- 2 months ago
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00:00:00Come on up, I need you, my lord, my lord.
00:00:18Thank you, ladies and gentlemen. We'll be back at six o'clock.
00:00:25Excuse me, which one of you is Robert Carrera, the secretary?
00:00:28Robert, this guy wants a word with you.
00:00:33Mr Carrera, Detective Sergeant Jarvan, we're making inquiries of...
00:00:42Excuse me, will you? Do you have any?
00:00:51Is your middle name Pimpernel?
00:00:56Why have you been trying to avoid me?
00:00:57I wasn't.
00:00:59You saw me. You deliberately walked the other way.
00:01:02You must have imagined it.
00:01:04I didn't imagine it.
00:01:07Why did you run away from me yesterday?
00:01:10You were...
00:01:11You were getting too close.
00:01:14I like you.
00:01:26I'm sorry if I made it too obvious.
00:01:28I'm sorry too.
00:01:30Just say so and I'll go away.
00:01:32I just need time.
00:01:36I like you too.
00:01:38But you don't understand.
00:01:40To someone else?
00:01:43There's no one else.
00:01:44Never has been.
00:01:46Someone like you?
00:01:48Because I'm an actress.
00:01:50Because I'm in the business.
00:01:51I'm with everybody I meet.
00:01:53Well, you're wrong.
00:01:54I didn't mean it that way.
00:01:56A lot of men do.
00:02:01Michael.
00:02:01I've got a singing barber in here.
00:02:05Singing what?
00:02:06You were supposed to interview him.
00:02:08Then you ran off in pursuit of somebody else.
00:02:10I saw Julie Adamson.
00:02:11I thought...
00:02:12What is it with you?
00:02:13Oh, yes.
00:02:14Are you lovesick or something?
00:02:16Look, this guy is not only connected to the festival.
00:02:20He sang in a quartet at the Tron Theatre.
00:02:22And his wife committed suicide because she was anti-Moneylander.
00:02:25Come on.
00:02:26Robert Carrera, Detective Sergeant Jardine.
00:02:37You've met briefly.
00:02:40I don't ever remember receiving an information pack.
00:02:44Or a handkerchief.
00:02:46Now, look.
00:02:47We've got a letter you wrote in February to the festival organiser requesting one.
00:02:53It was sent three days later.
00:02:56I don't remember.
00:02:57Why is that?
00:02:58Is it because you can't supply us with a hanky?
00:03:01Or because you lost it somewhere?
00:03:04No.
00:03:06Come on.
00:03:07You're the secretary of your group.
00:03:10You're supposed to remember things like dates, bookings.
00:03:14That's why they want to replace me.
00:03:16When you were at the Tron Theatre, did you see the Lizzie Borden play?
00:03:22Yes.
00:03:23Did it give you ideas?
00:03:26When did your wife die?
00:03:281976.
00:03:32Twelve years ago?
00:03:34I didn't know she wasn't dead.
00:03:37Things were harder then.
00:03:40They threatened her.
00:03:43She couldn't stand violence.
00:03:46She had a bath one night.
00:03:48I went in.
00:03:52And she'd opened up her wrists.
00:03:55She was just lying there.
00:03:59She owed £500 on a £20 date.
00:04:06Old wounds opened, Robert.
00:04:09You must hate money lenders.
00:04:10I've got a proposition.
00:04:25I need a couple of debt collectors.
00:04:26Why else?
00:04:30Not for Willie.
00:04:31I thought I'd keep you in the family.
00:04:35Did you blow up Frank Bell?
00:04:37No.
00:04:38I thought you did.
00:04:40It wasn't us.
00:04:43Business then.
00:04:44I don't lend to women.
00:04:48For the moment, I don't want any violence.
00:04:50What are we supposed to use?
00:04:52Sarcasm?
00:04:53I don't want any busts, faces up busts, anything.
00:04:55I've enough police attention as it is.
00:04:57Give folk a warning, but go no further.
00:04:59Not without consulting me.
00:05:00And what's that?
00:05:04Mr. Joy?
00:05:05Not in here.
00:05:07This is a respectable police.
00:05:13Do you see who that is?
00:05:18Frame and McSherry.
00:05:20They used to be Willie Lomax's muscle on the north side.
00:05:23Maybe they're working for his brother now.
00:05:25More than likely.
00:05:26Keeping it in the family.
00:05:28Let's keep an eye on them.
00:05:31What he needs is a singing housekeeper.
00:05:33He doesn't even have a window box,
00:05:35let alone a vine-leaved or beautiful.
00:05:38Well, do you know a DS Scott and a DS Hines from Rutherland?
00:05:43The Alabama Slammers.
00:05:44And they reported that Frame and McSherry
00:05:46have gone down over to the south side.
00:05:48Probably working for McLomax.
00:05:50At least that gets them off their patch.
00:05:52Bomber port.
00:05:54Simple time device.
00:05:56Wired to at least a pound of blasting explosives.
00:06:00Obviously someone who knew Frank Bell's post office routine.
00:06:04It would have been more reliable
00:06:05if he'd wired it up to the ignition.
00:06:07That takes time, though.
00:06:09He was in a hurry.
00:06:10Otherwise, he'd have put it behind the dashboards.
00:06:13Yeah.
00:06:14Would have been more professional behind the dashboards.
00:06:17You do it.
00:06:18Is that what I think it is?
00:06:35We'd like a chat with some money you owe McLomax.
00:07:03Okay, okay, I'll get my money, my flasers.
00:07:06You haven't paid interest for six weeks.
00:07:09Do you know what that's mounted up to?
00:07:11400.
00:07:11I can't get it all.
00:07:13Then you shouldn't have borrowed it, should you?
00:07:15Next week it'll be higher.
00:07:17The week after that, higher still.
00:07:19No, I do get it, lads.
00:07:22This is just a warning.
00:07:24You don't pay by tomorrow.
00:07:25It'll be your dooket, your birds, and then you.
00:07:29I'll pay it.
00:07:36Help!
00:07:36Help!
00:07:37Help!
00:07:38Help!
00:07:38Help!
00:07:38Help!
00:07:38Help!
00:07:38Help!
00:07:39Help!
00:07:39Help!
00:07:40Help!
00:07:40Help!
00:07:41Help!
00:07:41Help!
00:07:42Help!
00:07:42Help!
00:07:53He was in such a state, he decided to make a clean breast of it.
00:07:56They chopped up Willie Lomax because he tried to do them out of earnings, and Frank Bell they
00:08:00did in to get his book.
00:08:01He didn't want them as muscle.
00:08:03You're saying both of them?
00:08:04That's right.
00:08:05With two axes?
00:08:06That's what he says.
00:08:07All the axe blows in Lomax's body came from the One Direction.
00:08:11Well, I'm sure that can be got around.
00:08:13Nothing can be got around.
00:08:15We had Freeman McSherry.
00:08:17We eliminated them both from any link with Lomax's death.
00:08:20Maybe we've got the charm.
00:08:22Aye, as much charm as a couple of puff adders.
00:08:25It's this cell.
00:08:28You two wait here.
00:08:38How's George?
00:08:39Here, Liv.
00:08:40No thanks to you.
00:08:41It's this you should worry about.
00:08:43Is that your signature?
00:08:45Yeah.
00:08:46So, you and McSherry killed Lomax and Bell?
00:08:48No.
00:08:49Well, why'd you sign this?
00:08:50I don't know.
00:08:51You know this is a confession to murder.
00:08:52Yes, but we didn't.
00:08:53Look, I want now to say we didn't.
00:08:54There's no point in you saying anything now.
00:08:55You've signed it.
00:08:56Can I get some sleep now?
00:08:57Can we talk about this in the morning?
00:08:59It is morning.
00:09:00It is morning.
00:09:01It is morning.
00:09:02It is morning.
00:09:03It is morning.
00:09:04He's tired.
00:09:05He's tired.
00:09:06Suggestible.
00:09:07Suggestible.
00:09:09And he's full of dope.
00:09:10He's tired.
00:09:13Suggestible.
00:09:14And he's full of dope.
00:09:18You know what?
00:09:19He's tired.
00:09:20Suggestible.
00:09:21And he's full of dope.
00:09:24I know what you want.
00:09:25He's full of dope.
00:09:26Yeah!
00:09:27How'd you do that?
00:09:28Look, the guy's like a great deal.
00:09:33Some help?
00:09:34Look, I wasn't there to say we didn't.
00:09:36and he's full of dope.
00:09:39You see, you don't believe his confession, sir?
00:09:41I don't believe a word of it, and neither do you.
00:09:43Bortinger?
00:09:44Here, sir.
00:09:46Rankin?
00:09:48Here, sir.
00:09:50Ronaldson?
00:09:51Here, sir.
00:09:53Shires?
00:09:56Shires!
00:10:00Where's my son?
00:10:03Hello, granite bar.
00:10:06Hold on.
00:10:07Rick.
00:10:09Not yet, boss.
00:10:10What's that, my boy?
00:10:12What do you know?
00:10:12How are you?
00:10:13Dad!
00:10:14I've run away.
00:10:16I don't want to live in Edinburgh.
00:10:18I want to live in Glasgow, for sure.
00:10:21Lots of these hankies went out in info packs, sir.
00:10:25The advertisers, journalists.
00:10:27Some of them went even at the Garden Festival site.
00:10:32We've got just about over half in.
00:10:34What about the pollen?
00:10:35Oh, that's a massive job.
00:10:38I've got 200 officers searching every garden in the city for that fine lead of butyl oil, including yours.
00:10:44I wish all the criminals would leave us clues like this.
00:10:47I was putting it all together, sir.
00:10:52Hanky, axe, pollen.
00:10:54Plenty of threads.
00:10:56No problem.
00:10:56Phone call for you, sir.
00:10:57Hey, do you want a break?
00:11:03It's the Pope of Catholic.
00:11:08Go down to the theatre.
00:11:10See if Helen Lomax was a member or a regular.
00:11:13But even if anybody saw her there.
00:11:15Why?
00:11:16She was at the play yesterday.
00:11:17She spoke about culture.
00:11:19I don't think she could even spell the word.
00:11:21Oh, listen.
00:11:23My daughter's having a party tonight.
00:11:24Her place.
00:11:25About a dozen nurses are gone.
00:11:27If you've got five minutes, drop in.
00:11:28Thanks.
00:11:29Her idea.
00:11:33Helen Lomax?
00:11:34No, I don't know the name.
00:11:36And for the way you describe her, I think I'd know if she was a regular.
00:11:39Who's Jilly?
00:11:40She's on stage, resting.
00:11:42The show starts in three quarters of an hour.
00:11:59Julie, are you sure?
00:12:30Yes.
00:12:31I'm okay.
00:12:32I just got a fright.
00:12:35I didn't mean to.
00:12:38The light was behind you.
00:12:40I couldn't see your face.
00:12:44I must have fallen asleep.
00:12:47Are you sure there's nothing wrong?
00:12:49Yes.
00:12:51Really.
00:12:59Oh, hello.
00:13:00Hello.
00:13:01Ken's out.
00:13:03Oh, there's no Ken I want.
00:13:05It's you.
00:13:06Is it?
00:13:08Would you like a drink?
00:13:09No, no thank you.
00:13:12Come on, sit down.
00:13:12Oh, she's the one who gave me more.
00:13:16Sorry.
00:13:19I'd like to know your interest in Lizzie Borden.
00:13:21I told you.
00:13:23I just fancied something a bit different.
00:13:25You said you went to the theatre frequently.
00:13:27What plays have you seen lately?
00:13:29I can't remember just like that.
00:13:33It's not a crime to go to the theatre, is it?
00:13:36I saw it in the papers.
00:13:38Would it have anything to do with your brother-in-law's death?
00:13:41I should have.
00:13:41We have a lot in common.
00:13:45No, I just think Lizzie Borden's an interesting character.
00:13:49Lizzie Borden took an axe, gave her mother 40 whacks.
00:13:53When she saw what she had done, she gave her father 41.
00:13:58I just admire her for getting away with it.
00:13:59I thought I'd go with you to the festival.
00:14:12Good performance.
00:14:14Yes, thanks.
00:14:15I'm proud of you.
00:14:29It's been a nice day, eh?
00:14:40It's beautiful.
00:14:41Give me those, I'll fill them up.
00:14:54What's wrong with you?
00:14:56You've got a face as long as a fiddle.
00:14:58Nothing.
00:14:58She's only getting married, you know.
00:15:01She's not going to Australia.
00:15:03Jimmy.
00:15:05Ah, there we are.
00:15:08Oh, yeah.
00:15:09Listen, I've got an idea.
00:15:12Why don't you and me go down the road to get a couple of halves of a wee charm?
00:15:15Might be the last chance we get, eh?
00:15:17If it's okay with Alice.
00:15:19She's not going to miss you for half an hour.
00:15:21I'll bring her back in one piece.
00:15:25It's a bit pan-loafy, but they've got a good selection.
00:15:28Can I get you a refill?
00:15:42No, you've got to tell him, Alison.
00:15:43It isn't up to me.
00:15:44Can't you just soften him up a bit?
00:15:46It isn't for something like this.
00:15:47I wanted Dad to get to know him, to like him before I told him.
00:15:50It's going to destroy him, Alison.
00:15:52Oh, Mum, don't exaggerate.
00:15:53He's been inside for armed robbery.
00:15:56He was a teenager.
00:15:57He got dragged into it.
00:15:59He's got a prison record.
00:16:00He's been inside for six years.
00:16:02And your dad's a chief inspector.
00:16:09He's been here all day.
00:16:11I can't make him go home.
00:16:16He's run away.
00:16:18And you ran away once yourself, so don't see it.
00:16:23David, your dad wants to speak to you.
00:16:27Have you had enough to eat?
00:16:29I've some ice cream I was keeping till tomorrow, but we might as well have it now, eh?
00:16:33Dad?
00:16:38David, I told you this morning, go home.
00:16:41The police could visit me at any time.
00:16:43I don't need more trouble.
00:16:46Look, listen.
00:16:49Just hang on a minute, will you?
00:16:51Yeah.
00:17:03David, OK, come round.
00:17:07That's what I said.
00:17:08Come round.
00:17:23Lana?
00:17:24It's Mick.
00:17:25No, no, he isn't here.
00:17:27But he's on his way round.
00:17:30Bill, too.
00:17:31And I thought he might be.
00:17:57Oh, no.
00:18:01This was superb play eventually by Frank MacA 걸neey.
00:18:17Taking the cross to the right.
00:18:19You're enjoying it, thinking away from the corner.
00:18:22Coming quickly with an excellent cheap cross.
00:18:25there was only walker
00:18:26following on the header
00:18:27no
00:18:43no
00:18:44Oh, my God.
00:19:14Oh, my God.
00:19:44Oh, my God.
00:20:14Oh, sorry about that, Tim.
00:20:25Don't worry.
00:20:26I'll walk back.
00:20:27We've got a good long chart before you go away.
00:20:31Nice to meet you.
00:20:32That's right.
00:21:02The wounds are the same size.
00:21:13Why so many?
00:21:16I hear you're holding somebody.
00:21:18That's right.
00:21:18What's the motive?
00:21:20Jealousy.
00:21:22That answers your question.
00:21:23David!
00:21:43David!
00:21:43What's happening?
00:21:50I want to see Bill.
00:21:52I'm afraid that's not possible at the moment, Mrs. Shiles.
00:21:54I want to see him.
00:21:59What's going on?
00:22:01He's under arrest for the mother of your ex-husband.
00:22:04Elizabeth, spread your attention a bit.
00:22:16Make it thinner.
00:22:17This is a nightclub, not a courthouse.
00:22:20And your scenes are crooked, by the way.
00:22:22What did the police want?
00:22:40Mick's dead.
00:22:44What?
00:22:46He was murdered.
00:22:47Just like Willie.
00:22:54I didn't kill him.
00:22:55How could I have?
00:22:57Then how did you get the blood in your trousers and shoes?
00:23:00When I went back up to the flat with David before phoning you.
00:23:03There was a lot of blood around.
00:23:05I must have brushed up against something.
00:23:07I say you left with the axe,
00:23:09dumped it in the neighbourhood and then came back.
00:23:11Why would I come back?
00:23:12You were in Glasgow coming to see Mick.
00:23:14You can't get out of that.
00:23:15You mean I put up a facade?
00:23:17A deception?
00:23:18I'm not an English teacher, but yeah.
00:23:20Suppose you also think I killed Mick's brother
00:23:22because David was fond of him.
00:23:24Why don't you let us make the suggestions?
00:23:26I think I'd like to see a solicitor now.
00:23:29Later.
00:23:30The denial of my access to a solicitor
00:23:33violates Rule 92 of the UN Standard Minimum Rules
00:23:36for the Treatment of Prisoners under Articles...
00:23:39I can't remember which...
00:23:41of the European Convention.
00:23:43We've got a liberal here.
00:23:44Oh, I see.
00:23:45Oh, so that's your attitude.
00:23:46We're going to get that axe.
00:23:48I don't know how you can believe such a preposterous theory.
00:23:51Your son was hiding in the stairwell
00:23:52when the murderer left.
00:23:54He saw who it was.
00:23:55So why prick on me?
00:23:56You're the person he saw.
00:23:58When she saw what she has done,
00:24:22she gave her father 41.
00:24:25What do you think of McBrain's chances at Ibrox on Saturday?
00:24:31Now I should do okay.
00:24:45Look at the size of the transfer fee.
00:24:47Dave, did you see this?
00:24:56What?
00:24:57On the theatre page.
00:24:59Look where you...
00:25:00Oh, Mayfest.
00:25:02Isn't that for subversives?
00:25:04Use your eyes.
00:25:05Ooh.
00:25:05Using your eyes.
00:25:06Oh.
00:25:07Use your eyes.
00:25:11Use your eyes.
00:25:15Use your eyes.
00:25:16The bottle blank's here, sir.
00:25:39Nick Lomax flat's here.
00:25:41There's no way Bill Shares had the time to make that journey.
00:25:44If the lad's story's right.
00:25:46He had his car, don't forget.
00:25:48He still didn't have time.
00:25:49David ran up the stairs, saw his father dead, then ran back down again.
00:25:54It would take at least five minutes to make that journey.
00:25:57Even if he knew the bottle blank was there.
00:26:11Drink your coffee, David.
00:26:13Don't be fed up with coffee.
00:26:16I'll go and ask for Chief Inspector Taggart and find out what's going on.
00:26:20Tell him.
00:26:21Yes?
00:26:23Tell him I'm not really sure it was Bill.
00:26:30What are you saying?
00:26:31I didn't actually see who went out the door.
00:26:35Bill was there so soon after.
00:26:36I just imagined it was him.
00:26:39You are coming with me.
00:26:41Do you know what your lies have cost?
00:26:58Twelve hours.
00:27:01Whoever killed your father had twelve hours to cover his tracks.
00:27:05He wasn't lying.
00:27:06Who did you see, Leith?
00:27:09I just saw a figure.
00:27:11What made you say it was your father?
00:27:13I don't know.
00:27:16Look, you're a bright boy.
00:27:18You go to a good school.
00:27:20You can do better than that.
00:27:21Now, come on.
00:27:22I suppose I wanted to think it was him.
00:27:26You wanted to?
00:27:27He was there so soon after.
00:27:29Look, can't you see how confused he is?
00:27:34David.
00:27:34That night you spent with your dad.
00:27:38The night you said he never went out.
00:27:40Was that true?
00:27:41Tell the truth, David.
00:27:44If your father was handling explosives,
00:27:47making a bomb which he planted that night,
00:27:50it might have gone off in the flat.
00:27:52Killed you.
00:27:53Not so much he thought of you.
00:27:55Bomb?
00:27:56I don't understand.
00:27:58Did he?
00:27:59Or did he not go out?
00:28:01He said he'd a score to settle.
00:28:04That's all.
00:28:09He certainly know how to pick your heroes.
00:29:10Hello, Julie.
00:29:32Mrs Lomax.
00:29:35What are you?
00:29:36We have to talk.
00:29:37I have to go to the garden festival.
00:29:40I'll perform there.
00:29:42I'll drive you.
00:29:43I can take the bus.
00:29:45I have to know.
00:29:47Mick and Woody were my brothers-in-law.
00:29:49What do you think went through my mind sitting out there?
00:29:53I don't know.
00:29:55What?
00:29:57Hello?
00:29:58Hurry up, Julie.
00:29:58We're going to be late.
00:29:59Thanks.
00:30:20Julie!
00:30:21Julie!
00:30:21Julie!
00:30:21what's that fringe feeling you get sometimes deja vu
00:30:37aye that's uh no let her go
00:30:41in you go then
00:30:42just make yourself at home mum everything's here
00:30:47take your coat off then the temperature's kept constant through the house so you won't catch
00:30:53cold and if you want a sherry there's dry medium cream amontillado just make yourself at home
00:31:00i'm happy in my own flat you can't live there on your own mum not for a while
00:31:08where's helen out we're interviewing more girls this week
00:31:15when will she be back i don't know
00:31:17look you'll have to make an effort to like helen
00:31:23the only son i've got left married to a cold girl
00:31:28she was an escort mum there's a subtle difference
00:31:32look she's a happily married woman now respectable get to like her
00:31:38for me
00:31:41you know one thing whoever stole the angst kept it near vine-leaved abutal
00:31:48i was reading the other day how pollen grains have helped date the turin shroud
00:31:54the what
00:31:56the cloth that jesus was wrapped in
00:31:59you keep your mind in this case
00:32:02never mind a turin shroud
00:32:05i want to find out the connection between helen lomax and your actress
00:32:09she's not my actress
00:32:12is it not time you had another one with her
00:32:15look i'll tackle helen lomax
00:32:20we're ready miss tim and allison are going home today
00:32:23maybe you should go home sir
00:32:25before they leave
00:32:27why
00:32:29just got the impression at the party that
00:32:32there's something they wanted to talk to you about
00:32:34that's all
00:32:35oh come on michael that's not all fit is it
00:32:39he's got previous
00:32:41and robbery
00:32:42here's jim
00:32:49where none of you going to tell me
00:33:04was i the only one to be left in the dark
00:33:06you didn't come home last night
00:33:08i was working
00:33:09how did you find out
00:33:10michael told me
00:33:12i've got to find out from my neighbor
00:33:14mr tiger
00:33:15if we can go back into the house i'll talk to you about it
00:33:17you're damn right we'll talk about it
00:33:19i was a teenager
00:33:20i did time
00:33:21i put it to good use
00:33:23learn to trade
00:33:24it wasn't his fault
00:33:25i've read the details
00:33:26they asked him to be a lookout that's all
00:33:28outside a fur warehouse in salford
00:33:30he was carrying a bloody gun
00:33:32not out here for goodness sake
00:33:34you liked him
00:33:35i wanted you to get to like him before we told you
00:33:38took you five days to tell me
00:33:40mum's right
00:33:42when are you ever here
00:33:43when did you ever take the time to be with us
00:33:45we've wanted to tell you
00:33:47mr tiger
00:33:47i'm gonna talk to you inside
00:33:48out
00:33:49out
00:33:51out of my house
00:33:52i've got work to do
00:33:55catching criminals
00:33:57that's what you've got to leave
00:33:58hiya
00:34:08you can't give up do you
00:34:11listen i'll get the rest of you all
00:34:13fancy a boat trip
00:34:13i can't know
00:34:14come on
00:34:17it's a speedboat
00:34:18i have known
00:34:21a night
00:34:23like
00:34:24this
00:34:24when i'm all alone
00:34:27you tell me it's a good christian boy
00:34:37well let's leave it
00:34:38do you think that's official
00:34:40that doesn't look it
00:34:41we'll keep her eye on pretty boy
00:34:44very good
00:35:05don't forget to smile
00:35:07right
00:35:08right now
00:35:09do your parents know
00:35:10you've come here to work
00:35:11well
00:35:12they live in
00:35:12they never come to edinburgh
00:35:14big wicked city is it
00:35:16yes
00:35:17they think so
00:35:17i always ask
00:35:19we've had our great fathers
00:35:21dragging their daughters out of you
00:35:22by the scruff of their necks
00:35:23now
00:35:25nine sharp for the fitting
00:35:26okay
00:35:26right
00:35:27bye-bye now
00:35:28thank you
00:35:29hello
00:35:36hello
00:35:37you recruits
00:35:38she won't last
00:35:40you get to tell
00:35:41what kind of girls come here
00:35:50all kinds
00:35:51university graduates
00:35:53you're gonna go for the bright girls
00:35:55if you fell ill here
00:35:56you'd be alright
00:35:57you've got more nurses
00:35:58than the southern general
00:35:59nurses
00:35:59is that a fact
00:36:01uh-huh
00:36:01what brings you to edinburgh
00:36:04well
00:36:07I'm curious to know
00:36:10why you went to the theatre
00:36:11to see the same play twice
00:36:14oh that
00:36:16drink
00:36:18i'll take a whiskey please
00:36:19sorry to hear about your brother-in-law
00:36:23are you
00:36:25are you
00:36:25i've lived in Glasgow all my life
00:36:32i've never seen it like this
00:36:33you must move around a lot in your life
00:36:37i've lived in lots of places
00:36:39any favorites
00:36:40here
00:36:42were you born here
00:36:45yeah
00:36:46you live with your parents
00:36:49they're both dead
00:36:51as a matter of fact
00:36:53they live in a boat
00:36:54you're kidding
00:36:56you're kidding
00:36:56no
00:36:57it's a houseboat
00:36:59how's your bowling
00:36:59i've been there three months
00:37:02but it's cheap
00:37:04sounds romantic
00:37:05it isn't
00:37:07i need to be alone
00:37:14i need to be alone look
00:37:14acting's hard work
00:37:17i really want to do more writing
00:37:19in fact i've found in a novel
00:37:23i'd like to read it
00:37:24no you wouldn't
00:37:27it's very much from a woman's point of view
00:37:30listen i can drive you back in the car
00:37:33pick up a coffee if you've got one
00:37:35no you can't come back with me
00:37:38it's not tidy
00:37:41that makes you nervous
00:37:42why is it so peculiar to want to go to the theater again
00:37:54well
00:37:56to see the same play
00:37:58i saw you with that actress
00:38:01say julia adamson
00:38:03did you
00:38:05uh-huh
00:38:05do you know that
00:38:07she's got eyes everywhere
00:38:09oh no
00:38:12just where the matter
00:38:14she used to work here
00:38:17what um
00:38:21when resting
00:38:23she only worked for one night
00:38:25she didn't like it and left
00:38:26one night
00:38:29and you go and see her play twice
00:38:32now that doesn't smell right to me
00:38:34there must have been more to your relationship than that
00:38:38i assure you there wasn't
00:38:39why um
00:38:44why exactly did she leave
00:38:48okay
00:38:51i
00:38:52i asked her to leave
00:38:55she wasn't suitable
00:38:57after only one night
00:38:59wasn't very fair was it
00:39:01didn't give her much of a chance
00:39:04there were reasons
00:39:07there were reasons
00:39:07what reasons
00:39:10ken took a shine to her
00:39:15as he does with some of the girls
00:39:16only
00:39:17with julie
00:39:18i felt it was more
00:39:19next day i found her
00:39:22i can't do that you know
00:39:24what date was that
00:39:33november 5th
00:39:37fireworks night
00:39:38how could i forget
00:39:39and what was ken's reaction
00:39:44well
00:39:46he never had a choice
00:39:48sorry
00:40:07my agent
00:40:09i have to call it every day
00:40:10that's all right
00:40:11one of the hazards of living in a boat
00:40:13this
00:40:17i told you it was small
00:40:19named after j.m. barry
00:40:21why did he live in a boat as well
00:40:23no
00:40:24he wrote a book called the mary rose
00:40:26and he was wee
00:40:27like me
00:40:28i'm taking her back to the flat
00:40:47to get some of her things
00:40:49i've asked her to stay for a while
00:40:51hmm
00:40:52that's nice
00:40:53i'll try not to get under your feet
00:40:55did you see some good girl
00:40:59yes
00:41:00who's this
00:41:16me
00:41:18a woman of many parts
00:41:20see
00:41:20here's a copy of the book
00:41:34let me have it back though
00:41:36i'll uh
00:41:37i'll drop it off to you at the theatre
00:41:39or at the garden festival
00:41:40yesterday was my last day at the garden festival
00:41:44what is that
00:41:45i have another part to learn
00:41:47all right
00:41:48i uh
00:41:50i saw you with some friends earlier today
00:41:53fans of yours
00:41:54oh they
00:41:55where were you
00:41:58who's side
00:41:59they're drama students
00:42:03from edinburgh
00:42:05i didn't know you knew helen lomax
00:42:08are you here to interrogate me
00:42:11i let you come because i thought
00:42:14who's interrogating
00:42:16i just wondered how you knew each other
00:42:18that's all
00:42:19i worked at a club
00:42:23as a hostess
00:42:25i needed the money
00:42:28i was in digs
00:42:32in edinburgh
00:42:35i didn't see anything
00:42:38it was the way you looked
00:42:40i didn't like it
00:42:43so i left
00:42:45all those businessmen
00:42:48expecting you to
00:42:50well you know
00:42:52so i just didn't go back the next night
00:42:57actually it was her husband's club
00:43:01not mrs lomax's
00:43:03i never met him
00:43:05i just didn't go back to bed
00:43:08i did a couple of years
00:43:10anyway
00:43:12oh my god
00:43:12you're welcome
00:43:13you're welcome
00:43:14oh my god
00:43:15you're welcome
00:43:16my god
00:43:16i'm so excited
00:43:17and um
00:43:18i'm so excited
00:43:20and i hope you enjoyed it
00:43:22but that's why
00:43:23it's still a lot of you
00:43:24it's still a lot of you
00:43:24you're like
00:43:26it's still a lot of you
00:43:26but you're like
00:43:27so excited
00:43:28and i think
00:43:29and i was so excited
00:43:30and i just go
00:43:30and i might
00:43:31and i'm so excited
00:43:33A houseboat.
00:43:52That was cosy.
00:43:54It was your idea.
00:43:56Julie says she left of her own accord.
00:43:58Helen Lomag say she was paid off
00:44:00because Ken was shown too much attention.
00:44:03Who one of them's got to be lying.
00:44:06Which one?
00:44:07We'll sleep in it.
00:44:11How many festival hankies have we got?
00:44:13Around about 1,400.
00:44:16600 to go.
00:44:18600 suspects.
00:44:20It's a rotten, boring job.
00:44:21It could lead nowhere.
00:44:30Did you get Julie's hankie?
00:44:33No.
00:44:34Well, what have you been doing?
00:44:36She reckon she's thrown it out.
00:44:38She's not much space in her boat.
00:44:40For a hankie?
00:44:42Can you believe that?
00:44:43I thought you'd gone.
00:45:00Tim had to because of work.
00:45:03I stayed.
00:45:04Alison, I only want the best for you.
00:45:10Then like Tim.
00:45:14I don't want to embarrass you, Dad.
00:45:16The last thing I'd do is embarrass you.
00:45:29You're over 18.
00:45:31You can do what you want.
00:45:34That's not enough.
00:45:37Shall I put the kettle on?
00:45:38What is this?
00:45:42An ambush.
00:45:47Thanks, sir.
00:45:47Thanks, sir.
00:45:48See you, Paul.
00:45:49Tomorrow.
00:45:50We're in court.
00:45:54Probably all day.
00:45:56As soon as it's over.
00:45:58It's too dangerous.
00:45:59I say we do nothing at all.
00:46:01What do you know?
00:46:02What do we do?
00:46:04Even if I find something.
00:46:06I haven't decided yet.
00:46:08Mother, please.
00:46:09She's in Edinburgh.
00:46:37More interviewing.
00:46:39I sometimes think she doesn't trust me.
00:46:46Does the name Julie Adamson mean anything to you?
00:46:50No.
00:46:52She was a girl who worked at your club.
00:46:54Do you expect me to remember other names?
00:46:58Right enough.
00:46:59She only worked there one night.
00:47:02She was an actress.
00:47:05Resting.
00:47:06It was Guy Fawkes night last year.
00:47:08Do you keep a diary?
00:47:10Yes.
00:47:11Where were you that night?
00:47:13I don't need my diary to remember that.
00:47:16I was down south, London, thinking of opening up a new club.
00:47:20I remember because some kid threw a banger into my Rolls Royce.
00:47:24That could have been one of any number of nights.
00:47:26There were bonfires.
00:47:28If you don't believe me, look in my diary.
00:47:33Why?
00:47:34Who was this girl?
00:47:35I want Helen Lomax brought in.
00:47:42And this time we'll get the truth out of her.
00:47:45Where did we put young Jarden on?
00:47:47I'll put him on looking for Vine-leaved Abutilon.
00:47:51He's had enough fun in this case.
00:47:52Hello.
00:47:56Hello.
00:47:57Can you tell your mummy there's someone here to see her?
00:48:06I don't want any more lies, Mrs. Lomax.
00:48:09I've had too many.
00:48:11Now you tell me, what is your relationship with Julie Adamson?
00:48:15It's no relationship.
00:48:16Your husband couldn't have been in a club that night.
00:48:20He was in London on November the 5th.
00:48:22I don't know any more.
00:48:24Who are you protecting?
00:48:25I'm not protecting anybody.
00:48:32What's the use?
00:48:34I'm going to find her anyway.
00:48:39Mick and Willie were always looking for trouble.
00:48:41On Julie's first night, they gave her a lift home to her digs.
00:48:47She trusted them because they were my brother's-in-law.
00:48:51They raped her.
00:48:53She came to me the next morning and handed in her notice.
00:48:57She broke down in tears and told me.
00:48:59Did you tell your husband?
00:49:01If I had it done, he'd have killed them.
00:49:04I wish I'd been there myself that night.
00:49:06I could have stopped it happening.
00:49:09Where were you?
00:49:10At home.
00:49:11I don't go to the club every night.
00:49:13It didn't stop me confronting Mick and Willie.
00:49:16They denied it, of course, but they were very good at denying things.
00:49:19Why didn't you tell us this sooner?
00:49:21Because I had sympathy for her.
00:49:25I've been through it myself.
00:49:26I've been through it myself.
00:49:41I've been through it myself.
00:49:56Do you know anywhere else that does stuff?
00:50:00I don't know if it's usually kept in Scotland at all.
00:50:05Thanks very much.
00:50:14You know if she told anyone else?
00:50:17She may have told her father. He lives in Glasgow.
00:50:20Where? I don't know where.
00:50:23I just know about him.
00:50:25I make a point of asking. We get fathers coming in sometimes.
00:50:29Oh, never mind that.
00:50:31What do you know about him?
00:50:35He's in the entertainment business.
00:50:39A singer with one of those barbers quartets, I think.
00:50:55What do you want to say?
00:50:56Is the name of the boss?
00:50:56I think I'm not to.
00:50:58I think I got one of those barbers.
00:50:59What do you want to say?
00:51:00What do you want to say?
00:51:00What do you want to say?
00:51:00What's your name?
00:51:01What do I want to say?
00:51:02What do you want to say?
00:51:03Oh, of course.
00:51:33I told you on the phone, stay away from me.
00:52:01I couldn't. We're performing here today.
00:52:03I've got work to do. I'm going home.
00:52:04I did it for you, Julie.
00:52:06Let me go.
00:52:07Why did you tell me they'd raped you if you didn't expect me to do something about it?
00:52:11Because you're my father.
00:52:13We have the word back home.
00:52:15Oh, don't start over.
00:52:16When I found out they were moneylenders too.
00:52:19I couldn't see two men go free who did that to a daughter of mine.
00:52:22Stop it, please.
00:52:24I'd do the same again, Julie.
00:52:26You killed the wrong man!
00:52:31It wasn't one of them.
00:52:45Inspector.
00:52:47Where's Julie?
00:52:48She's gone.
00:52:50She'll have left for the garden festival.
00:52:53We'll pick up both her and her father there.
00:52:55She's gone home.
00:52:56She said something about having another part to that.
00:52:58The eyes are blue as skies.
00:53:01That's Peggy O'Neil.
00:53:04If she's smiling all the while.
00:53:08That's Peggy O'Neil O'Neil.
00:53:11And if she walks like a sliding door.
00:53:13What is this?
00:53:14By popular request.
00:53:15Quite fun as a pastiche.
00:53:17This one's Julie's father.
00:53:20That's career.
00:53:21Second to the right.
00:53:23Julie's stage name must have been Adamson.
00:53:26That's why we never made the connection.
00:53:28That's Peggy O'Neil.
00:53:31If she's smiling all the while.
00:53:33Can I have that thing on?
00:53:33That's Peggy O'Neil O'Neil.
00:53:37That's Peggy O'Neil O'Neil.
00:54:07If she's smiling all the while.
00:54:12That's Peggy O'Neil O'Neil.
00:54:15Oh, it's my uncle's.
00:54:16I borrowed it.
00:54:17It's rather camp, isn't it?
00:54:18If she talks with the cute little girls.
00:54:20Did you bring that down the last time they were here?
00:54:22You brought up a knack.
00:54:25That's Peggy O'Neil.
00:54:28When I'm all alone.
00:54:52When the moon is on the rise.
00:54:56Honey, I'm so blue.
00:54:58I'm so blue.
00:55:00Watching lovers make it nice.
00:55:03Like we used to do.
00:55:07When the moon is on the wane.
00:55:10Still I'm waiting all in vain.
00:55:14I'm still there.
00:55:40Is this how you stole it from the theatre?
00:55:54It was stealing the paper that gave you away.
00:55:58Pollen grains.
00:56:00I hope the bastards are in hell for what they did to my daughter.
00:56:05Take him away.
00:56:07Caution him.
00:56:10All right, boys.
00:56:15The excitement's over.
00:56:17Back to work.
00:56:26I thought we'd never get out of there.
00:56:28Look at the time.
00:56:30We're okay.
00:56:31She goes straight from the theatre to the garden festival.
00:56:34That gives us enough time to search.
00:56:35I thought we'd never get out of there.
00:56:37Look at that.
00:56:40It's a great place.
00:56:41Come on.
00:56:41Come on.
00:56:42Come on.
00:56:42Have you told Jarvan?
00:57:02I suppose I'd better.
00:57:05Well, that's that then.
00:57:09It's not quite, sir.
00:57:11Remember the first time we saw Mrs Lomax?
00:57:13She said Mick and Willie had taken her out on their birthday,
00:57:16see Frankie Vaughan, have a meal.
00:57:18Yes.
00:57:20November the 5th, the same date.
00:57:24Mick and Willie couldn't have been in the club that night.
00:57:26What are you implying?
00:57:28Helen never saw them.
00:57:30Whoever raped Julie and said they were the Lomax brothers,
00:57:32they obviously weren't.
00:57:33I'm on my way there.
00:57:40Pick up Julie Adams.
00:57:42Yeah.
00:57:43I thought there must be a connection.
00:57:45She's gone to her boat and bowling.
00:57:48I'm on the boulevard already.
00:57:50I'll be at her boat in ten minutes.
00:57:52I mean it.
00:58:03We should do nothing.
00:58:05What have we got to gain?
00:58:06I want to know.
00:58:08Why don't we just ask?
00:58:10We can't risk it showing her interest.
00:58:12Taggart knows we go to that nightclub.
00:58:14The most important thing is she never sees us.
00:58:16What?
00:58:17She's already seen pictures of the Lomax brothers.
00:58:19What I don't understand is
00:58:23why would she kill them?
00:58:25Then she'd realise they were different guys.
00:58:27Maybe somebody else did it.
00:58:28Maybe she sleepwalked.
00:58:29How the hell would I know?
00:58:31That's why I want to search her things and find out.
00:58:34What do we do then when we find out?
00:58:35What do we do?
00:58:36There's a maniac with an axe.
00:58:38You might still have it in for us.
00:58:39If the answer's on this boat, I want it.
00:58:41Now, are you coming?
00:58:49What do we do?
00:59:19What do we do?
00:59:48There's another officer's turning up soon.
00:59:50In the meantime, I advise you to say nothing.
00:59:53I'm going to have to take you in for questioning.
01:00:02Can I ask a favour?
01:00:06Sure.
01:00:09Can I feed my cat before we go?
01:00:13I'll come with you.
01:00:14I'm not going to have to do anything stupid.
01:00:17If I'd wanted to.
01:00:21I've done it a long time ago.
01:00:44I was going to have to...
01:00:55I'll be...
01:01:05I don't know.
01:01:35Let's go over here.
01:01:47Hey!
01:01:49What's going on?
01:02:05Julie?
01:02:31It's only me!
01:02:35It's only me!
01:03:04Where are they sitting?
01:03:06The Alabama Slammers.
01:03:08They raped Julie Adamson and then said they were the Lomax brothers.
01:03:14Is your hand all right?
01:03:16That's just a cut.
01:03:19She was defending herself.
01:03:22There may be a case for leniency.
01:03:25Do either of you have a hanky?
01:03:27Sorry.
01:03:30There's 1,100 at the station.
01:03:34And, eh, Michael, we've all got to go back.
01:03:40All right.
01:03:41All right.
01:03:42All right.
01:03:43All right.
01:03:44All right.
01:03:45All right.
01:03:46All right.
01:03:48All right.
01:03:49All right.
01:03:50All right.
01:03:51All right.
01:03:53All right.
01:03:54All right.
01:03:55All right.
01:03:56All right.
01:03:58All right.
01:03:59All right.
01:04:01All right.
01:04:02All right.
01:04:03All right.
01:04:04All right.
01:04:05All right.
01:04:06All right.
01:04:07All right.
01:04:08All right.
01:04:09All right.
01:04:10All right.
01:04:11All right.
01:04:13All right.
01:04:14All right.
01:04:15All right.
01:04:16Good times and bad times.
01:04:31Oh, it's been praying on your mind.
01:04:36It's the only place that I'd be willing to die for
01:04:44It's the only life I've ever seen
01:04:53This town is so mean
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