- 5 months ago
"SENSITIVE MATTER Episode 5" is a romantic drama that reaches a pivotal moment in the love story of Tanya, a young and talented fashion designer, and Volodya, a man from a high-ranking establishment family. As their romance deepens, the challenges they face become increasingly complex, threatening to tear them apart.
Set in 1962 Moscow, this episode promises to deliver more emotional twists and turns as Tanya navigates her career in the fashion world and Volodya struggles with the expectations placed upon him by his family and society. Will their love prevail, or will the obstacles prove too great to overcome?
*Key Themes:*
- *Love vs. Social Expectations*: Tanya and Volodya's relationship continues to be put to the test by their different social backgrounds.
- *Ambition and Dreams*: Tanya's passion for fashion drives her to pursue her goals, despite the challenges she faces.
- *Family and Loyalty*: The drama highlights the importance of family and loyalty in relationships, as Tanya and Volodya navigate their complicated circumstances.
This episode is sure to keep you on the edge of your seat as the story unfolds and the stakes grow higher for the star-crossed lovers [3].
Set in 1962 Moscow, this episode promises to deliver more emotional twists and turns as Tanya navigates her career in the fashion world and Volodya struggles with the expectations placed upon him by his family and society. Will their love prevail, or will the obstacles prove too great to overcome?
*Key Themes:*
- *Love vs. Social Expectations*: Tanya and Volodya's relationship continues to be put to the test by their different social backgrounds.
- *Ambition and Dreams*: Tanya's passion for fashion drives her to pursue her goals, despite the challenges she faces.
- *Family and Loyalty*: The drama highlights the importance of family and loyalty in relationships, as Tanya and Volodya navigate their complicated circumstances.
This episode is sure to keep you on the edge of your seat as the story unfolds and the stakes grow higher for the star-crossed lovers [3].
Category
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Short filmTranscript
00:00So almost everyone is here, but Constantine is missing.
00:08Anyway, our invaluable employees will introduce themselves to you.
00:12As we say, we will cross bridges as they appear.
00:17Forgive me, but I'm expected elsewhere.
00:25What a pleasant surprise this is, Vladimir.
00:28Tell me, what brings you here?
00:30Oh, hello there, ma'am. I'm very happy to see you.
00:33I came by to ensure that you'll be treated well.
00:36For a change, I must say, for this place is a mess.
00:40It's about time that somebody breathes life into this dull place.
00:43Breathe life? This is the best studio in Moscow.
00:46The best people in the country come here, and no one ever complains.
00:49Nothing but praises.
00:50Yeah?
00:51Yes.
00:51Then explain to me why the lady isn't dressed yet.
00:54The lady is being dressed, but we're picking out underwear to make the groom happy.
00:59Wait, you are the groom, am I right?
01:02Oh, we got sidetracked.
01:05Get the clients out. We need an urgent meeting.
01:09So I need to see first what I'm being entrusted with.
01:13Mihailov sent me for the jacket.
01:15Oh, the jacket. Tomorrow we have an urgent meeting. I'm sorry.
01:18Hold on. Listen. Do you have any idea who is Mihailov?
01:21Hmm. A man with no taste?
01:24Oh, stop it. I know what I'm doing.
01:26I actually met him through my uncle.
01:28So let me tell you right now that you are only wasting your time with him,
01:31so I need you to leave right now.
01:33Don't you understand me?
01:34I believe that this place needs to be a bridge between Moscow and the amazing world of fashion.
01:41It is imperative that it has the air of a luxurious French perfume.
01:45Well, our noses are actually…
01:46I said perfume, not shoe polish.
01:47Because all you're doing is serving old women and their daughters, not capable of even…
01:52You must know that I don't mean you, of course.
01:57Excuse me. Could I have a second? I need to talk to you.
02:00All right.
02:00Please excuse us.
02:02My dear, the undergarment's great. It will be delivered to you later, so please don't worry about it.
02:06Thank God that is an option.
02:09Anything else you want?
02:11Vladimir.
02:12I'm sorry for everything I said.
02:22Drop it. What did you even say?
02:26That it's okay to change your mind.
02:28I understand marriage is for life.
02:31And I don't want to lose you in my life.
02:35Can we please be friends?
02:37Yeah.
02:38That's great. Thank you.
02:39Tatiana is really pretty. She is. But so are other girls. I don't get it. What does she have that I don't?
02:52Lydia, what would be the point? This won't help us.
02:56You're right. We two just broke up.
03:02Yes.
03:03Wait, hold on. Are you serious? You aren't offended?
03:05No. Of course not. Why would I be?
03:11I understand you.
03:15C'est la vie.
03:18Yeah. C'est la vie.
03:20Drop by for tea sometime. Today or tomorrow. Whenever you have time.
03:24C'est la vie.
03:54Run by the night.
03:56C'est la rue Monaties.
03:56C'est que te baton.
03:58C'est la vie.
03:58C'est la vie.
04:00C'est la vie moins.
04:01C'est la vie.
04:02C'est la vie.
04:03C'est la vie.
04:05C'est la vie.
04:06C'est la vie.
04:07I'm already on the way.
04:09Hello, happiness.
04:10In a simple white hat.
04:13Hello, happiness.
04:15I only ask about one.
04:17Hello, happiness.
04:19You forgive me.
04:20Forgive me.
04:21Hello, happiness.
04:23Don't cry anymore.
04:29Delicate Matters.
04:31Episode 5.
04:37Cognac?
05:00Do you want some?
05:05What is it?
05:08I only wanted to discuss that very important nephew with you.
05:13I stayed here for ten years, even though that woman offered me a place in the ministry.
05:20Yes, I heard that about forty times.
05:22I hope you stay here even longer, and then after that, much longer.
05:26Look at you.
05:29Do I give you my two weeks now or later?
05:31I don't want to be demoted.
05:34Miss Nina, are you crazy?
05:35You see, he's not here to replace you in any way.
05:38This is just an internship of sorts.
05:43Are you even listening?
05:49He's an international relations student, but he'll work here?
05:52They say he will establish connections with our foreign counterparts.
05:57He likely mixed us up with the model agency when he saw all our mannequins.
06:02It took me years.
06:04To transform these girls into masters,
06:06Constantine didn't even know what a needle was.
06:08Hanya, to be polite.
06:10Katya, to pronounce certain words correctly.
06:13All that, to be insulted by your nephew.
06:16Listen, they requested very nicely, and that's why I couldn't refuse them.
06:29They promised you won't be here long.
06:33I'm begging you, please be patient.
06:35Play along.
06:36I really need your help with this.
06:46Without you, he will ruin this place.
06:50Please, help me.
06:51All right, my colleagues.
07:03Are all of you ready to revolutionize the world of fashion?
07:06Listen, Vladimir.
07:09I mean, sir.
07:10You aren't exactly Trotsky, if I'm being honest.
07:13All of us here know exactly why you asked to be transferred here.
07:18We'll protect Tatiana.
07:19Why don't you think that I might actually want to be here?
07:25What's the difference between Gatsby and Borsalino?
07:28Parasol and espadrilles?
07:30How about a cover coat and cumber band, huh?
07:34No.
07:36Why would I need to?
07:37I have you.
07:38Your job is to know this.
07:39Mine?
07:40Mine is to direct you all.
07:42For example, ladies,
07:44I see that the outfits over here are obsolete.
07:47They are all absolutely hideous and lack any taste.
07:51All of those are in high demand and get sold out.
07:54But of course everyone wants them.
07:55It's because it's shown off the most,
07:56and what people see, people ask for.
07:58And I'm here as a...
08:00As a layman.
08:01An invader.
08:03A man with so much money.
08:04And I want to see something...
08:08So amazing.
08:11Be careful with that.
08:15So that a person might say,
08:18Oh wow, that is so cool.
08:20They even have that.
08:24You get me.
08:25Actually, we do get that you, sir,
08:28are so spoiled that you're only surprised by weirdness.
08:32Firstly, Tatiana,
08:34since when did I become sir?
08:37Secondly, you're telling me that you don't understand me?
08:39I'm just...
08:40I'm just a person dreaming.
08:42And what I'm dreaming of is us breaking out of the box.
08:45You, with your red dress in Paris, must get me.
08:48Can I speak to you in private, please?
09:08This has gone way too far now.
09:10What do you mean?
09:11Look, didn't I ask you to just leave me alone?
09:13You relayed the message, that is right.
09:15Was I supposed to tell you personally?
09:18Well, alright.
09:20Please leave me alone now.
09:24You, Miss Nazarov, are truly a ridiculous woman.
09:27I am only here with business interests.
09:31Excuse me, could you not eavesdrop, alright?
09:35I told you about the red dress in confidence,
09:38and you spilled it out just like that.
09:40Did I do that?
09:40That was rather harsh, I agree.
09:42Tell me, is that still your dream?
09:45Yes.
09:45Then start moving towards it.
09:47Because dreams do come true if you try to work towards them.
09:51Everything is possible.
09:53And I want to prove that to all of you.
09:55Your girl must have lots of fun with you.
09:58Mm-hmm.
09:58Especially her parents,
09:59the ones who are preparing for the wedding.
10:02And you're dreaming of something else right now?
10:03Maybe I am.
10:05I see.
10:05Look, Vladimir.
10:06First, you have to figure out your own dreams out
10:09before taking others on.
10:10Well, that's that.
10:19Well, that's that.
10:20But then, you will see that, okay.
10:21Yeah, that's it.
10:26But then you might want to come to visit
10:27while interacting with Mr. Couldniel are out,
10:28so you may not be teaching maybe new,
10:30if you are wondering that!
10:31There is also some special personal writing
10:32for some of myuren to see it and dance,
10:32and I can MALC喜소 may be as more than that
10:34when it comes to your training.
10:36We certainly take that time
10:37because we try to go out this.
10:38Wonderful.
10:39One minute you're coming from there.
10:41Okay.
10:42One minute you've cut my hair back.
10:43One minute you've played.
10:44I'm a camera for that.
10:45That's great.
10:46Hello there. Evgeny, please.
11:00Mr. Evgeny! This is Lydia's mother.
11:04Yes, how are you?
11:06No, thank you. I'm good.
11:08Do you know where Lydia and I saw your dearest Vladimir?
11:13Look, you should take it easy at first.
11:16Because we need evolution, not revolution.
11:21If that was said in October of 1917...
11:23In October, there was a class enemy. It was either us or them.
11:28You have no foes here. You only have good allies.
11:36You included?
11:38Yes. First and foremost.
11:40Look here. This is just right up your street.
11:48We get sent magazines. You know, some adverts and stuff.
11:52But we don't speak the languages.
11:55A month's worth of work here.
11:57What is this?
12:15Do you know Tatiana has been dreaming of Paris?
12:39Yes. It's an invitation.
12:42Trained Center Stolica.
12:43This is your division, ladies. This is very serious.
12:47What is it?
12:48This is a card and show. The British will be there in some sort of rain grand.
12:52Some sort of.
12:54For the very first time, clothing from metal and plastic will be displayed there.
12:58Well, what do they want from us?
13:00They don't have metal there.
13:02They need to ask the government for some help.
13:04This is not a joke. This is a real invitation to the event.
13:07This is a great opportunity for us to show the world our vision for the future of fashion.
13:12We have one month.
13:18What's wrong? Tell me.
13:20Just stop.
13:21And who would let us go?
13:22You really are a hilarious man, aren't you?
13:24Look, you shouldn't have taken that invitation.
13:26Does this drama queen also work with us?
13:28I'm not one. I'm just being realistic here.
13:30What we need to do, we need to send photos of our models first.
13:33Yes, that's right. Send these. The ones you called hideous.
13:36We need to take a risk here.
13:38Is there anything at all we can show them?
13:41Constantine has a point.
13:42According to the French designers, we have nothing to show.
13:45Our products are fast-selling.
13:47And our audience isn't a fan of Gönrich-style clothing.
13:51I mean, if we dig deep, we might find something unusual.
13:54But will that be good for Paris? No.
13:57Right, no ideas. What else?
13:59Actually, I've been saying this for ages.
14:02We need to create something unique.
14:05Do you know what I heard Miss Nina say that's popular in the U.S.?
14:09Vinyl.
14:10Katya, my dear.
14:11I spend a lot of time with rich people, you know.
14:13I've only ever seen vinyl on records.
14:15Well...
14:15Listen up.
14:16That's enough daydreaming for now, okay?
14:18Wait. Hold on, Constantine.
14:20But what if we take our recent drawings of flight attendants as a base and make a skirt out of vinyl?
14:28Wait. You mean that skirt in which you couldn't even take one step?
14:31Right. I couldn't take one step, but models can.
14:34Oh, yes. Those blind chickens.
14:36Natalia could do it.
14:37Ah. So we just need to get a material which no one's used, so a dress that is impossible to walk in, and rehire the model that we had already fired.
14:48That's awesome. That's such a great plan. A plan where everything sounds kind of impossible.
14:54So are we doing it?
14:59Yes!
15:00For you.
15:07Yes.
15:09My general.
15:10I always recognize your voice.
15:12Today I am not free.
15:14Yes.
15:16No.
15:18Stuff to do. Goodbye.
15:21A date.
15:22In the midst of this?
15:23We're doing this.
15:26We need vinyl.
15:30For what?
15:34Well, you see, we have a...
15:35Well, let's talk about money, then.
15:36We'll definitely pay you.
15:39We have cash.
15:43Show us the vinyl.
15:45Yeah.
15:46I'll show it to you, and then boom.
15:48Police with witnesses. How convenient.
15:51No, no. I'll give you a time and a place.
15:55We need it to be tomorrow.
15:57The day after.
15:59And money up front.
16:00Where is that from?
16:05From my savings.
16:07Saved up for a year of vacation.
16:09Let's go.
16:10Oh, you are very naive.
16:12I earned that overnight because I didn't go drinking.
16:14Speaking of drinking, today I'm inviting you all to come and celebrate the beginning of a new era for all of us.
16:19Sounds good.
16:20I can't. I need to check up on Natalia.
16:22Well then, why don't the three of us go together to check up on Natalia?
16:26And after that, that's when we celebrate.
16:28I don't think she'll be happy to see all of us.
16:31I'd rather go alone.
16:33Goodbye now.
16:34Oh, that's okay.
16:38Didn't want to see her anyway.
16:39Mm-hmm.
16:39Let's go.
16:41Time to celebrate.
16:54Here's the patient.
16:56Soon-to-be ex-patient.
16:58You won't bother her?
16:59No, no. I will not.
17:00I'll be dauntful, but all right. I'll go put the kettle on.
17:03Um, can I also have some apricot jam?
17:08Mm-hmm.
17:10Thanks a lot.
17:14What?
17:15So?
17:20Are you not a little ashamed of using him?
17:23Well, he likes looking after the sick.
17:26Actually, what he likes is looking after you.
17:29Anyway, we have good news for you.
17:32Vladimir is now working at the studio and he's second rank after Gladkov.
17:36He does what he wants.
17:37Mm-hmm.
17:38Oh, I'm warning you.
17:40Please be careful.
17:42Don't worry about us.
17:43Listen to me first.
17:44So he told us earlier that he's involved in a fashion showcase,
17:47but on the international scale and want to take us to Paris.
17:51And with our national dresses, no less.
17:53That sounds crazy.
17:56And we need you to be there.
17:59Oh, Paris have wants like her.
18:02Anya.
18:03Wants like her?
18:05Well, go on then.
18:08I'll help y'all stiff with a jam.
18:09Excuse me.
18:17Hey, I promise you that it will all be different this time.
18:21I always wore hand-me-downs at home.
18:25One time, I tore my shirt.
18:27Then my father beat me so bad, I couldn't go to school for a week.
18:33I thought that you came from a decent family.
18:36Well, maybe I've always wanted to be born like you.
18:38To walk into a room and know that all the girls want me.
18:44Not the ones I want, though.
18:45You won't have issues with that because you're handsome, young, you dress very well.
18:50I don't know how to start a conversation.
18:52I mean, after that, I can talk to them about clothes and skirts for hours.
18:56But how do you start?
18:57I see what the issue is.
18:59But can I give you some advice?
19:00Hey, don't mistake my inexperience for unintelligibility.
19:03Because mine is the latter.
19:07Salut, madame.
19:08Bonjour.
19:10Can you translate that, please?
19:12Are you not foreign?
19:14Sorry, I just thought you were French.
19:16Well, it's because my friend over here, who is a designer, figured that based on your look,
19:21you guys are, you guys are foreigners?
19:44I'm sorry.
19:45I'll be back in a second.
19:46What are you doing here right now?
19:51Well, I wanted to surprise you.
19:52I specifically told you that...
19:54Hold on there.
19:55Did you seriously think that I would choose to do my work or anything else over spending some quality time with you?
20:02Listen to me, Katya.
20:03All that you see here, it means absolutely nothing.
20:06My wife has come back.
20:08But of course, I do not want to lose what you and I have.
20:11So please, come to my summer house tomorrow.
20:15She never, ever goes there.
20:18Take this, too.
20:19It's worth a cab.
20:20Go on, take it.
20:22Is that how you see this, huh?
20:24Oh my goodness.
20:26I knew it from the very start, but I just thought that...
20:29That for the first time in my life, I met a...
20:31A man like you, a real man.
20:34And I wanted you to be my first.
20:37Your first?
20:38Your first?
20:45I don't need your money.
20:48I only want to remember you forever.
20:52Katya!
20:53No, but I'm being serious here.
21:02Gagarin had a second space suit.
21:04He did!
21:05It had these large stars and I made it for him.
21:07But they forgot that in space.
21:10There's no place to change.
21:11They forget that, so he never wore it.
21:15Oh wow, you really are quite clumsy.
21:17You almost ruined a great shirt.
21:19What material is this?
21:21Could it be silk?
21:22No, no, it's satin.
21:24Which is more durable than silk and easier to work with.
21:28Do you know why they call it satin?
21:30It's an interesting story.
21:32Yeah?
21:33Well, do you know that in the past,
21:35silk and satin were imported exclusively from China?
21:40Champagne?
21:40No, it's not that.
21:41I'm happy you joined me, but let's just relax.
21:44I don't want to talk.
21:45It's a bit hard to pronounce.
21:47My husband, to be a left me today,
21:51didn't explain a thing.
21:53Just mumbled something to me.
21:55And I told him that he didn't need to explain himself,
21:57that I wasn't hurt one bit.
22:01Nothing happens.
22:03I know it happens.
22:05But I lied to him.
22:07Why don't men understand that?
22:09I imagined my life with him,
22:11that I'd have his children and embrace them.
22:13It's my dream.
22:14Now it won't happen.
22:18Was it so hard for him to say something nice before leaving?
22:23Try to explain it to me.
22:25Must I demand an explanation?
22:29He's not interested.
22:31No, I am interested.
22:32I'm serious.
22:35You are so silly.
22:36I'm so sorry.
22:38I'm so sorry.
22:44I'm sorry.
22:44They're so silly.
22:45Bye.
22:46Let's go.
23:16Let's go.
23:46Oh, come in, my dear. Come in, come in, come.
23:50Hello?
23:51We are leaving. That's why we're still awake at this time. We're about to go somewhere.
23:56To my, uh, to my friend's sister.
24:00Uh, we're heading now.
24:03It's her birthday.
24:04Yes, plus, she just gave birth recently and we really want to see her baby. Anyway, come in, come in, dear.
24:12Is Lydia home?
24:13Yes, she's home. Uh, except she, she no longer is waiting for you. Uh, although she already warned us that you might drop by our house.
24:23She said, or today. Okay, we need to go now. Since they're waiting for us at the event we're going to.
24:30Her birthday, yes.
24:31Right.
24:31Yes, it is.
24:32The food's on the stove, just in case.
24:34Yes.
24:43Come in.
24:44I actually wanted to say it from here, it's...
24:50I was standing all day.
24:52So please don't deny me the opportunity to lie around uselessly while you break my heart.
24:57Rhythm and blues? You never liked that.
25:27Well, I never understood it before. Never actually listened to it. I was only focused on myself as well as my dreams.
25:38Are we talking about the music here, or about us?
25:43You want to talk about us?
25:48Yeah.
25:52Lydia, I realized I was wrong.
25:54You want to come back?
25:59No.
26:03I wanted to tell you something first.
26:09Lydia, you are an amazing girl, and of course you will be just fine.
26:13You know, our separation...
26:18Has nothing to do with you.
26:23The truth is you picked a complete buffoon.
26:28The...
26:29The problem was that I couldn't figure out what I really wanted.
26:32Why waste time when our youth is passing so quickly?
26:41Lydia, what is this?
26:48We have nothing better to do.
26:51Lydia...
26:52That's a cheap trick. I thought you were better than that.
26:55Willy...
26:56Mom...
26:58Ahh...
27:02I never stopped.
27:12I didn't want the question.
27:21Well...
27:21Hello, Anton. Come over.
27:29What was that?
27:30What's confusing?
27:32Vladimir's gone.
27:34I am a free woman now.
27:37Sitting here in my birthday suit.
27:39And nobody's home, too.
27:41So you called the first backup on your list, then?
27:47Well, screw you.
27:49You're a jerk.
27:51Oh, it's you.
28:01Tatiana.
28:03Why are you not wearing your scarf and hat?
28:06It's cold out there.
28:07You'll surely get sick.
28:14Messina, is there a problem?
28:16Nothing.
28:17Nothing.
28:17Oh, hold on.
28:23Um.
28:25My close friend is now talking to this other person.
28:31They drank some tea.
28:33Talked a bit.
28:34Nothing special.
28:36But now he's stopped coming.
28:40Avoiding her or what?
28:42What do youngsters do in times like these?
28:47Just let her call him.
28:50Well, I will not.
28:51She will not force herself on him.
28:54And it's really late.
28:56Why is that?
28:57Why force herself on him?
28:59Call him and ask,
29:00how are things with you?
29:01That's fine.
29:02Yeah?
29:02Or, you know, he could be sick.
29:06Or was hit by a car.
29:08I think that's a little extreme.
29:10Oh.
29:11Hmm.
29:11Hmm.
29:13Oh, I almost forgot.
29:15A certain Anatoly was calling you the entire evening.
29:18Mm-hmm.
29:19Mentioned it was urgent.
29:21That person is really stubborn.
29:23Do you know that he made me look for you three times?
29:26Oh, him?
29:27I will definitely not call.
29:28Oh.
29:29When you're young, you throw good men away,
29:32and then when you're old, you drink tea alone.
29:34I will gladly join you for tea, actually.
29:36And your friend should call him.
29:37Hmm.
29:38Children!
29:59Oh my, you two are quick!
30:01No, it wasn't quick at all.
30:03That's seven laps around the block, right?
30:06Oh my, you two are quick!
30:36This is insane.
30:53Good morning to you.
30:56Hey there, my colleagues.
30:58So, I allowed myself to look around.
31:01That was my project for this spring.
31:03Then Miss Nina shelved it.
31:04What a real waste if she did.
31:08Mr. Vladimir, it's...
31:11You like it?
31:13You are unrecognizable.
31:15I feel like a fish out of water.
31:18I wore it to have a bigger effect.
31:21That is actually where I and Tatiana are at an impasse.
31:25Yes, clothes must not only be stylish, but comfortable, too.
31:29Well, anyway, you can see the men's collection is coming together.
31:33Although the women's...
31:34Here, take a look at this.
31:35Um, we are nowhere done.
31:38She's for it.
31:39I'm against it.
31:40Sorry, but I'm with her.
31:42Good morning.
31:52Good morning.
31:53Morning.
31:56Well, good morning, my comrades.
31:59This is cute.
32:01Very fresh.
32:02So what are we doing here?
32:04Can I help?
32:04I'll help you.
32:07We are discussing the collections for the upcoming Paris fashion show.
32:12Uh, we've already decided.
32:14Here.
32:14Well, if my opinion still matters here, I'm against it.
32:30That's not Paris.
32:31This is a saddle for a horse.
32:33It's hilarious.
32:34I think you don't quite understand it.
32:36It's modernism.
32:39Really?
32:41That is not what he meant to say to you.
32:43Well, I think he meant what he said.
32:45All right.
32:46Continue your plans.
32:48Modernists.
32:52I'll just pack my stuff.
33:04Natalia.
33:05W-w-where are you going?
33:07Yosef.
33:09I'm probably making you uncomfortable.
33:11And Hanya is looking at me in an odd way.
33:15Stop that.
33:16Hanya simply adores you.
33:18And I, well, I...
33:20You?
33:23You recovered very fast, I must say.
33:26It's a miracle.
33:27And it's most likely because you had good care.
33:30Are these your parents?
33:32Yes.
33:33They were better doctors than I am.
33:38Oh, they died?
33:40Well, I guess you could say that.
33:43Let's change the topic.
33:45Oh, wait a minute, please.
33:48Hold on.
33:49Here, please take this.
34:00I really want you to.
34:01Please don't go back to him.
34:03And don't go anywhere where he can find you.
34:05Please, just, just don't.
34:06And take this.
34:07This is silly.
34:12I'm not taking your money.
34:15Can you just tell me about your memories?
34:21I would love to, but I'm at work right now.
34:27The key's in the entryway in case you decide to come back.
34:30This music is supposed to motivate us to work somehow?
34:49Listen to it.
34:50Think of Paris.
34:52It's not easy to get there, but it depends on you.
34:55But the drawings are almost ready.
34:58Drawings are an afterthought.
34:59And still tell me, who was the General Secretary of Hungary from 1931 to 1932?
35:05Okay, what did you drink last night?
35:07It's no joke.
35:08An invitation is not enough.
35:10Bureaucracy will kill you, you know.
35:11The commission and all that stuff.
35:13And they will ask you questions, which will make the one about Hungary seem normal.
35:18And I will not be able to help you.
35:20Yes, you're on your own there.
35:21So you better sort through it now.
35:24These are rules of the party?
35:26Yes.
35:26That means one wrong answer is already one dark spot in your background and you won't
35:31be let out.
35:31So, tell me now, if you missed work, were fired, or if you have diseased or convicted
35:39relatives...
35:41Tatiana, is there a reason they'd ax you?
35:45Ms. Nasarov?
35:54There's a man here to see you.
35:57See me?
35:59Tatiana, what's important?
36:00Paris or some man?
36:02I'm sorry.
36:04Forget it.
36:05Go on.
36:06I'll be quick.
36:07Imriya Shalai.
36:11What?
36:12What was that?
36:14Imriya Shalai is the General Secretary of Hungary, so you know.
36:28What is this all about?
36:29Well, you never called me back and I happened to have free tickets to the circus.
36:33Best seats.
36:34Had to go alone.
36:36Here.
36:36This is for you.
36:39Thank you so much.
36:41It's just that I got home really late last night, and also our phone is a government line.
36:45A famous clown performed.
36:47Really?
36:48The show was funny.
36:49There's a new one today.
36:51You bought tickets for today too?
36:54Well, almost, because I have a friend working the lights there.
36:57Oh.
36:58That's why.
36:59That's why.
37:05Uh, Tatiana.
37:07Get back to work.
37:08There's a lot of buttons to be sewn.
37:09Is that your boss?
37:10Mm-hmm.
37:11Is that your boss?
37:14Mm-hmm.
37:16He's very strict.
37:19Maybe his suit's too tight.
37:21Anatoly, look, I need to go.
37:25We have a lot of work since.
37:26We'll have a showcase.
37:27You can say that we're literally being stitched up right now.
37:30I'll go now, all right?
37:31Thank you so much for this.
37:32Maybe I can call you here at your workplace.
37:35Anatoly, you really shouldn't go.
37:38Or even call at my workplace.
37:39You know, how it is.
37:41I'll just call you.
37:42Is that fine?
37:43Thanks a lot for the flowers.
37:44I'll wait for your call.
37:52Ma'am, please stop.
37:54You can't go in there, ma'am.
37:55Please don't touch me.
37:58I'm really sorry.
37:59You told me about the ten-foot pole.
38:02It's like that, then?
38:05So why didn't you warn the police?
38:06To arrest me upon entry.
38:09You can leave us now.
38:12Do I need to repeat myself?
38:14No.
38:21Incompetent?
38:22The last one was better.
38:25Stop pretending that you even care.
38:33So, why are you here?
38:36To say I'm sorry.
38:43For lying to me?
38:48I did think
38:49I was pregnant with your child.
38:56It's someone else's?
38:57You saved me from such a monstrous, twisted love, which almost killed me.
39:15I was dependent on you and thought that you would keep saving me.
39:21Sorry.
39:23Sorry.
39:28I know I've been ungrateful.
39:34The way you speak now.
39:37Are you sure you're not suicidal?
39:39No, I'm not.
39:44I'm in no rush with that.
39:49It's just...
39:51I want to start a new life.
39:55Where I'm your only one.
39:56Everyone here at the studio misses you.
40:08Constantine the most.
40:10He complains every day that I fired the city's best model.
40:15The country's best.
40:16The country's best model.
40:21Oh, hello there.
40:40It's Sina here.
40:42Well, why aren't you looking after the secret entrance?
40:46Oh, yes.
40:47Imagine that.
40:48It is broken again and wide open.
40:52All the nails are ripped out.
40:55Yes.
40:56Better come here and fix it.
40:59Yes, and hurry up.
41:12Miss Sina, hello.
41:13How are you?
41:15Natalia.
41:16You were already discharged.
41:18No, I was not discharged.
41:19I just left.
41:22Miss Sina, may I use your phone, please?
41:25What if a war breaks out and our line is busy?
41:29Oh, I see.
41:33Here.
41:34Take it.
41:37Now I don't owe you a thing.
41:39That's right.
41:41So then, you're here to stay?
41:44Getting my stuff.
41:46Can I use the phone now?
41:50But this is a private call.
41:53The only kind you ever have.
41:55Hello, Cleb.
42:08Hello, Cleb.
42:12It's me.
42:15I've gone back to the studio.
42:16Well, I might go to Paris.
42:18Well, I might go to Paris.
42:20Asana happens to be the right position.
42:20Asana happens to be the right position.
42:30Pranayama controls your breathing.
42:35Asana happens to be the right position.
42:37The Hyana is object contemplation.
42:42And Samadhi is total concentration.
42:46When you interrupt my piece, my Samadhi stops working.
42:53It's fine, Nina.
42:56We need to train hard and we need to practice.
42:59I think that you spent way too much time holed up in that fashion cave of yours.
43:04You aren't the only one who thinks that.
43:07Who else?
43:08The studio thinks that?
43:10Are they all insane?
43:12You are the lifeblood of that place.
43:14That's what I thought too, but a new boss arrived.
43:18Young and vibrant.
43:21And Nina suddenly becomes obsolete and gets in their way.
43:26The first step of cleansing is repressing the anger inside ourselves.
43:31But I'm not even angry.
43:33Isn't that obvious?
43:35Okay.
43:35And that person, has he made huge strides in the studio already?
43:46Yes, he did.
43:48He got everyone excited.
43:51He's dead set on creating some space-themed collection and go to Paris with it.
43:58Ruining his karma.
44:05There, Xena.
44:19No enemy shall pass.
44:21You know, Mr. Piotir, you might be brave at your enemies.
44:26But what about your friends?
44:28I don't think I follow you.
44:31You used to come here often, but not anymore.
44:34I haven't heard or seen you around.
44:38Did I say or do something wrong?
44:40Am I no longer interesting to you?
44:42Xena, are you crazy?
44:45It isn't about that.
44:47Then what?
44:49Well, the reason I disappeared is because I have a buddy at the orchestra.
44:55At my old job, that's right.
44:57He has this thing.
44:58I asked him for it.
45:05I patched it up.
45:07Here and there.
45:09I fixed it.
45:12Ready?
45:13What is it?
45:13Xena, do you like it?
45:40Pyotir.
45:53Do you want to use the phone?
46:01Go on.
46:02Mr. Pyotir and I will go and listen some more.
46:26The General Secretary is listening to what you have to say.
46:29Hello.
46:31A communist hello.
46:34Yes, you are right.
46:35I've been studying.
46:37Okay.
46:38What about Amendment 26?
46:40Uh, what is that?
46:43A member and all respective candidates for the party must do what with their actions?
46:48Uh, they must justify the party's confidence in entrusting them the role.
46:53And in the case, the member lost their honor and dignity?
46:57Then that means he can't remain in the party leadership.
47:01Good job, Tatiana.
47:03You just might have a chance in Paris and with the party.
47:06Vladimir, thank you very much.
47:08I don't have an idea what will happen yet, but I was thinking that a mere months ago, I never imagined that I would be in this very position.
47:19That I'll go to Paris.
47:21Well, I might not go, but I can't believe that I have a chance to go.
47:27It's all I've been thinking about.
47:29I think a lot, too.
47:33Not about Paris, to be honest.
47:36But about your smile.
47:41Now you're shy and quiet.
47:44Listen, my dear Tatiana, I am kind of bearing my heart and soul to you, and you suddenly grow silent?
47:51Hello?
47:53Hello?
47:59So who are you talking to, at this time?
48:07I'm guessing it's not Lydia.
48:10Let me tell you, that is none of your business.
48:16I was informed about you in that studio.
48:20Now go ahead and play.
48:23And then I heard about Paris.
48:25Now that is just a step too far.
48:33Mr. Evgeny, this is my life, and I'm certainly not playing any games.
48:43Look, Vladimir, I can ruin all your dreams so very easily.
48:50And not just your dreams, but the life of your dear Tatiana, born in Kovrov.
49:00So is that enough information to cool your flaming temper?
49:04give you a picture.
49:08All right.
49:13Thanks, Diana.
49:32Hey.
49:32Hey.
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