- 5 months ago
"SENSITIVE MATTER Episode 6" is a romantic drama that reaches a dramatic turning point in the love story of Tanya and Volodya. As their relationship deepens, the challenges they face become increasingly complex, threatening to tear them apart.
In this episode, Tanya's career as a fashion designer takes a significant leap forward, but her relationship with Volodya hangs in the balance. Will they find a way to be together, or will the obstacles prove too great to overcome?
*Key Themes:*
- *Love vs. Social Expectations*: Tanya and Volodya's relationship continues to be put to the test by their different social backgrounds.
- *Ambition and Dreams*: Tanya's passion for fashion drives her to pursue her goals, despite the challenges she faces.
- *Family and Loyalty*: The drama highlights the importance of family and loyalty in relationships, as Tanya and Volodya navigate their complicated circumstances.
This episode promises to deliver more emotional twists and turns, keeping you invested in the fate of the star-crossed lovers.
In this episode, Tanya's career as a fashion designer takes a significant leap forward, but her relationship with Volodya hangs in the balance. Will they find a way to be together, or will the obstacles prove too great to overcome?
*Key Themes:*
- *Love vs. Social Expectations*: Tanya and Volodya's relationship continues to be put to the test by their different social backgrounds.
- *Ambition and Dreams*: Tanya's passion for fashion drives her to pursue her goals, despite the challenges she faces.
- *Family and Loyalty*: The drama highlights the importance of family and loyalty in relationships, as Tanya and Volodya navigate their complicated circumstances.
This episode promises to deliver more emotional twists and turns, keeping you invested in the fate of the star-crossed lovers.
Category
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Short filmTranscript
00:00The leading principle of the organization of the party is centered on democratic centrism, meaning a election of all top positions in the party from top to bottom, b
00:11What share of the export of the Hungarian People's Republic is the export of the food industry sector?
00:17Mm-hmm. Um, food? Hungarian?
00:30Why don't I tell you instead who was in charge in 1932? Imre Shalai.
00:37What are you going to tell people if the local population asks you about the life in the Soviet Union?
00:44Everything is very good. The national economy is making progress, especially the textile industry.
00:52What is the national dance of the Moldovian SSR-sized two halves and two quarters?
00:56Oh, I bet everyone in Paris knows the answer to that question. But just in case they forgot, then I will gladly remind them. The dance is called the Serba.
01:07You're done. Please call in Tatiana.
01:20Do you know any photographers?
01:23No. Why?
01:24Why? Because this trip is just getting started. What you'll need to have is an objective, reason, trip plan, and a medical certificate. And also six photographs.
01:35Why are you staring? Take notes.
01:38I think I've only had five in my entire life.
01:42All right, Vladimir. Your joke has gone way too far.
01:45You think this is a joke?
01:49Yes. I'm waiting for you to say, thanks everyone, go home now. I only did this to mess with Tatiana.
01:55Right. You really are full of yourself. You think this planet revolves strictly around you, huh?
02:00Tatiana! They're asking for you.
02:03Okay.
02:03Miss Tatiana Nazarov, born in 1944, father was sentenced in accordance with Article 58.9 of the Soviet Criminal Code, correct?
02:18Yes.
02:19Where's your statement? It's not in your file.
02:22What statement?
02:23I, so-and-so, knew nothing of his actions. I consider him a traitor, refused to carry his last name, and so on.
02:34If you have children, I hope no one will have the audacity to suggest to write those things. Thank you for considering my candidacy.
02:42Let's go.
03:42I can't decide where I want to go in Paris first.
04:09To Notre Dame or to the Eiffel Tower?
04:13Do you think you'll have time for any of that there?
04:17All that we're going to see is the airport.
04:19The bus, the hall. Best case scenario.
04:22And I want to see the Moulin Rouge.
04:25See the costumes.
04:27There'll be no costumes there, sweetheart.
04:33So here's some news.
04:36First, Natalia works here once again.
04:38One, Gladkov swathed his anger for mercy.
04:42Second, we were all denied.
04:47No one is going to Paris.
04:50Just great.
04:51Right, what's this now?
05:04Smoking in the workplace?
05:06My dream just died. It's allowed.
05:08Mm-hmm.
05:09I thought your dream was to leave us for the general.
05:11A modern, civilized person can dream of many things, not that you'd know.
05:19Why are you being brood to me? Was it me that ruined your Paris trip?
05:23Vladimir, don't worry. You did everything you possibly could. It was a pipe dream from the start anyway.
05:32Yes, Vladimir. Not our fault.
05:36Yeah. What's there to see in Paris, anyway?
05:40Yes.
05:41It's just a big village.
05:42Comrade Hemingway would disagree.
05:44Hey, we are not interested in that comrade's opinion.
05:48Is he part of the Communist Party? Remind me.
05:51That's right, he's not.
05:53Mr. Vladimir, no need to be sad.
05:56The point of a designer is not to trip to Paris, but to make a home like Paris,
06:00so that every Soviet citizen can experience Paris in every shop of the Union, hmm?
06:06That's actually not bad. I can... I can already hear them.
06:09Hey there, lady. Do you guys sell Paris in this place?
06:13No, wait. I don't understand. Why can I only get two Parises?
06:22That's right. I'm glad I lightened the mood for you guys.
06:26Get to work.
06:30Why couldn't they disapprove one person? Is that so hard? I don't understand.
06:55Who came up with this torture device? Was it Indians for astronauts?
07:00That I do not know.
07:02But people love it. They say it works out your waistline.
07:06Waistline? That's good. Look at how good I am at it.
07:10Try it like that!
07:11Woo! Woo! Woo!
07:13I can actually do this.
07:15Oh.
07:18All right, so how's your little career builder?
07:21You mean Vladimir?
07:22Yeah.
07:23What about him? The rising star is rising.
07:26Today, he took everyone to the immigration board.
07:29Ugh.
07:30Yeah.
07:31They probably all packed already for Paris. Raring to go.
07:34Don't worry about Paris. No one's going.
07:37My connections did their job.
07:38Your what?
07:45You shut them down?
07:48Why?
07:48No need to thank me.
07:50Your famous potatoes and herbs will be more than enough.
07:54We're going to trade our waistlines and go eat at your place.
07:57I never asked you for any of that.
07:59You didn't need to ask. For what?
08:01We are in this together.
08:02We can read each other's minds.
08:04You don't have to say it.
08:05Do you think I'd abandon you?
08:08Okay.
08:09Goodbye.
08:10Thanks for the waistline.
08:12And for everything else.
08:14But Nina.
08:15Wait a minute.
08:16What about the potatoes?
08:18I trusted.
08:19I trusted.
08:20I trusted.
08:21I trusted.
08:23I trusted.
08:24I...
08:25You...
08:25No, no, no, no, no.
08:27No.
08:28I shan't believe that you fell out of love.
08:32Oh, no, no, no.
08:33You will not convince me, no.
08:36I trusted.
08:38I trusted.
08:3944.5.
08:41Bring me another time, please.
08:43Mm-hmm.
08:44We don't have any more.
08:45I trusted.
08:46Well then, look around.
08:48And please make it fast, will you?
08:49We're going to be late for our flight.
08:51Horrible service.
08:52I shan't believe that I trusted.
08:55Excuse me.
08:55We appreciate your art and stuff, but please turn it down a notch.
09:01How dare you?
09:03Know your place.
09:04You're a nobody here.
09:06It was a bit rude, but you're not exactly the Secretary General.
09:10We dress dozens of artists like you every month.
09:14And our service is a one-off, not long-term.
09:16Well, judging by your terrible attitude, one time is more than enough.
09:23Wait, can you even speak for yourself?
09:25Or some idiot sings for you as well.
09:29That's enough.
09:30I want you to call your boss right now.
09:32You, sir, will be in huge trouble.
09:56Uh, exit's this way.
09:59Mm-mm.
10:00Mm-hmm.
10:02Wait, did he pay for that?
10:14He left wearing our suit.
10:27Ow.
10:27Ow.
10:30That hurt.
10:31It was an accident.
10:35The third time's an accident?
10:37And the fifth?
10:38I'm really sorry.
10:44Ow.
10:45Are you crazy or what?
10:47Leave my brother alone.
10:50What?
10:51My brother used to fell head over heels for you.
10:55He doesn't know you.
10:56I won't allow it.
10:58So, you're the protective sister now, huh?
11:03And who am I?
11:05Go on, tell me.
11:08A huge liar.
11:11You use and abuse men.
11:13Mm-hmm.
11:13And don't love anyone.
11:16Even that artist of yours.
11:18Because that's not love.
11:19Yeah, screw him.
11:21But don't touch Yosef.
11:24He's never hurt anyone, ever.
11:27So you think you are wise.
11:30And so mature.
11:33That you see things so clearly.
11:36Love is always different.
11:39Look, I promise I won't use your brother.
11:42Can we continue now?
11:47Without the pricks.
11:48I told you it was an accident.
11:57Can I come in?
11:59Yeah, sure.
12:05Enlighten me.
12:06What do I do with this now?
12:08Throw it out or try to sell it in secret.
12:10Let's finish the collection here.
12:13For who?
12:15For us.
12:17Prove that we can do it.
12:23What do you think about that?
12:26I think that you are an amazing person.
12:30So positive.
12:31Why be so negative?
12:33We're in good health.
12:35There's no war.
12:36And no one really believed we're going to Paris anyway.
12:39You didn't believe it.
12:40But the others did.
12:41And I went and let them all down.
12:44Stop with that.
12:45Thanks to you, my friend, they got a dream.
12:48Mm-hmm.
12:49And now, reality reminded them where those folks actually live.
12:55I don't know how to face them.
12:56What to say.
12:57Or how to work with them after all that.
13:00I'll tell you how.
13:01Well, first of all, get Miss Nina back here.
13:04She's probably pretty mad at you.
13:06And you could really use her help right now.
13:11Our help?
13:13Well, that's right.
13:15Secondly, tell the team that it was Paris that lost them.
13:18And we will have our own high fashion here.
13:24Hello, Uncle Pavel.
13:26Yeah, it's me.
13:28May I come and see you for ten minutes?
13:29I have a question.
13:31Thanks.
13:31I'm on my way.
13:32So what now?
13:35I think I know who wasted our efforts.
13:39I'll sort all of this out.
13:41Not that door!
13:44Vladimir.
13:45Vladimir.
14:02Uncle Pavel, please stop Evgeny.
14:32Interesting.
14:35And where is this terrible Evgeny on his way to that he needs to be stopped immediately?
14:41What are you doing here?
14:42What is he doing here?
14:44As your stepfather, he came to ask about your professional career and aspirations.
14:52And I think the word he used was anti-Soviet.
14:58Trying to reconcile?
15:00It's not going to happen.
15:01Today, the entire studio was denied travel to France.
15:05And I wonder who's to blame.
15:07Denied everyone.
15:09Really now.
15:11No, Vladimir.
15:13That was not me.
15:16I came to your uncle for a different reason.
15:19Mr. Zotov arrived here to speak about you and one named Tatiana.
15:26Uncle, why are you listening to him?
15:29Chase him out of here and I'll tell you whatever you want.
15:33Let's see.
15:36Cute, charming, and simple.
15:39Not quite as pretty as all your previous escapades.
15:43But it is her that could prevent the wedding.
15:47I told Evgeny and I'll tell you.
15:49My relationship with her is my personal business.
15:52And if you...
15:53Why are you so arrogant?
15:57You should never speak like that in front of your father.
16:00Well then let's resurrect him and we'll all find out.
16:03You just get out.
16:04Mr. Evgeny, I do believe that you find yourself in my offices, not the other way around.
16:25Right.
16:26Now please leave.
16:29Uncle Pavel, why are you talking to him?
16:32He's cheating on my mom.
16:34That's insane.
16:35Just leave.
16:37I said leave and wait in the corridor until I call for you.
16:41Move it!
16:51Could you have maybe spared me the threats this time?
16:56After all, this is my office and he is my nephew.
16:59If I don't make an exception even for my stepson, why would I make an exception for your nephew?
17:10Or are you somehow special?
17:13Comrade Pavel, as far as I know, you're not really the most honest uncle out there.
17:22Listen to me.
17:24Let's not discuss that right now.
17:28Changing topics.
17:31Tatiana.
17:33Lydia.
17:35You have exactly one week.
17:37That.
17:39Or find me a new candidate for the post of minister.
17:42Listen, there are matters where I'm powerless and somewhere you are too.
17:47Feelings.
17:51They're delicate.
17:53Delicate matters.
18:07Here.
18:08Now read it.
18:09Okay.
18:09Okay.
18:09Okay.
18:17All right.
18:25I'll try then.
18:26Well, then.
18:46To the success of our future venture.
18:50I don't drink.
18:53And you shouldn't either.
18:54It really does affect your, your brain.
19:01Son of a biscuit.
19:25Show me your documents right now.
19:28Are you waiting on the general's wife?
19:30No, you.
19:31Was ordered to deliver you.
19:33And if you refuse, orders are to kidnap you.
19:36Well, what if your general decided to kill me, huh?
19:39Do I look stupid to you?
19:41In that case, he would not have sent me for champagne.
19:44What kind of champagne?
19:47I don't remember.
19:48Some French kind.
19:49From the fancy store.
19:51Uh-oh.
19:52Well then, do I kidnap you or not?
19:56I am a soldier and I do whatever I'm ordered to do.
20:01I agree to be kidnapped.
20:03Oh, and this too.
20:10Oh, and this too.
20:12What is this?
20:14Can't he afford a decent bouquet?
20:16He has some at the summer house.
20:18This one's for me.
20:39Miss Nina?
20:39I'm speaking for the entire team, especially for Vladimir.
20:43We're sorry.
20:44You were offended and we let it slide.
20:46The studio can't survive without you.
20:49Come in, Tatiana.
20:51You're letting the draft in.
21:03So?
21:06Tatiana, you were saying something on behalf of everyone?
21:11I was.
21:12Even prepared a speech.
21:15Miss Nina, you have to come back.
21:17We're completely lost without you.
21:20Constantin is a genius, sure.
21:21And the girls are great, Katya and Hanya.
21:25But everything else is you.
21:27You keep us together.
21:30Stop it, Tatiana.
21:31Sit down.
21:33You're doing fine without me.
21:35And that Vladimir of yours is doing well, in fact.
21:39Yes, he has his connections and...
21:42Two days on the job and he did more than I did in a year.
21:46And your drawings are good.
21:48Which means I'm obsolete.
21:49You're being crazy, Miss Nina.
21:52Only people with low self-esteem speak like that.
21:56Tatiana, the things you say.
21:59Should I laugh or cry?
22:01Miss Nina.
22:02Just look at yourself now.
22:05Go on, do it.
22:08You are beautiful.
22:10You're so elegant.
22:12You...
22:12You are phenomenal.
22:15Miss Nina.
22:17Fashion trends come and go.
22:19But people remain.
22:20You know, Tatiana.
22:27That's exactly what I realized.
22:30Everyone says that I have a great career.
22:32For what?
22:33Look around you.
22:34I have an empty home.
22:38With Vladimir's survival,
22:41I figured
22:41I'll soon be out of job with nothing
22:44and no one to replace it.
22:45You get it?
22:50I am babbling way too much.
22:52Why don't we have a cup of tea?
22:54Let's have tea.
22:55Okay?
22:56Let's go to the kitchen.
22:58It's right over there.
23:14I remembered the sun
23:16and here are the rays.
23:17Hi, Miss Nina.
23:19I speak for the entire studio
23:20and especially myself.
23:22Please forgive us.
23:24I wonder,
23:25what is it with today?
23:26Huh?
23:28Well,
23:29how refreshing.
23:30Come inside and be my guest.
23:39Miss Nina,
23:40I was entirely incorrect.
23:43I acted like a stupid child.
23:46I came there to play.
23:49Seriously.
23:51And the studio is your entire life.
23:54It can't run without you.
23:55You keep it together.
23:56Amazing.
23:57Did you write that speech together?
24:00Well, together with...
24:01Never mind.
24:02Anyway,
24:03I came to apologize
24:04and return the management role
24:06to you.
24:07I'm leaving.
24:07I am making things worse.
24:09Now, you really are acting like a child.
24:11You messed things up
24:12and now you're running away.
24:19Actually, it wasn't your fault.
24:21I told Katokova about everything that happened.
24:23And that was her way of standing up for me.
24:26I didn't know about it.
24:27I really had no idea.
24:32So you...
24:33you, Miss Nina,
24:36took away this victory
24:37for the entire team?
24:38You, Miss Nina,
24:39took away this victory
24:39for the entire team?
24:40A victory which they never fought for.
24:45You did the right thing.
24:46The most important thing for Triumph
24:48is work,
24:49long and hard.
24:51I hope that one day,
24:53if fate decides to give me a chance,
24:55I will use it.
24:55I will use all the lessons
24:58I've learned here.
25:00I messed up.
25:02I'll fix everything.
25:09But I'm still not coming back.
25:21Katya,
25:21it's important
25:23that we fix our karma immediately.
25:44Hey there.
25:45Should I put stickers on it?
25:47Yeah, sure.
25:47Reach for it.
25:48Oh, hey.
25:49Okay, thank you.
25:53So what's up?
25:54Looks good.
25:56Nothing.
25:57Just remember the kind of man you are.
25:59Even I really don't understand
26:01that about myself.
26:03Although I admit,
26:05you are right.
26:06But I am trying.
26:09You can see I'm really trying.
26:13Of course.
26:15But you can't just
26:16change for the better
26:17so quickly.
26:20Thanks for Nina,
26:21but the rest...
26:25You and I are just too different.
26:26Besides,
26:27you already have Lydia.
26:29I think you and I
26:30have more in common.
26:33But you don't know me.
26:35Not me,
26:36nor my family.
26:37Come on, let's go.
26:38Feel that.
26:39Feel that?
26:49The smell of rotten weeds.
26:53When I'm down,
26:54I come to the river.
26:58I believe that if you feel bad inside,
27:00your surroundings should match it too.
27:02You're so pessimistic.
27:08In my town,
27:09I also went
27:10to the shore
27:11when I was down.
27:12But I think you...
27:13But I think you need
27:16to go in the water
27:17to let it recharge you.
27:18I thought you said
27:24we have nothing in common.
27:26Shut up.
27:27Don't ruin the moment.
27:28you.
28:29Did I just become your favorite wife?
28:33Katya, enough jokes.
28:35Are only generals allowed to laugh at feelings?
28:39Katya, I invited you for a serious conversation.
28:45No way.
28:46Listen, I've thought about it a lot.
28:56And I have decided.
29:01Wait, are you sick? Should I call someone?
29:04No, just stop it! Can't you see that I'm proposing to you, you stupid woman?
29:13Katya, will you marry me?
29:17And your wife?
29:23I'll divorce her. I've already decided.
29:26And I cannot live without you, Katya.
29:28I love everything about you.
29:30I mean it from my heart.
29:32Especially your personality.
29:33Well, if it's the personality...
29:42Then I accept.
29:45Really?
29:45Natalia, imagine this.
30:12It's like I was born again.
30:14What happened? A car accident?
30:15Better.
30:17In December, there's an exhibition.
30:20And I was invited to it.
30:21Everyone will be showcased there.
30:23Grybkov and Tamara and...
30:24I'm so happy.
30:26Over there, you were overseas, overseas.
30:28We have potential here.
30:30Not great potential, but I'm happy, yes.
30:33It's a step.
30:34They say Khrushchev might pop by.
30:37What's for dinner?
30:38I'm starving already.
30:39I'll go make dinner.
30:43Are you okay?
30:44Not hungry anymore?
30:47Don't know.
30:49I'm just happy that you're back.
30:52We've talked about this.
30:54I'm not back.
30:58Are you trying to ruin my mood again?
31:06I'm sorry.
31:09Sorry, I'm just really emotional.
31:19Lie down.
31:21Here you go.
31:32Now strip down.
31:33A sad Jew listening to a violin.
31:49It's like the start of some joke.
31:53Well, you're home late today.
31:57Do you still remember when we were kids?
31:59Come here.
32:01Come here.
32:16She won't be coming back.
32:18I wish she took the money.
32:22At least she would then have a symbolic reason.
32:26But now...
32:28Maybe she didn't drop by.
32:33Because all of us were denied travel to Paris.
32:37Maybe she's disappointed, that's all.
32:39Well, yeah, that's a reason.
32:46Or we could be just sad together.
32:48You and I can be sad all we want together.
32:51Maybe even sad enough that your Natalia stops by.
32:54Can you help out?
33:12You see, work changed monkeys into humans.
33:14And I myself value my monkey roots.
33:16Hello there, you pioneers of the industry.
33:27Help me out.
33:29Is Katya here?
33:31No.
33:32We have good news for everyone.
33:37Miss Nina does.
33:39Anyway, an old friend.
33:41One of your best clients ever.
33:43I will not say who she is.
33:46But what I can tell you, though, is that her name starts with the letter K and ends with OVA.
33:52A mystery.
33:54Well, in short, she managed to convince the commission to review our very own collection.
33:58Yes, my dears.
34:00Paris just might actually happen.
34:06I don't get it.
34:07Why are you so happy?
34:09Why the hell are you so happy?
34:11Don't you understand that we need to show something amazing?
34:14Something that will force the committee and the entire world to say that the USSR is capable of high fashion.
34:20We're so screwed.
34:22I really think we need a space theme.
34:25There she goes again.
34:26She just blurted something out.
34:27And what do we do?
34:29Um.
34:32Tatiana, you genius.
34:36So, are you going to keep nodding or will you share with the rest of us?
34:40Is Gagarin Soviet?
34:42He is.
34:42Of course.
34:43We'll be first into space we were.
34:45So let the world see that.
34:48Besides, at the end of the day, soon a Soviet person will conquer space.
34:51Fly to Mars.
34:52What will he wear there?
34:54Just some pants and a cardigan?
34:55No.
34:56He will wear clothes of the future.
35:02What are the clothes of the future?
35:05I don't really know yet.
35:07Look, we can bring everything we have.
35:09Uh, all the materials, stitchings, absolutely everything we have.
35:13We're creating a space collection.
35:15Hold on.
35:16When you said Soviet person, did you actually mean only men?
35:21No, I didn't mean that.
35:23Now that you mention it, I'm panicking a little.
35:25We don't have a single male model in the Soviet Union.
35:29Where are we going to get them?
35:30Exactly.
35:33Any suggestions?
35:35Tatiana?
35:37What about her?
35:38Well, is she going to demonstrate men's clothing?
35:41No.
35:42But she has this one admirer.
35:44Let's call him Anatoly.
35:46That's his name, I think.
35:47And he is perfectly built.
35:48And I also think that where Anatoly came from, there are a few more like him.
35:53Isn't that correct, Tatiana?
35:55And where is that?
35:57They build metros and plague my nightmares where he's been stalking me.
36:03Listen here.
36:04Why do we need strangers here, hmm?
36:07At the end of the day, you and I, Constantine, can demonstrate men's clothing as well.
36:11With all due respect, Mr. Vladimir, you are not the type at all.
36:16It's decided.
36:17Tatiana, go call your friend Anatoly.
36:19And ask him if he's ready to relocate to Mars.
36:23Tell him to bring his friends, okay?
36:25Coat?
36:27Enough chit-chat.
36:28Go back to work.
36:31Right.
36:31Time to work.
36:40Anatoly, I'm so happy you came.
36:42So am I, Tatiana.
36:44Last time, you were extremely serious.
36:46I was worried sick.
36:47You know that I'm an honest person.
36:49Yes, sorry.
36:50It's a really tough day.
36:51Listen, I need your help on something.
36:54For you?
36:54Anytime.
36:56Well, me and my colleagues.
36:58You see, we have an upcoming showcase, and unfortunately, there's no male models.
37:04So we figure that maybe you...
37:06Oh, alright.
37:07I see.
37:08It was so stupid of me to come and hope.
37:10Why would you think that?
37:14I never promised you a date.
37:17You made up your own story for us, and now you're offended by it?
37:21Not it, but you.
37:23Listen, I'm asking you for a favor.
37:26I will owe you till the day I die.
37:30Alright, if you don't want to help, then that's fine.
37:33Alright.
37:33I'll help you, but you'll help me too.
37:37Today, poets are gathering at the art house.
37:39Not exactly the best, but I won't be able to survive that on my own.
37:44But I need to attend for the party.
37:46If I do that in return, I'll get the guys.
37:49Is that a deal?
37:50Yes, that's fair.
37:52It's a deal then.
37:57See you later.
37:58Vladimir, you know what?
38:21Go change the strength on the machine.
38:22Why are you doing nothing?
38:24Because I don't know how.
38:25And that's who they hire us to boss.
38:28Hello, guys.
38:31Finally.
38:33Why are you late?
38:34I knew it was coming.
38:42Was there an earthquake here?
38:45No time to chat.
38:46Go ahead and mark them now.
38:48I can't now.
38:50My finger is hurting.
38:53If that's so, just go change the string.
38:58Vladimir, look.
39:02So what?
39:03Easy for you to say.
39:05You have a new girl every week.
39:09Right.
39:10What do I need to do here?
39:12Hanya, which machine was it?
39:14No!
39:14No!
39:15Can we all just please be quiet now?
39:18My head's about to explode from all the chatter.
39:23Right, everyone.
39:25We're too high-strung.
39:27We should relax.
39:28Thus, I suggest that we go to a restaurant later tonight.
39:31And yes, my friends are also going to be there.
39:33What a wonderful, enticing suggestion.
39:36For free people, maybe.
39:37But not exactly for those who work at least 15 hours a day.
39:40You'll be able to rest up.
39:42Besides, we have a reason.
39:45Is that right?
39:48Yes.
39:48With pleasure.
39:50Why not?
39:51And you, Tatiana, yes?
39:57I can't.
39:58I am at the earth house with poets.
40:21So?
40:27Spit it out.
40:28Why aren't you coming?
40:29Tell us.
40:31I'm not in the mood.
40:33I'm usually the boring one in this group.
40:36But this time, even I'm in.
40:39No, no.
40:40I think there's something else.
40:42Tell me now, or is there some whiny intro?
40:51I don't like these people.
40:57In fact, Vladimir already introduced me to his friends.
41:00They're cut from the same cloth.
41:02Arrogant and very rude.
41:04All I heard that time,
41:06you aren't from Moscow?
41:07You aren't from Moscow?
41:09I get you.
41:10Typically, posh idiots.
41:12That time we weren't with you.
41:14Now we will be.
41:16Right, honey?
41:18Yeah.
41:19But how will that help?
41:22Go to the warehouse now and get three dresses.
41:2644, 44, 48.
41:28I'm actually a size 46.
41:31Let me give the general a call.
41:34And we're going to show those snubs.
41:49Oh, Anton.
41:56Hello.
41:57How are you?
41:57What a surprise.
41:58Come in.
42:00You were all dressed up.
42:02Royalty has entered the house.
42:06You want something to drink?
42:08No, thanks.
42:09I'm here for just a minute.
42:10I need to talk to Lydia.
42:12Is she around?
42:13Yes.
42:15Lydia!
42:16Lydia!
42:16You have a guest here.
42:20Excuse me.
42:21I'll be quick.
42:22I'll be quick.
42:24What are you doing here?
42:25What are you doing here?
42:48What are you doing here?
42:51Nothing.
42:52Nothing.
42:52I was just wondering, aren't you sick of sitting at home? Why don't we go for a walk?
43:00All right. To where?
43:01I don't know. By the riverside? Get some fresh air?
43:06What, do you feel lonely in the backup bench?
43:10Very funny, Lydia.
43:11Hold it. Wait. Where's everyone else?
43:14At the cafe.
43:15Let's go there then.
43:22That's a good boy. You're a real gentleman.
43:38Honestly speaking, the bus would be healthier.
43:41Don't worry. You'll ride the bus for the rest of your life.
43:44Tatiana, you coming?
43:45Coming. Let's go inside.
43:52You look amazing.
44:06Let's make sure no one knows that I'm me, all right?
44:11That's a gorgeous suit, Vladimir. Tell me, who's your friend? Introduce us.
44:17I'm Kira.
44:20Talva!
44:22Great to meet you.
44:24I definitely need a suit like that. Where did you get it?
44:29Alas, I'm not from around here.
44:31Talva's and my family. Well, our families met in Tallinn in some international festival back in the 1950s.
44:39I bought this blue suit in Nietzsche on Promenade Ingles.
44:44There is this one amazing boutique next to Negresco.
44:47Do you know of it?
44:48You've probably seen it a million times.
44:50I've never been to Nietzsche.
44:52You cannot be serious.
44:54Where do you go on vacation?
44:57This year, for example, in Parnu at the Cyprus resort.
45:00Wow, that's exotic. A great place, yes. I totally agree. If only it wasn't for the crowds of loud Russian tourists.
45:13I look at them and think, is it a custom there to eat everything with a salad fork?
45:18Vladimir, darling. You said there would be a fancy party. Where is it? Is this it?
45:24Um, this way, my demanding Talva. I'll show you all that at once.
45:30My swan Tatiana, you've got her.
45:32Mr. Vladimir, where's the promised party and absolutely crazy fun?
45:36Since we are here, might as well get it going.
45:39We're just getting started.
45:45May I?
45:46Yes, please.
45:47Please.
46:17What are you looking for?
46:22No one.
46:47You're drinking too much.
46:54Take care of her.
47:09She's really something.
47:10I know.
47:13What did he say?
47:15You're the most beautiful girl in this beautiful country and need to be looked after.
47:19That's just silly.
47:22Thanks, but I think I can manage on my own.
47:24Look after your bride.
47:27I don't have a bride anymore, Tatiana.
47:33Stop.
47:34I can't do this here.
47:36Let's step outside and talk.
47:38Without the people and the music.
47:40Uh…
47:42Go on first.
47:45I'll be right there.
47:46Okay.
47:58Vladimir, if what you're saying is true…
48:01I just want to tell you that…
48:05Vladimir, huh?
48:05Well, well.
48:07I see you dressed up for him.
48:10Anatoly, why don't you go inside the restaurant?
48:12As if I am allowed to.
48:14The man in a bow tie said if I don't leave immediately, he'll call the police.
48:19It's probably because I don't have lipstick or heels on.
48:23Why are you talking to me like that?
48:26I can dress any way I want.
48:27I can see that.
48:28You dress as you like, behave as you see fit.
48:32And I'm running around after you, to the circus, everywhere.
48:35And it turns out that this here is your true place.
48:38You know I've been very straightforward.
48:39Yes, yes, yes.
48:40I do.
48:41I know.
48:41You're straightforward.
48:42So let me do the same thing.
48:44I called you because I simply needed your help, understand?
48:48Because the team asked me to.
48:50We need male models for the showcase.
48:52And now, I will not go anywhere with you, okay?
48:55Please lean.
48:55Just like that?
49:06What was that for?
49:07You bit me.
49:08Because I'm also a straightforward person like you.
49:17Vladimir.
49:18You want to wake your mom up?
49:23Quiet, you want to wake your mom up?
49:24I feel sick.
49:27It's the champagne.
49:28No, it's you.
49:31Okay, I'm off.
49:32Hold on, Vladimir.
49:35Stay for a while.
49:38Lydia, what is it?
49:41Lie next to me.
49:42Now, kiss me.
50:05One last time.
50:10You got that.
50:16You don't stink?
50:21You don't stink?
50:23I don't think so.
50:31We'll see you next time.
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