- 1 year ago
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TVTranscript
00:00I
00:30See Ramon, I don't say I love you
00:31I'm done
00:37Yes, I'm all right, I mean I mean I can only go to canis, but I say
00:43Kalaima, I love you. You know, I didn't answer that. Oh, there's no
00:47No, happy mood. You both are at ease with a bus. Ooh, I'm a safe in the palm of your tits. I don't say safe. I install all
00:53That's a very man
01:00Sorry, I'm gonna stop you soon as ever
01:03but
01:04It's not me Scotty. Yeah, I'm gonna tell if I'm in a
01:08Melina e-call me
01:10No, I prefer not to go issue
01:13If I'm telling about my fault, I will start a little bit of stuff. Oh, yeah, mama's it is
01:18I'm a leaner a school. You know, I'm gonna borrow my top of the school. You know, I'm gonna come to me. I'll tell you
01:22I'm saying it's not a unique. Yeah, but I'm not I'm saying she's yet. I don't know me. What is she?
01:26Thanks, thanks, I've lost another telephone night in America school you
01:56I
02:26With whom?
02:28With Melina's meetings with Lola.
02:30She will never like me as she sees Lola.
02:34Because she doesn't like me at all and I'm sure she's just kidding.
02:39Listen, Natalia.
02:41Lola and Melina have a very good relationship.
02:45And that makes me happy.
02:48It makes me happy because she makes my daughter happy.
02:51Also, Lola is a serious and responsible person
02:55who would never say a word to my child about the woman I'm dating.
03:00Right?
03:02Also, she wouldn't take a stand against her.
03:06Signed.
03:08So, stop seeing ghosts and judging things.
03:13Because the only thing you can do is create a bad atmosphere.
03:17Do you understand?
03:20Absolutely.
03:22Great.
03:24Let's get to work.
03:26Give me the documents.
03:28Have you signed a good photo for editorial?
03:30Yes, it's signed.
03:42I had to talk to Lola, who was spending her afternoon with Melina.
03:46This little thing of my unknown admirer had started to annoy me.
03:51I couldn't concentrate on my work and I kept making mistakes.
03:59What's going on?
04:01You were different today. Is there a problem?
04:03Leave me alone, Stefanos. You leave me alone, too.
04:07But I fixed everything.
04:09What can I fix?
04:11I can't.
04:12Don't yell. Don't yell.
04:14I'll try to fix it.
04:16Yes.
04:17Okay.
04:18I can't.
04:19That's it.
04:22No, Elvira. You can't do what you want.
04:24It's not good for the company.
04:27I can't close a book with a mistake.
04:30Don't yell. Don't yell.
04:32You can do what you want. Okay?
04:34Yes. Bye.
04:43What's going on, guys?
04:50Fantastic paintings.
04:52You'll keep them and give them to your dad.
04:54You'll tell him that when I grow up and become a famous painter,
04:58we'll have these to see where I started.
05:00Yes?
05:01Lola, can I tell you something?
05:03What do you want to tell me?
05:05I don't like Lila at all. I can't stand her.
05:08I'm trying to be friends with her, but I can't.
05:16Come here.
05:19Come here.
05:30I'm Lila.
05:32Listen.
05:36Natalia is...
05:38a woman.
05:40Your dad has chosen to be with her.
05:44Do you understand that?
05:46And...
05:50sometimes parents do things that their kids don't agree with.
05:55But you have to try.
05:57Because when you grow up, you'll have your own kids
06:02and you'll want your kids to listen to you.
06:05Yes?
06:07In my opinion,
06:11I think you should try a little more than that.
06:15You've tried to get along better with Natalia.
06:20And that's not for Natalia, nor for you.
06:24But for your dad.
06:26So he can feel a little happier.
06:30Will you try?
06:32You promised me, didn't you?
06:35Okay, I promised you.
06:37But I want to ask you something else.
06:39What do you want?
06:41Are you sure you're not in love with my dad?
06:45Yes.
06:47No.
06:48Yes.
06:49No.
06:50No.
06:53No, Lila.
06:55I'm sorry, I'm not.
06:58What a pity.
07:00I thought we'd become a very happy family.
07:08I'm going crazy, Giorgo.
07:10I walk and look around me because I think someone is watching me.
07:14Do you understand me?
07:16I understand, my love.
07:18But what I understand more is that this guy is starting to piss me off.
07:23Look at me!
07:25And what I don't like at all is that I see you so worried and distracted.
07:30Of course I'm worried and distracted.
07:32I'm going crazy from fear.
07:34I'm terrified, I'm afraid of my shadow.
07:36Suddenly, a guy appears out of nowhere and starts watching me.
07:40He calls me all the time and I have no idea who he is or what he wants.
07:49Indeed, Lila.
07:52Don't worry.
07:55I'm also very concerned about how all this affects your job.
08:02I'm sorry?
08:05How it affects my job?
08:10Go on, my love.
08:12Go on, we'll see where you end up.
08:15Where do I end up?
08:17What I'm saying is that the show goes better when you're relaxed.
08:22Is that your problem now?
08:24I'm telling you that I'm about to go crazy from fear.
08:27Is the show the only thing you care about?
08:29What if the sponsors lose their money?
08:31I mean, I'm going to go crazy.
08:33The guy might even kill me.
08:35And all you care about is your wallet?
08:38No, my love.
08:39What are you talking about?
08:40Please, don't go crazy.
08:42All I'm saying is how important the mood is in our job.
08:46Of course the mood is the problem.
08:48And that's what I'm trying to explain to you.
08:50With everything that's happening to me, I'm not in the mood to work.
08:53I don't believe you.
08:54All you care about is the show.
08:58You don't care about me.
08:59No, no, my love.
09:00It's possible for you to say such things.
09:02Don't go crazy.
09:03You're the first one to say that the most important thing in our lives is our job.
09:10Look.
09:12I shouldn't have asked for your consolation.
09:14I'm stupid.
09:16I'm sorry for bothering you.
09:18Don't be silly.
09:24Mmm, mmm, mmm.
09:27Aha.
09:29That's what I like.
09:32Me too.
09:33You too?
09:35Don't be silly.
09:36I see two foreigners here.
09:38Come on.
09:39Come on.
09:40I'm not bothering you.
09:42I'm not bothering you.
09:43I'm in a good mood today and I'm not bothering you.
09:45Of course I know you're here.
09:47You too.
09:50Lola and you.
09:52Okay?
09:53Tell me.
09:54What did you do with Lola?
09:55How did you get along?
09:56Where did you go?
09:57Oh, where did we go?
09:59Luna Park in Skounia.
10:01We had a great time, dad.
10:03And I met a lot of kids.
10:05Bravo, bravo.
10:06Did you eat anything?
10:07Yes, I did.
10:09And I drank a lot of fruit juice.
10:12Yes?
10:13Tell me what fruit juice it was.
10:14Say it.
10:15Wait, wait, wait.
10:16The door.
10:17Wait.
10:19Oh, welcome.
10:20Come in.
10:21Come in.
10:22Hello.
10:23Hello.
10:24What are you doing?
10:25Here.
10:26Melina is telling me how she got along with Lola.
10:28Oh, I see.
10:29Hello, Natalia.
10:30Why are you greeting me like that, Melina?
10:32Hello.
10:33I want to go buy colored pencils.
10:35Are you coming with me?
10:37That's the best thing.
10:39I'm coming.
10:40I'm coming.
10:41I'm coming.
10:42I'm coming.
10:43I'm coming.
10:44I'm coming.
10:45I'm coming.
10:46I'm coming.
10:47Come in.
10:48Come in.
10:49This is my best son-in-law.
10:50This is my best one to buy pencils.
10:53And of course.
10:54Let's go.
10:55Wait.
10:56Wait.
10:57Wait.
10:58Wait.
10:59Wait.
11:00In a minute you will put your little
11:02jacket.
11:03Yes.
11:04Come here.
11:05Come here.
11:06Come arm.
11:07Come the other way.
11:08Bravo.
11:09What a great dad.
11:10And for me, it is very nice today.
11:13Go and I'll wait for you to eat, right?
11:15Oh, to order a pizza?
11:17Yes, pizza.
11:18Pizza?
11:19But with a lot of mushrooms.
11:20With a lot, with a lot of mushrooms.
11:22Do you want?
11:23Well, I have a better idea.
11:25I won't order pizza.
11:27I'll make it myself.
11:29Oh, I really like this idea of yours.
11:32Well, go and I'll wait for you.
11:34Let's go, Natalia.
11:35And you see, the stores won't close here.
11:37Yes.
11:38Dad, put a lot, a lot of mushrooms.
11:42Let's go, I'll wait, I'll wait.
11:44The keys!
11:45At the door, at the door!
11:48Bye!
11:59Well, my love, we got a lot of sweets.
12:02Chocolates, cupcakes.
12:04Maybe we'll catch a bus and run to the toilet.
12:08Well, since this is over, we'll do it.
12:10Just don't make your dad mad.
12:12Are we going to the bookstore now?
12:14It's over there.
12:16Yes, we'll go.
12:17But first, tell me what colors you want to get.
12:20Red.
12:21Yes.
12:22Green.
12:23Yes.
12:24Yellow and blue.
12:25And a pink, which is my favorite color.
12:27Yes, pink.
12:29I don't like it, it's too girly.
12:32Yes, it is girly.
12:34Okay, so we'll get whatever you want.
12:37Let's go.
12:38Ah, you too.
12:40Natalia.
12:41Yes.
12:42Do you want to be my girlfriend?
12:45Are you serious?
12:46Yes.
12:47And of course, my love.
12:49It's the most beautiful proposal I've ever had.
12:53My friend Nadia.
12:55Ah, listen.
12:56I want to dream with you.
13:01Do you know this song?
13:02I want to take a life from your life.
13:05Together!
13:06I want to dream with you.
13:10Let's go!
13:11I want to travel to the islands of paradise.
13:21This war in Toraos will be a disaster for the company.
13:24And for us, guys, the pressure is too much.
13:26I'm so nervous.
13:27I have a fantastic schedule.
13:28I won't be able to fit in my clothes.
13:31Stop it.
13:32What are you talking about?
13:33I'm sorry.
13:34Because the owners have problems in their marriage,
13:36we will pay for it and we will lose our job.
13:38If you are not satisfied with your job, what else can you do?
13:42The situation is what it is with the owners.
13:44And in my opinion, they are both right.
13:46Ah, no, I'm sorry.
13:47They are not right at all.
13:49Their problems are at home.
13:51You don't blame them for bringing us like this.
13:55Guys, I'm not well.
13:56I'm in a panic attack.
13:57I have all the symptoms.
13:58Manolis, who told you to relax?
14:00How many?
14:01Three times.
14:02I'm not well, I'm telling you.
14:03I'm talking nonsense.
14:04I'm shivering.
14:05I have a panic attack.
14:06I'm in a panic attack.
14:07Okay, Manolis.
14:08We are in the same situation.
14:10Of course.
14:11It's natural.
14:12With all the tension around us,
14:13so much titanium atmosphere.
14:14And we haven't seen anything yet, guys.
14:16Aren't they the Santorini brothers?
14:18They boil, they boil.
14:19And at some point, they're going to do the bomb
14:21and cover us all in lava.
14:22You should all quit.
14:23Instead of complaining.
14:24No, Grigori.
14:25I'm sorry.
14:26It doesn't work that way.
14:27It works that way.
14:28The company can't work with moustaches.
14:30We have to work with happy faces.
14:31You are all moustaches.
14:32All of you.
14:33Because we don't have your sense of humor, Grigori.
14:35Because you, in order to climb the ladder of power,
14:38you lift the chair and you make eye contact.
14:40While we have hearts.
14:41We have feelings.
14:42Keep your feelings for your girlfriend, my doll.
14:46When we talk about a professional field,
14:48at work, she doesn't get feelings.
14:50Come on, you're all emotional.
14:51Grigori, you're very grumpy.
14:53You are very stupid.
14:54Guys, guys, calm down.
14:56Calm down.
14:57Noni's nerves are chattering.
14:59The thing is, we don't know how to get along.
15:01We have to find other ways to get along.
15:05Do you have any suggestions?
15:07One is the medicine for me when I'm stressed.
15:09And I think the same goes for Grigori.
15:11What do you think?
15:12Should we go to the doctor together?
15:14Let's go.
15:16Good night, guys.
15:17And try to relax a little.
15:19If you want, follow our example.
15:25I think I got the subordinate.
15:27And it might be good for me too.
15:30A good way to get through the panic attack.
15:33What?
15:34Should we go too?
15:35If you want to get through the panic attack, let's go.
15:39Good night, guys.
15:40Good night.
15:43Don't even think about it.
15:45Cover me with the pistachios.
15:48But I'm talking about pistachios.
15:53Hey, Poti.
15:54Dad.
15:55Dad.
15:57Dad.
16:00We're here.
16:01Is the pizza ready?
16:02It smells very good.
16:03What happened, guys?
16:04You went to buy pencils and came back here with 10 bags of things.
16:09Dad can't imagine.
16:10Natalia is very cool.
16:12She bought me a lot of things.
16:15Toys, shoes, clothes, sweets.
16:17Everything.
16:18So cool.
16:19Well done.
16:20And you didn't tell me.
16:21Did you say thank you?
16:23You're welcome, my friend.
16:24It's my pleasure.
16:26Don't tell me.
16:27Natalia, can you go inside for a while?
16:29I want to be alone with your friend.
16:31Of course.
16:32I'm going to the bathroom.
16:34Good.
16:35Sit down.
16:36You're so small and beautiful.
16:39Don't tell me.
16:42What happened in one night?
16:44And yesterday you were a devil.
16:47Today you're an angel.
16:49Yes.
16:50I promised Lola that I would be nice to Natalia.
16:54And I promised her not to tell anyone.
17:00Well done, my girl.
17:01Well done.
17:03You should continue like this.
17:04You make me very happy.
17:05I should do it with you, dad.
17:07Not with Natalia.
17:08Lola gives you very good advice.
17:11Tell her that you did what you promised her.
17:17Tell her that you did what you promised her.
17:20I will tell her, dad.
17:21But I will tell you something else.
17:24I wanted Lola to be my mom.
17:28Don't ever forget that.
17:30Come now.
17:31Let's go.
17:46Let's go.
18:16I love you.
18:34We are half human.
18:35We are very wrong.
18:37We should lose someone to understand what we feel for them.
18:42And I understood my feelings for you.
18:45From the moment you fell in love with Nikos.
18:47Victor.
18:48Him, anyway.
18:52I thought I lost you.
18:55And I lost the world under my feet.
18:59I was afraid that someone else would hurt you.
19:03I didn't want to catch him.
19:05I didn't want to cut him in pieces.
19:07Keep going.
19:08I like the way you say it.
19:10I don't know how you do it, Vicky.
19:12I can't stand the idea.
19:15I don't deserve you.
19:17I don't deserve you.
19:19I am yours.
19:21Only yours, Grigori.
19:37Excuse me, did I scare you?
19:39I have a delivery for the house.
19:41Where is it from?
19:42From Toki Tok.
19:43You live in the square?
19:45Yes, for Mrs. Tsalikoglou.
19:47Yes, I am Mrs. Tsalikoglou.
19:49But I haven't ordered anything.
19:51Is there a mistake in the name?
19:55Anyway, it says here, Hara Tsalikoglou.
19:58What can I say?
20:00Take it.
20:02It's paid anyway.
20:04Good night.
20:08Good night.
20:13Good night.
20:17Are you okay?
20:19Do you eat it?
20:21The guy probably sent it to you.
20:23Maybe he put something in it.
20:25Nothing. It's perfect.
20:27Let's eat it together.
20:29No, I am afraid.
20:31Come on, my child.
20:33It's very nice.
20:35No, it's just very nice.
20:37You lose, I know what I'm saying.
20:39Maybe he put something in it and you eat it.
20:40I'm sure you'll break my nerves.
20:42I will continue to eat it.
20:44And if I live until tomorrow morning,
20:46we'll go for a walk, okay?
20:48No, we don't have to go.
20:50Why?
20:52Because Stefanos took it.
20:54What? Who took it?
20:56Stefanos?
20:58Will I take it?
21:00No, you don't have to interfere at all.
21:02Stefanos took it and he will help me.
21:04He has a friend in security.
21:06He has helped me a million times.
21:08I trust him.
21:10Why are you late?
21:12Because I have to go to the station early.
21:14A colleague got sick and I have to replace him.
21:16Giorgos asked me to do it.
21:18No, no, no.
21:20It's not possible.
21:22Because we have to be safe in the morning.
21:24We'll get up early in the morning and go to the station.
21:26Why not?
21:28And what am I, a defenseless girl?
21:35And what did you say you wanted, ma'am?
21:37What did you say?
21:38I want to file a complaint.
21:40For harassment.
21:42For harassment by a man.
21:44Harassment? What kind?
21:46All kinds.
21:48He calls me, he stalks me.
21:50I suspect he stole my phone calls.
21:52You suspect, you said?
21:54We are almost sure.
21:56Does he stalk your home phone?
21:58Yes, probably.
22:00I think so, but also my job.
22:02And you two accept this harassment?
22:04No, ma'am. I just accompany you.
22:09Guys!
22:11End!
22:13So, the joke is cut.
22:15We have to resist.
22:17We have to resist the situation that has been created
22:19because of the ignorance of the public.
22:21We must not give up this time.
22:23Because we are being harassed.
22:25We can not get up anymore.
22:27Because we will take the extra money
22:29and what will we do?
22:31We will give it to the psychiatrists.
22:33Now that you say it,
22:35you need a psychiatrist too.
22:36Come on, kid, a joke
22:38to relax the atmosphere.
22:40No, cut the jokes.
22:42The situation is very serious.
22:44Eugenia is right.
22:46We have to do something
22:48and put an end to it.
22:50Either the situation changes
22:52or we go down to strike.
22:54What strike? Are you hungry?
22:56To tell you personally,
22:58it would be good for me
23:00because the last time
23:02the only way out
23:03is to go down to strike.
23:05So, I suggest
23:07to call them all
23:09to a meeting
23:11so we can tell them
23:13what to do.
23:15What are you saying?
23:17If we all go together,
23:19it will be a mess.
23:21And who will it be?
23:23Let's vote.
23:25I liked it a lot
23:27as Eugenia said.
23:29I vote for Eugenia.
23:31Yes, yes.
23:33I vote for Eugenia.
23:35Vicky?
23:37I pay whatever you want.
23:39So, it's a good idea.
23:41Rigori?
23:43Yes?
23:45What do you want me to do now?
23:47I'm sorry.
23:49A soul that is innocent.
23:51Colleagues,
23:53thank you very much
23:55for your trust
23:57and I will show my loyalty.
23:59The terror will not pass.
24:01Goodbye, Victoria.
24:04Mr. Goldie,
24:06Ms. Policewoman,
24:08do you know what time I leave?
24:10What time I come back to my house?
24:12Do you know everything about me?
24:14Do you know the smallest detail?
24:16Excuse me.
24:18Didn't you tell me you work on the radio?
24:20Why?
24:22I heard about you.
24:24I'm happy to hear it.
24:26You say wonderful things.
24:28You know how to excite your audience.
24:30What do you mean by that?
24:31You make it up, kid. You make it up for me.
24:34But I told you, you're a real pain in the ass.
24:40But that's how you artists do it. Not to say artists.
24:46I'm sorry, sir, but I'm not an artist. Let's go, Leonida.
24:49Leonida? Who's Leonida?
24:51She didn't say Leonida. She said...
24:54I say I saw what I saw. Let's go.
24:55What did you see?
24:57We saw that you'd help us, sir.
24:59Don't tell me you didn't do your homework.
25:02We have orders to follow.
25:04Really?
25:05We work in here.
25:07Tell us, what orders?
25:09Did this man do anything to you?
25:11Did he do anything to you to be able to accuse him?
25:15What did he do to you? Hit you? Slap you? Kill you?
25:18Yes. That's exactly what we want to avoid, Mr. Officer.
25:22To not be killed.
25:24But I need evidence to accuse him.
25:27What did this man do to you?
25:29He sends me flowers, food and messages at work.
25:35So you care about him.
25:37He cares about you and you want to accuse him.
25:43What can I say?
25:45How can you women be like this?
25:47We don't care about you, you complain.
25:48We care about you, you accuse us.
25:51You're crazy.
25:52Crazy?
25:53Of course.
25:55I say, instead of accusing him, you should marry him.
25:59He cares about you and loves you a lot, it seems.
26:03Anyway, where else can I find an alcoholic with a mind like yours?
26:08I see you on the shelf.
26:10This is the perception that the police has.
26:13If someone bothers you, you're just a delay.
26:16You fell victim to rape, you moved and you wanted it.
26:20Long live progress.
26:25Oh, how I try to hate you
26:31I get bitter every time you run through my mind
26:40Between love and hate
26:45There's a little thin line
26:51And I'm trying
26:54Hello.
26:55Hello.
26:56Is Lola here?
26:57No, no, she's not in her office.
26:59What do you want?
27:00The meeting is about to start.
27:01What meeting?
27:02The meeting that decides the coordinating body
27:04of the union of the workers.
27:05What are you saying?
27:06Let's go, comrade Foti.
27:07Damn, the union of the workers?
27:09Let's go.
27:14Good morning.
27:15It's a pleasure to have you on the microphone today.
27:18If you're wondering why Vassilis isn't greeting you,
27:22he's got a flu and asked me to replace him today.
27:26So, take my phone, let's talk and wake up happily.
27:30Let's wish Vassilis, who's listening to us right now,
27:34to come back to us soon.
27:39We have our first call.
27:41Good morning.
27:42Good morning, Hara.
27:43How are you?
27:45I'm calling you because you're a smart person
27:48and we need a serious woman's opinion.
27:50If I can help you, I'd be very grateful.
27:52I'll tell you.
27:53Lately, I've been doing everything I can to get close to a girl.
27:57To seduce her, I send her various gifts, but...
28:00But something scares you.
28:02Yes, I don't know if it scares me exactly.
28:05I want to say that I thought that my gifts were pleasing to her,
28:09that they lifted her up.
28:10But she...
28:11What?
28:12I don't know how to explain it.
28:15And that's why I want your opinion.
28:16I found out that this girl went to the police to report me.
28:23To be honest, that hurt me.
28:26I've been very angry.
28:29I don't know what I'll do from now on.
28:42You can't lie to me in front of so many people.
28:45I can and I can't.
28:46Do you want to know what else I can do?
28:47No.
28:48You'll find out.
28:51What's going on, guys?
28:52Did Julia tell us that the workers want to talk to us?
28:56We're listening.
29:00What's going on, guys?
29:01Did Julia tell us that the workers want to talk to us?
29:04We're listening.
29:06We can't take it anymore.
29:07What are you, my child?
29:09The representative of the workers?
29:10Exactly.
29:11But I'm also a representative of myself who says,
29:13that's enough.
29:14I can't stand this oppression.
29:16One says something else, and Mrs. Elvira says something else.
29:19I'm someone else, and she's a lady?
29:22Yes, but that's not how we're going to get along.
29:25That's why, either you end up leading to an agreement
29:29or we all quit.
29:33Here. See what you did?
29:35Me or you, who doesn't understand who's in charge here?
29:38What are you saying, Charis?
29:39Who's been making him sweat all these years?
29:43You, of course.
29:44That's because you're not wearing a mask, you moron.
29:47Moron? Have you eaten?
29:49You're threatening me. I've got witnesses, all of them.
29:52I'm going to get my lawyer. My lawyer is threatening me.
29:54Who's threatening me?
29:56Me or you, you moron.
29:57Tell me about your sweat.
29:59I'm going to get my lawyer.
30:13THE NEXT DAY
30:18Hi, Julia.
30:19Hi. How are you?
30:22I'm fine.
30:25Where did the rest of them go?
30:26In the meeting room. They're having a meeting.
30:28Yeah?
30:30The committee of employees has decided.
30:32I'll go, too.
30:34I'm going to get something from my office first.
30:42I don't know what you're talking about.
30:44I don't know what you're talking about.
30:46I don't know what you're talking about.
30:48I don't know what you're talking about.
30:50I don't know what you're talking about.
30:52I don't know what you're talking about.
30:54I don't know what you're talking about.
30:56I don't know what you're talking about.
30:58I don't know what you're talking about.
31:00I don't know what you're talking about.
31:02I don't know what you're talking about.
31:04I don't know what you're talking about.
31:06I don't know what you're talking about.
31:08I don't know what you're talking about.
31:10I don't know what you're talking about.
31:12I don't know what you're talking about.
31:14I don't know what you're talking about.
31:16I don't know what you're talking about.
31:18I don't know what you're talking about.
31:20I don't know what you're talking about.
31:22I don't know what you're talking about.
31:24I don't know what you're talking about.
31:26I don't know what you're talking about.
31:28I don't know what you're talking about.
31:30I don't know what you're talking about.
31:32I don't know what you're talking about.
31:34I don't know what you're talking about.
31:36I don't know what you're talking about.
31:38I don't know what you're talking about.
31:40I don't know what you're talking about.
31:42I don't know what you're talking about.
31:44I don't know what you're talking about.
31:46I don't know what you're talking about.
31:48I don't know what you're talking about.
31:50I don't know what you're talking about.
31:52I don't know what you're talking about.
31:54I don't know what you're talking about.
31:56I don't know what you're talking about.
31:58I don't know what you're talking about.
32:00I don't know what you're talking about.
32:02I don't know what you're talking about.
32:04I don't know what you're talking about.
32:06I don't know what you're talking about.
32:08I don't know what you're talking about.
32:10I don't know what you're talking about.
32:12I don't know what you're talking about.
32:14I don't know what you're talking about.
32:16I don't know what you're talking about.
32:18I don't know what you're talking about.
32:20I don't know what you're talking about.
32:22I don't know what you're talking about.
32:24I don't know what you're talking about.
32:26I don't know what you're talking about.
32:28I don't know what you're talking about.
32:30I don't know what you're talking about.
32:32I don't know what you're talking about.
32:34I don't know what you're talking about.
32:36I don't know what you're talking about.
32:38I don't know what you're talking about.
32:40I don't know what you're talking about.
32:42I don't know what you're talking about.
32:44I don't know what you're talking about.
32:46I don't know what you're talking about.
32:48I don't know what you're talking about.
32:50I don't know what you're talking about.
32:52I don't know what you're talking about.
32:54I don't know what you're talking about.
32:56I don't know what you're talking about.
32:58I don't know what you're talking about.
33:00I don't know what you're talking about.
33:02I don't know what you're talking about.
33:04I don't know what you're talking about.
33:06I don't know what you're talking about.
33:08I don't know what you're talking about.
33:10I don't know what you're talking about.
33:12I don't know what you're talking about.
33:14I don't know what you're talking about.
33:16I don't know what you're talking about.
33:18I don't know what you're talking about.
33:20I don't know what you're talking about.
33:22I don't know what you're talking about.
33:24I don't know what you're talking about.
33:26I don't know what you're talking about.
33:28I don't know what you're talking about.
33:30I don't know what you're talking about.
33:32I don't know what you're talking about.
33:34I don't know what you're talking about.
33:36I don't know what you're talking about.
33:38I don't know what you're talking about.
33:40I don't know what you're talking about.
33:42I don't know what you're talking about.
33:44I don't know what you're talking about.
33:46I don't know what you're talking about.
33:48I don't know what you're talking about.
33:50I don't know what you're talking about.
33:52I don't know what you're talking about.
33:54I don't know what you're talking about.
33:56I don't know what you're talking about.
33:58I really like Lenny from Oktober tonight.
34:01I really like Lenny from Oktober tonight.
34:04Manaowi?
34:06Manaowi?
34:08He wouldn't bring that kind of cigarette to a pot waterfall.
34:12Marx, Lenny, Noche Guevara, Papariga and so on.
34:15Right?
34:17Right.
34:19This will be the last of us for today.
34:21Tomorrow, Vasilis will be here again.
34:24I will finally be available every afternoon.
34:27Be careful.
34:47It's pieces.
34:49This story with the guy has crushed me.
34:53Where is it?
34:55Chara, this is for you.
34:57What is it?
34:58I don't know.
34:59Who left it?
35:00I have no idea.
35:01I found it in the reception with a card that says it's for Chara.
35:04Ok, give it to me. Thank you.
35:06Bye. See you.
35:17I can't believe it.
35:18The guy has gone crazy.
35:19He's giving me perfume now.
35:21Chara, I understand how you feel.
35:24No, Stefan, you don't understand me.
35:26No one understands me.
35:28Do you know what they told me at the police?
35:30That I'm filming all this because I'm the one causing trouble in my show.
35:35And George made a big deal out of me because I'm naked and that's how the numbers go down.
35:40So, the only thing that interests him are the celebrities and the sponsors.
35:44Do you understand that?
35:46I'm not George.
35:51I'm not George.
36:01Excuse me.
36:02Julia told me that you need me.
36:04Come, Lola. Come, please.
36:08Sit down.
36:10Come, Lola.
36:11Come, Lola.
36:17We called you as the editor of the newspaper because we want to know your opinion.
36:21Tell us what exactly we should do.
36:24Yes.
36:27Yes.
36:28Look, what should certainly be done
36:31is to make a decision together.
36:34As soon as possible.
36:35As soon as possible.
36:37No, Chryssou.
36:39I don't like impulsive moves.
36:42I don't mean that.
36:43I don't know what you mean.
36:45All I know is that Argyris was always impulsive.
36:48Of course.
36:49What are you waiting for?
36:51No, I don't mean that.
36:53I mean that since the beginning of the publication of the newspaper
36:56it's the first time we've been late.
36:58If it's possible.
36:59Since the beginning of the publication of the newspaper?
37:01Yes.
37:02Since the beginning of the publication of the newspaper?
37:04And how do you know what was happening here at the beginning of the publication of the newspaper?
37:08Well...
37:12Not from the very beginning of the publication of the newspaper.
37:16Not from the Big Bang.
37:18Don't try to fool me, my love.
37:20How do you know what was happening at the beginning of the publication of the newspaper?
37:23Language.
37:24But if Thanos always tells the truth.
37:26Argyris.
37:27Argyris, you have the lie in your pocket, right?
37:29How many years does this relationship last?
37:31What are you saying, my friend?
37:32What are you saying?
37:33You took it once and you don't know what you're saying.
37:35Didn't you tell me that you got it recently?
37:37How do you know what was happening at the beginning of the publication of the newspaper?
37:40My cousin.
37:41My cousin has informed me of everything.
37:43Yes, he has informed you of everything.
37:44With every detail.
37:45With every detail.
37:46What was happening at the beginning of the publication of the newspaper?
37:48Where do you sell these?
37:49And with what will you save?
37:50We don't sell anything, Elvira.
37:51Okay?
37:52Well, you have to make a decision together to see what we're going to do with the newspaper.
37:55It's not possible to be so late.
37:56Listen, my love.
37:57Won't you tell me what we're going to do with the newspaper?
37:59Me.
38:00To the publishing house.
38:01Me.
38:02To my company.
38:03Well, listen to me.
38:04You have to know that it's my company and my newspaper and that I'm in charge of it.
38:10Lola.
38:11Leave us alone for a while, please.
38:15She left.
38:16Of course.
38:17Your mistress left you.
38:20Well, listen to me.
38:21No, I'm not listening to anything.
38:22Why? Are you deaf?
38:24You're making jokes, too.
38:26You're deaf, ma'am.
38:27Outside.
38:28But the situation has reached the point of no return.
38:30I have to make a very serious decision.
38:32I won't do anything if I don't consult.
38:34Your lawyer?
38:35My astrologer.
38:39Giorgos, don't pressure me.
38:40My nerves are completely broken.
38:42Come on, please.
38:43Relax now.
38:44It's easy for you to say.
38:45The only thing I'm saying is that you're a professional.
38:47There's a lot of work ahead of you.
38:49Yes, but apart from being a professional, I'm also a human being.
38:52And because no one thinks of me, I have to think of myself.
38:55So now what do you want to say?
38:56That I don't think of you?
38:57Right now?
38:58Now?
38:59Who's talking to you here?
39:00I am, right?
39:01Yes, I am.
39:03What I'm saying, baby, is that you have to make some priorities.
39:07We are professional people.
39:09First, do your job and then I swear to you.
39:11But look at me.
39:12Then I'll come myself to take you to the police station.
39:16I already went to the police station, Giorgos.
39:18And?
39:19And what?
39:20They laughed in my face.
39:22Forget about them.
39:24I have some great ideas.
39:25Don't worry about anything.
39:26Relax and I swear to you...
39:28Relax again.
39:30Come on, baby, please.
39:31I'm telling you, I know a better police officer.
39:34Nothing is going to happen to you.
39:36Come on, come on.
39:37Come on and do your job.
39:39Is that what you want to tell me?
39:40Excuse me.
39:41Leave me alone.
39:51From what I see here, Elvira, you have an aphrodisiac.
39:56Which means that your sensitivity exceeds the limit
39:58and that you can receive things and situations that few people can.
40:02My love, you are very right, as always.
40:04That's how I got Argyris.
40:06To lie to me, to deceive me.
40:09But, Elvira, because of this emotional position of the aphrodisiac,
40:13you often balance reality and imagination.
40:17Your imagination, that is, is particularly developed.
40:21And you have to be careful about that.
40:23Because it can sometimes create wrong impressions.
40:27What do you mean by that?
40:29Was it my fault that I got Argyris?
40:31In moments of passion, one with a little girl and the other with my magazine manager?
40:35What is all this? What is all this?
40:37Creations of my imagination?
40:39No, my dear, you just shouldn't let your sensitivity and your imagination get in the way.
40:44You also have to be very careful,
40:47because you have a tendency to be attracted to dark norms.
40:51Especially at this time, with the disharmonic view of your time,
40:56it is very likely that you will be approached by dark types with suspicious intentions.
41:01Oh, my love, I've been living with a dark type for 25 years.
41:05I've gotten used to the dark side.
41:07Anyway, let's leave my personal life to them.
41:10I played and I lost.
41:12Now I want to take my life into my own hands.
41:14To express my creativity and my talents.
41:17Tell me about the professionals.
41:19Here, again, we have the charming Hydrogen,
41:22who shows a clear tendency to doubt.
41:25I clearly doubt that Argyris is the right person to run my company.
41:30That's why I decided to run it myself.
41:33Yes, in management, again, you have a talent.
41:36Whatever I have, I have it.
41:38You have a talent, but...
41:40What? Do I have it or not?
41:42You have it, my child, and you also have a magnetism, but...
41:45Here it is again, but...
41:47But you also have a quadruple, chrono-Aphrodite, Dia and Poseidon,
41:51which is not the most favorable.
41:53It leads you to mistakes.
41:55You need to change your behavior.
41:57You have to be careful not to become despotic with your subordinates.
42:01Despotic?
42:03They'll call me Mr. Panagiotis.
42:05Don't say anything else.
42:06I got it.
42:07I have magnetism, I have faith.
42:10I'm the right person to run Mr. High Five
42:16and Greece as a whole.
42:18And you, my love, you are the best of the kind.
42:21Thank you very much.
42:22You have given me psychological superpowers.
42:25And now I'm leaving.
42:26I'm going to lead the troops to victory.
42:30Bye, my baby.
42:32Here, for such cases, I sometimes think of withdrawing
42:36and writing my book, the books, and how to deal with them.
42:45Hi!
42:46How are you?
42:48I'm fine.
42:49As good as anyone can be,
42:51as long as the situation allows it.
42:56Do you want something?
42:57Yes, yes, I do.
42:58I want to thank you for this.
43:00I didn't bring this.
43:01I brought a whole box of chocolate.
43:02Yes, I packed it yesterday.
43:05I hope you liked the strawberry.
43:07Yes, yes, I liked it very much.
43:09But I liked the point more.
43:13No, I wanted to thank you for what you did for Melina.
43:17Yes, yes, I know.
43:20I didn't bring anything else,
43:21so you wouldn't think that Liza Papastavrou left it.
43:26Which Liza?
43:27The one with the bouyoukla.
43:29In the wooden bouyoukla from Paradise.
43:31Liza Papastavrou of Themistocles!
43:33Oh, that one!
43:36Good, good, yes.
43:38Let me tell you, something happened.
43:40Yes, I took the notebook.
43:42At that time, Natalia came in,
43:44and I hid it, so she wouldn't see it.
43:46Why?
43:47Because, okay, I didn't want her to misunderstand, my child.
43:50Don't think, my child, that something is going on between us.
43:52I mean, we just have a simple friendly relationship.
43:55I didn't want her to misunderstand.
43:56Ah.
43:57Yes.
43:58That's what we have.
43:59A simple friendly relationship.
44:02Of course, of course, that's what we have.
44:03A simple friendly relationship, yes.
44:05And, okay, I didn't want her to misunderstand,
44:07but, you know, don't think that something is going on between us,
44:10and then we can't be friends.
44:12Aha.
44:13But, do you want us to be friends?
44:18Yes, of course.
44:19Of course, I want us to be friends.
44:20I really want us to go out for dinner,
44:24and to make the perfect mojitos you make,
44:27and to go for a drink with the guys at the bar.
44:30Very nice.
44:31Ah.
44:32Yes.
44:34Two simple friends, just like that.
44:36Yes.
44:37What did I say?
44:38Very good friends.
44:39Okay.
44:40Yes.
44:41Okay.
44:42Stop.
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