Soulmates_1992

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FULL HOT MOVIE  Immortal Richard Wayborn uses the bodies of the young women he kills to temporarily bring his wife back from the dead. They're Soul Mates.   *  #watchfreemovie  #watcnow  #fullmovie  #watchonlinemovie  #freestreaming  #StreamingNow  #MovieRecommendations  #MustWatch  #ClassicMovies  #Thriller  #Mystery  #WatchOnline  #TopRatedMovies  #CinemaLovers  #DramaFilm  #ForeignFilms  #AwardWinning  #MovieOfTheDay  #InstantClassic  #FeelGoodMovies  #RetroMovies  #MovieClips  #BestCinematography  #StreamingTonight  #LateNightMovies  #RomanticDrama  #Top10Movies  #PopcornTime  #MovieMarathon  #LoveStory  #romanticmovie  #WatchFree  #FreeMoviesOnline  #FilmOfTheYear  #BestMoviesEver  #Comedy  #FunnyMovie  #mustwatchmovie  #Movie  #Film  #filme  #Movies  #FullMovies  #ActionMovies  #ComedyMovies  #HorrorMovies  #DramaMovies  #RomanticMovies  #ThrillerMovies  #EuropeanFilms  #europeanmovie  #FrenchCinema  #SpanishMovies  #ItalianFilms  #GermanMovies  #EuropeanMovieClips  #EuropeanFilmFestival  #BestEuropeanMovies  #TopEuropeanFilms  #ClassicEuropeanCinema  #EuropeanDramaFilms  #EuropeanFilmAwards  #ScandinavianMovies  #EuropeanHorrorFilms  #EuropeanComedyMovies  #EuropeanArtFilms  #EuropeanIndieFilms

Transcript

00:00:00Now, these factors which we have been discussing for the last hour, namely low interest rates

00:00:15and low market indexes, have all contributed to foreign disinclination

00:00:25to place capital in our economy.

00:00:31Now, what are these factors, really?

00:00:55All she wants, all she needs is something better.

00:01:01You try to slide, there's a different ride, you forget her, you forget her.

00:01:12Look at Monica, she's amazing, I can't believe her.

00:01:42I know, Richard Waywin is so cool, I wish I could go.

00:01:52Did you read his last book?

00:01:54A Long Deadly Night, twice, couldn't sleep for a week.

00:01:59God, is he amazing.

00:02:04Do you think I could go with you guys?

00:02:07Sorry man, but I only got two tickets.

00:02:11Fine friend, you turn out, it's good.

00:02:21I'm sorry Brian, I've been involved with someone for a while now.

00:02:25Yeah, well, Jill implied that you guys were, you know.

00:02:29Yeah, well, it's kind of a trial thing.

00:02:31Well, if it's a trial thing.

00:02:33Actually, it's not just a trial thing.

00:02:35It's more like a separation deal and we have the option to renew it if we want to.

00:02:39You guys broke up.

00:02:41Could you excuse me for just a second?

00:02:43I gotta get something to drink.

00:02:45I thought you liked Brian, then.

00:02:55Why did you tell him that I'm interested?

00:02:58Well, he asked.

00:03:00Besides, he obviously doesn't like me.

00:03:04I mean, what can it hurt to talk to the guy?

00:03:06I think he's not that into dating right now.

00:03:11Well, don't worry, I'll work things out with Scott.

00:03:14I'm not so sure.

00:03:15I mean, he's so wrapped up in his work, there's just not enough time for our own relationship.

00:03:20I mean, he's so wrapped up in his work.

00:03:39Scott, hi.

00:03:40We had a little complaint about the noise.

00:03:42Am I turning down a little bit?

00:03:44Yeah, sure.

00:03:45Sure.

00:03:46Scott, do you want to come inside?

00:03:49Scott, do you want to go down to her?

00:03:52Um, no, that's okay.

00:03:54She's probably busy.

00:03:58Listen, just try to keep it down, all right?

00:04:01Yes, sir.

00:04:02Bye.

00:04:10Mr. Weyburn, can you autograph my copy of Blood Love?

00:04:14Of course.

00:04:19Laura.

00:04:20Laura.

00:04:21I thought your lecture was just great.

00:04:24Just really great.

00:04:25I've read every single one of your books, and I think that they're just...

00:04:29Great?

00:04:30Yeah.

00:04:31Laura.

00:04:32Laura.

00:04:33Laura.

00:04:34Tell me, Laura, would you like to have lunch with me?

00:04:38Sure.

00:04:39Please, hop in.

00:04:40Good.

00:04:41I'm famished.

00:04:42Did you get ketchup?

00:04:43Uh-huh.

00:04:44Salt and pepper?

00:04:45Yes.

00:04:46Horseradish?

00:04:47Horseradish?

00:04:48No, you put that on your burgers?

00:04:49It's the best.

00:04:50Okay, I'll be right back.

00:04:51Here we go.

00:04:52Here we go, sir.

00:04:53I'm sure to fire out.

00:04:54Yes, sir.

00:04:55Good.

00:04:56Come on, girl.

00:04:57I'm fine.

00:04:58I'll go, man.

00:04:59I'll go.

00:05:00Yes.

00:05:01Good.

00:05:02Can you get ketchup?

00:05:03Uh-huh.

00:05:04Salt and pepper?

00:05:05Yes.

00:05:06Horseradish?

00:05:07Horseradish?

00:05:08Horseradish?

00:05:09No, you put that on your burgers?

00:05:10It's the best.

00:05:11It's the best.

00:05:13Okay, I'll be right back.

00:05:37Hi.

00:05:37I'm surprised they had it.

00:05:38Yeah.

00:05:39Okay, thank you.

00:06:16Now, that wasn't so bad, was it, hmm?

00:06:29Where are we going?

00:06:30Out for dinner.

00:06:32Then you're going to rent us a room because I have a surprise for you.

00:06:35You know I hate surprises.

00:06:50Keep those eyes shut.

00:06:53All right.

00:06:54Open your eyes.

00:06:55My things.

00:07:00My things.

00:07:01You only bring out my things.

00:07:29On our anniversary.

00:07:32Tonight.

00:07:40670 years ago tonight, I married you.

00:07:44And 665 years ago, you died.

00:07:51Reborn.

00:07:52Happy anniversary, sweetheart.

00:07:57Happy anniversary.

00:07:58Happy anniversary.

00:07:58I'm sorry.

00:08:28I'm sorry.

00:08:58Wow, this place is amazing.

00:09:03Actually, it belongs to your dean.

00:09:06It's still being renovated, so he hasn't moved in yet.

00:09:08But they figured I might prefer this to some tacking hotel.

00:09:13Well, at least I know where all my tuition money goes.

00:09:16Why don't you make yourself comfortable?

00:09:19Well, I'm preparing some dinner, but maybe I should get her some drinks.

00:09:24Great.

00:09:54Here we are.

00:10:19Chilled white.

00:10:22I'm sorry.

00:10:23I only drink red.

00:10:25White gives me a terrible headache.

00:10:28Well, then, uh, red it is.

00:10:32Excuse me.

00:10:34I took a few art classes and a few English classes, and that's pretty much the extent of it.

00:10:53I would love to take either one as a major, but my parents, well, you know, they're paying for most of my tuition, so they want me to do something that's a little more practical.

00:11:06Well, Sarah, the business major, that's me, right?

00:11:11I firmly believe that a person should do what their heart tells them to.

00:11:15Well, you don't know my parents.

00:11:18Well, maybe one day I will.

00:11:22You know, you haven't touched your drink.

00:11:23This, uh, chap you're dating, uh...

00:11:38Scott, Scott is a rational thinker.

00:11:43Show-me-the-facts kind of a guy.

00:11:44He tried to be supportive, but he was much better at dealing with Sarah, the business major, than Sarah, the artist.

00:11:55You know what I mean?

00:11:58Are you still painting?

00:12:02Actually, not that much.

00:12:07Since Scott and I stopped talking, it's been really hard to concentrate.

00:12:11Why did you stop talking?

00:12:14That is a really tough question.

00:12:17I don't know.

00:12:18I mean, maybe it was just bad timing.

00:12:22You love him?

00:12:26That's enough about me.

00:12:28We haven't talked about you all night, Mr. Famous Author.

00:12:33Nothing you can't find out about me from the jacket of one of my books.

00:12:37I'm sure that's not true.

00:12:39For instance, have you ever been married?

00:12:44Once.

00:12:46To a beautiful woman.

00:12:49Divorced?

00:12:51No.

00:12:52She died.

00:12:53Long, long time ago.

00:12:54I'm sorry.

00:12:57Don't be.

00:12:58She's still with me today.

00:13:00In many ways.

00:13:04Enough of this.

00:13:05Allow me to propose a toast.

00:13:07Oh, I'm starting to feel funny.

00:13:11Here's to artists.

00:13:12Past, present.

00:13:14Shit.

00:13:15Future.

00:13:16I'm sorry, Richard.

00:13:18Uh, don't worry.

00:13:19I'll get you another.

00:13:21Um, no, no, no, no, no.

00:13:22That's okay.

00:13:22I think I've made enough of a mess already.

00:13:25Perhaps a glass of water.

00:13:27Why don't you go to the other room and relax,

00:13:29and I'll get it for you.

00:13:31Okay.

00:13:32Boy, this has gone right to my head.

00:13:34Okay.

00:13:35Okay.

00:13:35Boy, this has gone right to my head.

00:14:00You know, you look very, very nice in white.

00:14:13You look very nice in a duplicate.

00:14:17Do you have any aspirin?

00:14:23Absprin?

00:14:25You're right back.

00:14:26Here.

00:14:51You're, uh...

00:14:53Absprin.

00:14:54Absprin.

00:14:56You are so beautiful in this body.

00:15:24Oh, Rachel.

00:15:25I missed you.

00:15:28Couldn't wait for this little tramp to die.

00:15:33Rachel.

00:15:35Who the hell is Rachel?

00:15:36Wait a minute.

00:15:39You're still alive.

00:15:43Now it gets messy.

00:15:45I hate it when this happens.

00:15:46I've got it.

00:17:21She was wandering around in the middle of the road.

00:17:24Who tried to kill you?

00:17:25This guy. He did. He's this guy. He tried to kill me. He's... There he is. Arrest him!

00:17:32Sarah, what happened to you?

00:17:34Is this the girl?

00:17:36Yes, it is, thank God.

00:17:40Well, if you can deal with it from here, I'll be going.

00:17:43Uh, just a minute, Mr. Wayborn. We can't let you go. Without giving us your autograph.

00:17:50She's been going on and on all night, Scott.

00:18:05She sticks with that same ridiculous story. I don't know what it means.

00:18:09Maybe it means she's telling the truth.

00:18:12This guy, Richard Wayborn, I mean, he's a famous author.

00:18:15He wrote The Dead or the Better. You read that one.

00:18:17He comes in here before she even walked in the door.

00:18:20Well, I hope you can take it, this one out.

00:18:34Scott.

00:18:34You think you're going to be all right?

00:18:50Yeah.

00:18:53Anybody else in the house?

00:18:55Jill should be on.

00:19:00You do believe me, don't you?

00:19:04I don't know what I believe.

00:19:09I mean, what were you doing with this guy, anyway?

00:19:12I mean, is that why we broke up?

00:19:15Yeah, that's why we broke up, Scott, so I could go out with homicidal maniacs.

00:19:20You are some detective, Scott.

00:19:24Look, I don't know what happened tonight,

00:19:27but I do know there is something very strange about Wayborn.

00:19:30Would you please do me a favor and look into it?

00:19:50Nice seeing you, too.

00:19:52I can't believe I'm here with Richard Wayborn.

00:20:04I can't believe I'm here with Richard Wayborn.

00:20:27I can't believe I'm here with Richard Wayborn.

00:20:58Rough night?

00:21:06Very rough.

00:21:16Remind me to toss that pitcher.

00:21:22Morning troops.

00:21:24Did that belong to you, Chad?

00:21:26Yes.

00:21:28Hey, rough night.

00:21:31What'd you do?

00:21:33It's like some nightmare.

00:21:36I had dinner with that author guy, and after dinner...

00:21:40What, you went on a date with Richard Weyborn?

00:21:43It wasn't exactly a date.

00:21:46Date.

00:21:46I can't believe you didn't tell me this.

00:21:48Jill, you don't know what he tried to do to me.

00:21:50No, but I can guess, and I bet you loved it, too.

00:21:53I think he tried to kill me.

00:21:57You know, I've never been with a writer, especially a horror writer.

00:22:01So how was he?

00:22:02Was he weird?

00:22:03Was he kinky?

00:22:04He tried to strangle me, and then he tried to poison me.

00:22:08Excellent!

00:22:09Oh, shit, I'm late.

00:22:10Oh, I gotta go.

00:22:11Hey, film me later, okay?

00:22:12I'm telling the truth.

00:22:19I don't know.

00:22:21Well, something sure smells good.

00:22:23You know, this reminds me of the good old days.

00:22:30You and I together, waking up our house.

00:22:37You're cold.

00:22:39Well, I've been dead for six hours, Richard.

00:22:42That's not what I meant.

00:22:45Who is she?

00:22:47Who is her?

00:22:48Who is she?

00:22:49That handbag didn't come from Miss Police Bitch here, so how did it get here?

00:22:56Oh, bad.

00:22:58Well, I tried to kill someone the other night.

00:23:01Poison didn't take.

00:23:04I thought she was dead.

00:23:06I figured I'd take one of the crack at her tonight.

00:23:09No, I think I'll take care of her this morning.

00:23:12Besides, I'm starting to stiffen up.

00:23:14I'm going to need a fresh body if we plan to spend the day together.

00:23:18That'd be nice.

00:23:19It is difficult for us in the United States to appreciate the impact of the changeover in the Soviet Union to a market economy.

00:23:37We are used to a market economy.

00:23:43We're gathered here today, joyless man and his soul in the world.

00:23:48Can you start on feeling the start of you?

00:23:52Can you start acting, Sarah?

00:23:56I give you.

00:24:22Yeah, I'm looking for Sarah Foster.

00:24:26Come on, Foster, let's go.

00:24:28Ms. Foster?

00:24:41In the self-styled cradle of communism,

00:24:46the people are not used to a market economy.

00:24:50What does this mean?

00:24:52No, this way.

00:24:53Where are we going? Is this about last night?

00:24:55We're going down to the stage and I want to ask you a few more questions.

00:24:57She didn't listen to me last night. Why are you so interested?

00:24:59Shut up, you bitch!

00:25:01Don't talk to me like that!

00:25:03I can do anything!

00:25:04Hold still!

00:25:05Uh, ouch.

00:25:14Ouch.

00:25:17That's it?

00:25:19Who are you?

00:25:21What are you?

00:25:22That's resisting arrest. You're going to die for that.

00:25:24You're going to die for that.

00:25:25You're going to die for that.

00:25:26You're going to die for that.

00:25:27Yes, sabotage.

00:25:30The Soviet bureaucracy

00:25:32has a vested interest.

00:25:40Class, will you excuse me for a moment?

00:25:42If you don't mind, I'm trying to conduct a class in here.

00:25:53Now, I don't know what happened, but your ex is definitely involved.

00:26:11You got nothing on her.

00:26:13How can you say that?

00:26:14Think about it.

00:26:15Now, until the coroner's report comes in, we can't jump to any conclusions.

00:26:19But Barb was my friend, too.

00:26:21What was she doing at that school?

00:26:23Now, she said it was official business, but nobody here knows anything about it.

00:26:27Now, something's going on here, but I don't think Sarah's involved.

00:26:30I want you to release her into my custody.

00:26:34You're not serious, Jack.

00:26:36Trust me.

00:26:40My custody.

00:26:41What is this custody bullshit?

00:26:43I mean, why am I in custody when I didn't do anything?

00:26:46Tell me what happened.

00:26:52I don't remember.

00:26:59She grabbed my arm, and I pulled away.

00:27:02Then she pointed her gun at me.

00:27:04I reached for it, and it went off.

00:27:07We wrestled.

00:27:09And then I broke her finger.

00:27:10And then she fell to the floor.

00:27:14Dead.

00:27:17I can't believe they released you.

00:27:22Sarah, the department wants me to send over a counselor.

00:27:27What kind of counselor?

00:27:28A drug counselor.

00:27:30Scott!

00:27:31I am not on drugs.

00:27:32Sarah, I know you're not on drugs.

00:27:34It's procedure, okay?

00:27:35Zee, you understand me, don't you?

00:27:44I'm just worried about you.

00:27:53So I'm in your custody, huh?

00:27:55Yeah.

00:27:57What does that involve, anyway, being in somebody's custody?

00:28:00It means you stay here, you keep the door locked, and you keep quiet.

00:28:06Now, I've got to get back to work.

00:28:11Promise me you'll stay put?

00:28:14Of course I will.

00:28:30Yes.

00:28:57Yes.

00:28:58Yes, Richard Waybourn?

00:29:00Yes, I am.

00:29:02Scott Garrison, Hillsdale Police.

00:29:04I wonder if I could ask you a few questions about last night.

00:29:08Oh, the girl?

00:29:10Certainly. Where is your name?

00:29:12Oh, thank you. This won't take long.

00:29:14How well do you know her?

00:29:18Not very well, actually.

00:29:20She approached me yesterday after one of my lectures.

00:29:24I wanted to talk about writing.

00:29:26I get this sort of thing a lot. Young kids looking for a break, you know.

00:29:32So, uh, you two had dinner?

00:29:36Well, she seemed like a nice enough girl.

00:29:38So I invited her in.

00:29:40We had several glasses of wine.

00:29:44Well, I wanted to call it a night, but...

00:29:48She started to come on to me.

00:29:52You know how it is.

00:29:54Uh...

00:30:00Exactly how much wine would you say she, uh...

00:30:04Excuse me.

00:30:11That'll be all for now.

00:30:13Thanks.

00:30:39Thanks.

00:31:40Waver.

00:31:41Okay.

00:31:42Waver.

00:31:43Death's true love.

00:31:58Soulmates.

00:32:00You don't like me in armor.

00:32:09It was all the rage back then.

00:32:15Get away from me or I'll scream.

00:32:18The library.

00:32:20What do you want?

00:32:22Your body.

00:32:24Your body.

00:32:25You know she's rather cute.

00:32:39Maybe I'll kill her next.

00:32:41Will you just leave me alone?

00:32:43But we're just getting to know each other.

00:32:46What is taking so long?

00:32:48Well, you've got a book overdue.

00:32:49I can't let you have this one until the other one's returned.

00:32:56Richard Weyborn?

00:32:57Wow.

00:32:58Wow.

00:32:59And you're...

00:33:05Raven.

00:33:07Raven.

00:33:08Oh, I do like that.

00:33:13Bloodtown USA.

00:33:14Soulmates.

00:33:15This is pretty wild.

00:33:16What is?

00:33:17What is?

00:33:18What is?

00:33:19What is an end?

00:33:21The

00:33:40This is pretty wild.

00:33:44What is?

00:33:47Coming here with you.

00:33:52I think it's turning me on.

00:33:55Good.

00:33:59Most people figure if you work in a library, you must be crude.

00:34:10We're not out for any proper.

00:34:19I guess not.

00:34:40I don't know.

00:35:10What are you doing?

00:35:30Laundry.

00:35:35Where do you do your laundry?

00:35:38Leland.

00:35:40Zee!

00:35:57Gonna miss you, boy.

00:36:01Ugh.

00:36:07Ha, ha, ha.

00:36:08if he doesn't understand me then there's just no reason to live through my death may he realize

00:36:32he is nothing more than a loathsome foul rotten creature so putrid

00:36:38richard i'm sorry to bother you i stayed here last night i lost my wallet did you happen to see it

00:36:51no well if you find one would you bring it to the office wait why don't you come in and look

00:37:02lady uh you feeling okay

00:37:14give me a second

00:37:32read this just read it

00:37:38upon the cold and lifeless body he would lay suddenly the corpse began to stir it rose up

00:37:47from the blood-stained linen what is this wayborn wrote this it's his first book i'm sure it's an

00:37:53autobiography of his life and his wife's afterlife will you listen to yourself you're not making

00:37:59any sense sarah do yourself a favor and stop reading that crap scott look i went out on a limb to get

00:38:06you released sarah will you please just stay put it's my ass on the line

00:38:13hi jill

00:38:25hi scott

00:38:26well uh good night

00:38:32read this

00:38:38all right i'll read it will you please just stay put

00:38:43read this

00:38:53the

00:38:56the

00:38:57the

00:39:02the

00:39:04the

00:39:06the

00:39:10I don't know if my son stinks.

00:39:30We're going to leave this town.

00:39:36Yeah.

00:39:40We've got some loose ends to clean up first, right?

00:39:55Looking good, Sarah.

00:40:10Jill?

00:40:31Jill, is that you?

00:40:35I don't know.

00:41:57Hello, Sarah.

00:42:07Sarah!

00:42:33Hello, Sarah!

00:43:03Sarah!

00:43:04Sarah!

00:43:05Sarah!

00:43:09Sarah!

00:43:11Sarah!

00:43:13Sarah!

00:43:15Sarah!

00:43:19Sarah!

00:43:21Sarah!

00:43:23What a cozy little place you have found yourself.

00:43:33Sarah!

00:43:43Sarah!

00:43:45What a cozy little place you have found yourself.

00:43:55You have to go.

00:43:56You have to go, Sarah!

00:43:57What?

00:44:03You have to be done.

00:44:05You have to go.

00:44:07That's why I am so glad you have been there!

00:44:08You have to go!

00:47:39I don't know where Sarah is.

00:47:45It's not Sarah that I'm looking for.

00:47:47Come on, my little muse.

00:48:17Mr. Wayborn?

00:48:18It's Richard.

00:48:21I'm up here.

00:48:26Please, sit beside me.

00:48:29What is it?

00:48:30What is it you want?

00:48:33I had this overwhelming urge to talk with someone.

00:48:40Unfortunately, it's not real?

00:48:41It's not real.

00:48:45I'm sorry about last night, really.

00:48:49I'm sorry about last night.

00:48:50I'm sorry about last night.

00:48:58I'm sorry about last night, really.

00:49:02Down to me.

00:49:03I'm sorry about last night.

00:49:13Right, it should have been a sin to waste a perfectly good body.

00:49:15Yet.

00:49:16At who? Sarah?

00:49:17Look, if I'd have had her, you would have been there because you would have known about her.

00:49:21Well, not if you didn't kill her.

00:49:23I'm going to kill her.

00:49:25Rachel, I love you.

00:49:29It's always been that way and it always will be that way.

00:49:33She is quite beautiful.

00:49:35Yes, she is.

00:49:36But it's you I'll be seeing when I'm with her.

00:49:42As you wish.

00:49:43Well, if we're going to get her.

00:49:45We have some work to do.

00:49:47Uh, wait a minute.

00:49:49What about this?

00:49:50It would be a sin to waste a perfectly good body.

00:49:54You know, when you're right, you're right.

00:49:56Hello?

00:49:57No, she's...

00:50:23Jack? Scott?

00:50:28Jill.

00:50:31Oh, God.

00:50:35No, uh, all right, I'm on my way.

00:50:41What happened to Jill?

00:50:47Scott!

00:50:49Scott!

00:50:49Scott, there is no way that I am staying in this house.

00:50:53I'm coming with you.

00:50:56She's my best friend.

00:50:57Don't you think I know that?

00:50:59Sarah, I got a job to do.

00:51:01I got to get down there, and I can't have you running...

00:51:03A job. A job.

00:51:04Is that all that means anything to you is your job?

00:51:08I'm a cop, Sarah.

00:51:15What do you want from me?

00:51:17What I wanted has never made a damn bit of difference to you anyways.

00:51:21That's not true.

00:51:23You've always been important to me.

00:51:25Well, you've certainly had a very good way of showing it.

00:51:30Maybe you never gave me much of a chance.

00:51:32Look, I promise I'll call you as soon as I know anything.

00:51:42I'll call you as soon as I know anything.

00:52:02Come on, I'll walk you to the door.

00:52:06Okay.

00:52:32All right, you bastard.

00:52:38Here I am.

00:52:45This girl, this jumper, she didn't die from the fall.

00:52:49She was dead before she went off that roof.

00:52:52She landed on her face, but the back of her head was caved inward.

00:52:57Inward.

00:52:58So you're telling me that we got a naked, dead girl with a bashed-in head jumping off the roof?

00:53:03I know it sounds crazy, but there's more.

00:53:07The same thing with Barbara.

00:53:09She was dead six hours before we got to her.

00:53:12Why wasn't that in the report?

00:53:14Because it's impossible.

00:53:16I thought maybe I had made a mistake somehow.

00:53:19I wanted to run some tests and then run them again.

00:53:22I'm bringing it up now because of this girl.

00:53:26Also, that girl last night in the motel.

00:53:28We got the guy that killed the girl in the motel.

00:53:31You can't ignore the facts.

00:53:33You've got to believe what I'm telling you.

00:53:36I don't know what I believe.

00:53:38You have a chance to surprise what you have as I dream to fly right away.

00:53:44I don't know what you have as I dream to fly.

00:54:14I don't know what you have as I dream to fly.

00:54:18But I don't know what you have as I dream to fly.

00:54:23Hello?

00:54:24Hello?

00:54:34Sarah Foster?

00:54:42Sarah? Sarah Foster?

00:54:45Oh, damn.

00:54:47Hello? Sarah?

00:54:54Hello, Sarah?

00:55:00Let me introduce myself. My name is Lucille Perkins, and I'm here to help you.

00:55:04Help me?

00:55:05In what way?

00:55:07I know you're in trouble. If we'd like to talk about it, you could tell me what's bothering you, and I know I could.

00:55:12Listen, unless you've got experience in killing immortal people, you're not exactly what I was looking for. Thanks anyway.

00:55:18Sarah, I know it's difficult to admit you're on drugs, but that's why I'm here.

00:55:22Wait, look, I am not on drugs. I appreciate your concern, but you're wasting it on me.

00:55:32Could you please leave?

00:55:33No, I can't. Not until we've had time to talk.

00:55:39Hmm?

00:55:40Hmm?

00:55:42Hmm?

00:55:43Hmm?

00:55:49Hmm?

00:55:54Hmm?

00:55:59Sarah, stop ignoring you.

00:56:11I'm not leaving.

00:56:13I don't know why Scott sent you down.

00:56:15This is the craziest thing I've ever heard.

00:56:18What kind of person do you think I am?

00:56:21This is ludicrous.

00:56:25No more games, Sarah.

00:56:29No more games, Sarah.

00:56:59Come on, come on.

00:57:08Come on.

00:57:09We've got to get out of here.

00:57:10We've got to get out of here.

00:57:11We've got to get out of here.

00:57:42You okay?

00:57:49Yeah.

00:57:51Come on.

00:57:57I'm sorry I didn't believe you.

00:58:01Call the station.

00:58:02Get somebody over here.

00:58:12Get somebody over here.

00:58:42Sucka.

00:58:45Where's Sarah?

00:58:46Sucka.

00:59:00Oh, my God.

00:59:30It won't be long now, Sarah.

01:00:00I could have made you into a goddess.

01:00:06Is that what makes you feel good, Wayborn?

01:00:09Beating up on women?

01:00:12Actually, yes.

01:00:14I am going to kill you.

01:00:30Go ahead.

01:00:31Take your best chance.

01:00:33I mean it.

01:00:36Come on, Sarah.

01:00:37Take a chance.

01:00:39That little friend of yours, what's her name?

01:00:42Jill.

01:00:43Jill took a chance.

01:00:45Of course it got her killed.

01:00:48You bastard!

01:00:49You just don't get it, do you, dear?

01:01:10I'm going to kill you.

01:01:40I don't know.

01:02:10Give me a break.

01:02:22Rich, are we ready to finish her off?

01:02:40I thought I was too late.

01:02:58Let's get out of here.

01:03:10Yeah, I'm gonna go get my things.

01:03:12I'm gonna go get my things.

01:03:24I'm gonna go get my things.

01:03:26After that, I'll go get her off.

01:03:28Let's go.

01:03:30I'm gonna go get my things.

01:03:32I'm gonna go get my things.

01:04:36What's the matter?

01:04:50Is that night bothering you?

01:05:06Before I kill you, I'm going to make you suffer.

01:05:12I shall just kill up the bench.

01:05:30No!

01:05:32No!

01:05:34No!

01:05:36No!

01:05:38No!

01:05:40No!

01:05:42No!

01:05:44No!

01:05:46No!

01:05:48No!

01:05:50No!

01:05:52No!

01:05:54No!

01:05:56No!

01:05:58No!

01:06:00No!

01:06:02No!

01:06:04No!

01:06:06No!

01:06:08No!

01:06:10No!

01:06:11No!

01:06:12No!

01:06:14No!

01:06:16No!

01:06:18No!

01:06:20No!

01:06:22No!

01:06:24No!

01:06:26No!

01:06:28No!

01:06:30No!

01:06:32No!

01:06:34No!

01:06:36No!

01:06:37No!

01:06:38No!

01:07:06That's funny, I didn't really think you liked me.

01:07:36I've missed you.

01:07:39It's only been a couple of days.

01:07:41It felt like a lifetime.

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