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Capítulo 2 | Por estas calles | Serie completa
La presión en la ciudad aumenta mientras los protagonistas enfrentan las primeras consecuencias de sus actos. En este episodio, la brecha entre quienes ostentan el poder y quienes luchan en el asfalto se vuelve más evidente. Eudomar Santos comienza a demostrar su capacidad para navegar en la turbulencia, mientras que los hilos de la corrupción política empiezan a enredar a personas inocentes. Es un relato sobre la pérdida de la fe en las instituciones y la formación de alianzas inesperadas por pura necesidad. El drama se intensifica cuando una decisión tomada en las sombras afecta directamente la vida de quienes solo buscan una oportunidad, dejando claro que en estas calles, nadie está realmente a salvo.
Disfruta de este capítulo con la calidad original y la narrativa que rompió esquemas.
La astucia de Eudomar en un entorno hostil 😱
El inicio de las conspiraciones en las altas esferas 🔥
Un choque de realidades que no tiene vuelta atrás 💔
La ciudad como testigo de las injusticias diarias 🎭
#PorEstasCalles #SerieVenezolana #Cap2 #EudomarSantos #ClasicosTV #DramaSocial #Venevision
https://dailymotion.com/playlist/xa5lxo
Capítulo 2 | Por estas calles | Serie completa
La presión en la ciudad aumenta mientras los protagonistas enfrentan las primeras consecuencias de sus actos. En este episodio, la brecha entre quienes ostentan el poder y quienes luchan en el asfalto se vuelve más evidente. Eudomar Santos comienza a demostrar su capacidad para navegar en la turbulencia, mientras que los hilos de la corrupción política empiezan a enredar a personas inocentes. Es un relato sobre la pérdida de la fe en las instituciones y la formación de alianzas inesperadas por pura necesidad. El drama se intensifica cuando una decisión tomada en las sombras afecta directamente la vida de quienes solo buscan una oportunidad, dejando claro que en estas calles, nadie está realmente a salvo.
Disfruta de este capítulo con la calidad original y la narrativa que rompió esquemas.
La astucia de Eudomar en un entorno hostil 😱
El inicio de las conspiraciones en las altas esferas 🔥
Un choque de realidades que no tiene vuelta atrás 💔
La ciudad como testigo de las injusticias diarias 🎭
#PorEstasCalles #SerieVenezolana #Cap2 #EudomarSantos #ClasicosTV #DramaSocial #Venevision
Categoría
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TVTranscripción
00:00Ricardo
00:03We have reason to believe that your daughter is using drugs.
00:26With constitutional sex, unfortunate
00:29Constitutional precept
00:31A sewer rat like you
00:34The constitutional precept is being chosen
00:36Commissioner, control yourself, control yourself.
00:38Leave me alone, boy, leave me alone
00:40Commissioner, leave me alone.
00:41Leave me alone, I told you, boy.
00:43You're hitting a detainee, Dad.
00:46I handed it over to the police, that revolver is wanted.
00:49Look, dude, don't go to the teacher's house for dinner.
00:51What? Don't kill her.
00:52Look, Ricardo, go inside and don't look.
00:54Who talked about killing the teacher here?
00:57Daddy
00:58What's up, buddy? There's war at that moment.
01:00Hay war
01:01You should make me proud to be your son.
01:05But you know what?
01:13I couldn't tell him that there is a judge.
01:15That he is going to open an investigation
01:18Because you act
01:23How the thugs in your neighborhood act
01:26I couldn't tell him that there is a judge.
01:29I couldn't tell him that there is a judge.
01:31I couldn't give him tens
01:34nen
01:34I couldn't tell him there was a judge.
01:35I couldn't tell him that there is a judge.
01:37I couldn't tell him that there is a judge.
01:39Kit
01:39Amen.
02:09Amen.
02:22Hello.
02:24Life, it's me.
02:26Still working.
02:28Yes, something. And you?
02:30I was reading.
02:30I was reading.
02:33I was reading a very sad love story that reminds me of the two of us, you know?
02:37It is the story of two solitudes.
02:40Elisa, don't be so cheesy.
02:44But life, why does everything have to be like this, so dry, so...?
02:48It's eleven at night and I have to get up early.
02:52Okay, life, forgive me.
02:54It's just that I'm in love and I'm being so impertinent, so silly.
02:59Sleep well, love. Good night.
03:04Oh my God, a tale of two solitudes.
03:06When in your life have you read a book, Elisa?
03:08I read one once, I think.
03:11And you're leaving?
03:12So you can read, okay?
03:14What happened, Raúl?
03:16How are you going to leave, boy?
03:17Come here.
03:21What happened, dad?
03:23Don't be a child, okay?
03:24You could wait until I'm gone, okay?
03:26Without jealousy, my love.
03:27What we agree on, without jealousy.
03:29Of course, without jealousy.
03:30But without cynicism.
03:32So good night.
03:33Oh, and don't read in bad light.
03:37And would you do me a favor and drink all that coffee with milk?
03:50How did you sleep?
03:55Scared, teacher.
03:56Look, those thieves aren't going to want me to leave them, then.
03:59Now yes.
04:00You're not even supposed to have been born to you, boys.
04:01Well, you stay here until I find Mrs. Stilita and your mom.
04:06Why are you going to look for her?
04:08Look, she didn't want to take me with her.
04:15Well, whatever happens, you're not going to be on your own, my boy.
04:18That's good for you to know.
04:20Let me clarify, Mr. Area.
04:21You're here in my house, right?
04:23So you come and report here.
04:25Are we clear?
04:26Yes, there isn't.
04:26And hurry up, because we're going to be late for school, come on.
04:33No, my daughter, and what happened to you?
04:35What bug bit you?
04:37Everyone asks for at least two years of experience, my mom.
04:40And they don't give you a job because you don't have experience.
04:42But you don't get experience if you don't get a job.
04:44Oh, patience, what can we do?
04:46Ricardo, let's go.
04:48What breeze?
04:50Don't be so hard, bro.
04:53See you tonight.
04:56What's happening?
05:16It's better if you don't come in.
05:17You're going to want to cry.
05:19No, let's see.
05:22My God, you have to be really sick to destroy a school.
05:51Look, teacher, next time it's your turn, teacher.
06:00There are so many crooks and criminals on these streets.
06:07And in that, I think, race or color do not matter.
06:12No, let's see.
06:37Good morning, Alvaro.
07:03Was it your idea to invite the children?
07:09They should be in school.
07:11I thought it would be a complementary activity for them.
07:15It's not always the case that you have a baroque music concert in your home.
07:18I have discipline problems with María Fernanda.
07:21And you're not helping her at all by keeping her in the house.
07:24Little pieces, little pieces!
07:26The little pieces have arrived!
07:28With all sincerity, Alvaro.
07:34I think it's inconsiderate of you to let that woman walk around this house like that.
07:38Permission!
07:39Mr. Director, excuse the interruption, little pieces.
07:42No matter what, my sister is still your wife.
07:45And if she were here, Elisa wouldn't be here...
07:48In short, this is your house, your life and you decide.
07:53I think that about my nephews.
07:54There's more around here.
07:59Let's see, the first violinist will want one.
08:02People are very malicious.
08:04And who knows, they might tell you anything.
08:09Anything about what?
08:11Well, about you and Elisa.
08:12I have a thing going on with Elisa.
08:14A commotion.
08:15While Magdalena is hospitalized, that's it, isn't it?
08:18Álvaro, you can't talk to me without being rude.
08:23Permission.
08:24Ricardo, Yuleci, help me with this.
08:33Yuleci, no.
08:34Leave that.
08:35But mom, the teacher can't do it alone.
08:38Look, my girl, I've been living in this neighborhood for 17 years and I know how things are.
08:42This school is a waste of time.
08:44A waste of time, Margarita.
08:47Look, I think it's best if you remove Yuleci from the list.
08:51And my boy, it's better that no more of them come.
08:53One of these days the boys are going to come out ruined.
08:57It is not possible.
08:57So you're going to take Yuleci out of school.
09:04And where are you going to put him? In a private school?
09:06Are you going to take me out of school, Mommy? Why?
09:09There are 10 bags, but pure ones, I don't know...
09:23Not everything is going away, dad.
09:24Operation ahead, Dima.
09:26So, start to make the packages come through the cellar.
09:28Oh, what a breeze that is, Dima!
09:42I think I know where the cove is.
09:44Come.
09:46Permission.
09:47Daisy.
09:48Girl, you're going to take Yuleci out of school.
09:50Teacher, I wouldn't want to.
09:52But you don't realize that materially I can't do much.
09:55And even less so now that he's beaten all the neighborhood thugs to the punch.
09:57No, no, you're going to take me out of school.
09:59And the Mathematical Olympiad.
10:01Girl, Yuleci has a Math Olympiad now.
10:04You are invited.
10:04You're going to take her out of school now.
10:06You're going to play that joke on him.
10:07Teacher, Yuleci, right now she's not ready for a contest or an Olympics.
10:11Don't you want to realize that this is not a school anymore?
10:14That is nothing anymore.
10:15Which is now a mortification for all of us.
10:18Let's go, Yuleci.
10:20Truly.
10:21Let's go.
10:22To study like this is better than working.
10:24Let's go, my children, come.
10:27Don't get angry with him, teacher.
10:42Look at those people, what they have is fear.
10:43Everything will be a dream come true.
11:03Elisa, don't you think your familiarity with musicians is misleading?
11:09How's the fall, boy?
11:10Don't let the turkeys be a party.
11:15Behave yourself because you're in my house.
11:19Besides, the orchestra and the foundation are my sister-in-law's obligation, not yours.
11:29Life, I don't deserve that treatment from you, boy.
11:35All I want is for everything to look really cool on you.
11:39Elisa, I inherited that foundation and that orchestra from my father.
11:48And that will be my cross.
11:54But really, I love baroque music.
11:59And people who pretend to like classical music.
12:03Because I know you don't even have ears for a guaracha botiaíta.
12:15What's happening?
12:15Besides, you should be in the office, not here at my house.
12:26But beam.
12:34Let me go!
12:35What do they want?
12:36What do they do?
12:37Let me go, teacher!
12:39Let me go!
12:40This is an evolution of many bills.
12:42And you're not going to keep it.
12:44And don't open your mouth, you hear?
12:45Because if not, we'll cover it with dirt.
12:49You have no right to bring that garbage in here.
12:51This is the safest place.
12:53And you as dead.
12:55Because if not, the minors will die.
12:58Minors die.
12:59And in that, I think race or color do matter to me.
13:08To take care of you, I only have this life of mine.
13:16Look at this phenomenon, Colmenare.
13:19Colmenare.
13:21Look at this.
13:23A summons.
13:26Finding a knot tied.
13:28For personal injuries.
13:32Unlawful deprivation of liberty.
13:34And abuse of authority.
13:36Commissioner, your son recused himself from the case.
13:39And that is perfectly understandable.
13:41Because being a relative of his with Blood,
13:44he cannot act as a prosecutor.
13:45Yes, but they'll open an investigation anyway.
13:48As if I were the criminal, you understand?
13:50That is precisely what is not understood.
13:53The deer behind the dogs.
13:56Oh, gosh.
13:58My son.
14:00My own son.
14:01Don't save them.
14:05Until we come for her.
14:06Don't move and give him your ID.
14:26Leave her, Camargo.
14:29It's Miss Uridis.
14:31She is the teacher who teaches the children here in the neighborhood.
14:33Oh, excuse me.
14:35Don't worry.
14:36He is new to the command and doesn't know the people in this neighborhood.
14:39Hi darling.
15:05How are you?
15:07Hello.
15:08She looks beautiful.
15:11Welcome.
15:12Thank you so much.
15:12And Álvaro is in there.
15:14Oh, thank you.
15:14The concert is about to begin...
15:16Thank you.
15:17You are welcome.
15:17Thank you.
15:18Thank you.
15:19Thank you.
15:21Thank you.
15:23Thank you.
15:25Thank you.
15:27Thank you.
15:29Thank you.
15:31Thank you.
15:33Thank you.
15:34Thank you.
15:35Álvaro, I thought you weren't going to come down.
15:54We are very late.
15:56Elisa.
15:59Don't act like the lady of the house because it doesn't suit you.
16:02Hey, life, forgive me.
16:04It wasn't my intention.
16:05You constantly pose as the owner of the house.
16:07You address me with familiarity in front of the public.
16:12You claim a place in my life that I have not given you.
16:16Elisa, I'm getting tired.
16:19But life.
16:24Don't call me life.
16:26No.
16:26Doctor Caicedo.
16:51Madam, welcome.
16:56Thank you so much.
16:57Well, the one we haven't seen is Magdalena.
17:01It's just that his trip was delayed a little.
17:04My assistant will deliver the program to you.
17:08Yes, to me.
17:11Thank you so much.
17:12And they left me a huge package planted at the little school.
17:21I say that now we really have to do something.
17:22How can we not close the little school?
17:25Close the little school, Eudomar.
17:27For your life, boy.
17:28They're going to impose a curfew on us criminals if we don't do anything.
17:31Okay, don't close the little school.
17:33So what do you think is going to happen?
17:34They're going to take it as a hiding place.
17:36Can you fight that?
17:38Echico, what you have to do is, I don't know, show your face.
17:42Oh, show your face.
17:44As she says, show your face.
17:46It will be so they can fill it with dirt, girl.
17:48What's more, the one who ends up standing up for you here is someone.
17:52Look at the problem with the revolver.
17:54If it hadn't been for my black man here,
17:56I had no idea that this had happened to me.
17:58Well, what?
17:59No, open the little school.
18:01Come on, share it with the lambros.
18:03That way they'll cover it for you.
18:04That might be a good idea.
18:05Oh no.
18:06Oh, and how can one teach calmly?
18:09Knowing that he has this planted right there in front of the children.
18:14Oh, blessed Christ of La Guaira, my love, Eurydice.
18:17Did you have any need to bring that here, girl?
18:20But well, your thing is already in Mérida, Eurydice.
18:22Look, please grab this, put it in your wallet,
18:25Store the powders in the place where you found them
18:26and Eurydice, for God's sake, girl,
18:28leave it alone, he's getting us into trouble, okay?
18:30Don't worry, I'm not going to involve you.
18:33I'm going to make a phone call from the phone
18:35like a shovel and you see.
18:36Wait, Mérida, how are you?
18:37Eurydice, Eurydice.
18:39Look, they're going to cover my face with dirt,
18:41But my little school is not a cadet to Manandro, okay?
18:43Look, Eurydice, Eurydice, come here.
18:45Eurydice.
18:47Look, black, chase her.
18:48Chase her now and answer to me for that crazy woman with your skin,
18:52black, hurry up.
18:54Eurydice!
18:54Compassion no longer appears in these streets.
19:10and the stone has been able to travel for a while.
19:17When my father created the Infante Foundation
19:30emphasized
19:32in the dissemination of the country's musical values.
19:37My dad doesn't like classical music.
19:40If you don't like classical music
19:42because he always does those concerts.
19:45And Mom isn't traveling either.
19:48He is not traveling and these letters.
19:50No, it doesn't have a postmark, kid.
19:53That doesn't come from any country, to any email.
19:56I'm writing this to someone so you don't ask about Mom.
19:58María Fernanda, you make it up.
20:02Look, my mom is at the clinic.
20:04I found this on my dad's desk.
20:07It is a medical report.
20:09Mom is sick.
20:10A medical report.
20:12And what does it say?
20:14Well, this...
20:17I can tell you...
20:20If you turn on the tap,
20:22that connects the showers.
20:30I'm listening to you.
20:33They do me a favor.
20:35Stop messing around with me.
20:37They're going over there to listen to the concert.
20:40We are?
20:41Look, you're not my mom.
20:43So don't scold me because you can't do it.
20:50And that is why tonight's evening
20:52has the support of the group
20:56Young Strings of Caracas.
20:59Under the direction of maestro Félix Rodríguez.
21:05Applause!
21:06Applause!
21:07Applause!
21:07Applause!
21:08Applause!
21:09Applause!
21:10Applause!
21:11Applause!
21:12Applause!
21:13Applause!
21:14Applause!
21:15Applause!
21:16Applause!
21:17Applause!
21:18Applause!
21:49The truth is that with everything that is happening in this house
21:51I don't feel like it, I don't feel like it for any baroque evening.
21:55Have you heard from dad?
21:58Yeah.
22:00He said that either you leave or he leaves the house.
22:09At your house, right?
22:11I'll go.
22:13I'll see where to.
22:16Oh, Hector, Hector.
22:17But why did you have to act in the cause?
22:19That's what I say.
22:21I didn't know, Cecilia.
22:22I found out the day I went to do that errand, now.
22:28I inhibited myself.
22:31The law requires me to abstain.
22:37I am your son, Cecilia, but...
22:41the investigations into the knot are going to prosper.
22:46And that is serious?
22:51You could go to jail.
22:53To jail.
22:55A man who has done nothing but fight crime.
22:58Oh, perfect, but there are laws.
22:59And laws are meant to be respected.
23:02And look, I better go because I'm late.
23:04and I want to talk about this case with Dr. Infante.
23:09Wait, it could be dad.
23:10Who's going to know what you decided.
23:13Hello?
23:14Yes, on behalf?
23:17Yes, yes, wait a minute, me.
23:24It's for you.
23:26Eurydice says it's urgent.
23:27Hello?
23:29Thank you.
23:30Hello?
23:31Hector.
23:33Hello, look, it's Eurydice.
23:36Look, sorry to bother you until now,
23:39but it's that...
23:40I need you to help me, boy.
23:42It's really urgent and I don't have anyone else.
23:45Well, what happens is that they planted me.
23:56No, well, the thugs planted me.
24:01Look, you couldn't get close here.
24:02or I go where you tell me
24:03because I really need you to help me.
24:05It's something urgent.
24:08Oh, okay.
24:10Well.
24:12Well, I don't know, there's a small square nearby,
24:14Artiga's little square.
24:17Well.
24:18Half an hour?
24:20Ok, half an hour.
24:22Thank you.
24:26I was talking to the prosecutor,
24:28the son of the super cop.
24:29Yeah.
24:31I'll go with you.
24:32A boy.
24:33I don't want to harm him, reudomar.
24:36Look, man, I don't know if the guy is Superman.
24:38that you want to talk to him.
24:40But I will not allow it
24:41that you walk down the street with that in your wallet.
24:44I'll go with you.
24:46Who was that woman?
24:52A friend.
24:54A friend in trouble.
24:57She asked you to come see her.
25:02Yes, yes, well.
25:04She's stuck in a...
25:06Well, there's a problem.
25:08And I offered to help him.
25:10And I have to go.
25:13And by the winds that blow,
25:15the young strings of Caracas
25:16as if they're going to have to wait a little
25:18because I'm going to arrive after the break.
25:19Bye, brother.
25:22A favorite of mine.
25:24Don't go.
25:24Through these streets
25:26Compassion no longer appears
25:30And the stone gives closed that
25:35Compassion no longer appears
25:41Compassion no longer appears
25:52Compassion no longer appears
25:57For my dead mother, don't go
26:19What happened, sister?
26:21Perception is transcendental again
26:23The inner voice that says, Hector, don't go, don't...
26:26Don't mock, not this time
26:29Don't go, Hector, I know what I'm telling you.
26:33But, Cecilia, I'm already committed, I can't let you down.
26:36For God's sake
26:37Take this, Hector
26:57Take it with you
26:59Please
27:01Yeah
27:03Yeah
27:07You're not going to stay calm, are you?
27:12Do you promise me?
27:15Will you do it for me, sister?
27:17Yeah
27:17Give me a kiss
27:18Peaceful
27:23Chaito
27:26Should I take this key?
27:32I won't do it to you, son.
27:49Thank you!
28:19You constantly pose as the owner of the house
28:24You attribute to yourself a place in life that I have not given you
28:28You are a dear girl
28:35So you better shut up.
28:37Well, me, Álvaro Vida
28:43I'm going to have whatever place I want in your life.
28:49Thank you!
29:19Thank you!
29:21Thank you!
29:23Thank you!
29:25Thank you!
29:27Thank you!
29:29Thank you!
29:31Thank you!
29:33Thank you!
29:35Thank you!
29:37Thank you!
29:39Thank you!
29:41Thank you!
29:43Thank you!
29:45Thank you!
29:47Thank you!
29:49Thank you!
29:51Thank you!
29:53Thank you!
29:55Thank you!
30:25Thank you!
30:27Thank you!
30:29Thank you!
30:31Thank you!
30:33Thank you!
31:03It's good that you came.
31:15But, no way, get on.
31:18I told you that you could join me for whatever you wanted.
31:26What's wrong? I notice you're upset.
31:33This
31:34They put it in my school
31:37And they threatened me with the children so I wouldn't say anything.
31:40Drug
31:44You did very well to call me
31:52But well, I don't know
31:54I think we shouldn't talk about this here, right?
31:58Are we going somewhere else?
32:00Yeah
32:00Well
32:03Hector
32:18Hector!
32:33My God!
32:35Hector!
32:42Hector!
32:44Hector!
32:45Hector, talk to me, please!
32:48Hector!
32:49Hector!
32:50Compassion no longer appears in these streets.
32:55And the stone gives closed that...
33:01Thank you so much
33:16Oh, how ashamed Dr. Infante must be, huh?
33:19It's just that it's okay, it's so formal
33:21Send yourself, you came to spend this accident on your beautiful one.
33:24What accident, Clementina?
33:26I don't know, it must have been some...
33:29Well, girl.
33:30Anyway, what I hope is that they cancel this blessed recital.
33:33Not a recital, Aristide, it's a concert.
33:35Recital is when there are soloists.
33:37Recital, concert, it is not the same.
33:39My wife, I want to die of grief and shame.
33:42Here, my God!
33:43Help me!
33:45Help me, my God!
33:48Oh my God!
33:49That's bad!
33:51That's bad!
33:52They killed him, that's bad!
33:54Some men, a speck, us!
33:56Hurry up, let's take him to the bush!
34:15He said he's leaving home.
34:17That he's going to look for somewhere to go.
34:20I don't know.
34:21Why do you tell me that?
34:23As if I were kicking the holy child of Prague out of the house.
34:27He's not sending me to investigate with a judge.
34:30What do I have to do?
34:31Keep it quiet at home too.
34:33Oh, Dad!
34:34Dad, don't get upset!
34:35Hector is leaving.
34:38Besides,
34:39he recused himself from the case.
34:41Of course he has to refrain.
34:42If I am his father, do you understand?
34:44And the code of prosecution was drawn up by some members who were parents.
34:49Dad, until when?
34:55Do you want to have something to drink?
34:58Yes, man, it will be.
35:00Make me a little rum and bring it to the living room.
35:02Why does it stop you?
35:23Why does it stop you?
35:25Why does it stop you?
35:26He's dying!
35:27Well, men die.
35:29It's time to be dead.
35:32Look, it's better for us to think about the living.
35:46Look, we've done our part by bringing him here.
35:48TRUE?
35:48TRUE?
35:49No more problems, no more inconveniences.
35:52I'm not going to leave it here.
35:53I'm not going to leave him here, Eudomar.
35:55There are a few steps left to get there.
35:56I'm not going to leave it here.
35:57Listen to me, listen.
35:58I don't feel it.
35:59There are police officers there in an emergency who ask questions.
36:02When they ask you, what are you going to say?
36:04Ah, you made an appointment with Commissioner Vega's son to have him killed,
36:08to get shot in the chest.
36:09Is that what you're going to tell him?
36:11You know I didn't do anything.
36:12No, no, no.
36:12You know I didn't do anything.
36:13I want you to know, I want you to know, if you have noticed,
36:15that you are in a tremendous package, a very big package.
36:20If this guy is dead, he doesn't feel anything anymore.
36:23Come on, come on, come on, come on.
36:25No, no, let it go, let it go, let it go.
36:27Let it go, boy, let it go.
36:28Get off, get off, get off, get off.
36:30When your mother was still alive and...
36:42When your mother was still alive and...
36:55And you were still very young,
37:01we lived for a while with your grandparents.
37:04Until we got the little apartment.
37:10Over there in the blocks?
37:13Yes, in the blocks.
37:16One night...
37:18Just moved there.
37:22They rang the bell and...
37:24And I answered.
37:26You know, with the iron in your back pocket, just in case.
37:34There were three elements.
37:38They were drinking rum.
37:39And they were well shaken.
37:45What did they want?
37:47Well, they had already bitten that I was a police officer.
37:53And they were going to...
37:54Let's talk.
37:57To establish myself in a living mode.
38:00Living modes?
38:02What did they want?
38:03Yeah.
38:05They were the cream of the crop of the criminals in those blocks.
38:13They were trying to make me see that we were...
38:16That we were neighbors.
38:20And when I was going to work and...
38:23And at night he had guard.
38:28You were left there at their mercy.
38:32It was better that we understood each other.
38:35Look, the person...
38:37He is the son of Commissioner Natalio Vega.
38:39Please come quickly because he is seriously injured.
38:43I'm not going to tell you who I am.
38:45Very good.
38:46Now we're leaving all this behind.
38:48Look, Eudomar.
38:48I don't want to tell you.
38:50I want to introduce myself.
38:51I feel like I killed him myself.
38:52I haven't done anything, Eudomar.
38:54That you arrive and introduce yourself.
38:55Do you know what's going to happen to you?
38:56They're going to put you in jail.
38:58I'll tell you.
38:58What I do?
38:59Well, you're not running away.
39:00You're just waiting for things to calm down.
39:02and you're going to get right.
39:04But why should I take up law, Eudomar,
39:06if I haven't done anything?
39:07I don't want to run away.
39:08I have to introduce myself.
39:09Understand me.
39:10Okay, okay.
39:10I understand you.
39:10I understand you perfectly.
39:12You're coming with me.
39:12No, but...
39:13Come with me.
39:17Mother!
39:18Mother!
39:30And what did you tell him?
39:36What was I going to say to her, daughter?
39:37He was just a detective, one with a wife and two little kids.
39:51The time we lived there I had to dance close together.
39:55Yes, right next to them.
40:00So if...
40:02some fell...
40:05Well, I...
40:07I had to get it out.
40:10Instead, never...
40:13they messed with my family.
40:14This is how you grew up.
40:22This is how they grew up.
40:25Now...
40:27Now we live better, of course.
40:32You study.
40:34But with that modus vivendi...
40:37I was able to take Hector to law school.
40:42With that modus vivendi...
40:44I was able to graduate him.
40:47So now you come to me with that...
40:50Abuse of authority.
40:53So that he can report me now...
40:55for abuse of authority.
40:59What happened to you, daughter?
41:03What happened to you?
41:04Who was it?
41:06Who was it, my love?
41:08No!
41:09What happened?
41:09No, my God!
41:12What happened?
41:14Compassion no longer appears on these streets.
41:26And the stone from a while ago...
41:32went on a trip.
41:36When she left, the police chased her.
41:40Hey, conscience, you better hide with patience.
41:47No trace of courage is found anywhere.
41:53Those who saw her say she was pale and cold.
41:54She realized she was alone and without company and every time she showed her face she laughed at her.
42:06So be careful of the corners.
42:07So be careful of the corners.
42:08Don't get distracted when you walk.
42:09To take care of you, I only have this life of mine.
42:10So be careful of the corners.
42:11Don't get distracted when you walk.
42:12To take care of you, I only have this life of mine.
42:15To take care of you, I only have this life of mine.
42:20So be careful of the corners.
42:22Don't get distracted when you walk.
42:24To take care of you, I only have this life of mine.
42:28To take care of you, I only have this life of mine.
42:32To take care of you, I only have this life of mine.
42:34To take care of you, I only have this life of mine.
42:35To take care of you, I only have this life of mine.
42:36To take care of you, I only have this life of mine.
42:37To take care of you, I only have this life of mine.
42:38To take care of you, I only have this life of mine.
42:39To take care of you, I only have this life of mine.
42:40To take care of you, I only have this life of mine.
42:44I have this life of mine
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