- 1 year ago
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TVTranscript
00:00Don't blame me. You have too many lovers to handle this business.
00:05Get out of the company now.
00:07They think they're going to be Hollywood stars because they appear in a reality show.
00:12If he goes out with the chick he's got, he might get her.
00:16Vicky has a talent. The only talent she has.
00:20In bed. That's where she's afraid.
00:22Lola, are you in love with me?
00:25Answer me with a yes or a no.
00:29I know how to hide the fact that I'm in love with Foti.
00:32I want to spend the night with you.
00:39What happened? What happened, God?
00:43I think it's time for us to admit that there is something between us.
00:52And if there was, would you leave Italy?
00:55With everything that's going on, it would be very hard for me to do something like that to her.
01:01We're done. I'm never going to sleep in your bed again.
01:05No, I'm never going to say no.
01:10Hug?
01:13God!
01:14Take her!
01:16She's a traitor!
01:17She's a woman!
01:19She's a woman!
01:25She's a woman!
01:27ALELULA COMME UN GARÇON
01:33ALELULA COMME UN GARÇON
01:41ALELULA COMME UN GARÇON
01:46ALELULA COMME UN GARÇON
01:49ALELULA COMME UN GARÇON
01:54ALELULA COMME UN GARÇON
01:59ALELULA COMME UN GARÇON
02:04ALELULA COMME UN GARÇON
02:09ALELULA COMME UN GARÇON
02:15Be quiet, boys!
02:18Calm down!
02:19Calm down!
02:21Theo, come to my office!
02:23My office? What for?
02:24I will talk to him.
02:26Go and examine your differences with dignity.
02:29I don't care about dignity, Arfoti!
02:32You're a traitor, you're a traitor!
02:39Come here.
02:40I beg you, Theo!
02:41What do you mean, Arfoti?
02:42Calm down.
02:43It's OK, it's OK.
02:44Go, go, go.
02:45Forget it.
02:45Let's go to the office.
02:47My friend, my God, please, you are beautiful and with dignity,
02:49right?
02:50You two must discuss.
02:51With dignity, with dignity?
02:53He will smash us.
02:55Go.
02:56Go, go.
02:56Go, go, go, go.
02:59Go.
03:00Get him out of here.
03:01Go, go, go, go.
03:04Go, go, go.
03:05My heart is fire.
03:09No mention of drugs
03:12But I've never, never tried
03:16No mention of drugs
03:28So, I'm listening to you
03:30And I'm waiting for the truth
03:32There's no point in keeping secrets
03:35Listen, Argeri
03:37We met in the office
03:40But we met a while ago
03:42How long ago?
03:4530 years
03:46So little!
03:48And why did you pretend to be Chinese and make me your assistant?
03:53You know, Argeri, he was a young lover
03:55You should have told me
03:57I didn't get the chance
03:59You see, when we came to the office, we were talking about jobs
04:01You could have called me
04:03Call Gerard, now is better than later
04:05But now that the matter has come to the surface
04:07It's over, isn't it? Everything is fine
04:09No
04:11There are still some questions
04:13Why did you choose Hi-5 to invest?
04:16Didn't you know I was Elvira's husband?
04:19And that Hi-5 was her father's property?
04:22So you chose it by chance
04:24No, by chance
04:26You had the best prospects
04:28And one of them was to seduce my wife and eat her
04:31Your wife?
04:32Yes, my wife and the company
04:34You sent me to that little girl to trap me
04:38That stupid actress
04:40And you notified Elvira to catch us red-handed
04:44Ilola was right
04:46Did you want to break up with me?
04:51Okay, Argeri
04:53I did it
04:55But not for the company
04:57I'm still in love with Elvira
05:01Do you know how young love is?
05:04A scar in the heart, like an open wound
05:07And now I have a new boy, full of dreams, ambitions, ideals
05:12And there is a little girl
05:14A frightened little girl who had nothing in her hands
05:17But dreams and hopes for the future
05:19And now that she has the company, you wanted to take her down
05:22Argeri, I don't allow you
05:24Why do you think I will allow you?
05:27Listen, Teo
05:29I5 has been made of my blood
05:32And I will not allow anyone to eat it
05:34Do you understand?
05:36I'm not going to tell you anything to make you forget
05:39I'm still here
05:41I'm not gone, Teo
05:43Remember that
05:50Foti, I'm not well
05:53What?
05:54Everything that happened to my parents
05:58Come on, my girl, don't be sad
06:01How can I not be sad?
06:03All this has caused me a bitterness, a sadness
06:07A deep sadness
06:09And I feel so alone, I don't know what to do
06:12Listen to me, first of all
06:15Stop having negative thoughts, ok?
06:19And second
06:21You are not alone in all this
06:23I'm here for you
06:25Yes, you
06:27But Foti
06:29Tell me, is something going on between you and Lola?
06:32Anastasia, I've told you a thousand times
06:35No
06:37Foti, I'm so bad that I can take a beating
06:40I want to know the truth, tell me
06:43The truth?
06:45Yes
06:47The truth is that for Lola
06:50I feel...
06:51No, no, don't tell me, don't tell me, I can't take it
06:53I don't want to know, don't tell me
07:01Cigarette, Julia, I'm in pain
07:03Oh my God, I'm in pain, oh my God
07:06Cigarette, Julia
07:07If I don't put ice on you, will you feel better?
07:11Grigori, I don't understand
07:13Who did you eat from?
07:14Argyris or Deo?
07:16How can I know?
07:17How can I know?
07:19How can I understand at that moment?
07:21What do you want?
07:24Anyway, he did well
07:25If I were here, I would tell him to go to hell
07:27I would break his legs
07:30Julia!
07:32Mr. Argyris is calling me
07:34Good bye, take care
07:36Me? Who called you?
07:38Come, my love
07:40My dear, please
07:42Please, my dear
07:44Come, take care of me
07:46Can't you see that I'm in pain?
07:48I'm in pain, Julia
07:50I've lost it
07:52Please, don't hurt me
07:54Grigori, I agree
07:56I agree
07:57But I can't help you
07:59You said that women are only good for sex
08:01Didn't you say that you were a nurse?
08:03Julia, Vicky, Vicky
08:05I've given up on myself
08:12No, you
08:13Leave it, leave it
08:15I'm not talking to you
08:19Please, don't hurt me
08:21Can't you see that I'm in pain?
08:23Leave me alone, Grigori
08:27Manolis
08:28You're the one who should go
08:30Where are you going?
08:31To the ballet
08:32No, leave him alone
08:33I'm in pain, can't you see that I'm in pain?
08:35I'm going, Manolis
08:37I'm going, Manolis
08:39I'm in pain
08:42This reality show did us a lot of damage
08:45Anyway, brother
08:47Nurse?
08:48No, leave him alone
08:50No, brother
08:51Leave me alone, please
08:53We have work to do
08:54No, brother
08:59Oh my God, my ribs
09:04Why are you crying, my girl?
09:06I told you that nothing is happening to me and Lola
09:09Why don't you believe me?
09:10Please, what you saw on TV
09:12It was all staged, you understand?
09:14Lola meant something else and it was obvious that she meant something else
09:17What do you mean?
09:18What do I mean?
09:19Look, Lola was talking about a love story
09:25And why did she mention your name?
09:27My name?
09:28She mentioned it because...
09:30I'll explain it to you, of course I'll explain it to you
09:32I won't leave it in the air
09:33So, listen
09:34Wait, wait a minute
09:36So, look
09:38Lola gave me the concept
09:42And she explained to the model I was going to photograph
09:45And she said
09:46You have to put more emotion
09:48But the model, the model
09:50She didn't understand
09:51She didn't understand
09:52She said
09:53Lola, my child, think
09:55As if you were saying
09:56I'm in love with Fotis
09:59Who is photographing me
10:00Do you understand?
10:01You told the model to understand
10:02And they took this, they put it in the editing and all the damage was done
10:04This?
10:05This
10:07And you won't answer me?
10:08Me?
10:09What are you saying?
10:10I'm not that kind of person
10:11Honestly?
10:12Honestly?
10:13If I go with Lola, I'll apologize first
10:17Please, my sweet girl
10:18Please
10:19Nothing happened
10:20I'm telling you, that's why you don't listen to me
10:21Nothing happened
10:23Swear
10:25What?
10:26Swear
10:28What are you saying, swear?
10:29Why should I swear?
10:30What are we?
10:32We are little kids
10:33Yes, little kids
10:35Swear that nothing happened with Lola
10:38Fotis hated lying
10:40But he realized that it was not the time for honesty
10:43Natalia's condition was sensitive
10:45And she had to be treated sweetly
10:47To calm her down
10:49That's why he avoided talking about emotions
10:51And he only talked about events
10:56So
10:58I swear
10:59What?
11:01Nothing happened with Lola
11:04And in this relationship
11:06There is only you and me
11:09My baby
11:30Lola
11:31Lola
11:32Lola
11:33What do you want?
11:34I want to tell you
11:35That I'm in a relationship with Fotis
11:37Really?
11:38Something more recent?
11:40Don't be silly
11:41And tell me why you laughed in front of the camera
11:43Why did you say that you were in a relationship with Fotis?
11:46I didn't mean it like that
11:48You couldn't realize that this was the result of editing
11:50That they took a word and used it as they wanted?
11:55Fotis said the same thing
11:56So you see
11:57Yes
11:58But I think it's too much to talk about a model
12:01And to tell her what to think
12:03Really?
12:05What were you talking about Lola?
12:07I was talking to a model
12:09And I was telling her that when she's photographing
12:11She has to think that she's in a relationship with Fotis
12:14How else would she look at the camera?
12:16He said the same thing
12:18So why are you mad at me?
12:20Don't you believe the man you love and adore?
12:23Listen, Natalia
12:25Men don't like women who make scenes
12:30You're going to lose the game
12:46Come on, drink it
12:48Elvira, a whiskey is all you need
12:55What is this?
12:56Aloe vera and bitter aloe
12:58It's not that tasty
13:00It's not about the taste
13:02Argyris, the unworthy, only has the mass in his mind
13:04Do you know how many of these I made for him?
13:06He didn't appreciate them
13:07Unworthy? You're not going to say anything?
13:09Drink the monoroof, my boy
13:11It's for the prick
13:12It's ok, it's ok, you don't need it
13:13You're going to pass out anyway
13:15Yes, the prick
13:16Because Argyris is not going to pass out
13:18He heard the monster hit you
13:20But of course
13:21He's a fool for life
13:22He didn't learn to be civilized
13:24Ok, now
13:25On the one hand, he's right
13:27Now you know what this is
13:29Don't forget that Argyris is a jealous, unpredictable man
13:33We men are selfish creatures, Elvira
13:36He can't accept that I ate his wife
13:38First of all, you didn't eat me
13:40I'm not ready for a relationship
13:42But even if I were, I'm not for eating
13:44What kind of expression is that?
13:45I'm sorry
13:46Accidental expression
13:47Of the worm
13:48Elvira, you know very well
13:49That our absences are identified
13:51Every person is a separate entity
13:53And according to Zen
13:55I see you've made progress
13:57Because when we were together
13:58You were very playful
14:00Yes, but now I'm not playful anymore
14:02Because I have you by my side
14:04My beloved, my sweet Elvira
14:06You know, I've thought a lot
14:09I've worked a lot
14:11And I've decided, as a goal
14:13That you and I can live in the now
14:15According to Zen's expectations
14:17And of course
14:18If we have the company with us
14:20We'll grow up
14:22I don't know, I don't know
14:23I don't know, I can't deal with money
14:25It's too dark
14:26Me too?
14:27I'm doing it for the global balance
14:29Me too
14:31Ok, so I say
14:33I'll take everything from Algiris
14:35And I'll give it to the children of Malaysia
14:38Oh
14:39What? Do you have a problem?
14:41No
14:42It's just that you know
14:44It hurts somewhere
14:54Lola
14:56Lola, are you alone?
14:58Like the lemon
15:00Are you hiding from someone?
15:02No, my child
15:03I mean
15:04Yes
15:05I mean
15:06Look, I have to tell you
15:07That for a short time
15:09I have to stay away from you
15:11Right?
15:12I don't want to avoid the gossip
15:14I hate them
15:16Yes
15:17That's very strange
15:19Because I thought that until yesterday
15:21I didn't care what they said behind my back
15:23Wait, wait
15:24Because now
15:25The situation is very sensitive
15:29Was that Natalia's idea?
15:31No
15:32No, my child
15:33It was my idea
15:34Wait
15:35Lola, I have to explain to you
15:37And you won't mind
15:38Yes
15:39Natalia is very hurt
15:41As you understand
15:42I wouldn't want to give her
15:44Another blow
15:45Because she would be very happy
15:47You know that this show
15:49Is like the whole company
15:51Pieces and pieces
15:52Whoever steps on them
15:53Gets cut
15:54And I honestly
15:55Want to stay away from all this
15:57Away
15:58I can't
15:59Oh
16:00Look, you don't need to be so nervous
16:02I mean
16:07Are you angry?
16:08Do you have something more interesting to tell me?
16:12I'm sorry
16:13I'm sorry
16:14Everything I said
16:15You don't care?
16:16Not at all
16:17Wait
16:18Wait
16:19Because
16:20I'm stuck
16:21Wait a minute
16:22So
16:23You didn't declare
16:24That you are in love with me?
16:26I was on purpose
16:27And they didn't accept my declaration
16:34I don't know how to handle you
16:36Me?
16:37You don't need to, Foti
16:39After you handle a broken heart
16:41Like Natalia
16:42Come on now
16:43Come on
16:44Come on, baby
16:45Don't be like that
16:46I'm kidding
16:48I understand you
16:49I understand you
16:50Because Natalia
16:51Has problems
16:52She must feel really bad now
16:54And I don't want her to be sad
16:56It's a shame
16:57No, no, Foti
16:58Really
16:59You need to calm down
17:00You need to calm down
17:01Because I'm not in love with you
17:04I was just talking to a model
17:06And I told her to look at you
17:07As if she was saying
17:08I'm in love with Foti
17:13That's exactly
17:15What I said
17:16To Natalia
17:18Yes
17:21Well done, Foti
17:22Well done
17:23You got it
17:48What the hell?
18:11Good night, boys
18:12Good night
18:13Good night
18:14Say good night, baby
18:15Say good night
18:16It's a good idea.
18:18Look at his smile, look at what he's doing to Anna.
18:20You explained it to him very well.
18:22Leave him now with his doll.
18:24Are you ready, Matares? Let's go.
18:26Okay, I have to go.
18:28Oh, oh, oh.
18:30What is it, Grigori? Does your knee still hurt?
18:32It hurts more than what I said about you.
18:35Yes, Grigori. Let them be.
18:37Vicky.
18:38Vicky, I want us to be together. I want to go home.
18:40I want us to be together again. I want us to find each other again.
18:42Kiss!
18:47That's how old love works.
18:50They do what they want with the big ones.
18:52Yes, but in this case we are more attracted to loneliness.
18:55But loneliness is nothing.
18:59Come on, let's go.
19:02I'll make love to you, to you.
19:05I'll make love to you.
19:07Well, my soul...
19:15If I remember correctly, I say if,
19:17you told me you didn't see the show yesterday.
19:19Yes, I had some family issues and I couldn't make it.
19:22What am I telling you here?
19:24Ah!
19:26You wrote it? Like a DVD?
19:28Oh, give it to me.
19:30Give it to me.
19:31Okay, forget it.
19:33It's a shame. You look like a doll.
19:35You look like Carol Johansson.
19:37Really?
19:39Good night, guys.
19:40Good night.
19:41Good night.
19:42You look like a doll.
19:43Really?
19:44Give it to me so I can see it.
19:46Only if you promise me we'll go for a drink.
19:48Okay, we'll go for a drink.
19:50One night, let's say.
19:51Tonight. Tonight.
19:52Please.
19:54Okay, but only for one night. Okay?
19:56Okay.
19:57Okay.
19:58Wait for me outside.
19:59I'll go get the bike and we'll go.
20:02Where are you, Nikos?
20:03Where are you, my boy?
20:04Come on, get out.
20:05Where are you?
20:06My poor little boy.
20:08Oh, my God.
20:09Ah!
20:10You're a fool!
20:12You made me a fool, you fool!
20:15Oh, my God.
20:19Who said you're a fool, you little brat?
20:21Now that I'm loaded...
20:23What do you have to hear?
20:25What do you have to hear?
20:26Tell us what you have to hear!
20:28Because you took a car that costs as much as my house,
20:31you think you're a fool?
20:33You're a fool!
20:34You're a fool on the road!
20:36What are you talking about?
20:39Julia, is that you?
20:41Boss, is that you?
20:43I didn't recognize you.
20:45Did I do something wrong?
20:46No, it's okay.
20:48Mr. Argyris, I didn't mean what I said.
20:51Okay, you meant it, but let's get to the point.
20:54Why are you standing next to my little girl?
20:57I'm taking you somewhere.
20:58No, I'm taking...
21:00Who?
21:01Of course, a young Russian.
21:03Are you waiting for me in Yerokitsakouti?
21:05Where are you going?
21:07Where am I going?
21:08I'm not going anywhere.
21:09I have nowhere to go.
21:11I have nowhere to go.
21:15I'm going to Arabia,
21:19where I've been introduced.
21:23Mr. Argyris, be careful!
21:26Wear your seatbelt!
21:31Not again! Not again!
21:33Nikos!
21:35Come on, let's go.
21:39Wait, Nikos.
21:41Let's go.
21:43I'm waiting for you in the car.
21:46Do you understand what I'm saying?
21:48Even if I go to the police, I won't tell them
21:51that someone wrote to me in my car.
21:53I'm waiting for you.
21:55That's not a threat. Relax.
21:57Yes, but the fact that someone is watching me
22:01is aggressive.
22:03I can't stop thinking about it.
22:05And now, I think that someone is watching us
22:08and listening to what we're saying.
22:10Relax, kid. That's what she wants to do.
22:12Do you understand?
22:14What does she want to do?
22:16She wants us to think about it all the time.
22:18That's her goal.
22:20Don't fall into her trap.
22:22No, I won't do her a favor.
22:24I won't play her game.
22:26I'll ignore her.
22:28That's right. That's how I want you.
22:30Well, Leonida, let me tell you something.
22:33Let's go out to eat.
22:35No, I can't. I'm tired.
22:37Come on, Leonida.
22:39We're two losers.
22:41We'll be miserable in here.
22:43Listen, you'll see what we'll do.
22:45I'll buy you a banana.
22:47And in ten minutes, you'll ask her to leave.
22:49No.
22:51Come on, I don't want to.
22:53Don't forget to put on your underwear.
22:55I'm used to it.
22:57I do it every day.
22:59Next week, I'll start wearing my underwear.
23:12What's this?
23:15I don't want it.
23:20I can't even drink?
23:22Petros, don't be like this.
23:26Okay, Eugenia.
23:28I was wrong. Don't curse at me.
23:30I shouldn't talk to the camera like that.
23:32Petros, please. Tell him not to talk to me like that.
23:35Petros, tell her that I didn't mean what I said.
23:38I didn't mean what I said.
23:40I don't care. Tell him.
23:42Let me tell you.
23:44I won't let you play alone.
23:46Right?
23:50I'm sorry. I wanted to talk to you.
23:52What do you want?
23:54I want to apologize.
23:56Apologies? We accept office hours.
23:589 to 5.
24:00We're closed now.
24:13Oh, my God!
24:15You scared me.
24:17I told you, my sweet girl.
24:19You were supposed to sit here for 10 minutes.
24:21You've been sitting here for half an hour.
24:23Okay. I wanted to take a bath and relax.
24:25After such intensity?
24:27Let me tell you. I'm going to get undressed.
24:29No. No. I'll be ready in 10 minutes.
24:31Don't you want to take a bath and relax?
24:33No, I want to eat to relax.
24:35Do you understand? It's over.
24:37I'm starting to get drunk and I'm getting nervous.
24:39I understand. You're waiting for a period.
24:41Again?
24:43What do you mean? You had it last month.
24:45What's going to happen to me every month now?
24:49What are you doing?
24:51You're like an old lady.
24:53Are you waiting for someone?
24:55A period.
24:57Then...
24:59Then it's him.
25:01You're so sweet. I admire you.
25:05Lola, please don't go.
25:07Don't leave me alone.
25:09You're like Leonidas.
25:11You're nervous and you're waiting for a period.
25:13Stop it.
25:25Come here.
25:27Come here.
25:29Argeri?
25:31I was getting ready to pick up the phone.
25:33Oh, yes.
25:35Sorry for the reception.
25:37That's how you say hello in this house.
25:39No, no. We're just two wild women.
25:41You understand?
25:43Don't make such a fuss.
25:45Let go of my friend.
25:47Let go of my friend.
25:49I want you.
25:51I want you.
25:53Argeri is my boss.
25:57I'm sorry.
25:59That's how you talk to men.
26:01I want you.
26:03I want you.
26:05It's nothing.
26:07I'll explain it to you later.
26:09I'm so jealous.
26:11Don't say it.
26:13I'm so sorry.
26:15It's okay.
26:17How is it okay?
26:19It was the reception that made you jealous.
26:21Lola's reception was the same.
26:23Your reception was better.
26:25It was more feminine.
26:27You're wearing a turtleneck.
26:29You look like you just got out of the shower.
26:31She wants me.
26:33Very good.
26:41He's been waiting for a long time.
26:43Sit down.
26:49I haven't warmed you up yet, my friend.
26:51The reception came with the welcome party.
26:53There's no need for introductions.
26:55I'm Hara Tsalikoglou.
26:57I'm a big fan of yours.
26:59Thank you for saying that.
27:01Thank you for saying that.
27:03You were terrified.
27:05Are you okay now?
27:07What does that have to do with anything?
27:09Women.
27:11They're perfect creatures.
27:13You compliment them and they forget about the fear and the trauma.
27:23Yes?
27:25Come here, Pano.
27:27What happened?
27:29For a drink?
27:33I'm not in the mood.
27:35It's nothing.
27:37I'm with two girls.
27:39Do you understand?
27:41Yes, I'm hanging up.
27:43Bye.
27:53Lola.
27:55Cheers.
27:57Cheers.
27:59Cheers.
28:01You know, he's my admirer.
28:03He sends me messages all the time.
28:05He understands me.
28:07I understand him.
28:09To be precise,
28:11he doesn't want you.
28:13Oops.
28:15It's a shame you haven't introduced us to each other.
28:19No, we've been introduced to each other
28:21at the Women of the Year.
28:23You just haven't noticed.
28:25Lola.
28:27You know, Hara,
28:29I'm a fan of yours.
28:31I'm a fan of your show.
28:33I'm serious.
28:35I listen to you every night.
28:37Really?
28:39How do we get to know each other?
28:41When you hear a voice,
28:43you imagine something different.
28:45If you see everyone up close,
28:47you may be disappointed.
28:49No, not at all.
28:51When you see me up close,
28:53your eyes are so bright
28:55and so bright
28:57that I can't look at them.
28:59Well done, Argyris.
29:01I didn't expect that from you.
29:03Argyris,
29:05you're exaggerating.
29:07Hello.
29:09Guys.
29:11Argyris,
29:13do you want to tell me something about the company?
29:15Is there anything serious going on?
29:17No, nothing serious.
29:19I'm just cooking.
29:21How did you get here?
29:23Well,
29:25I didn't have anywhere to go.
29:27I took the car
29:29to go for a drive.
29:31When I got there,
29:33I saw Leonidas outside the door.
29:35I'm sorry, I came uninvited.
29:37I don't know if you've arranged anything.
29:39Yes, we have.
29:41We've arranged to go out for dinner.
29:43Do you want to come with us?
29:45No.
29:47Cheers.
29:49Cheers.
29:53Anyway,
29:55his wife, Gero, will be mad at him.
29:57Don't talk about Gero, Mr. Argyris.
29:59He's much younger and better than you.
30:01And don't talk about his family.
30:03Why are you defending him?
30:05I'm defending him
30:07because he's my boss,
30:09he treats me very well
30:11and I love him like a father.
30:13Like a father?
30:15Are you sure he sees you as a boy?
30:17Yes, I'm sure.
30:19He's not like some clowns who stick to little girls.
30:21I've seen him looking at you
30:23like I don't know what.
30:25I don't care.
30:27I'm leaving.
30:29Wait, wait.
30:31I haven't finished my drink yet.
30:33Oh,
30:35I've finished it.
30:37Do you want to see the DVD?
30:39Do you want to go to my house and watch it together?
30:41No way.
30:43You don't have to, I know the way.
30:45Thank you very much for the candle.
30:47Send me a message when you get there
30:49so I know you had a good time at your house.
30:57Dude,
30:59is whiskey that expensive?
31:07The moments you talk about human emotions
31:09are your best.
31:11And how did you say that
31:13after the breakup
31:15we are subordinates of love?
31:17Oh,
31:19I don't remember such details.
31:21The food is good, right?
31:23That other thing,
31:25love
31:27is like a hole in the heart.
31:29And a
31:31sweet kiss on the cheek.
31:35Salty.
31:37Salty, I say.
31:39A little salty.
31:41Go on, go on.
31:43Don't interrupt.
31:45You know, Argyris,
31:47true love
31:49has a duration.
31:51It never ends.
31:53The food is good.
31:55Good, I say, the food.
31:57Good, good, the food is good.
31:59But don't eat so much, my dear.
32:01It's not your age.
32:03Because what?
32:05What does his age have to do with it?
32:07I don't know.
32:11Be careful, don't eat so much, please.
32:13Please, my dear, do me a favor.
32:15You're acting like a fool.
32:17I've thrown it out today
32:19because I'm meeting two wonderful ladies.
32:21Ladies, not ladies, girls.
32:23Young girls, very, very young.
32:25Yes.
32:27Boobies.
32:29Boobies.
32:31What was it called?
32:33The nightingale?
32:35I was referring to a rare song
32:37I have in my disco.
32:39I envy you,
32:41you have such a rich disco.
32:43I wish I had one too.
32:45You're not for a disco, you're for a library.
32:47Lola, what are you saying?
32:49I'm kidding, I'm kidding.
32:51Go on, go on.
32:53Don't interrupt.
33:01I came tonight
33:03to your steps
33:07to sing
33:09last time
33:13Tomorrow I'm leaving
33:17everything is ending
33:21life for me
33:23every time
33:33I'm leaving
33:57Your voice
33:59has become essential to me
34:01I think of you all the time, I wait for you.
34:03Do you really wait for me?
34:05That's what I'm asking for.
34:07That's what you're asking for
34:09that's why Mr. Madman is sending you notes.
34:11What notes?
34:13No, no notes.
34:15I just wrote in my car's jammer
34:17I'm waiting for you.
34:19And so I'm worried
34:21what if he turns them
34:23and bumps into my house
34:25and...
34:27she caught me again.
34:29I heard the crisis.
34:31Are you okay?
34:33Lola!
34:35Leave that name alone.
34:37Why do you keep bringing it up?
34:39Yes, Lola.
34:41And why are you bothering us at night?
34:43Did I bother you?
34:45I'm really sorry, guys.
34:47Shall we go?
34:49Where should we go? I have to pay first.
34:51Don't worry, I'll pay.
34:53Why are you looking elsewhere?
34:55What's wrong with what you did?
34:57Normally, the man pays.
34:59Anyway, in this company
35:01the only man is me.
35:03Isn't that right?
35:05Don't swear.
35:09Argyri,
35:11if you want, you can give us ice cream.
35:13Ice cream?
35:15Yes, down here.
35:17There's excellent ice cream.
35:19Fistik.
35:21It's the best.
35:23Of course.
35:25Let's go.
35:27Since Fistik wants happiness,
35:29let's go for Fistik.
35:31Let's go, guys.
35:33Let's go get ice cream
35:35like we did when we were kids.
35:37And you know what else?
35:39I haven't eaten in a long time.
35:41Don't tell the old man.
35:51You're just happy in your home
35:53and the front of the sun.
36:21So you do it with a bang
36:23Wake up in the morning
36:25What are you gonna say
36:27If I tell you
36:29I've been sleeping with you
36:31A mile away
36:41Love is in the air
36:43Everywhere I look around
36:45Love is in the air
36:47Every sight and every sound
36:49Love is in the air
36:51Every sight and every sound
37:15Are you tired?
37:17No, I'm not tired at all.
37:19I love you so much,
37:21but I don't know if Lola loves me.
37:23Me?
37:25No, I don't have any problem.
37:27What's wrong with you?
37:29I'm just saying it
37:31because I'm old.
37:33It's time.
37:35We don't have a problem.
37:37Let's go.
37:39Are you coming?
37:41You don't mind?
37:43No.
38:01Why did you do this to me?
38:03Why?
38:09Come on, Vassoula.
38:11Where are you going?
38:13I'm going to the bathroom.
38:15Give it to me.
38:17Vassoula, can you give it to me for half an hour?
38:19Yes, it's outside.
38:27He's waiting for you.
38:29He said he's going to bed.
38:31He's in the fridge.
38:33Yes, yes.
38:37We had a neighbor in elementary school.
38:39Me too.
38:41We had a neighbor in elementary school.
38:45Beautiful.
38:47We caught the young age now.
38:49She won't get out of here.
38:51Perfect.
38:55Who is it?
38:57Bravo.
38:59Sit down.
39:01We're going to call Algiris.
39:03Secretly.
39:05She'll understand what time it is and she'll get out.
39:07Bravo.
39:17Who could it be at this hour?
39:19Who could it be at this hour?
39:23Algiris.
39:25If you're having a hard time, there's no problem.
39:27You can take off your glasses.
39:29We know what time it is.
39:31It's a secret.
39:33I don't care who it is.
39:35No, you don't care.
39:37Who the hell are you calling at 3 a.m.?
39:39I repeat, 3 a.m.
39:41Is it that time?
39:43Hurry up, girls. I have to go.
39:45I've been trying to do this for so long,
39:47but there's no result.
39:49Algiris,
39:51I had a great time with you.
39:53Me too.
39:57You're like an angel.
39:59Like a star.
40:01Like your daughter.
40:03Take care.
40:05Take care.
40:09Bye, Algiris.
40:11Bye, Algiris.
40:13Bye.
40:17Bye.
40:19Bye.
40:49No problem.
40:51I remember very well
40:53that you told me about guys like him.
40:55Yes, I said that to Leonidas.
40:57Because I thought the girls liked the older ones.
40:59But now that I'm a woman,
41:01I realize that women do it for the money.
41:03You don't do it for the money.
41:05What are you saying, Lola?
41:07Algiris is a very charming man.
41:09And much older than you.
41:11Here, you know how he looks.
41:13Oh, it's because I've taken his brains.
41:15How nice.
41:17Let me call him
41:19and tell him to come and pick it up.
41:21How can he come and pick it up?
41:23He left his phone here.
41:25Did you throw it away too?
41:27It must be a sticker.
41:29Go to sleep.
41:35He's mature.
41:37He's charming.
41:39He's...
41:41He's shy.
41:43Algiris is all that?
41:45You're not well, girl.
41:47I'll tell you something.
41:49Go to sleep.
41:51No, I'll wait a bit.
41:53I'm sure he'll come and pick up his phone.
41:55Oh, Lola.
41:57He's gone mad with me.
41:59He's gone mad, you mean.
42:01You're very clumsy, aren't you?
42:03You act like you're free.
42:05But what do I expect from a man?
42:07What are you planning to do with Algiris?
42:09Are you going for a walk?
42:11Yes, I'll have a great time.
42:13I'll have a wonderful romantic walk.
42:15And what will my daughter say?
42:17That you went to the library in 1940
42:19and she got a bouquet?
42:21Even better.
42:23Let me tell you something, Algiris.
42:25Do you have the charm
42:27of a mature man?
42:29When you get married
42:31tell me what gift you want for your first wedding.
42:33How do you know I'm getting married for the second time?
42:35Because you'll be single for sure.
42:37Aren't you ashamed of dying to a man?
42:39What can I tell you, girl?
42:41Here he is. I'm going to open the door.
43:01Wait a minute.
43:03What are you doing?
43:05Aren't you going to invite me to your wedding?
43:07You're too young for this.
43:11Lola!
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