- 5 months ago
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TVTranscript
00:00:00This is the sort of sophisticated place your father used to take me into.
00:00:19Overexpensive.
00:00:21This isn't sophisticated.
00:00:23It is for Glasgow.
00:00:25Oh, didn't you just get Grandma's pension?
00:00:30So?
00:00:32They'll find out she's dead one day.
00:00:35We got nothing out of the baggage while she was alive. I'm damned if we're missing out now.
00:00:40Talking of which, we've got a house clearance.
00:00:43Where?
00:00:45Twelve Antelan Terrace. Old folk have it. Two gone, one to go.
00:00:51Bit on our own doorstep.
00:00:53It's too good to miss. Where did you get money to buy that suit?
00:00:57And how much is this costing?
00:01:01My treat.
00:01:03We don't have to live like tramps.
00:01:06I know how much we're worth.
00:01:09You keep out of my box. It's private.
00:01:14Why do you keep that picture of you and Dad in it?
00:01:17Because...
00:01:20You always run him down.
00:01:25Your dad was the handsomest, most charming man I ever met.
00:01:31Then came the floozies.
00:01:33All rich women he conned money out of.
00:01:37They never saw it again.
00:01:38You're so like him it worries me.
00:01:46I'll never hurt you, Dolly.
00:01:50I promise.
00:01:53Now...
00:01:54Oysters?
00:01:55Mr. Meary, you must tell the police.
00:02:01They are fools.
00:02:03They'll mess things up and then I'll suffer.
00:02:06This way, I catch the person myself.
00:02:10They're a well equipped police force with experience of this sort of thing.
00:02:14I know what I'm doing.
00:02:19What's that?
00:02:20It belonged to my grandmother.
00:02:25She stabbed a Russian in the foot with it.
00:02:28Don't worry.
00:02:29I'm not going to kill anybody.
00:02:31Just make a citizen's arrest.
00:02:44Hello?
00:02:45Taggart.
00:02:46Hello?
00:02:47Mr. Taggart?
00:02:48Yes, it's me.
00:02:50This is Pat Dunn from Wonderland Products.
00:02:53What?
00:02:54Mr. Meary, he's left already.
00:02:56You'll need to hurry.
00:02:57He's what?
00:02:58He's left already.
00:02:59Mr. Meary.
00:03:00Calm down a bit.
00:03:01What?
00:03:02Calm down.
00:03:03Right.
00:03:04Hill Head Underground Station.
00:03:06He's on the first train that pulls in after twelve.
00:03:09Then go off and leave the carrier bag at Kelping Bridge.
00:03:13What?
00:03:14Aye, and he's got a knife.
00:03:18Hi.
00:03:19He's so pretty tendencies.
00:03:21Will that get stuck?
00:03:22No way to
00:03:48Three minutes.
00:04:12How did I have three hours?
00:04:13If many of his instructions to go off the Kellen Bridge,
00:04:15that means the extortionist will probably go off at the next station after,
00:04:19St George's Cross.
00:04:20Or he might stay on.
00:04:21I want you on that train watching both of them.
00:04:24Wouldn't it be better to use someone you wouldn't recognise?
00:04:26No, I want him to know we're there.
00:04:29Turn left here. I know a shortcut.
00:04:45I want you to know we're there.
00:05:21Excuse me, sir. Here, just a minute.
00:05:37Oi, just a minute.
00:05:38Here, please.
00:05:40Excuse me, sir. Here, oi.
00:05:45Here, oi.
00:05:52Here, oi.
00:05:54Here, oi.
00:05:55Here, oi.
00:05:58Here, oi.
00:06:03Here, oi.
00:06:13Here, oi.
00:06:15The
00:06:19The
00:06:23The
00:06:25The
00:06:31The
00:06:37The
00:06:41The
00:06:43The
00:06:45What are you doing? Why are you here?
00:07:01Look, you, you should have contacted us the minute you heard in what's going on here.
00:07:15Open the door!
00:07:22It was you! It was you, you bastard!
00:07:28You bastard!
00:07:32This is him!
00:07:37This is him!
00:07:40This is him!
00:07:44I thought this was a free country!
00:07:47Get your hands off me!
00:07:55You're next!
00:07:57Oh, hello dear! Do come in!
00:08:12It's all very old, I'm afraid. So I see. I'll just take a look.
00:08:27I'll leave you to it if you don't mind.
00:08:30I'll leave you to it if you don't mind.
00:08:33It's all very old, I'm afraid. So I see. I'll just take a look.
00:08:38I'll leave you to it if you don't mind.
00:08:40I'll leave you to it if you don't mind.
00:09:10All right, I'll leave you to it if you don't mind.
00:09:12Hello.
00:09:22Hello.
00:09:37Hello.
00:09:41I thought I could just make some money, that's all.
00:09:45I've been unemployed for two years.
00:09:48Well, you would be for the next six.
00:09:50I've got a wife and children.
00:09:51What are they going to do without me?
00:09:54Listen, Brodie.
00:09:55You might only be guilty of demanding money with menaces,
00:09:59but you've wasted my time checking you out,
00:10:02obstructing the police, putting the public in danger.
00:10:05I did it for my family.
00:10:08I'm sorry.
00:10:10What are you?
00:10:11What are you?
00:10:12I hope he'll get all his desserts.
00:10:25I hope he'll get all his desserts.
00:10:38Oh, don't you worry.
00:10:39I'm going to throw the book at him,
00:10:41mainly because I'm saving the library for you.
00:10:43That's great.
00:10:44I, the victim, get penalised.
00:10:47Obstructing police?
00:10:49Carrying a dangerous weapon?
00:10:51Assault?
00:10:51I wouldn't have lost him if you hadn't been there.
00:10:54If he had been the poisoner,
00:10:56we might have lost him because you were there.
00:10:58You're sure he's not?
00:10:59Oh, get out of here.
00:11:00This is what you get in this country for helping the police.
00:11:06Going out of your way.
00:11:11And don't pat him in the back.
00:11:17Well, that was very nearly a 24-carat cock-up.
00:11:21What were you doing?
00:11:23Sleeping on that train?
00:11:24All harnesses are fast.
00:11:27Well, to be truthful, sir,
00:11:28it wasn't entirely her fault.
00:11:32It was all done in a rush.
00:11:33No time to plan.
00:11:34What I think we should do
00:11:36is completely double-check
00:11:38all pest control firms and their suppliers.
00:11:41Forget ex-employees, forget grudges.
00:11:45We need to concentrate on finding the source of the poison.
00:11:51I'll still need a motive, sir.
00:11:58You know,
00:12:22I'm sure I've seen your son somewhere before.
00:12:26There you are, Mrs. Watson.
00:12:28I'm hopeless with names these days,
00:12:30but I never forget faces.
00:12:32And his is so familiar.
00:12:35One hundred and fifty pounds.
00:12:38When you finally move...
00:12:40Let us know and...
00:12:42we'll clean out your furniture.
00:12:43Certainly.
00:12:44Oh, and thank you.
00:12:46If she finds out you've screwed her,
00:13:00you'll have to change post offices.
00:13:02Don't!
00:13:04Don't use that word.
00:13:06Hello again.
00:13:14Brought the high hedon with you this time, eh?
00:13:16Detective Chief Inspector Taggart.
00:13:19I hope that's dead.
00:13:20If it's not, it's a good faker.
00:13:22My son, Brian.
00:13:24Hello.
00:13:25It's just that, um...
00:13:26We're anxious to trace the source of this glucoside aldehyde.
00:13:31Like I told your companion,
00:13:33I can't help.
00:13:34I checked my stock in front of him.
00:13:36If there was any missing, I'd know.
00:13:38What about any of your employees?
00:13:40Would they have access?
00:13:41Just Angie, the girl that answers the phone.
00:13:43Yeah, she told us where to find you.
00:13:45Look, Angie is totally reliable.
00:13:49Anyway, she doesn't have access to the poison stocks.
00:13:51I keep the keys all times.
00:13:53Has anyone ever asked you questions about this poison?
00:13:56No, I wouldn't tell them.
00:13:58When you were at Wonderland Products, for instance?
00:14:00No.
00:14:03What about you?
00:14:06No.
00:14:12What exactly are you doing here?
00:14:14We pumped some side-gene gas in a few days ago.
00:14:16The rats nest in there and into that factory up there.
00:14:19We're just dragging the corpses out.
00:14:21Don't damage that.
00:14:33It's a rare stife.
00:14:35He's a teddy bear.
00:14:37He's meant to be played with.
00:14:40Teddy bears like that
00:14:42are worth thousands at auction
00:14:44and that's where he's going.
00:14:47I never had a teddy bear.
00:14:49I think that's my problem.
00:14:53You never wanted one.
00:14:56You were an odd child.
00:14:58And whose fault was that?
00:15:01Never made any friends.
00:15:04Never joined any clubs.
00:15:05All you ever wanted to do was hang around me.
00:15:11Well,
00:15:11I'm making up for it now.
00:15:14This is nice.
00:15:31You're not having any?
00:15:32Oh, no.
00:15:33I've had plenty.
00:15:35I'd like to do your favourite.
00:15:36I put a load of sugar in it.
00:15:45It's still going to be a bit bitter.
00:15:51You know,
00:15:52we should have got a bottle of wine.
00:15:56We don't have any.
00:15:57You could go back to the shop
00:15:59get one.
00:16:03All right.
00:16:15Angie?
00:16:15I'm just to be home, Mr. Baird.
00:16:17Aye, sure.
00:16:19You get that, Brian?
00:16:20Any messages?
00:16:21I'll Mr. Smith's phone door.
00:16:22Baird's son.
00:16:23Pest control.
00:16:23I'll put it in the diary
00:16:25and I'll try and catch what makes you see.
00:16:28Hello?
00:16:30Okay.
00:16:33Brian!
00:16:36Where you going?
00:16:41Brian!
00:16:43Come back!
00:16:46Brian!
00:16:53Ah!
00:16:54Ah!
00:16:54Ah!
00:16:55Ergh!
00:16:55Ah!
00:16:56Ergh!
00:17:00Yeah!
00:17:02Police!
00:17:05Ah!
00:17:05Ah!
00:17:08Ah!
00:17:08Ah!
00:17:10Ah!
00:17:13Ah!
00:17:13People!
00:17:18Oh boy.
00:17:20Show it!
00:17:21Ah!
00:17:22Me?
00:17:22Oh boy.
00:17:22It's very disgusting.
00:17:52Pauline!
00:17:54You know, Merle. What's up with you?
00:17:57I answered the phone. I just heard Simon crying.
00:17:59Oh, stop.
00:18:03Answered the door, that's all.
00:18:05Now, Dad says you just ran out.
00:18:07There you are. Thanks, Mr. Target.
00:18:09Oh, dear.
00:18:11Do you always run the marathon when you come home?
00:18:14If you answered the phone and just heard your baby crying,
00:18:16wouldn't you wonder what was wrong?
00:18:18I went to the door to let the detective in. It's hardly leaving him.
00:18:21OK, OK. It's not important.
00:18:23What do you want to see me about?
00:18:25Well, I'm a bit worried about the other day when that van stopped.
00:18:29What van?
00:18:30By the burn.
00:18:32When you were hauling the dead rats out of the ground.
00:18:35I don't remember any van.
00:18:37You look like you've seen a ghost.
00:18:41It must have been your imagination.
00:18:43No. I don't think so.
00:18:47It was handling those dead rats.
00:18:50I hate doing it.
00:18:52You were looking at the van.
00:18:55You weren't looking at the dead rats.
00:18:58Besides, is that not your job?
00:19:02This is my mamma.
00:19:03I don't think so.
00:19:04I don't think so.
00:19:05I don't think so.
00:19:06It didn't think so.
00:19:07I didn't see a ghost, but it ended up having a bug.
00:19:08I thought it was a good night.
00:19:09I knew that it was a good night here.
00:19:10It was a good night.
00:19:12It was a good night here.
00:19:13Oh!
00:19:14Yeah.
00:19:15So, you'll get a good night here.
00:19:46Well, he's been very lucky. He had far from the lethal dose.
00:20:00I've just been for a day or two. Where was the poison?
00:20:04It was in the sugar you put in the rhubarb.
00:20:07But I took that bag of sugar from the shelf in the shop yesterday.
00:20:12And you didn't have any yourself?
00:20:13No. I don't take sugar.
00:20:15Yeah. Very lucky.
00:20:18Could I go in and see him again now, please?
00:20:20Yeah, of course.
00:20:23Mrs Fairley, we'd like to set up a surveillance operation on your shop.
00:20:30After we checked your stock thoroughly, of course.
00:20:34Say, along with Wonderland products, you're a victim too.
00:20:39Never thought of it that way.
00:20:44A victim.
00:20:47Hmm. Or killer.
00:20:51I wish you'd sell me that stifed teddy bear.
00:20:54It's going for auction.
00:20:56Some things are too good for you, Julian.
00:20:59Well, think how long you'll have to wait.
00:21:01I'd give you a fair price now.
00:21:02You wouldn't know a fair price if it fell on you and flattened you.
00:21:07Oh, come on.
00:21:09Haven't I taken a lot of stuff off your hands, Dolly?
00:21:12A lot of dealers won't even talk to knockers.
00:21:16Don't use that word!
00:21:18It's vulgar.
00:21:21Where'd you get this?
00:21:23Up north.
00:21:24Roy and I put an identical one up for auction three months ago.
00:21:31Probably a fake.
00:21:40I'd be a lot happier if she didn't know we were watching.
00:21:42She'd be a lot happier if the shop was closed for good.
00:21:46Sir.
00:21:49Here.
00:21:54If you spake my rhubarb, I doubt I'd be that for Kevin.
00:22:17That looks like a good shoplifter's coat.
00:22:40She's going to sit there all day.
00:22:47Hey!
00:22:50Oi, watch it, sir.
00:22:51Go, go, go, go, go, go!
00:22:59Do you want me to do that?
00:23:01No.
00:23:03No, I can manage.
00:23:04All right, that's ยฃ3.99, reduced from ยฃ6.40 now.
00:23:19Regular customer.
00:23:21Never seen it before.
00:23:23I'll put it in a bag for you.
00:23:31How are you feeling?
00:23:32All right, thanks.
00:23:35Considering.
00:23:37Anne's just told me.
00:23:38How long do you want us to stay open?
00:23:40Not too long.
00:23:41We hope.
00:23:43I'll tell you what.
00:23:44I'll buy a box of these.
00:23:45There's something nibbling up there.
00:23:46Have them on us.
00:23:48Cheers.
00:23:48Cheers.
00:24:02Cheers.
00:24:03Cheers.
00:24:04Cheers.
00:24:05Cheers.
00:24:06Cheers.
00:24:07Cheers.
00:24:09Cheers.
00:24:11Cheers.
00:24:12Cheers.
00:24:13Cheers.
00:24:14Cheers.
00:24:15Cheers.
00:24:16Cheers.
00:24:17Cheers.
00:24:18Cheers.
00:24:19Cheers.
00:24:20Cheers.
00:24:21Cheers.
00:24:22Cheers.
00:24:23Cheers.
00:24:24Cheers.
00:24:25Cheers.
00:24:26Cheers.
00:24:27Cheers.
00:24:28Cheers.
00:24:29Cheers.
00:24:30Cheers.
00:24:31I don't know.
00:25:01Aye, aye. Still rat catching?
00:25:11Yes. Urgent call.
00:25:12Aye. I'm after a rat myself, a human one.
00:25:15Look, I've already told you. I can't help you. Sorry.
00:25:18Where's Brian?
00:25:19See, stay off.
00:25:21I don't want to hold you up, but I spoke to your son.
00:25:23I've got a feeling something's bothering him.
00:25:25Did you ever have that feeling yourself?
00:25:27No.
00:25:28Oh, well.
00:25:30That's part of this job.
00:25:31You get a feeling something's wrong.
00:25:33And no evidence.
00:25:35Just thought I'd follow it up.
00:25:36Look, will you leave us alone?
00:25:38There's other pest control firms in Glasgow.
00:25:41I must get on.
00:25:42I'll be back later.
00:25:44You look a bit edgy yourself.
00:25:46What's wrong with these rats?
00:25:48Are they eating someone?
00:25:48What's wrong with these rats?
00:25:50What's wrong with these rats?
00:25:51What's wrong with these rats?
00:25:51What's wrong with these rats?
00:25:52What's wrong with these rats?
00:25:53What's wrong with these rats?
00:25:53What's wrong with these rats?
00:25:54What's wrong with these rats?
00:25:54What's wrong with these rats?
00:25:55What's wrong with these rats?
00:25:55What's wrong with these rats?
00:25:56What's wrong with these rats?
00:25:57What's wrong with these rats?
00:25:57What's wrong with these rats?
00:25:58What's wrong with these rats?
00:25:59What's wrong with these rats?
00:26:00What's wrong with these rats?
00:26:01What's wrong with these rats?
00:26:02What's wrong with these rats?
00:26:03What's wrong with these rats?
00:26:04What's wrong with these rats?
00:26:05What's wrong with these rats?
00:26:06What's wrong with these rats?
00:26:07What's wrong with these rats?
00:26:08I'll be back.
00:26:38That's good.
00:26:40Okay.
00:26:42Is that nice?
00:26:44It's good.
00:26:46Where's my guts?
00:26:48Get away from them!
00:26:50I think sugar!
00:26:52You're the one the police are letting fucks us!
00:26:56Why?
00:26:58Why?
00:27:00Why?
00:27:02Why?
00:27:04Why?
00:27:06Why?
00:27:08Why?
00:27:10Why?
00:27:12Why?
00:27:14Why?
00:27:16Break it up, you two.
00:27:27About two weeks ago,
00:27:30I went out for suppers.
00:27:32Fish suppers.
00:27:36I was walking home.
00:27:38This van followed me.
00:27:42The driver asked a way to Springburn Road.
00:27:48He had this map and asked me to climb in and show him.
00:27:52The next thing I knew, there was a knife in my throat.
00:27:58They said they knew where I worked.
00:28:02They'd followed me.
00:28:04That if I didn't get poisoned for them, they'd scar my kid for life.
00:28:08And Pauline too.
00:28:10I believed them.
00:28:12They said if I told, they'd do the same.
00:28:16I was scared.
00:28:18I replaced the glucosetaldehyde with ice and sugar.
00:28:32So Dad wouldn't notice.
00:28:34I left the poison by a seat at Rockhill Park.
00:28:40That's all.
00:28:42Did you take the number of the bar?
00:28:46You've helped to kill three people, nearly a fourth.
00:28:50Now what was the number of that van?
00:28:52WGA438V.
00:28:56You said they spoke to you.
00:29:00Only the driver.
00:29:02Did you see his face?
00:29:04No, it was dark.
00:29:06It had his hood up.
00:29:08It was an anorak or a tracksuit or something.
00:29:14You must remember something about him.
00:29:16Was he old, young?
00:29:17Forty.
00:29:18Forty-five-ish.
00:29:20Please, can I have police protection for my family?
00:29:24You could have had that two weeks ago if you told us that.
00:29:28Don't you read the newspapers.
00:29:30Have you no idea what these maniacs are up to?
00:29:33I was too frightened.
00:29:41There's something else.
00:29:43The hand that held the knife in the white glove.
00:29:49It's like...
00:29:52It could have been...
00:29:54A woman's.
00:30:13Excuse me, madam.
00:30:14The film's finished now.
00:30:28That's good of you, sir.
00:30:30What about the van registration?
00:30:33False plates.
00:30:34They belong to a tractor in Cumbria.
00:30:37Two people don't go to all the trouble of obtaining poison just to kill a grand.
00:30:41There has to be a motive.
00:30:42Ah, you're right, sir.
00:30:44It changes things.
00:30:47Rather points to Anne Fairley, wouldn't you say?
00:30:50She can't be blamed for the sachet that went to the Higgison's house.
00:30:53For all we know, the whole Higgison family could have been the intended victims.
00:30:57I suggest we look for the connection between them.
00:31:00Because there is one.
00:31:05One for the road, sir?
00:31:06I think not.
00:31:07I cannae believe that.
00:31:13Who'd want to kill all of us?
00:31:15Revenge?
00:31:16We weren't in that sort of family.
00:31:18Was your son mixed up in anything?
00:31:20Joe wasn't mixed up in anything.
00:31:22He just...
00:31:23Hey, this guy free, okay?
00:31:24Ah, in you get.
00:31:25You were saying he just...
00:31:27Ah, just the clubs they belong to.
00:31:29Did anyone have a spare key to your house?
00:31:32There was only one free sample found.
00:31:35Now, if somebody planted it,
00:31:38well, they'd have to get into your house to remove the uncontaminated one.
00:31:42See what I'm getting at?
00:31:43Oh, I think so.
00:31:45No.
00:31:46Nobody.
00:31:47Did you know Andy Cochran?
00:31:49He was an engineer.
00:31:50Brass founder.
00:31:52No.
00:31:53Hey, look, why are we hanging around?
00:31:54Let's get cracking.
00:31:55I'm in a hurry.
00:31:56Ah, fair enough.
00:31:57Excuse me.
00:31:58I never heard them mention anybody called Higgison.
00:32:03I don't think he ever took taxes.
00:32:05How long did you work here together?
00:32:07Twelve years.
00:32:08I've been here longer.
00:32:10Here are twenty.
00:32:11I think of the reason why anyone was going to kill him.
00:32:17I thought it was accidental.
00:32:22No.
00:32:23I can't.
00:32:24What's that you're making?
00:32:26Bloodlight bodies for oil field installations.
00:32:29Look, are you telling me that Andy's death was deliberate?
00:32:32Yeah.
00:32:33Two people, it seemed, went to a lot of trouble to get a hold of that poison.
00:32:37Well, that shop where he bought the pickles, where his wife used to work.
00:32:40If you ask me, that's where you should be making your enquiries.
00:32:43We are.
00:32:44We are.
00:32:45Who are you?
00:32:46Lydell Woods.
00:32:47We live here.
00:32:48And who are you?
00:32:49I thought the flooding was tomorrow.
00:32:50No, today.
00:32:51We never met you.
00:32:52Mr. Taggart.
00:32:53Yeah, I've not been home for a couple of days.
00:32:54Never mind.
00:32:55Have a glass of champagne.
00:32:56Yeah, thanks.
00:32:57This is my wife, Tamsin.
00:32:58You're the chief inspector, aren't you?
00:32:59Uh-huh.
00:33:00Would you prefer a whisky?
00:33:01Yeah, I would please.
00:33:02OK.
00:33:22Thank you, Tamsin.
00:33:24Are youllof?
00:33:29Yeah, I would please.
00:33:30please it's different would you like it yeah it's nice here we are ah that's my favorite
00:34:00well looks like they're not showing up better radio in
00:34:10name's donnie armstrong next of kin son roy call themselves antique dealers
00:34:17but they don't have a shot as such how much uh lucas set aldehyde about two grams
00:34:23then just chocolate nothing else in the summer two liqueurs left duchess brown
00:34:34someone spent hours unwrapping each one extracting the contents with a syringe
00:34:40mixing the poison squirting it back and then plugging the holes with chocolate
00:34:44and i'll tell you where she bought them fairleys a lot of campbell and i ate a box of these
00:35:00you going somewhere a holiday walter needs one so do i you weren't gonna let us know
00:35:08it's not nice being watched by the police you don't have to keep the shop open come on walter
00:35:16we need a break this is a free country the last person that told us that was a hungarian food
00:35:23manufacturer we soon put him right in that one
00:35:26chocolate like yours i don't believe it
00:35:37that was fresh stock they were all on those shelves nobody could have come in and tampered with any one
00:35:46of these someone did and you sold the box to mrs armstrong and that person had time lots of it patience
00:35:57and a purpose well we don't know what it was
00:36:00we just want to get out the shop we never want to see it again and neither of you had seen her before
00:36:08no how often do we have to say it
00:36:18tea all right
00:36:21yes thanks
00:36:26dolly hose used to say tea was good
00:36:34after a bereavement
00:36:43oh this is detective chief inspector taggart detective sergeant jordan
00:36:48roy armstrong
00:36:49roy armstrong used to meet you sorry about your mother
00:36:56did you know she was going to the cinema
00:36:59she always went on the mondays
00:37:02because the tickets were cheap
00:37:04was it usual for her to buy chocolate liqueurs
00:37:10yeah
00:37:12she used to eat four or five boxes a week
00:37:17she was addicted to them
00:37:20we'll have to look at her personal effects
00:37:21you mean a fagin box
00:37:27well i call it that because
00:37:31i don't know what the dickens is in it
00:37:41mum was always tidy when it came to the paperwork
00:37:43she'd never let me touch it
00:37:52she was the business-minded one
00:37:55you're going to be a very rich young man
00:37:58well she'd never invest
00:38:01she wasn't very sophisticated with money
00:38:03who's julian sharp
00:38:06antiques
00:38:08yeah
00:38:10it's a dealer we sometimes do business with
00:38:15that's mum's receipt book
00:38:18she gives her receipt to each householder
00:38:28three pages have been roughly torn out
00:38:30have you any idea why
00:38:35no
00:38:36like i said
00:38:38mum did the paperwork
00:38:40how many people knew your mum like chocolate liqueurs
00:38:44lots i suppose
00:38:46why
00:38:48we think they were meant for her
00:38:51how
00:38:53i don't even know why she used that shop
00:38:57it's not even on the way to the cinema
00:39:00is it
00:39:06dolly and i went back a long way
00:39:08she had a lot of
00:39:10flair
00:39:11she should have had her own shop
00:39:13i've always said that
00:39:15they were knockers weren't they
00:39:17i don't understand
00:39:19come on mr sharp
00:39:21my grandfather once parted with a grandfather clock for a fiver
00:39:24because two guys told him it was worthless
00:39:27they knocked on doors yes
00:39:28and you handled the stuff they coned
00:39:30nothing illegal in that
00:39:32if people part with antiques in good faith that's their lookout
00:39:35how can you charge 90 quid for this stuff
00:39:39teddy bears are very collectible nowadays
00:39:42so is money
00:39:43what other stuff did they bring in here
00:39:50these toys
00:39:52that rocking horse in the window came from an old lady who was selling up
00:39:56did you know she had a taste for liqueurs
00:39:58pardon i don't
00:40:00dolly armstrong
00:40:01well dolly yes
00:40:03but i don't see the connection
00:40:05neither do we at the moment
00:40:14he seems harmless enough
00:40:15i saw walter fairly touched that box of liqueurs
00:40:18he's the only one that could have intended it for dolly armstrong
00:40:21you're lucky didn't he sell it to you
00:40:25others it might have been your turn for the drippy stomach
00:40:27i'm not sure it isn't
00:40:30it's funny though
00:40:32our son had the motive
00:40:33could have been the two of them
00:40:35and in it together
00:40:36no i can't see it
00:40:37walter fairly was a victim himself
00:40:40still doesn't explain cocker and the engineer
00:40:43higgins's wife and the son
00:40:46mike there's something here we're missing
00:40:48the west highland line
00:41:00which runs up scotland's most dramatic coast
00:41:03takes you to glenfinnan at the head of lochsheel
00:41:05hello
00:41:06where began that period of just eight months
00:41:09no i haven't
00:41:12honest i promise i haven't honest
00:41:15whoever you are leave us alone
00:41:17the police know and they're after you
00:41:19what did you do that for
00:41:21father king
00:41:43oh
00:41:45Three, four...
00:42:10Hello, Jim. You're here only.
00:42:12What can I do for you?
00:42:13Morning. It's, uh...
00:42:15It's just this report on Dolly Armstrong.
00:42:18We find it a bit ambiguous.
00:42:20I've been called a lot of things, but never ambiguous.
00:42:26Twelve milligrams of alcohol in her bloodstream.
00:42:29I take it that came from the chocolate liqueurs.
00:42:31Morning.
00:42:32Morning.
00:42:34When did you last eat a box of chocolate liqueurs?
00:42:37You're lucky if you get any flavour, let alone alcohol.
00:42:40So where did it come from?
00:42:42Twelve milligrams of alcohol means that she had an alcoholic drink
00:42:46two hours approximately before she died.
00:42:49Better check that out.
00:42:51Thanks, Stephen. Just wanted something to say up.
00:42:56Ambiguous.
00:42:58Hmph.
00:42:59Mmph.
00:43:00Mmph.
00:43:01Mmph.
00:43:02Mmph.
00:43:33This is Watson, 12 Antoinette Terrace.
00:43:48This town's to clear, they're normally 75 pence, 60, 30, 20 pence.
00:43:53Watch, who's got 10 pence to clear?
00:43:5510 pence!
00:43:56Lead it out, you've got one, no charge.
00:43:58In fact, just clear them out.
00:43:59Two charge.
00:44:00There's no charge.
00:44:00No charge.
00:44:01There's no charge.
00:44:02Don't charge.
00:44:03I'm only going to bag them three times a part, mate.
00:44:05Don't charge.
00:44:06Hands off his head.
00:44:07We'll never get a dish tub.
00:44:11We're normally four minutes tonight.
00:44:14Four pounds a week, huh?
00:44:16Two pounds, one fifty, one pound.
00:44:18No need a pound.
00:44:20No need a pound.
00:44:20I'm coming.
00:44:40Hello, Mrs. Watson.
00:44:42Remember me?
00:44:46I thought you'd decided, after all, to buy my house.
00:44:51Ah, I'm sorry.
00:44:54Found another place.
00:44:55Moved down the day before yesterday.
00:44:58No, no, no milk for me, thanks.
00:45:00Just sugar.
00:45:03I think people are put off by the work that needs doing here.
00:45:06Oh, I like your house.
00:45:08But, ah, my wife makes her decisions.
00:45:11She would be the lady in the wheelchair, was that right?
00:45:15Aye.
00:45:16Didn't stop her from dragging me around 20 other places
00:45:19after I'd seen yours.
00:45:23Mrs. Watson,
00:45:25when I was scrambling about in your shed out there,
00:45:30I saw a rocking horse.
00:45:32Great big thing.
00:45:33Oh, it's gone.
00:45:35Two very nice antique dealers came, a woman and her son.
00:45:39I sold them a lot of stuff.
00:45:43You shouldn't have.
00:45:45They were con men.
00:45:47They're called knockers in the trade.
00:45:49They prey on people like you that are selling up.
00:45:52Probably paid you just a fraction of what it was worth.
00:45:54Oh, well, what would I have done with the money, anyway, at my age?
00:46:03Can I see the receipt they gave you, please?
00:46:06Yes, I think I still have it.
00:46:12Payne, have you any idea why they'd want to conceal the fact
00:46:16that they called on you?
00:46:18No.
00:46:22There it is.
00:46:27Yeah.
00:46:29See, their copy has been torn out.
00:46:33And the three pages after it,
00:46:34to remove any sign of an imprint.
00:46:37Now, why?
00:46:38There's got to be a reason.
00:46:41Nobody else's was removed.
00:46:43Have you arrested them?
00:46:45No, I'm afraid we can't do that.
00:46:48They're not doing anything illegal.
00:46:50I'm just here to say about Mrs Armstrong's murder.
00:46:53She was poisoned.
00:46:55Goodness me.
00:46:57How dreadful.
00:46:59You were the last person they did business with.
00:47:04I sat on the jury in a poisoning case about five years ago.
00:47:10Oh, what was his name?
00:47:13Price.
00:47:13Poisoned some goods in a supermarket.
00:47:18My mind was sharper in those days.
00:47:22By David Price.
00:47:23I remember the case.
00:47:25He's still inside.
00:47:28That's where...
00:47:30I knew I'd seen that young man somewhere before.
00:47:34The antique dealer, the son.
00:47:36He was on that jury.
00:47:38I knew I could do it.
00:47:41I don't know.
00:47:42But he was waiting.
00:47:44No.
00:47:44Attendant in.
00:47:45It's a voice in.
00:47:46Sure.
00:47:46Let me come back next week.
00:47:47Right.
00:47:47Thanks, and you're all coming.
00:47:49Stay with me.
00:47:51Stay with me.
00:47:52All right.
00:48:07Hi, that's Dolly.
00:48:08She's in here every Monday lunch time, when they're white at the pictures.
00:48:11Is she in here this Monday?
00:48:13I think so.
00:48:14Aye, cos she met somebody else who I remember.
00:48:16Who?
00:48:17That's some young fella.
00:48:18A bit of flash, dark hair.
00:48:20He didn't style him, had a drink with her and left.
00:48:23She says it was her son, if you believe that.
00:48:30What's the day you at?
00:48:31Got the information you wanted.
00:48:35Dolly Armstrong met her son in the Clacken Bar
00:48:38before she went to the cinema.
00:48:41So that's how he did it.
00:48:45Did what?
00:48:47Poisoned her.
00:48:48He must have waited till she went to the bar
00:48:51or the toilet and then swapped the box.
00:48:54It just happened to have an identical box full of poison chocolates.
00:48:58Uh-huh.
00:48:59I'm as mystified.
00:49:01How did he know she was going to buy that particular brand?
00:49:04He told her to.
00:49:06Fairly's had a reduced offer for Dutchess liqueur chocolates.
00:49:11Dolly could never resist a bargain.
00:49:14Right.
00:49:15He got the idea from the price trial.
00:49:17He was on the jury list.
00:49:21See who else is on the list.
00:49:27So he tore the pages out of his mother's receipt book?
00:49:29Yes.
00:49:30The last person he wanted us to see was Mrs. Watson.
00:49:33She was the only one who could put us on the trail.
00:49:35Higgison.
00:49:36Oh, full march for observation.
00:49:38We were right about him in the first place.
00:49:41Right, Sergeant.
00:49:42You pick up Higgison.
00:49:44We'll pick up Armstrong.
00:49:45Come on, Jim.
00:49:48We'll go in the new Gramada.
00:49:58Looks like he's not in.
00:50:00Taxi's not here.
00:50:01I'm going to turn to this station.
00:50:03All right, Mike.
00:50:04Thanks.
00:50:05Nice car, sir.
00:50:06Oh, not bad.
00:50:10Look.
00:50:11So, Higgison poisons his wife.
00:50:26Armstrong poisons his mother.
00:50:28Two birds with one stone.
00:50:29You could see.
00:50:38Let's see if he needs to stay his son.
00:50:39Let's see if he needs to stay his son.
00:51:09What was this place?
00:51:25It was a hospital.
00:51:27I'll get a hold of Jardine.
00:51:30Better get him out here.
00:51:32I'm sorry about Joe.
00:51:37We each had our own bit of poison.
00:51:41We each took our own risks.
00:51:44Just wish we'd never met in that jury.
00:51:48The police will never connect us.
00:51:51Oh, aye.
00:51:52But they'll keep coming back.
00:51:54To both of us.
00:51:57I won't break down.
00:52:07Let's get closer.
00:52:08Let's see what's going on.
00:52:19Like fire?
00:52:20What's going on here?
00:52:22Who is it?
00:52:23I think I know who it is.
00:52:27I only want Joe back.
00:52:28I think I know who it is.
00:52:29I only want Joe back.
00:52:30I think I know who it is.
00:52:34Why?
00:52:35Why?
00:52:36I only want Joe back.
00:52:37Why did he have to come home?
00:52:39Why?
00:52:40I only wanted to kill her.
00:52:41I only wanted to kill her.
00:52:42Because you always wanted to kill her.
00:52:43Why did he have to come home?
00:52:44Why?
00:52:45I only wanted to kill her.
00:52:48Why?
00:52:49I don't know what to say.
00:52:50There's nothing wrong.
00:52:52I think I know who it is.
00:52:53I think I know who it is.
00:52:54I think I know who it is.
00:52:55I only want Joe back.
00:52:56Why did he have to come home?
00:52:58Why?
00:52:59I only wanted to kill her.
00:53:01Why?
00:53:02I only wanted to kill her.
00:53:04Because you always turned him against me.
00:53:07I don't know what to say.
00:53:08There's nothing wrong.
00:53:10You can do it.
00:53:14You can do it.
00:53:16what to say. There's nothing. I just don't know if I can live with it.
00:53:27Don't be alarmed. He's my other partner. You're a member of a very exclusive club, Robert.
00:53:36Come on! Come on!
00:53:51Doug's an artist. Well, an engineer, actually. But he has a sort of artistic flair.
00:54:00You see this? This is a rare 19th-century French bronze, worth 2,000 pounds.
00:54:11Well, comparatively rare. Forgeries.
00:54:17Doug's workmate found out about this place. This is where we age them, with chemicals, acids.
00:54:25You have to tell him everything.
00:54:29He wanted a cut. A big cut.
00:54:34So, we put a bit of poison into a jar of pickles his workmate had just bought.
00:54:41OK, that's enough.
00:54:43Robert's not going to say anything, are you, Robert?
00:54:47So, only the shop owner was random, huh?
00:54:54Right.
00:54:58To make it look good.
00:55:00Look good?
00:55:04I suppose Joe's death makes it look good.
00:55:07I don't want to be part of anybody else's murder.
00:55:15Let him go?
00:55:17To break down in front of the police.
00:55:20Why do you think I asked him to meet me here?
00:55:22I'll go and see what's going on.
00:55:38Go on.
00:55:49Jim.
00:55:51It's Jarden.
00:55:52He's caught in traffic.
00:56:08Robert?
00:56:09Robert?
00:56:15Robert?
00:56:21Oh!
00:56:25Ow!
00:56:26Oh!
00:56:27Oh!
00:56:28Oh!
00:56:29Oh!
00:56:31Oh!
00:56:34Oh!
00:56:35Oh!
00:56:36Oh!
00:56:37What's that?
00:56:58Look.
00:56:59Look at this.
00:57:00Is that good?
00:57:01How long will it take?
00:57:09I don't know.
00:57:10I've never tried it with a body before.
00:57:17We should have done it to that kid who got us the poison.
00:57:20He wouldn't have talked.
00:57:22That kid alone.
00:57:24And the baby too.
00:57:27It might be too late for the baby.
00:57:31What was that?
00:57:38Oh, here we are now.
00:57:40Oh.
00:57:41Can you have it?
00:57:42It's far too hot.
00:57:43Oh, here we are now.
00:57:44Here we are now.
00:57:56Bronzes.
00:57:57It's a forgeries racket.
00:57:59This must be where they age them.
00:58:01That explains the gnolls connection.
00:58:14What's that smell?
00:58:16Strongest near you, sir.
00:58:18Is this the most famous?
00:58:19No!
00:58:20No!
00:58:21No!
00:58:22No!
00:58:23No!
00:58:24No!
00:58:25No!
00:58:27No!
00:58:28No!
00:58:29No!
00:58:30No!
00:58:32No!
00:58:33No!
00:58:34stop
00:58:39stop me
00:58:40stop please
00:58:42the hands off me
00:58:44stop
00:58:44stop
00:58:46stop
00:58:47stop
00:59:04my car
00:59:34right
00:59:51baby
00:59:54poison
00:59:57oh there we are now
00:59:59all ready for saving
01:00:01yeah
01:00:02now daddy I'll put your bib on for you
01:00:04she did it
01:00:05oh look at me
01:00:06oh that's nice
01:00:08Roy
01:00:10talk to me
01:00:12tell me about the baby
01:00:14come on Simon
01:00:17eat something
01:00:18look mummy and daddy will show you how to do it
01:00:20a bit for mummy here
01:00:21nice
01:00:26mummy likes that
01:00:28Roy talk to me
01:00:29oh that's a really big bit
01:00:31look
01:00:31oh that's lovely isn't it daddy
01:00:34beautiful
01:00:37now Simon
01:00:39open
01:00:39open
01:00:40open
01:00:44oh it doesn't act
01:00:46that's a good boy
01:00:49I couldn't do it
01:00:56I want that analysed
01:00:59what kept you
01:01:00what's Dignol's doing here
01:01:03well he was a joker in the pack
01:01:06we knew nothing about
01:01:07the three musketeers
01:01:09but where's Higgison
01:01:10he's dissolving
01:01:11in a soup urn
01:01:13I think he was the cook
01:01:15that spoiled the broth
01:01:16when 100%
01:01:19you
01:01:19I don't see
01:01:20oh that's a good boy
01:01:20แปฏ
01:01:21i'm gonna do it
01:01:22but
01:01:23it's so weird
01:01:23what the ladies
01:01:24heard
01:01:25and
01:01:26ear
01:01:27why
01:01:27you
01:01:27i'm going to have
01:01:28my
01:01:29oh that's a good boy
01:01:30I'm ungot NZ
01:01:32and
01:01:32I'm not even
01:01:34I'm gonna cure
01:01:35I'm gonna do it
01:01:37well I love you
01:01:38what's up
01:01:39well I love it
01:01:40love you
01:01:40yeah
01:01:41I love it
01:01:41I love it
01:01:42I love it
01:01:42it
01:01:43I love it
01:01:43love you
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