- 1 year ago
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TVTranscript
00:00I open, I open a new page.
00:02Yes? Where? In the closet?
00:04Tell me now, how do you see me now?
00:06How much do you love me?
00:07If I tell you the truth, will you sell me?
00:10The man I married was a man.
00:12He didn't have those little bags under his eyes.
00:15Do you believe that I will change my dress,
00:17that I will show off?
00:18You could.
00:19But a dye, a dye,
00:21I believe it will make you more...
00:23trendy.
00:24Good morning!
00:25What's going on here?
00:27Good morning!
00:28I'm a little upset with Argyris.
00:29You know, because of the pregnancy and...
00:31this age crisis.
00:33Stayin' alive! Stayin' alive!
00:35Hey, Junior!
00:36I'm pretty trendy, right?
00:38Yes, but because we love him so much,
00:40we decided to throw a surprise party
00:42for his girlfriend, Parakouta.
00:43Okay.
00:44If I smoke it, I'll send you a message.
00:46It's not for me.
00:47It's for a gift.
00:49Happy birthday, Argyris!
00:52Happy birthday, Argyris!
01:00Strapadi!
01:05Why are they taking so long?
01:07Of course, my love.
01:08It's not like in the movies.
01:10It takes time to find him.
01:12But wherever he is, they'll find him.
01:13Wherever he is, they'll find him.
01:14But don't worry.
01:16Calm down, guys.
01:17He'll find him.
01:18He'll find him...
01:20now.
01:22He'll find him...
01:23now.
01:26Come on.
01:53Yes, Mrs. Dikita?
01:54Ah, you liked it.
01:55I see.
01:56The show...
01:58Thank you very much, but...
02:02I see.
02:03Yes.
02:04I understand.
02:05Of course, I understand.
02:07Anyway, thank you anyway.
02:11What happened?
02:12What did he say?
02:13What can I say, my child?
02:17They couldn't find him, but...
02:20the phone call was made by a cell phone.
02:23That's why they couldn't find his details.
02:26From a phone...
02:30a square next to it.
02:33What?
02:34Yes.
02:35That means...
02:36he's getting closer and closer.
02:38Oh my God, what am I going to do, Giorgos?
02:40No, my love.
02:44Yes, yes.
02:45Of course, I know Giannis Charalambidis.
02:47He's very good at his job.
02:49Yes, I've seen his photos.
02:51Very nice, especially.
02:52And Evi's sister.
02:53She's very good.
02:54Let's have a...
02:57Yes, yes.
02:58Let's have a date.
02:59Let's see them up close.
03:00Yes, tell the guys, whenever they can,
03:02to come to my office, okay?
03:04Yes.
03:05No, thank you.
03:06Me, me.
03:07Goodbye.
03:08I'm sorry, I didn't mean to interrupt you.
03:10Look, if there's a problem...
03:11What happened?
03:12Are you okay?
03:13You know...
03:14Sometimes I push you, I know, but...
03:16It's not important.
03:17What happened? Tell me.
03:18I want you to come with me tonight, to my mother's house.
03:21But...
03:22Tonight is your father's birthday.
03:23We have to go to the party.
03:25I know, but I can't come to the party.
03:27Don't you understand?
03:28I don't know what to do, my love.
03:29I don't know.
03:30I can't change places all the time.
03:32I don't understand.
03:33Okay, okay, okay.
03:34Okay, okay.
03:35Calm down, calm down.
03:36Calm down.
03:37Okay, okay.
03:38My mother is not well.
03:40I don't know what to do.
03:41Should I leave her alone?
03:42She's taking pills.
03:43Her liver has become cold.
03:44Her liver has become cold.
03:45Her liver has become cold.
03:46Oh, my God!
03:47I would accept any other color, but cold.
03:49Well, I have an idea.
03:50We put her in the light.
03:51We put a little rose in her liver.
03:53And she's at her best.
03:54My love, don't get nervous.
03:55What can I do?
03:56Her liver has become cold.
03:57Is it my fault?
03:58But, mom, she's taking all this seriously.
04:00She's taking it badly.
04:01Your divorce has happened a lot.
04:03Don't look at her pretending to be cheerful.
04:05It's the other side of depression.
04:08I don't know what to do.
04:10Really.
04:11I'm seriously worried.
04:12Okay, I'm sorry.
04:13Okay, okay.
04:14My mother is a bit of a flirt.
04:15She's been sitting there for more than two hours
04:17than she usually does.
04:18I'm afraid of her, Foti.
04:19Okay, okay, okay, okay, okay, okay.
04:22We're going to accompany her.
04:24Really?
04:25Yes, really.
04:26I'm just going to pass by your father first
04:27to wish him a happy birthday
04:28and I'll come and get you.
04:29Are you happy?
04:30Yes.
04:45Come on, Natalaki.
04:46It's sweet.
04:47Take it.
04:48Take it.
04:51My love,
04:52I have to tell you that
04:54now that you've grown up
04:55I can tell you about things
04:56I couldn't before.
04:58I never told you what happened
04:59between your father and me.
05:02Your father, Natalia,
05:03was always a lover.
05:05Of course, lately,
05:06I don't know if it's the age or something else,
05:08he's gone too far.
05:11This cocktail is very strong.
05:12So,
05:13when we celebrated
05:14his first birthday,
05:16we were supposed to be married for a year,
05:18and we went to Thailand.
05:22Mom, what did you put in it?
05:24Organic manure
05:25and calming herbs.
05:26Take it, my love.
05:27Take it, my love.
05:28It'll calm your nerves.
05:29See what I'm doing.
05:31Here, I see it.
05:32It has immediate results.
05:34So,
05:36your father,
05:37who, every time he gets on the plane,
05:40his neck hurts,
05:42so I give him a massage,
05:44and he doesn't want it.
05:45Can you imagine that?
05:46We're in Thailand,
05:47and he doesn't want to get a massage,
05:49you fool!
05:50So?
05:51So?
05:52What did we say?
05:53Oh, yes.
05:54In the meantime,
05:55I went to some wonderful,
05:56amazing temples
05:57covered in rock.
05:58With the malaria,
05:59the water covered them,
06:00and with the amputee,
06:01it uncovered them.
06:02Or was it the other way around?
06:03I'm confused about that.
06:04Mom,
06:05close that parenthesis
06:06and tell me about your father.
06:08I go back to the hotel room,
06:10and what do I see?
06:11What do you think your father did?
06:13What?
06:14He took the pool of the Lampezas.
06:16He took the pool of the Masez.
06:19That small, tight, round pool.
06:23It was amazing.
06:24It was amazing.
06:25It was amazing.
06:26You can't imagine
06:27how scared I felt,
06:28and how I still feel
06:29every time I bring the picture to my eyes.
06:32He took the pool of the Masez.
06:41He took the pool of the Masez.
06:45裡
07:06Ι love you,
07:07darlin'.
07:09ела.
07:10I'm 100 years old, you know. I was still a teenager when I was a professor.
07:13I'm still young, you know. I'm still energetic.
07:16Yo! Yo! Yo! Yo! Motherfucker!
07:19Yo!
07:20Motherfucker!
07:21You know what? Let's go somewhere else to have some fun.
07:24Let's go somewhere else to have some fun.
07:26Yo! Yo! Yo!
07:36What's going on here?
07:37We have a concert in Parakourda.
07:39And how's the music playing?
07:41It's great!
07:42They have a birthday party and music!
07:44Wow! Very cool!
07:46Let's go!
07:47To live for a long time and for many years
07:51To grow up to become a big man with white hair
07:55To spread the light everywhere
07:59And everyone should say that I'm a smartass
08:04Yo! Yo! Yo! Yo! Yo! Motherfucker!
08:12Wow, guys! You moved me a lot!
08:14Thank you very much! Thank you!
08:16Don't dare to ask me how old I am!
08:18How old I am? I'm almost zero years old!
08:21From now on, my life starts from the beginning!
08:26Happy birthday!
08:27Happy birthday!
08:28Happy birthday!
08:29Happy birthday!
08:30Happy birthday!
08:31Happy birthday!
08:32Happy birthday!
08:33Happy birthday to you!
08:36Happy birthday to you!
08:39Happy birthday!
08:41Happy birthday to you!
08:44Happy birthday to you!
08:47Happy...
08:50Enough about me. Let's talk about you.
08:53You're very in love with Fotis, aren't you?
08:56You're right, my love. He's adorable! Adorable!
09:00That's what your father was like when we got married.
09:03Then something changed.
09:05I don't understand how this happened!
09:07Hello, mom! We said we'd talk about me.
09:10Yes, you're right, my love. I forgot about it yesterday.
09:13I'm getting tired.
09:15No, no, you're not getting tired. Just calm down.
09:18Tell me, how does Fotis look to you?
09:20He's... he's...
09:23He has an elegant look.
09:25He has a personality.
09:27He has. He has.
09:29Yes.
09:30Your father, on the other hand, is...
09:32I want to kill him, my baby. I honestly want to kill him.
09:35Because, in any case, I'm a visible woman.
09:37I've always been a visible woman.
09:39Of course.
09:41Fortunately, my love, you look like me.
09:45You don't look like your father. I gave you principles.
09:48That's why you're like me.
09:50Elegant, sensitive, intelligent.
09:53Drink your drink, my child. Why don't you drink it?
09:57I'm sorry.
10:08Very nice.
10:09Argeri, you look great.
10:11My little girl, thank you very much. What is this, my girl?
10:14Let me see.
10:16Let me see. Let me see.
10:18I burned it.
10:20It didn't go in. Thank you very much, my love.
10:22It's a little modern for me. Very dark.
10:24What did dad say today?
10:26Argeri, come here.
10:28Thank you, my girl. Thank you.
10:30Argeri, happy birthday.
10:34What is this, my girl?
10:36Let me see. Let me see.
10:38Thank you, my girl.
10:40It's a very conservative tie, my girl.
10:42Why did you give it to me? It's mine.
10:44It's fashionable, Argeri.
10:46It's not fashionable.
10:50You're welcome.
10:52Happy birthday, Argeri.
10:54May you always be happy, as you are today.
10:56Thank you, my girl. Thank you.
10:58These are for you.
11:00It's a collective room, right?
11:02Well, thanks, bro.
11:04And rarely.
11:06We don't need to tell you which part of his body
11:08the cups were shaking.
11:10I'll catch them, I'll smoke them, and they'll understand.
11:12You said rarely, huh?
11:14Rarely.
11:16So, everything went well?
11:18Everything went great, Vicky. Thank you very, very much.
11:20Argeri didn't understand anything about the party.
11:22He doesn't understand the party at all.
11:24We're waiting for him to bring the gift.
11:28Dad.
11:30You're very handsome.
11:32Thank you, my dear lady,
11:34for your wonderful words.
11:38Thank you very much, my girl.
11:40What did you draw there?
11:42A family. You, me, and Natalia.
11:44Dad!
11:48Now Natalia is a member of the family
11:50and I was left out?
11:52Come on, come on.
11:54You'll always be a member of the family.
11:56Isn't that right?
11:58And you tell me, where are you going?
12:00We're going to eat tonight
12:02at Natalia's house.
12:04I see you're being serious with Natalia.
12:06I don't know
12:08if we're being serious.
12:10For now, we're going for a family dinner
12:12with her mother.
12:14Give Natalia a kiss from me.
12:16A kiss?
12:18I can't believe it.
12:20Why? How can I believe it?
12:22Come on, come on. I don't want to be jealous.
12:24Okay?
12:26And you, my little princess,
12:28drink your milk
12:30and go straight to bed.
12:32It's late. Okay?
12:34So, I say goodbye to you.
12:36Lots of kisses and good night.
12:38Have fun, daddy.
12:42Now he's playing the groom for Natalia.
12:44Natalia's birthday party
12:46was at its peak.
12:48I mean, Argyris's party
12:50was literally at its peak.
12:52Everyone was having fun.
12:54Some were really having fun,
12:56some were having fun with Argyris.
12:58Only Lola wasn't having fun.
13:00You see,
13:02someone was missing.
13:14Oh!
13:18Oh!
13:26Hi!
13:28Hi! You're the best!
13:30How are you?
13:32I brought Argyris' gift.
13:34What is it?
13:36It's nothing, something symbolic.
13:38An old photo album
13:40from an old printing house.
13:42Could you give it to her, please? I have to go.
13:47You're leaving? Why don't you stay a little longer?
13:51I'd love to, but I can't.
13:54Come on, stay a little longer.
13:56Please, don't make it harder for me.
13:59I'm going to say happy birthday to Argyris.
14:02Hey, Argyris! Happy birthday!
14:05Thank you, brother.
14:07From this side to the front, because the rest...
14:10I'm a little behind, you know.
14:12Oh, my God!
14:15Why does he say, yo, yo?
14:17Because that's what crazy people say.
14:20I've met crazy people.
14:22Pougou. Pougou, what Pougou?
14:24Pro Grigori.
14:26Beautiful. Bye.
14:28Come on, stay a little longer.
14:30Please, I can't. See you.
14:33And now, karaoke!
14:35Okay, Argyris!
14:51For a long time, my mother sent me to school
15:00The teacher put me in the front row
15:08The best student was my class teacher
15:17The teacher threw me in a corner
15:29The teacher threw me in a corner
15:40Natalia!
15:41Mom?
15:42You have black circles under your eyes.
15:45Maybe it's time for you to get blepharoplasty?
15:48Yes.
15:49You have some wrinkles on your forehead.
15:51You're going to get botox there.
15:53And don't tell me it's too soon, my love.
15:55The sooner, the better.
15:57Time goes by, my baby.
15:59And there's always a younger one, the mature ones.
16:02Beauty costs, my love.
16:04It's not a waste.
16:05Fortunately, you have to spend as much as you want.
16:08Let me tell you.
16:09You're going to do whatever your soul desires.
16:11Collagen, silicone, mini-lifting,
16:15photolysis, aha, thermal,
16:18liposuction.
16:19Mom, stop it! I can't take it anymore.
16:21You'll take it, my love.
16:23You'll take it.
16:24And you'll do everything I did
16:26to have another baby.
16:29To have everything back.
16:33Thank God.
16:34I was so scared.
16:45Natalia got over it.
16:47As long as I was out there,
16:51I was close to danger.
16:56Calm down, Hara. There's no one here.
17:00I heard something.
17:03Go to the room and see.
17:05Why?
17:06See if there's anyone there.
17:22Okay, there's no one there.
17:27Go to the bathroom.
17:29The bathroom?
17:30Yes, the bathroom.
17:32Why are you so surprised?
17:33What should I do?
17:34Should I call the police?
17:36Calm down, my love.
17:38I'm here. Everything will be fine.
17:40Go, go.
17:41I'm going to the bathroom.
17:45Stefanos would prefer that.
17:53So?
17:54So?
17:55Nothing here, nothing there.
17:57There's nothing there.
17:59We're all alone.
18:01Let me tell you something.
18:02Did you look in the closet?
18:04Maybe he's hiding there.
18:05What closet?
18:06My dear, the closet is empty.
18:09Yes, that's right.
18:11Oh, George, I can't. I'm exhausted.
18:14Calm down, my love.
18:15I'm here with you now.
18:17It's me. It's the two of us.
18:19How can anyone live like this?
18:22Don't worry.
18:23Don't worry at all.
18:24I'll protect you.
18:25I'll stay with you tonight.
18:27George, what are you doing?
18:28Leave me alone.
18:29I'm not in the mood.
18:31Thank you very much for coming.
18:33You helped me a lot.
18:34But I don't want you to stay any longer.
18:36Come on, go now.
18:37See you tomorrow.
18:38Okay.
18:39See you tomorrow.
18:40Yes, see you tomorrow.
18:41Tomorrow?
18:42Yes, yes, yes.
18:43My dear, maybe you should think about it again.
18:46I'll give you hugs.
18:48I'll give you hugs.
18:50You'll feel better after spending the night with me.
18:54See you tomorrow, George.
19:01George!
19:04George! George!
19:06George!
19:07George!
19:08George!
19:09George!
19:10George!
19:11George!
19:12George!
19:13George!
19:14George!
19:15George!
19:16George!
19:17George!
19:18George!
19:19Thank you very much.
19:42I went to the places where I first saw you
19:49You were a little girl, I was a little boy
19:56Where are the years, beautiful years
20:00Where you were a flower in my heart
20:04Where is the love, what kind of love
20:08To make us feel the cold
20:19Come with me.
20:25Girls, let me read your hand.
20:27No, thank you.
20:28I don't want to.
20:29Thank you very much.
20:31Bravo!
20:32Thank you very much.
20:34Let me read your hand.
20:36Yes.
20:38Let's see, let's see.
20:40You are in love.
20:43And from the sixth of your generation.
20:46Bravo!
20:48Yes, there is a lot of passion here.
20:50There is, there is, but will it last?
20:53Don't be afraid.
20:55Okay, I'm not saying it will last forever, but it's not over yet.
20:59Don't be afraid, we said.
21:00Oh, thank you very much, I don't want anything.
21:02Don't be afraid, we said, because my music is bad.
21:08Take care.
21:12Let me read your hand.
21:13Yes.
21:14Yes.
21:17Again.
21:18Not you.
21:23Can I take a look at the other one?
21:26Yes.
21:35These hands don't belong to this body.
21:37What?
21:38Nothing.
21:39Nothing?
21:40Nothing, I want to know.
21:42No, no.
21:47No.
21:57I can't take it anymore.
21:59I'm scared, I'm terrified.
22:01I'm terrified in general, my child.
22:03I can't take it.
22:05Calm down, my child.
22:06After all this time, he's not dangerous.
22:08Don't worry.
22:09A barking dog doesn't bark.
22:13Anyway, I'm in a bad mood too.
22:14Why? What happened to you again?
22:16A gypsy understood that it wasn't me.
22:18A gypsy? What gypsy?
22:19Where? On the street?
22:20What street, my child?
22:21No, we had a surprise party at the baracuda.
22:23For Algiris, for his birthday.
22:25And among everything, the guys brought a gypsy,
22:28who was reading his hand.
22:29When he reached my hand, he turned around and said,
22:31This hand is not yours.
22:33This hand doesn't belong to this body.
22:36I mean, I panicked.
22:38Leonida, what are you saying?
22:39Leonida, this is wonderful.
22:41What's wonderful, my child?
22:42Don't tell me that when the music gets louder,
22:43and I don't hear anything else,
22:44I'm afraid that the guy will hear it.
22:47Leonida, if she understood it,
22:49she might have the solution.
22:57Well done, my child.
22:58Well done, you too.
23:00Oh, I can't believe it.
23:02Very good idea.
23:03The man might succeed.
23:07So, you know where we can find him?
23:09Of course, of course.
23:10Yes, yes, I know.
23:11No, I don't know.
23:12But Panos will tell me.
23:13Panos?
23:14Panos will tell me.
23:15I'll call him tomorrow.
23:30Yes?
23:31Yes, hello.
23:32Hello.
23:34I'm calling on behalf of Panos,
23:36from Mister, the newspaper.
23:38Yes, yes.
23:39How are you?
23:41Let me ask you something.
23:42You had sent a part of a gypsy girl the other day.
23:45And we would like to communicate with her.
23:48Yes, yes, we are preparing a reportage,
23:50and we would like to interview her.
23:53Whatever you have.
23:54Address, phone number,
23:56some communication details.
24:13Hello.
24:14Hello.
24:16I'm looking for someone who can read the hand.
24:20We all say the hand.
24:22We don't say it, we say it.
24:24Yes, but I'm looking for someone
24:26who works in this office.
24:28Do you know her?
24:29I know her, but she can't read it better.
24:31Yes, yes.
24:32I don't want you to tell me the hand.
24:34I want you to tell me
24:36where I can find her.
24:38Huh?
24:39Where can I find her?
24:41Huh?
24:43Sam?
24:45Come on, bring me one.
24:47I don't want you to tell me the hand.
24:49I want you to tell me where I can find her.
24:51There's one over there.
24:53Where, behind the iron?
24:55Yes, there, with the red rope.
24:58Ah.
25:03Let go of me!
25:04Let go of me!
25:05Hurry up!
25:06Let go!
25:07Let go!
25:08Let go of me!
25:09Let go of me!
25:22Hi.
25:24What do you want?
25:25You.
25:26For your sake, I walked all over this dump.
25:28Do you remember?
25:29Yesterday I was at Mr.'s party.
25:31I remember you, what do you want?
25:32I want to talk to you, lady.
25:34Lady?
25:35What lady?
25:36Lady.
25:37I'm not a lady.
25:38I'm Tsingana.
25:39And I have nothing to tell you.
25:40You have nothing to tell me, huh?
25:43Does this make you remember?
25:47Huh?
25:48Last night, you saw and read the hand of a woman.
25:53Do you remember?
25:54Huh?
25:55Come on, tell me how much you want to remember.
25:57Tell me.
25:58Tell me.
25:59Huh?
26:00Come on, tell me, I'll honor you because I'm tired.
26:02You don't understand.
26:03It's not a matter of money.
26:04Seriously?
26:05You're already going to hell and now you're telling me?
26:08Come on, tell me.
26:09What did you see?
26:10You don't understand.
26:12It's much more complicated.
26:14This woman does not exist.
26:17What do you mean?
26:18Tell me.
26:19Be patient.
26:20And mine.
26:21Go away.
26:22Don't make me shout at my husband.
26:23He'll make a hole in the wood.
26:25You threaten me.
26:26Look, you threaten us and a Tsingana came back.
26:28Oh!
26:29Money!
26:31Come on!
26:32What's going on?
26:33Is there a problem?
26:34No, excuse me.
26:35I asked a question.
26:36I didn't know.
26:37I didn't want to...
26:38It's your chance to learn.
26:42Vasil!
26:43Manos!
26:44What's going on?
26:45Oh!
26:46Guys!
26:47What's going on?
26:48What's going on?
26:49Guys!
26:50What?
26:51What's going on?
26:52These are the keys.
26:53And whoever finds them, keeps them.
26:55Search him.
26:56No, guys.
26:57Search him.
26:58Don't, guys.
26:59You'll unclog me, guys.
27:00Please, guys.
27:01The bag.
27:02The bag.
27:03Come on.
27:04Don't hide, guys.
27:05Okay.
27:06These.
27:07Throw them down.
27:08Okay.
27:09I found them.
27:10And these.
27:11I found them.
27:12And whoever finds them...
27:13What did we say?
27:14Keeps them.
27:15Keeps them.
27:16Well done.
27:17And now throw your wallet so I can see it.
27:18Beautiful.
27:19And this.
27:20I found it downstairs.
27:21And what will you give him?
27:22I don't know.
27:23I don't know.
27:24I don't know.
27:25I don't know.
27:26I don't know.
27:27I don't know.
27:28I don't know.
27:29I don't know.
27:30I don't know.
27:31You'll ask me to leave the bag in the basement.
27:32You'll give it to me.
27:33Fine.
27:34And what am I going to do, my boy?
27:35You'll keep it.
27:36Beautiful.
27:37And now toss your new roller.
27:38Come here.
27:39Don't, guys.
27:40Please.
27:41Come here.
27:42Don't, guys.
27:43Guys, you have to help him.
27:45In my name.
27:46Don't.
27:47Guys, guys.
27:48Guys, guys.
27:49Guys.
27:50I'm a good person.
27:51Guys.
27:52Guys.
27:53Guys, guys.
27:54Guys.
27:55Please.
27:56Guys.
27:57Guys.
27:58Damn it! It's all messed up! I have to go all the way to Glybano!
28:10Oh!
28:12Oh!
28:14Oh!
28:21This little piece of paper that my friend Boteo gave me,
28:25is what I should tell you about the case now that I left that Gerber who had killed me with the hygiene.
28:32Fotakos, do you want one?
28:33No, no, I feel heavy in the morning.
28:36So, Argyris, regarding the proposal of the marriage...
28:39Look, I don't like this proposal at all. There's something I don't like at all.
28:42I'm sorry, Argyris, but we haven't talked about haircuts again.
28:45Imagine, imagine a big dedication to the hair.
28:48Haircuts, braids, curls, everything!
28:52Eugenia, stop talking about curls! I'm going crazy! Stop it, kid!
28:56Oh, my God!
28:57You might be right, but it's too much.
28:59It's a shame, however, for this reason, to lose the dedication to the hair.
29:02Oh, again with the hair! Stop it, kid!
29:06I don't like this proposal at all. It's too much.
29:10You might think it's too much, but look, Argyris, we'll work on it and it won't be too much.
29:18Argyris, the idea is not good at all.
29:21It would be better, it would be more thrilling, thrilling to get married in the United States.
29:26Oh, don't talk to me like that! Don't talk to me like that!
29:29We're done here! Get out!
29:31I'm sorry!
29:32Get out!
29:34Get out now! I'll give you fucking blood in Boston! Get out! Get out!
29:38Get out now! Get out! Get out!
29:49This hair has an amazing smell, kid. I don't know why, but it reminds me of the church.
30:03The Lord is coming to Jordan.
30:19He didn't even listen to my proposal. He didn't even listen to me.
30:24This man has something against me.
30:26What do you mean, Eugenia? He has his own problems.
30:29He rejects me. He constantly rejects me!
30:33Why does he hate me so much, Argyris? Tell me! Why does he hate me so much?
30:37Don't be silly. It smells like a church in here.
30:39No, kid. It's the Cuvanezica that Argyris smokes.
30:43Cuvanezica from Persia?
30:47What?
30:52Yes?
30:56Come on, Nikos.
30:57Come on, Grigori. Whatever you say.
30:58I want you to go to my house and bring me a pair of trousers, a shirt and a bag.
31:04The keys are in my office, in the first drawer.
31:07Why? What happened?
31:08Don't ask too many questions.
31:11Go to my house in the closet.
31:13I have blue, black, gray and brown suits.
31:17I want you to bring me a blue one.
31:21Come on.
31:22Come on.
31:24And a shirt that fits.
31:26Yes.
31:27And a bag.
31:28So, you're naked now?
31:30No.
31:31Stop asking questions.
31:33Stop asking questions and hurry up.
31:35I'm in a hurry.
31:36Okay, okay.
31:37By the way, you said I should bring you a bag, right?
31:39Yes.
31:40In the closet?
31:41That's what I asked you. Don't ask too many questions.
31:43Come on.
31:44Come on, hurry up because the least that can happen to you is to lose your job.
31:49Do you understand?
31:51Idiot.
31:52Okay, okay. I'm going.
31:54Where should I bring you?
31:56Hello.
31:57Hello.
31:59It's here. Come on.
32:19Hello.
32:22You?
32:24What are you doing here? Go away.
32:25No, please.
32:26Get out of here.
32:27Please.
32:28Go away if you can help me. Do you understand?
32:30What are you doing?
32:32I'm going to kick them out.
32:35Go away.
32:36If you need me, I'll call you.
32:38But...
32:44Okay.
32:46Give me your hand.
32:52What?
32:54I made a mistake, God.
32:56What did she do? What do I have?
32:59It's the best job I've ever had.
33:01Yes.
33:03Only a woman could do that.
33:06A magician.
33:08Big.
33:09Eyes.
33:10Strange.
33:11Inside.
33:13This woman did bad things.
33:16Black magic.
33:18Only we.
33:19The cards, the coffee, the candles.
33:21We are good people.
33:22For the parties, for the celebrations.
33:24Things of God.
33:26This woman.
33:27This magician.
33:28She's the devil.
33:31If she's still alive.
33:32Because whoever does such things
33:34has a bad end.
33:36She's not alive.
33:37Unfortunately, she died.
33:38She just fell inside.
33:40Can you help me?
33:41You are my only solution. Do you understand?
33:43No, no.
33:44I can't.
33:45Why? Why can't you?
33:46No, I can't.
33:47But why? There must be a way.
33:49No one can solve these spells.
33:53What?
33:54What?
33:56It will be a long time.
33:58I don't know.
33:59What? Can I stay like this forever?
34:01Please, go. I'm scared.
34:03No, no. Please. Only you.
34:05Get out of here!
34:06Get out of here!
34:09Go, my boy.
34:11The Virgin Mary is with you.
34:12Go.
34:13My boy.
34:14My boy.
34:15Hey, woman.
34:16Go in the morning.
34:17Shut up, Eleftherios.
34:18Go.
34:19Go.
34:20The Virgin Mary.
34:22Go in the morning.
34:23Shut up, Eleftherios.
34:34Go, go.
34:39Eleftherios.
34:41Don't give me the strength to bear it.
34:43I was looking for a cataract and I found a gorgon.
34:46You are so beautiful.
34:48Dad, what cataract?
34:49We are not in a ship.
34:52Grandpa, I want to talk to you and mom.
34:57Shut up, my boy.
34:59Your mother and I have a lot in common.
35:02Yes, grandpa.
35:03If you want something, just ask me.
35:07I want something special.
35:08I want you to introduce me to your friend
35:10so that we can go out together.
35:13Dad, please.
35:14Introduce me to your friend.
35:16I'm your daughter.
35:17I can't be your advisor.
35:19Oh, my boy.
35:20You are talking like an old lady.
35:21Leave us alone.
35:22Dad, why are you doing this to me?
35:26I'm talking to you, dad.
35:27Why are you doing this to me?
35:29Wow.
35:30These are academic words.
35:31They give you a new look.
35:33Do you want one?
35:34Why don't I have a normal father and a normal mother?
35:37Why?
35:38Natalia, Natalia.
35:40Oh, my.
35:41Your mother is the same, my boy.
35:42She's always shouting and crying.
35:44She didn't come to me,
35:45who is the joy of my life.
35:47Yeah, yeah.
35:48Cool, man.
35:49Cool, cool.
35:53Why, dad?
35:54What happened?
35:56What happened?
35:58Natalia.
35:59What's wrong, my love?
36:00You look upset.
36:01Nothing.
36:02What's wrong?
36:03Why are you shaking?
36:04What's wrong?
36:05What's wrong?
36:06Dad.
36:07Dad is very bad.
36:08It's like he's had a stroke.
36:10I can't recognize him.
36:11Calm down, calm down.
36:12It looks like he's having a stroke.
36:14These are the symptoms.
36:15He'll get over it.
36:16When will he get over it?
36:17I can't see him like this.
36:18Calm down.
36:19I'll go see him.
36:20I'll take care of him.
36:22Thank you very much, God.
36:37Timmy Town.
36:39Timmy Town with you.
36:41My love.
36:42I see you honored my gift.
36:44My friend, you are a very good friend.
36:48Slowly, slowly.
36:49I was a little upset with the wife,
36:51but at least now I have friends.
36:53And these cigars you gave me,
36:56they're divine, right?
36:57Well done to the Cubans.
36:59Do you want one too?
37:00No, no, no.
37:01These cigars are yours.
37:03Smoke them all.
37:05Smoke them all.
37:16And while God did everything to destroy Argyris,
37:19the visit to Tzigana had destroyed
37:22Lola's last hope of becoming a man again.
37:31Come on, my love.
37:33Don't do this.
37:34There can't be any hope.
37:36What hope, my love?
37:38Don't you see how she made you a woman?
37:40As if I was possessed.
37:43We don't need an exorcism.
37:45I don't know.
37:46Maybe this is the solution.
37:48The exorcism.
37:50It can't be.
37:51Since there's no more spirit in my body,
37:53there's another body in the spirit.
37:55And I even feel like a lioness inside me.
37:57Do you understand?
37:58Although I can see the gap between us.
38:01This Lola has started to gain ground.
38:04Where are you going?
38:06To my job.
38:07The only stable value that I have left.
38:13What are you doing?
38:15Open your keys.
38:16No, what are you doing?
38:18I'm sorry, but you have a color blindness.
38:20Why do you say that?
38:21I told you to bring me a blue suit
38:23and a suit that fits.
38:25Okay, I planned this a bit.
38:26You wear a lot of moustache, Grigori.
38:28Moustache, huh?
38:29Yes.
38:30I wanted to look like a clown.
38:32Color blindness is the latest trend.
38:34Are you crazy?
38:35How can I go to the office like this,
38:36dressed like Floriniotis?
38:37But it suits you a lot.
38:39Seriously?
38:40Seriously.
38:41Really.
38:42What happened to you?
38:43What will happen to you if you don't disappear now?
38:45Hurry up.
38:49Lola, what happened to me because of you?
38:53But I'll catch you.
38:54Where are you going?
38:56I'll catch you.
38:58Think, Grigori.
38:59I'll catch you.
39:04These hands don't belong to this body.
39:06What?
39:09It's much more confusing.
39:11This woman doesn't exist.
39:19This is Leonida's signature.
39:23You know, Mr. Director,
39:25I don't have my identity
39:27because I think it's in the envelope.
39:29Because I'm sleeping here.
39:30Look.
39:34It looks like it's about the same person.
39:36The lines are the same.
39:39The distances are the same.
39:44There is a name here, Theodora Lalou.
39:47It's me.
39:48Only this woman is 83 years old.
39:53I caught you, Lola.
39:55I caught you.
39:58I caught you.
40:02What's going on?
40:03What's all this fuss? Is something going on?
40:05Julia, I'm very worried.
40:07Why?
40:08I think Argyris doesn't like me anymore.
40:10Good boy, you're crazy.
40:12Does Argyris love you?
40:14I don't know.
40:16I have to go talk to him.
40:17To clear it up.
40:19Yo, yo, yo, man.
40:22Yo, yo, yo, man.
40:24Go talk to him.
40:27Argyris.
40:28Argyris.
40:29I have to talk to you.
40:30Do you have a minute?
40:31The minutes are very precious, my girl.
40:33Time is money.
40:34Time is money.
40:35Yo, man.
40:36Yo.
40:37I don't have time.
40:38I don't have time.
40:43Argyris.
40:44Please.
40:45He's urgent.
40:46Yo, man.
40:48I don't have time.
40:49I don't have time.
40:50Because it hurts.
40:51Because it hurts.
40:52Because I no longer have tears.
40:54Because I no longer have tears.
40:56What's going on?
40:57This is unbelievable.
40:58What's going on?
40:59Don't cry.
41:00Go, go.
41:01Don't cry.
41:03Go, go.
41:04Don't be sad.
41:08Julia,
41:09have you seen Vicky?
41:11She's gone to do some business.
41:13She'll be back in a bit.
41:15Give it to her.
41:17He's in a worse situation than Argyris.
41:21I'm going to talk to him now.
41:23Grigori?
41:24What Grigori? Argyris!
41:29Argyris?
41:32I'm sorry to bother you.
41:36Argyris, are you okay?
41:38Do you need anything?
41:41Argyris, are you okay?
41:43Do you need anything?
41:48Argyris, I want to talk to you.
41:52I want to talk to you.
41:54I want you to know that I want to talk to you because...
42:00Argyris...
42:02Oh my God, Grigori!
42:04Do you see what we're talking about?
42:06Argyris, I have to talk to you about a very serious matter.
42:10Argyris, we have to talk. Stop laughing, my child!
42:13I'm not laughing. I'm not laughing.
42:16Don't say that word, please.
42:18You're waking me up.
42:20Oh, my good boy.
42:23What were you saying?
42:25I was saying that...
42:27No, I was saying...
42:28Argyris, I found out that Lola is a dangerous criminal.
42:32Very dangerous.
42:33Come on, Grigori. It's all right.
42:37Don't do that.
42:39It's all right.
42:43Argyris, are you okay?
42:49Argyris, I wanted to tell you something.
42:52Oh, my good boy!
42:54You're going to live a long life.
42:56Grigoris has a very serious complaint against you.
43:02What did you find out again, my good boy?
43:04Don't worry. I know who you are.
43:06You made us all laugh. You're a liar.
43:08I signed Leonidas Lallos.
43:10Your identity has been forged.
43:12So much so that a specialist says that you are the same person
43:15and the judge says that you don't exist.
43:17That is, you exist, but you don't belong to you.
43:19What are you drinking and not giving us, so that we understand?
43:22I'll give you a glass of water, please.
43:28What are you doing?
43:30I know great things about you.
43:33I'll have your proof in a little while.
43:36I don't know you, my good boy.
43:39What am I going to drink now?
43:45Grigoris had decided to reveal the true identity of Lola.
43:50And he wouldn't rest until he found the evidence he needed
43:53to get her out of the way
43:55and become the owner of the magazine.
43:58Grigoris, what happened?
44:00Why are you naked and wet?
44:02Lola is to blame for everything.
44:04I'll tell you in detail, but not now.
44:07I want you home tonight.
44:09I like this, my friend.
44:11Vicky, concentrate.
44:13Concentrate, Vicky.
44:15I want you to help me find details and evidence
44:18that will help me uncover the criminal at this moment.
44:21Come on, Grigoris.
44:23No one will believe me.
44:25But when I have the evidence in my hands,
44:27you'll be shocked.
44:29Let alone the Greek police.
44:32I'll be a national hero.
44:34We're talking about a great fraud.
44:36And if you help me, you'll get some of my glory.
44:40So, what do you say?
44:42You and who else will be at my house tonight?
44:46Okay.
44:48If you have the evidence.
44:51If you have the evidence.
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