it.
00:54:05Who'd buy it?
00:54:07Why are you going round like nankages?
00:54:09Everyone connected with the festival
00:54:11got one in their infobank.
00:54:12You can buy them at the Sudanese time.
00:54:14There's a difference.
00:54:17I don't even know where mine is.
00:54:20Don't worry.
00:54:21Why not?
00:54:23Well, because...
00:54:25I'm a woman.
00:54:27And therefore I can't possibly be a suspect.
00:54:29It's not just that.
00:54:33Electronic dog lead in case I stray.
00:54:36I'll be back in a minute.
00:54:43Okay, sir.
00:54:44Right, sir.
00:54:46You have 20 minutes.
00:54:4720 minutes.
00:55:09David!
00:55:09These gentlemen are from the police in Glasgow.
00:55:22I want to know where you were last night.
00:55:27I spent the night with Dad, that's all.
00:55:31He's only meant to see him twice a month.
00:55:33The court's laid that down.
00:55:34The court's never asked me.
00:55:36You were 10 at the time.
00:55:38Mr. Shires.
00:55:39Can we ask the questions?
00:55:40I don't want him growing up like his father.
00:55:42I hate Edinburgh.
00:55:43I hate this school and I hate you.
00:55:45Mr. Shires.
00:55:46We want to know what your dad did last night.
00:55:52We sat up and talked till about 2 o'clock.
00:55:56Then went to bed.
00:55:57I slept with some tea.
00:55:59Did your father go up and go out again?
00:56:00No.
00:56:02How do you know if you were asleep?
00:56:04I wasn't asleep.
00:56:05I was too scared of not getting back home in time.
00:56:08I made Dad a cup of tea about half past five.
00:56:10Then he drove me back to Edinburgh.
00:56:11I fell asleep in French today.
00:56:15That just about does it.
00:56:17Just about does it for us too.
00:56:26Oh Jim.
00:56:27What are you at?
00:56:28Hello sir.
00:56:29No way.
00:56:29I'll get this.
00:56:30I'll get this.
00:56:31Well, the boy says the same as his father, sir.
00:56:44Family alibi.
00:56:46In this case, sir, I think it's the truth.
00:56:49Lomax didn't have a chance to plant that boat.
00:56:51I'd to person test the lift.
00:56:54He could have some sort of vigilante.
00:56:56Killing moneylenders.
00:56:58There you are, sir.
00:56:59A toast.
00:57:01To your daughter's engagement.
00:57:04Speak, sir.
00:57:06No, see you after the wedding.
00:57:31You know what the word is?
00:57:46Somebody's out to kill moneylenders.
00:57:48Why should that concern me?
00:57:51Watch your back, Lomax.
00:57:53I'll be right back.
00:57:57I'll be right back.
00:57:59Thank you, sir.
00:57:59Thank you, sir.
00:58:29So you think you're funny.
00:58:31A chance to star as a comedian for you, perhaps for 10 minutes at 7 o'clock tonight.
00:58:35That's until Saturday, 21st of May.
00:58:38It's 10 minutes to 8.
00:58:59Dad, could we have a party here on Tuesday night?
00:59:14No.
00:59:14Just for some of the nurses from the General.
00:59:16I haven't seen them since I left.
00:59:18Ali and I thought we'd prepare everything.
00:59:20But we won't cause you any trouble.
00:59:23Ali.
00:59:24I'm sure we'll manage.
00:59:25I'll do what I can.
00:59:26Bring your partner along, Dad.
00:59:27I'd like to meet him.
00:59:28Oh, wait a minute.
00:59:30Who's this Ali?
00:59:31Is this my name for her?
00:59:35Look.
00:59:36We give our daughter a perfectly good name.
00:59:40Use it.
00:59:46I suppose I live a rather dull and uninteresting life.
00:59:52Well, except for the tour.
00:59:54Dear Papa paid for that.
00:59:56Oh, Emma didn't want to come.
00:59:59So she stayed at home.
01:00:01Oh, I visited Britain and France and Italy.
01:00:07But I preferred France most of all.
01:00:12But all the time,
01:00:14I kept thinking about Mother.
01:00:18How much I hate her.
01:00:20I refuse to call her Mother.
01:00:26I'll call her Mrs. Borden.
01:00:30How that infuriates, Papa.
01:00:35I'd like to...
01:00:37I'd like to strike her dead.
01:00:41I'm not holding this.
01:00:49Oh, I guess it's my turn to chop the wood.
01:00:52I'm not holding this.
01:01:11Oh, hello, Mrs. Lomax.
01:01:19Hello.
01:01:20Excuse me.
01:01:22I didn't know you were a theatre guard.
01:01:24Frequently.
01:01:26Did you enjoy the play?
01:01:27Yes, thanks.
01:01:29I wish a particular interest in this play.
01:01:31Nothing, really.
01:01:33I suppose it's culture.
01:01:35I'd better go shopping to do, you know.
01:01:37I'll see you.
01:01:39Sure you will.
01:01:40I'll see you.
01:01:51Hello.
01:01:53Was it a good house, as they say?
01:01:55Yes.
01:01:56Marvellous what a bit of publicity can do, huh?
01:01:59It has helped.
01:02:01You know, I've been thinking about this axe that went missing.
01:02:06Did you make that story up?
01:02:08Are you accusing me of wasting police time?
01:02:12No.
01:02:14Not yet.
01:02:16The axe was stolen from here two days before the murder.
01:02:21Did you take it?
01:02:22Look, ask anybody when the axe went missing.
01:02:26I couldn't foresee an axe murder two days after.
01:02:30One person did.
01:02:31There, that's everything ready.
01:02:41The best.
01:02:42My huck and a coffin with solid brass bits.
01:02:46You'd have liked that.
01:02:49And velvet and teary.
01:02:52Good taste.
01:02:53You're good, boys.
01:03:13Did you kill Frank Bell?
01:03:15Me, no.
01:03:16The truth, Michael.
01:03:18Are you calling your brother Amandara or Kenneth?
01:03:22Then take your hands off my cashmere coat.
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