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00:00Transcription by CastingWords
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02:59I know, that's why I came to take you to go there.
03:03Kumsava, you're not talking about someone.
03:05I'm not thinking about him in the hospital.
03:08I just wanted to take you to go there.
03:10You won't be able to go there in the taxi.
03:12There's a place in my house, she'll go there.
03:15She's hard to stay there, watch it.
03:17You're not really hard to do that.
03:19That's why I'm going to get rid of it, Miljana.
03:22I'm not a good person, I was not willing to go to you,
03:25but I was a job.
03:27Now, as I promised you, I had all the time.
03:31The world is only for you.
03:34If you accept the excuse, the driver is waiting for you.
03:46Here you are, Janek, you're in English.
03:48You need to take them, can you?
03:50Yes, I can.
03:52I don't know.
03:53I'm not sure.
03:54I don't know if Nadja Bačić is the Belgian director.
03:57So, better be careful.
03:59I don't know if I'm sure.
04:01I'm not clear.
04:02I'm sure she told me that she was a mother.
04:06She didn't tell me anything, but I'm not sure what she said.
04:09I don't know what to explain.
04:12Nadja Bačić is not here because of her family, but because of her work.
04:16Now, Lucas, how did you get along?
04:26Nadja Bačić?
04:28What?
04:29I'm not good.
04:30I'm not good.
04:31I'm not good.
04:32What do you think?
04:33I don't know.
04:34You ask me to ask why I can't get objective.
04:35I can't be objective.
04:36I don't know.
04:37I can't be objective.
04:40But I think that the wife who said that she was all about her, but she was the other way to her.
04:49And she was the one who was the other way to her.
04:51And she was the one who was the one.
04:54And she was the one who was the one.
04:55What is she?
04:56What about them?
04:58What was their relationship?
05:01They looked like a brother and sister.
05:05I think they didn't even talk about that.
05:08You saw the interview that was given to the television.
05:13Yes, I was.
05:16But if that woman came here to be a wedding,
05:20then our job was going to go to the Belgians.
05:23What?
05:26What?
05:28What?
05:30Why?
05:32Why?
05:34Why?
05:36Why?
05:38Why?
05:40Why?
05:42Why?
05:45Why?
05:47Why?
05:49Why?
05:51Why?
05:53Well, you're not alone.
05:56What's your name?
05:58I think you're going to see him.
06:00I'm going to see him. I want him to get mad.
06:02I'm going to wait for him.
06:04I don't want to make a lot of money.
06:06What are you doing?
06:08This is a mess.
06:10Do you want everything here?
06:12Sorry, I forgot everything.
06:26Dad?
06:28Dad?
06:30Dad?
06:32Dad?
06:34Dad?
06:36Dad?
06:38Dad?
06:40I know that I'm alive.
06:42I know that I'm alive.
06:44I know that I'm alive.
06:46I know that I'm alive.
06:48I don't know that anything can be done.
06:50You're a njaka.
06:52We've given you vitamins.
06:54You're a njaka.
06:56You're a njaka.
06:58You're a njaka.
07:00You're a njaka.
07:02You're a njaka.
07:04You're a njaka.
07:06Miljana is here with a new mom.
07:08Oh, great.
07:10You're a njaka.
07:12Thank you, kum.
07:14And you?
07:16You're a njaka.
07:18I'm going to be like a njaka.
07:20And I'm together.
07:22You're a njaka.
07:24You're a njaka.
07:25You're a njaka.
07:26You're a njaka.
07:27And I told you that I'm going to die.
07:29And I'll be like a njaka.
07:31We'll be together.
07:32Yes, yes.
07:33Wait, I'll try something.
07:36What?
07:37I'll try something.
07:39What?
07:41What's going on?
07:43I'll try something.
07:44What is it?
07:45I think.
07:46Oh, this is not the same thing.
07:47What is it?
07:48What is it?
07:50Mr. Nađa!
08:04Oh Jovana, where are you going?
08:07I have to talk to you, Nađa.
08:09Do you think I came to the village to talk to you?
08:13I have something very important to tell you about...
08:16...Mili Kovač.
08:20...Mili Kovač.
08:35Here we have to wait for the doctor.
08:39If the doctor was asked, I would go until the first day.
08:43That's how I would.
08:45Okay, just don't hurt me.
08:48Let's go.
09:01Mila Kovač je Savova izvršna direktorka, zar ne?
09:06Yes.
09:09And now you're working for her?
09:12Savva had to take care of me as a personal assistant.
09:18Some things never change, Jovana.
09:23You always love to talk to people for whom you work, eh?
09:35Kume!
09:36Let me know you.
09:37This is Nikita.
09:38This is Nikita.
09:44My name is Nikita.
09:45My name is Nikita.
09:50Nikita.
09:55I'm sorry that we're meeting with us.
10:00That's not me that I have been.
10:04Not you.
10:05She was an agreement, Mr. Nadja, but I never talked to her.
10:25No, I'm not...
10:26Okay, what did you want to tell about Milikovic?
10:29The Sava's cut around a little bit.
10:32When she came to the company.
10:34She's going around her as a girl around her.
10:38She's going around her. She's going around her.
10:40She's going around her and she's going around her.
10:42Maybe you're going around Mila Kovac is an ambitious job.
10:47She's going around her.
10:49What?
10:51I told her to be the best friend, but she's very good to be able to understand it.
10:55She's going around her.
10:57What did you say, Luki?
11:00How did Mila Kovac do around Savo's head?
11:03I do not know how. Not how and not why, but I know how I'm sure.
11:08She says to you to be able to watch Mila Kovac when you came to the company.
11:11Okay. I will have a little more attention for you.
11:15I knew you will see me, do you know, ma' Nađa.
11:18I'm not sure your abilities, abilities, calibrate...
11:22Let's not touch with it.
11:25If it's not to me, you will be able to help.
11:28I'll tell you about Mila Kovac everything you know.
11:32From the beginning.
11:34Here it is.
11:50Do you want to talk?
11:54You're right, Vasilija.
11:57I thought we were talking about hunting.
12:00What?
12:02Koji je lovnik, Vasilija.
12:06Sina, ti ne primećuješ.
12:08Ali počeo si da se zapuštaš.
12:10Svi ti poslovni ručkovi upropastiće ti zdravlja.
12:14Oda u izgledu da ne pričam.
12:16Mama, molim te.
12:18Htjela si da pričamo o Olgi.
12:21Bože, sačuvaš šta imamo tu da pričamo.
12:24Nego vidi, što se objedovanja tiče.
12:28Mislila sam da se sljedeće sedmice hraniš kod mene.
12:31Više kuvanog.
12:32Manje masti i soli.
12:34I ima da te majka dovede ured dok si dlanom odlanka.
12:37Tosta!
12:43Htjela si da pričamo o Olgi.
12:45Vasilija?
12:46Izvoli pričaj.
12:47Šta ja imam da pričamo o Olgi Radmilović.
12:53Usjeđelica.
12:57Babađevojka.
12:59Ufatila deset godina mlađeg momka.
13:01Pa se još i poigrava s njim.
13:05Kako te ono nazvala?
13:07Papagaj.
13:08Meni to nije smetalo.
13:13Naravno da ti nije smetao.
13:16Kad si izgubio glavu za njom.
13:19Zatrovala te sine, zatrovala te.
13:23Kao prokislo vino koje predugo stajalo otvoreno, neposluženo.
13:30Ubravo si.
13:34Ubravo si za Olgu Radmilović.
13:40Znala sam ja sine da ćeš me ti razumijeti.
13:45Znala sam da samo treba da se čekam.
13:48Nisi ti nič i papagaj.
13:51Nisi razumijela.
13:54Nisi razumijela što sam ti oda ti kažem.
13:59Kada sam rekao upravu si mislio sam...
14:04Upravu si da sam izgubio glavu za Olgom.
14:12Što prije to prihvati što bolje.
14:17Zalatimo pa.
14:21Zalatimo!
14:23Zalatimo pa.
14:24Zalatimo pa.
14:26Srila tebi odluženi za Seja,
14:29neki nič i pači pa.
14:32Zalatimo pa.
14:33Come on, come on!
15:03Is it good for you?
15:05Is it good for you?
15:07It's good for you.
15:09It's good for you.
15:11It's the most good for you in the world.
15:17This is for you.
15:21Let's go.
15:23My mother is Jivana.
15:25My mother is Tihana.
15:27We have something important to tell you.
15:29Let's go.
15:31Let's go.
15:33Let's go.
15:51Let's go.
16:01Let's go.
16:03Let's go.
16:05Let's go.
16:07Let's go.
16:09Let's go.
16:11Let's go.
16:13Let's go.
16:15Let's go.
16:17Let's go.
16:27Let's go.
16:29Let's go.
16:31Let's go.
16:33Look, mother, and you, auntie, and me, and me, we are not one for the other one.
16:43Thank God, child, it was time.
16:46When you asked us to call family, we can prepare a wedding.
16:50Auntie, don't you hear me? I'm saying that we are not.
16:54We are not one for the other one.
16:56How are you not?
16:58So, auntie, we are not.
17:02What is that nice and good, my health?
17:12Just slowly, Diana.
17:15As you can see, you don't have time here.
17:20And I wear a pair and a costume so I can go for you in the basement.
17:25My account will be paid.
17:27I promised.
17:28Listen to me.
17:29My chef wants to talk with you, and I will tell you that to him.
17:35Sit.
17:36If you start to get out of here, hold your legs and your hands.
17:43And hold your hands so that you don't get away.
17:45Don't you ask me.
17:46Don't you tell me.
17:47Don't you say anything?
17:48Do you tell me your head?
17:49That's better for you, healthy.
17:54Don't you tell me the same number.
17:59Mom.
18:00What?
18:02What's that open, spake, načeta.
18:04I said, no, who knows, načeo.
18:10I was very stigna, dite.
18:12You ask.
18:13I've got no, who's got a malage?
18:15Tessa.
18:16That's not a...
18:18No, no, no.
18:19We have to talk about it.
18:21You're not a načeta,
18:23you're not a king.
18:25You're not a man who's in the mood.
18:27You are for him, he is for you, and you are ready for him.
18:31I don't understand again.
18:33We agreed to say everything that you are going to do, right?
18:37So, you are going to be able to do something.
18:40Zoro!
18:41And not what she is, but I am.
18:44Even before nine years ago.
18:45So, we had to do it before.
18:47What was it before, Zoro?
18:49We were consumed.
18:50I didn't know where you were.
18:53I didn't see you.
18:55Listen to me.
18:58Now it's time for you to talk about the pain that you have lived so long.
19:02Mother, you don't understand me again.
19:04We took the nomad.
19:06We had enough time to understand that we were not one for the other.
19:09And now it comes to us as a marriage.
19:12Zivana, do you hear this?
19:14I hear it.
19:15The marriage took us out of the street.
19:17We didn't have the marriage.
19:20Now it's the best to believe in that marriage.
19:22You know what I mean?
19:23It's better and better marriage than a bad marriage.
19:26That's all you need from my mother and auntie.
19:28The marriage for marriage.
19:30You didn't have the marriage.
19:31Put it on the marriage.
19:33Because we will not live in the old habits.
19:45Do you want to go to the bathroom?
19:47Do you want to go to the hotel?
19:48No, I don't.
19:52You are free of sleeping.
19:59You won't be lured to me, are you not?
20:01No one will even pay my bills.
20:03I mean, my bills will be paid.
20:05What are you doing in the profession?
20:08Diana?
20:10Yes, Diana.
20:12Would you like me?
20:14What are you doing?
20:16I studied history and art.
20:18Maybe you're a critic?
20:20Or a priest?
20:22I don't like anyone to criticize.
20:24I'm doing art.
20:26Play, ballet.
20:28I'm a little glum.
20:30You don't have a lot of professional experiences,
20:32but I would say that you have a lot of talent.
20:36Yes, exactly.
20:38Listen, Diana.
20:40I can make sure that our hotel is always going to give up.
20:46I was grateful.
20:48I'm going to call you Boško.
20:50Of course, it must be between us two.
20:54Of course, Boško.
20:55What are you saying?
20:57We are agreed.
20:59You will be here,
21:00while you don't have any job,
21:01who will pay the expenses,
21:03and maybe you will have something to do.
21:05I won't forget it.
21:07But listen,
21:09while you are here,
21:11don't want to look for someone who will pay your account.
21:14I won't.
21:16So,
21:17can I help you?
21:21I will do that.
21:25Maybe you can lose one.
21:27There is no problem.
21:28I don't want to pull you down.
21:30But you're the only wallet by me.
21:34Wait, wait, wait.
21:36. . .
21:57When you have all this recently, boys and girls play.
22:00Will it be a beach bar as much as you don't have a whole thing?
22:03Did you know that these two boys aren't there?
22:06They know that they don't work, but they will work.
22:09What will they do?
22:11Do you think all this?
22:13There's a lot of tables, tables and tables.
22:15Do you think that I can do it myself?
22:17You should be a chef.
22:20Just a little guest.
22:22The other thing is because of the success of our business.
22:25How much would it cost me to be a chef?
22:29Just a little guest.
22:31They are Brucoškinje and they are more because of the trouble,
22:34because of the trouble, because of the trouble.
22:37Look at this.
22:42I throw them this like a club club,
22:45and they all have a reason for the whole day.
22:48Hello, boys!
22:52Come on!
22:53Thank you, Pedja.
22:55Do you want to go with us?
22:57What do you say, guest?
22:58Yes.
22:59Are you a little bit of a bitch?
23:01Yes.
23:02You better start yourself.
23:04Okay.
23:06Here.
23:08They have a good body,
23:10and we have a good eye.
23:11Is that right?
23:13Nice to see you.
23:14You're thinking about your chef.
23:19And I have to go.
23:21Do you know what to do?
23:22Yes.
23:23I have to go.
23:24I have to.
23:25I've got a doctor.
23:26He didn't have to be liquidated for a while.
23:28He didn't have to be lying.
23:29He just slept.
23:30And I have to go to the doctor.
23:32I have to go to the doctor,
23:33and then to the doctor,
23:35to see his engagement.
23:37And we have to talk about this engagement.
23:39This is a joke.
23:40You're not a joke.
23:41You're not a joke.
23:42Yes, yes, yes.
23:43Yes.
23:44I have to go to the doctor.
23:45I have to go to the doctor.
23:46I have to go to the doctor.
23:47You're not a joke.
23:48But I have to go to the doctor.
23:49I just asked why you were asked.
23:56I didn't hear you.
24:01I didn't hear you.
24:04I didn't hear you.
24:07I'm sorry.
24:09I'm sorry.
24:11I'm asking you why you were asked.
24:13I didn't hear you.
24:15Let's go.
24:17Let's go.
24:19Let's go.
24:21Try to imagine that you're doing this whole day.
24:23How?
24:25For created?
24:27No.
24:29No.
24:31Nothing else exists in the whole world.
24:33Only two.
24:35Nothing and nothing else.
24:37Is it going to fall?
24:39Yes.
24:41What else could I do?
24:43Yes.
24:45That's it.
24:47That's it.
24:49I'd like to have a good time to go to you.
24:52Even if it's illegal.
24:54How do I do it after this?
24:58It's like you're saying.
25:02Are you kidding me?
25:04No.
25:05I don't.
25:06A little bit of Dušanka.
25:08But she'll have to get used to something.
25:11No.
25:12I don't think so.
25:13I don't think so.
25:14You think you're going to go to you?
25:15No.
25:16No.
25:17I don't think so.
25:18I think you'll be able to go to you.
25:19No.
25:20I don't think so.
25:21No.
25:22No.
25:23No.
25:24No.
25:25No.
25:26No.
25:27No.
25:28No.
25:29No.
25:34No.
25:35No.
25:36No.
25:37No, I don't know.
25:38No.
25:39There's a conexion.
25:40Everything is done.
25:41No.
25:42Here it is.
25:43That's true, Luka.
25:51You started to work for Sava.
25:55Yes, Nadja.
25:57The new director, Mila Kovac.
26:01It's nice to me, Nadja.
26:04I feel like we already know each year.
26:07Mila.
26:09Ugovor i anexi su ovdje kako ste i tražili.
26:15Kako je ovo kupljanje?
26:17Da niste možda odlučili da ovaj dio bolnice pretvorite u kancelarijski prostor?
26:21Nećemo dugo, doktore. Smijem li da posjetim Sava?
26:25Pretpostavljam da ne bi vrijedilo ni da vam to zabrane.
26:29Mogu samo da vas držim za riječ. Nemojte dugo.
26:33Nećete zamjeriti da ostanem na samo sa Savom.
26:37Ne, zašto bi?
26:41Izvolite.
26:43Da.
26:45Da.
26:55Dje si ti krenuo?
26:57Pa Mila me čeka ispred.
26:59Ako nećeš slušati doktora, mene ćeš morati da slušiš.
27:02A Mila će malo da pričeka.
27:06Došla sam da se oprostim.
27:08A ugovor?
27:10O Savo, uvijek isti.
27:12Iz mrtvačkog sanduka bi ustao da završiš posao.
27:16Ako su belgijanci zbog tebe odkazali...
27:20Zbog mene?
27:21Pazi šta pričaš o onome što ne razumiješ?
27:24Belgijanci zbog mene ulažu u budvu.
27:27Poslali su me ovamo da potpišem ugovor.
27:30Mila ga je donijela i ja ću ga sada potpisati.
27:33Ne razumijemo.
27:35Savo, ja sam sada sama svojih gasta.
27:39Ja odlučujem šta ću da radim.
27:41Odlučila sam da pomognem tebi i da spasem firmu.
27:45A otkud tebi ideja da moje firme treba spasenje?
27:49Savo, molim te.
27:51Ako se ne razumijemo, ne moram se više lagati, ja?
27:56U pravu si.
27:58Taj ugovorno svadi iz bule, to je činjenica.
28:01Drago mi je zbog toga.
28:03Ne očekujte od mene više nikakvu pomoć.
28:07Ako se taj ugovor ne bude poštovao,
28:11do posljednje riječi, do posljednjeg slova,
28:16onda znaš šta će to bude.
28:19Znam.
28:20S tobom nema zajebavanja.
28:22Nikad ga nije ni bilo.
28:24Sreća ti je bilo, Savo.
28:26S čim?
28:27Se s njim.
28:28Treba će ti sreća.
28:30Mnogo sreća.
28:32Sreća ti je bilo, Savo.
28:34Sa čim?
28:35Se s njim.
28:37Treba će ti sreća.
28:40Mnogo sreća.
28:43Mnogo sreća.
28:44Možemo preći te formalnosti i potpisati ugovor.
29:08Tek tako.
29:16Draga moja Mila, bez povjerenja nema posla,
29:20a ja u vas imam povjerenja.
29:22Znam da ćete učiniti sve što treba i kako treba.
29:28Nisam očekivala da ćemo ovo završiti u bolnici.
29:31Ali jesmo.
29:32Sada je sve na vama.
29:34Trudit ću se opravdati vaše povjerenja nađa.
29:37U to?
29:39Ne su.
29:42Luka, hoćeš pomoć nađi oko prevoza?
29:45Hoću.
29:50Hoću, naravno.
30:01Ej.
30:08Konačno je sve potpisano.
30:12Rekla mi je da će mi trebati puno sreće.
30:16Pa ti ćeš izaći iz bolnice, firma će i dalje raditi.
30:19Jel ti to nije dovoljno?
30:21Kad sam preživio sve ovo, shvatio sam da mi za sreću treba vrlo malo.
30:33I da mi je uglavnom i to malo tu negdje priručio.
30:38Hvala.
30:39Hvala.
30:40Hvala.
30:41Hvala.
30:42Hvala.
30:43Hvala.
30:44Hvala.
30:45Hvala.
30:46Hvala.
30:47Hvala.
30:48Hvala.
30:49Hvala.
30:50Hvala.
30:51Hvala.
31:21I don't remember him.
31:28I'm with him.
31:31I'm with you.
31:34I'm with you.
31:36I'm with you.
31:38Good for you, Nikita.
31:42He's in the hospital.
31:44But when he comes, he'll be able to get to him.
31:48I'm with you.
31:51You'd like to have a seat.
31:54You'd like to have a seat.
31:56Maybe you'd like to tell me.
32:00Or you wouldn't want to tell me something else.
32:12I can't go to Aleta, Serdar.
32:18You'd like to tell me something else than you'd like to understand.
32:23I pray.
32:25You'd like to tell me something else than you'd like to admit.
32:30Mrs. Bart.
32:32Mrs. Nadjana.
32:35You think you'd like to know me?
32:38That type is good.
32:41I'm a conservative, patriarchal, strong.
32:50And he loves to be changed and not so.
32:54I love you as a mother, Mr. Nadja.
32:58But I don't like to talk about statistical theory.
33:03We're all statistical theorists.
33:06And maybe that's our whole tragedy.
33:09We're fighting, fighting,
33:11we're trying to do different things
33:12than what all of us did before us.
33:15And at the end,
33:16we still take and work like ours.
33:19You think I'm wrong with the opportunity?
33:23I always have the opportunity for the opportunity.
33:26You've made the right one.
33:29When you took my boyfriend for your wife.
33:34And all the rest,
33:36I'm afraid you'll do the same thing as you did.
33:41You want me to call you a taxi?
33:47I don't need it.
33:51It's nice, Luka.
33:53It's nice.
33:55Just let me know him.
34:07I don't know him,
34:09I'm not gonna know him!
34:10I know him!
34:11I'm sure he's everywhere!
34:12You're doing nothing.
34:13You're doing nothing because he's moulded.
34:14You're doing nothing.
34:15You're doing nothing.
34:16I'm not getting there.
34:17I'm not getting to you already,
34:18I'm not getting to you.
34:20I'm just getting to you.
34:21I'm watching you.
34:22I don't want to be the beloved police officers who are in social cases.
34:28I promise myself that I won't be a social case.
34:33What are you talking about now, Nikita?
34:39Because I think that I can still play with you.
34:45And if I start with Aleka, I'll take my heart out.
34:49I don't have a chance to be aware of this.
34:58What do you think?
35:01I would like to call you Nikita.
35:08Not from the right hand, but from the right hand.
35:14Not from the right hand, but from the right hand.
35:18Do you think that I would have a chance?
35:21Do you think that I could trust you in my right hand?
35:26Not from the right hand.
35:28Not from the right hand.
35:29Do you see?
35:31Nikita.
35:33You always have a chance.
35:36You don't have to work with me.
35:38If you work with me, you'll work with me until the end.
35:41If I fall down, you'll go ahead of me.
35:45If you're Alec, tomorrow will not be dead.
35:50You'll be you.
35:51You'll be you.
35:52You'll be you.
36:00You're ready.
36:03You don't have another one.
36:05You're ready.
36:10You're ready.
36:12You're ready.
36:13You're ready.
36:38You're ready.
36:41Don't forget to see what I've ever seen.
36:43Bojana!
36:53Sorry, I'm in the job.
36:57What's happening?
36:59I was talking to my mother to sleep with us.
37:03Nadja will sleep here in the apartment.
37:07Yes, why would she pay for the hotel when we have the whole room?
37:11Do you think you have a daughter in the room?
37:13Bebe is already comfortable.
37:15And that room can be used as a guest.
37:24Do you know what?
37:26I'm from my home.
37:28I think that you have a lot of space.
37:34Okay, as you want.
37:41Where is your daughter?
37:43I left her in the apartment so I can tell you.
37:47What is your daughter?
37:49I left her in the apartment so I can tell you.
37:53What is your daughter?
37:55I left her in the apartment so I can tell you.
37:59How does her name?
38:00What do you call this house?
38:02What do you call her?
38:03What's your name?
38:04You didn't forget her?
38:05No, I don't forget her.
38:06What do you call her?
38:08What do you call him from Budwe?
38:13You didn't forget it, ma'am?
38:15No, I don't forget it. What do you call him Zoro?
38:19Miljana.
38:21What is Miljana?
38:23She's beautiful, rich, healthy and not a child.
38:27Really?
38:28What do you say, ma'am?
38:29Who is Miljana?
38:30She lives with Savo Bačić. You know who is Savo Bačić, ma'am?
38:34She's the most successful businessmen in Budwe.
38:37No, she never knew.
38:39What she lives with her?
38:40Well, her mother is dead.
38:42He's a queen, she's a queen and she's a queen.
38:45She's a queen of the house and she's a queen.
38:48No, no.
38:49No, you don't want me to marry me in a child.
38:52Mother, she's a old queen.
38:55What does she know?
38:57She's a old queen when she's not a child.
39:00I say she's a woman, she's a woman.
39:02Come on, Mama.
39:12I'm here to welcome you, Bojana.
39:16What?
39:19I have to go, Bojana.
39:22I have a lot of rules in Brisa.
39:24I have a whole new life there.
39:29I can't wait.
39:32But, Mama, I thought we'll have a little time for us.
39:36You, Shčeri, have a life, and now, thank God, I have him.
39:44When you say that, I don't know why, but I'll come and pay for it.
39:48Don't, Shčeri.
39:50Don't.
39:53They're children, and you'll be a mother soon.
39:57And we, parents, know that you have a lot of pain in your life.
40:08Listen, Zoro.
40:09I have a lot of pain in my life.
40:10I have a lot of pain in my life.
40:13I have a lot of pain in my life.
40:14I have a lot of pain in my life.
40:15I have a lot of pain in my life.
40:17I have a lot of pain in my life.
40:18I know, Mother.
40:19And I have a lot of pain in my life.
40:20I have a lot of pain in my life.
40:20I have a lot of pain in my life.
40:22And I have a lot of pain in my life.
40:23I have a lot of pain in my life.
40:25Do you listen?
40:26I have a lot.
40:26I can convey it, I'll let you know.
40:27I have a lot of pain in my life.
40:28And I have a lot of pain in my life.
40:31And I'll let you know.
40:32I have a lot more pain.
40:34But I am a lot of pain.
40:36I'll tell you a lot.
40:38I wish I'd like it when I say that.
40:45It has to be like two.
40:49And then you can bring me four or five from the village,
40:52so you can take it alone?
40:54Don't lie. And listen.
40:56If you want to bring me here,
40:59I want to know who it is and who it is.
41:03Whether it is the king or the king.
41:06That's it, Zoro. Did you hear me?
41:09Yes.
41:10Do you know anything else?
41:16What, Mom?
41:18Do you know that your father was in the middle of the village?
41:24Something to say to me.
41:27Your father has always known people
41:33who would have seen them, who they would, who they would, who they would,
41:37from one view.
41:40Yes, it is.
41:41But that's why for women,
41:44it is a nice thing.
41:46You can see them every day,
41:49you can live with them a year ago,
41:52and you know them a little bit.
41:56You can see them,
41:58and think so,
41:59you are free-minded,
42:00you are free-minded,
42:01you are free-minded,
42:02you are free-minded,
42:03you are free-minded.
42:04But I,
42:05I knew that from this wall
42:09and this mud,
42:10this one is filled with that a girl.
42:13She's thrown as a baby.
42:14I don't know it's true.
42:15I couldn't be true.
42:16I've always been true.
42:17I have a woman's mind.
42:20After all that happened with me,
42:23your father didn't know anything about me,
42:25and she knew Mili Kovač.
42:27And that Mila...
42:29She was all just not Mila.
42:31She was remembered,
42:33structured,
42:35when I got my nose,
42:37cold,
42:39like a tree.
42:41But Mom, she saved her life.
42:43Yes?
42:45And who does that say?
42:47Well, my dad is a doctor.
42:49They were alive,
42:51and they saw
42:53in these things
42:55I usually don't regret.
42:57I don't say this
42:59to you,
43:01to blame the father.
43:03I know that you already have enough care.
43:09And Savo will,
43:11as always,
43:13try to do what he has done.
43:15That Mila will be
43:17only his problem
43:19and nothing else.
43:21I'm telling you
43:23to write about yourself.
43:25If I'm right,
43:27that Mila will
43:29try everything.
43:31Only to keep Savo for himself.
43:33I'm sorry.
43:35I'm sorry.
43:37You have a minute, Mirko.
43:39I'm ready to go.
43:41I don't want to go.
43:43I don't want to go.
43:45I don't want to go.
43:47I don't want to go.
43:49I don't want to go.
43:51I don't want to go.
43:53I don't want to go.
43:55I don't want to go.
43:57I don't want to go.
43:59Let's go.
44:01I have a clue
44:03about what happened to the father.
44:05What a clue?
44:07I think I know who
44:09and why he fell.
44:11Who is that?
44:13I have to go.
44:15I don't want to go.
44:17I don't want to go.
44:19No, Mirko.
44:21I have a good friend,
44:23and I know everything.
44:25What do you want from me?
44:27I thought,
44:29if the information is accurate,
44:31you'll find out
44:33that I'm going to go alone.
44:35You're rich Nikita.
44:37You have some ambition for me.
44:39You're a careerist, right?
44:41Okay.
44:42As long as I can.
44:43I would like a little more freedom in the job.
44:46You know yourself the best.
44:48I know.
44:49You have to write down and write down.
44:51What?
44:52Otherwise, I would kill me to hear that.
44:54And then,
44:56I would like to support you.
44:58If the truth is accurate,
45:00I'll just go to hell.
45:02Why not?
45:03Ask yourself what you need.
45:05And check yourself.
45:06And hell.
45:07And hell.
45:08Thank you, Mirko.
45:11I'll do this.
45:24J.
45:26Happy birthday.
45:27I borrowed down Etienne's parents.
45:28I set my papers for Potvoritch."
45:29Notch!
45:30Notch!
45:31I sent it a book.
45:32But I showed.
45:33Can't I see you,
45:34but you're not dead?
45:36Are you gone?
45:37I've never been done.
45:38OK,
45:39I'm back.
45:41I'll see you.
45:42I understand.
45:44Where did I get up?
45:47After I spent the night.
45:48I stayed in for fishing.
45:49She went to Brazil.
45:52So did she not need to go back?
45:54It was necessary, but she said she has to go back.
46:00Okay.
46:02She will soon. She signed up on her company, and she will go back.
46:07I know.
46:09She will go back.
46:11Why did you go back?
46:15It was only one night.
46:17It was only one night that would be taken to me with my mother in the hotel.
46:23But you escaped with your auntie.
46:28I did not want to make a mess.
46:32Don't lie, Luke.
46:35I did not deserve that.
46:38What did I do now?
46:41You know what?
46:43We live here. You work with Savi.
46:47But you don't bring my parents back to me.
46:50You think about them like some boys.
46:53I don't want to make a mess.
46:57I don't want to make a mess.
46:58I am the best.
47:00I am the best.
47:02My daughter.
47:03I have your own wife.
47:04I have a woman's heart.
47:07Even if you are right.
47:10Even if I wanted to make a mess with my mother.
47:15How much is it so sad?
47:17Why is it so scary?
47:20It's scary that I have to be careful.
47:23I have to watch what I do and say.
47:28Or would you have to be able to relax and leave like this is what you do today?
47:33What do you do, Bojan?
47:35For you I am someone who has taken you from freedom, faculties, life.
47:42What are you talking about?
47:47I don't know what you do.
47:49I don't know what you do, Bojan.
47:58You are my life.
48:00Do you understand?
48:07I'm sorry.
48:11Maybe it's because of the hormone.
48:13I'm not even sure.
48:16You are my life.
48:31You are my son.
48:33You are my son.
48:34You are my son.
48:35What have you been waiting for?
48:37You've been waiting.
48:39You've been waiting for a while.
48:41You're waiting for a second.
48:43All right.
48:45Come on.
48:47What do you want to do?
48:49Come on.
48:51Come on.
48:53Come on.
48:55What do you want to do?
48:57What's going on?
48:59What's going on?
49:01What's going on?
49:03What?
49:04I don't know what to say.
49:06I don't want to explain to you.
49:07I don't care about you.
49:08Tell me the name of the guy.
49:10What?
49:13The guy is your lawyer.
49:17What a guy?
49:28Hello, Ana.
49:30Luka Radmjelović is here.
49:34I don't care about you as Radmjelović.
49:36I know who Luka is.
49:38I'm not sure how you're always located for the drink.
49:41Is it important?
49:43Of course.
49:45It's important.
49:47We'll hear you.
49:48Bye.
49:53What was that?
49:54They called me from the salon.
49:56They changed you.
49:57From the salon, right?
49:58Why?
49:59I'm asking you.
50:00I don't want to lie.
50:02I don't want to lie.
50:03I don't want to lie.
50:04You know what I don't want.
50:06You know what I don't want?
50:08You don't want to lie when you lie.
50:11I know.
50:12Don't want to lie to me on the top.
50:15Do you understand?
50:16I understand, Radmjelović.
50:18I don't want to lie.
50:20But we'll go out in the evening.
50:22Go.
50:23Go.
50:24Go.
50:25Go.
50:26Go.
50:27Go.
50:28Look.
50:29Go.
50:32Yeah, Blanković.
50:33You don't know what to say, sir.
50:35What, sir?
50:36You look at it, mother.
50:38Let's go.
50:39Let's go.
50:40Let's go.
50:41We all know the boys.
50:42What do we know, man?
50:44That's your Kristina.
50:46Blessed.
50:48What did I tell you, sir?
50:51What's your fault of her?
50:53Why didn't she listen to her?
50:55She said,
50:57her stomach is her problem.
51:03She said,
51:05God,
51:07wife.
51:09In real life.
51:11He said,
51:13she looked at me.
51:15He said,
51:17she said,
51:19she said,
51:21she said,
51:23she said,
51:25she said,
51:27she said,
51:29I would not give her the phrase.