- 11 months ago
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TVTranscript
00:00We'll be back.
00:30That's my friend!
00:32You're a baby!
00:34I want to tell you that...
00:36I'm younger and you have to be younger
00:38and you have to be younger now
00:40for 10 years!
00:42You're 38 years old!
00:46You're 33 years old!
00:48You're very excited!
00:50You're very excited!
00:52Yes, I am!
00:54You're so excited!
00:56So, listen...
00:58I think that with your sleep
01:00and with one touch
01:02that you have,
01:04you can help me.
01:06Yes, that's not my father,
01:08Alvira!
01:10Hello, Lola!
01:12It's still me!
01:14I have a lot of thought
01:16to you, Lola!
01:18Hello, Lola!
01:20Don't cross me!
01:22Don't cross me!
01:24Don't cross me!
01:26I have a lot of thought!
01:28I have a lot of thought!
01:30I have a lot of thought!
01:32What do you want to do?
01:34I want to watch you!
01:36I want to watch a woman!
01:38Who is she?
01:40I want to know everything!
01:42I want to know everything!
01:44I want to know everything!
01:46I want to know everything!
01:48I want to know everything!
01:50It's true!
01:52All right, let's get started.
01:56Look, I don't want to be able to do this.
01:59But I want you to be able to do something
02:02that I can support you very much.
02:05Do you understand?
02:06Let's go now.
02:07Do you know what I mean?
02:08Don't you know what I mean?
02:09Don't you know what I mean?
02:10Otherwise, my job is to support me.
02:17Where are you?
02:19Did you know what I mean?
02:21Go ahead, try to say one thing.
02:23Don't you know what I mean?
02:25You're a boy with me.
02:27You're a boy.
02:28You know, you're a boy.
02:30You're a boy.
02:33You have a boy, he's a boy.
02:34You're a boy.
02:35You're a boy.
02:37You're a boy, you're a boy.
02:39There's no boy, no boy.
02:42I love you.
02:43In the next day, we'll have success.
02:45You're a boy.
02:48Better?
02:49WOMEN PLEASE!
02:50I'll just say black man, black man!
02:51The next chapter has the same dynamic, but with the next one?
02:53OK,해어서.
02:55We need to see a lot of pain.
02:57I have to worry about wanting to be in the same direction.
02:59The sexuality benefits can be a very common way.
03:01And you have to figure out the main attraction.
03:04You have to feel the most important aspect of sexuality and gender in general.
03:08There is not always strong interest in the center.
03:10Because of the material being a common connection,
03:13we must have to find a great relationship in the middle of the age of young.
03:16And that is, I think it's really very powerful.
03:18Yes, yes, I'm very proud of you.
03:20Yes, yes. And here you can see,
03:22the articles from here and to the next,
03:24they have to move on to this idea.
03:26The human sexuality
03:28and the attitude of it,
03:30as he said.
03:32You can describe it as Xaviera Hollander.
03:34Yes, I'll tell you.
03:36Look at this idea.
03:38Do you want something to do with him?
03:40Yes, yes.
03:42Yes, yes.
03:44Yes, yes, yes.
03:46Yes, yes.
03:50But I'll tell you something.
03:52Well yes, but then you'll be there.
03:54We'll tell you something about
03:55the schouflai-coco-ritchi which you would like.
03:59Yes, yes.
04:00Yes, yes.
04:02Yes, yes, yes.
04:03Yes, yes.
04:04Yes, yes.
04:06Yes, yes, yes.
04:07We'll tell you something.
04:08Yes!
04:09Yes, yes.
04:10No, I'll tell you.
04:13Hey, come on, let's get out of here.
04:15Let's get out of here.
04:17Let's get out of here.
04:19I can't get out of here.
04:21I can't get out of here.
04:23I can't get out of here.
04:25Okay, let's get out of here.
04:27Okay, let's get out of here.
04:29Hello.
04:31I'm going to clean it up.
04:33If you have a 20-20
04:35that doesn't pay attention,
04:37you can pay attention to the other people
04:39and they have to pay attention.
04:41I'm sorry, let's get out of here!
04:43Don't cry!
04:45What are you asking?
04:47To be here!
04:49You have a nice, remember?
04:51Please forget, don't let us cry!
04:53This is the explanation for not to pay attention!
04:55The answer is to get out of here.
04:57You know, let us get out there again.
04:59anne I have something near you,
05:01can you get out of here?
05:03I know everything is...
05:05What do you think?
05:07Do you think I pay attention?
05:09I don't know what I do.
05:11I'll get the light.
05:13What's the hell?
05:15Now he's trying to grab the light?
05:17I've been talking to you an idea.
05:19And what do you want to do?
05:21And you don't get the light.
05:23And you start drawing?
05:25As if you, the light had a house.
05:27You were in front of me.
05:29And now I'll eat all my food,
05:31because this conversation is interesting.
05:33But it's good!
05:35I'm going to get rid of it.
05:37I'm going to get rid of it.
05:39I'm going to get rid of it.
05:41I'm going to get rid of it.
05:43I'm going to get rid of it.
05:45You don't understand anything.
05:47You're all you.
05:49You're all you.
05:51He was waiting for the Lola to end with the Aragiri
05:53and to be able to get them all alone.
05:55And now I'm so happy to be here.
05:57I can't imagine you were waiting for him to see the light of her.
06:01The eyes of her,
06:03the light of her,
06:05she came to the grave to make the light of her.
06:07Don't forget to be afraid.
06:09She had other ways to explain
06:11what she thought she was looking for.
06:15My dear,
06:17I can't eat at the grave of her,
06:19because I have a conversation
06:21where my psychologist doesn't allow me to hear.
06:25What are your conversations?
06:27They were talking about the people
06:29who have a serious relationship
06:31and they make a lot of sense.
06:33It's not a lot of sense.
06:35That's right, my dear.
06:36Yes, it's a lot of sense.
06:38If I had something like that,
06:39I don't know if I would have to get rid of it.
06:41That's what I would have to do.
06:43How much is it?
06:45You're not a man.
06:47You're a man.
06:49Oh, my dear.
06:51Thank God,
06:53Sheila.
07:07We're coming across a bit.
07:09I came out, I had a little air, I thought about the things better and I thought I was going to ask you something.
07:15Do you want to?
07:16I don't know.
07:17I don't know.
07:18I know you're very good.
07:19I don't know.
07:20I don't know.
07:21What's your fault?
07:22What's your fault?
07:23What's your fault?
07:25Do you think I saw you in the Ataillian in the office and you're ready to do it?
07:29And I'm not sure you want to do it?
07:30Do you want to?
07:31Do you want to?
07:32I don't know.
07:33I don't know.
07:34I don't know.
07:35I don't know.
07:36I don't know.
07:37I don't know if I can't get away from the car.
07:39Για πόσο τελευταίο με έχεις?
07:40Για τον πιο τελευταίο, για τον δεν έχει πιο.
07:43Και πόσο έξω πέφτεις.
07:44Δεν έχεις καταλάβει ότι πίσω από κάθε μου κίνηση βρίσκεται ένα καλά μελετημένο έγκλημα.
07:49Φυσικά και το έχω καταλάβει.
07:51Γιατί είσαι το μεγαλύτερο έγκλημα.
07:53Σε παρακαλώ παραπολύ.
07:54Όλο αυτό είναι μέρος του ιδιοφυούς σχεδίου.
07:58Χρησιμοποιώ την Ataillia για να καταστρέψω την κροταλία.
08:01Ε... την γλυκιά μας λολίτε, ήθελα να πω.
08:04Ré Grigóry, how do you use the Lola for all of you?
08:09I have to say, dear Lola, and I have a strategy for all of you.
08:15So, you don't do anything with the Anathalia?
08:18You don't want to make such a question.
08:20After that time, you know what you're doing.
08:23But you know it's a little bit.
08:25That's what I'm saying.
08:26You don't do anything with the Anathalia.
08:28Look at that, boy.
08:30He's crying all the day.
08:32It's a matter of time.
08:36O Alex!
08:40You're a mystery?
08:42He's...
08:44Yes, very happy to see you!
08:46You're right!
08:48What are you thinking?
08:50Yes, you are...
08:52You're trying to play the game!
08:54I was trying to make a fight, I didn't see what is going on!
08:56You're trying to play, right?
08:58Yes, you're trying to play with your Anathalia...
09:01Oh, my god.
09:02Oh, my god.
09:03But now the Alex is here.
09:05Julia, my friend Alex,
09:08I've been a while.
09:09I've been a few years old.
09:11I've been a bit of a bit.
09:13I've been a bit of a bit.
09:15Why do I tell you?
09:17I've been a problem.
09:19I have a problem.
09:21I've been a bit of a bit.
09:23I'm a bit of a bit.
09:25I have been a bit.
09:27He threw everything out of his book.
09:29He didn't know anything here.
09:31He gave everything out of his book.
09:33He didn't care about it.
09:35He's nothing.
09:36I'm so happy she doesn't hear anything.
09:37That's a fine.
09:38Not interested.
09:39It's okay.
09:40It's okay.
09:41I've been there.
09:42It's okay.
09:43I've been there.
09:44I've been there.
09:45I have been there.
09:49Why don't I hear anything.
09:51It's awesome.
09:52I've heard anything.
09:54Yes, you're right.
09:55I'm sorry.
09:56I've tried to tell you something.
09:57I don't know if I was a little bit.
09:59I'm sorry, I'm sorry.
10:00Fragury,
10:01don't let me put the car on a day and the coccordia in a day!
10:04So, I'll give you another answer!
10:07Well, I'll give you an answer!
10:08I'll give you an answer.
10:09I'll give you an answer to that.
10:11I'll give you an answer at the end of the day.
10:12I'll give you an answer, dear.
10:14There's no answer to that!
10:15I'll give you an answer again!
10:17I'll give you an answer!
10:24I love you.
10:54No, no, I don't have a problem.
10:56I'll go for that.
10:57That's why they're a friend,
10:58and they're going to go for a coffee.
11:00I'm sure you don't have a problem.
11:06Honestly, I don't have a problem
11:08and I want to say that
11:10that your relationship
11:12with your boyfriend is very significant.
11:14Really, it's really good
11:16to keep your boyfriend.
11:18And Alex fell so long.
11:20I can imagine that he had a lot to say
11:22like this club of the gym.
11:24That's great.
11:26You know, Alex is always the family.
11:28He's my friend.
11:30He's my friend.
11:32He's my friend.
11:34And I'll tell you,
11:36I'll tell you,
11:38my brother,
11:40I'll tell you.
11:42I'll tell you.
11:44I'll tell you.
11:46I'll tell you.
11:48I'll tell you.
11:50I'll tell you.
11:52I'll tell you.
11:54I'll tell you.
11:56I'll tell you.
11:58I'll tell you.
12:00I'll tell you.
12:02Come on.
12:04Come on.
12:06Come on, come on.
12:08You're right.
12:10Well,
12:12you're right.
12:14You're right,
12:16you're right.
12:18You want it.
12:20You're right.
12:22All right.
12:24I'll tell you something about it.
12:26Come on, you're a girl.
12:28I don't want to get a girl.
12:30You're a girl.
12:32You're a girl.
12:34You're a girl.
12:36You're a girl.
12:40You're a girl.
12:48Lola.
12:50I want you to ask something, my friend.
12:52Why do you think so?
12:54I want you to ask her.
12:56I don't know, I might do it?
12:58I don't care.
13:00You've heard your story.
13:02I don't know.
13:04Coming, you're a man.
13:06You look up telling me.
13:08I'll tell you why, you're a girl, no, please.
13:10Why are you kidding me?
13:12You must say, you're funny.
13:14Over here.
13:16Let me?
13:18Where are we?
13:20You are right, I'm going to leave you there.
13:22I'm going to leave you there.
13:24Yes, yes, yes.
13:26Okay, let's go.
13:28How are we going to go?
13:30The receptionist, of course?
13:32Yes, it's the receptionist.
13:34Yes, it's the Natalia.
13:36Yes, that's the Natalia.
13:38You're right, Natalia.
13:40You're right, Natalia.
13:42You're right, Natalia.
13:44You told me you didn't tell me anything about you.
13:48Yes, but you told me it's a real real way.
13:50Yes, I told you about it.
13:52Yes, I told you about it.
13:54I don't know, it's a real time.
13:56Yes, I understand I don't have it.
13:58Yes, I understand.
14:00It's a real better than you are, Tanali.
14:02I know, I am and you are here and you are here,
14:04you are here.
14:06Be… I know.
14:08You are very good at that.
14:10Yet, you are…
14:12Yeah, you are…
14:14I don't say it.
14:16Let's go and get the Crocodile from the receptionist and tell me a little bit more.
14:19I hear you! That's not the way I hear you!
14:22I don't have to wait for you!
14:24Let me ask you something!
14:27I don't care!
14:28I don't care!
14:29I don't care!
14:30I don't care!
14:31I don't care!
14:32I don't care!
14:35You can give me some ideas!
14:39I don't care!
14:46I don't care!
14:51The other...
14:53...maintain.
14:55Khara...
14:56Khara, me to invite you to see what I did!
14:59To understand what I did!
15:01He came to me and she said what she said!
15:03He told me that she was like a mother and she needed a plastic surgeon!
15:08Come on!
15:09That's what I did!
15:10You can hear me!
15:12You're welcome to my psychology!
15:14He's got a girl from a beautiful girl in the age of the girl.
15:18Excuse me, Argyr.
15:20But when I knew you were already in the situation,
15:24I didn't get away from your daughter.
15:28I didn't understand that.
15:31I love you that you're a good idea.
15:34You're a good girl, I don't know.
15:36I'm just trying to tell you that you don't have a reason to do it.
15:40You're right here and you can't take it seriously.
15:44You've seen me that you're only doing it for your work.
15:48So you said!
15:51You're a good girl, Argyr.
15:54You're a good girl.
15:57I'll show you what I'm a good girl.
16:00I'll show you what you're good.
16:02You're a good girl.
16:04You're a good girl!
16:06That's what you're a good girl!
16:08Your love!
16:09Here you go!
16:10Here you go!
16:11Here you go!
16:12Here you go!
16:13You're a fan!
16:14What a great deal!
16:15You're a fan!
16:16Oh my God!
16:18Oh my God!
16:19You're a fan!
16:20You're a fan!
16:22You're a fan!
16:23That's why your father gave me a open item
16:26to you to be prepared!
16:28At the bottom of the box,
16:30I'll put the link in the description
16:32of the questions that I've done.
16:34Now I'm going to get rid of the other ones.
16:39What?
16:40That's it.
16:42Come on.
16:43If I'm going to get rid of it and I'm going to get rid of it,
16:49don't worry.
16:51If I'm going to get rid of it, I'll get rid of it.
16:55I'll get rid of it.
16:57Bye.
16:59Come on, come on.
17:04Oh, my God.
17:07I'm going to get rid of it.
17:10Or do I get rid of it?
17:29I'll get rid of it.
17:35The Hong Kong on the 11th ,
17:39is working as a biblical declaration on the actual exhibition.
17:44Why do you photography?
17:46Because it's a picture of your girlfriend.
17:48I've got 10 different architectural services,
17:52I'm going to listen to you.
17:53You're welcome.
17:54Why do you do that?
17:56And who are you listening to?
17:58I am the Mr. Practor 0-0-0-0
18:02Foovoo
18:06Is the girl who is passing by?
18:08Is the girl who is passing by?
18:10No, she is the girl of Mr. Aguirre
18:15She is very...
18:18She is...
18:19She is...
18:20She is...
18:21She is...
18:22She is...
18:23She is...
18:24She is...
18:25She is...
18:31Stelio, what are you doing there?
18:33I have a picture for you to take the photo of the Matsuy.
18:36This is beautiful!
18:38You think you're a Roman police officer!
18:40Roman police officer!
18:41Stelio, it isn't being today's photo.
18:44You're not ready!
18:45She doesn't mean it's a girl!
18:47I'll take her!
18:48Come on...
18:49Come on...
18:50Come on...
18:51Come on...
18:52Come on...
18:53You are my mom, you have something to do with your head.
19:05I have nothing to do with you.
19:07You have something to do with me.
19:08You have something to do with me.
19:10I am here, Alex.
19:12Do you understand?
19:13What do you want now?
19:14When I was in Athens and I was in the club and I was in the console and I was in the console,
19:18you were in the room and you were in the room and you were in the room.
19:20Okay.
19:21Now you are together.
19:22Now we are not in the room, I am with the light.
19:26You want to go to the mother and you want to go to the house.
19:29You will know how she is with the girl's mother.
19:31And I will tell you how to bring a cell phone and see her again.
19:36And this is what he wants to do with her.
19:38Do you need to take care of being with the daughter's daughter?
19:41You don't have a job to do with her husband?
19:44Who does not have a job to pay her?
19:46You would not?
19:47If you had a girl with her...
19:49I have a great relationship.
19:51Where I can't get out of the reception.
19:53Where I can't get out of the room.
19:55Who is that?
19:57Lola.
19:59Do you know how I feel?
20:01I feel like I am.
20:05I'm playing the role of the other.
20:07How do you feel?
20:09How do you feel?
20:11How do you feel?
20:13How do you feel?
20:15I feel like...
20:17I feel like oversight.
20:19During retirement.
20:21...mok Denis?
20:23I feel like mentally deaf and I do like to get out of my body.
20:27Also, I feel confident.
20:29Oh, no, no?
20:31The way I feel like I suffer recently.
20:33My relationship is cé writing all the time.
20:35Why are you telling me?
20:37Fill me out of my head.
20:39Yes, yes?
20:41You sit down here and say something else.
20:43I feel like by the street,
20:45I'm with a light, why don't you understand it?
20:48And so it's a little while I saw it too.
20:50But you didn't do it at that time.
20:54Staying with us.
20:55Get your phone.
20:57What night?
20:58You told me that you didn't miss me.
21:00Why did you miss me?
21:02You told me that you were...
21:03You're a cross Alex!
21:05That was you liked it.
21:06Let's go!
21:07You're a knevrystic.
21:09Ah!
21:10Ah!
21:11Is that you're a knevrystic!
21:13You are so happy.
21:14Do you want me to do that?
21:15Are you kidding me?
21:16Yes, Alex.
21:17What?
21:18I don't think you don't have a place here.
21:21Why?
21:22Why?
21:23Why are you having a fruit, fruit, and a rock, and an rock?
21:25I have a rock and a rock?
21:27What is it?
21:28What?
21:29What?
21:30What do you mean Alex?
21:31I always have a rock and a rock.
21:33I didn't know that it was crazy.
21:35What was it?
21:36Who was it?
21:37I didn't know that.
21:39I'll show you.
21:40I'll show you.
21:43Do you want me to lose?
21:47I want you to lose all my worth.
21:50I want you to lose all my worth.
21:53I want you to lose my worth.
21:55If I lose my worth, I want you to lose.
21:58It's the end of all my worth.
22:00That's what I told you.
22:02You'll be taking my worth to lose my worth.
22:04I'll take it away.
22:06I have to stop my worth.
22:08I'm going to lose now.
22:10I love you.
22:11Because what I want to do when I love him not able to get into my life.
22:16Because he has other power and he has the last one in my list.
22:20Lola!
22:21Lola!
22:22Yes, yes.
22:23Yes.
22:24Yes.
22:25Yes.
22:26He has two categories of women.
22:28The light is.
22:32And the light is.
22:34And the light is.
22:36And the light is.
22:38And the light is.
22:40Of course.
22:41A-ha!
22:42Fistler!
22:43Brav'o, rè, χαρά!
22:44Brav'o δηλαδή!
22:46Ευχαριστώ πάρα πολύ!
22:48Τέλος.
22:49Λοιπόν, τι λες, πάμε να σε κεράσω ένα ποτάκι, έτσι όπως είναι!
22:52Ναι, σωστά έχεις δίκιο!
22:54Θες να πάμε σπίτι να πάρουμε τηλέφωνο για σου φουλέκια.
22:55Όχι!
22:56Θέλω να πάμε κάπου να σκεφτούμε!
22:58Αλλά δεν έχω και πολύ καιρό, γιατί όπου να είναι πρέπει να πάω στο φμό για να κάνω εκπομπή.
23:01Ναι, όπα, αν μείνει να πάμε να σκεφτούμε, δεν θέλω.
23:04Yes, let's go to the house.
23:06Yes, you have to do it and I want to see you.
23:09You know what I want.
23:10I want to go to the house with the flowers.
23:16I want to go to the house and go to the house.
23:18Because we have been going to the house.
23:20And we are not going to the house.
23:22We are all those people.
23:24We are going to the house.
23:26Let's go to the house.
23:28Let's go to the house.
23:30Yes, I love you.
23:32I love you.
23:34You are going to love me.
23:36I love you.
23:38I love you.
23:40You are going to love me.
23:42I don't know how to do it.
23:44I'm thinking about my life.
23:46You are going to do it.
23:48I'm working on my life.
23:50You are going to love me.
23:52You are going to love me.
23:54Why do you feel like I'm going to love you?
23:56I am one of my most successful DJs.
23:58You are DJing in the world and you are in Greece because I am in the world.
24:02And I won't let you have the last photo shoot.
24:05Don't let me show you.
24:08I will be able to do the photo.
24:11And when you come to Greece, we will be able to do it.
24:16Yes, I don't want to do it.
24:18I don't want to do it anymore, I don't want to do it anymore.
24:21I will be able to do it with you.
24:23Good, a song.
24:28I will be able to do it again.
24:30Let me show you.
24:32Let me show you.
24:51Hello.
24:53I like the music you are.
24:55And me.
24:57I will be able to do it.
24:59What was the last part?
25:00It was done.
25:01I had a drink.
25:02I was eating it.
25:03I was trying to do it.
25:04I am not able to do it.
25:05I can't do it.
25:06I can't do it.
25:07I have the key to do it.
25:09I have to do it.
25:10I have to do it.
25:11You are going to do it.
25:12I am going to do it.
25:14It will be a hit.
25:15You are going to do it.
25:17Delete.
25:20Delete.
25:22What's wrong?
25:23You did it?
25:24Because.
25:25You broke it out of here?
25:26You did it?
25:27Youcouled me!
25:28You said you didn't have the level of my life.
25:30Not you, Maifei.
25:32I had to buy it.
25:33I want to get a second or third level.
25:36I want to get it.
25:37And then you get it.
25:38And then you get it.
25:39And then you have to get it.
25:40Why did you get out of here?
25:41Why do you get out of here?
25:44You're not going to pull it out?
25:46Are you sure you're going to take a cup of tea?
25:48Yes, you're going to take a cup of tea.
25:50You're going to take a cup of tea.
25:52Are you ready to take a cup of tea?
25:54I've never been ready.
25:56This time I am.
25:58I decided to take a cup of tea.
26:06What did you do?
26:08Why did you close the door?
26:10I don't want to close the door.
26:12What are you doing here?
26:14I did you, Alex?
26:16I came here with the station.
26:18It's so cool.
26:20Do you want to come here?
26:22Why would you spend a cup of tea?
26:24I do not know.
26:26I cannot do my mind, but...
26:28I am using the bottle of tea.
26:30Is your bottle of tea.
26:32Is yours a cup of tea...
26:34Is yours a cup of tea?
26:36There are a cup of tea.
26:38Do you know any tea?
26:40I see a cup of tea.
26:42That's the hospital!
26:44There's a little bit of a door!
26:46Let's go!
26:48Let's go!
26:50Let's go!
26:52Maybe there's an exorbitator!
26:54That's right!
27:00But I don't care about the bad theater!
27:04To do something else!
27:08To do something else!
27:10I know!
27:11So, I love you!
27:13You know, I love you.
27:15I love you!
27:16I love you!
27:17I'm a Stephanie.
27:18She's a woman.
27:20She's a daughter.
27:21She's a daughter.
27:23She's a daughter!
27:24She's a husband!
27:25It's her daughter!
27:27What do you want to do with that girlie?
27:30She's a mother.
27:32She's a father.
27:34She's a wife.
27:36She's a kind of idea.
27:37I'd have to say,
27:38Don't give me a minute!
27:40Tell me, it's...
27:42It's...
27:44It's...
27:46It's...
27:48music?
27:54Lol!
28:02I want to go to bed with you...
28:04I want to go to bed with you...
28:08On my own...
28:12Pretend that I'm still sleeping...
28:18Until you go...
28:20Όταν ο Φώτης είδε και γραμμένα αυτά που του έλεγε η Λόλα τόσο καιρό, σοκαρίστηκε.
28:24Η γυμνή αλήθεια πέρασε μπροστά του καρέ καρέ σαν να βλέπει ταινία.
28:28Και παρακολουθώντας την ψυχολογία της πρωταγωνίστριας Λόλας, ένιασε πολύ άσχημα με τον εαυτό του που επέτρεψε να πάρει αυτή την έκβαση το σενάριο.
28:36Καταλάβεις τι έκανες Φώτη.
28:40Έγινες θέμα στα περιοδικά.
28:42Έγινες θέμα στα περιοδικά.
28:44Τζουλια!
28:46Ναι!
28:48Πού είναι η Λόλα.
28:50Έφυγε πριν από ώρα με τη φίλη της τη χαρά.
28:52Έφυγε!
28:54Ωραία, αποκλείεται. Έφυγε χωρίς να παραδώσει τη δουλειά της.
28:58Τι να σου πω εμένα, δε μου είπε να παραδώσω τίποτα.
29:00Τζουλια, την Λόλα έχει γράψει το καλύτερο της άρθρος και έχει αφήσει τον υπολογιστή της ανοιχτό.
29:06He's going to get the employee out there!
29:08That means he doesn't leave!
29:10Just, he's coming..
29:12And he's going to go back again.
29:14No, he's saying...
29:16He's leaving?
29:18He's leaving?
29:20He's leaving?
29:22He's going to leave a panic!
29:24I don't know what he is going to do!
29:26He's leaving!
29:28Oh my god, what happened to him?
29:40He's done.
29:42He's done.
29:44He's done.
29:45He's done.
29:46He's done.
29:47He's done.
29:52Argyris.
29:54High five.
29:56Oh, no.
29:58Argyris.
29:59Papaki.
30:01High five.
30:02.gr
30:05So, ready.
30:26Alla, koriči mu, eši idiofijas.
30:34Alla, alla, alla, válte κι allo, válte, válte.
30:36Válte, válte.
30:37Πώς είναι?
30:39A, καλύτερα από καθαρίστρε.
30:40A, αισθάνομαι και καλύτερα.
30:42Τελικά δεν πρέπει να κρατάς ο θυμός σου μέσα σου.
30:44Πρέπει έτσι να ξεσπάς, γιατί αποφορτίζεσαι και μετρές σε μια χαρά.
30:48Ναι.
30:49A, α times.
30:55��, τι κάνεις, παιδάκι μου!
30:56Apofort accented SOLO.
30:58쓰
31:19I can't say anything, I'm sorry.
31:21I can't say anything, this is the thing, the other.
31:25The other thing will be again in the heart of the Hellenia.
31:27Lola, I will say something.
31:31I'm a happy.
31:33I'm sorry, I'm sorry.
31:35Where did you go?
31:37Where did I get?
31:39Lola, bravo, bravo, girl.
31:41I didn't want to be able to do anything.
31:43I wanted to just say good night.
31:47Good night!
32:17Γράφεις τα καλύτερα, τα πιο αληθινά και τα πιο ουσιαστικά άρθρα της ζωής σου.
32:23Κατάλαβες?
32:25Αυτά τα άρθρα θα μείνουν ανεξίδηλα για πάντα στη μνήμη του κόσμου.
32:28Ο Λεωνίδας έγραφε όλο βλακείες, έγραφε για πιπίνια, για αντρικές φαντασιώσεις.
32:33Εσένα Λόλα, ο κόσμος θα σε θυμάται για πάντα.
32:37Τον άλλο τον έχω ξεχάσει ήδη.
32:39Α, μάλιστα!
32:40Δηλαδή είναι πάρα πολύ καλό να με θυμούνται ως τη μόνη Παρθένα στην ηλικία μου,
32:44η οποία σκοπεύει να κάνει σχέση με κάποιον που παντρεύεται τώρα και είναι και η άλλη στη ζωή του.
32:48Ε, πώς σου φαίνεται εδώ.
32:49Τελείω!
32:57Σύσσαρα, σύσσαρα που θέλω μια γυναίκα...
33:01τόσο όμορφη, μια γυναίκα...
33:03τόσο δυνατή...
33:05μια γυναίκα τόσο δυναμική...
33:07Τι είναι να λέσεις, Νατανία...
33:22Πού τηλεφωνούσες?
33:23Ε, σε σένα.
33:24Σε μένα, δεν έχω καμία κλίση σου.
33:26Ναι, τώρα θα σε τηλεφωνούσα.
33:28Τι είναι αυτό τώρα, δεν κατάλαβα.
33:30Αυτό, αγάπη μου, είναι ότι δεν σε πιστεύομαι.
33:32Και τι φταίω εγώ που εσείς είσαι καχύποπτη.
33:34Δώσ' μου το κινητό σου εδώ που έπαιρνες.
33:35Δεν τηλεφωνούσα πουθενά σου είπα.
33:37Εσένα ήμουν έτοιμος να πάρω.
33:38Ωραία.
33:39Τότε τι φοβάσαι, δώσ' μου.
33:40Καθαρός φυρανά, όσες τροπές δεν φοβάται.
33:42Βίκι, βαρέθηκα τις υποψίες σου, τα υπονοούμενα και τις ανασφάλιες σου.
33:47Άντε να σε κοιτάξεις κανένας ψυχίατρος κορίτσι μου.
33:50Άντε, που κοντέμεις να τρελάνεις κι εμάς.
33:52Σε παρακαλώ πάρα πολύ.
33:53Βαρέθηκα, φεύγω.
33:55Μου χάνες το κέφι.
33:59Το ένθικτο της Βίκης δεν τη γελούσε.
34:01Ήταν σίγουρη πως ο Γρηγόρης έπαιζε με καινούργια γυναίκα, κι αυτή έπαιζε το ρόλο της άλλης.
34:07Κι αυτός ο ρόλος ήταν για τη Βίκη ο χειρότερος που θα μπορούσε να παίξει ποτέ.
34:11Αλλά και για ποια γυναίκα δεν είναι.
34:23Πάρα πολλές γυναίκες κάποια στιγμή στη ζωή τους βρίσκονται στην οδυνηρή θέση να παίξουν το ρόλο της άλλης.
34:30Είμαι σίγουρη ότι είστε αρκετές εκεί έξω που βιώνετε μια τέτοια εμπειρία.
34:35Γι' αυτό σήμερα θέλω να μιλήσουμε για μυστικές παράλληλες σχέσεις και για την εμπειρία του να είσαι η άλλη γυναίκα.
34:48Έχουμε ένα τηλεφώνημα.
34:50Καλησπέρα. Το όνομά σου...
34:52Ε...
34:54Ελευθερία.
34:55Τς ακούμε ελευθερία. Είσαι η άλλη γυναίκα.
34:58Όχι χρυσό μου.
34:59Εγώ παίζω το ρόλο της ίδιας.
35:01Την Άλλη την παίζει κάποια που ξέρει να το κάνει πολύ καλά.
35:04Βλέπεις εγώ. Είμαι κυρία.
35:06Σου λέει τίποτα αυτή η λέξη. Δεν υπάρχει στο ληξιλογιό σου.
35:09Αμάν.
35:11Γελδύρα.
35:13Ωρα Ρεσίλη θα κίνουμε.
35:16Τι συμβέρει χρυσό μου. Κατάπιες τη γλώσσα σου.
35:20Ε, ελευθερία μου. Μείνε λίγο στην γραμμή σας παρακαλώ.
35:23Γιατί έχουμε άλλη μια γραμμούλα.
35:25Παρακαλώ. Το όνομά σας.
35:27Αρχι...
35:30Αρ... Αρχιμίδης.
35:32Αρχιμίδης.
35:34Μα και ένας άντρας στην παρέα μας.
35:36Και αρχαίος μάλιστα.
35:38Όχι και αρχαίος.
35:40Ακούστε, θέλω να πω δύο κουβέντες στη Μανταμίτσα που πήρε πριν από λίγο.
35:44Μανταμίτσα. Βλέπω χρυσό μου το ακροατήριό σου είναι υψηλού επίπεδου.
35:50Ας έβρε τώρα τα επίπεδα και άκου εδώ πέρα τι κουβέντες θα σου πει ένας αληθινός άντρας.
35:54Δε μου λες ποια είναι το πρόβλημά σου. Σε κερατώνει ο άντρας σου.
35:58Να σου πω κυρία μου. Κάθισες ποτέ να σκεφτείς ότι για να φτάσει ο άντρας σου στο σημείο να πάει με μια άλλη γυναίκα.
36:04Δεν τον καλύπτει.
36:06Δεν τον καλύπτει. Να σου πω εγώ ότι δεν τον καλύπτει.
36:10Το ότι γέρασε και δεν αντέχει να βλέπει τον εαυτό του στον καθρέφτη με τα γκρίζα μαλλιά, την μπάκα του και τις σακούλες κάτω από τα μάτια.
36:18Και αν είναι να πάει σε ραφουστάνω σε κάποιον τέλος πάντων να τον καλύψει, το έχει ρίξει στις γκόμενες.
36:22Και να λέγανε και τίποτα οι γκόμενες να πω να πάω πάσο.
36:26Αλλά τι μπορεί να σου προσφέρει μια τσουλίτσα που έχει την ηλικία της κόρης σου, ε!
36:31Λοιπόν, σας ευχαριστώ που τηλεφωνήσατε.
36:35Εκτιμώ τη συμμετοχή σας, τα είπατε και οι δύο πάρα πολύ ωραία.
36:39Αλλά φτάνει για απόψε.
36:41Αντίο, τέρματα τηλεφωνήματα, θα συνεχίσουμε με πάρα πολύ ωραία μουσική.
36:56Α, τι έγινε Φώτη. Μίλησες με την Ανταλέα.
37:09Όχι, δεν πρόλαβα. Κύριε, χτύπησε το χέρι της και πήγες το νοσοκομείο.
37:14Α, καλά. Οκ. Αντιγιά.
37:16Δεν χάτσε. Τι αντιγιά. Θα της μιλήσω, μόλις γυρίσει.
37:19Ωραία. Πήγαινε λοιπόν μίλησέ της και μετά έλεγα εδώ.
37:22Αν δεν της μιλήσεις όμως μη διανοηθείς να γυρίσεις εδώ πέρα, εντάξει.
37:25Λόλα, μην σου ρωτώ να σου πω κάτι.
37:28Σε παρακαλώ, άσ' με να μπω λίγο μέσα, θέλω να σου μιλήσω.
37:31Καταλαβαίνω πώς αισθάνεσαι. Καταλαβαίνω πώς είναι να νιώθεις η άλλη.
37:38Φώτη, φύγε και πήγαινε να της μιλήσεις. Εντάξει.
37:42Αν δεν ξεκαθαρίσει τη θέση σου μαζί της, μην ξανάρθεις εδώ.
37:45Ωραία. Λόλα. Λόλα. Δεν το ακούνω από εδώ αν δεν σε δω.
37:50Μόνο βραμάτια να κάνεις να μιλήσεις.
37:52Λόλα ήταν αποφασισμένη να τραβήξει τα πράγματα στα άκρα.
37:56Αφού δεν αντιδρούσε ο Φώτης δυναμικά, θα έβαζαν υποχώρητα τους όρους της.
38:01Για να κερδίσεις τον έρωτα απέναντι σε μια ύπουλη ανταγωνίστρια, θα έπαιζε στρέιτ.
38:06Γιατί και σαν Λεωνίδας και σαν Λόλα, πάντα έπαιζε fair play, που λένε και τα γόρια στο ποδόσφαιρο.
38:15Κύριε Αργύρη, πήγε δέκα η ώρα.
38:21Και εσύ τι είσαι παιδί μου, κούκος.
38:23Όχι, να, λέω αν δεν με χρειάζεστε να πήγαινας στο σπίτι μου.
38:27Να πας. Να πας το καλό και να μας γράφεις.
38:29Σας ευχαριστώ πάρα πολύ κύριε Αργύρη. Καληνύχτα σας.
38:33Κάκοι ψυχροί κι ανάποδοι.
38:41Τι είναι ρε Τζουλιά, τι θέλεις πάλι.
38:45Βρε καλώς την αντιμπέρδικα.
38:48Αργύρη μου, χαίρεσαι που με βλέπεις.
38:51Τι να σου πω, πετάω απ' τη χαρά μου, δου με βλέπεις.
38:53Έλα εδώ, κάτσε κάτω.
38:55Αργύρη.
38:56Κάτσε κάτω που σου λένε. Κάτσε κάτω.
38:59Δεν μου λέτε, δεν τρέπεσαι, Λιγάκη.
39:01Δεν τρέπεσαι να πηγαίνεις στα ξένα σπίτια και να δωροδοκείς τον κόσμο.
39:04Εγώ.
39:05Όχι εγώ.
39:06Δεν πήγες στο σπίτι της χαράς και της έδωσες να ανοιχθεί επί ταγκή για να με παρατήσει.
39:10Και πρέπει να απολογηθώ γι' αυτό.
39:12Είμαι η γυναίκα σου και προσπαθώ να σε προστατεύσω από τον όλεθρο αυτής της πρόστιχης.
39:16Πρώτον, ήσουν η γυναίκα μου.
39:18Δεύτερον, που την ξέρεις εσύ την κοπέλα και την αποκάλλεις πρόστιχη.
39:21Και τρίτον, εσύ είσαι η Ελβύρα της οικογενίας Χάτζε Φωτιάδη με τα κολέγια σου, με τις τρεις γλώσσες σου, με τη βουδιστική σου φιλοσοφία.
39:29Με την Ελβύρα που μπουκάρεις στα ξένα σπίτια και προσβάλλει τις κοπέλες.
39:33Γιατί την πρόσβαλα, τι της είπα.
39:35Τις είπες ότι μοιάζει με μάνα σου και ότι κάνει μονάχα για παραδουλέφα μου.
39:40Δεν είναι αλήθεια, είπα, αργύρι μου.
39:42Ξέρω βέβαια ότι δεν είναι του επιπέδου μου να λέω τις αλήθειες στα μούτρα των ανθρώπων με τέτοιο τρόπο,
39:46αλλά, αλλά ξέρεις πώς και μου εγώ όταν είμαι σε κρίση, αθυρόστομη.
39:50Εσύ είσαι μονίμος σε κρίση, Ελβύρα.
39:52Και δεν ξέρεις ούτε τι λες, ούτε τι κάνεις.
39:54Ξέρω πολύ καλά τι κάνω.
39:56Λέω δεν το ελέγω πάντα, αλλά το καλό είναι ότι λέω πάντα την αλήθεια, αγάπη μου.
40:01Κομμένατε αγάπη μου, δεν θέλω γλυκόλογα, το μόνο που περιμένω είναι να ακούσω μία συγγνώμη.
40:05Α, και δεν μου το λες τόση ώρα.
40:07Συγγνώμη αγάπη μου, συγγνώμη μωράκι μου, συγγνώμη ζουτσούκο μου, συγγνώμη δίκη μου, συγγνώμη, συγγνώμη, συγγνώμη, συγγνώμη.
40:13Γιατί είπαμε, ζητάω συγνώμη.
40:15Why did you give up to Jen's girl?
40:17Oh no, no, no, no!
40:18Sorry, sorry, vreya, Reggie.
40:20Sorry, sorry.
40:22You've got to tell me.
40:24What's wrong if she's so angry and so bad?
40:28I've got to keep my truth in the sense of my self!
40:31But the doubts were away from my head, by the eye.
40:35How many doubts you gave up to my head, vreya?
40:38What's wrong with you?
40:40What's wrong with you?
40:45What happened?
40:47I don't know.
40:49I see. I play music here for a minute. What else do I do?
40:53I don't know.
40:55I don't know, Stéphane. I don't know. I can't speak. I can't speak. I can't speak.
40:59Do you know what I was talking about?
41:01You know what I was talking about?
41:03The girl who came here the morning from the hospital.
41:07And then I killed him.
41:09I killed him.
41:11Why did you say that?
41:13What is this?
41:15You already knew that?
41:17I was little scared.
41:20I don't know where to go.
41:22I didn't know.
41:23He told me.
41:25I was talking about everything.
41:27I was talking to you.
41:29Yeah.
41:31I was like a mom.
41:33I did.
41:35I don't know if I had any issues with you.
41:38I was young, man.
41:40Where's the very big vicar?
41:42Where he hid his chest the shard.
41:47And they're going what they're doing?
41:52Give me the phone!
41:54Don't call me the phone!
41:56Use it!
41:57I'm not gonna call you!
41:58Give me the phone!
42:00Give me the phone!
42:02Don't call me the phone!
42:03Let's call you!
42:05Oh, my God.
42:09Oh, my God.
42:11How are you? Are you better?
42:13Oh, right. I'm good.
42:15What do you do, I'm good?
42:17Let's go to cinema.
42:19And then, of course, we're going to cinema.
42:21I'm good at that.
42:23I'm good at that.
42:24I'm good at that, my dear.
42:26But now you're going to be a new life.
42:28Yes, yes.
42:29So, I'm good at that.
42:30I'm a new life.
42:32I'm good at that.
42:33I'm good at that.
42:34I'm a new life.
42:37I'm good at that.
42:38But now, if I go to cinema with her lady,
42:40you will come to the house and the son of the bud.
42:42Let's go.
42:43Let's go.
42:50Let's go.
42:53Let's go.
42:54Let's go to cinema.
42:55But then, if you want to film your life,
42:57let me move.
42:59My heart, my heart, I'm waiting for you and I'm going to give you a chance.
43:29Come on, I'm a girl!
43:31What do you want, Argyry?
43:32Don't give me a chance!
43:34Let's go to the cinema!
43:35Do you want me to see what we want?
43:37Let's go alone, dear!
43:38Let's go!
43:43Lola!
43:45Lola, I want to talk to you!
43:51I understand exactly how you feel!
43:54Lola!
43:56I can't remember what you've written!
43:58I can't remember your mind!
44:00I have a heartache!
44:02I can't remember my eyes!
44:04I can't remember!
44:06I can't remember your eyes!
44:08I can't remember my heartache!
44:10And I'll give you a final story!
44:16Excuse me!
44:18I'm sorry!
44:20I have to read the books for you!
44:22I can't remember your thoughts!
44:24I can't remember my head!
44:26I can't remember my heartache!
44:28Lola, Lola!
44:29I can't remember my heartache!
44:30I want you to see your time!
44:31So!
44:32Yes!
44:33Yes!
44:34Yes!
44:35Yes!
44:36It's fine!
44:37It's fine!
44:38You're right!
44:39You're right!
44:40You're right!
44:41because it's full of light and freshness.
44:42You're in charge, you're in charge,
44:44you're in charge, I'm in charge,
44:46I've got my hand, I'm in charge, I'm in charge,
44:48I'm in charge, okay?
44:49So, let's get out.
44:50Let's get out.
44:50Let's get out if you don't get out if you want.
44:52Lola...
44:52Fyoto, let's get out.
44:54You can get out if you want to get out, okay?
45:11That somebody's me
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