- 1 year ago
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TVTranscript
00:00What was that?
00:13I think it was a blackout.
00:15We are going to die here.
00:17What are you talking about?
00:19I won't let you die.
00:21You are fine here.
00:23What am I going to do without you?
00:27What am I going to do without you?
00:32I confess, I am in love.
00:34In love.
00:36Can't you tell me what I am going to do now?
00:39Do you want me to tell you?
00:44What did you hear?
00:46That you are in love.
00:49With whom did you hear that?
00:51With me?
00:53With you?
00:56Are you?
00:58I am.
01:00No, I am not.
01:02I am not.
01:04I am, I am.
01:06I am, I am, I am.
01:08Why are you asking me? Are you or are you not?
01:10I am.
01:11I am of moral principles and old beliefs.
01:13And I don't go out with married men.
01:15Because you and Natalia are like married people.
01:18And Fotis, I have told you.
01:20Until I was 15, he was a priest.
01:22A priestess.
01:24And I went to the confessional.
01:26Oh, Fotis, please, leave me alone.
01:28Please.
01:30Are you?
01:55I love you, love.
01:57Come and get some.
02:13The day Mister was released,
02:15Argyris was always the first to arrive at the company.
02:18He wanted to be the first to hold this new book in his hands.
02:22He wanted to read it quietly.
02:24By himself.
02:27Mr. Argyris, you are not with us.
02:29Yes, I can't stand it anymore.
02:31I will drink it in the office.
02:33Julia came to the company,
02:35to be with him and take care of him.
02:45Her care was never without return.
02:50Don't hold back.
03:02Good morning.
03:04Did you bring it?
03:05Yes, I have it here.
03:07Good.
03:09Let's see.
03:13Oh, my God.
03:16I don't see you particularly happy.
03:20Come on.
03:22Why do you say that?
03:24I don't know.
03:26Something in your eyes.
03:30How can I be happy, my child?
03:32How can I be happy?
03:34It's a fact now.
03:36No, look at it yourself.
03:38Look at it.
03:40Give it to me.
03:43You are right.
03:45Why did this happen now?
03:47Because Argyris and Elvira can't get along.
03:50They can't even work together.
03:52If they continue like this, we will be destroyed.
03:54I will lose my job.
03:56And then I will have to open a canteen under the house.
03:58And if I don't open a canteen under the house,
04:00I will have to go out in a fight.
04:02Although things are going through a crisis lately.
04:04Calm down.
04:06How can I calm down, my child?
04:08How can I calm down?
04:11Do you want me to make you another coffee?
04:15No, I don't want a coffee.
04:17I want my job back.
04:19I can't do this anymore.
04:21I will be left on the street.
04:23And then I will be no one.
04:25No Lola, no Lula, nothing.
04:27Is this ex-boyfriend your idea?
04:29I don't know.
04:31Don't ask me, please.
04:33I don't know.
04:35And I don't care what my idea was.
04:37Look at this mess.
04:39Look at this, Fiona.
04:41Tell me your opinion, please.
04:43Look at this.
04:47Is this a newspaper?
04:49This is 2-in-1.
04:51The astrologer and the mystery.
04:53Come here, honey.
04:55Please, just a little.
04:57Drink some juice.
04:59No sweets, just a donut.
05:01A nice chocolate.
05:03Here she is, my lady.
05:05Good morning, Foti.
05:07Good morning.
05:09I brought you the newspaper.
05:13Sit here with us.
05:15I don't want a coffee.
05:17I drink coffee until 7 in the morning.
05:19Don't you drink coffee in the morning?
05:21No, I don't.
05:23Do you want to see the newspaper?
05:25Yes, just a minute.
05:27Do you want to see the newspaper?
05:29Yes, just a minute.
05:31Do you like photos?
05:33A little.
05:35What about Elvira?
05:37She could have put some better ones.
05:39But Elvira chose the worst ones.
05:43Daddy, what's wrong?
05:45Are you sad about Lola?
05:47Why should I be sad
05:49whenever I'm sad about Lola?
05:51Because sometimes
05:53you get angry with her.
05:55Yes, sometimes I get angry.
05:57But now...
06:01No, I'm not angry with Lola.
06:03Yes, but you're angry.
06:05Yes, I am.
06:09I am.
06:11Because the newspaper
06:13doesn't do very well.
06:15To be precise,
06:17it doesn't do at all.
06:23How are you?
06:25I'm fine.
06:29Oh, for me?
06:31Now, between us,
06:33this has nothing to do with the other news.
06:35What happened?
06:37Come on now, you're in, you'll know something.
06:39This is like all the newspapers.
06:41Very poor.
06:43What's going on?
06:45Did they fire anyone?
06:47No, they didn't.
06:49Now you're going to tell me
06:51that they can't all come out perfectly.
06:53Someone will come out
06:55and be a map for you.
06:57Oh, and...
07:01So, this is a map,
07:03the watermelon, right?
07:05Map, yes. Only map.
07:07If you only find a map, it's good,
07:09because I find it...
07:11Horrible.
07:13Terrible.
07:15Terrible.
07:17Come on, baby, don't worry.
07:19I'll see.
07:21Give it to her.
07:23Yes?
07:25Did you see Grigori?
07:27Just now.
07:29I expected it,
07:31but I didn't expect it so much.
07:33Ah, it has ten pages.
07:35Vicky,
07:37I have to hang up.
07:39I'm on a business meeting.
07:41See you, bye.
07:43There, there.
07:45What did you hear, my dear?
07:47A men's newspaper with ten pages.
07:49If it's possible.
07:51Exactly. It's a novelty.
07:53A big novelty. I'm not talking about it.
07:55A men's newspaper.
07:57And you're not the first one.
07:59Because we're not the first ones
08:01who wrote about Zen.
08:03Zen and how to get it.
08:05You saw it, I guess.
08:07And my masterpiece.
08:09Feng Shui in ten simple steps.
08:11I have advice from my personal teacher.
08:13Ah, I see.
08:15The wish will come true.
08:17In the end, it's worse
08:19than what I told Mr. Argyris.
08:21I didn't dare tell him the truth,
08:23and look at me.
08:25At your age,
08:27with such a wish, you learn a little thing.
08:29Bad, very bad.
08:31Heavy.
08:33Heavy, bad and poor.
08:35Super, super, super.
08:37Finally, finally,
08:39he was born.
08:41My 56-page baby
08:43came into the world.
08:45Did you like it, Julie?
08:47Did you like it?
08:49Amazing.
08:51Isn't it divine?
08:53Zen, nirvana.
08:55Mr. Ever's most positive wish.
08:57Ever, ever.
08:59And just by touching it,
09:01I feel the positive impulses.
09:03Do you, my love, feel them?
09:05I feel a headache since this morning.
09:07You, my sweet Nikos,
09:09do you feel Zen?
09:11I feel Zen,
09:13but I don't feel the impulses.
09:15The impulses? Of course.
09:17There are impulses.
09:19And? How does it go? Doesn't it tear?
09:21I don't know yet, Mrs. Elvira.
09:23There is no case, my love.
09:25It will tear.
09:27The world, and only those who feel the magazine's aura,
09:29will run to the shelves to buy it.
09:31Maybe.
09:33You see, when you want something a lot,
09:35the whole universe co-operates
09:37to make it happen.
09:39If the universe takes all the sales of the magazine,
09:41then it will go well.
09:43So, let me know immediately,
09:45so I know how the baby is going.
09:47My baby.
09:49My baby.
09:51Come on, close your little mouth,
09:53so I can tell you a few words.
09:55Argyris, Argyris.
09:57Why are you pulling me like that, Argyris?
09:59Stop it, Argyris.
10:01I'll pull you and we'll have a big fight.
10:03Come in, because now you'll hear me.
10:05Come in.
10:07Come in.
10:09Come here.
10:11Come here.
10:13Stop pulling me, Vasagidis.
10:15What's wrong with you?
10:17Why are you pulling me like that in front of my employees?
10:19You're being ridiculous.
10:21You're being ridiculous in front of your employees,
10:23for a magazine that's going down?
10:25Listen to me, this is a job, not a hobby.
10:27I'm celebrating. Why don't you want to ruin it for me?
10:29You're jealous. That's it.
10:31You're jealous that I'm celebrating.
10:33You're jealous that my baby, the new changed mister,
10:35has been released.
10:37Your baby has been released, but no one wants it.
10:39It's in Australia, in the peninsulas,
10:41but in a little while it will return to us,
10:43to go for a tour.
10:45Your magazine doesn't sell. It's a waste.
10:47Don't be so negative.
10:49I'm positive. With thinking we can change everything.
10:51But you're full of negative intentions.
10:53It's your stupidity that doesn't sell.
10:55It's my stupidity that's wrong,
10:57and not your incompetence.
10:59Leave us alone, Elvira.
11:01The advertising department doesn't do its job well,
11:03that's why it doesn't sell.
11:05Elvira, Elvira,
11:07the advertising department is doing very well,
11:09and it's doing its job very well.
11:11The only thing that's not going well here
11:13is your own magazine.
11:15Please, Elvira, I'm begging you.
11:17I'm begging you, I'm begging you.
11:19Let me direct the magazine again.
11:21Do me a favor.
11:23And what does that mean, that you will control everything?
11:25Please, my little bird, let me direct the magazine
11:27as I did before,
11:29and you will see that the mister will be released again.
11:35Very well, then. Take the magazine.
11:37Take the company too.
11:39I will be forced to keep everything else.
11:41What?
11:43I will keep the house, the hotel in Mykonos,
11:45the chalet in Arachova, the two cars,
11:47and the common bank accounts abroad.
11:49That's all?
11:51Ah, I forgot. I will also keep the boat.
11:53What happened, my dear?
11:55There must be a global balance.
11:57I give, I take. Do you understand?
11:59I see. Don't you think that your global balance
12:01is a bit of a joke?
12:03That's my proposal.
12:05I see. Fine. Let me think about it.
12:07Very well. I'll think about it too.
12:09I will talk to my astrologer,
12:11my guru, and my manager.
12:13I think you ask for too much.
12:15Everything has a price, my dear.
12:17And if you want the company,
12:19you have to pay for it.
12:27My child, there is no worse.
12:29It's for crying.
12:31Yes? Yes, I will send the DVD.
12:33Hi.
12:35How are you?
12:37How are the sales?
12:39Not so bad.
12:41Good.
12:43What do we do?
12:45Bad sales, bad one,
12:47bad two.
12:49Do we leave Argyris and Elvira to lead us to disaster?
12:51I don't know.
12:53But if the magazine continues to be like this,
12:55the company will certainly be destroyed.
12:57Yes. And we with it.
12:59Hi. What are you doing?
13:01Are you reading the magazine?
13:03Yes.
13:05Not bad, not bad.
13:07Just different.
13:09It's time for me to go to my office.
13:11Lola, come here, please.
13:13I want to talk to you.
13:15Yes.
13:19The magazine is terrible, Lola.
13:21It's awful.
13:23Yes, but it's not enough to find out.
13:25We have to do something in a while.
13:27I hope the investors don't get confused.
13:29Don't get confused?
13:31I hope they don't get upset.
13:33Elvira, please.
13:35What are you talking about?
13:37It's like Greece.
13:39You have to give me the magazine,
13:41the boat, the houses,
13:43the cars and the accounts abroad.
13:45We are not good.
13:47We are really sorry.
13:49There is nothing worse
13:51than a vindictive woman.
13:53We women can be very vindictive.
13:55We can, I said.
13:57That's what I like about you, Lola.
13:59Because you are a woman too,
14:01and you have your self-criticism.
14:03Yes, I have a lot of self-criticism,
14:05but I have also seen a lot of things.
14:07For example,
14:09I have heard an amazing story.
14:11There was a woman
14:13and her husband broke up with her
14:15and she did magic to him
14:17and she made him a woman.
14:19Unbelievable.
14:21What am I going to do, Lola?
14:23What am I going to do?
14:25What are you doing, Argeri?
14:27Are you okay?
14:29No, my God.
14:31I'm not okay at all, my friend.
14:33Please help me.
14:35Because you have to talk to Elvira.
14:37Otherwise we will be destroyed.
14:39Of course I will talk to her, Argeri.
14:41I will do what you told me.
14:43Tell me something.
14:45A lot of people are not doing well
14:47in the company lately.
14:49How can they go?
14:51Is it possible to go here
14:53What are you doing? Are you okay?
14:55Where are you?
14:57Athens?
14:59Interesting.
15:01Very interesting.
15:03Of course.
15:05Of course you can rely on me.
15:07So,
15:09Elvira,
15:11you can buy cars,
15:13you can buy houses,
15:15you can buy
15:17bank accounts,
15:19you can buy the lawn mower,
15:21you can buy the carpet,
15:23you can buy the geranium,
15:25I don't have a life in Ekadis,
15:27and you can buy a house here
15:29and you can be sure
15:31that I will make this company
15:33bankrupt.
15:39Thank you for choosing us.
15:41Thank you very much.
15:43Where are you?
15:45I have good news.
15:47A Greek-American friend called me.
15:49He has a proposal that I think
15:51will help the company a lot.
15:53I called a meeting to talk about it.
15:55So, Orgyris,
15:57my show is called The Real Life
15:59and I want to show
16:01how the working environment
16:03and people interact.
16:05Okay? Okay.
16:07What do they interact?
16:09Well, the psychology of a person
16:11is different in his working environment
16:13and different at home.
16:15For example, I am different in the morning
16:17and I am different at night.
16:19Do you understand?
16:21And we chose you
16:23to show this magazine, Mister.
16:25We will show the employees,
16:27we will show you, of course.
16:29Mister on TV.
16:31Orgyris, it's a great ad.
16:33I just hope that next month
16:35it will be yellow.
16:37Orgyris, I don't know this color.
16:39We are a serious show
16:41and we offer you free advertising.
16:43How do you call it? Jamba?
16:45It's amazing, especially the jamba.
16:47That's exactly what we need.
16:49Wait a minute.
16:51Do you think that the staff
16:53will accept to be followed by the cameras?
16:55Because we have to film the staff
16:57even during the break,
16:59when they go for a coffee or a sandwich.
17:01I will talk to them.
17:03I don't think there is a problem.
17:05Really? Okay.
17:07Deal?
17:09Okay. Thank you, Orgyris.
17:11So, please forgive me
17:13Bye, Pavlos. Thank you.
17:15Thank you very much.
17:17Well done, Orgyris.
17:19It will be the first show
17:21and it will have a great audience.
17:23Yes, it will help Mister to recover.
17:25It will help Mister to win back
17:27the honor he lost.
17:29That's right, Orgyris.
17:31We may have made a mistake
17:33but Mister will not fall.
17:35Please, please.
17:37Listen to me.
17:39Can I have your attention?
17:41Some cameras from a TV studio
17:43will come here
17:45to create a TV show
17:47from an ordinary working day
17:49in the company's space.
17:51That's why you should prepare
17:53without exaggeration.
17:55Take a shower and put on some perfume.
17:57Why should they smell us?
17:59I don't know.
18:01I want you to be united and hardworking.
18:03Give your best.
18:05Because this TV day
18:07will be seen all over Greece.
18:09Can I take my make-up with me?
18:11Some people will have their hair done.
18:13Or should I go to the bathroom?
18:15What color should we wear?
18:17Of course.
18:19Your everyday clothes
18:21like a normal working day in the company.
18:23Please,
18:25pay attention to your behavior
18:27especially in private areas
18:29like the toilets.
18:31And pay attention to your mouth.
18:33Pay attention to your nostrils.
18:35Grigoris, do you understand?
18:37Do you all agree?
18:39Yes.
18:41Boss,
18:43we should take a shower too.
18:45It's simple, Grigoris.
18:47A little bit of hair, a little bit of perfume.
18:49It's natural.
18:51We'll see it on TV tonight.
18:59Zissi,
19:01I'm going on TV.
19:03Tomorrow, yes.
19:05You have 24 hours
19:07to make me 10 years younger.
19:09Yes, yes, keep that in mind.
19:1115 years younger,
19:13OK?
19:21Don't put too much on me.
19:23No.
19:25It's like a stocking.
19:27I don't need so much make-up.
19:29Wait, I'll put it on you.
19:31I don't need it.
19:33Come here.
19:35It's ready.
19:41By the way,
19:43I don't care about this reality show.
19:45I don't want to make a career on TV.
19:47The rest of them think
19:49that it will sell well in the newspaper.
19:51I'll put more make-up on you.
19:53Orgyris also thinks
19:55that it will help.
19:57I don't think this reality show is serious.
19:59Anyway.
20:01Ah!
20:03Enjoy it, little boy.
20:05Don't look at your pants.
20:13This morning,
20:15all of Mister's staff
20:17was getting ready to go on TV.
20:19And when we say getting ready,
20:21they were getting ready.
20:23Because, as my ancestors used to say,
20:25they really hated money.
20:27But the TV glory
20:29always.
20:53Ah!
20:59Ah!
21:05So, you know what?
21:07What?
21:09I think I want to pierce my ears.
21:11I think my earrings will look good on me.
21:13Don't look at me like that, my child.
21:15Men also wear earrings.
21:17Ah!
21:23Hi-five. Good evening.
21:25Oh, I made a mistake.
21:27Can we do it again from the beginning?
21:29You'll tell me when, right?
21:315, 4, 3, 2, 1.
21:33Let's go.
21:35Hi-five. Good evening.
21:37Okay?
21:39Am I good?
21:47It was today.
21:49Oh, I totally forgot it.
21:51I put on whatever I found in front of me.
21:53Uh-huh.
22:07Guys! Guys!
22:09Guys, are you ready?
22:11So, let's start our day.
22:13Please, joy and hard work.
22:15I want all of you to be natural.
22:17Absolutely natural.
22:19So, guys, guys.
22:21How are you?
22:23Good?
22:25So, 4, 3, 2, 1.
22:27Let's start, Nikos.
22:29Ladies and gentlemen,
22:31we are at Hi-Five
22:33and we have to face
22:35a usual working day.
22:37In front of our cameras
22:39is Nikos Ketakis.
22:41It reminds me of something.
22:43And...
22:45Let's go again, Nikos.
22:47We'll put it in the editing.
22:493, 2, 1. Let's go.
22:51And we are here
22:53to give you
22:55a real life experience.
22:57In a real company
22:59and by real people.
23:01So, we forget the cameras
23:03and we want you to give us
23:05a day of your daily life.
23:09Of course, we are relaxed.
23:11Yes, yes, relaxed.
23:13Good. Are you all relaxed?
23:15Relaxed and natural.
23:17So, 4, 3, 2, Nikos, guys.
23:193, 2, 1. Let's go, Nikos.
23:27Hello.
23:31I would like to greet
23:33the ladies
23:35watching the show
23:37and I would like to point out
23:39that Hi-Five is a first
23:41in the publishing world.
23:43I also want to add
23:45that my phone is...
23:47My dear friend!
23:49Stop, stop, stop.
23:51We said relaxed
23:53and natural.
23:55Panos is the definition
23:57of relaxed.
23:59So, you go back
24:01and come out again.
24:03Agreed?
24:05So, guys, please, please.
24:07We said relaxed and...
24:09Hide the phone, kid.
24:11So, relaxed and natural.
24:13Yes, yes, yes.
24:15Let's go, Nikos. 4, 3, 2, 1.
24:17Let's go, Nikos.
24:23My dear friend!
24:25Did you see that?
24:27My beloved vice-president.
24:29My dear colleague.
24:31Hello.
24:33How are you?
24:35Hello, Julia.
24:37How are you, my child?
24:39I'm fine. And you?
24:41How are you?
24:43I'm very well.
24:45Full of energy and appetite for work.
24:47I want my signature.
24:49Here you are.
24:51My signature.
24:53Didn't you get a letter
24:55with the name...
24:57Grigoris Xenos.
24:59Vice-director.
25:01Yes, my child.
25:03But...
25:05It doesn't matter.
25:07I'll look at it.
25:09Please.
25:11I want you to send it to my office.
25:13Grigoris Xenos' office.
25:15Vice-director.
25:19So much naturalness, guys.
25:21I can't stand it.
25:23I'm going out.
25:25Let's go.
25:37Mopanos!
25:39You doubt my abilities.
25:41I would never do that, my dear.
25:43You know I trust your judgment.
25:45Great.
25:47Then we'll take this budget together.
25:49That way we'll be fine together.
25:51Limonos.
25:53We work well together.
25:57Are we done?
26:03Hello, my dear friends.
26:07What are you reading?
26:09Good morning.
26:11The best art director in Greece.
26:13Stop, guys.
26:15What did we say?
26:17Let's be natural.
26:19It's a bit hypocritical in New York.
26:21With all due respect, Mr. Marlon Brando.
26:23Excuse me, sir.
26:25Who are you?
26:27He's the famous producer of Real Life.
26:29Of reality.
26:31I see.
26:33Julia, what are you doing there?
26:35I'm working.
26:37I'm working hard, as always.
26:39I'll show you the coffee machine
26:41and I'll make you a special espresso with harmonica.
26:43Let's go, guys.
26:45Let's go.
26:47Come on.
26:49You don't know how bored I am with cameras.
26:51And all this stupidity.
26:53I'll leave you alone.
26:57It's from Real Life.
26:59Yes.
27:01Hello.
27:03Good morning.
27:05Good morning, Julia.
27:07Good morning.
27:09Julia, my sweet.
27:11Can you please bring the harmonica to my office?
27:13Yes, yes.
27:15Thank you, Julia.
27:21Hello, Poti.
27:23Hello, Lamogio.
27:25Hello to you, too.
27:27Why do you call him
27:29Lamogio?
27:31You weren't talking to me.
27:33I see.
27:35That's what you meant.
27:39Welcome to Hi5.
27:41I hope you're having a good time.
27:43We're leaving you alone because we're bored.
27:47Will you come with us?
27:49Great.
27:55We're alone again.
27:57Why are the cameras gone?
27:59Cameras. Cameras.
28:01Stupidity.
28:03Do you know how much
28:05I love this magazine?
28:07Stupidity.
28:09Let's go to my office, please.
28:11I'm going to Poti's office
28:13because he needs my creative ideas.
28:15Go to his office
28:17to create
28:19an artistic photo
28:21with this wonderful
28:23art director.
28:25I hope if we manage
28:27to get together...
28:29I'll come here to create, too.
28:31No, no, no.
28:33Don't create with Panos.
28:35Okay, okay.
28:42We are Hi5
28:45and we are the best.
28:49I created something.
28:51I have an amazing creative idea.
28:53Come on, create in your place.
28:55Why me?
29:05Come on, mom. We'll be late.
29:07You'll be late by taxi.
29:09Don't worry.
29:11We'll be the last ones to leave.
29:13We'll impress.
29:15Can you open the door?
29:17These girls are crazy.
29:19I wonder why no doctor comes.
29:21Because you don't pay them
29:23the medical insurance.
29:31Hello, my star.
29:33Did I miss you?
29:35What are you doing here?
29:37Did I miss your boy?
29:39What's going on?
29:41Why don't you kiss me?
29:51Vicky!
29:53How is your mom?
29:55Your aunt's pastitsio was wonderful.
29:57Delicious.
29:59How is Figenia?
30:01Wonderful. Thank you.
30:03Vicky, my dear colleague.
30:05If you have time,
30:07look at her.
30:09Look at your priorities first.
30:13There's nothing better
30:15than working with such a kind man.
30:17There are no kisses here.
30:19We are all equal.
30:21Friends and professionals.
30:23Cut, cut, cut.
30:25Can we do it again?
30:27I was a bit hypotonic.
30:29No, let's do it again
30:31from the beginning.
30:33Let me tell you something.
30:35This is my good side.
30:37How can I be hypotonic?
30:39I write well.
30:41Leave it to me.
30:43Let's do it again.
30:45Let's do it.
30:475, 4, 3, 2,
30:49Let's go, Nikos.
30:53There are no kisses here.
30:55We are all equal.
30:57Friends and professionals.
30:59You are right.
31:01Your good manners
31:03make me more productive.
31:07How was your period, Alex?
31:09Perfect.
31:11I am one of the best
31:13DJs in the world.
31:15People love me,
31:17but I wanted to see you.
31:21Why didn't you answer my emails?
31:23What is the baby thinking?
31:25He is smart enough
31:27to answer anything.
31:29You are not on this list.
31:31Don't you remember that we broke up
31:33before you left for Australia?
31:35My love is here.
31:39I can't believe it.
31:41I am so happy.
31:43Natalia.
31:45Alex.
31:47I am back.
31:49We missed you a lot.
31:51Right, Natalia?
31:53How was your period?
31:55Perfect.
31:57I was waiting for you at the party in London.
31:59Why didn't you come?
32:01I wanted to,
32:03but I had a lot of obligations.
32:05I heard that you broke up.
32:07I broke up.
32:09I will do the next party on the field.
32:11People love you, baby.
32:13Natalia, do you remember
32:15we went to the club in Piraeus
32:17to see him play?
32:19Do you remember a blind drunk?
32:21How could I forget?
32:23You played so well
32:25Yes, yes.
32:27We have to go now.
32:29Alex is a great guy,
32:31but we have to go to work.
32:33Work?
32:35What is that?
32:37Just for work.
32:39Why didn't you say
32:41that you were on the show
32:43before Becky Zina?
32:45You have a great sense of humor.
32:47No, I am in charge of Mr.
32:49Very good.
32:51I will take you there.
32:53Are you afraid of speed?
32:55No, no. You don't have to.
32:57Why not?
32:59What could happen to us
33:01in the middle of the day?
33:03A handsome boy,
33:05the best Greek DJ
33:07will take us to work
33:09with his amazing car.
33:11Let's go.
33:13Good, good.
33:15It's funny, isn't it?
33:17They think they will become
33:19Hollywood stars
33:21because they appear
33:23in a reality show.
33:25You didn't see how they got scared,
33:27did you?
33:29Vigenia with the glasses
33:31she put on,
33:33she could take them off.
33:35They don't look at their glasses.
33:37I am sure we will find them
33:39in no corner,
33:41they will look at their glasses.
33:43Don't worry about them.
33:45They get bored.
33:47Unless we see a lot of glasses,
33:49which means they are dead.
33:51Vicky has a talent.
33:53The only talent she has
33:55is in bed.
33:57I can imagine.
33:59Vigenia would like it, but...
34:01Let her like it.
34:03And Vicky, I don't know
34:05what she would like.
34:07Vigenia doesn't want to
34:09sleep with me,
34:11but she will sleep with the dream.
34:13They are so funny.
34:15They are hurt.
34:17They are very good.
34:19I made them myself.
34:21Really?
34:23Yes.
34:25With organic products.
34:39So, my stars,
34:41we are here.
34:47Natalia, my baby,
34:49it's been a while,
34:51but now I am back
34:53to stay.
34:55I like...
34:57I like to miss my fans.
34:59I like to be wanted.
35:01Why else can I
35:03find you?
35:05I don't know.
35:07Why else can I
35:09find you?
35:11Do you know
35:13what I just realized?
35:15You two came back
35:17from abroad almost at the same time.
35:19I don't believe in coincidences.
35:21It's karma.
35:23The universe wants you to be together.
35:25I came back because I spent all my money
35:27and I had no choice but to come back.
35:29Did you understand that, mom?
35:31Slowly, my love, slowly.
35:33Alex will think we are in debt.
35:35No, my love.
35:37You know how he is.
35:39And now he is a bad guy.
35:41Argyris and I are going through a bad phase.
35:43We are going to be separated.
35:45Oh, yes.
35:47I understand.
35:49I am an orphan.
35:51I know, Alex.
35:53We grew up together.
35:55I like it.
35:57I have a great idea.
35:59Let's have dinner together tonight.
36:01Tonight? Perfect.
36:03You didn't ask me.
36:05Come on, my love.
36:07Don't be mad.
36:09You know how I am.
36:11I will pick you up at 10.
36:13Be ready and beautiful as always.
36:15Bye.
36:17Bye.
36:19It's a good thing we left.
36:21I can't stand the cameras.
36:23Let's go.
36:25My love, good morning.
36:27See you soon.
36:29So, at 10.
36:31Bye.
37:02So, guys.
37:04As we said, relaxed and natural.
37:06Are we ready?
37:08Elvira, Argyris?
37:10Come on, Argyris.
37:12So.
37:145, 4, 3, 2, 1.
37:16Let's go, guys.
37:18Basically, Hi-Fi belongs to my family.
37:21But without the hard work of Argyris, my ex-husband,
37:25he would never have reached the top.
37:27Thank you very much, Elvira.
37:29As Hi-Fi, we believe in teamwork.
37:31That's what we wanted.
37:33Of course.
37:35We are united and invincible.
37:37As I was saying,
37:39the success of Hi-Fi is due to teamwork.
37:41Stop.
37:43Stop, guys.
37:45Thank you very much.
37:47What you said was very nice.
37:49But I have to interview the other colleagues.
37:51What did I say?
37:53It was a pleasure, Argyris.
37:55Let's go, guys.
37:57What do you want?
38:03What do you want?
38:05I can't believe it.
38:07Can't you say the last word?
38:09It's my newspaper.
38:11If I don't put an end to it, who will?
38:13You will put an end to it.
38:15I wish it was what you put.
38:17Don't blame me.
38:19You have too many lovers to manage this business.
38:21What do they have to do with it?
38:23What are you talking about?
38:25I want you to leave the company now.
38:27Take the cars and the houses.
38:29Take whatever you want, but leave the company now.
38:31I will take everything.
38:33I won't leave anything to you.
38:35And you will lose the company too.
38:55Nikos, are you ready?
38:57Yes, I am.
39:17Nikos, are you ready?
39:19Yes, I am.
39:21Five, four, three, two, one.
39:23Let's go, guys.
39:27What are you doing?
39:29My beloved, sweet Vicky.
39:33I just finished planning the next economic plan.
39:37And the next one is coming.
39:41Thank you very much, guys.
39:45Let's go, Nikos.
39:47Let's go.
39:49Bye.
39:53I hope you are still sweet to me now that the cameras are gone.
39:55And even sweeter.
39:57I am all ears.
39:59I want to spend the whole night with you.
40:01What should we do?
40:03I am so nervous.
40:15You are very beautiful today, Elvira.
40:17Come on.
40:19And sexier than ever.
40:21Don't say that.
40:23I mean it.
40:25You know, I haven't stopped thinking for a while.
40:29About what?
40:31About you.
40:33I want to spend the night with you.
40:51Nala?
40:53Nala?
40:55Can I come in?
41:01I can't stand these cameras.
41:03They are everywhere.
41:05You are right.
41:07It's impossible.
41:09They think that they are going to be on the news.
41:11First of all, nothing they show is true.
41:13Of course.
41:15Nothing is true.
41:17Everything is a lie.
41:19What about you?
41:21What about me?
41:23Will you tell me the truth?
41:25I don't understand you.
41:29I will ask you something
41:31and I want you to answer me honestly.
41:35What?
41:37Lola.
41:41Are you in love with me?
41:43Answer me
41:45with a yes or a no.
41:47I don't know what to say.
41:49You can believe whatever you want.
41:51As long as it satisfies your ego.
41:53I see.
41:55You don't deny it
41:57nor do you confirm it.
41:59So,
42:01you are not ready to tell the truth.
42:03Lola.
42:13Hara.
42:15Yes, Lola. What's up?
42:17Let me tell you something.
42:19I don't know how to hide it.
42:21I think it's obvious.
42:23What do you mean?
42:25I don't know how to hide
42:27that I am in love with Fotis.
42:33I am in love with Fotis.
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