- 1 year ago
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00:00You can, you can. Where did you hear that, my dear Elvira?
00:02A man's magazine with ten pages for zombies.
00:05If it's possible.
00:06Exactly. It's a innovation.
00:08My show is called The Real Life.
00:11And I want to show how the working environment and people interact.
00:15The mystery on television.
00:17Ladies and gentlemen, we are at Hi5
00:21and we have to face a usual working day.
00:26Welcome to Hi5.
00:28I hope you're having a good time.
00:30We're leaving you now because we have work to do.
00:33Did I miss you?
00:34What are you doing here?
00:35Come back, baby. What happened? Did your boyfriend kick you out?
00:38I want to spend the whole night with you.
00:40What should we do?
00:42Take whatever you want, but leave the company now.
00:44I'll take everything. I won't leave you anything.
00:47And you'll lose the company too.
00:53Are you in love with me?
00:55You don't deny it, nor do you confirm it.
00:58So you're not in love with the truth.
01:01My love!
01:05I don't know how to hide it. I think it's obvious.
01:08What do you mean?
01:10I don't know how to hide the fact that I'm in love with Foti.
01:25After the break
01:43Okay, guys. Let's go back to our places and get some rest.
01:49Okay, guys. We're done now. We're leaving.
01:52Thank you very much for your cooperation.
01:54Mr. Pavlos, how did the show go?
01:57Very well, very well. It couldn't have gone any better.
02:00I promise you, Mr. Argyris, that the show will drive me crazy.
02:04Mr. Pavlos!
02:05Thank you, thank you very much for taking care of us.
02:08No, no, I thank you for the hospitality, ok?
02:11And I promise you that the show will be amazing.
02:15Mr. Pavlos!
02:16Do you have all the material you wanted?
02:18All of it, all of it, Mr. Argyris, all of it.
02:20Mr. Pavlos!
02:21Mr. Pavlos, Mr. Pavlos, Mr. Pavlos, Mr. Pavlos, Mr. Pavlos, Mr. Pavlos, Mr. Pavlos, Mr. Pavlos, Mr. Pavlos, Mr. Pavlos, Mr. Pavlos, Mr. Pavlos, Mr. Pavlos, Mr. Pavlos, Mr. Pavlos, Mr. Pavlos, Mr. Pavlos, Mr. Pavlos, Mr. Pavlos, Mr. Pavlos, Mr. Pavlos, Mr. Pavlos, Mr. Pavlos, Mr. Pavlos, Mr. Pavlos, Mr. Pavlos, Mr. Pavlos, Mr. Pavlos, Mr. Pavlos, Mr. Pavlos, Mr. Pavlos, Mr. Pavlos, Mr. Pavlos, Mr. Pavlos, Mr. Pavlos, Mr. Pavlos, Mr. Pavlos, Mr. Pavlos, Mr. Pavlos, Mr. Pavlos, Mr. Pavlos, Mr. Pavlos, Mr. Pavlos, Mr. Pavlos, Mr. Pav
02:51Mr. Pavlos, Mr. Pavlos, Mr. Pavlos, Mr. Pavlos, Mr. Pavlos, Mr. Pavlos, Mr. Pavlos, Mr. Pavlos, Mr. Pavlos, Mr. Pavlos, Mr. Pavlos, Mr. Pavlos, Mr. Pavlos, Mr. Pavlos, Mr. Pavlos, Mr. Pavlos, Mr. Pavlos, Mr. Pavlos, Mr. Pavlos, Mr. Pavlos, Mr. Pavlos, Mr. Pavlos, Mr. Pavlos, Mr. Pavlos, Mr. Pavlos, Mr. Pavlos, Mr. Pavlos, Mr. Pavlos, Mr. Pavlos, Mr. Pavlos, Mr. Pavlos, Mr. Pavlos, Mr. Pavlos, Mr. Pavlos, Mr. Pavlos, Mr. Pavlos, Mr. Pavlos, Mr. Pavlos, Mr. Pavlos, Mr. Pavlos, Mr. Pavlos, Mr. Pavlos, Mr. Pavlos, Mr. Pavlos, Mr
03:21We are the Mr. We are the family. First in Greece and in the whole family. We are united and loved. We are the best in the whole world.
03:51We are the best in the world.
04:21Mr. Pavlos, Mr. Pavlos, Mr. Pavlos, Mr. Pavlos, Mr. Pavlos, Mr. Pavlos, Mr. Pavlos, Mr. Pavlos, Mr. Pavlos, Mr. Pavlos, Mr. Pavlos, Mr. Pavlos, Mr. Pavlos, Mr. Pavlos, Mr. Pavlos, Mr. Pavlos, Mr. Pavlos, Mr. Pavlos, Mr. Pavlos, Mr. Pavlos, Mr. Pavlos, Mr. Pavlos, Mr. Pavlos, Mr. Pavlos, Mr. Pavlos, Mr. Pavlos, Mr. Pavlos, Mr. Pavlos, Mr. Pavlos, Mr. Pavlos, Mr. Pavlos, Mr. Pavlos, Mr. Pavlos, Mr. Pavlos, Mr. Pavlos, Mr. Pavlos, Mr. Pavlos, Mr. Pavlos, Mr. Pavlos, Mr. Pavlos, Mr. Pavlos, Mr. Pavlos, Mr. Pavlos, Mr. Pavlos, Mr
04:51Mr. Pavlos, Mr. Pavlos, Mr. Pavlos, Mr. Pavlos, Mr. Pavlos, Mr. Pavlos, Mr. Pavlos, Mr. Pavlos, Mr. Pavlos, Mr. Pavlos, Mr. Pavlos, Mr. Pavlos, Mr. Pavlos, Mr. Pavlos, Mr. Pavlos, Mr. Pavlos, Mr. Pavlos, Mr. Pavlos, Mr. Pavlos, Mr. Pavlos, Mr. Pavlos, Mr. Pavlos, Mr. Pavlos, Mr. Pavlos, Mr. Pavlos, Mr. Pavlos, Mr. Pavlos, Mr. Pavlos, Mr. Pavlos, Mr. Pavlos, Mr. Pavlos, Mr. Pavlos, Mr. Pavlos, Mr. Pavlos, Mr. Pavlos, Mr. Pavlos, Mr. Pavlos, Mr. Pavlos, Mr. Pavlos, Mr. Pavlos, Mr. Pavlos, Mr. Pavlos, Mr. Pavlos, Mr. Pavlos, Mr
05:21Pavlos, Mr. Pavlos, Mr. Pavlos, Mr. Pavlos, Mr. Pavlos, Mr. Pavlos, Mr. Pavlos, Mr. Pavlos, Mr. Pavlos, Mr. Pavlos, Mr. Pavlos, Mr. Pavlos, Mr. Pavlos, Mr. Pavlos, Mr. Pavlos, Mr. Pavlos, Mr. Pavlos, Mr. Pavlos, Mr. Pavlos, Mr. Pavlos, Mr. Pavlos, Mr. Pavlos, Mr. Pavlos, Mr. Pavlos, Mr. Pavlos, Mr. Pavlos, Mr. Pavlos, Mr. Pavlos, Mr. Pavlos, Mr. Pavlos, Mr. Pavlos, Mr. Pavlos, Mr. Pavlos, Mr. Pavlos, Mr. Pavlos, Mr. Pavlos, Mr. Pavlos, Mr. Pavlos, Mr. Pavlos, Mr. Pavlos, Mr. Pavlos, Mr. Pavlos, Mr. Pavlos, Mr. Pavlos, Mr. Pav
05:51What's going on? What's your problem with Natalia?
05:55Tell me, I don't understand.
05:56It's not just Natalia. She's your boss' daughter, too.
06:00Am I overreacting?
06:02First of all, wait a minute, wait a minute.
06:05Natalia is an adult, just like me.
06:08From now on.
06:09She takes care of me, she makes me laugh.
06:12I like her.
06:14What's the problem? I don't understand.
06:16Do you love her?
06:17Love her? What am I supposed to say?
06:19What is love? First of all, let's take things in their right order.
06:22Love is something infinite, it can't be measured.
06:25It's an abstract concept, very general and relative.
06:28Don't tell me I'm crazy for such a relative concept.
06:33Do you love us? Her?
06:36Yes, of course.
06:38Yes, but you can't do it, of course.
06:40What do you want now?
06:42What do you want? I mean, you've been struggling for so long
06:44to find a woman and a woman and a mother for the child
06:48and you've found one.
06:49What do you want now? Why do you keep doing this?
06:51Because I don't see you happy, my boy, that's why.
06:54And don't tell me she makes me laugh.
06:57This is good for a comedy serial, not for a wedding.
07:00Wait.
07:01We're not sure about a comedy serial, right?
07:04But not for a wedding either.
07:07We're thinking.
07:09Do you know what my mother used to say?
07:11It's not too late, darkness.
07:13Close your eyes to see it.
07:15Irini, stop it.
07:18I mean, don't even...
07:20Take the kids and leave.
07:22I'm going to make them disappear. You're driving me crazy.
07:27Come on, come on, stop it.
07:29You always did the same things.
07:31You always did the best.
07:34Same story, since we were kids.
07:36Since we...
07:38When we played with the doctor.
07:40Of course, you remember.
07:41Of course, you forgot.
07:46I'm sorry, miss, but I have to go.
07:48Stop it, my boy, I'm telling you.
07:50Alex, we've grown up a lot for such games.
07:53Well, I'm leaving now.
07:55Where are you going?
07:56To my friend's house.
07:58Your friend's house? Isn't she far away?
08:00Yes.
08:01Should I take you there?
08:02No.
08:03Why not?
08:04Because I don't want to.
08:05Fine, I'll stay here.
08:06Do whatever you want.
08:07And I'll be waiting for you.
08:16Alex!
08:17Alex!
08:18Alex!
08:19My love, you don't know how happy I am to find you here.
08:23Tell me, will you sit down and watch the show with me?
08:26If you say so, my love, I will.
08:28Great, perfect.
08:29Should I bring a glass of water?
08:31Yes, yes, bring it.
08:32No, I'm not bringing anything.
08:34Why?
08:35I'm very nervous.
08:36Why?
08:37I'm very nervous.
08:38I'm nervous.
08:39I'm nervous.
08:40I'm nervous.
08:41I'm nervous.
08:42I'm nervous.
08:43I'm nervous.
08:44I'm very nervous.
08:45Why?
08:46I'm very nervous.
08:47It's the first time I'm on TV.
08:48You're a goddess, my love.
08:49You're a goddess.
08:50You'll tear up.
08:51You'll tear up.
08:52My friends will tear up out of jealousy.
09:01Wonderful.
09:02Come here.
09:03What are we celebrating?
09:07My greatest joy.
09:10To become the new star.
09:12The new national star.
09:14Or maybe the national star.
09:16If they knew what you are, they would have seen you last year on your own show.
09:19Don't talk about it, my love.
09:21I would have a show that would be about how men see women and vice versa.
09:28It could be called Lalo and Lola.
09:32Good.
09:33Lalo?
09:34Shut up.
09:35Don't say you're a salesman.
09:36My little girl, you've lost your sense of humor.
09:40Anyway, let me tell you something.
09:42You play a lot of games, don't you?
09:44I bring them.
09:50It starts at ten?
09:51Yes, yes.
09:53Chocolate.
09:55No, you.
10:10Ten to five.
10:11It starts in five minutes.
10:24It's ten.
10:25Time's up.
10:26We still have two minutes.
10:28One more minute.
10:29I'll take it.
10:31I'll take it.
10:39Yes?
10:40Come here.
10:41Are you alone?
10:44Yes, Pano.
10:45Have a lemon and come out to the balcony.
10:47What are you talking about?
10:48I'm very anxious.
10:50When will it start?
10:51In a bit.
10:52Okay, I'll pick you up when it starts so we can talk in person, okay?
10:56You want me to write well in the cell?
10:58Yes, yes, yes.
10:59Okay.
11:00Bye.
11:01Bye.
11:03Oh, you don't know how happy I am, Alex.
11:06Like in the good old days.
11:08I missed you.
11:09Me too, my dear.
11:11Alex.
11:12I don't like what you said.
11:14I'm sorry.
11:15You're doing well.
11:16Oh, my love.
11:17Every time you talk to me, it's as if I'm wild.
11:20Wild, my love, wild.
11:22You're younger than me.
11:26Come on, you're exaggerating.
11:29At least I can say I'm sorry and accept it.
11:34Oh, look, it's starting.
11:39Today, I have the pleasure of starting a new show.
11:43It's called Real Life.
11:47And it presents the relationships of people in their workplaces.
11:52Not only those that are strictly professional,
11:56but also those that evolve beyond the typical cooperative ones.
12:02You see, ladies and gentlemen,
12:05the workplace shapes our relationships.
12:09And our relationships, then, shape our work.
12:14Because we all know that the workplace...
12:18Do you like it?
12:19Yes, a lot.
12:20I got a little hungry.
12:21...is a place where different people spend many hours together.
12:26What are you saying?
12:28I'm one step ahead of the advertiser.
12:31And they develop other types of relationships,
12:33that go beyond the professional ones.
12:36And many times, these relationships,
12:39and everything that happens between colleagues,
12:43negatively affect the final product of the company.
12:47I didn't like that.
12:49No, I didn't like that at all. Why negatively?
12:51Come on, kid, calm down. Just one word, as he said.
12:53It's just the beginning.
12:54Yes, but good morning from the morning, it seems.
12:56The newspaper Mister is a very good example.
13:00It proves perfectly all that I said before.
13:04The images of Mister will speak for themselves.
13:09I don't want to talk anymore and tire you.
13:12The only thing I want you to do is to watch the show.
13:16Observe their looks, their gestures,
13:21and listen very carefully to what is happening in front of the cameras,
13:25but also behind them.
13:28What do you mean, behind the cameras?
13:30I don't know.
13:32Come on, kid, you don't know how much I get bored with cameras,
13:34and all these stupid things.
13:36Let me do my job.
13:38I get bored with cameras.
13:40Wait a minute, wait a minute.
13:42Something is wrong with me. Let's listen to it.
13:44It's my newspaper. If I don't put an end to it, who will?
13:47If you put an end to it, you will put an end to it, wherever you go.
13:49I wish it was what you did, like the moths in the fire.
13:52What do you think I'm listening to now?
13:54What's going on here? When did I turn it off?
13:56Panos, you are doubting my abilities.
13:59I would never do that, young man.
14:02You know how much I trust your judgment.
14:04Do you see what I see?
14:05Yes.
14:06Don't judge me.
14:07You have too many lovers to be able to handle this business.
14:11What kind of relationship do we have now, young man?
14:13What are you talking about?
14:14You don't know what you're talking about.
14:15Look, I want you to leave the company now.
14:17Take the cars, take the houses, take whatever you want,
14:20but leave the company now.
14:21Fine.
14:22Wait a minute.
14:24I'm hanging up. It's Vicky.
14:25No, wait, wait.
14:27Yes?
14:28I'll take care of everything.
14:29I won't leave anything to you.
14:30And you'll lose the company, too.
14:33God, I can't sleep. I'm having nightmares.
14:36Well, you and Panos did a great job.
14:39Leave poor Algiris alone.
14:40We at Hi-Fi believe in teamwork.
14:43That's what we wanted.
14:44Of course, of course.
14:45We are united and invincible.
14:47Can't you say the last word?
14:49My newspaper is mine.
14:51I can't believe it.
14:52They took us in secret.
14:53Vicky, I'm taking you with me now,
14:55because I have Panos on the other side.
14:56Bye.
14:58Bye.
14:59I won't leave anything to you.
15:00I'll take everything.
15:01I'll take the house,
15:02I'll take the exterior in Mykonos,
15:03the living room in Arachova,
15:04the two cars,
15:05and all the furniture abroad.
15:07It's a perfect solution, isn't it?
15:09They think they'll become Hollywood stars
15:11because they appear in a reality show.
15:14You don't think they've made any progress, do you?
15:16Especially with the sideburns he put on,
15:18you can imagine.
15:21They don't even look at me.
15:23The sideburns.
15:24I'm sure we'll find them in no corner,
15:26and we'll shoot them with a camera man
15:27to make them look short.
15:29Don't worry about them.
15:31They get bored when they live.
15:33Unless we finally see a lot of short ones,
15:35which means they're not dead.
15:36You're right.
15:38Vicky has a talent.
15:40The only talent she has.
15:42In bed.
15:43That's where she's great.
15:44I didn't say that.
15:45I didn't say that.
15:46The shot has been edited, can't you see?
15:48It's wrong.
15:49This is not the right image.
15:50Look, I didn't say that.
15:52Can't you see my voice?
15:53She's a different girl.
15:54I can imagine.
15:55Douras, Eleni, Goulbaros.
15:56Evgenia would like it, but...
15:58Really?
15:59Would I want it?
16:00And Vicky?
16:01I don't know what she'd like.
16:02The bad guy.
16:05Evgenia wouldn't want to end up like me,
16:07but she'd end up with the dream.
16:09Let me explain, Evgenia.
16:11It's been edited.
16:12This guy has edited it.
16:15He cut it, he edited it.
16:16I didn't say it like that.
16:17How did you lose it?
16:19Too late.
16:20You're a coward.
16:22You're crazy.
16:24Vicky.
16:25Vicky.
16:26Vicky.
16:30Lola.
16:32Are you in love with me?
16:37Answer me with a yes or a no.
16:42I don't know how to hide that I'm in love with Foti.
16:46I think we've seen enough.
16:48Now I want an explanation.
16:50What?
16:51What explanation?
16:52About Lola.
16:54Me?
16:55Give an explanation about Lola?
16:57Who, me?
16:58Weren't you Foti?
16:59Or was it Foti Sergoulopoulos?
17:01I want to spend the night with you.
17:07What happened?
17:09What happened, God?
17:11What happened, God?
17:13I can't remember the past.
17:16Because you forgot them?
17:19And I want you to leave me.
17:21Leave me.
17:23I can't forget these wonderful moments.
17:26The hot nights, the hot mornings.
17:28Hot mornings.
17:31Stop it.
17:32These wonderful moments.
17:34Full of love and passion.
17:36Oh, oh, oh, oh, oh.
17:39I can't believe it.
17:41This again.
17:42Elvira with Teo.
17:45Vicky with Grigori.
17:46Me with Panos.
17:47Fortunately, Argyris is not allowed to be in the company.
17:51Panos.
18:02You win.
18:04And you are a panhell of TV broadcast.
18:10But what do I explain to you after you forget me?
18:13Nothing happened between me and Lola.
18:15There is no explanation.
18:16Absolutely innocent until you prove it to the opposite and perfect.
18:18Wait, wait, wait, wait.
18:19I don't play it wrong, but I'm not responsible for how she sees me or how she feels Lola.
18:24Really? So Lola sees you somehow on her own? You have no responsibility?
18:29What do you want to say now?
18:31That you put your hand somewhere, that's what I want to say.
18:33She can't feel it on her own, you provoked her.
18:36Wait, wait, please, please. Half a minute, let me explain.
18:40Listen to me, please.
18:43Nothing happens between me and Lola, okay? Nothing.
18:47No one will admit it, but I can see it.
18:49The feeling that something is going on between you. And here's the proof.
18:52What proof? What do you mean, where's the proof? I don't believe it.
18:55Are you accusing me of something I haven't done?
18:57Is this a joke?
18:59Natalia, please. We're adults.
19:02Exactly. And because we're adults, I'm asking for an explanation.
19:05What explanation? I have nothing to explain, because nothing happened.
19:11Please, Natalia.
19:13Come on, come on now.
19:16Why are you doing this now?
19:18I'm telling you, nothing happened.
19:20Come on, don't get mad.
19:23Why should we ruin our night like this, for no reason?
19:26That's what you always do. You tell me you're a gynecologist and you hug me.
19:29But I can feel it, I can feel that something is going on.
19:32As much as you say that Lola is crazy, that she does everything on her own.
19:36But it's not your fault, it's my fault.
19:38But why should someone be to blame?
19:40You know what I'm saying?
19:42I'm saying that no one is to blame.
19:44Because nothing happened.
19:46Come on, come on now.
19:48Come on, come on.
19:50Stop this nonsense. Come on.
19:59The subscriber you are calling is either out of network or has his phone turned off.
20:04When I find you, I will send you out of network.
20:08And not only out of network, but also out of planet.
20:11Do you hear me?
20:13Do you hear me?
20:17It was my fault that I trusted you.
20:19Come on, Natalia.
20:21I wanted us to be together. I wanted to be with you.
20:24We are together and we are fine.
20:26No, and it's my fault.
20:28I thought you were different from the others.
20:30That you could love me.
20:32Stupid, a stupid life.
20:34Come on now, don't blame yourself.
20:36What happened to you now? Come on.
20:38I'm leaving. I can't anymore, Fotis.
20:39What? Please, Natalia.
20:41I don't know what you feel about me.
20:43And I don't know what you feel about Lola.
20:45I don't know what I'm doing in here.
20:47Let's go.
21:00What can I say now that he is wrong?
21:04Well done, girl.
21:05You did it well.
21:07Very well.
21:11Oh.
21:13Oh.
21:15Come on, Elvira. Relax.
21:17It's a small channel. Who's going to see it?
21:19What?
21:21Who's going to see it, my child?
21:23Do you know these reality shows? Everyone sees them.
21:25Everyone.
21:27Don't look at me. They make them irrelevant.
21:29My image is ruined.
21:31My image is ruined.
21:33Come on now. Calm down, please.
21:35Elvira.
21:37You don't understand, my child.
21:39I'm a woman.
21:41I'm a woman.
21:43I can't believe it.
21:45I can't believe it.
21:47Fenia.
21:49Fenia.
21:51Yes.
21:53Yes, Fenia.
21:55The show?
21:57What show?
21:59I can't hear you, Fenia.
22:01I don't have a signal.
22:03I don't have a signal.
22:05Oh, no.
22:07Nenia.
22:09It's a secret. I won't pick it up.
22:11She's a ghost.
22:13Xenia.
22:15She's got a big circle, like the island's.
22:19So no one sees it.
22:21No one sees it.
22:23Oh.
22:25Oh.
22:27Oh.
22:29Oh.
22:37You are in love with me?
22:46Love me with a yes and a no.
22:53I don't know how to hide that I'm in love with Foti.
23:05After all it seems that this is your way of being.
23:35I don't know how to hide that I'm in love with Foti.
23:45I don't know how to hide that I'm in love with Foti.
23:55I don't know how to hide that I'm in love with Foti.
24:05I don't know how to hide that I'm in love with Foti.
24:15I don't know how to hide that I'm in love with Foti.
24:35I don't know how to hide that I'm in love with Foti.
24:45I don't know how to hide that I'm in love with Foti.
24:55I don't know how to hide that I'm in love with Foti.
25:15I don't know how to hide that I'm in love with Foti.
25:25I don't know how to hide that I'm in love with Foti.
25:35I don't know how to hide that I'm in love with Foti.
25:45I don't know how to hide that I'm in love with Foti.
25:55I don't know how to hide that I'm in love with Foti.
26:05I don't know how to hide that I'm in love with Foti.
26:15I don't know how to hide that I'm in love with Foti.
26:25I don't know how to hide that I'm in love with Foti.
26:35I don't know how to hide that I'm in love with Foti.
26:45I don't know how to hide that I'm in love with Foti.
26:55I don't know how to hide that I'm in love with Foti.
27:05I don't know how to hide that I'm in love with Foti.
27:15I don't know how to hide that I'm in love with Foti.
27:25I don't know how to hide that I'm in love with Foti.
27:35I don't know how to hide that I'm in love with Foti.
27:45I don't know how to hide that I'm in love with Foti.
27:55I don't know how to hide that I'm in love with Foti.
28:05I don't know how to hide that I'm in love with Foti.
28:15I don't know how to hide that I'm in love with Foti.
28:25I don't know how to hide that I'm in love with Foti.
28:35I don't know how to hide that I'm in love with Foti.
28:45I don't know how to hide that I'm in love with Foti.
28:55I don't know how to hide that I'm in love with Foti.
29:05I don't know how to hide that I'm in love with Foti.
29:15I don't know how to hide that I'm in love with Foti.
29:25I don't know how to hide that I'm in love with Foti.
29:35I don't know how to hide that I'm in love with Foti.
29:45I don't know how to hide that I'm in love with Foti.
29:55I don't know how to hide that I'm in love with Foti.
30:05I don't know how to hide that I'm in love with Foti.
30:15I don't know how to hide that I'm in love with Foti.
30:25I don't know how to hide that I'm in love with Foti.
30:35I don't know how to hide that I'm in love with Foti.
30:45I don't know how to hide that I'm in love with Foti.
30:55I don't know how to hide that I'm in love with Foti.
31:05I don't know how to hide that I'm in love with Foti.
31:15I don't know how to hide that I'm in love with Foti.
31:25I don't know how to hide that I'm in love with Foti.
31:35I don't know how to hide that I'm in love with Foti.
31:45I don't know how to hide that I'm in love with Foti.
31:55I don't know how to hide that I'm in love with Foti.
32:05I don't know how to hide that I'm in love with Foti.
32:15I don't know how to hide that I'm in love with Foti.
32:25I don't know how to hide that I'm in love with Foti.
32:35I don't know how to hide that I'm in love with Foti.
32:45I don't know how to hide that I'm in love with Foti.
32:55I don't know how to hide that I'm in love with Foti.
33:05I don't know how to hide that I'm in love with Foti.
33:15I don't know how to hide that I'm in love with Foti.
33:25I don't know how to hide that I'm in love with Foti.
33:35I don't know how to hide that I'm in love with Foti.
33:45I don't know how to hide that I'm in love with Foti.
33:55I don't know how to hide that I'm in love with Foti.
34:05I don't know how to hide that I'm in love with Foti.
34:15Good morning.
34:17Good morning.
34:19Good morning.
34:21Good morning.
34:23Good morning.
34:25Good morning.
34:27Good morning.
34:29Good morning.
34:31Good morning.
34:33Good morning.
34:35Good morning.
34:37Good morning.
34:39Good morning.
34:41Good morning.
34:43Do you feel better?
34:45Fine I'll live.
34:55I don't know.
34:58I don't know anything.
35:00The only thing that has stuck in my mind and that have been stuck withing me.
35:05Is the one thing that has anything to do with real lies.
35:09I mean, with secrets that we hide, that we pretend, my child, that they don't happen.
35:16I don't know if you understand me, because I don't have it completely clear in my mind.
35:21Now I'm trying to clarify it a little.
35:23Let's say, when our mind constructs a reality, and we end up believing this reality,
35:32while it's not the truth, it's not the normal reality. Do you understand?
35:38No, I don't get it.
35:41No, you don't?
35:42Yes, you do, Stefan.
35:43How can you get it when you're sitting here reading about Ferraris that you can't even buy?
35:48My child, let's say that you're in love with me.
35:56Me?
35:57Let's say that you want to hide it.
35:59I don't want to hide it.
36:00Come on, cut the crap.
36:01And for your personal reasons, you don't want to admit it to others.
36:05I don't have that kind of obsession.
36:07Come on, Stefan. Please, help me. I'm trying to explain something to you.
36:12And you deny what's happening to you, and you end up believing what you've constructed.
36:20To live an iconic reality, that is.
36:22Goodbye.
36:24Do you understand?
36:26Yes.
36:30Please.
36:31Yes, he's here.
36:33It's good for you.
36:34Who is he?
36:35I don't know, I didn't ask.
36:37Okay, think about what we said, okay?
36:44Yes?
36:45You brought me a lot of bad luck.
36:48You left me all alone, and that's what got me.
36:53I'll never forgive you for that.
36:59You should be better with yourself, and better with me.
37:05I'll give you one more chance.
37:09The last one.
37:16Vicky!
37:17Vicky, I want to talk to you.
37:18What do you have to say with a stick?
37:20A blunt one, a brain, huh?
37:21Don't believe everything you hear.
37:23Right, and to believe only you.
37:25Vicky, am I able to say such things about you?
37:27Am I that kind of person?
37:28No, of course not.
37:29You're much worse.
37:30Listen to me, Grigori.
37:31I've heard enough of you so far.
37:33Now it's your turn.
37:34I knew from the beginning that I shouldn't believe you,
37:36but I wanted to hide it.
37:37But what you said yesterday exceeded all limits.
37:40When I first heard it, I was very hurt.
37:43But I realized something.
37:45That you're not the worst, but I am.
37:48That I'm the stupidest woman in the world because I believed you.
37:52But there's a good news.
37:54We're done.
37:56I'm never going to sleep in your bed again.
37:59Okay, don't sleep.
38:00Don't sleep.
38:01Let's do it and then you can leave.
38:03Let me think about it.
38:04Really.
38:05Vicky!
38:06Come here, Vicky.
38:07I was just kidding.
38:23Hi.
38:27I brought you something sweet.
38:29I mean, nothing special.
38:31Just a chocolate to sweeten you up.
38:38You know, Pano,
38:41I'm a little doll,
38:43brainless,
38:45and only useful for sex.
38:47And you're a man.
38:48And because men shouldn't be alone,
38:51and because I'm not going to sleep with you again,
38:56I got you a present.
39:05This one.
39:08I will never say no to you.
39:15Hug?
39:26Hug?
39:33Pano?
39:34You're not going to say thank you?
39:57What are you doing?
39:59You can't hit me, you little girl.
40:02My little boy is so cute.
40:04He doesn't get angry with me or ask me what kind of relationship we have.
40:09I love you.
40:10What do you think of our relationship?
40:12What do you think of our future?
40:14Another important thing.
40:16He doesn't ask you for a present
40:18or to think about what you're going to say and how you're going to say it.
40:22I always used to say, my ideal wife is my wife.
40:26If she has a quadruple head, even better.
40:29A phone call, a present, a conversation that calls for the right moment.
40:35Vicky! Vicky! Come on, Vicky, please, I love you, you have to believe me!
40:41We never know what will drive the change in our mood.
40:45From the most intense joy, to the greatest sadness.
40:53Hello.
40:54Good morning, Mr. Theos.
40:55Good morning, Mr. Theos.
40:56Hello, my dear, how are you?
40:57I'm fine, I'm fine.
40:58Did you get your driver's license? Did you get your phone number?
41:00Everything is fine.
41:01Thank you very much.
41:02Martina!
41:04You traitor!
41:05What are you saying?
41:06What are you saying?
41:07What are you saying?
41:08What are you saying?
41:09You are a traitor.
41:10Calm down.
41:11Calm down.
41:12Calm down.
41:13Calm down.
41:14Calm down.
41:15How can I calm down?
41:16How can I calm down?
41:19Let me kill him!
41:20You all saw it.
41:21Martina will have everyone begging him!
41:23If only I could get a man here to be telefoned first.
41:26We would have a lot of fun together.
41:28We would have a lot of fun together.
41:30Hey!
41:31Hey!
41:33Hey!
41:34Hey, we cultured people.
41:36Okay, Foti, okay.
41:37I'll kill him!
41:38I'll kill him!
41:39Ouch!
41:40Ouch!
41:41Ouch!
41:42Ouch!
41:43Ouch!
41:44Ouch!
41:45Ouch!
41:46Ouch!
41:47Ouch!
41:48Ouch!
41:49I'm gonna kill you.
41:50I'll kill you.
41:51I'm gonna kill you.
41:52I'll kill you.
41:53I'll kill you.
41:54No, no, no, no.
41:55Please.
41:56No.
41:57Please.
41:58Please.
41:59Please.
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